#that one interviewer asking if it was hard to pretend to be attracted to ethan hawke

[malinculia]

i'm not gonna reblog it bc i don't want a gifset of pedro being harassed on my blog, but it's so fucking bad like he was literally on the phone trying to get on his car can everyone for the love of god just leave that man alone

[charlie-rulerofhell]

An interview with Måneskin: “It's not about out bodies, it's about our music”

Heyo, I'm back with another translation. This time the article is from the German Rolling Stone website who met with Måneskin after their TikTok performance at the Schwuz, Berlin, and posted the interview yesterday. Again there were some interesting questions asked (and the pictures they added to the article are quite nice, though severely lacking some Ethan content, but check it out!).

Again, I hope that no one has already gone through the effort and translated it or is currently working on a translation. Also this is an official invitation, if you stumble across any articles or video interviews in German that you would like to have translated just message me and I'll get to it! (or if you just wanna chat about Måneskin, my inbox is always open :))

Have a great day everyone!

Full article under the cut.

-----------------------------

An interview with Måneskin: “It's not about out bodies, it's about our music”

Jose-Luis Amsler

July 6, 2021

Måneskin are just what this generation has been missing. Passionate, corny, and full-on honest. In an interview with Rolling Stones, the ESC winners explain to us why they would never work in a normal job and why the hype for their appearance is sometimes going too far.

Damiano, Victoria, Thomas and Ethan are entering the nearly deserted dance hall, before they wait on stage in a red-blue spotlight. They are wearing glittering fish net tops, black tape across their nipples, leather pants, heels and make up. The camera men who are filming in portrait format (9:16) suitable for TikTok are whirling up the haze of the fog machine.

Måneskin are [in] Berlin to give a TikTok concert. A TikTok livestream of this scale has not been done often – tension is in the air. The four Italians don't know at this point that due to the stream the few people present are not allowed to clap or cheer. In complete silence and with slight uncertainty the four are crossing Neukölln's club Schwuz. A few puzzled glances are exchanged. Finally,  Måneskin are striking the first chord.

Then the rich sound of Ethan's bass drum is tearing through the silence. It's almost as if someone has flicked a switch somewhere. There it is, the rock star presence that is hovering over everything they do, with an ounce of arrogance (in the best sense of the word). Singer Damiano is dancing lasciviously on his heels, and during an especially ecstatic solo guitarist Thomas is throwing himself down on the floor in a way it can only be done by a passionate 20-year-old musician who had never had to worry about the looming doom of an artificial knee joint [for 'passionate' the interview is using the term 'besessen' which means 'possessed', and although I think it's rather supposed to describe the way Thomas is 'possessed / obsessed' with the music, thus passionate for the music, you never know if they didn't mean to say that the way he dances looks 'possessed' … I mean, they might be on to something here ;)]. Around half an hour and about 120 decibel later, Damiano says their goodbyes with an almost shy-sounding “Okay, bye.” After the performance, we do our interview in the Schwuz.

Rolling Stone: It was a little bit weird, right, when you went on stage today?

Damiano: Yeah, that was really strange (laughs). They only told us after the performance that the audience was instructed to stay silent for the stream.

Vic: But at least they weren't silent because we were shit (all laughing). We are slowly getting used to playing without a live audience. I mean we are doing this now for more than a year.

RS: What do you think about these new kinds of concerts such as the TikTok livestream today?

Damiano: Well, at the moment it is the only option to perform anyway, so it's alright. But of course you cannot compare this to a proper concert.

Thomas: But it's pretty cool that so many people can experience our concert live.

Vic: Also we're gonna start touring again soon. Right now we are arranging some festival and gigs. In December we will be touring Italy and afterwards we are planning to go on tour through Europe. But we don't have anything fixed yet, there is just a lot going on at the moment.

“A lot going on”. Quite an understatement considering the recent journey Måneskin has made through the past weeks after their ESC win. Their singles “Beggin'” and “I Wanna Be Your Slave” went through the roof (also thanks to Social Media) and are currently dominating the international charts – lately they were also number one in Germany. There is barely a radio station that isn't playing the band on heavy rotation [would love to know what stations they listen to, have never heard Måneskin played in German radio tbh :( ], and everyone opening Instagram or TikTok these days is flooded by Måneskin content. Every second a new fanpage with the name of 'maneskin_obsession' or 'damianos_slut' is springing up like a (virtual) mushroom. It sounds like a cliche, but Damiano, Vic, Thomas and Ethan became international stars over night.

