#tera castlevania

[mrsdulac]

Castlevania: Nocturne + text posts

[alucarddaily]

"Do you really think you could kill him? He's someone you love. Even if he's become a monster."

[prickly-paprikash]

The Bishop in the first Castlevania season is pure evil who believes himself good. He's nearly every crime and hypocrisy of the Catholic Church distilled into one neat, wrinkly, putrid man. He is easy to hate. He is supposed to be despised and we are expected to cheer and rejoice when Blue Fangs chewed on half this man's face.

He uses god to control and manipulate the powers and people that be. While his belief in god may be true, the church and the faith are more tools for him to retain control. It is glaringly obvious that this man is power-hungry.

There is nothing, and I mean nothing at all redeemable about that asshole.

The Abbott is every conservative relative who genuinely loves you, but is a blind idiot holding on to institutions simply because they are "right".

While the Bishop's character is real, most of us won't encounter him. We see him on the news. I'm not even American (been there once for two weeks) but even I've seen his like on news and media. He's a televangelist who consolidates wealth, clout and power through the fanaticism of his followers. He is drunk on the authority he possesses. His belief in god isn't the point; whether or not he holds faith, the man cares solely about power.

The Abbott is someone in our lives we know well. Your conservative mother who refuses to even show a modicum of tolerance towards queer people. Your father who is buying into the religious side of Youtube and Tiktok. Your brother who has grown up to carry terrifying, fascistic beliefs. Your sister who feels lost and found some semblance of acceptance in a church who still believes women are lesser. Your aunt who despises vaccines. Your uncle who tells you that you should've become a priest or a soldier.

The Abbott, deep down, has some redeeming features. But it's not enough to forgive him for his idiocy.

Ask any child who had to grow up with a religious parent, especially a Catholic or an Evangelical. They fucking love the story of Abraham sacrificing his child to God, and finding a ram in its place.

Evangelicals are bent on this tale. They will always preach that god comes before children. That children and their suffering and their needs must always take a backseat to the word of god.

A trans child asking their parents to understand—their words will fall on deaf ears because god and the holy man told them that 'transgenderism' is a vile philosophy that seeks to groom and twist kids. A college freshman debating with their parents about free healthcare and immigration will be stonewalled because the charismatic preacher said that god will provide. god will heal. god did not invite these foreigners into this land.

It is Maria, begging her father to listen and having her pleas fall on deaf ears.

The Abbott is someone I hate more than the Bishop.

Men like the Bishop exist, but they are few and far in-between.

But the Abbott? The Abbott is someone I share a table with at dinner. He's someone I see during family reunions. He's someone who shares misinformation online, and I see it on my timeline because we're social media friends.

I fucking hate him so much and I hope he gets what's his.

He never deserved Tera. He never once deserved Maria.

[halpwhatdoiputhere]

My dad has REFUSES to call Olrox anything but Ollie since he saw the first episode

For example when little boy Belmont when running after Olrox appeared behind him my dad just yelled

“HERE COMES OLLIE!!!!”

“HES GONNA GETCHA”

With so much excitement

So when the ahem smexy after shot scene he just when “damn Ollie got some”

[yoshimickster]

Richter: I am Richter Belmont, last descendant of the Belmont clan, and I HUNT- Maria: UUUUUUH hold on a second, I may be your third cousin but I'm STILL related to the Belmonts. Richter:...oh...well, I RICHTER BELMONT-second to last member of the Belmont clan- Tera: Yeah, I ALSO exist thank you very much! Juste: And I've been here the whole time some how! Richter: UGH-okay FINE, I'm NOT the last Belmont! WHAT should I assume there's an entire VILLAGE of people related to the Belmonts?! The Entire Town of Wygol: HELLOOOOO! Richter: UGH-I need a drink. Annette: Hon, you're only 19. Richter: And its 1792, I'M GETTIN' HAMMERED!

[mihrimahfs]

We need a repast for our good muva Tera Renard she deserved so much better!!!!!!!!!! I hope next season she gets Justice! If I ever see that abbot it’s on sight!

