#that’s how beautifully you write

[consultingskeletondetective]

you're either mentally stable or you've seen the moonlight scene in the promised land

[resssistance]

Happy 25th birthday to Shoma Uno! To all your smiles, and many more that are yet to shine. Thank you 💙

[queenlucythevaliant]

The four winds did not hear the lament for Boromir; or, if they did, they gave no sign of it.

But the river heard. Anduin harkened to the voices that sang along its shores and he heeded them. In water there lives yet the echo of the Music more than in any other other substance in the world.

In the oldest annuals of time, the Nandor came to the Vales of Anduin and made their music there. The first time Rauros heard elven voices singing, he bellowed back in a deep bass that only water knows.

Some of the Edain made their homes by the river once Beleriand had drowned in the sea. Many would cast things down the cataracts at Rauros. Children tossed stones over in play. Young women dropped flower petals and called out the names of men they loved where no one could hear over the roar of the water. The dying released gold coins into the golden spray and wished for more life. The fall took the things they flung into the frothing foam and he gave them to Anduin to carry to the sea.

Singing incites singing. Deep cries out to deep. Aragorn and Legolas invoked the winds in song, but it was the river that raised its voice with them and carried their fallen friend to the sea.

[dazais-guardian-angel]

Happy birthday Mushitarou!

The sad silly green man is one of the absolute best and also one of the most criminally underrated characters in all of BSD. I don’t have any fics or anything for him today (EVENTUALLY... eventually....), but I’ll share some headcanons for him (+others) that I have 💚 (part headcanons/part analysis tbh)

Under the cut cause uhhhh this got a lot longer than I expected it would ahaha, smh:

While I don’t think he had any particular falling-out with his family, I think Mushi is naturally isolated from them, and only became more closed off after his father died, someone whom he was especially close to and who shaped him into the good person that he is. He was lonely growing up in school, and Yokomizo was as well, even though it didn’t seem that way on the surface due to the latter being much more outgoing and extroverted; neither of them had anyone who truly understood and engaged with their interests (especially not Mushi after the loss of his father). Yokomizo was also estranged from his relatives, even more so after he became obsessed with writing, so he and Mushi became as close as family after enough time had passed – they really were all each other had, in so many ways.

Mushi already visited Yokomizo frequently enough as it is, without much else to do in his life, but began coming to see him even more often after he was told about Yokomizo’s terminal illness/given the request to kill him. Despite Yokomizo’s desire to finish his novel before his health deteriorated enough to be noticeable, he was unable to do so, and as time wore on, Mushi began to worry that something would happen to Yokomizo without anyone there to help, and took it upon himself to take care of him. Yokomizo’s urgency to finish his writing became more desperate, yet Mushi tried to keep him from pushing himself, which somewhat worked – there was an unspoken understanding that both were trying to put off the inevitable; for Mushi, it was out of utter denial of losing him and of what he’d have to do, and for Yokomizo, it was out of a sorrowful desire to spend as much time with Mushi as he still could, and guilt for the tremendously selfish and cruel thing he was ultimately asking of him, even as both of these emotions fought with his stubborn desire to go out the way he wanted to.

Mushi’s façade of hatred towards Yokomizo after killing him, although mostly a coping mechanism to distance himself from him and his grief, is not entirely without basis: a small part of him did want to genuinely hate Yokomizo for forcing this upon him, though ultimately a much larger part of him simply hated himself for doing something so unspeakable to the person he called his friend, even if it was asked of him.

