#the amount of hot robots in transformers is unfair

[aka-indulgence]

I watched the 2 parter season finale of TFA!! And um

um. He’s. He’s so handsome

Bonus starscream slayying

ALSO THIS IS THE FACE HE MAKES 0.1 SECONDS BEFORE MEGATRON PUNCHES HIM HELP

,`:<

[thanksjro]

Dark Cybertron Chapter 7: Simon Furman and His Lack of a Relationship with the Singular They

The Lost Light is still being attacked by Ammonites, like it has been for the last few issues. Hound’s taken over as acting field commander and is calling all the shots. Chromedome uses his stupid beefy arms to punch things. Trailcutter is screaming. Swerve’s got his My First Blaster™ strapped to the top of his alt, and saves Crosscut.

Crosscut is our toy tie-in character for this issue. He’s a senator, and drafts play scripts. Arguably one of the more interesting tie-in guys, at least in theory. In practice, all he’s doing is forgetting Swerve’s name, which isn’t going to help the guy with his through-the-floor self esteem.

Crosscut points out that Swerve’s communicator is flashing, and while he’s checking his voicemail, all the Ammonites seemingly vanish… at least, until the gang realizes that they’re instead heading for Metroplex.

Inside, it would appear that the Rod Pod Squad aren’t actually dead, though their ride is probably toast. Before everything went to hell, a wall slammed down from the ceiling, protecting everyone from being utterly destroyed. Skids has figured out what all the arrow graffiti is about, earning himself a BOMP from Getaway. Looks like the internal structure of Metroplex has been shifting, and that’s why they got the runaround last issue. Also, Whirl’s gone missing, but we don’t have time to worry about that, because Swerve just called back with some bad news: the admium flakes they saw earlier mean that Metroplex has an alchemical virus.

Don’t you look at me like that, I’m getting to the explanation.

Alchemical viruses turn the metal of the body into admium, a rare, incredibly soft metal that will break down very easily and also kill you. It’s pretty bad to have. Also, contagious. Fellas better get outta there, posthaste.

The Ammonites are also storming Metroplex, so that’s an additional issue. God, it just never stops, does it?

Over in the Dead Universe-

Is

Is that a fortress of evil in the shape of Nova Prime’s head?

Is that a goddamned fortress-

Anyway, the center of Nova Prime’s universe is Kup, who was the guy who got oh-so-dramatically revealed at the end of the last issue. Unfortunately, Orion Pax also considers Kup to be very near and dear to his heart, and the whole “being turned into a space bridge” thing is going to be an issue.

This is the weirdest love triangle I’ve ever seen.

How the hell did Kup even get here? Well, in order to know that, you’ve have to had read Infestation, the bullshit zombie crossover comic miniseries that ran in 2011.

But I’m not going to do that.

Because I don’t want to.

After a bit of showboating, Nova Prime orders Nightbeat to take Team -Imus to their cell.

Over on Cybertron, Shockwave is getting real sick of Galvatron’s shit, but Galvatron is too busy posing dramatically to notice. Waspinator, Metalhawk, and Dreadwing float in the air. I’m not sure what they’re up to, but I’m sure it’s important. Jhiaxus shows up with a gaggle of goons, one of which seems to have forgotten his face in the jar by the door.

Galvatron gets shamed for tearing Megatron in half, since that sort of broke the space bridge in his torso, but he’s too busy being classist to care. Waspinator floats in the background. What are you doing back there, pal?

Shockwave orders Waspinator to carry Megatron to his quarters, but Galvatron’s decided that he’s going to be an asshole about everything today, even when he’s being helpful.

…Okay, Boomer.

Waspinator still ends up hauling Megatron’s ass away, and Shockwave and Jhiaxus have a little chat.

Back in the dead universe, Team -Imus are in their cell, as Nightbeat double-checks the locks or some shit, I dunno. They’re gonna get their sparks ripped out later in the day, so that the space bridge Kup’s got running in his torso finally has enough juice to actually friggin’ work.

Then Rodimus flashes his mystery hand at Nightbeat and makes him fall down. In order for the whole brainwashing thing to work, Nightbeat’s true nature had to be suppressed; however, whenever Rodimus shows off his mystery hand, it makes his brain kickstart back on, messing up the brainwashing.

Well, you know what, Cyclonus? That’s not my fucking fault. Blame Roberts and Barber. I certainly do.

ORION PLEASE.

We finally get a look at what Rodimus’ hand mystery is, and if you read Eugenesis, you might know where this is going. It would seem Nightbeat has not- which is for the best, really, given what happens to him in it- but he’s still a pretty smart cookie and can suss it out through the power of deductive reasoning. Here’s what he’s working with:

After a moment’s deliberation, he asks Rodimus, who he knows to be the captain of a ship, how many folks are riding around in the space yacht. Rodimus tells him 190, and shows off that he’s got his lipgloss on, and it would seem that Nightbeat’s a free man again. He lets everyone out of the cell, and they gear up to go pick up Kup. Orion Pax is confused as to what the hell just happened here, and Rodimus promises to explain why he’s carved a division problem into his palm once they aren’t in immediate danger.

Back on Cybertron, Galvatron and Waspinator are dragging Megatron’s halves towards Shockwave’s quarters, when Bumblebee pops out of nowhere with a gun and a mouth full of swears. He’s here for Megatron, and he’s not taking “no” for an answer. Galvatron thinks that this is super fucking funny, and tosses Megatron like an empty soda can into the wall so he can squash a bug.

It looks pretty grim for ol’ Bumblebee, but suddenly Galvatron realizes he left the oven on that Megatron’s gone missing.

Oh, there he is!

