#tennesee thomas

[andtheliike]

Band-run fanzine probably produced in early 2006 (Jan-Feb), found here.

[sparklepony]

[zberg-archive]

zeezerizer: Fuck it Ima post twice in one day. Today is the ten year anniversary of Release Me by The Like. I’m incredibly proud of that insane record and I love @tennesseebunny @laenageronimo and @anniemonrovia and the wild world we created. Not to mention @iammarkronson @dunhamrecords @alexandergreenwald @victoraxelrod #homersteinweiss and @pawnpawntbp who made and played on it. To celebrate ten years since Release Me was released, we’re raffling off a signed vinyl (out of print and impossible to find) to benefit @innocenceproject @naacp and @theokraproject. Details are on @tennesseebunny’s Instagram! Head on over there if you wanna bid and dear GOD time sure does fly. ❤️ 📸’s by @wicked_lady at the Wishing He Was Dead video shoot with @maximilla

[prettyoddoutsold]

The Like in 2010, by BethanyCee04 on Twitter

[justsportsgalore]

The Texans honored the memory of their founding owner, Robert McNair, in the most fitting way possible Monday night, winning a franchise-record eighth consecutive game at the expense of the Tennessee Titans, who used to be the Houston Oilers and whose departure in the mid-1990s led to McNair's successful pursuit of an NFL expansion team to replace them.

In beating the Titans 34-17 as Deshaun Watson threw for two touchdowns – both to recent acquisition Demaryius Thomas – and ran for a third, the Texans became the first team in NFL history to lose their first three games of the season, then win the next eight.

More important, the victory kept them two games in front of the 6-5 Indianapolis Colts in the AFC South and tied, at least record-wise, with the AFC East-leading New England Patriots in pursuit of a first-round playoff bye. The Titans fell to 5-6 and likely out of contention for the division title. The Patriots, of course, still hold the tiebreaker against the Texans by virtue of their 27-20 week-one victory in Foxborough.

"I think these players, even the younger guys, understood what Bob meant to this organization and to Houston for bringing the NFL back," head coach Bill O'Brien said. "It was a great win, a tribute to Bob McNair. That win was for Bob."

McNair passed away Friday after years of battling cancer. The Texans presented the game ball to his son Cal, the team's chairman and chief operating officer.

The mood in NRG Stadium, liberally sprinkled with a startling number of empty seats given the roll the Texans have been on and that it was the first Monday Night Football game in Houston since 2010, stayed somber and eerily quiet following a moving pre-game tribute to McNair And, seemingly distracted, the Texans got off to a lethargic start, falling behind 10-0.

A 33-yard pass interference penalty on rookie safety Justin Reid set up a 31-yard Ryan Succup field goal and, on Tennessee's next possession, tight end Jonnu Smith was left wide open in the middle of the field on what became a 61-yard touchdown pass from Marcus Mariota.

That became the longest scoring play of the season against the Texans by an opposing quarterback. The longest play period remains Kevin Byard's 66-yard fake punt pass to Dane Cruikshank in first Titans game, when Tennessee led 14-0 at the end of first quarter in route to a 20-17 victory, the second of those three straight-from-the-chute defeats that threatened to wreck the season.

This night, however, the Texans fortunately awoke before things got out of hand, although they profited hugely from the Titans' failure to fall on DeAndre Carter's fumbled kickoff following Smith's touchdown. Instead, A. J. Moore covered the football and, given that reprieve, they chose to honor McNair's memory in appropriate fashion, countering with 24 unanswered points before the first half ended.

Never mind that Mariota, who didn't play in the first meeting between the division rivals because of an elbow injury, would complete all 12 of his passes for 157 yards. Mariota's availability had again been up in the air this week because of weakness in his throwing hand caused by a stinger suffered in Titans' previous loss, 38-10 to the Colts.

Mariota didn't throw an incompletion until his 20th pass, which came with 66 seconds remaining. Three plays later, the Texans first their first turnover of the game, a Derrick Henry fumble caused by Brennan Scarlett and recovered by Aaron Colvin, who was playing for the first time since suffering an ankle injury against the Cowboys Oct. 7.

With the victory, the Texans improved to 29-1 during O'Brien's five-season tenure when leading after two quarters. Also, going back to the Texans' 57-14 win over Tennessee here last season, they had scored 84 points against the Titans over a span of six quarters, 60 more than they allowed.