Yokomizo, however, wanted Mushi to hate him over all, even if he never said this outright. The months leading up to his death were filled with worry for his friend, for the person who was essentially like a younger family member to him (not exactly a little brother, but… something akin to that. Although they’re probably around the same age, I feel like Yokomizo was more mature (not in every way though of course), and was protective over Mushi in a lot of ways); he knew Mushi very well, and he knew that Mushi would not cope well with his death at all, let alone what he was asking of him – he already wasn’t coping well. Mushi always had walls up and pretended to be arrogant, pretended to be selfish and not care about anyone but himself, but Yokomizo was the one person he was comfortable around, and he had long since practically become home for him: although their time together was never anything extravagant, he was able to bring him out of his shell, and force him to do and think about things he never would have otherwise, giving them both a happiness they each would have never otherwise known for so many years. But then that fragile peace they had together, that safety net, was being cruelly ripped away from them both, and the thought that Mushi would go back to being lonely, closed-off, and isolated after he was gone, drowning in his grief and with no one else to support him anymore, was more devastating to Yokomizo than even the fact that he was dying. As cruel and selfish as asking Mushi to kill him for his perfect crime was, I think a part of him felt it would be even crueler to force Mushi to watch him slowly wither away from illness (and he, too, dreaded and was terrified of having to go out like that, after so much drawn-out pain), and he selfishly hoped that Mushi’s hatred of him for forcing this upon him would overcome his grief, and the inevitable self-loathing he would have – yes, Mushi could hate him, needed to hate him, anything to keep him from hating himself. Of course, Yokomizo knew that wouldn’t happen, because Mushi was far too kind, far too caring, and far too selfless – anyone who would do so much for him for so many years as he had, especially after he became ill, and would willingly agree to go as far as to essentially euthanize him for his selfish final dream, no matter how much all of it hurt him, was truly the greatest friend anyone could ask for. Mushi was and is a beautifully selfless person, but he himself could never see it – only Yokomizo could, and so he knew exactly how he would respond, and worried about him immensely because of it. And that worry made him want to try to distance himself from Mushi as much as possible, to die as soon as possible, even, so it wouldn’t be even harder on him than it already would be… but in the end what won over that was his desire to make as many happy memories with him as possible in those final months, so they could somehow try to forget about what was coming, if only briefly; so that Yokomizo could, maybe, somehow, in some small way, believe that Mushi would be okay in the end after he was gone. :’ )

Continuing this, as part of those memories, I headcanon Yokomizo liked to dance with Mushi a lot, since there’s some art of them doing that 💚 Mushi also took Yokomizo out to various quiet place, like to see fireworks or the beach. He canonically doesn’t like the smell of the salty sea air (why? I have no clue), but I hc Yokomizo loved the sea, so Mushi went with him there at least once oops my Yokomizo Oda similarity headcanons are showing-

Yokomizo wanted Mushi to be happy, but it also worried him that his friend clearly bottled everything up and never allowed himself to cry, either. So seeing him cry in his last moments was a huge weight off his shoulders, and was somehow what ultimately convinced him that Mushi would one day be okay again. :’ )

At some point, probably multiple times, Mushi and Yokomizo had a discussion where Mushi tried to make sure that Yokomizo truly, sincerely wanted him to do what he was asking of him. Around and around, trying to talk him out of it, insisting that he hadn’t truly thought it through, but Yokomizo was always gently steadfast. After they settled on strangulation (poison, aside from being ruled out for the sake of the reader, was not what Yokomizo preferred when his body was already painfully killing itself from the inside), Mushi tried to suggest that he be given a strong sleeping pill/sedative before being killed so that he wouldn’t feel it, but Yokomizo insisted against it, as it would imply sympathy on the part of the killer, which couldn’t happen. His sickly state, although it wasn’t yet public while he was still alive, would already suggest a mercy killing and was putting the plan/general reception at risk enough as it was. </3

After killing Yokomizo, Mushi handled his body ever-so-delicately, tenderly, almost reverently, just as he had many times before while carrying him, as he strung him up the way he was instructed, and even as he cut off his ears. He took his time doing it, wanting to hold his friend close and memorize what he looked like for as long as he possibly could in these final moments, even though he felt like his hands didn’t have the right to touch him anymore. Then, after everything was in place and he’d fled the premises with the manuscript, he promptly threw up somewhere. :’ )

Yokomizo was the second person to give him the nickname “Mushi”, after Mushi’s father. No one else ever calls him that now; it’s a name reserved only for them.

Mushi struggles while trying to write at Poe’s mansion out of a feeling of inferiority compared to Yokomizo; writing and mysteries were never his passion, they were Yokomizo’s, and he was just indulging the latter’s hobbies. He has no right to claim the role of writer for himself, not now that he’s gone and when he was only ever in it for Yokomizo to begin with… and there’s no possible way he can ever create anything good or original, when they’d already talked at length about how everything in the mystery genre had already been done, and Yokomizo himself created the ultimate mystery that no one could ever possible top, least of all him.

