#t:interview

[fymoonbyul]

[INTERVIEW] Herald Interview |  MAMAMOO+ hopes to pave new path for girl group longevity

Solar and Moonbyul of MAMAMOO drop 1st EP 'Two Rabbits' as a duo

A decade together has passed already for Solar and Moonbyul of Mamamoo, yet the two singers still feel like fresh rookies, they said in a recent interview.

The interview, conducted with local press on Tuesday in Seoul, came a few days before the duo's subunit return as Mamamoo Plus, with their first EP "Two Rabbits."

Imagining this moment around a decade ago when they first set off as Mamamoo in 2014, Moonbyul said she did not imagine a rosy future just then.

"I thought that my career as an idol singer would not last long, because fame wanes. I'd already been worrying about what I would do 10 years later," the Mamamoo rapper, who has enjoyed quite a stable career as a solo singer, said.

Now she realizes it was all needless apprehension. According to Moonbyul, having accumulated the knowledge and experience of the past 10 years, it is just the beginning for her.

Considering that many new idol singers do not have much control over their career in the early years, especially the first seven when they are tied to the company-friendly contract, Moonbyul's statement may not be an exaggeration.

That's why Mamamoo Plus carries a personal significance for the two, as they willingly chose to come together as a subunit where they could do music to suit their own tastes.

"The two of us always preferred bright and upbeat music, which was what Mamamoo music was in the early stages, but later turned darker. We really wanted to pull up the energy inside us and that resulted in the new song, 'Dangdang,'" Solar said.

"Dangdang" is the lead single on the duet's new album "Two Rabbits," which is set to be released Thursday evening.

The boisterous dance tune with an easy-listening melody and repetitive lyrics was initially intended for a Mamamoo album, but was dropped, the duo explained.

"It was replaced by 'Starry Night.' The situation was complicated, but above all, I had a herniated disk and couldn't dance. Instead of 'Dangdang,' we went for 'Starry Night,'" Solar explained. "Starry Night" led the quartet's sixth EP, "Yellow Flower," which came out in March 2018.

At the time, they only had the chorus for "Dangdang." But Moonbyul said she was gripped by it the instant she heard it, so much so that she wanted to include it on her solo album.

"I felt just like the first line of the song. 'My head is going dangda-dangdang.' I felt numb hearing the song for the first time. But, the song was constantly pushed down the list. I'd kept it in a corner of my mind ever since and brought it back up because it's such a perfect match for Mamamoo Plus' identity," the rapper said.

Upon the prime sound, the two piled on new sounds flourishing with Mamamoo Plus' iconic peppy energy, Moonbyul explained. Their bandmate Hwasa, who contributed to writing the original chorus, is also credited as a composer and lyricist along with the duo.

While the forthcoming album is not the first from the Mamamoo subgroup, the two musicians say it's the album through which they introduce and define the sonic landscape they hope to paint as Mamamoo Plus: innocently uplifting music.

Welcoming listeners into the album is "Intro: Two Rabbits," which sets the foundation of the team's identity, according to Solar. "It plays in the outro of the title song music video, like a foreshadowing of what's to come. It's that significant and has much more to show," she said, expounding on the first track.

One of the tracks, "I Like This," was a song from 10 years ago, she added.

"The members together wrote the lyrics and made the choreography then, but it couldn't come out due to bad timing. I've been hanging onto it since," Solar said.

The fourth track, "Starry Sea," is a melodic hip-hop tune with sentimental lyrics inspired by Mamamoo's "Starry Night."

"Save Me," which was prereleased from the album in July, stands out among the package of perky scores with its calm, doleful tune. Moonbyul took part in writing the melody and words for the song.

Mamamoo Plus came out as the four-member group's first subunit in August 2022 with the first digital single "Better." In March, the duo dropped the first official single, "Act 1 Scene 1," fronted by title track "GGBB" and prerelease "Chico Malo."

According to Moonbyul, "GGBB" and "Chico Malo" were both of distinctively unique styles. The groovy dance-pop "GGBB" and "Chico Malo," a fusion of Korean and Latin sounds, had touched upon the broad musical landscape the two artists were capable of.

With "Dangdang," the two say they hope to reach a larger audience and boost their presence as rookie artists.

"We're pop singers, so it's inevitable that we stay aware of the public reaction. Whether to follow popular trends or to follow our creed is a never-ending dilemma," said Solar, the leader of Mamamoo as well as the subunit.

She continued: "That's why as a soloist I try to do what I want, like the shaved head style I did before. But as Mamamoo Plus, popularity is important as we will only exist as long as people continue to like us and our music."

A No. 1 on any music chart -- and staying on it for multiple weeks -- is the main goal with "Two Rabbits," according to Solar.

Making themselves known and thriving beyond Mamamoo is another goal, Moonbyul added.

Surpassing the high standards set by Mamamoo is a task that all four bandmates of the massively popular K-pop group share as they venture forth to the next stage of their careers.

Moonbyul and Solar remain with RBW, while Wheein and Hwasa left the company with the termination of their exclusive contracts. Wheein departed in 2021 and Hwasa last month.

Although groups tended to disband naturally in such situations in the past, recently many -- the likes of 2PM, GOT7, Girls' Generation and Infinite -- continue as a team despite contractual differences, Mamamoo being one of the latest examples.

"We think we've contributed to extending the longevity (of idol groups), and we feel proud," Moonbyul said, adding, "Even if we all belong to different companies, it doesn't mean Mamamoo has come to an end. We cherish each of our own dreams as much as the group. We'll exist alone yet together."

Solar said Mamamoo Plus will launch its first standalone concert tour this year.

"We're planning to hold concerts within the second half of this year, here and overseas. We expect we'll have many opportunities to meet our fans this year," she said.

Mamamoo Plus' first EP, "Two Rabbits," comes out at 6 p.m. on Thursday.

source

[fy-yongsun]

240123 Solar at the press conference of ‘MAKE Minam' (trans)

"I’m very interested in decorating and maintaining things, the show is lot more fun than I thought” (Make Minam)"

Kim Jongkook about Solar, "We did a broadcast on 'Running Man' before, she was a friend with various talents and charms. She had a professional spirit while hosting the show. If we're lacking energy, she cheered us up, I think it was nice to see it because it gave us energy," he praised.

Regarding future activities, Solar said, "Make Minam' is starting early this year. Starting with 'Make Minam,' I want to greet people in various other places. Rather than changing something, I want to be active in various places."

Solar said, “Fun, emotion, and information, I think ‘MAKE Minam’ has all three qualities:. “This is a program if you watch anytime, anywhere, you can gain information and even be moved by it”

[dailyexo]

[INTERVIEW] Kai - 230314 UPROXX: “Kai Doesn’t Care What You Think, ‘Rover’ Is His Reminder To Live Life Freely”

"When Kai debuted with EXO 11 years ago, he was already a fan favorite. His teaser featured him smoothly dancing across a puddle of water to the group’s jazz pop track “My Lady.” From then on, Kai, whose real name is Kim Jongin, became one of the attractors and magnets for potential EXO-Ls to be.

With a massive discography and awards accrued over the last decade with EXO (and SuperM), it was only November 2020 when Kai unraveled his own world to the masses and proved how much of an ace he is. With his debut single “Mmmh,” the EXO member checked off every tick on what it meant to be a whole package — and be rightfully called “Idol’s Idol:” a catchy R&B ear worm that’s easy to sing along; sexy, jaw-dropping choreography that went viral; and looks (including a jawline so sharp) that could kill from a glance.

His title as Asia’s First Love only continued to grow when he followed up with “Peaches” (2021), a poetic R&B serenade that highlighted his romantic side.

Fast forward to today (March 13), Kai unleashes the wild side of him in his upbeat, Latin-inspired single “Rover” off his third EP of the same title. Last week, we caught up with Kai to discuss his new project, and his success as a soloist and member of EXO.

We obviously think of a car when we hear “Rover.” But how would you interpret that?

Kai: “Rover” is about not caring about what people think or say. It’s about just going your way freely as a wanderer. But that is also the whole album overall. It’s also about social media as well. A lot of different people see what you post and it’s a place where a judgment or opinion could actually be easily made. There are possibilities you could also be jealous of someone, or look up to someone when you’re on social media. But it’s more about not caring about all those different perspectives, or those gazes at all. And it’s a message of just think free, so the message that’s here I think is let’s be free.