Megatron blasts Galvatron in the torso, then- in a surprisingly polite manner, at least for him- tells Bumblebee to grab his legs so they can get out of here. As the two of them traverse the burned-out husk that is Cybertron, Megatron decides to be a complete bastard, as he smiles at the idea of Starscream suffering. Like, dude, I know he kept you in weird hamster ball jail and spouted soliloquies in your general direction every single day you were there, but folks are dying right now.

Speaking of Starscream, he’s having a moment, as he sits on his knees and stares at the sky in abject horror while the world burns around him. Scoop comes by to yell at him for being a harbinger of death, and generally being a less than stellar leader, and Starscream halfway calls himself a dumpster fire.

Back inside Metroplex, the Rod Pod Squad are fortifying their defenses against the Ammonites, even though they really need to be getting the hell out of there before they get turned into talcum powder through the power of alchemy. Whirl shows back up, the Ammonite hanger-on in his grasp, and we get the skinny on why the hell the Ammonites are involved with this whole debacle anyway.

The answer is Shockwave.

The answer is always Shockwave.

Then the little dude explodes. It’s fine, they do that sometimes.

Before he went kablooey, little dude uttered the phrase, “if the dead are not enough.” We’ll get to what all that’s about later. Right now there are far more important things going on.

LIKE MOTHERFUCKING LADY ROBOTS.

But why is this such a big deal? Why is it that non-male coded robots who aren’t Arcee haven’t been seen up until this point? What’s up with that, huh?

Well, in order to understand IDW’s complicated relationship with gender, we’re going to have to do some digging into the history of Transformers as a franchise.

We’re going to have to talk about Simon Furman.

We're going to have to talk about Prime's Rib.

And we’re going to have to talk about Spotlight: Arcee.

Simon Furman wrote a lot of Transformers. You cannot get away from Simon Furman, because the man is so ingrained in the franchise. He was there for Marvel UK, he was there for the back half of Marvel US, he wrote for several other publication runs of Transformers, he worked on the Earth Wars mobile game-

-and, of course, IDW publishing.

Because Furman is so very well established and known in the industry, he gets the benefit of not being questioned on a lot of the calls he makes.

Which is a problem, because the man is a massive misogynist.

In 1989, Marvel UK #234 came out, containing the story entitled “Prime’s Rib!” in which the Autobots built Arcee in order to appease a group of strawmen feminists. Of course, one female Transformer isn’t enough for them, and they yell at poor Optimus Prime for trying his best. This is the point where Hot Rod is used as a writer avatar to try to smooth things over with the reader, because you see, the Transformers don’t even know what sexual dimorphism and gender identity even is, so of course they wouldn’t have female members of their race! Jazz is used for a breast joke. Arcee acts like a massive, stereotypical bitch the whole time, despite not having been written like that at all in the other issues. It’s a bad comic with hideous ideology leaking out of it, and I'm halfway sorry I read it, so I’ll just give you the essence of this nightmare.

Oh, those big, mean, scary feminists are bullying the robots for living their lives, huh Furman? Life is just so goddamned unfair when a woman exists in your fucking line of sight.

Furman has gone on record saying that he doesn’t see the point in including the concept of gender in a race of non-sexually reproducing robots. He sees them as “genderless.” Which, if that statement existed in a vacuum, I could perhaps see where he’s coming from.

But Simon Furman does not exist in a vacuum. He exists in a world where sexism exists, something that he’s willingly participated in.

Let me back up that little tidbit with a bit of a disclaimer: I’m not in any way an expert on gender. I didn’t study it in school, I’ve not read an obscene amount of pieces on the topic. I’m not even sure about it on a personal level.

Maybe some of y’all have noticed the whole other set of pronouns I slapped into the bio in the last month or so. It doesn’t really matter, 90% of people don’t read the FAQ/About, I know that, and then 95% of those people only read it once, and this has been a relatively new self-revelation.

BUT ANYWAY.

Let’s be… fair about this. 1989 was a while ago, a lot of research on the concept of gender has taken place, maybe he’s ch-

Oh, what’s that?

Misogyny?

Transphobia?

Transmisogyny?

Treating women as an aberration being forced on Transformers as a whole?

And the writing is clunky and overstuffed?

Well, that’s just fucking fantastic, Furman, thanks so much.

This was in 2008. Because Furman established that female Transformers weren’t something natural, but rather made, and forcibly at that, and nobody fucking smacked his little hands away from this terrible idea, AND nobody tried to fix it for years, there was a lack of gender diversity within IDW until 2014, with the release of Dark Cybertron Chapter 7. Because we waited six years to fix this nightmare, things couldn’t be done quite the way that Roberts had been hoping, in that he intended for our female robots to not have the whole… fembot build happening. IDW wanted them immediately clockable, because this was very clearly a problem that needed rectifying.

So, in short: because of boys’ club mentality and a lack of understanding of what gender means or why it’s important for roughly 50% of the world’s population to have representation in media, Nautica and Chromia are here now.

And despite the convoluted road they had to take, I love them very much.

[crackcrocs]

DEATH WILL ONLY BE THE BEGINNING #3

3. Transformation Central

the entities of my personalities would like to come together in one voice that speaks through me, we or I call this collection of words from the mustiest corners of my brain to this note page to voice something that might come close to what I feel underneath the skin I wear. In all my unorganised words- I might even go as far as to call this a poem, titled:

‘TRANSFORMATION CENTRAL’

sub characters in my head would appreciate if this could be visualised & understood through as deep a lens as humanly possible. even I confuse myself so if you can decode or relate to any of this, wonderful. If not, I’m locked in my own mind, swallowed the keys to my soul.