But Poe knows that what he writes doesn’t need to be perfect or even good; Mushi only needs to do it as a form of therapy for himself, because it will bring him closer to his deceased friend, since mysteries are what they enjoyed most when he was alive. (and I honestly think Poe would understand and empathize Mushi very well, having been so isolated and lonely in the past himself before Ranpo essentially saved him just as Yokomizo did for him) Once he’s able to convey that to him, it gradually comes more naturally to Mushi and becomes comforting for him as Poe intended. 💚

Mushi forms a reluctant friendship with Karl over the course of his stay with Poe (inspired by this person’s art series of them together 🥹). It starts with Karl trying to help the first time Mushi has a nightmare there, and after that he starts bothering him/trying to get his attention in general, until Mushi slowly gives in, becoming begrudgingly fond of the little creature. Whenever he’s having a hard time, whether it be a nightmare or a panic attack or just listlessness, Karl is usually there for him, as his own personal therapy raccoon. 💚

To add to that, Mushi canonically dislikes thunder; I headcanon that when they were together during storms, Yokomizo always made sure to be even more chatty than usual, to distract Mushi from his fear of the noise. Once he’s at Poe’s mansion, when it storms, he suddenly realizes how much louder and scarier the thunder feels now… but of course he doesn’t let it show. Karl, however, notices his discomfort, and is there for him during storms now. :’ )

Post-series, in general, Mushi always brings treats for Karl whenever he meets up with Poe again. 💚

A headcanon plenty of people have, but Ango is absolutely crucial to Mushi’s journey of healing. Post-series, they have quite a few talks about their respective situations, and Ango is the one person Mushi ultimately (after enough time, of course) bears the most of his soul and his pain to, because Ango can empathize with him and understand his guilt/self-loathing/sorrow in a way none of the others can. Earlier on, Ango checks on Mushi the most (Ranpo and Poe do too though) to make sure that he’s taking care of himself, just like he occasionally does/did with Dazai.

Mushi starts wearing traditional clothes more often after Yokomizo’s death, including a few old things that used to belong to him, that are comforting to Mushi.

There aren’t many public photos of Yokomizo, since he was a rather private author. There is, however, only one single personal photo of him, one he roped a grumpy Mushi into taking with him once, his own expression being as sunshine-y and exuberant as always in contrast. Mushi cherishes it now :’ ) oops the buraiha trio vibes strike again

Because of his period of dealing with Yokomizo’s terminal illness, Mushi has some medical-related knowledge that the average person probably wouldn’t. It isn’t the kind of thing he wants to dwell on after Yokomizo’s death, and he can’t stand being around hospitals, for obvious reasons, but regardless, whether he’s consciously aware of it or not, he is especially compassionate/understanding towards those who are sick and disabled that he encounters. His time with Yokomizo has given him perspectives and philosophies about life that he wouldn’t otherwise have, and when he’s not trying to write strictly mysteries, it’s the sort of things that are evident in his writing. In a way, writing about it in general is healing for him, separate from mysteries being comforting to him solely because they’re associated with Yokomizo.

At some point, Mushi starts visiting Yokomizo’s grave together with Ango, Poe, and Ranpo, or sometimes just Ango. Similarly, he, Poe and Ranpo join Ango in visiting Oda’s grave. He and Ango each tell stories about their respective lost loved ones, so that more people will learn about and remember who they once were. 💚

With his ability, Ango is able to read the memories within the room Yokomizo was living in (or perhaps in objects Mushi owns), and see numerous happy memories he had with Mushi, long before his illness and death. With what he sees and conveys, Poe is able to write a small story of the memory, which he then gives to Mushi, allowing him to go into the story and relive the memory and see Yokomizo again for the first time in years. It’s not the real Yokomizo, and Mushi knows this – he’s long since stopped seeing the hallucination of him, because he’s healed enough by this point. But even so, just knowing that the book is there, that he can see his friend moving and talking again whenever he wishes – a version of Yokomizo that is just as happy and bright and energetic as he always remembered, without suffering from illness – is the greatest gift and kindness he could ever imagine receiving, and from his new friends no less, and it’s enough to make him cry, from how loved he truly is :’ ) 💚

I love Mushitarou sooooo much, and I truly hope he gets more attention in the future (can’t wait for tomorrow’s episode!!), because his story is so touching and his character so relatable and comforting 🥹 and I sincerely hope he finds his ultimate happiness in the manga one day. Happy birthday, you sweet, sentimental, pathetic (affectionate), goofy little gremlin man 💚

[cloud-somersault]