I have a lot of messages to share to the world but whoever interprets it or whoever sees it, are free to interpret it individually since it’s different for each person. But regardless, I want to say that I’m just going to do whatever I want to do, what I like to do, and just spread the message of freedom and show that I’m doing what I want to do and what I like.

It’s such a switch from your last two singles, what did you think when you first heard it?

Kai: The first impression for “Rover” was very good. I thought the melody and rhythm meshed well and was very addictive. The song has a nice rhythm that’s very fun and easy to dance to. And while preparing for “Rover,” I was excited knowing I can focus on showing a new side of myself.

Are you aware of your virality every time you make a comeback?

Kai: Well, actually I don’t focus on that that much. Nor do I feel it that much because it’s a fight with myself because of how time is actually limited. We only have 24 hours a day and there’s a lot of good that I want to do and show to my fans. But other than focusing on the virality that I bring or the popularity that I have, I do have a little bit of pressure to focus on making something good

In “Mmmh” it was the choreography, then “Peaches” the detail that went viral was when you twirled one of your dancer’s hair. What do you predict would be the viral moment for “Rover?”

Kai: I could honestly say that out of all the dances or choreography that I’ve done, this one was very much difficult. But difficulty [for me] is shown in a cool way, or I hope so. So I’m not going to be able to choose just one part because I like everything.

Actually, I’m actually looking forward to what the people, fans, and listeners would choose as the viral moment or the killing part of the song. So, I really wish and hope that people could choose for me.

Any behind-the-scenes moments you want to talk about in this album?

Kai: Particularly, I do like the track “Bomba.” It’s one of my b-side tracks for this album and one of the tracks that I actually considered as the lead single for my second album,Peaches — between “Peaches” and “Bomba.”

Especially for this album, rather than focusing on what others would like to see from me, I mainly focused on what I like and what I would like to show. As I was really enjoying that thought in the production process, I couldn’t even think about any difficulties. I think my third album is more of a result of the experiences that I had with my first and second albums. So if it weren’t for my first and second albums, I think that my third album wouldn’t be possible. And I think when I was shooting the song, preparing the album itself, I tried to be more bold and unique with the choices that I make and I tried to work on that.

Do you feel any pressure still, as you make these comebacks?

Kai: Sometimes. I did have some pressure creating this album because I really want to showcase a new and different side to my fans. However, all of that pressure was released in the process of this album, while also preparing for it.

I always want to do better and show the best to my fans. I try my best not to think too deeply about it because I ultimately want to solely focus on the stage. Because when I start thinking too deeply into things, then I won’t be able to concentrate and fully show my 100 percent.

Have you found any stark differences or discoveries about yourself as a soloist and you as a member of EXO?

Kai: Well, yes there are differences to this actually. So, when I’m in the group — as a member of EXO, I feel more comfortable because we’re able to share this pressure that we feel altogether. I tend to rely more on the members than relying on myself. And it’s also that I really do enjoy and like being in EXO when in a group altogether. Because there’s EXO, I exist. Because of EXO, there’s Kai.

But even as a soloist, it’s very fun. I enjoy it as well since it’s only about me doing well, and me doing the best that I could do. It can be comfortable in those terms, but sincerely do enjoy both. Because, once again, I think Kai exists because of EXO.

What’s the biggest thing you’ve learned as a soloist?

Kai: As a soloist, I’m honestly very satisfied to where I’m at but I still can feel that I really, and truly, miss my members, especially those who enlisted. I’m really looking forward to the album that we will release as EXO altogether.

I could say that I realized I still do lack a lot of skills, and I have a lot to improve on still. And since I had my members while doing a lot of different activities with EXO, I was able to share the pressure. As a soloist, all the pressure is on me. Everything really depends on how I show my performance, and how the outcome is done by me. I really came to realize that I have to do my best and do better.

And, this is actually not directed to me being a soloist but, one really big learning that I realized these days is that time is special.

One thing the world doesn’t know that Kai wants to share.

Kai: Actually, I really don’t know who I am still and I think it’s kind of definite for the world not to know fully about me too. It’s more so that the images that I show as a member of EXO and Kai are very different from who I am as a person.

And you know, the fans do know that you know on stage, I’m charismatic and you know pretty much cool but that I’m a bit different off stage but I could say that not a lot of people know this because you know I may seem a bit you know charismatic on stage and cool but I’m actually a pure and kind person and yeah that’s about it for the first question.

Anything else you’d like to say?

I actually went to go eat Kaljebi which is a mix of Kalguksu (hand-pulled noodles) and sujebi (flattened hand-pulled noodles, and that was my favorite place to go eat."

Credit: Uproxx.

[parkjaechan-updates]

Comments from Park Jaechan have arrived for 'Semantic Error: The Movie.' Japan release

Comments from the two lead actors have arrived along with new scene photos from the theatrical version of 'Semantic Error: The Movie,' a youth boys' love drama that has become a social phenomenon.

Park Jaechan, who passionately played the role of the eccentric genius Chu Sangwoo in this work, is actively involved in daily activities as a member of the five-member K-POP idol group 'DKZ.' The former group name, 'DONGKIZ,' carries the meaning of 'children starting from Asia and extending to the world.'

Jaechan is the main rapper of the group and is also involved in the production of songs. Furthermore, last year, he achieved a solo debut with an album for which he personally handled the lyrics and composition for all the songs. He embarked on a tour across various Asian countries, and his popularity is resounding not only within South Korea but also throughout Asia.

He instantly became a sensation with 'Semantic Error.' With a strong-willed personality, though somewhat otherworldly, he delicately portrayed 'Sangwoo,' who, despite being captivated by an unconscious love for Jaeyoung, gradually reveals more human traits. His portrayal led to a flood of people being knocked out by the sudden smiles he occasionally revealed.

As he prepares for the release in Japan, Jaechan commented, 'Rather than on the stage, I will be seen through my performance on the cinema screen. It feels a bit embarrassing, but I would be delighted to receive a lot of attention and interest from everyone.'

And regarding the filming, he reflected, 'I remember it being so cold that you could see white breath when delivering lines. Gathering around the stove to warm our hands and mouths together is a memory that comes back every winter. The reason I felt that way is because the atmosphere on the set was so good that the cold wasn't a concern, and it was a really enjoyable environment.' Furthermore, Jaechan appealed to those contemplating watching the movie, saying, 'Don’t take more than 10 minutes to decide!!’ quoting a line from Sangwoo.

Source: 『セ��ンティックエラー・ザ・ムービー』パク・ジェチャン＆パク・ソハムのコメント到着 | cinemacafe.net Translated by Park Jaechan Updates

[12loona]

[ARTICLE] 221007 | K-Pop Group LOONA Discuss Styling Hopes and Regrets During 1st World Tour, ‘LOONATHEWORLD’

Snapshot! is a Teen Vogue style series where we ask artists to take candid pics and share a glimpse of their style and beauty routines. In this installment, the members of LOONA open up to Teen Vogue about touring, the styles that brought them to this moment, and a few they’re happy to leave in the rearview. READ THE FULL ARTICLE HERE By Abby Webster, 7th October 2022

[fyeah-bangtan7]

Jung Kook: “I want to prove myself through my music”

For Proof, you did the introductions to “Yet To Come,” “Run BTS” and “For Youth.” Did you have to do anything special when recording each song? Jung Kook: I mostly just listen for the mood of a song and then sing it—there’s no exact way to define what I do. But to put it simply, I’d say I sang “For Youth” in a very sorrowful way, “Run BTS” in a way that sounds like we did a long time ago and “Yet To Come” with a similar feeling to “Life Goes On.” I kept thinking I wanted to try recording again. I think I could do better, just that things were a little hectic when we recorded.

You spend a lot of time on V LIVE talking about your approach to singing. Were your thoughts on vocals reflected in the way you recorded yours? Jung Kook: It turns out I discovered something new after I finished recording them: When you’re recording, the feeling is more important than your vocal technique. I consider what makes my voice sound good when it’s heard live versus when it’s recorded, so the live version and the studio version are a little different, too.