Watson responded to Mariota's sizzling start by scripting a seven-play 62-yard drive that he capped with a 12-yard scoring strike to Thomas, the veteran receiver acquired in a trade with the Broncos. Thomas had been targeted just once in the 23-21 victory over Washington after he'd caught three passes in his Texans debut in Denver the previous weekend. Texans head coach Bill O'Brien said that needed to be addressed, and it was.

"I thought we did a better job with him this week," O'Brien said.

Thomas' second touchdown, on a deftly executed 10-yard fourth-quarter pass from Watson who had been forced to throw on the run, gives him 62 over 10 NFL seasons.

Next came a five-play, 60-yard Texans drive, requiring less than two minutes, that Watson finished himself, sprinting into the end zone from the 15. Aside from completing 19 of 24 passes for 210 yards, he would also finish with 71 rushing yards – 8.9 per carry – as the Texans ran for a franchise-record 282. Miller gained 162, his best game in three Houston seasons.

Their third scoring drive in succession consisted of a single play, Lamar's 97-yard sprint to daylight, the longest run in franchise history and the longest run by anybody in the NFL since Miller also broke free on another 97-yarder as a Miami Dolphin in 2014.

"That was a well-blocked play," O'Brien said, "and Lamar turned it on."

Kai'mi Fairbairn tacked on a 43-yard field goal as time ran out. Fairbairn then put the Texans up by 17 points with just over nine minutes left in the third quarter with a 47-yard field goal.

Tennessee had seemed poised to reclaim the lead following Watson's touchdown, driving from its 25 to the Texans' before linebackers Zac Cunningham and Bernardrick McKinney stopped tight end Luke Stocker on an oddly-timed – and clearly ill-advised – trick play for no gain on fourth-and-one at the Texans' 3. That was the first time all season that the Texans didn't surrender points on an opponent's red-zone penetration.

And, one snap later, Miller was off to the races. The Titans weren't yet a beaten team – Mariota's 48-yard touchdown pass at the end of the third quarter cut their deficit to 10 – but the Texans had all the cushion they needed.

Still, O'Brien insisted, repeating his long-running mantra, the Texans "haven't done anything yet" despite their 8-0 run. Next up will be the Cleveland Browns Sunday at NRG. After going 0-16 last season, the Browns, led by rookie Baker Mayfield, come in with a 4-6-1 record and a two-game winning streak of their own.

The Texans then play the Colts here the following weekend. Their historic, for-the-ages even, unbeaten streak began with a 37-34 overtime victory Sept. 30 in Indianapolis.

[make-me-ur-aphrodite]

tlh characters as things my friends have said

matthew: i want to be in a hurricane

james: there's one going on in Louisianna right now if you want to go

christopher: i just electrocuted myself.

alastair: loud chewing makes me suicidal. just thought i'd share

lucie: hey are you doing anything today?

jesse: im literally boarding a plane to go to tennesee we've talked about this

lucie: well im the only ten i see so not sure why you would waste your time doing something without me

cordelia: *after james tries and fails to make a meal* oh it's so good!

lucie: what the hell are you talking about this is shit

thomas: listen you guys cant just text random people your social security number

alastair: what's the worst that happens? my identity gets stolen and i end up in jail? good. things have been going a little too well in my life right now

matthew: besides my mugshot would be a gift to everyone that sees it

james: i give up

will: good for you jamie, i personally gave up three years ago after i told my barber thank you when he asked what i was up to these days

christopher: im home alone carving a pumpkin in the shower listening to spooky music

eugenia: ooo girl boss energy

ariadne: slay queen

anna: i fully agree but who are we talking about

[undergroundrockpress]

Tina Turner and Ikette Ann Thomas dancing at Club Paradise in Memphis, Tennesee (1966) Photo : Ernest C. Withers

[akindofsinglelady]

I can't lie and say this wasn't a first stop in genealogy research. #firststop #genealogy #idiotsguide #completeidiotsguide #thecompleteidiotsguide #ancestry #family #research #familysearch #ancestrysearch #writer #amwriting #partofthejob #books #amreading #generations #mobilealabama #alabama #tennesee #kentucky #arkansas #texas #heald #davenport #stanford #thomas #anneheald #lucilleThomas #jamesthomas #mytree https://www.instagram.com/p/B7O4NlDgM2T/?igshid=wl421r4ziods

[romanianormala-blog]

Preconceptiile Romanilor legate de comunitatea gay (sau cum a uitat Cualitia pentru Familie de drepturile Omului)

Nu exista dubiu ca homosexualitatea este inca un subiect tabu petru multi dintre romani. Si ca orice subiect tabu, exista mituri si idei preconcepute. Multe dintre ele sunt strans legate de “religie” si de “normalitate”, notiuni abstracte care implica mult mai multe argumente, concepte sau variatii spre deosebire de 2+2=4.  