Sorry, I just feel like the prose should have a personality 🤷

[pythoria]

hello everyone! a quick break from your scheduled art posting to talk about this incredible fic i think ever bloodweave enjoyer should read.

i know it'a already very popular, but imo it's a must-read. i could not praise this fic enough for what it is, the amazing ideas it brings to the table, the incredible execution of the timeloop trope. it's by far the fic i look forward to seeing in my inbox the most (not that other fics aren't absolutely gorgeous), because every chapter is just. a delight to read. it's got angst, fluff, and an amazing romance, but the plot is what really makes it stand out. it's tight, packed with great characterisation and has perfect pacing. please give it a shot if that sounds at all interesting to you. oh yeah, and did i mention that it's got art for every single chapter? yeah, read it. bask in its genius.

[youareinlove]

this fandom LOVES to take great things happening to taylor and suck the joy out of it

[noturmuse]

Coriolanus Snow, you fool, you could’ve had it all

[the-casbah-way]

i am always really grateful to get comments and feedback on my fics, but you don’t need to insult other peoples’ work in order to be nice about mine. it’s not even a compliment to me, really. you could’ve just talked about what you like about my writing rather than the fact that you dislike someone else’s. if you haven’t managed to find any fics in a fandom that are for you, i’d be more than happy to give you some recommendations of my own. the natm fandom is one of the most creative fandoms i’ve ever been a part of and even i, someone who barely reads fanfiction and is extremely picky about the tropes i want to read, have managed to find a tonne of fics that i absolutely adore. if it wasn’t for those fics i wouldn’t be writing my own. you can be picky about what you read, like i am. but it doesn’t mean that every fic you aren’t interested in reading is bad, and it doesn’t mean that only the fics you enjoy are good. i do agree that putting your work on the internet and in the public eye is inevitably and inherently opening yourself up to the possibility of criticism or negative feedback, but personally i think that fanfiction isn’t exactly the same as a published novel. we are writing this for free, and providing it for free, with no guarantee that we’ll get any traction or appreciation for it at all. if you don’t like a fic purely because you just didn’t like it and you don’t have anything helpful or productive to offer, it’s generally better and kinder to keep that to yourself. just be nice <3

[meanderfall]

on my hands and knees, BEGGING the fandom to stop saying Qui-Gon abandoned Obi-Wan on Melida/Daan.

Look, if you haven't read the book, THIS is how the confrontation actually plays out:

I feel like even without the added context of the entire book, it's pretty clear that Qui-Gon is giving him a CHOICE, one that Obi-Wan seems pretty well-informed about what it means and the consequences for him.

But like, fine. Without context, it might seem that Qui-Gon isn't being fair because all Obi-Wan wants to do is help these people. I have two arguments against though, 1) other options as to how to help these people are brought up during the narrative, ones more in-line with how the Jedi operate, and 2) Obi-Wan's predominant reason for wanting to stay is not because he wants to help.

This is one of the very first options we encounter as to how this issue could be resolved, or at least helped:

This is shortly after they first meet the Young and comes from Cerasi herself, one of the leaders of the group. Asking for more Jedi support or at least broadcasting the situation so that maybe other organizations within the galaxy can help. Which is well-within their means as Jedi to at least try and get more support, and doesn't go against their roles as diplomats and peace keepers. (Obi-Wan, of course, doesn't even bother trying this route, nor does he bring up this possibility with Qui-Gon so we could at least see it being debated and how viable it would be.)

And of course there IS a more hands-on approach that they could take:

Qui-Gon himself tries to come up with a more diplomatic and objective way to broker peace. And the mission was already completed by the way. They were only supposed to rescue Tahl and MAYBE broker peace, but rescuing the other Jedi was the priority. Yoda even tells him before this moment to leave the planet with Obi-Wan as soon as possible because the situation is just too volatile, and he almost lost one Jedi in an effort to help. Qui-Gon is only doing this because he knows how important this has become for Obi-Wan. (And if anyone tries to tell me Qui-Gon doesn't love Obi-Wan, imma start swinging)

It doesn't work, of course. Everyone living on this planet has been steeped in so much anger, hatred, and revenge, that no side, not even the Young are actually willing to talk and really reach for peace. For all that Cerasi and Nield say they want Jedi support, they don't. Not really. Qui-Gon gets stonewalled by them. Both of them mock Obi-Wan whenever he listens to Qui-Gon. What they actually want is for the Jedi to join their army and help them make the Elders listen to them. This is why Yoda wants them to get the hell outta dodge and Qui-Gon feels uneasy and like they can't actually help here. No one actually wants to listen to reason, and the Jedi are not supposed to be soldiers fighting in wars. It gets incredibly obvious in the next book, especially on Nield's end that he wants revenge (a young little warmonger, his parents would be so proud), but honestly? I think we can see it even in this book.

