#sytnh

[musictrendswithmorality]

(Morality) light, abundance of light.

[firebuug]

I played at my first concert btw. It was fun

[therealjoeywalker]

You have to give uip playing all kinds of one kind of instrument would you give up the guitar or would you give up your synth machines boy

Okthank you for the motherfucking clarification i don't like you whoever you are btw we got off on the wrong foot i dont caer youre still off my top 100 easy

anways

If you think about it i ca,n still look at them and watch them being played so its nojt a huge huge huge ginormous deal because i like them a lot to the point of being satisfied with tat

buuf but iguess i would like to play sytnhs its funn and i can always get a fucked ass guitar soundfomt. i can keep myguitars i dont need to plauy to enjoy them Ican hang dickhead on fhe wall and look at it and smile sometimes. and the gibsoh and th yams and etcccccccccccccccccccc

Bye

[modsachiko]

Happy Halloween! What are your favorite halloween themed vocal sytnh songs? I'm personally partial to "Halloween Magical Theatre" by QTBomber!

HAPPY HALLOWEEN!!! 🎃🎃🎃

I haven't heard of that song, but I'll make sure to check it out! :D Here are my favourite Halloween songs, in no particular order:

Mrs. Pumpkin's Comical Dream (Hachi ft. Hatsune Miku)

Happy Halloween (Junky ft. Kagamine Rin)

Gretel in HALLOWEEN HOUSE (Den ft. Hatsune Miku)

trick and treat (OSTER project ft. Kagamine Rin & Len)

Black Halloween ~Death or Dance~ (Joruzin ft. Hatsune Miku, Kagamine Rin, & IA)

giga Cartoon witch (Kurosawa Madoka ft. Kagamine Rin)

Pumpkin Head Spooky Dance (Machigerita ft. Hatsune Miku)

Halloween Patisserie TrickaTorka (Machigerita ft. Hatsune Miku, Megurine Luka, & Kagamine Rin)

Darker Halloween YumYummyGillia (Machigerita ft. Hatsune Miku, Megurine Luka, Kagamine Rin & Len, Kamui Gakupo, GUMI, MEIKO, & KAITO)

Everyday Halloween (YuugouP ft. Kagamine Rin & Len)

Pumpkin Parade (YuugouP ft. Kagamine Rin & Len)

Do Defective Dream of Halloween? (Shitoo ft. Magene Shito & Magene 0I)

Dummy March (momocashew ft. Oliver & Kagamine Len)

FEAR PROXY (Monstrosity ft. GUMI)

I'll make sure I reblog any other Halloween songs from @vocaloid-tunes that I like for my #mod sachiko's picks tag! Thanks again! Have a wonderful Halloween night!!!

[doktorsung]

i realy enjoy shoegaze w vocal sytnhs in particular

[electricarmchair]

Listen to Bad Habits now! What are your bad habits?

[welovewaves]

[catsonsynthesizersinspace]

[imoonblaze]

🌸Pandora (OC) belongs to @imoonblaze 🌸Synth and trollstopia belong to Dreamworks

Hello again trollstopia fandom! It's been a few years since I didn't create more fanart related to trollstopia, but with the release of trolls 3 I'm very excited to return.

Today I show you a new OC, she is Pandora the harpy troll (troll tyto alba), she does not belong to a musical genre itself (or at least not yet while I continue developing it), she is someone calm, adventurous and curious who likes experimenting and trying something new, that means the one who doesn't like to get stuck with just one thing when he is acquiring tastes and preferences (musical and clothing), he likes shiny things and he likes to feel free while flying, Pandora is quite happy to know that there is a place known as trollstopia where different trolls from different clans live together.

I must say that when I designed hers in a previous design of hers she was a vampire and… her outfit suddenly gave me Freddy Krueger vibes… that's why I had to redesign her again until I felt satisfied with the result 😅

[rosesnrises]

Before - After

Feat. Cho Seungyoun (WOODZ)

Program used: 1. Vapour Sytnh 2. Adobe Photoshop CC

[dobythealpaca]

YIPEEEEEEEEEEE!

thsi is my formla apology im very sorry for larrying ur blog sytnh i very apologies it will ever happen again fr i am very ssosbsy me doby anm soory never again i promise pinky pink promise-

I think we should bait Doby out of here with something. Like idk. Look there's a Larry comic and then get em trapped (-mxttellion)

psppspps doby. pspsppsps i got. larry for you. a comic psppspsps

-synth

[haltmann]

one of the things that pissed me off the most about fallout 4 was the fact you can't romance curie until you put her into a synth body and don't even get me started on how fucked up the way you get the sytnh body for her is

let me marry my robo wife she's perfect just the way she is todd coward

[sapphicvevo]

rebel-lance replied to your post “PIDGE SPENDS ENTIRELY TOO MUCH TIME WITH VALENTINE”

OH MY GAWD SHIRO AS A SYTNH????? HOLY FUUUUUUUUUUUUUUUUUCK

I KNOW...... I KNOW.......