[littlerosette]

writing this for all of the five people who care about this ship

[the-blue-sandglass]

Some icons of Tera because she deserves everything, damn it-

[sparkie96]

“The Last of the Belmonts” (A Castlevania Nocturne Fic)

Richter is enamored by the man he’s only ever heard about in Fairytales. Alucard is haunted by the ones he loved and had lost every time he looks at Richter. He’s got Sypha’s eyes and that Belmont jawline. There are various other qualities that Richter shares with those of the long past.

Alucard can’t quite meet his eyes. It hurts too much. But he’s badly wounded and dying of thirst and the Belmont boy is the only one offering his blood.

Richter wants him to look at him. Needs him to look at him, especially during this. There’s something inside of him that needs Alucard.

Rated for Language, Canon-Typical Violence, Suggestive Themes, and Blood Drinking.

(Post S1 where Alucard comes to their rescue and they retreat.)

(Aka this was only supposed to be a warm-up piece, then a PWP, and then an actual plot showed up and now…yeah.)

[wittyvitale]

Young Richter Belmont: I am Richter Belmont, last descendent of the Belmont clan! I kill vampires and all creatures of evil! The last thing they feel before they die is the sting of my whip!

Tera: Richter, do you want marshmallows in your hot chocolate?

Richter: …Yes please…

[alucarddaily]

The familial, platonic, & romantic physical affection of Castlevania: Nocturne season one 💙

[prickly-paprikash]

My favorite little character trait so far in Castlevania Nocturne is Olrox's possessiveness.

Once he marks something as his, it's his whether he even realizes it or not.

We are told, straight up by him, that he turned his lover into a vampire without his partner's say-so. Lenore mentioned the nature of Vampires—the ever-present hunger. This burning desire to grow and consume, consequences be damned. We see this in Erzsebet's obsessive need to become the ruler of all things in existence, so much so that she has fashioned herself as the Messiah. We see this compulsive gluttony in Carmilla and her all-consuming greed; she simply must have it all, because no one else is deserving of the world.

We see it in Godbrand's animalistic, sadistic tendencies when hunting his prey. Chō's demented need to make every kill, every transformation a perverse performance of her monstrous skill.

We definitely see it in Dracula. His anger and wrath, razing kingdoms and laying waste to societies.

There is a gaping maw seemingly inherent in all those turned into Vampires. Humanity's flaws taken to their most extreme conclusions once the Vampiric venom drips through.

Olrox is possessive beyond belief. What is his is his.

He claims he doesn't love Mizrak, but risks exposing himself to Drolta and Erzsebet the second Mizrak's life is in danger.

He cannot let go, just like Vlad. He must get even. With Olrox, at least this thirst for vengeance is balanced by his adherence to what he views as justice, which means he isn't the type to initiate a war in the name of his beloved. Olrox is "An Eye for an Eye" adherent.

It's something that truly intrigues me, because every single named Vampire exhibits this endless hunger.

Even Death, who is considered a type of vampire itself.

Alucard, I think, is free (or at least more in control) because of Lisa's own human nature—the ability to feel satisfaction, as well as her nurturing light. This is only developed further because of Trevor, Sypha and Greta.

Which begs the question: what is Tera's hunger? What is that idea or feeling that'll hook its fangs into her skin and drive her into reckless abandon?

Love for Maria and Richter? The feelings of betrayal against the Abbott? Her hatred of Erzsebet for the murder of her sister?

Another fucking reason why I need SEASON 2 NOW GOD FUCK NETFLIX STOP RENEWING EMILY IN PARIS YOU WACKOS.