Hey, did you guys know there's a bunch of kids living away from this war. Like, thousands of them, actually. They literally do not have to fight. Nield could take his group of kids (taking the factory working and conscripted kids with him) and fuck off and let the Elders kill each other, and only this generation would be left. They could ask for resources and protection for their new settlement from the Jedi or galaxy instead of manpower to back up their cause and help fight in a war. If Nield ACTUALLY cared about stopping the war and wasn't out for revenge, this would probably be the best choice.

But this possibility never gets brought up, ever, because Nield hates the Elders and wants "justice", Obi-Wan is too inexperienced to realize this is an option, and no one tells Qui-Gon until it's already too late and the Young have declared war on the Elders if they don’t agree to a cease-fire.

All of these options are a more Jedi way of handling the situation in my opinion. Unbiased and working towards actual peace and the end of violence instead of perpetuating it.

And as much as I love Obi-Wan and I know his heart is in the right place, Obi-Wan doesn't care about that, about doing things the Jedi way. Obi-Wan is very clearly taking a specific side in this conflict. I'm not going to put up all the screenshots I took because there are already a lot in this post (and there are. so many more i could put up), but I have quite a few where it's explicit that Obi-Wan is not taking the side of the Young because it's the objectively correct thing to do, but because he likes them. He feels a sense of community with them. He wants to help them, not as a Jedi but as a friend. He is getting involved. Attached.

And, look, I'm not here to argue the morality of that choice. Choosing a different way of life isn't a failure or flaw. Helping your friends in whatever way you can is good. Wanting to stop war and reach for peace is right. There's probably a bunch of people who think Obi-Wan is making the right choice here, and while I might disagree, I can certainly see where they're coming from. I just feel like there's a huge misconception of what actually happened on this planet and what Qui-Gon’s ultimatum is actually about.

Obi-Wan has snuck out time and again to help the Young.

Obi-Wan has used their starfighter, their ONLY transport off the planet, to help the Young on a mission that could very well have shot down the ship. They could have ended up stranded on this planet and might have lead to Tahl's, the rescued Jedi's, death.

Obi-Wan has not been acting like a Jedi. Qui-Gon knows this. Obi-Wan knows this. And in that moment, Qui-Gon is telling him "helping and supporting the Young in such a personal and attached manner is not the way of the Jedi. Do you want to continue on this path?"

And Obi-Wan makes his choice.

(And if anyone tries to argue that Qui-Gon should have brought Obi-Wan with him anyway instead of letting him stay on a war-torn planet, I'm going to start screaming. Yeah, no shit. In the real world, that's probably how he should have reacted.

But this isn't the real world. It's a kid's book. Where kids are the main characters and they go into dangerous situations. So the children reading can see themselves in them and learn how to be brave. How to navigate difficult situations. To learn it's okay to choose a path and maybe realize at some point it isn't what you wanted at all.)

[fictionadventurer]

While I'm on the subject of plotting and Doctor Who, you know who was great at plot? Steven Moffat. The man is the master of the well-constructed plot, the shorter the story, the better. A multi-series show can go off the rails as he trails off in a million different directions. A full series of a show can have its rough patches and wind up unbalanced. But an individual episode? A masterpiece you could use to teach writing courses. A 4-8 minute minisode? One of the most beautifully constructed gems you've ever seen in your life. His plots are full of intricate internal logic and drawn from character and can highlight some of the loveliest themes because they're built on such a strong framework.

I think a big reason he's so good at plot is that he's a comedy writer. Comedy is nothing but set-up and payoff. Set up a situation. Pay it off in a surprising way. And the link between those two is character. If you set up that Character A has a certain personality trait, then when they encounter a new situation, you have them act according to that personality trait, and all sorts of funny things can result. The payoff makes sense because it was set up. That's also the gift of the running gag. If you mention something in the early part of the story, you can pass over it as useless information. Or as a minor joke that's over now. But at the end of the story, that seemingly minor piece can come back and resolve the whole thing, and it works because it was set up.