SIMILARITIES & INTERCONNECTEDNESS BETWEEN HUMAN & PLANT CONSCIOUSNESS EXIST! if you look closely at my nose freckles you’ll see the resemblance of the constellations above. if you look at the human veins & the layout of a tree, this is further proof.

{VISUALS THROUGH A SEPIA WINDOW STARING @ THE AUTUMN LEAFS; IMAGINING THE SEEDS UNDERNEATH, THROUGH NUMB ROOT VESSELS THAT PERMEATE THROUGH EVERY MEMBRANE OF MY EXTERNAL TO INTERNAL ENVIRONMENT}

~FEATURING THE VICIOUS CYCLE OF DEPRESSION & PERFECTIONISM.

here goes:

What is this part of my mind ?

If you want; delve inside-

I may look sweet like Alice,

but underneath it all

I deteste looking in the mirror

-cos I see the mad hatter.

my inner child needs a platter-

full of care not distortion & abuse pls.

less fibbin would’ve been a breeze.

now following the dead fish in the stream!

HOW on EARTH do I fit with the cod & the Haddock?

I’m the rainbow fish- beat & battered.

dim my own light cos I’m too afraid to shine.

alone.

thieves tried to steal my shiny scales.

I sat and watched them grow.

In the sea realm they were mean gargantuan selfish whales, with poisonous shark fangs & alligator tails. scorpion hands. (gremlins)

and still they make me feel like the alien-

I cant take it.

Make it make sense ?

I can’t.

controller in my hand-

Off balance stance.  

anxiously I move round like a wobbly jelly.

where’s the button to balance my chi & shut out the ego ?

the teLLIE telling lies to our vision!

change the channel aura terracotta orange- daily dosage of vitamin D & C.

catch me sun gazing by the sea

head buzzin like a bee.

speaking from a dusty box

stuck on top of a forbidden shelf

cos I dunno how else.

I’m tryna delve deep but forgot how to dive

How can i visualise? scenery foggy-

the establishment man with the glue gun got me xD

inner monk burning but at peace

Cos I refuse to believe

If the only way is the American dream

Interconnected; like the frog in science -let’s dissect it!

down to every floating atom spirit neighbouring your door

subcategories & divisions, it’s more!

than the rich and the poor -prism that’s been built

do we all feel like a performance monkey on stilts?

will my data be extracted & used to mould a robots personality some day?

well obviously not.

does the price of our lives all amount down to slave ways?

LABOUR YAY!

but morals & values it seems we’ve forgot.

sO If i don’t speak its cos I’m lost.

or maybe i’m enlightened-

Standing at the edge of the porch;

watching TRYING to understand how the flowers grow.

questioning eVERYTHING man made!

I’ve stepped out of the perfect picture frame

I can see the coal pollute the sky

I need to hop on the train-

but I’m comfortable

Sunset to sunrise statue standing still.

what’s the ingredients to life’s yucky pie?

I’ve exceeded mental lotteries.

Sanity n universal peace would be a trophy.

TIL then I’ll be crafting & shaping a solid pottery reality,

with a few pence, gum, and a bandana of belongings tied to stick.

thinking one day I’ll be laying the bricks

& building a kingdom of bliss.

guess for now I’ll use the intricate delicate materials in my tool box- that’s all I’ve got.

might have a long way- maybe worth a shot.

I observe, cruisin in the sky.

dunno why..

I jus look @ the hills.

Only time & history reveals.

no thanks mr men-

I don’t want your prescription pills.

there’s enough propaganda as it is.

I won’t jump on the merry go round-

til my core trusts & envisions we’ll actually feel safe!

I don’t want to take part in this faux fur, sweet nothings & a jack in a box punching blur, so called future.

oh and genuinely thanks quarantine-for once again, I can hear bird sounds!

guess this is me tryna speak out loud!!!...

it’s not thrilling

system  time killing everything-

mother nature’s oxygen

everything is nauseating

clock ticking, I better start creating.

they should write a book on how to be free when the system set us up to believe that we’re tied to the cut down trees that gives them a currency of greed that they breed.

If blindfolded, I don’t wanna eat what they feed.

Whilst they profit of us -tell us smile and the bandits don’t wanna see us happy.

they’re too busy robbing all our hoods.

In exchange for the silence, they’ve granted us with a 21’st century fashion garment of a slave muzzle! labelled conform.

More delusion to add to the already desensitised norm.

zootonic diseases, welcome covid 19 to your plastic kiddy tea party!- apologies for questioning your motive!

Been handed too many hot plates with a post it note saying HOLD THIS.

we’ll be okay just hush.

Same Shan message told to every generational seed.

If we don’t TRY overpower-

we’ll never succeed!

it’s getting even more scary.

Artificial intelligence.

Societal negligence..

my canvas isn’t clear-dunno am I schizo ?

finger painting, cos it makes more sense.

struggling to blend.

borderline conspiracist pretending to be fine;

moving the goal post, hovering above the race line.

who made the chalk? who set the lanes?

I wanna know it all, maybe¿ far past insane.

I can fit all I need in the palm of my hand,

Maybe even less! cut a finger off not sure it’ll even add stress.

hi from personality Peter, even sober- always away with the fairies.

Pass the pixie dust, I’m in a rush

Found shelter in the comfort of pan physicists timer, no not the one on your phone!

Ring ring, skeptical! is it my demon or my mommy on the phone?

I’m stuck in the airspace of an infinite glass filled with beach particles trying to form myself standing up still attempting not to slip through the hands of my very own discovery.

time is running out & ill go when I go.

I’m sitting inside the fly trap -

stardust, chakras can you feel the sensation colors like a starburst.

deep emotion is a curse.

still entrapped in the sand dune of nothingness-

flipping a domino monopoly of solidified thoughts as I sway with the wind.