Your voice seems a little denser than it did when you sang in English for “Dynamite,” “Butter” and “Permission to Dance.” You make “Yet To Come” sound passionate right from the beginning, for example. Why the change? Jung Kook: I used to make recording the studio versions my focus, but lately I’m trying to make my voice sound better without embellishing it too much, even just using my speaking voice. So I’m reflecting that in my voice. I think I was trying to embellish less and convey more sincerity.

The covers of “Chilly, Windy Night in 1991” and “Hate Everything” you posted to Instagram felt like something entirely new. Your vocals sounded like your speaking voice, so I thought maybe you became more interested in that style of voice. Jung Kook: I kind of feel like I want my singing—my voice—to sound better. When it comes to vocal technique, I always used to embellish my voice, so I thought it would be nice if I could sing well even when it’s with a more natural voice. I want people to consider my voice good even when I’m singing in a way that emulates casual speech, so these days I’m mainly practicing singing in my speaking voice. I mean, I’m practicing using my voice just as it is.

Do you like to sing in your natural voice? Jung Kook: To be honest, there’s a lot of times when I don’t like it. Even I think I sounded a little over the top or tried to make my voice sound extremely polished in my old performances when I hear them, but after trying to only sing with my natural voice for some time, I’m starting to feel sort of turned off by it. I know I can make a prettier sound, too, but I’m just trying to sing that way.

You sang “Stay Alive” closer to your natural voice, with some parts undeniably sounding like SUGA’s, and you also challenged yourself on some parts to sing in a higher pitch. Jung Kook: Yoongi didn’t ask me to do it that way or anything. We were really happy the recording came out as well as it did (laughs) but it was difficult, to be honest. Recording it was really tough. It was hard because it wasn’t perfect, and because I still couldn’t do it despite trying it so many times. I more or less blamed myself. The song was a good choice, and the recording went well, but things didn’t go that smoothly.

You were singing even when you came in for the interview. I’ve seen you singing many times before, in fact. What does singing mean to you? Jung Kook: Um … As far as singing goes, I want my name to become a shorthand for it. A shorthand for singing. I want to receive a lot of recognition and hopefully be able to hear my own singing and think, Wow, I’m really, really good. In other words, I want to be able to sing really well and feel comfortable doing so. I can’t feel that way every time I sing, but … I just want to be good. Now that I’m a singer and have appeared on so many different stages, there’s times I do such a good job up there that it gives me goosebumps, and with those experiences piling up, I keep thinking, How freeing and fun would it be to get up on stage and be able to sing the perfect song? Completely worry free, just like in my imagination.

How did you feel about the recent concerts, in that sense? Jung Kook: I did the first two shows in Las Vegas and practiced my vocals some more the next day and thought, Why don’t I try to sing like this? then did the third and fourth shows. I was definitely feeling good for the second and fourth shows. And I had a lot of stamina and my throat was okay up to and including the second show. I was starting to lose stamina by the fourth show but my throat was still okay. It was hard since I felt like I couldn’t warm up my voice after having COVID-19. So I was really worried for the second show, but I felt like I was getting over the hump, which made me excited, and it was really fun. Before the fourth show, I did some vocal training that gave me some ideas of how to approach things. And, you know, knowing what to focus on makes a big difference. Even though it was somewhat physically demanding, the performance gave me confidence when I realized, when I did a certain song in the lineup, I felt a little more at ease knowing what would happen for sure, even though it was tiring, and told myself it would be best to practice a certain way from then on. It was really fun in the end.

Maybe that was your way of finding your footing for performing. Jung Kook: It was awkward performing during the first show, but I also fell right back into the groove as the performance went on. I figured out after the concert that I just really enjoy putting on a show. I loved finally being able to perform again and I want to just keep on doing it.

With all the preparation that goes into performing and all your other work, do you find it having an effect on your everyday life? You said on V LIVE that you put your tongue to the roof of your mouth when you have your picture taken because it makes you look sharper but that you want to shake the habit for when you sing. Jung Kook: I haven’t been able to break the habit yet. It’s hard. (laughs) But nothing’s ever really hard. I actually like paying attention to things like that. It makes me feel like I’m trying to change, at least in the moment.

How do you feel when you think to yourself, This is good enough, or, I’ve gotten better? Jung Kook: Enough is never enough, but I feel good during English lessons when the teacher asks me vocabulary words I have memorized and I can answer right away. It’s like, I really memorized it! For singing, there’s the occasional time that everything’s going good. And there’s times it’s easy, which is when I think, This is because of all that practicing I did, right? I wish it were like that every day. (laughs).

Most of the time you spoke to the audience at the Las Vegas concert, you were speaking in English. That’s a result of working hard, too. Jung Kook: I’m grateful when other people see that and tell me I really improved or I’m good, but I never think I’m good when I think about it myself. I think what I said in English sounded better to people than what they expected. Because I didn’t make any mistakes. But I really don’t think it’s anything to be proud of. If I were able to lead the whole concert in English like that without a teleprompter I’d say I improved a whole lot, but I’m not quite there yet. I still have a long way to go when I think about it, and I actually always want to be able to say everything I said easily and without any difficulty as soon as possible. When I say I did well, it’s just what I felt in the moment. But after that? I have to be better. Quickly. Quick, quick, quick. (laughs).

Does that apply to other areas of your life, too? You’ve been trying to build up your stamina recently by boxing. Jung Kook: It’s more like the opposite. I have all these plans, but I have mismatched personality traits. I’m lazy, and inactive, and can’t be bothered with most things. So I try not to forget I made myself a promise to live a pretty active life, even if I have to force myself. I’ve been feeling that way a lot lately, so I’m going to grab hold of that feeling and not miss this opportunity and keep moving. Yesterday, for example, I could have just chilled at home at the end of the day, but I worked out one more time instead. I think you have to force yourself to do the things you feel are a hassle one by one. That’s how I’m trying to live my life.

Isn’t that less laziness and more pouring yourself into your work? (laughs) Jung Kook: I wish that weren’t the way I usually am. (laughs) It’s not like I only do things when I find them fun—I have fun and enjoy learning things when I finally get around to doing them—but I feel irritated whenever I have to do something and don’t want to do it right up until I start. (laughs) I think that’s why I’m only doing things that help me be a better singer for now. If I tried to learn an instrument right now, I don’t think I’d feel confident in it right away, but I would still try to learn the drums if I felt like it. And dancing helps me for when I’m on stage. You listen to music when you dance, which is helpful too, I think. And boxing is helpful for becoming stronger, plus it’s fun. I chose it because it’s the most fun aerobic exercise. Reading books and practicing are all because I have to write lyrics. The same goes for English: I don’t know what will happen in the future, but if I have to speak in English or do an interview, I could use it then, and I can use it to write lyrics, too. I feel like those all branch out from being a singer.

You’re already doing so much as a member of BTS. What’s driving you to try all these new things? Jung Kook: Because, in the end, I want it. I want to see myself being able to do all those things. I think there’s a lot of contradictions in my character. And maybe it’s somewhat about pride? There are times when I see someone doing something and think, If they can do it, why not me? And if I see someone really cool doing something, sometimes that’s the motivation I need to get started.

I think the type of people you surround yourself with is very important, whether you’re working together or just talking. Jung Kook: I agree. I agree. I don’t think there’s much I can motivate myself to do without other people’s help.

The other members must be a big influence on you. Jung Kook: A really big influence. Just seeing the others put out their mixtapes makes me think, When should I make one? There must be something I have that I can prove.

That’s where your Proof would come from—more so than winning any Grammy. Jung Kook: I think our status is there whether we win a Grammy or not. That was just, I don’t know—a good experience? It made me realize that, while I knew that winning the Grammy Award is a huge deal, I wasn’t really interested in actually winning one. I’m more interested in proving myself through my music. And it was great seeing performances from people I never saw live before.

That reminds me of when you, j-hope and Jimin danced to the “Butter” remix together as 3J. The behind-the-scenes video revealed that you filmed the performance video several times. And isn’t that the most important thing? Jung Kook: When Hoseok asked us to do 3J, I thought it wouldn’t be easy, but I just wanted to something. The things we do when we want to do them usually always turn out cool. It made me feel a little like being a trainee again while we did it. It was really fun because it felt quite different from working on an album. So we shot the video but every time there was always one or two spots where we were out of step. We kept filming it, even as we thought it wasn’t working as it was, but even after we finished we couldn’t shake the feeling it wasn’t quite right, so we practiced again at the end of the day and shot it again.