“Of course it's nice to get compliments. But sometimes they definitely cross a line.” – Damiano David

RS: How has your life as a band changed since your win at the ESC in Rotterdam?

Vic: I think we don't even notice a lot of what's happening. Right after the ESC we went to a studio in the countryside where we made music the whole day long. So at first we didn't realise that so many things were happening all around us – and that we had so many new fans. We're just now beginning to learn what's going on. We were at Sony yesterday, there were so many fans waiting for us. That was crazy.

RS: A large part of the attention you are getting now is about your outer appearance, your style, your attractiveness. Is that getting a little too much sometimes?

Damiano: Of course it's nice to get compliments (laughs). But sometimes they definitely cross a line. Especially when we just talk about our music or about a social or political topic that we care about. In those moments it's just completely inappropriate to reduce us to our appearance. Sure – when I'm posting a half-naked picture of myself on Instagram I know that I will get these kind of comments. And then it's totally fine, I mean in the end I'm posting the picture to show myself. But sometimes it's not the right place for it.

RS: And also you should be allowed to wear what you want without being sexualised, right?

Vic: Yes, absolutely. We are wearing these outfits because we feel good in them, not to put the focus on our bodies. And in general it shouldn't always only be about how you dress. We are musicians – so first and foremost it should be about our music. But I think it will still be a long way until we will reach that point.

“That the boys are wearing make up does not tell you what gender they are attracted to. Those things should never be equated with each other.” – Victoria De Angelis

RS: But still you are sending a message with your style against stereotypical gender roles. I guess it's also not only coincidence that we are in the Schwuz today, which is normally a party location and safe space for the LGBTQ community.

Vic: Yes, that is all part of the positive message that we try to send. We want to give our audience the feeling that they are free. Free to wear whatever they want to wear, be how they want to be and love whom they want to love. It's unbelievable that there is still so much intolerance in our times. That has always been really important to us so we try to talk about these topics. We also believe that the narrow-mindedness of society is an educational problem. When you grow up with people all around you telling you how you should be, you will never feel completely free. The more people are talking about it, the sooner things will change.

RS: Some artists who are advocating for these topics are accused of 'queerbaiting', that they are only pretending to be a certain way to gain more support from the queer community. Have you also been faced with those allegations?

Vic: Yes, a few times. But of course we never pretended to be anything. Some people accuse of us queerbaiting because we look and act the way we do. But that's flawed thinking. We don't believe that clothes are connected to a person's sexuality. That the boys are wearing make up does not tell you what gender they are attracted to. Those two things should never be equated with each other.

RS: This courage for free self expression that you are conveying is mainly lived by our (young) generation through Instagram and the like. What is your relationship to social media?

Damiano: For me it was almost scary at first. The more we grew, the more people were trying to twist all of my words. But over time you start to understand that with more fame you also get more criticism. The happier you look the more hate you will get. It's not only like that for celebrities. If you are brave enough to show the things that make you happy there will always be people that support you, but they are also those that envy you. Of course, this should never lead anyone to not express themselves openly but that's easier said than done.

Vic: We are also trying not to spend too much time on social media. In the end we just try to be honest with our fans and to avoid negativity.

[caption under the picture of Damiano: 'Is already being compared to icons such as David Bowie']

It's actually surprising how little power a win at the ESC holds in most cases. Almost 200 million people are watching this shining spectacle every year – and still, a few months afterwards it is hard to remember who those people were that got covered in confetti during the award ceremony. It's the well-known curse of a casting show that rests on the winning bands. When just next year a new sensation will come to marvel at, how much impact does a win have then? There are exceptions of course, like Lena who is until this day, 10 years after her win in Oslo, a part of the more famous music scene of German pop music. With their charisma, their unusual sound at least for our modern standards, and their contemporary message Måneskin could become such an exception, too.

It's likely also helpful that the band already had a standing in the Italian music scene prior to their ESC participation. Their first album 'Il ballo della vita' already achieved platinum in 2018, three years prior to Sanremo and the ESC. And then there is also the long way that led the four schoolmates to this point that helped them gain the necessary persistence. Because contrary to what some people might want to believe Måneskin are not a phenomenon that has just been deliberately bred to be this way by the entertainment industry for Eurovision.

