#tbh she probably wasn't

[welcome-2-zombocom]

>see post that says the only thing we know about dess's physical appearance is that she apparently didn't have antlers

>get confused

>look it up on the wiki

>according to dess's article on the deltarune wiki, sans mentions "the antlered girl and her sister" in the dog shrine in the xbox version of undertale; this likely refers to noelle and dess, and could imply that dess didn't have antlers

>"huh that's weird. why wouldn't she have antlers? both male and female reindeer have them (though they shed and regrow them at different times of year)"

>remember a comment on the tumblr post that says we don't technically know her species; she could've been a slug for all we know

>"that's technically true. she could've been adopted, like kris"

>"..."

>"oh my god was dess a human"

[sukibenders]

Not people talking bad about my girl Helaena just to support Aemond. Like, she had a right to ask him if what he did was worth it because, even if Aegon is atrocious, Aemond is the reason that her son was killed in front of her, the reason that she had to choose which of her children dies, and is the reason why she has to live with that now. While other characters played a part in that, without Aemond killing Luke, Jaehaerys would probably still be there or wouldn't have died in such a cruel way. B&C are sent there to kill Aemond, and when they can't find him they follow through with their next order of "a son for a son". And while Aemond may be smarter and more strategic (and not a disgusting man like Aegon) as prince regent, he is still, as Alicent called out, volatile and brewing with unchecked anger. I wouldn't feel safe having him on the throne just as much as Aegon, but because he served face and is the lesser evil I'm supposed to be okay with it? No, Helaena can question this man as much as she likes, for the rest of her life given what she has to go through. (Also, she literally just asked him a valuable question that deeply needs to be considered, so why are people mad at her?)

[blujayonthewing]

can't decide what her other arm should be doing though 🤔

[capt-t-leela]

frozen

Space Pilot 3000: Fry and Leela are frozen

Meanwhile: Everyone EXCEPT Fry and Leela is frozen

[justalittlebluetiefling]

Something I've seen a couple people saying is that they want to make sure that Laudna understands that she's not the only one who has been through trauma. But like. Laudna is not the only one who needs to learn that lesson. Actually, it's not even that Laudna needs to learn that she's not the only one that's been through trauma at all, because they're all very aware of what they've all been through. This became an inevitable confrontation when Laudna decided to let Delilah back in, though, and after rewatching the scene, I actually think the only people who managed this situation correctly were Imogen* and Ashton.

Orym and Laudna are both more focused on their own pasts with the sword and not thinking about each other. Orym should have talked to the group and come to a decision with them about using the sword and Laudna should have talked to him about it instead of trying to steal it.

*my feelings about this are still up in the air don't read into this too much

[oh-meow-swirls]

i think this was funnier in my head.

[hephaestuscrew]

Pan-Pan, Boléro, and Minkowski's different responses to loss

I want to compare two key lines of Minkowski's which indicate very different responses to grief:

In Ep29 Pan-Pan, Minkowski breaks down and says "Doug Eiffel is gone! There was nothing we could do to save him. It wasn't anyone's fault. It's horrible, and pointless, and it just happened."

In contrast, after arriving at the funeral in Ep46 Boléro, she says "[Lovelace, Hilbert and Maxwell are dead] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here." 

TL;DR: In Pan-Pan, Minkowski expresses her unprocessed grief through despair and hopelessness. Whereas in Boléro, she is able to find hope in the loss and lead her crew in trying to move forward. I suggest a significant reason of the difference is the presence of Eiffel to force Minkowski to confront and process the sense of loss.

Pan-Pan: "It's horrible, and pointless, and it just happened"

In Pan-Pan, the whole episode is full of anger and despair, but Minkowski speaking about the horrible pointlessness of losing Eiffel is one of the most painful and hopeless moments. It doesn't feel like she's really speaking to the others. She's focused on her internal despair (as suggested by the fact that she goes on to talk about the cracks, which Lovelace and Hilbert aren't supposed to know about).

The only potentially positive thing Minkowski says here is her recognition that "it wasn't anyone's fault". When Hera and Hilbert have been blaming Lovelace, and Minkowski has been blaming herself, it's significant that she acknowledges that sometimes a horrible thing just happens without there being anyone to blame. 

But in this context, and in the tone of voice Minkowski uses, even the lack of blame doesn't really feel like a positive thing. If Eiffel becoming stranded was just pointless and random, if there was nothing any of them could have done to save him, then the next tragedy might be just as unpredictable and unpreventable. Minkowski strikes me as the kind of person who can sometimes fall into the trap of subconsciously wishing that the awful thing is her fault because then at least she'd have control over something. In her train of thought here, the lack of blame is followed by focusing on how horrible and pointless what happened to Eiffel was. The only conclusion she can draw is "it just happened". There's no sense of hope in those lines. Eiffel being stranded just happened, and so do the cracks, and the crew are at the whims of brutal fortune with no meaning to any of it.

Boléro: "They're gone... so that we never forget how important it is that we're still here"

In Boléro, Minkowski can't even say that the tragedy wasn't anyone's fault. For each of the deaths, someone pulled a trigger. There is blame, and some of it lies at her feet. She didn't want to come to the funeral because at first she didn't know what she could say about the deaths she feels responsible for.

Yet even so, this time she finds something reassuring she can say to her crew, a grain of hope she can provide without attempting to diminish the loss: "[they're gone] to make the fact that we're not gone yet important. They're gone... so that we never forget how important it is that we're still here."