Why did you keep shooting? Jung Kook: I thought we would be disappointed otherwise. It was fun, for sure, but on the other hand, it made me think, Is this all I’ve got? I understood the moves in my head, but it looked a bit jarring in the mirror. And then I thought I better practice alone if I was going to prevent it from happening again. I became acutely aware that I had to keep dancing if I was going to get used to it and improve.

Isn’t it difficult releasing something when you had to work at it until you were personally satisfied? Like how someone might hesitate to release a song they’ve written? Jung Kook: That’s why there’s so many songs I’ve written that I haven’t been able to release. After making the effort to write them, I should have realized I should just edit them as much as I can and release them, but when I heard them again after a while, they didn’t sound good, so I just deleted them all.

Ah … What a shame. Jung Kook: I’ve been that way for a very long time. The other members tell me, “You have to keep making releases. That’s how you figure it all out.” So I’m writing songs lately.

I listened to “Still With You (Acapella)” and your vocals are different from when you sing with BTS—they’re very calm and focused on details. If you had been releasing songs like that, it could have become something like your signature style. Jung Kook: I think slowing down the pace at which I release songs like that really helps. I admit that I came up short a lot around that time. Even more than now. My thinking was that I could get off to a better start with my releases that way, so I think I made the right choice doing it my way.

You contributed to the music for “Run BTS.” Which part did you work on? Jung Kook: It’s mixed in all over. Hoseok, Namjoon and I were having trouble with the melody in the first verse, so we split up and wrote separately, and then I said I would try writing something, too, which ended up working out, so I ended up taking care of the first verse overall. I wrote a new melody and connected each of our parts into one.

I guess you could say that’s part of the production process. Maybe you’ll do something similar with future material, too. Jung Kook: I want it to be really unique. I want to write lyrics that don’t have any meaning, like a song where the word “yeah” is repeated for a whole verse—something like that—but it’s hard. I also wonder if I should try working with other songwriters, but I’m going to try doing it by myself first.

I suppose you’ll slowly improve if you do it that way. Where have you made improvements in particular since your debut? The new songs on Proof are about looking back on the past, after all. Jung Kook: I think I changed after the pandemic hit more than any other time. I think I’ve had the most changes from then until now.

In what way did you change? Jung Kook: I’m a little calmer now. I think I can see a little more clearly and for certain what I need to do musically now that I settled down. I still wouldn’t say I’ve turned into a grown-up entirely yet, but that feeling has slowly begun to reach me. I didn’t realize it until then.

Have you changed at all from being with the people around you or from seeing the world? Jung Kook: I’m not sure. I think my whole personality has changed a lot. In the past I would get emotional or lose my temper. Sometimes I let my emotions get the best of me, but ever since the pandemic I’ve become more laid-back and I’ve been able to look at things rationally and realistically. And I don’t get mad as easily. Even my perspective on life used to fluctuate wildly, but now I think I’m more centered.

What do you think when you look at the other members from your new, more centered viewpoint? Jung Kook: What we have now is different from the passion and spirit we had when we were younger, but we’re all ambitious and thoughtful and I’m thankful that they continue to be musically ambitious and keep expressing that. I think I would have grown up to be a very different person if the other members didn’t demonstrate their love of music the way they do now and I grew up observing that instead. I’m really grateful they still focus on our work.

© source

[lesserafimofficial]

SAKURA: “I don’t want to feel like my shining past is all behind me”

While talking with SAKURA, a line from “Blue Flame” came to mind: “Blue, hotter than the flame.” Even with her calm, articulate way of speaking, there was no hiding the heat from her passion—a flame that has been burning for 12 years.

You’re debuting for the third time, this time with LE SSERAFIM. SAKURA: This feels different, for sure. The first time I debuted was in Japan when I was 13, but I was so young that I didn’t know anything about being an idol. But LE SSERAFIM will likely be my last debut and my last group, so I really want to do well.

You have already found quite a lot of success in both Japan and Korea. Still, it must have been a difficult decision to debut again outside of your home country. SAKURA: I knew I wanted to keep being an idol. I’ve found so much joy in the relationship with my fans over the more than 10 years I’ve been an idol and I just thought about how I want to do as many performances as possible with them there. And I’m not yet fully satisfied with my own performances, so I wanted to show them something that shows more of the way I’m growing, too. I figured any path I chose would be difficult, and I thought I wouldn’t regret choosing this one. It was harder than I thought, though. (laughs) I actually didn’t go through a trainee period, so this was the first time I practiced this much for so long before debuting. I really think I needed the time. I took Korean lessons for the first time, and I took lessons to practice vocals and dance from the basics, which was nice. It was hard, but it was an important and meaningful time for me, looking back.

What was the hardest part? SAKURA: Whenever I’m having a hard time, I usually think, This is the hardest thing I have ever had to do. But this time it really was the hardest thing. (laughs) When I was working as an idol, I was used to performing on stage for fans, but it’s different as a trainee, when it isn’t being shared with the world. I can’t believe how closely the fans paid attention to my performances—they would tell me I did a good job and give me detailed feedback. I was anxious about whether I was doing well or improving without hearing that kind of encouragement. It taught me how important it is to have fans. I want to show them what I can do now as fast as humanly possible.

Now that you have gone through all these tough new experiences like changing labels, studying Korean and being a trainee, what are you looking forward to showing to the world? SAKURA: I would say the biggest challenge for CHAEWON and me was wanting to present something we’ve never shown before. If you look at the lyrics to “FEARLESS,” our debut song, that’s really about us. When I saw the lyrics, I thought, Why shouldn’t I be allowed to do what I want? To be honest, I think there are going to be people who will see the new me and feel confused and have a hard time accepting it. The lyrics even say, “Telling me to hide my desire, that’s weird.” I felt the same way throughout my 10 years of being famous.

I think you were worried about showing off this new side of yourself, in a way. SAKURA: I wasn’t without my worries. People who have liked me till now could end up thinking, What happened to the Kkura I used to like? But people can’t always stick to the same thing, and their capacity for expressing themselves and the things they can say will change based on how old they are. I think the fact that I keep challenging myself makes me cool, plus I think trying new things is the only way to keep growing. Even if the way I look on stage has changed, I’m still the same old Sakura Miyawaki. The SAKURA who loves gaming won’t change—the only time I will change is when I’m on stage. I want to show people who I really am.

The way you look so confident and aloof in “FEARLESS” and do that low chant in the chorus without raising your voice is something we have never seen from you before. SAKURA: The first time I heard the song, I was so happy that I screamed. (laughs) But it was the first time for me to try that style of song and choreography, so I was also worried whether I could handle it. I used to always try to use this beautiful singing voice, but the producer, 13, told me I had to really feel it if I was going to pull at peoples’ heartstrings, so I tried to think about the meaning of the lyrics and why it was we were singing this particular song while recording. The song is what we wanted to say for real, so even when we danced, the way we expressed ourselves and moved all felt natural. I feel like it’s the kind of performance where you don’t need to sugar-coat anything, just be yourself.

You pull off a high falsetto in the chorus for “Blue Flame,” even though it’s the first time for us to hear those kinds of vocals from you. SAKURA: Let me just say that it was hard with all those English lyrics. (laughs) Since I’m studying English now and there were some hard parts in the song, I was really careful with my pronunciation. I got a lot of help from YUNJIN since she’s so good at English. And I used to mostly just practice Korean pop songs, but I have been practicing English pop songs for the first time ever since I came to this label, so the way I vocalize has changed and I have had different kinds of experiences with singing. I’ve always felt pressure about singing, so I was always nervous going into the recording studio, but now I think positive—This is so fun! I want to get even better—even when practicing for live performances.

How has it been getting ready for performances? There are countless moves in “Blue Flame” that draw from the basics, but at the same time I’m guessing you had to practice a lot in order to get the details lined up just right with the other members. SAKURA: It took a long time for us to sync up when we practiced “FEARLESS” since it was our first time together, I guess. But after working on lining up our performances for that song so much, “Blue Flame” didn’t take long to practice, and all the details fell into place, even though we hardly had any training for it. And we all said, “We’re really becoming a team now!” (laughs) I have this huge iPad that we take videos with every day and we play it back and break it down slowly—seriously, second by second—and we work on anything we find where we aren’t matching up, so now my iPad is completely full of … there’re so many videos. (laughs) And sometimes we watch old videos together and say, “We got a lot better.” I’m almost always in the practice studio when I’m not sleeping, and that makes me feel like it’s all worthwhile. I’m really proud of all of us.

