family portrait :D young sam and sybil are behaving themselves and vimes is throwing a hissy fit because they tried to make him wear the helmet
[id: a digital painting of three people sitting for a portrait in a domestic interior. young sam is standing with his hands behind his back and beaming proudly. vimes is standing behind him with his hand on his shoulder, wearing a shiny military uniform and a surly expression. sybil is sitting on the right with an arm around young sam, smiling at the viewer. a plumed helmet is sitting on a table on the left. end id.]
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Will enby Helsknight/trans Tanguish/top surgery scars/stubborn avoidant Welsknight in a gender crisis make it into the main story of RnS? Like, a full acknowledgment of it? Because yes, us on tumblr are aware (and happily bully RnS Wels for it) but I’m curious to how it may be brought up in the main storyline instead of rambles and drabbles. (Don’t get me wrong, those rambles and drabbles are what get me through the day. But my best friend, who isn’t in the MCYT fandom whatsoever, just caught up with RnS and doesn’t use tumblr, and besides spamming her with tumblr posts I wanna know how much I can revel in the glory of the skrunkles with her!)
That is a great question, actually. And the answer is I don't really know.
So this is one of the downsides to writing things chapter by chapter. If I had gone into this going "oh heck yeah they're trans", this would've come up in the plot way sooner. It's nice information 1) for all the trans folks reading and 2) because it has the potential to inform the themes in the narrative. This whole story is about two chief things I think: death [the inevitability of] and identity [what defines you and why]. Why should you care if literally no one else (including the universe) does? That would be so cool to speak about in terms of a trans allegory! Why do you care about gender when it's just one thing in a world of crazy things? Or at the very least, how does it inform your identity? But this is a change I made on a whim suddenly, and I know Exactly Where I Want This Plot To Go, so trans topics and allegories as Plot Points probably won't happen.
On the more technical side of introducing trans characters -- how do you do that without just dropping "oh btw they're trans" in? Like, how do you make it a relevant thing to talk about, that doesn't feel forced or shoehorned in, especially this late in the story? Probably me overthinking, but I read it done wrong so often. It gets tired. And if I ever work on my original stories, there are trans characters in there! If I can figure out how to Do It Well in a fanfic, then I can figure out how to do it in original fiction someday maybe. So I kinda wanna take the introduction seriously? I've actually been thinking about it so much I've thought about rewriting the intro to the next chapter ahaha [it already needs rewritten in general, there's a lot going on, but the intro was going to be Helsknight waking up from something, and he sleeps shirtless, and not addressing top surgery scars then would be kinda silly I think.]
I can say at the very least, Gender Avoidant Wels probably won't factor in the story much. He is a character, but I don't think he'll become Enough of a character to faithfully address something like a trans self discovery arc. At best his issues with gender might be mentioned in passing.
Sorry! I know you probably want a better answer! My answer is basically: I don't know I'm still working on it. I want it to be there, but the capacity it's there is undecided.
That being said, I've been sitting on this glorious ask since the shenanigans started and the temptation to just Do That grows every time I read it:
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hope everyone had alright holidays!
a few days ago when we were driving home in the dark in windy and rainy weather after getting two of my siblings from the train we, for the first time in my lifetime im pretty sure, hit a deer that was crossing the street, none of us saw them before they got caught in the headlights and the first one made it over but we werent yet slow enough to not hit the second one ...
the deer lived but was kinda stunned, my dad pushed it off the street and while we were still on the phone with police it got up and ran away but my parents car got damaged and while its still drivable there are several parts that got bent and since its an older model too it might be hard to get it repaired
anyway, i didnt know deer fur was that grey until i saw it stuck to our bumper :(
merry crisis
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Trying to piece together the miscommunication between Link and Normal where they both think the other doesn't know what they want and I think it's that the level of results they're each looking for is different. Link wants to know what to do from moment to moment and every decision in each moment is backed by "which option gets fewer people hurt or killed." Whereas Normal isn't looking for a moment-to-moment goal, he's looking for a long term goal of helping the Doodler, and so what that looks like from moment to moment isn't always going to look the same.
So like, the moment with the pick. To Link, Normal is the one who doesn't know what to do because Normal doesn't know what to do in that moment to resolve the anchor, while Link takes a quick action. But from Normal's point of view it looks like Link has no idea what he's doing because his actions had no thought towards the ongoing Doodler problem.
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Wild that anytime I post an update a lot of people read it and are even excited about it and have their own thoughts and reactions to it that I'll never know.
Comments are only the very tip of the iceberg with it. And I am Very grateful to commenters for letting me in on it. But in the same way that I'll be excited with my friends when a fic we love updates, it's likely that Other people enthuse with Their friends when my fic updates. And it's just so strange. An experience I'll never have access to.
Everyone's relationship with my fic is unique. So many different people with so many different circumstances and preferences... and the number of people that have told me that my fic is one of their favorites, some even saying it's their Favorite favorite... every single one of them have their own relationship with my writing.
It's just interesting to me. I think and think and think on my writing. I have my plans for basically the entire fic, the way I want it to end already thought out, all the major plot beats and the relationship progressions, All of that thought out. I love my writing so very much, but I'm on the inside looking out. This is my mechanical horse, and I'm in here laying out the groundwork and pulling levers and constructing limbs, puttering away making the horse move. Forever and always, my relationship with it will be more intimate than anyone's, and yet more clinical. Because I know it better than the back of my own hand, but I'll never have the experience of reading it fresh. Of reading it without knowing everything that's going to happen from now to the end and beyond. I won't have the thrill of the plot twists I have planned, the delight at seeing things progress, the horror at seeing things go wrong...
This is my mechanical horse, and I'm making it move.
I just always wonder what it must be like to see it from the outside. I hope to others that it's a pretty horse.
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Everyone's like oh song of the summer!! And it's always some upbeat boppy thing. No. The true song of the summer is 국산 바나나 by 3racha. I do feel like a dead body underneath the a/c. It is so hot. Sun cream is so annoying to apply. Humid days are the worst. I'd love to take my clothes off. But I can't do that. Domestic Banana is THE song of every summer.
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