Cand vine vorba de relatiile amoroase, romanul tinde sa isi imagineze automat cupluri formate din “el si ea”. Fericiti sau nu, tineri sau batrani, cuplurile dintre heterosexuali au si le stigmatele lor bazate pe diferenta de varsta, religie, nationalitate, statut social, s.a.m.d  , pe cand cuplurile de acelasi sex sunt excluse din inchipuirile romanilor si alungate ca pe niste cosmaruri fara a adauga descrierii alte detalii infara de sexul persoanelor implicate. Cuplurile gay/lesbian/bisexual fac parte insa din aceasta realitate, si au facut parte probabil dintotdeauna. Exista scrieri inca din antichitate, cu viziuni complet diferite fata de cele prezente: multe dintre relatiile gay ale antichitatii erau mult mai apreciate calitativ decat relatiile hetero. “Initierea “in tainele iubirii, insemna pentru greci curtarea baietilor de 14-16 ani de catre un domn mai in varsta , chiar daca actual sexual propriu zis ar fi fost inexistent, scrisorile de dragoste, flirtul, cadourile, comunicarea exista.

Dintre personalitatile marcante ale literaturii: Thomas Mann, Oscar Wilde, Virginia Woolf, Tennesee Williams, William Shakespeare, Marcel Proust, Andre Gide, T.S.Elliot, Nikolai Gogol, Arthur Rimbaud … toate aceste nume cu ecouri puternice, au un lucru in comun . Pasiunea pentru partenerii de acelasi sex! Cartea pe care probabil o tii chiar acum in poseta si o citesti in metrou cu prima ocazie, este posibil sa fie scrisa de un gay. Ce vei face? Vei renunta la carte? Desigur ca nu… De altfel orientarea sexuala a unei persoane nu ne-a impiedicat pana acum sa folosim teoreme inventate de matematicieni homosexuali, sa vizionam filme gen rom-com in care unul dintre actori este de fapt gay, sa folosim cumparam acea rochie designer creata de o lesbiana. Ce ne face de fapt sa respingem astazi, cu atata pasiune idea homosexualitatii?

  Religia: majoritatea religiilor ( inclusiv crestinismul) condamna relatiile intre persoanele de acelasi sex. Daca candva aceasta interdictie favoriza inmultirea speciei si implicit sansele noastre de supravietuire ca rasa, astazi a devenit scuza perfecta pentru disriminare. Daca pornim de la idea ca religia inseamna promovarea binelui, vom putea descrie in linii mari binele pornind de la notiuni fundamentale precum iubirea, iertarea si accceptarea. Si ce poate fi mai frumos decat sa iubesti pe cineva?

Ori atata timp cat cineva, indiferent de orientarea sexuala, nu iti provoaca rau ( jignire, violenta, santaj, ranire etc) atunci de ce ai alunga acea persoana dintr-o comunitate? Se porneste gresit de la idea ca cuplurile gay/lesbian sunt cupluri traumatizate, maltrate, violate, infricosate de sexul opus. Refuzand idea ca cineva ar putea iubi o alta persoana pentru cea ce este ca om, bariera sexuala orbeste.

 Cum functioneaza un cuplu? Cine e cocosul?

Ca orice alt cuplu: gatesc impreuna sau separat. Ies la intalniri. Isi dau mesaje. Se bucura de un cadou. Daca intr-un cuplu hetero el se teme de gandaci si ea nu asta nu inseamna ca ea devine cocosul in familie. Iar mentalitatea  “unul conduce, unul se supune”ar trebui sa dispara din orice relatie si sa fie inlocuita de respect, comunicare si suport. O echipa inseamna echilibru nu lupta pentru putere.