What did you and CHAEWON talk about while practicing with your new group? Even though you were in IZ*ONE together, too, some things must have been new to you since it’s in a different environment. SAKURA: CHAEWON is so different now. There were several other, older members and even a leader when we worked together last time, so I never saw her talk about practice. But we’re the oldest ones in LE SSERAFIM, so we have to guide the younger members. I was still really surprised to hear something like, “This part isn’t working, so let’s practice it more,” coming from her, though, and I thought she was really cool when she said that. We didn’t talk much when we were getting ready for the debut, either, but we could understand each other with just a look. I told her there’s no way I ever could have come this far without her, and she said she felt the same way, which made me feel grateful. CHAEWON and I never really used to tell each other about the difficulties we were facing, but now we’re so comfortable that we can talk more and more about any difficulties or concerns we have even when we’re in front of the other members.

It sounds like the tight bond between all the members is what makes it possible to talk through the difficult parts. SAKURA: It’s amazing how close we are and how well we get along even though we haven’t been practicing together long. (laughs) It took a little while for the members of the group to be decided. There were a couple times where we had a hard time with having to practice every single day even though we didn’t know when we could debut, too. But, looking back, I guess we had to have those hard times in order to get the six of us all together. If even one of us had chosen a different path, we never could have been able to get together. I could have been working in Japan, CHAEWON taking a different path, YUNJIN studying in the US—so I think it was fate. I used to have an individualistic side and a lot of people mistook me for being cold, but now I’m more interested in looking after the other members than myself, and it’s harder to watch them struggling with something than to struggle with it myself. As the oldest member, and the one with the most experience, I want to look after all of them.

Is there something you can tell the other members based on your own experiences? SAKURA: I want to tell them how to deal with any difficulties or concerns they might face during the debut, since they might face things similar to what I did before. A lot of things get said about you when you’re in the spotlight. It was hard at first to see people who never even met me saying things about me without knowing whether they were true or not. But there’s a 2:6:2 rule. 20% of people like you no matter what you do, 60% make a judgment call after seeing what you do, and 20% will hate you no matter what. So the way I want to see it is, whatever you do, don’t listen to the people who hate you no matter what, and just show your hardworking side to the people who judge you fairly. You can’t change what’s already happened, but if you do your best with what you’ve got, you can turn those people’s attention into support, and I think that’s the kind of future I want to let them know about.

I imagine you have a lot of thoughts to share, having been active for so long. It’s well known that you like reading and watching movies, so much so that you said you want to write a novel about your experience with being an idol. Do you also find comfort in books and movies? SAKURA: My parents send me popular novels from Japan a month, and I get a lot out of reading them whenever I have a little time to do it. Sometimes I wonder if my life is hard because I chose to be an idol, or if I could be happy doing anything else, but when I look into people living lives I never have, I realize that everyone has it hard during hard times and feels happy during the happy times. I think that’s why I like books and movies.

You also wrote a movie column in Japan. I was really impressed with your review of Close-Knit, where you said, “We need to develop a better understanding of LGBTQ community.” SAKURA: There was actually an atmosphere of caution around idols speaking their minds around that time. But I thought I could say that anyway. Idols don’t just sing and dance on stage—they can also be role models for people, and someone who is always by their side for others. So I wanted to let people know there were others with these kinds of thoughts, and I also thought that if an idol was talking about the issue that even more people could become aware of it, too. Some day our group might sing a song about love and I have this idea that I’d like to sing about love that’s universal.

The message of “FEARLESS” is to be fearless no matter what other people think. What do you think it means to be fearless? SAKURA: I think being fearless means admitting to your flaws. I have them, too. I struggle at times; there are times when I cry; I get depressed sometimes, too. But I don’t think, Why am I feeling this way? I really shouldn’t! Instead, I think, I guess it’s that kind of day. I should just do my best. I think you can overcome your fears by acknowledging yourself. Nobody’s perfect.

This year is the 12th year of your career and I imagine you’ve had as many good times, professionally speaking, as difficult ones. How is it you’re able to get past your fears and keep going? SAKURA: The biggest thing is having the fans. Seriously. Not being able to talk with the fans while preparing for the debut has been really hard. It felt like losing my best friend. Having a connection with the fans is amazing. To the point that I would want to perform even if I only had one fan left. And I feel like the stage is where I belong, so no one can stop me when I’m up there. People can see it all on the stage: how much I practiced, how serious I am about the performance. The fans love seeing that, so I can’t help but love to perform.

That makes me think of something you wrote in a review of the movie The Passion of Augustine: “Maybe the reason I became an idol was for the thrill, too. In the future, I want to have the courage to take a walk on the harder side, the somewhat more dangerous side of life.” SAKURA: I would really regret it if I chose the easy way forward. I don’t want to feel like my shining past is all behind me. It might look like I used to shine brighter because everyone has a different perspective, but when I stop and think about it, I think I feel like I’m more mature now than ever before, so I choose to challenge myself with a more challenging path.

Then are you shining now? SAKURA: Ah—yes! (laughs) I feel like I’m in a good environment where I can try my best at everything I want to do and I’m happy because I’m with the other members and all the staff are great. That happiness won’t fade easily, no matter what anyone says. And I want to show everyone how much I’ve grown because I have never put in so much effort in my whole life. I still feel like I have further to go, but I’m shining bright.

© source

[09172000]

060623 Taeseon - Fantasy Boys Finalist ABEMA Interview

Why do you want to become idol?

I'm happiest when I sing, dance and having fun in front of my fans.

Your reason why did you participate on Fantasy Boys?

I already experienced debut once. The theme of the show allows me to go back to start and challenge myself, it was perfect to me. I decided to join because I want to show my proficiency and compete with them.

Do you have any difficulties while appearing on Fantasy Boys?

I was disappointed in myself when my skills were exposed in a bad way.

Are there any trainees you get along well with? How did you become friends?

Kang Irang. I wanted to take care of him from the first time I saw him. We really get along well, and our house is close to each other so we meet oftem.

Idol group you respect.

SHINee. Even now, I think that they recognized by people for their unchanging passion and skills. I want to learn not only on stage performance, but also in various fields such as acting, variety, and MC.

If you become a member of an idol group, what do you want to cherish?

I think I have to make sure I play an integral role in the team.

If you could debut, what kind of group would you like to be in? What role would you like to be in the group?

I want to be in a team with the best teamwork, a team that builds together with fans. I want to take a role of a leader and listen to the members' worries and stories.

What are your future ambitions?

If someone will become a fan of me again and dream of becoming a singer under my influence. I'm happy whoever it is.

Please tell us something that you think of about "Something good will happen if you support me!"

With my desperation and experience so far, I have the confidence to become a singer that no one else is ashamed of. I will show you a good figure, so please support me!

Please give a message to your Japanese fans who supports you.

Japanese fans are very considerate and kind. I know that you also sent a lot of support from Japan! Thank you very much. I am practicing hard so that I can respond to that support, so I would be happy if I could meet you as soon as possible! I , Taeseon will come to Japan, so please wait! I love you.

Date of Birth: September 17, 2000 Blood Type: A Family: Parents, Me, Younger brother School Club: Dance Club, Barista Club Hobbies: Interior Designing, Fashion Styling Childhood Dream: Car Racer, Singer Favorite Song: Standing Egg "I'll Hug You" Strength: Strong curiosity, likes to take on challenges without any fear. Weakness: Sometimes I get very tired from the actions I think of. A word to myself a year ago: "An opportunity to challenge again will come. I won't be tired, but I will enjoy it." A word to yourself a year later: “When you think you’re neglecting yourself, remind yourself of your original intention.” Places you want to visit in Japan: Universal Studios Japan What I want to eat in Japan: I've had convenience store pudding, still can't forget the taste. Absolutely want to go back to eat. Your small happiness of everyday life? : Shopping for clothes and accessories. What do you always keep in mind? : Believe in yourself. What to do when stress builds up? : I like to make my own time and think calmly.