[ultimiavlad]

WWAIT DFDES DOES NICK HAVE SEPERATE TEXTURES OR THE SAMFE AS THE NORMAL SYTNHS

[theseventhhex]

Rose Elinor Dougall Interview

Rose Elinor Dougall

'Stellular' is the culmination of the strange and hectic decade or so since the 19-year-old Rose jacked in college to go on tour with The Pipettes. Since she made the bold to go it alone, her musical trip has taken her from the introspective sounds of debut solo album 'Without Why' to performing as part of Mark Ronson's touring band on a never-ending world tour. Throughout her sublime latest release, Rose embraces her pop sensibilities, as well as reflecting herself and her friends, as they negotiate love, sex and living viscerally in modern London. In her honest clarity Rose Dougall has captured ten years of falling apart and picking herself up again explored in new ways of writing her way through the pop song… We talk to Rose about working from a limited sonic palette, being unapologetic and finding clarity…

TSH: How important was it for you to approach your record ‘Stellular’ with a newfound sense of ability and strength in your crafting process?

Rose: It was very important. Obviously there was quite a big gap in between putting out this record and the last one. In that time I went on tour with Mark Ronson and had quite few valuable musical experiences. I guess I wanted to try and find some kind of synthesis between the more insular indie and folky roots that I had and to do something bolder and more expansive. Also, pop music has always been a common thread in my sounds and I shunned that for quite a while, so I wanted to reconcile a strong pop melody within this record too. The main thrust of this record was to frame the couple of years I spent making the record, as well as living nocturnally in London and making sense of that.

TSH What was the thinking in working form a limited sonic palette this time around?

Rose: I think that comes from experience and musical education in a way. I guess there’s a tendency to overcook things, especially if you���re making music in the box quite a lot. Sometimes having too much of a palette to choose from means you throw in too much, and I just wanted to find the essential meanings in the songs and hold on to as much space as I could so that there was nothing superfluous, and that it was all there for a reason.

TSH: Did you feel compelled to pen lyrics with a more unapologetic tone?

Rose: I guess so; I mean some of these songs are so old now. Had I written them in the last year, considering what’s been happening in the world, they’d probably lyrically be further in a frustrated direction. I just wanted to frame my personal ideas and not be too self-indulgent.

TSH: Was ‘Colour of Water’ the natural choice for the album opener?

Rose: Yeah, totally. That came together in one day in the studio. I remember saying to Oli, who produced the record that it felt so obvious as the first track – it simply had the feel of an opening.

TSH: What do you remember about forming ‘Hell and Back’?

Rose: That track actually started off as a simple little sweet song and then as we were recording it, I think we may have got a little drunk, ha! I think that lead to us throwing in more of a weird synth kind of soundscape in the middle. That one references and reminds me of if Julie London was singing on a sytnh record, that was the attitude behind it.

TSH: Furthermore, is your music still informed by non-musical factors?

Rose: Yeah, I mean there’s no way those things can’t seep into the music because you’re surrounded by various amazing influences on a daily basis. It’s our job to be a receiver to other people’s ideas and energy. I was actually reading a lot of Yates in the lead up to this record.

TSH: What’s pleased you most in the wake of this release?

Rose: I’m really pleased it came out, ha! I mean it’s quite hard to put a record out these days and I was blessed to have had so many helping hands, which was really nice. I’m just glad the record has reached people and that the risks I took seem to have paid off since the feedback I’ve received leads me to believe that the listeners really understand the record.

TSH: What gives you most clarity on a daily basis?

Rose: I’m finding it difficult to find much clarity lately, I’m not sure if there is much clarity to be found. I guess you have a few options really: you can feel completely overwhelmed and petrified of world events and let it stop you from doing anything at all, or you can be optimistic and try to make changes. I mean I’m not hugely optimistic whether the right voices can make the changes needed, but I’m still hopeful. We’re in for a rough few years, that’s for sure. For me, escaping London definitely helps me to free my cobwebs and touring with my lovely and talented band is always a feel-good factor.

TSH: As you look ahead, do you very much want to expand as a writer and player?

Rose: That sounds about right; you hit it on the head, ha! You know, I just want to make more records and get them out really. I definitely feel that my perspective is shifting in lieu of what’s happening in the world and I think I’ll try to be more incisive with my songwriting. We’ll see what happens.

Rose Elinor Dougall - “Stellular”

Rose Elinor Dougall - “Space To Be”

Stellular

[tapedecktheory]

Newly purchased Yamaha TX81z and a few juno chords. Test run.