 Problematica intemeierii unei familii. In multe parti ale lumii, din pacate si in Romania, casatoriile intre persoanele de acelasi sex sunt respinse/ nerecunoscute astfel incat adoptia unui copil devine imposibila. Cu toate ca exista numeroase studii psihologice care dovedesc ca orientarea sexuala a parintilor nu influenteaza orientarea sexuala a copilului, acest motiv  este inca foarte raspandit printre sceptici. Logic, te intrebi : un copil orfan este mai putin valoros decat un copil crescut de doi parinti de acelasi sex? Pe de alta parte, exista multe comentarii la adresa notiunii de parinte in sine. Multi sustin ca atata timp cat nu partici la actul sexual in sine, nu poti fi numit parinte. Principiu ilogic din moment ce exista atat de multi parinti adoptivi care isi iubesc copii fara sa existe o legatura de sange intre ei.

  Cum explic asta copilului? La fel cum ii explicit ca nu l-a adus barza si ca este perfect normal sa iubeasca pe cine simte ca iubeste cu adevarat.

  Stigmatul bolilor venerice, popularizat inca din anii 60, incepand cu miscarea Hippie, candva atasata de drogati astazi este umbra comunitatii gay. Trist este ca educatia sexuala in Romania este foarte slaba. Trist este ca inca raman adolescente insarcinate pentru ca nu stiu ce metode contraceptive exista. Ne este rusine sa vorbim cu copii nostrii despre placere, consimtamant si spermicide dar ii acuzam de sarcini si boli cu transmitere sexuale. Situatia poate fi elaborata la scara larga nu aplicata unui singur segment de populatie.

 Exagerarea sex-rolului. O mama trebuie sa faca X, tatal Y. O  femeie nu joaca fotbal. Un barbat nu gateste. Evident, daca ai calcat sotiei o camasa nu te vei transforma in Cenusareasa la miezul noptii. Din acelasi motiv, nu esti mai putin barbat daca ai sarutat un barbat.

    Frica de a nu deveni homosexual. Daca mergem pe principiul “ma uit la filme porno gay “si devin gay atunci premiza”stau prea mult la calculator deci devin laptop”este adevarata. Iti plac femeile si esti barbat? Felicitari esti hetero. Iti este frica de legalizarea casatoriilor intre persoanele de acelasi sex pentru ca in adancul sufletului crezi ca vei deveni gay? Atunci intreaba-te ce frustrare ai de fapt..

  Discriminarea sexuala exista si trebuie descurajata. Gandi-ti-va numai la cazurile mediatizate in care copii si adolescenti s-au sinucis pentru ca nu au avut suportul familiei cand au recunoscut ca sunt gay. Sau la celebrul caz din Franta in care un baietel a fost batut de colegii de liceu din acelasi motiv.   Daca nu cunoasteti drepturile omului si in continuare credeti ca discriminarea sexuala este ceva normal va invit sa lecturati Legislatia pentru Democratie. Link aici:

  http://legislatie.resurse-pentru-democratie.org/drepturile-omului.php

[uniqueartisanconnoisseur]

Roy Acuff and Dunbar Cave

Right in the midst of Clarksville, Tennessee is a very cool cave with some fascinating history.  Dunbar Cave was used by Roy Acuff ,King of Country Music and American Record  Company recording artist as a stage.

Roy Acuff, this picture is at the Dunbar Cave visitor center.

This singer that once wanted to play pro-baseball and was the republican nominee for governor in 1948 was fiddle player and…

[zberg-archive]

zeezerizer:  Casual dinner with the girls...back when the girls could awkwardly sit huddled together on one side of the table. By @kishabari

[bobmccullochny]

History

December 29   1170 - Archbishop Thomas Becket was assassinated in Canterbury Cathedral by four knights, under orders from King Henry II of England.

1808 - US President Andrew Johnson, born December 29, 1808 in Raleigh, North Carolina, died on July 31, 1875 in Elizabethton, Tennesee.

1845 - Texas joined the United States.

1851 - The first American YMCA (Young Men's Christian association) opened in Boston, Massachusetts.

1890 - The US Cavalry killed 146 Sioux at Wounded Knee on the Pine Ridge reservation in South Dakota.

1896 - "Lava" soap was trademarked by William Waltke & Co. of St. Louis, Missouri.

1916 - James Joyce's book Portrait of the Artist as a Young Man was published.

1927 - Krakatoa began a volcanic eruption on the seafloor. It had been quiet since its 1883 eruption.