I’m the trapped sandbox in the playground & the slipping sand in my own hands.

Inhale chronic but I wanna enter the quiet realm of white noise

-color of a wife beater vest, calmer than the ease in ignorance of a red neck.

sadomasochistic, messes.

but oblivion, seems like less stress.

Unfortunately I can see, with all eyes

empathetic paralysis, gets me vexed.

Punching truth into the core of your chest!

It’s not funny, neither is the one on the receiving end..

My limbs are numb

& im done playing octopus alchemy.

I want minimalism & life can be simple,

Evil entities have made it hard.

Maybe I’ve got stars above my head like an old cartoon character.

But I can’t make it make sense, are they out to get me. worse all of us? Or have I bottled myself tryna re mesh the broken shards,

I feel glued to the floor cos there’s a pretty price to pay if you want more.

I see life through a different lense, maybe born downside up, Benjamin button I came out the back door-

Outside looking in, digesting confusion.

Is to be a product of environment a sin?

rummage through my messy brain.

personalities sardine packed in this tin

I’m the wizard of my mania

Scaring & attracting the black crows-

they’re my friends.

Sometimes still a cowardly lion

Roaring pain & true riddles at the wrenching wicked witch posse of the west.

will my voice ever be loud enough to shed light wit my words and grate the sweet zest

In to the cake i’m baking?

Probably not.

Got more thoughts than the autumn leaves collected by the garden rake. alone.

gathering & storing the pains of yesterday.

sometimes I stay in line

Other times in my head Im on my hands juggling out of time.

but I really don’t mind if I lose or win.

we all have a pace

I jus don’t want the 1% to win the race.

It’s unfair!

Humanity does anyone care ??

Half lady

half fairy

Good  MOOrning-

from my anagrams.

no I’m not a cow.

twister fidget spinner brain in the flesh-

form of expression this time around lyrics.

feel I’m jus a silly rubix

& still mourning

I don’t like dairy

pass the oat milk.

Are you aware the industry are sabotaging our diets?

we want peace!

the powerful elite-

perceive & deceive

the scene they want us to be.

chuck the narcissistic psychopathic pie back in our face-

every time we almost found & addressed the Programme & Control man in the maze.

evil & extroverted- he said that the anarchists have to be the cause of riots.

working isn’t class. I said let’s switch roles- he said pass.

It’s piss! Who’s got the bomb & the guns?

Who got the land? off wit OUR heads 4 fun!

it’s pure scary.

Pharmaceutics handshake.

with the cooked up suppliers, also crooked wack liars.

I’d rather shot a gallon of bloody blubbery infused slaughter house milk

If it meant we didn’t use cocoons for silk.

why not add a drizzle of bleach to the concoction & maybe that’s a reach.

every time I guzzle fakeness, it taste peak.

I want real fruit, what next-

a seedless peach ???

what’s the difference between a weirdo & a freak?

layers & levels to the shit.

Magnifying tapping the window of society, I’ll be puffing green til I get to the land of Oz.

sponge soaked soaking up emotions

Suffocated by deduction of care in life

feel entrapped in this paradigm

what am I thinking ?

got the verbs & a cuppa tea

It’s mixed with torment & desire to be free.

I’d rather be awake than asleep

When I get too comfy I feel weak

Demons they reap

underneath

rip the seems as I bleed

Concrete

Solid

Emotions

Is all you’re getting

It’s all sad scenes in the imagery I’m setting

people need care we seem to be forgetting

why are we in debt wit

a posse of clowns

pay the price so we can get a frown

here’s some seratonin

quit ya moaning

life is all sound

aw yeh¿  if you’re not an over thinker!

product of environment- Sirius flickers

theyve done a ritual like it’s Wicca

now here’s your gold sticker..

for managing to co operate.

In this world fuelled off of evil n hate

waking ups a bloody disgrace

I am not amazed.

Man I love my fam n my friends

Just hate this part of my brain that feels the need to play pretend

sometimes I feel insane

but I’m calm

need to escape so I don’t do harm

Gold lioness in the sky by the sea

with puff the magic dragon

fire out my mouth, fuel helps me breathe

I will shine bright

Promise imma be alright

even tho I’m not sure why

I function like this

I wanna be myself

It’s just hard to find the comfortability

To feel happy and pretty

Lay me down on a bed of roses

Ring around sing about overdose emotions

Sorry dunno how to communicate

Heads in a constant debate

Should I go or should I stay

My head clashes

Burnin the next ciggy as my thoughts become ashes.

[furederiko]

Advance Notice: Behold, for this is my first monthly review for "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger"...

I had planned on publishing a First Impression post when this show premiered on February 11th, 2018, but I ended up scrapping that idea due to several reasons. I figured I should just go ahead with the review for the first episode having seen it with subs, but another hurdle came barging on my way (forcing me to be off the grid for a brief amount of time prior to my latest post) to the point that now I practically have watched 3 subbed episodes already. LOL. So as you can see, I've finally decided to just convert it into a monthly review (consisting of episode 1 to 3 that aired Sunday, February 25th) for the series anyway. Not unlike what I did with "Kamen Rider Build", of course. But there's a catch! Since I don't want my efforts for the First Impression to go to waste, I'm going to start with them first before heading directly to my Overall thoughts on each episode. Okay then, here goes...