“I have worked [in a 'normal' job] for a whole month in my entire life – it didn't really end well.” – Damiano David

RS: You were all raised in Rome, the capital of the catholic church. What was it like to start as a young progressive band in such a conservative environment?

Damiano: In the beginning, when we started as buskers, no one gave a damn about us anyways (all laughing). But of course … Once we got a bit bigger there were a few people who had a problem with us. For example when we went to Sanremo, there were quite many people who thought that the way we looked and acted we shouldn't be allowed to represent Italy. They didn't even want to listen to our music first.

Vic: Especially when it comes to appearance and sexuality, Italy is a little more backward than other countries. The church probably also has an influence there. They are often quite conservative of course, so many people grew up with such a [conservative] mindset.

RS: You once said that the song 'In Nome Del Padre' is an answer to exactly those people. What does the song mean to you?

Damiano: Back in the beginning [of our career] we had to deal with a lot of problems. They didn't want to let us play in clubs because we would take too much space as a band or because they didn't like our (fashion) style or because they didn't want to pay us. Italy isn't a good place for bands. Our musical style was also criticised a lot. Many people were telling us: Don't do that [rock music], you won't get popular with that in Italy, you will never achieve anything with it. Of course those comments were hurtful but they were also a good reason for us to continue with what we did. And we turned our sadness into anger. With that song we wanted to tell those people from back then: Fuck off and look at us, we did it!

RS: Did you ever consider working in a nine-to-five job and live a 'normal' life?

Damiano: Nah, not really. For one month in my life I worked [in a 'normal' job] – it didn't end well (all laughing).

Vic: We all made music since we were kids. It's a huge part of us, that we couldn't just ignore. And the most important thing is that you do something that makes you happy. At least that's what we believe. So we started from a young age to put all our time and energy into music.

Thomas: Yeah, exactly. Ever since we were in school together we always made music. That has always been our main focus and it is until today. We play and play and play because it is the only thing that …  

Ethan: … we live for.

Damiano: Music has also something very therapeutic for us. Even when we are in a bad mood or fight with each other – yeah, that happens, too – then all of that is gone the moment we enter the stage. Maybe that's the beautiful thing about music – that it allows you to forget everything else. You're just standing on stage, having fun with your friends.

From most bands you wouldn't buy such a corny love letter to music. Mostly it just sounds like an empty phrase, a well-practiced quotable line. But when there is something that defines Måneskin and that becomes more and more evident during our conversation it's their uncompromising honesty. The four of them are definitely not lacking a sense of humour but they take their music very seriously. Which should not be taken for granted in a generation that has mainly produced sarcastic cloud rappers and has made cynical twitter comedy a national sport. And maybe Måneskin are exactly what this generation was lacking all along.

Still, the four musicians, all in the age of 20 to 22, are also prone to the constant need for self-expression, that has become an intrinsic part of today's life. This does not only reflect in the outfits of the band (always 'on fleek') and their Instagram profiles, but also in their lyrics. Their latest record 'Teatra D'Ira – Vol. 1' shows a clear theme: The album is an ode to individuality, accentuated by fast and hard sounds.

Sometimes this message fitting for a Disney movie [really? guess I have been watching the wrong Disney movies my whole life …] is wrapped in a contrasting loud and forceful packaging, but never so much that it becomes inauthentic or self-caricaturing [note: I'm honestly not entirely sure what they wanted to say with this sentence since it uses a lot of rhetorical devices that could be interpreted in different ways, but I'd say this sounds the most plausible]. And in the end, the thing that makes Måneskin so interesting is their unification of the spirit of this time – between TikTok hedonism and an omnipresent political statement – with the music of past generations.

“When you are twenty, you start to think about what the future will hold.” – Damiano David

RS: Your musical style is often described as classical 70s rock, but in fact there are many different influences in your music. Sometimes you groove almost into funk, sometimes it's more rapping than singing. How did this mixture come to be?

Thomas: It's just that we all have our own individual influences and then we meet somewhere in the middle. And we always try to stay open for experiments.

Ethan: Yes, we are very experimental in our song writing process.

Vic: We also don't want to limit ourselves to what is regarded as typical rock music. If rap fits better at some point then we just add that in. It just happens naturally without us thinking too much about it.