A great example of joke-turned-plot is "The Girl in the Fireplace." Plot: A spaceship is linked via a portal in time to 1700s France. The Doctor wanders back and forth between the past and the future. Later on, we see that a horse from the past has also wandered through the portal, and is now on the spaceship. Haha, silly gag, horse on a spaceship, good joke. But later, the portal closes, and the Doctor's trapped on the spaceship while people in the past are going to die. If only he had something large enough to break through. Surprise! He bursts through the barrier on a horse! The same horse from the gag! The joke was the setup for a plot payoff! And there's tons of that kind of thing in his work, plot hidden in jokes and jokes secretly building plot, and lots of plots that aren't about the jokes but always follow that rule of set-up and payoff.

There's just something so satisfying about a puzzle whose pieces all fit together. About a story that's well balanced. Character's great--and he's great at them--but there's something extra special about seeing them in a masterfully constructed plot. And it's been a long time since I've come across a plot that was as satisfying as his could be.

[reidrot]

just read the saddest locklyle fic ever

[longagoitwastuesday]

you seem to have a wide taste in books !! what are some books that you would recommend ??

Hmmm I wonder. I have the feeling I just read the same couple of books over and over, and at times only different iterations of the same story, like in that line by Borges ("the various intonations of a few metaphors").

I find recommending books without knowing anything at all about the person asking rather difficult. What I'd suggest to one may differ greatly from what I'd recommend to someone else. I'll give a list of some of my favourite books that I think are enjoyable in general:

— Thoughts by Pascal

— Cain: a mystery by Lord Byron

— The Iliad by Homer

— Crime and Punishment by Dostoievsky

— Othello by Shakespeare

— Pedro Páramo by Juan Rulfo

— Cyrano de Bergerac by Edmond Rostand

— The fragments of the Presocratics

— La Regenta by Leopoldo Alas, Clarín

— Tractatus Logico-philosophicus by Wittgenstein

— East of Eden by John Steinbeck

— Vita nova by Dante

— Contributions to the Founding of the Theory of Transfinite Numbers by Georg Cantor

— Caligula by Albert Camus

— North and South by Elizabeth Gaskell

— Peter Pan by J. M. Barrie

— Some essays by Russell. I personally love Mysticism and Logic

— Metamorphoses by Ovid

Poetry is perhaps harder to recommend because at times it translates horribly, but in general I love Baudelaire, Rimbaud, Lorca, Juan Ramón Jiménez, Rilke, Byron, Quevedo, Góngora, Lope de Vega, Horace, Catullus, Ovid, Tennyson, Maiakovsky, Garcilaso de la Vega, Oliverio Girondo, Vicente Huidobro, Emily Brontë, T. S. Eliot, Luis Cernuda and Edgar Allan Poe, to name a few.

[vroomboyz]

fic moodboard inspired by love is stored in the kitchen by @estiebestieban

He thinks about making coffee first thing in the morning, thinks about how the good cups he has at home would perfectly fit between the palms of the other’s hands, how he could probably make Charles rise with the smell of freshly baked bread alone. Thinks about how he wouldn’t mind the age difference between the two of them, as long as it would mean that he could see Charles sitting as casually as he is right now in his private kitchen.

How he’d always make sure to keep dark chocolate in the apartment, because he knows it’s Charles’ favourite, and how Charles is his favourite thing in this entire world.

[kcrra]

i believe that on very personal dates for alicent, she doesn't use the color green. i can imagine alicent wearing a pastel color (blue, pink or yellow) on her mother's death anniversary. locked in her chamber, alicent allows herself not to declare war, allows herself not to wear green even for a few minutes. she kneels in front of the altar of the faith of the seven in her chamber (i know she has one hahaha) and prays for her mother and asks for peace for her spirit. this thought has crossed my mind these days

"alicent allows herself not to declare war"

[hella1975]

a couple weeks after i turned 17 i realized im the age u were when u started taob and decided i need to step up my writing game lmao

basing your improvement on other writers isnt good! it might be good to give you a feasible easy-to-compare target but if it's something that gives you insecurity then you'll just start translating 'good writing' as 'not mine' and that'll take a long time to unlearn, much longer than simply improving at your own pace x