First Impression

NOTE: Another reminder before I start. This list was written as soon as I finished watching the first episode. It contained my personal notes and INITIAL reactions to the story, theme, and also characters, some of most definitely have more or less evolved since then. So if it might sound a bit outdated, that's just the way it is. Can't help it, these were from three weeks ago... XD - Phantom Thief? More like... burglar. I'm talking about the premiere's opening sequence, that is. While it was designed to be cinematic, to me it also felt like a missed opportunity. The writer for this episode (was it lead writer Junko Komura?) probably forgot or got him/herself confused on the basic rule of a 'Kaitou'/Phantom Thieves. What made a Phantom Thief different than regular thieves or pickpockets, was in their modus operand of sending/handing out notice way ahead of their operation in order to challenge the owner of the item. Hence why it is called ADVANCE NOTICE. Moreso, they would infiltrate the target location meticulously and secretly using tricks and deceits while naturally avoiding to cause too much of a fuzz as much as possible. Those are the basics of a Phantom Thief. If you're uninformed and curious to see how this plays out, look no further than towards the many Kaitou Kid-centered story arcs in "Meitantei Conan", or the children show "Mysterious Joker". Even the heist aspect of Marvel Studios' "Ant-Man" fit in perfectly in this method. - This show DID capture the extravagant and stylish flairs of Phantom Thieves in this opening sequence. It was undoubtedly a flashy scene. But the biggest issue here was they did NOT give off an advance notice to the Casino boss, who was, in fact, the first Gangler or MotW of the show. A missed opportunity, because they could have easily inserted that bit in a quick dialogue or two. Breaking and entering, proceeded by shooting randomly at things to retrieve their target was clearly NOT the style of a Phantom Thief. Nope, this was plain robbery or burglary at play. Huge difference, right there! LOL. Handing out a calling card afterward would be considered pretty much useless because it could no longer count as an 'Advance' notice (get it?). The later mission of the episode was better, as it required a good amount of sneaking and sleuthing. No sign of advance notice though, so what a shame *sigh*. Even if this show hasn't managed to get the thieving part correctly, it was pretty apparent that the source of inspiration for the Lupinrangers was the iconic series "Lupin the 3rd". At the very least, I'm instantly reminded of that series every time they got out in action, both in or out of suit. - Oh yeah, there's another missed potential regarding that opening sequence. In this case, it's a bit technical. Debuting the theme song of "Lupinranger VS Patranger" in the first episode sounds natural, right? Well, that should've been the case. Yet when it was played WITHOUT having the Patranger around... it bugged me big time. I personally think they should have either: used the Lupinranger-only version in that scene. Especially because the Patrangers didn't even have the ability to transform until the closing scene. Or...; rewrote the scene and have it showcase both teams at the same time, fully in costume. I know the Lupinranger is first-billed, but if I were this episode's writer, I would totally use the theme song during an actual kerfuffle between the two teams. For example, in that brief part before the episode wrapped? Heck, the episode could've started with that before going into flashback mode or some sort. It would have made a major difference if you ask me... - Characters!!! I know I should never judge a book by its cover, but seriously, Kairi Yano (LupinRed) is unappealing and squeaky. No wonder some folks were surprised that his actor Asahi Itou could be appointed as Red. Plus, it's clear he still needs to improve his acting skill, with all those constant unnerving glares. Touma Yoimachi (LupinBlue) is the usual cool type, who this time gets mixed up with the chef trope. Think of it like Kyuranger's Stinger and Spada in one body. For some reason, Shougo Hama reminded me of Kamen Rider Ibuki or Mamoru Chiba from the live action "Sailor Moon" series. I think Umika Hayami (LupinYellow) is the most likable member of the Lupinranger, albeit being the usual bumbling 'my pace' girl. It felt that graduated Morning Musume member Haruka Kudo's deep affection to tokusatsu really showed, as she looked the most comfortable in her shoes. Their names combine into 'Kai-To-u'. - Keiichirou Asaka (Patren 1-gou) is undoubtedly the better Red for me so far. I sensed that Kousei Yuuki was also more convincing as an actor than Asahi. Unfortunately, Keiichirou is also the loud brash stereotype (kind of reminds you of Go Yellow, huh?), so he and his mysterious endless rage and anger will either impress you or grate on your nerves. The same couldn't be said about the other Patranger members. Sakuya Hikawa (Patren 2-gou) and Tsukasa Myoujin (Patren 3-gou) are nothing more than... generic stereotypes in the premiere. For now at least. Which was disappointing, because Ryo Yokoyama and Kazusa Okuyama (who somehow reminded me of Red Racer and Go-On Silver) could only do so much with the limited materials they were given. These two are likely the lesser important characters (Super Sentai always have ones), which says a lot about the Patranger's position. None of these three managed to... grab my attention, because aside from a stubborn hot-blooded Keiichirou, the other two could be considered as bland. Just like the Lupinranger, their names combined into 'Kei-Sa-Tsu'. - Youichi Nukumizu's Kogure and Ike Nwala's Commisioner Hilltop are the show's MVP for me thus far. In Kogure's case, the air of mystery and elusiveness easily stole my attention and made me want to see more. I think he could work as a secret big boss vibe pulling the strings behind the scene, though it would likely end up as some kind of Alfred Pennyworth scenario instead. Likewise, Hilltop showed hints of eccentric personality due to his Japan Culture-obsessed hobby (mirroring "Sakura Taisen V"'s Sunnyside). I can't help but wonder if he's meant to be the Jim Gordon of the show? It also helped that he joined the limited list of foreign actors who played a crucial role in a tokusatsu show. I hope these two will have bigger and more important roles in the future... as suggested by that recent rumor. Sadly, I couldn't praise the same about Jim Carter (voiced by Rie Kugimiya), the Global Police's mascot robot. I disliked its design, and see no actual use of it. Not to mention that name. Why TOEI, just why? - Comparing these two teams have always been an ordeal since I saw their first images. Each one has their pros and cons that sort of balanced my impression on them. I liked the Patranger cast better, but those suit design totally threw me off the table. I dig the style of the Lupinranger suit, but feel mixed about its actors. It's clear however, that the Lupinranger was put center front in the premiere (as evident by the flashy top-hatted transformation sequence and cool silhouetted roll call), to the point that the Patranger was basically just... there. Thus it felt somewhat premature and unfair to compare them due to the state they are right now. Not surprisingly, the scene in the Bistrot Jurer was executed better than the one in the GSPO's Tactical Unit Operations Room. The latter just looked more... fake somehow *sigh*. - Speaking of suits, Patranger likely had inspirations from "KyuKyu Sentai GoGoFive", "Tokusou Sentai Dekaranger", with a hint of "Go Go Sentai Boukenger". Sadly, these are not as good as those three. The Lupinranger ones are clearly a "Mirai Sentai Timeranger" nod, complete with that giant hands of clock-shaped swords that reminded me of the Vector Swords. Still, they should've gone with a long coat tail like in the transformation sequence (Zyuoh Whale and Draco Commander style). That would've made for a more elegant look. - I'm not that fond of the design for the show's main antagonist (a mixture of dinosaur and... guns?). Not the grenade-inspired but watermelon-looking Destora Mazzio (voiced by Pokemon's Brock himself, Yuuji Ueda), and particularly the hideous Goshu Ru Medu (voiced by "K-ON!"'s Ayana Taketatsu). Perhaps it's the way that every Gangler needs to include a safety box on their body that made them look... I don't know, silly? On the bright side, it does have this interesting mafia family style that would provide great potentials assuming it's explored properly. Cues from "The Godfather" movies can be felt from their so-called leader Dogranio Yabun (voiced by Mitsuru Miyamoto), as well as an obvious nod to Don Dolnero of Timeranger. In the case of those Lupin Collection, I'm sure Super Sentai fans would easily be reminded of Boukenger's Precious. - Neat camera works for the action scenes. Some... inventive movements that involved plenty of 360 shots taken from kinetic angles. Unfortunately, they would work much better in a fast-paced viewing. When you slowed the sequence down, it's more than obvious that the transitions between the different cameras (the regular huge and docked one, and possibly a drone/hand-held for the moving parts) aren't exactly as smooth. The switching was more than apparent, because there's an easily noticeable fluctuation in video quality. Not to mention, it did feel confusing to see after repeated viewings. - Last but not least, the absence of an ending sequence could be a make or break situation for the show. Many audience particularly Japanese kids genuinely loved an ending song that they could dance along with. I know that this one felt more mature already without one, but is that really a good thing? We'll just have to wait and see...