RS: So why was it still rock music in the end?

Vic: Because it's the style that we feel most represented by. But actually we just play the music that we enjoy playing. That's really important to us so that we can show something real on stage. We don't want to pretend to be something that we aren't or mock those people that really enjoy our music. You should always be proud of what you're doing and never fake anything just to sell more records.

RS: Is there something like an Italian rock music scene?

Vic: There are quite a lot of bands – but the most of them are much older than us or they are more going in the direction Indie rock. There isn't really a young rock scene, which we think is a pity. But ever since we got more famous people are telling us that they started listening to rock music because of us or that they bought their first guitar and such. That's incredibly nice!

RS: So you're saying that you also want to show this style of music to a younger generation. And you capture this contrast quite well in the song 'Vent'anni', which is a typical rock ballad but lyrically portrays the thoughts of today's youth. Where did the motivation come from to write that song?

Damiano: With the song I wanted to show that I'm just a normal guy, a really typical 20-year-old. I experience the same things that other people in my age are experiencing, I'm just doing another job than them. Also I wanted to describe this age as a whole because I think it's a really special age. At 20 you start to think about what the future will hold. I think it's one of the most important stages of your life. Since we (the four of us) are all in the same age, I then started to mix our experiences together. In the end the song shows what it means to us to be 20. There is a lot of good things – you are quite carefree and are looking at life enthusiastically. But on the other hand you're too young to do certain things and too old to do others. Some people are treating you like a full-grown adult, but …

Vic: … not entirely.

Damiano: Exactly. It can get pretty frustrating at times. We wanted to show our audience: Hey, we're also just 20 years old, and we're going through the same things as you. We understand you.

RS: Except that you are the ones who are becoming a world-wide phenomenon right now. How do you want to maintain this honesty?

Damiano: I think that we could just reach this point because we have always been authentic – for better or for worse. Also we are just trying to have fun with what we're doing together. That's something special that we don't want to lose. In the end we're just four friends who started to live their dream. It's actually pretty simple. Of course – we go on stage, we get a lot of attention, we give interviews – but when we come back home we're just four friends.

[sweetnestor]

12 Days | Chapter 3.2

Two guys that lowkey hate each other are forced to walk in each other’s shoes in order to learn a lesson.

***in collaboration with @themarkiplierexperience

lmao soz its not actually x reader we’re just desperate for attention haaaa

previous

“I don’t know how to explain it,” Tom said, “I just… I need to take a mental health break.”

He was in the living room in Ethan’s apartment, sat with Ethan’s boss, Mark. He was tall, muscular, and just as intimidating as the very first guy (who’s called Tyler, as it turns out) Tom saw when he entered this weird reality. They had been talking for some time now, and Tom managed to improvise a story regarding his, or Ethan’s, current state of mind. For some reason, he expected Mark to be angry when he said he couldn’t work for the time being. Tom still wasn't even sure what it was that Ethan did for Mark.

“Okay,” he replied. “Have you had any other panic attacks, or things like that, since the other day?”

“Uh. Yeah, some type of anxiety,” Tom replied, sounding stressed out. “Bella thinks I overworked myself, and I kind of agree with her. I think I need to slow things down for a little bit. I don’t… I don’t really feel like myself.” That's one way to put it.

Mark nodded. “Alright, that’s no problem. I have Kathryn and Amy helping out, anyway. Just worry about yourself. Is there anything else you wanna talk about? You know, as a friend, rather than an employee?”

Tom didn’t know how close Ethan was to this guy, so he just shook his head. He still had a lot of research to do. There was so much to find out about all of this, it was almost like auditioning for a movie role. Except the movie was Ethan's life, and the audition came in the form of being thrust into said life without any warning.

“So…” Mark trailed off. “Are you still doing videos for your channel? Or are you taking a break from that too?”

He hesitated. “I haven’t decided yet.”

“Well, whatever you decide, I’ll gladly support you. We’re all here for you, man.” Mark stood up from the couch. “I gotta get going, but you’ll be okay til Bella comes back?”

Tom stood up as well, waving it off. “Yeah man, don’t worry. Thank you for hearing me out. I'll try my best to get myself together. I'll be back in the office before you know it.”

“Hey, don't worry about it. Don't rush into anything if you're not ready.”