Source: https://times.abema.tv/articles/-/10082685

[kathrynhahndaily]

Kathryn Hahn interview for 'Designing Hollywood: Pay Equity Now'. Watch it here.

[fymoonbyul]

[INTERVIEW] Solar and Moonbyul on the creation of MAMAMOO+: “It was a road we had to achieve at some point” | NME Magazine

The MAMAMOO duo also talk to NME about ‘Act 1, Scene 1’, milestones in their solo careers and their upcoming US tour.

Arriving from a small K-pop agency in 2014, few had expected MAMAMOO – made up of vocal queens Solar, Wheein, Moonbyul and Hwasa – to take the K-pop industry by storm. But they came, they saw and they conquered, breaking stereotypes and pushing artistic boundaries far and wide. Though it’s a calmer phase for them as a group now, as they look to shine in equal parts together and individually, their journey is a continuing source of creative surprises.

This time, Solar and Moonbyul join forces as MAMAMOO+, the first sub-unit of the quartet, to put out their single album ‘Act 1, Scene 1’. But as the duo explain to NME over Zoom, the dawning of this project was not a matter of if, but when. “We have spent a lot of time together since our trainee days,” Moonbyul says earnestly. “We fought sometimes, we agreed sometimes, and we had a lot of experiences to come this far. Becoming a unit wasn’t that difficult, and it was more of a road we had to achieve at some point.”

‘Act 1, Scene 1’ is the overture to their new zeitgeist, which Solar and Moonbyul first previewed last August with the digital single ‘Better’ with BIG Naughty. The three-song project melds their buoyant personalities with shapeshifting pop melodies, encompassing a well-known balance off and stage. “We felt the good parts we individually had supported each other, and the lacking parts were also fulfilled,” Solar adds smiling, her voice always poised throughout the conversation.

Here, both K-pop artists talk about their synergy, devising ‘Act 1, Scene 1’, last year’s solo milestones and MAMAMOO’s upcoming North American tour.

When did you start conceptualising ‘Act 1, Scene 1’ and how was the decision-making process to better reflect the artistry MAMAMOO+ want to construct?

Solar: “Preparing for this unit isn’t something we did overnight. We had a lot of concerns and a lot of questions about which [creative direction] we should take. With all the pondering from last year, the actual time when we started to work on [‘Act 1, Scene 1’], it didn’t take that long.”

Moonbyul: “We have been wanting to do the unit for a while now, but it really came together when we started to prepare for our US tour. The identity we want [to achieve] as MAMAMOO+ is for our music to have a happy vibe.”

You mentioned that putting together a unit was the hardest – compared to MAMAMOO as a whole or your solo releases – because of the differences in opinions that may arise. Were there any creative discrepancies when outlining this record?

Moonbyul: “When [we are working as soloists], we create our own ideas, and there’s no other [perspective] to contrast or compare, while as a group, we all work together, and there’s a company behind what route MAMAMOO [should take]. But as a unit, it’s something between. The musical part wasn’t a big problem because we did brainstorming since last year, so that was okay. But some of the difficult parts were, for example, the design of the album cover and those [kinds of details]. It wasn’t necessarily a big conflict, but we [needed to] come with those different pieces and work together.”

MAMAMOO+ signifies “adding something to MAMAMOO to glow in a different colour”, and it could be said that your B-side, ‘Chico Malo’, embodies this concept the most because it is fierce and compelling. Why did you go this sonic direction, and how does it relate with the message you want to convey?

Solar: “The song ‘Chico Malo’ is very strong, and we thought a lot about how we should put the video, the outfits and the style of the song [together]. We wanted to combine the modern with the traditional because we really feel it matches the [vibe] of the song, and that’s why the lyrics are [very poetic]. They can reveal the beauty of Korea.”

Title track ‘GGBB’ depicts a dangerous and exciting love atop a mellifluous production. It feels the polar opposite of ‘Chico Malo’, but both songs have a lyrical connection. What made you choose ‘GGBB’ as the title track of ‘Act 1, Scene 1’?

Solar: “We want to show a lot of different aspects and different styles of music as MAMAMOO+, and to do that, we considered both ‘Chico Malo’ and ‘GGBB’ [as candidates] to be the title track. But overall, in real life and as a group, we’re very bright and positive so we really wanted to show that side.”

Of all the three songs on your new album, which one is the one you cherish the most?

Solar: “For me, it’s ‘GGBB’ because, of course, it’s our title track. But [I cherish] all the songs from this album.”

Moonbyul: “Our fan song ‘LLL’ is the one that we created together with the most coming back and forth in opinions. So this is the track I feel like it’s something I’m pretty attached to.”

Moonbyul, you recently won The Second World, the reality TV competition that put your singing abilities centre stage. What are some of the emotions you will forever treasure from this experience?

Moonbyul: “[The Second World] was a great program, and at first, I had difficulties [thinking about] whether I should be part of it or not. But I had a lot of support from our fans and I had great support from my members as well. They always gave me confidence and energy and they gave me a reason to be part of this show. That’s what I will remember the most.”

You’re also the most credited female idol in the Korea Music Copyright Association (KOMCA). This creative autonomy is essential to your musicality, and it has become more prominent throughout the years. What does songwriting mean to Moonbyul?

Moonbyul: “I was pretty amazed [to know] I’m one of the highest female artists that [are credited] in KOMCA. At first, this process of writing lyrics was very stressful, but there were many supporting me from behind. As time went by, I could see my work being accumulated in KOMCA and I felt very proud. I hope I can continue to be part of creating lyrics and producing songs as well. And songwriting really means a lot to me because it [represents] my musical freedom. I can challenge different genres and the lyrics I want to write, and that freedom really helps me become a better artist and a better producer.”

Solar, your portrayal of dancer Mata Hari marked your debut as a leading actress in a musical last year. What’s something that you learned while personifying such a complex and enigmatic character?

Solar: “Being a singer and idol compared to a musical artist is very, very different. Musical artists are someone that have to sing on stage, and at the same time, they also have to act as a different person. This [experience] was very challenging because I had to show the audience all the details, the feelings and the meaning of [Mata Hari], so expressing that through acting was something that I wasn’t very aware of and I didn’t have that much experience with. It was a new stage and a very difficult time, but I really enjoyed it.”

And how do you feel about the artist and the person you have grown to be?

Solar: “Oh, this is a difficult question! [laughs]. Since I was a trainee, I’ve always wanted to be an artist that could heal people and transmit positive energy to those that listen to my music. And as MAMAMOO, as a unit and as a soloist, I think I’ve worked to show that exact vibe and this brightness that I have to the fans. But the thing is, I have very high standards and expectations, and I always have different goals that I want to achieve. As an artist, I feel there’s still a long road ahead for me, and now it’s a process where I’m going towards that final goal I have in mind.”

‘Act 1, Scene 1’ has been described as the start of MAMAMOO+, and your objective is to create expectations about the future steps. Do you already have a new chapter in mind?

Moonbyul: [Laughs] “Yes, of course! We do have a lot of plans, but it’s very early to reveal the details of [what’s coming next]. However, what we’re going to do is to meet a lot of fans – both in South Korea and overseas. It could be a concert, or it could be a fanmeet, but we want to meet them.”

Speaking of new chapters, MAMAMOO recently announced their long-awaited US stops for the first world tour, ‘MY CON’. How are you currently feeling, and what are some of your hopes for these concerts?

Moonbyul: “This is the first time we’re actually going on a US tour, so we are very, very excited to meet our fans there. We are preparing a lot, but at the same time, we are a bit worried if there will be a lot of MooMoos that are going to be part of the show. We hope to meet every single MooMoo in the States that we haven’t seen in person. That’s something we are looking forward to.”

[fy-yongsun]

[TRANS] 230329 Mamamoo+ Comeback Q&A

Q: Your thoughts on the release of your 1st single album 'ACT 1 SCENE 1*

Solar: Even though we are nervous because this is our 1st album as a unit. We had fun while preparing for it and we're happy because moomoos likes it a lot.

Moonbyul: We are worried and felt the responsibility because this is MAMAMOO's first unit and it's the unit's first single album. Hope that you can feel the energy from us while listening to our album this time round.