01 - "Here Comes the Flashy Burglar / Off-Beat Arrested Development"

Overall: I admit, after seeing this episode again with English subtitle, it was better than my first initial watch. Unfortunately, many of its issues (that I have pointed out above) are hard to overlook and still render my overall judgment. This was meant to be a groundbreaking series that actually features two existing Super Sentai teams at once, yet in my opinion, it ended up feeling more or less like your standard Super Sentai show. It didn't feel that much 'different', despite being taunted/promoted as such. Same old, same old. Most of that is likely due to the fact that the Patranger didn't have equal footing in it when they really SHOULD. Everything this police unit does (always-late appearance, bland characters, unimpressive significance, etc) didn't account much, giving off a distracting vibe that they were merely a set of supporting characters in a Lupinranger show. Seriously, they didn't even have a proper transformation scene and roll call because of how heavily Lupinranger-focused this has been. I'm not fond of police-themed Sentai, to begin with, hence why I already liked it less than other Super Sentai fans. Not saying this debut episode was bad, but more like... not my cup of tea? Didn't win me over? I do get why many are loving it though. This was a breeze of fresh air, especially when compared to the recent WEAK (I'm being NICE here) seasons of "Power Rangers" adaptations. Still, in my opinion, it's a pretty standard premiere, heavy on expositions, and due to its minor flaws, wasn't really on par with previous Super Sentai premiere episodes. On the bright side, if the show's future development is consistent with a recent rumor flying around the internet, then they will be enough to keep me watching this show. Here's hoping...

02 - "Frozen Back-Story / Fudging-Sweaty Fusion"

Overall: If I have to choose one word to describe this episode, that would be easy: HECTIC. Yes, as fittingly represented by the official opening sequence that... in my honest opinion, could have used better editing. The action parts felt busy and rushed, to the point that when it slowed down for the dramatic parts, the episode became uneven. I have this feeling that the debut of the vaguely disturbing Patren Union (defying all kinds of real life logic) was meant to put or even push the Patranger into the spotlight. Heck, they finally got their own flas... er generic roll call now (it still looks bland compared to the thieves no matter how you put it... *sigh*). Unfortunately, it's the drama part that pretty much stole every attention and became the major highlight of this episode. And sadly, it was particularly shining a light towards the Lupinranger... all over again. Yes, Kairi, Touma, and Umika remained to be the first-billed characters, as the show decided to reveal their real motives/goal to collect the Lupin Collection. Which was emotional and VERY personal at best. Hence our supposedly good officers were still being relegated as second fiddle, showing that the show hasn't managed to divide the focus evenly between the two teams. But hey, the Patranger also helped debuted the sentient-chatterbox Good Striker/Goody (voiced by legendary Virgo Shaka himself, Yuuji Mitsuya), right? Only to jumpstart the arrival of Lupin Kaizer when the Collection Piece combined with the Lupinranger's Dial Fighters instead. And while the show's first mecha (which didn't look as good as its design, I can't tell why) dealt with the Gangler in a flashy way, Keichirou, Sakuya, and Tsukasa only stared blankly into the night sky. Oh Patranger, I feel truly sorry for you... Ignoring the fact that it's still an uneven affair, it's indeed a much better episode than the first. It's not perfect by all means, and probably could do with better editing, but that genuinely intriguing backstory honestly did much of the heavy lifting. It's probably the show's best episode so far, though I'm hoping it's not the extent that this show has to offer.