[halpwhatdoiputhere]

YALL SAW A TICK TOCK VID ABOUT HOW RITCHER WAS STRUGGLING WITHOUT HIS MAGIC WHILE TREVOR WAS BEATING THE SHIT OUR OF NIGHT CREATURES WITH STICKS AND PUNCHED DRACULA IN THE FACE AND SOMEONE IN THE COMMENTS GOES

Trevor would have wrapped nocturne up by episode 3

GODDAMMMMMNNNNNNN

[chorus-the-mutate]

This is an edited repost of the Erzsebet Bathory character analysis I wrote yesterday that I refuse to let go to waste. I tried doing the right thing and tagging all of the necessary trigger warnings only for this post to be completely hidden from the Castlevania Nocturne and Erzsebet Bathory tags. Since I can't afford to tag the proper trigger warnings without being punished please do not read this post if discussions of rape or sexual assault triggers or upsets you in any way. I don't take these topics lightly and they are vital to this analysis of Erzsebet Bathory.

This post also contains major spoilers for this first season of Castlevania Nocturne.

This may seem presumptive of me to say but this thought has been stuck in my head for several hours: Erzsebet Bathory is the most rapist adjacent villainess I've ever seen without her actually being a rapist.

The first and smallest point against her is how often she mentions virgins. I know that Erzsebet's initial mention of virgin sacrifices is supposed to tie into the origin of her alter ego and consumption of Sekhmet but it's super fucking weird that it played into why she wanted to sacrifice Maria.

Next point against her is the lawyer's daughter. I'm not sure if this lady was a virgin but when she's first brought to Erzsebet she's already terrified and too dazed to fight back. It's obvious that she doesn't want to be there and that even if she did that she can't really express that desire. But Erzsebet still takes this lady out of a literal gilded cage, sits down and sits this lady on her dress to admire her despair before drinking her blood. The next time we see the lady she's still dazed. The only differences are that she's dolled up and seems more suggestible. Even with hundreds of people in this ballroom scene the lady is literally ignored by everyone except for Erzsebet who dances with her and parades her around for her own amusement. Everyone else knows that Erzsebet likes to make her victims suffer and they still refuse to acknowledge the lady because Erzsebet has made it clear that she's her possession. Hell the only person who is unhappy enough with Erzsebet to go rogue at this point is Olrox and he STILL IGNORES THIS LADY. When the lady is dragged outside to be fed on again without anyone batting an eye it reminds me of a rapist roofying their target and proceeding to do everything in their power to seem interested in their victim's well-being in order to take them to a second location. And no one speaks up since Erzsebet is the Harvey Weinstein, Prince Andrew or Thomas Jefferson of the vampire world; the embodiment of people in power getting away with abuse until the damage has already been done.

The last and biggest point against Erzsebet is the entire scene where she turns Tera into a vampire. For me personally that is just an allegorical rape scene and it's executed very well. Erzsebet makes her entrance at the abbey as a lioness of a woman, a literal predator who wants to take Maria as a sacrifice and turn her into a vampire to ensure Emmanuel the Abbot's loyalty. Tera protests and offers herself to Erzsebet instead. This is such blatant coercion that Tera refers to herself as the ram Abraham sacrificed to God instead of Isaac. And the only question or concern Erzsebet has at this point is if her sacrifice should be a virgin. The only reasons she accepts the sacrifice are Emmanuel's genuine love for Tera and the fact that Tera is a powerful sorceress. Once Erzsebet settles for Tera and physically lifts her to her level no one can stop her. Maria gets knocked out for trying and Richter gets bodied immediately after. Their only option is to get the hell out of there once Annette makes an opening and Richter rightfully runs for his life. Even Maria, the only person that could look back and see Tera turn, is knocked out and that feels like an intentional writing choice to give Tera one last shred of dignity. Erzsebet holds Tera really close in this sort of hug as she feeds on her and once she's fed she literally sits Tera on her lap for her turn to feed. Then Erzsebet cuts herself and the blood starts dripping down on Tera, starting at her skirt, going to her blouse and reaching her face. At first Tera doesn't react but then her body responds to the blood and she feeds even though she doesn't want to. Even though no one wants this for her. And that is exactly what it's like when someone has an unwanted orgasm. Tera's body is protecting itself the same way a victim of assault would and that paired with the blood on her skirt being reminiscent of the blood on a woman's thigh in the aftermath of an assault hammers home the rape allegory. It's very sad and uncomfortable to think of Tera's turn to vampirism this way but the thought lingers hours after like a grimy film on my brain.