In another show, or another context, this kind of line might have had an 'everything happens for a reason' tone, which is something I deeply dislike as a response to other people's loss. But it doesn't feel like that's what Minkowski is saying here at all. She isn't trying to make any grand philosophical statement about the ultimate beneficence of the universe, or about how mortality gives meaning to human life. What she says here is working on a much more personal level. It's more about finding something other than despair that the crew can take from what has happened. This tragedy may still be horrible, but it provides a reminder that they are still alive in a context where that's far from guaranteed. Minkowski emphasises that the fact the survivors are alive matters - her crew matters. I'd argue that this contrasts with the 'it just happened' outlook discussed above. 

I don't know how much Minkowski fully feels the importance of them still being there in the moment, but it's something that she can offer her crew, something that she can say in a situation that words can't grasp. I think the moment when she joins the funeral is such a key moment of her leadership. In the end, despite her doubts and struggles, she's there for her crew. Eiffel brought them together for a funeral, but he doesn't know what to say when Hera asks why they have to be gone. Minkowski enters just at the right moment to support her crew and she provides an answer to Hera's question. It's not a perfect answer, but it allows the funeral to move forward. It allows the crew to move forward (even if that emotional movement is somewhat thrown off by a dramatic change in the circumstances). Minkowski starts off the eulogies; she leads her crew in the acknowledgement of what's been lost.

Why such a difference in responses?

There's lots of ways you could interpret the difference between the outlook of these two moments, and there's probably more to say about it though the lens of Minkowski's character development than I'm going to say here. But for me, the main difference between these moments is that, in Pan-Pan, it feels like no processing or recognition of grief has really occurred. When Minkowski says "Doug Eiffel is gone!", it almost feels like the first time that Minkowski has fully confronted and acknowledged the loss. Eiffel has been lost in space for 116 days, but it's only at the end of this episode that Minkowski brings herself to say in her distress calls that he is "presumed dead". Whereas in Boléro, she's already eulogising the dead and thinking about what can be learned from the loss, not even a full day after the mutiny.

Obviously there is much less ambiguity to a body bag (or least there would be, if not for alien interference). But I can't help thinking that the difference between the attitudes towards loss which Minkowski displays in these two quotes is less about the difference in the kind of loss, and more about a situation that prompted and enabled the processing of emotions in Boléro: namely, the funeral. After Eiffel was stranded in space, I think Minkowski probably went months without looking her grief in the eye. But after the deaths of Lovelace, Hilbert, and Maxwell, Eiffel's suggestion of a funeral forces Minkowski to confront her complicated emotions and provides a space in which she can offer direction to her grieving crew.

This is a good illustration of how I think Minkowski and Eiffel complement and support each other in a really valuable way. On his own, Eiffel couldn't provide the leadership that the crew needed for the funeral to work. But without Eiffel, and his determination to recognise the emotional weight of the three deaths, the funeral would never have happened and Minkowski would never have been in a position to provide hope and direction to her crew. When Eiffel was the one the Hephaestus crew were grieving, Minkowski couldn't offer much emotional direction to her crew beyond despair. But when Eiffel is beside her in the grief, saying that the grief deserves to be felt, then Minkowski can find a way for them to move forward emotionally. It's not the deaths that remind them how important it is that they are still here. It's the grief. It's the ability to confront that grief together.

[princess-of-the-corner]

Rei and Enji as Ladynoir(e). The situation's absolutely fucked anyway, might as well make it stupid too

and they both deserve to be a cat about it.

[immortal-enemies]

I remember people saying I was crazy and toxic for fearing Morgenthorn would overshadow Kitty in TWP.

Now we have three little snippets of TWP and all three of them are Dru and Morgenthorn. (I think. That one art piece CC says is Dru, but they don't look like the same characters.)

[swinging-stars-from-satellites]

why does everything have to be a hecking issue with my sister

[cerealbishh]

"Henry cares for Faran. The Liars normally have to be the ones caring for others. It just makes me melt!" - Zaria on Twitter about Henry(x)

[marshmallowloves]

GET READY FOR THE NEXT BATTLE!

Watched a playthrough of Tekken 8's story mode (cause my broke ass can't afford to play it myself gjdhg) and decided it was time to give my self insert a fresh new look! and it totally wasn't just to stave off the pain of the homie Yoshi having next to zero screentime or dialogue or prevalence come on man he's in every game so far let him speak 😭

Cecil hails from North America and runs a tiny repair shop out of her home to make ends meet. She can fix all kinds of stuff - electronics, toys, household appliances, and even prosthetics! She's also an avid gamer and once entered the King of Iron Fist tournament to fund her expensive hobby with the prize money. She didn't win but she DID get to see a certain masked swordsman in action and later got to fix his hand! and between then and now, they sort of...became a thing? yeah not sure exactly how that happened yet, I'm still working on a proper backstory. come back later gjdhgkg

[escapisminacan]

As happy as I am with the new update, I wish zhanyi could have had a moment when jianyi woke up :/. Like zzx blaming himself and jy telling him its not his fault, and idk like a tearful hug

[bigpeepee]

okay so i am once again in a bit of a pickle due to the fact that i never learn from my mistakes :)

[longagoitwastuesday]

I'm literally both of them whenever Gojo appears and opens his mouth

[debinhas-bicycle]

my very optimistic predictions for the olympic roster thrown together in the last 20 minutes