03 - "Fiance on Ice / A Sticky Reinforcement"

Overall: LOL, did anyone actually expect some secret identities to be exposed, just 3 episodes in? That's NOT how Super Sentai works, especially in a full-year extended version of a Versus movie like this. So in that sense, what a pointless cliffhanger that was at the end of episode 2, huh? This intro scene basically answered one lingering concern I had since episode 1. Remember how Keiichirou and Kairi had a civilian stand-off about that newspaper ball in the park early on? If Keiichirou has good photographic memory and critical analysis skill as a competent police officer, he would've instantly recognized Kairi in Jurer. Not just that, he should also recognize LupinRed's voice coming from his mouth. But noooope, that did NOT happen. Frankly, I'm not sure how I feel about this. I just hope this didn't simply mean that Kei, as well as Sakuya and Tsukasa, are being written off as a bit... slow. That would be a disaster! How could one root for them if they are so unreliable? We got more insight into Touma's character concerning his fiance Aya. Not much of a surprise, because the previous episode had openly shown the identities of the frozen closed ones *sigh*. His character now reminds me of Joe Gibken from "Kaizoku Sentai Go-kaiger", who so happens to be sharing a similar cool-blue stereotype. But I'm not sure why there's something off with Touma that I couldn't really put into words. A relentless darkness that is rubbing me the wrong way. Which is strange, because Joe is my favorite Go-kaiger. It felt like Sakuya was probably meant to be the 2nd focus here, or at least meant to have his share of the spotlight. But since the execution was still uneven, still favoring heavily on the Lupinranger side, inevitably the rookie member of the Global Police ended up being eclipsed by both Touma and also Kairi. On the bright side, him showing instant attraction to Umika at the end implied that he's destined to be the awkward but likable goofball of the series. Assuming this angle will be explored in the future, of course. I might be wrong in this, but it felt like the Patranger has gotten the short end of the stick... again. Three times in a row! I mean, when the whole episode established that the Lupinranger will now be using the Patranger as tools to do their bidding, that... kind of says A LOT, right? The thieves (true to their namesake) kept on stealing attention from the public servant (fittingly so), always acting one step ahead of them. And their version of Good Striker's Finishing Move wasn't even better (lamer IMO) than Union to begin with. Even Kogure singlehandedly stole the scenes with his elusive appearances and mysterious relationship with Goody! Marvel Studios carefully constructed a story that enabled "Captain America: Civil War" audience to be divided between the two conflicting teams, but there's none of that here. For the time being, the Patranger only feels more and more like an afterthought, a lesser team that probably shouldn't even get a mention in the title. I don't think that's fair... Oh well, at least their Pat Kaizer debut was great. I can't say why, but it honestly looked much better in action. That's a hugely pleasant surprise! Was it because Lupin Kaizer's battle relied too heavily on CG to showcase its fluid movement? Not really, because Pat Kaizer also had its fair share of CG. Because the battle took place in the daylight? Regardless, the combined Trigger Machines was sturdy and strong. And though I could do without that pink pole stick, this mecha looked impressive overall and just more fun to see in motion. Next Episode: A Closed Room Case...

Episode 1 Score: 7,2 out of 10 Episode 2 Score: 7,8 out of 10 Episode 3 Score: 7,4 out of 10

All images are screen captured from the series, provided by the FanSubber Over-Time. "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" is produced by TOEI, and airs every Sunday on TV-Asahi. Credits and copyrights belong to their respective owners.

[vanitynumbers]

Data overload: commodity hedge funds close as computers dominate

New Post has been published on https://lawyer800marketing.com/business/data-overload-commodity-hedge-funds-close-as-computers-dominate/

Data overload: commodity hedge funds close as computers dominate

Local vanity Numbers:

LONDON (Reuters) – “Chocfinger” made his name and his money by taking bold bets on cocoa markets. But after nearly four decades of trading, sometimes winning, sometimes losing, Anthony Ward threw in the towel.

Ward blames the rise of computer-driven funds and high-frequency trading for forcing him and some other well-known commodities investors to close their hedge funds and look for opportunities where machines can’t make a difference.

While computerized trading is not new, Ward and others argue its steady rise has reached a tipping point that is distorting prices and creating uncertainty not only for investors, but for chocolate firms, carmakers and others who rely on commodities.

It was in January 2016, after a slide in cocoa prices, that Ward decided the days of traditional commodity investors doing well from taking positions based on fundamentals such as supply and demand may be numbered.

“It was just too big, too quick, too dramatic. And completely against the fundamentals,” Ward told Reuters.

Commodity markets fell across the board that month after weak factory data in China raised fears of lower demand from the world’s top consumer of raw materials.

Ward blamed the slide in cocoa on what he regarded as misplaced selling by computer-driven funds reacting to the Chinese data, given China has scant impact on the cocoa market.

“The actual fundamentals in cocoa were extraordinarily bullish in January 2016. We were forecasting the largest harmattan in history, which is exactly what happened,” he said.

His prediction that a hot, harmattan wind from the Sahara desert would hit harvests in Ivory Coast and Ghana and drive cocoa prices higher did come to pass – but not before the fund had been forced to cut its losses when the market slumped.

At the end of 2017, Ward closed the CC+ hedge fund that had invested in cocoa and coffee markets for years.