I 100,000% believe that Erzsebet would have been an actual rapist if Netflix Castlevania didn't romanticize Lenore raping Hector and ending their relationship on friendly terms. Not to mention Sumi and Taka's sudden shift from allies to sexually assaulting Alucard out of spite. Castlevania Nocturne seems to shy away from rape and sexual assault in favor of allegories or moments so brief that I missed them unlike its predecessor. So I'm blaming the gratuitous depictions of sexual assault in Castlevania on Warren Ellis, the creator of Netflix Castlevania, who doesn't work on this show for a very good reason.

Everything from her size as Sekhmet to her tendency to torture women and girls before killing them contributes to the allegory of Erzsebet being the vampire equivalent of a rapist. She exudes power and not only does she enjoy making others feel helpless she's also great at it. She is a sadist without honor, willing to parade her lady victim of choice around vampire high society or hang a young girl on hooks to drain dry rather than let any of them die a quick death. The dragged out, needless suffering Erzsebet inflicts along with her preference for women and virgins frames her feeding as something more sexual in nature than the other vampire nobles who simply indulge in their gluttony. Even Olrox feeding on his former boyfriend isn't framed sexually, it's framed as a desperate, romantic gesture to keep his lover alive. And every vampire I remember from Castlevania has their feeding framed as a tool for political power or sheer, simple gluttony. Even the vampire general Cho was shown to be more of a tyrant or a general sadist clinging to power in Japan than a deviant.

Erzsebet's sheer sadism actually contrasts quite well with Dracula's humanity and restraint. He understood humanity, only feeding to survive or strike down the merchants who slighted him. (He probably also used feeding as a tool for political power but I don't think we saw that directly.) Dracula ultimately came to understand humanity so well that he fell for Lisa Tepes, the exemplar of what it means to be human. And that love is why I believe he respected Lisa's wishes and let her keep that humanity instead of turning her into a vampire. And after Lisa's death Dracula stopped feeding entirely, hoping to extinguish his life and take out as many people as he could because he believed that humanity should've been better. He believed that the people who lived alongside Lisa would've stood up for her and they betrayed her out of a mix of fear, religious reverence and apathy. Meanwhile Erzsebet doesn't care about humanity, seeing people like the lawyer's daughter as possessions or people like Tera and Emmanuel the Abbot as pawns to further her own rule. She might be taken aback by Drolta's death once she learns of it but there's an equal chance that she wouldn't even bat an eye.

So what do these points of analysis mean for Erzsebet and Tera's future dynamic as master and pawn? The one thing that's certain is that Tera has been fundamentally changed, forced into an unprecedented nightmare scenario that will drag her down a dark path. But I'm an optimist and I believe that Tera will ultimately be redeemed. She may never be human again but her humanity, her love for her son and daughter will save her soul. Ultimately I hope that Tera lives and recovers from the trauma of Erzsebet turning her. I hope that she goes home to her children and is taken in with open arms. But if Tera dies she will die as Tera, not as a pawn, and that is because Erzsebet could never kill her humanity.

[littlerosette]

Ancilla Dei

tera x emmanuel | the abbot

Suddenly, a door behind her opens. Tera startles, turning her head to see the vague silhouette of a man, half-concealed in shadow. A sliver of torchlight reveals only blond hair, black robes, and the faint curve of a smile. She narrows her eyes, attempting to make him out.

“You must be the woman Mizrak told me about,” a deep, kindly voice says. “The one who begged for help.”

“Are you the Abbot?” she asks.

He steps forward. The sun pulls the darkness from his face like a veil. His appearance surprises her, stopping her breath short. He’s tall and unexpectedly handsome, much like his monk. His hair is a light, ashy blond, while his eyes are a bright, glowing green, accentuated by the paleness of his skin. A proud, Roman nose sits above his thin mouth, still stretched into a smile that she wants to call genuine. That she hopes is genuine, because his sincerity determines her fate.