Q. What's the story for your first single album? What's the listening point for each song included in the album?

Solar: 'ACT 1 SCENE 1' holds the meaning of MAMAMOO+'s new start. The weather is getting warmer these days and it makes people feel happy. This is just the right time to listen to our title song 'GGBB' !  You have to listen to it when you're going for a walk ,an outing, as well as when you're on your way to work. The main point of Chico Malo is that it's a conceptual and powerful song with performances. We recommend you to listen to it while watching the music video. LLL is a song for moomoos so you can listen to it anytime and anywhere!

Q. Your thoughts on title song 'GGBB' when you first heard it?

Moonbyul: The is a genre that we have never tried before be it for group or solo promotions. So we had the thought of 'Will we be able to digest it (genre) well?’ But this is exactly the bright energy that we want to showcase to everyone so we have worked extra hard for it.

Q. Both of you have took part in composing and lyrics writing for 'Chico Malo' and 'LLL' . What was your focus point when you're working on it? 

Solar: Chico malo has straightforward and bold lyrics, with powerful and impactful melody that matches the lyrics. I wrote 'LLL' while thinking of moomoos.

Moonbyul: Chico malo is a mixture with traditional korean music, I wrote it in a way where it can express the speaker in a poetic way. 'LLL' is filled with the words that comes to my mind whenever I think of moomoos as well as the words I want to say to them.

Q. Just like the name of the album, the content expresses a play. Is there a special reason to why you've chose this as the theme?

Solar: It all started off with the thought of 'I want to show different sides of ours in one space.' After thinking about it, we decided on usung 'Play' as the theme fir the album. Followed by the idea of Hanbok and One-take.

Moonbyul: We always have a concerns, joy, and passion towards our performances, so we wanted to express all of those through our performances. Just like the vibes of a play, we have potrayed different scenes and showed off a variety of charms.

Q. Please say something to your fans who are looking forward to MAMAMOO+'s album.

Solar: Thank you for waiting, as much as how Moomoos have waited, we will repay you with more than what you've expected! Let's begin now!

Moonbyul: Thank you for always liking and showing support no matter what we do (no matter what kind of concept). I will be a person who will show responsibility through my songs and performances for the anticipation and supports given!

© source / translation by lunaestreIIad0s

[dailyexo]

[INTERVIEW] Kai - 230313 Recording Academy GRAMMYs: “K-Pop Veteran KAI Feels Freer Than Ever On 'Rover': ‘It's Going To Be A Very Memorable Period For Me’”

"On KAI's third solo mini album, Rover, out today (March 13), the EXO and SuperM member finds freedom through the multiplicity of sounds and concepts that have defined his 11-year journey.

When K-pop's emblematic group EXO debuted in 2012, each member was assigned a superpower as part of their overarching lore. Kim Jongin, then a fresh-faced 18-year-old, was given the ability to teleport, promptly appearing and disappearing throughout their many music videos. He also received an alias: KAI, whose Chinese character "开" means "to open."

Eleven years later, KAI has manifested his nickname; his individual success has opened doors to three solo albums, countless world tours as part of EXO and supergroup SuperM, and several luxury brand contracts (he is an ambassador for Gucci and a representative for Yves Saint Laurent Beauty). It makes sense that he sees himself as someone who can't be constrained — and that he named his third EP Rover.

As the title insinuates, embodying multiple things at once has always been KAI's specialty. He is notoriously shy off-camera, an introvert who stays silent unless spoken to, but who unravels in winding thoughts and warm laughs when comfortable. At the same time, he is also one of K-pop's most lethal performers, with a voice that is as soft as sinful, and ballet-trained movements that spellbind any audience.

Rover is KAI's latest self-actualization. In a Zoom call with GRAMMY.com, he is all smiles as he mentions that this album is the truest to his creative desires so far. Whether visually or sonically, the six-track collection (plus a second installment of his conceptual video series, FILM : KAI, to be released on March 20) fuses everything that he is known for: the teleporting, the hypnotizing dance moves, the many characters he can embody, and his versatility in approaching rhythms that go from reggaeton to R&B.

He ponders about the limitations of social media and receiving love in tracks like "Black Mirror," and "Say You Love Me," while longing for freedom in "Bomba" and the project's title track. "Here I am in your face/ Focus on every single expression/ Y'all buzzin', catch me if you can," he sings in the latter, making reference to one of his favorite movies. In the music video, he also hints at Billy Elliott, another formative movie in his life, while adopting multiple personalities and namesakes. There are no boundaries to KAI's artistry, after all.

Ahead of the release, GRAMMY.com caught up with KAI about the meaning of freedom, his relationship with social media, and how it feels to be an idol for over a decade.

You ask to be called "Mr. Rover" in the EP's title track. Who is Mr. Rover?

That's me! [Laughs.] [The song] has a story about a wanderer and a message of wanting to be free, and since I want to be free on stage, and as an artist in general, Mr. Rover is me.

What is freedom to you?

I put a lot of thought into that, but honestly, I still don't know. I do feel free, and I do feel freedom when I'm on stage, and in order to feel that true freedom, I think it's not just throwing away something that's inside of you. It's more like trying your best and putting more effort into that freedom that you're seeking.

A lot of my fans say that I seem very happy and free on stage. I really want to be like that. I realized that, in order to be free, there's a lot of things that I have to try harder behind the stage.

Indeed, one of your main characteristics is that on stage you are very confident and charismatic, while off stage you are a little more shy and warm-hearted. What's on your mind when you're on stage?

I don't think that much when I'm on stage. This is intentional, because I try not to think about anything and just do my best. Just enjoy that moment. If I think a lot, then it'd be difficult for me to concentrate. I really want to get to that level where I don't have any thoughts and I can just feel free and do the performance as it is.

On stage, you can usually see me smiling and laughing a lot, but that's because the more I get nervous, the more I start smiling and laughing, and the more I enjoy it. Once I feel a sense of pressure is when I truly start to enjoy [it]. I realized that I must be crazy to be enjoying all this nervousness. [Laughs.]

Besides freedom, what are three main words that you associate with this album?

The first one is "SNS" [Social Networking Service, or what Koreans usually call social media], because it's actually a theme in the album. To add up, the album also has a message of loving yourself and not caring about what others think.

As in one of my tracks, "Black Mirror," when the display screen is black, it tells you to see yourself reflected there and to love yourself more. "Say You Love Me" [is] a song about desiring love. On SNS, we care a lot about likes, followers, and what other people think or how they see us.

The second keyword is "performance." It is a very important part of this album, because I really did what I wanted to do. There are a lot of performances to see and hear altogether, so when I was preparing [them], I tried to show different aspects of myself.

And my third keyword would be "happiness," because that is the emotion I felt the most while preparing for this album. I really enjoyed it, and I felt a lot of happiness in my daily life. I think that it's going to be a very memorable period for me.

Since your first keyword is SNS, what is your personal relationship with social media?

Honestly speaking, if I wasn't a celebrity, I think I wouldn't have been using SNS at all. But since I am, I do have to [use] it, and I think of it as a way to communicate with my fans.

In my album, tracks such as "Black Mirror" or "Rover" have a message of being free and loving yourself, and I [prepared] a lot of curated content to show to my fans. I do have a desire for [my fans] to like that, but I want to say that it doesn't matter because, as a human, it's the same for me. I watch YouTube too, I watch all those [Instagram] Reels at night before I go to sleep. So you know, after all, I'm doing the same thing [as everyone].

Your second keyword is performance, and you seem very happy that you could do everything that you wanted for Rover. What new things were you able to show through your performances this time?

The ["Rover"] music video is very well-made and fun, and another FILM : KAI is coming out soon. The first FILM : KAI was released before my first music video [for "Mmmh"], so the role of it was to explain the whole concept and help the listeners understand what I was trying to say.

This time, FILM : KAI is coming out after the music video [for "Rover"], so I think it could be a chance for the viewers to organize their thoughts and compare with what they have been thinking while watching the music video, so they can realize some different charms [within it].

You talked about your first album, KAI (开), and now you're on your third album. What are some of the differences between them, and what have you improved on since your solo debut?

