#the horror was *chefs kiss*

[fukutomichi]

- Favorite Film Gems - "Nobody... nobody trusts anybody now, and we're all very tired. Nothing else I can do, just wait..." The Thing (1982) directed by John Carpenter

[lanawintersenthusiast]

eating disorder?

no bitch, im eating this order 😍

[faragonart]

We interrupt this program to bring you...

Echo

[shittyutmv]

Can we hug horror?

that went well ! :-) horror (verrryyyy not canon interpretation) by sour apple studios

[scribbleshanks]

violence and victimhood.

[fuckmeyer]

Jasper as a character is so interesting because he ends up a Confederate because he can't actually empathise with the slaves and because he simply accepts cruelty around him, and then when he becomes a vampire he literally can't ignore others suffering because it hurts him, but even decades after he becomes a Vegetarian he still can't get a hang of it partially because he still can't see humans as *people*. Idk there's smth to be said about him becoming a vampire because of his own cruelty and then being eternally in horrific pain because of said cruelty that fucks.

Jasper's whole life is a curse & i love to see it

here we have a Confederate supposedly so empathetic that he acquired a "gift"... yet not so empathetic as to recognize he was fighting for the enslavement of an entire race. despite seeing the consequences of slavery literally every day. now, the man who spent his last human days denying the humanity in others is forced to spend his immortal life being slapped in the face with their emotions. forever. hueeueueueu-

yeah, i would call that "gift" a curse, actually.

if Twilight weren't a horror story, we might see a discussion between Jasper/Bella about how immortality forces you to confront the darker side of your nature (e.g. "there will come a day when the societal beliefs imbued unto you leaves you standing on the wrong side of history"), & Jasper's journey with finding love & humanity. OR, y'know, he could've just had ONE (1) line where he says "yeah i'm not proud of my service." simply, if Twilight weren't a horror, Jasper could see the error of his ways & change for the better.

HOWEVER. Twilight vampires are "mentally frozen" when they turn, so Jasper is likely still a racist who does not regret his service. no matter how many times he is confronted with his cruelty, he won't change. meaning whatever life he chooses, his gift dooms him.

wow! eternal curse!

we see evidence of this frozen mental state in his decision to go vegetarian. he doesn't switch bc he feels bad about killing humans:

"I could feel everything my prey was feeling. And I lived their emotions as I killed them. [...] You've experienced the way I can manipulate the emotions around myself, Bella, but I wonder if you realize how the feelings in a room affect me." (Eclipse, Ch 13)

note the dehumanizing term "prey" & the focus on himself. he laments not that the human lives he's taking have value but that their dying moments harsh his vibe.

the irony! trapped as an empath while never possessing the ability to be an empath! CURSE CURSE C-

herein lies a bigger, juicier curse: Jasper is, himself, (hot take) enslaved in the sense that he will never know freedom, philosophically speaking, due to the choices he made in life. the series tries to paint him as a master tactician & competent leader; fanon often paints him as a free-thinking amoral black sheep. in reality, he simply obeys the commands of higher authorities & abides by their worldview regardless of how toxic it is to himself or others.

in the beginning, he had María.

he entered the Southern Vampire Wars not by his own volition but stayed because he was content not having a choice. however one feels about María, the fact of the matter is 1) as a newborn he was stronger, bigger, & faster than her & could have run away or overpowered her, 2) had the "gift" to identify emotions & could KNOW when/if she was malicious or manipulating him, & 3) could have escaped by influencing her emotions to make her disinterested in him. at any time in the 100 years they were together, he could have left. he talks about never knowing a life outside the war & discovering "options I'd never dreamed I had." ok???? run 100 miles in any direction & you would have seen a life outside of war. BOI-

instead, he took comfort in being submissive & adopting someone else's ideology. not only did it remind him of his past, but it meant he had no need to reflect on his actions or beliefs. he prefers others dictate his worldview & order him around even if it means being unhappy. he only left because he was going to be assassinated, & even then, it wasn't until someone else told him another life was possible that he "realized" another life was possible.

notably, the period where he's most free— living with Peter & Charlotte— is his rock-bottom where "the depression got worse." but, again, not because he realized the value of human life: "I was so wearied by killing [...] even mere humans."

then he meets Alice.