1952 - The first transistor hearing aid went on sale, the model 1010, manufactured by the Sonotone Corporation

1959 - Physicist Richard Feynman gave a speech entitled "There's Plenty of Room at the Bottom," which brought in the concept on nanotechnology.

1982 - Surround Sound was introduced for home use by Dolby.

1995 - Mr. Holland's Opus, Dead Man Walking and 12 Monkeys were released in theaters.

[westernmanews]

Tickets sold out in just *two hours* to see the Boston-based Irish Rockers, "Dropkick Murphys," perform at MGM Springfield's opening weekend.

"Dropkick Murphys" is the first band to rock out at the new casino, and it's for a good cause.

Boston's "Dropkick Murphys" honored Springfield Marine Gunnery Sergeant Tommy Sullivan at MGM Springfield's opening weekend.

Carol Forward, a Wilbraham resident, told 22News she's excited about MGM Springfield, "It's very exciting to get to celebrate our friend's life and death in this city, and how wonderful it is for them to get this wonderful casino, and to be part of  this exciting event tonight."

Forward also told 22News, "Dropkick Murphys" was Tommy's favorite band.

Family, friends and supporters attended Saturday's concert through Nathan Bill's Bar and Restaurant in Springfield.

Proceeds will benefit the "Gunnery Sergeant Thomas Sullivan Foundation," named for the Springfield Native who was killed in a terror attack in Chattanooga, Tennesee, three years ago.

Chris Madden, a Springfield native said it's great to be back home and to see the city flourishing, "Springfield as the "City of Homes" deserves to be a place people want to come and a place where people want to be, and with MGM it looks like it's trending in the right direction. So, it's happy to see some prospect in the city."

A table was set up at the concert for people to sign up for the annual Thomas J. Sullivan 5k in September.

[thereviewsarein]

Bourbon on a Broken Heart - Jacob Powell Q&A

Bourbon on a Broken Heart – Jacob Powell Q&A

CMT has listed Jacob Powell as one of their artists to watch and we’re paying attention.

The small town Tennesee native has toured with top-notch acts like Florida Georgia Line, Dustin Lynch, The Cadillac Three, and Cole Swindell. He’s signed a publishing deal with Ole Publishing and he’s passed one million plays on Spotify. Those are pretty good indicators of talent.

We love the tone of his…

[larryland]

Laura (Grace Sgambettera) and her Gentleman Caller (Woodrow Proctor). Photo: Kyra Fitzgerald.

When you live with a story for a long time – and most Americans are introduced to Tennessee Williams’ The Glass Menagerie in high school or college – you see it through the lens not only of your own personal experience, but also of the social milieu of the day. I first met this play as a teenager in the early 1970’s. Freudian theory was still widely accepted, and Amanda Wingfield was presented as a selfish, domineering mother who stifled her children and ruined their lives. It was still generally believed that a mother like that was the cause of a son’s homosexuality. At first I saw Amanda as the villain of the piece.

Later, I transferred that title to Tom, who abandons his mother and helpless sister just like his father before him. Now I tend to consider Jim, the gentleman caller, as the villain who raises, then crushes Amanda and Laura’s hopes.

The Glass Menagerie, currently playing at Hubbard Hall, is the mostly highly autobiographical of Williams’ plays, and his first commercial success. It is obvious that Tom is Williams – whose given name was Thomas – and Laura is his elder sister, Rose, who ended up institutionalized for life after a botched lobotomy. Amanda is their mother, Edwina Dakin Williams. The family did live in St. Louis, his father was a traveling salesman more often on the road than at home, and Williams did work in a shoe warehouse. But Williams was the sickly child over whom his mother fawned, and there was another son in the family.

In his director’s notes in the program Roger Danforth identifies this as a production about family – about how we love and quarrel and outgrow our familial bonds over time. And in this time and place I agree with him. The Wingfield family are no more or less dysfunctional than many, and Williams crafts his Memory Play with love as well as the keen eye of an artist.

Christine Decker gives us an Amanda whose every thought and action is focused on survival – her own and her children’s. Her own survival depends not only on Tom’s ability to earn enough money for food and shelter, but also on clinging to her identity as a turn-of-the-20th century southern belle. You like this Amanda, you laugh at her foibles and feel her pain, but you never see her as the villain. There is no attempt to make Amanda glamorous, which makes her Act II appearance in a lacy old cotillion dress endearingly pathetic, rather than a heartless stab at outshining her mousy daughter.