For the first album, when preparing the songs, it was more about finding what I wanted to do as KAI and what I'd like to show people. For the second album, it was more about focusing on what people would like to see and what they wanted from me. I did feel a bit pressured and stressed, but it was one of the steps in the process of trying to find what I really want to do.

For my third album, I was able to find what I want to do and start doing it. As an artist, I grew a lot, but that's why I think it was a new challenge. It's something new that I'm attempting.

If it wasn't for the first or the second albums, the third one wouldn't even exist. I even had some songs that I saved during the [previous] albums because I thought I wasn't prepared before, but now I'm ready to release them to the world. As a soloist and an artist, I'm just developing and growing. There may be a lot of lacking skills still, but this album is very special to me, and I like it a lot.

You've been an idol for more than a decade now. What is the most important thing you learned so far?

Being an idol is a job too. The line between my daily life and my life as a celebrity is very ambiguous. From time to time, I could feel more stressed out, and as it is a job where I can share emotions with the public, there's a bit of pressure on that too.

The most important thing to do is to take care of my mental [health] and mindset, and this realization was a chance for me to grow. I've been thinking deeply on how to become a better person, how to live a happy life as a human being, and I think that, as KAI, I really want to share more positive and happy thoughts with my fans and the people all around the world.”

Credit: GRAMMY.

[parkjaechan-updates]

Semantic Error Japan [Theater Pamphlet] - Jaechan

Regarding the release of the Japanese version It has already been two years since I first presented this work to you all, and I am still grateful that many people continue to show interest. Moreover, I feel a strange sense of wonder that it will be released in Japan this time, and I am truly thankful. At the time of filming, I never imagined such things happening, so it's almost surreal to be receiving this much love.

I greeted the Japanese audience last year through KCON and MAMA, but this time, instead of a stage, I will be showcasing my acting on the movie theater screen. It feels a bit embarrassing, but I am extremely pleased that many of you are showing interest.

Memorable Moments During Filming I'm particularly sensitive to the cold, and since we filmed during winter, I have a vivid memory of seeing my breath every time I delivered lines due to the intense cold. There were moments when my mouth froze, making it difficult to speak, and I even brought hand warmers or a stove close to my face. Not only me but also other actors and staff had red ears or noses due to the cold, yet strangely, instead of finding it difficult, we thought such unconventional situations were amusing. The memory of sitting around the stove, warming our hands and mouths, comes to mind every winter. I believe that these memorable moments persist because the cold wasn't bothersome enough to overshadow the enjoyment we experienced on the set.

Favorite Scene When Sangwoo, who was in confusion, skipped school for several days, I have a strong attachment to the scene where Jaeyoung came to our house out of concern for him. This led to a fight with him. Like the saying that "it's darkest before the dawn", that moment was likely the most difficult time for Sangwoo to accept. This part was as crucial as it was in the audition script, portraying a significant conflict and confusion for Sangwoo, who was tormented before fully realizing his emotions. it was the most challenging moment for Sangwoo to accept. In the midst of the turmoil, the scene where Jaeyoung suddenly appeared, and emotions exploded in an instant was the moment I struggled the most to express. It was a collision when one is most concerned about the other person and the most confusing moment for him. I wanted to convey that emotionally painful moment even more vividly to those who watch it, despite feeling some regret when looking back now. Although there are parts that seem regrettable upon reflection, at that time, I was deeply immersed in my role. For Sangwoo, it was a crucial moment for him to experience the pain of his emotions growing, making this scene my favorite.

A scene that left a lasting impression with co-star. The scene that remains most memorable to me is when he appeared, deliberately clad from head to toe in red, a color Sangwoo detests, to make things difficult for him. There are two reasons for this. Firstly, Sangwoo is a character who lives within a predetermined routine from the moment he wakes up until he falls asleep. He sticks to the same style every day, even when putting on clothes and wearing a hat. Jaeyoung, who effortlessly disrupts everything with a single word, stands out remarkably to Sangwoo. Given Sangwoo's routine and personality, witnessing Jaeyoung casually doing things that should be impossible likely evoked a myriad of emotions. Audiences might initially laugh and wonder, 'What's with that outfit, is this a joke?!' But I felt the same way initially. However, as time passes, I believe it becomes a catalyst for Sangwoo to consciously accept Jaeyoung, who is so different from himself. Jaeyoung had a profound impact on Sangwoo, and Seoham, who portrayed him so naturally and confidently, left a lasting impression. The red tracksuit will linger in many viewers' minds after the movie ends. Whenever people see a red tracksuit around them, they will probably think of Jaeyoung. I, too, had that aftereffect for quite a while (laughs). On a personal note, it's hard to imagine using the same color to paint one's entire outfit unrelated to the project. That's how striking Jaeyoung was. Even during breaks, everyone could easily spot Seoham.

A Message to Japanese Fans Hello, this is Park Jaechan, who played the role of Sangwoo. It is an honor to greet you in this way. 'Semantic Error' is a very precious and significant piece to me. Therefore, I hope it remains as a beautiful youth romance in the hearts of everyone who watches this movie. For those who want to delve deeper into the story of Jaeyoung and Sangwoo after watching the film, I recommend checking out the series and the original work. For those who are still contemplating whether to watch the movie or not, just like the line goes, 'Don't take more than 10 minutes to decide!!'

Source: 빨간약／kusurine on X: "일본은 저작권 무서워서.. 팜프 내용을 찍어 올리긴 좀 그렇구.. 정리하면.. 1. 일본 영에러 공개에 대해 2. 촬영 중 기억에 남는 것 3. 애기가 좋아하는 장면 4. 상대 배우분과 연기한 장면 중에 인상적인 장면 5. 일본 팬분들께 한 말씀 요런 내용인데(영화관 문 닫는다고 나가래;;)" / X (twitter.com) Translated by Park Jaechan Updates

[bangtan]

BTS on the Decision to Donate to Black Lives Matter: ‘Prejudice Should Not Be Tolerated’

K-pop fans made headlines in the U.S. this summer for their political engagement, as their clever tidal wave of online organizing was credited with takeovers of racist hashtags, crashing a Dallas police app and even disrupting President Donald Trump’s rally in Tulsa by artificially inflating the headcount through bogus sign-ups. While other K-pop artists and companies made statements in support of Black Lives Matter, BTS went a step further by donating $1 million to the cause — which their fans, collectively dubbed ARMY, rushed to enthusiastically match within 25 hours. The band drew back the curtain on the rationale behind their strong stand in an interview excerpted here, which will appear in further articles to come. (To read the full BTS cover story, click here).

Your donation to BLM was meaningful to a lot of fans, particularly in the US. How did you come to the decision to speak out about the movement?

Jin: When we’re abroad or in other situations, we’ve also been subjected to prejudice. We feel that prejudice should not be tolerated; it really has no place. We started to discuss what we could do to help, whether it was a donation or something else. That’s where the conversation began — just trying to see what we could do to try to alleviate this prejudice. RM: We were aware of the fans, the hashtags and their participation. It was a decision we thought about very carefully: what could we do, as part of our overall message of speaking out against prejudice and violence? We discussed it very carefully with the company and that’s how this came about.

Do you guys see yourselves as political? What are other causes you would like to advocate for in particular? Could you share one international issue that is important to you, and one local Korean issue?

Suga: I don’t consider ourselves as political. I don’t want to speak in political terms. Ours are initiatives that any person who wishes to live in a just world would want to pursue. We aren’t trying to send out some grandiose message.[When it comes to supporting Black Lives Matter], I think it’s very simple really. It’s about us being against racism and violence. Most people would be against these things. We have experienced prejudice as well ourselves. We just want to voice the fact that we feel it’s the right of everyone to not be subject to racism or violence. We are appreciative and thankful for our fans’ solidarity. Everyone wants to live in a better world and try to make this a better world. j-hope: We always want to do what we can to make it a better world, whether in Korea or elsewhere, and go in as much of a positive direction as we can, whether through our music or charity. RM: We are not political figures, but as they say, everything is political eventually. Even a pebble can be political. Our goal and what we really want to see is for everyone to be able to lead safe lives. That’s the motivation for donating to BLM or our UNICEF campaign and other initiatives. What we really want to focus on now is that a lot of young people around the world are suffering because of the pandemic. We feel that what we can and should do is try to give hope and energy to people — everyone, but young people, especially — suffering from this pandemic.