And at the end of January, commodity hedge fund Jamison Capital Partners run by Stephen Jamison closed. He told investors that machine learning and artificial intelligence had eliminated short-term trading opportunities, while commodities did not offer obvious benefits in the long term.

Also in 2017, renowned oil trader Andrew Hall, who earned $100 million in 2008, called time on his main Astenbeck Commodities Fund II.

He had said in an earlier letter to investors that extreme volatility caused by “non-traditional investors and algorithmic trading” made it difficult to hold onto long-term positions when the market moved against them.

In 2016, Michael Farmer, founding partner of the Red Kite fund that specializes in copper, also accused high-frequency traders using super-fast computers of distorting the market and getting an unfair advantage.

For a graphic on automated trading, click reut.rs/2BiHAF8

DISTORTION?

Other investors have taken refuge in related sectors or left commodities altogether, exasperated by the automated trading that drives about half of U.S. commodity futures trading.

A study by the U.S. Commodity Futures Trading Commission last year showed computerized trading on the world’s largest futures exchange, CME Group, accounted for 49 percent of the volume in agriculture contracts and 58 percent for some energy contracts.

At the same time, data from industry tracker Hedge Fund Research shows the average hedge fund returned 8.64 percent in 2017 but commodity hedge funds eked out returns of just 0.43 percent.

Ward estimates that while in the past automated trading would distort the market by 10 percent to 15 percent from prices justified by fundamentals – which he said was irritating but often manageable – it can now reach 25 percent to 30 percent.

Algorithmic, or systematic, funds use computers to make decisions after processing vast amounts of data, or trade on signals such as market momentum or when prices hit key levels.

Those who run automated funds argue that they inject much-needed liquidity while capturing the dynamics of the market more efficiently than traditional trading strategies.

FILE PHOTO: Cocoa pods are seen in a cocoa farm in Anyama, Ivory Coast, July 21, 2017. REUTERS/Luc Gnago/File Photo

Farmer and others say, however, that it is unfair for exchanges to allow high-frequency trading (HFT) groups to have co-location platforms, allowing them to put super-computers in the same data center as the exchange servers.

They say that gives HFTs the tiny advantage they need to jump ahead of incoming orders, effectively piggybacking. Traditional investors say this exacerbates market moves and in turn makes it more costly for them to take out hedges when price moves go against them.

MIND-BOGGLING DATA

Systematic fund managers see the rise of their sector as a part of a trend that is transforming not only financial markets but wider society with the advent of artificial intelligence, robots and machine learning.

“I don’t feel too sorry (for traditional fund managers),” said Anthony Lawler, co-head of GAM Systematic, the quantitative part of Swiss money manager GAM Holding, which had assets under management (AUM) of 148.4 billion Swiss francs ($158 billion) at the end of September.

“Information, which used to be expensive, difficult to get, not easily shared, is now ubiquitous. It’s truly mind-boggling the depth of data available,” Lawler said.

“That means it’s much more difficult to have an information edge and advantage to the player who can digest and analyze the data the quickest.”

GAM Systematic, which had $4.3 billion of assets at the end of September, regards commodities as one of many markets it monitors for opportunities by crunching data such as weather forecasts and shipping data that shows how full a vessel is.

He acknowledged that algorithms can lead to mistakes and over-generalization, but said that should just open up opportunities for traditional fund managers.

“If you’re a great discretionary trader, then sit on the sidelines and wait for those missteps … I would be super happy if that trader is successfully picking off some of these missteps,” said Lawler.

Systematic funds also make decisions based on the structure and technical levels of markets. Some analysts argue that markets absorb fundamental information before many analysts are aware of it and automated funds are simply more efficient.

“I used to do a lot of fundamental analysis when I was in equities and I realized it doesn’t really matter, it was a waste of time,” said Guy Wolf, global head of market analytics at commodities broker Marex Spectron.

“The truth is fundamental analysis is effectively the work of a historian, seeking to provide explanation for what has already occurred,” he said.

SCHIZOPHRENIC MARKETS

Some fund managers and analysts say computerized trading has been amplified in commodities because other participants such as banks and pension funds have cut exposure to the sector.

Total global commodity assets under management more than halved from 2012 to 2015 to under $200 billion, though the total has since recovered to just over $300 billion, according to Barclays.

“There’s less liquidity, and therefore prices are more choppy, more schizophrenic, because of the exit of so many market counterparties,” said Robin Bhar, head of metals research at French bank Societe Generale.

Not all those who have closed commodity hedge funds put the blame on computers.

“Either you read the information badly, or you have bad information,” said Christophe Cordonnier, who co-founded the Belaco Capital fund in 2012 after heading investor sales in commodities at Societe Generale.

Cordonnier says Belaco Capital made a bad decision on timing, launching the fund in 2012 and counting on a global economic recovery to boost commodities. After a rebound failed to materialize, the fund closed in 2015.

Other fund managers have survived by being creative, such as Christoph Eibl, chief executive of Tiberius Asset Management, whose commodity assets under management have dwindled from $2.5 billion at its peak to about $350 million.

“Seven years ago we started diversifying our business operations,” said Eibl. He now operates a merchant business in metals with a turnover of more than $1 billion a year, runs tungsten and tin mines in Africa and Asia and is soon to launch a metals-backed crypto-currency.

Ever the risk taker, Ward still plans to trade cocoa and coffee – but only with his own money – while looking for opportunities in the underlying physical commodities markets. And he’s keeping a close eye on computerized trading.

“In the end the whole thing will blow up because when there’s a big problem, a black swan event, they won’t be able to get out. It will be very messy,” said Ward.

Additional reporting by Nigel Hunt and Maiya Keidan; editing by Veronica Brown and David Clarke

Our Standards:The Thomson Reuters Trust Principles.

local vanity numbers