Mark then went in for a friendly, reassuring hug. For someone who looked very manly and intimidating, he was very nice. You couldn't dislike him right off the bat. Then again, Mark was speaking to who he thought was his friend/employee. Nothing about this was normal.

After Tom was left alone again, he got back to research. He wasn't sure how long he would have to act as Ethan, but he had to play it off in the meantime. He went over and sat at the computer, which was hidden behind these massive acoustic panels in the bedroom. At that little area, Tom took note of the giant lights, the video camera, the two monitors, and all these other extra wires and cords. His mind was already an endless circle of questions, and this setup just added to it.

Shaking it off, he sat at the desk and began searching online. From there, he discovered that Ethan was in fact one of Mark's editors alongside Kathryn. Then, Tom had to search exactly what it was that Mark did (YouTube gaming personality, a recurring topic in this life.) Through that Wiki page, he found Bella, who used to date Mark. Tom then remembered catching a glimpse of Mark's current girlfriend, Amy, at the office. Blonde girl with a pleasantly soothing voice. Apparently, Mark left Bella for her last summer. Somehow they're all friends. He kept reading before going to find any videos.

“Okay,” Tom spoke to himself after a while. “Ethan works as Mark's video editor. Mark is dating Amy, who is friends with the other editor, Kathryn. Tyler is Mark's oldest friend out of the group, and he’s… his secretary? Bella was recently hired by Mark, who is her ex, and now she's dating Ethan. They all went on tour together last month, except for Bella. Why didn't she go?”

His phone started buzzing on the desk. Speak of the devil. He opened up the text message.

“I'm coming over and I'm bringing sushi for you!! Hope you're not too busy…” it read, with a wink face added at the end.

That made Tom’s stomach flip over. He couldn't say no! What would Bella think if her boyfriend was suddenly disinterested in her? After answering her text, Tom sent another message to Ethan, asking to call when he got the chance. He could only hope it would be soon. They both had things to go over if they were going to stay like this.

In the meantime, he tried not to feel like a creepy stalker as he searched through Bella’s social media. Tom debated going through Ethan's texts with her, but then decided that that would be a little too much. Whatever he needed to do in order to find out about Bella would have to be through her public persona.

By the time she had showed up to his apartment, all he knew was that she was a Latina makeup artist with a vulgar mouth. He closed the video he was watching on his phone when he heard the knock on the door and got up from the couch to answer.

He was pleasantly surprised to see her wearing a low cut shirt and a short black skirt. How was someone as attractive as her dating someone like Ethan? He was almost dumbstruck by her appearance, he didn't know what to say at first. At this point, Tom couldn't deny that Bella was really hot. But she wasn't his to claim. Sure, the view was nice, but where was this going to go?

“Hey you,” Bella greeted as she stepped inside. She placed her hand on his shoulder and quickly kissed him on the cheek. “How ya doing?”

“Good,” Tom replied, remembering his words. He followed her trail to the breakfast bar. “You look… you look nice.”

“Aw, thanks,” she replied as she sat on one of the stools.

Her skirt rose up a little bit as she shifted, and Tom barely caught a glimpse of the skimpy garter on her thigh. Okay, Ethan was a lucky guy. But Tom was not him; He had to get out of this somehow. Or did he?

“So… sushi?” he asked, gesturing to the plastic bag as he went to sit in the other stool. “Where'd you get it from?”

“Same place as always,” she replied, pulling two containers from the bag. “I think your sushi obsession is rubbing off on me, it's all I wanna eat now.”

He chuckled. “Good. It's all we'll ever need.”

Bella then started talking about the videos she planned to make during the week. She spoke of the packages that were sent to her in the mail, and how excited she was to try the new products. Tom just listened and pretended to know what she was on about as he ate. He was actually curious as to how Bella’s job worked, but she was speaking as if he already knew all of it.

“Oh my god! I also have to edit my interview with Tom Holland!” she exclaimed like she just remembered that piece of information.

Now things were getting interesting. Tom knew that Ethan wasn't his biggest fan, but this sparked his curiosity. He sat up, wanting to hear more. “Yeah?”

Bella twiddled her fork in her hand, a worried look on her face. “Ugh, I have to look at myself trying not to have anxiety attack. And then I have to put it out for everyone to see. Do you think he noticed I was freaking out?”

“Not at all,” Tom answered without hesitation. “You were very professional and well put together. If there was anything he'll remember about you, it's probably your hair.” All of that was true.