Laura (Grace Sgambettera) and Amanda (Christine Decker) make a wish on the moon. Photo: Kyra Fitzgerald.

Amanda (Christine Decker) and Tom (David Snider) make a wish on the moon. Kyra Fitzgerald.

Amanda (Christine Decker) pulls out all the stops to impress Jim, the Gentleman Caller (Woodrow Proctor). Photo” Kyra Fitzgerald.

There is no danger of that here. Grace Sgambettera is luminously beautiful as Laura. She completely captures the character’s psychological frailty, even as she fails to embody Laura’s physical handicap. Sgambettera walks with no trace of a limp, and shifts agilely around on the floor in Act II in a way that a person with a leg that requires a brace would be unable to do. But that quibble aside, she certainly presents a young woman whose weaknesses and wounds render her unable to cope with the world.

By staging the play in the round, Danforth and scenic designer Andrea Nice have deprived David Snider’s Tom of an escape from the interior of the cramped Wingfield apartment. When Tom goes out, which he must to frequently to preserve his sanity, we never see him as physically outside, only lurking on the periphery. Williams calls for both an interior and an exterior set where we can see Tom as separate from the memory shadows he is narrating, which also inescapably haunt him across the years.

And into this tight family enclave comes the Gentleman Caller, Jim O’Connor (Woodrow Proctor), a co-worker with Tom at the shoe warehouse, and unbeknownst to both men, the object of Laura’s high school crush. Even as the electricity goes out (Tom has used the money intended for the electric bill to buy his freedom in the Merchant Marines) the Gentleman Caller brings light and hope into the Wingfield home. For him Amanda spruces up the house, herself, and Laura. He revives in Amanda all the flirtatious fun of her carefree girlhood surrounded by suitors promising hope for a prosperous and in the upper echelons of society. He taps in to a similar time in Laura’s life, when she was younger and felt the first stirrings of love for the Big Man on Campus. After spectacular success socially, academically, artistically, and athletically in high school, Jim has found his own young adult life a disappointment, and is pleased to retreat with Laura to memories of the days when he was the Pirate King and the star athlete.

Proctor balances Jim’s genuine charm and social ease with his slow reversion to the cock-sure self-importance and sense of entitlement of his teenaged self. Does he lead Laura on because he genuinely cares for her, or because he enjoys her adulation of him? Is he really spoken for, or does he devise that ruse to extricate himself quickly and easily, in spite of the pain he knows he is causing?

Sherry Recinella, who frequently costumes Hubbard Hall productions, has assembled simple depression era drab ensembles, except for Laura’s lovely Act II dress, which Amanda has probably hocked something precious to obtain; and Amanda’s own frothy cotillion creation, complete with a sparkly tiara-like headband.

Directors at Hubbard Hall have long made use of the Hall itself as part of the set. There is something about the 1878 wooden opera house that brings a special glow from a time gone by. Despite the previously mentioned drawback to Danforth’s decision to stage the show in the round – three-quarters round might have been a better choice – he, Nice, lighting designer Melissa Mizell, and technical director Benjie White make full use of the Hall’s ambience. When the disco ball whirls the sparkles of light from the Paradise Dance Hall across the historic painted ceiling, when the candles glow between Laura and her Gentleman Caller, making the little glass animals shimmer, when the period music swells and Jim sweeps Laura off her feet. These are magical stage pictures that can only be created at Hubbard Hall.

Hubbard Hall presents The Glass Menagerie by Tennesee Williams, directed by Roger Danforth. Scenic Designer Andrea Nice; Costume Designer Sherry Recinella; Lighting Designer Melissa Mizell; Technical Director Benjie White; Stage Manager Kate Johnson; Choreographer Darcy May; Executive & Artistic Director David Andrew Snider. Cast: David Snider as Tom Wingfield; Christine Decker as Amanda Wingfield; Grace Sgambettera as Laura Wingfield; and Woodrow Proctor as Jim O’Connor, the Gentleman Caller. The show runs two hours and fifteen minutes with one intermission. Performances Fridays, Saturdays and Sundays from April 22-May 7 at Hubbard Hall, 25 East Main Street, Cambridge, NY. Tickets: $25/$10 Students. 518-677-2495

Review of “The Glass Menagerie” at Hubbard Hall When you live with a story for a long time – and most Americans are introduced to Tennessee Williams’ …

[patd-odd02]