“Yeah, and the stupid questions I asked,” she glumly added.

“Hey, they weren't stupid!” he reassured. “They were so different to what I - he, probably gets. How many times has he told the story of how he found out he was Spider-Man? I can tell, he's probably tired of telling that tale!”

“I suppose.” Bella shrugged. Then she sighed. “Okay, whatever. I'll worry about that later. But I have to get that video up in the next couple of days. My mentions have not calmed down since I posted that selfie with him on Instagram. Anyway, sorry, I'll stop talking about him now.”

He raised an eyebrow. Were there times where Ethan told Bella to stop talking about certain things because he didn't like hearing about them? Given the way he acted over the phone, Tom wouldn't put it past him. But was this a normal occurrence between them? What did she even see in Ethan?

“Let's go to the couch,” she said after a while, getting to her feet and grabbing his hand.

“Oh, okay!” He let himself be practically yanked from his seat. His heart began pounding hard as Bella sat him down on the soft cushion.

Shit, this was happening. Before Tom could protest, Bella was straddling his lap and pressing her lips against his. For a second, he debated gently pushing her away but… she was a good kisser. She's hot as hell. Tom placed his hands on her waist, almost ready to let this happen, forgetting completely about the main situation at hand.

Then he heard a strange clicking noise. One glance down made reality hit Tom like ice water.

“What the fuck?!” he snapped in shock once he discovered that Bella was a holding a knife in her hand. “What are you doing?!”

He threw his arms up and tried to shift out of the position he was in. He almost wanted to push the girl away, but she was the one with a deadly weapon. What the hell kind of shit is she into? What kind of relationship was this? This couldn't be normal!

Bella quickly got back to her feet, a frantic look in her eyes. “I-I’m sorry, I thought you'd like it, I'm sorry…”

“Why the hell would I like that?” Tom harshly returned, still distraught. “What the fuck, what is wrong with you? Are you trying to kill me?”

She looked down, almost like she was curling into herself. She silently closed the switchblade and lifted her skirt to clip back to the garter. Then, she turned on her heel, making her way out of the apartment. He didn't try to stop her, until he remembered yet again that he wasn't himself. In Bella’s teary brown eyes, Ethan just yelled at her, and now she was upset.

“Bella-”

“Don't.”

And then the door slammed shut.

Tom sat there in silence, still trying to process what just happened. He didn't even want to think about what Bella would have done with that knife. Was that something people were into? Just when he thought this situation couldn't get any weirder.

~

Somehow, he managed to sleep through the night, despite the fact that the silence from Ethan was like an itch that couldn’t be satisfied. The longer the silence went on, the bigger opportunity there was for both of them to mess something up. Tom probably already crossed that line with Ethan’s girlfriend. He could only imagine what Ethan has been up to since he last spoke to him.

He checked his phone, only to discover a message from someone called Sean. There was a slight hesitation before Tom decided to open it. He noticed a head of bright green hair in the contact photo, and it definitely rang a bell. Had he interacted with this guy prior to the switch?

“You busy? You better not be because me and Signe are going to Bella’s and you better be there!!”

Shit. Who are these people? How many friends did this guy have?

Tom checked for any messages for the guy currently living in his shoes. Nothing. How long more would he be kept waiting?

“Dude, where are you? What have you been doing? Call me!”

After sending that, he sat up and looked around the room. It felt weird sleeping in the bed of a person he didn't know, but what choice did he have?

He got up and looked around for something to wear. Even when he wasn't in his own body, in his own home, Tom looked to the floor first. He picked up a black t-shirt and did a quick smell check before putting it on. Then he picked up a pair of jeans, which caused something small but dense to fall out of the pocket.

If it hadn't hit him on the top of his foot, Tom would have ignored it. But he looked down, finding a black, round stone. He bent down and picked it up, staring at it and trying to figure out why it looks so familiar. Surely this belonged to Ethan, but Tom had a stone just like this one. How many things would these guys have in common? Was this why they switched?

Suddenly, Tom gasped. He looked at the smooth, shiny stone in realization. He knew where he and Ethan got these from. Pantsless and panicked, he hopped back onto the bed, grabbed his phone, and dialed Ethan.

_______

tag list: @marie-is-in-the-dark @beardedsteveslut

_______

next