Alice, who has visions of being vegetarian & converts him so they can live with the Cullens. Alice, who dictates how her family should live their lives to the point where she manipulates them. Alice, who goes so far as to dress the Cullens, who orders Jasper to wait in the car while she & Bella go shopping, who Jasper refers to as "truly [...] one frightening little monster" because for all his experience she can still beat him in combat.

his eternal soulmate is authority.

despite being unhappy with his vegetarian life, as it makes him feel weak & coddled & a liability to everyone around him, he follows the lifestyle because Alice tells him to.

then there's the Volturi, another authoritative body. "We owe the Volturi for our present way of life," says acclaimed bootlicker Jasper Hale, who in the same moment shudders at the atrocities they committed, yet strangely sees no other way for a governing body to keep the peace... so... ¯\_(ツ)_/¯

but, since Carlisle outranks the Volturi as an authoritative figure in that he more closely aligns with Jasper's new worldview, Jasper sees no problem deposing the vampiric governing body if it means his sister-in-law of like 2 months can keep her demonic spawn. so i guess we don't really owe the Volturi that much

to his credit, we see glimmers of him questioning his leaders: 1) his decision to leave Maria, 2) his considering switching diets to defeat Victoria, & 3) going against the Volturi. but, again, these decisions are all just a result of his self-preservation & submitting to the higher authority du jour.

in the end, he has the perfect storm of conditions that would allow him to escape the prison he's created, to find freedom & to love humanity unconditionally... but he won't. Jasper's ultimate curse is that regardless of whether he realizes the enslavement of his own self, he will never leave his cage because it's cozy & easy & allows him to never think for himself.

AAAANYWAY Jasper's life sucks & he's trapped in an eternal prison of his own making. lol

[cantdanceflynn]

ANOTHER COMMISSION FOR THE DEITY AU BY @less-depresso-more-espresso!!!!!! TYSM AGAIN FOR PUTTING UP W ALL MY NOTES, YOU'RE THE BESTTTTT

[evilvvithin]

it's personal when the recording's off

[janeelyakiri]

A mix of days 4 and 5 for badsansuary

Nothing is a bigger compliment than when Polly wiggles. When Polly is overjoyed their will not only wag their tail, but wiggle their whole body.

They can't help it, Axe makes the best damn food.

Horror/Axe (c) sourapple-studios

polly (c) me

[bloos-bloo]

The drought is overrr

The original as always

[bakageta]

Rebirth Blue Beetle, you can’t keep doing this while making insufferable character changes!!!

Look at my boy!!! Look at his antenna and his black fingernails and the straps of armor growing over his clothes and skin as he feels so many emotions!!!! His eyes bugging out!!!! The electricity!!! The carapace growing out from under his backpack!!!!

I'm screaming. I'm frothing at the mouth. I'm wishing this level of body horror was in the original run!!!!!

[lanawintersenthusiast]

me if i told the truth to my therapist:

[ilovemesomevincentprice]

Vincent Price - The Private Lives of Elizabeth and Essex (1939)

[valyrianfreehold]

I love the special Targaryen brainrot of seeing two siblings just doing sibling like things together and going “oh they were made for each other ❤️🖤” and then their children internalizing all of this in the most violent gendered ways

[thecryptidart1st]

So I am claiming ownership over FNAF now

[desultory-novice]

...UH OH...

Just kidding as this is all very good stuff, Mechalor Anon! Can't draw it, because it's a lot, but I will drop some corresponding text/lore on you, based specifically on your "The HWC misguidedly brings Zero Three back in Planet Robobot" concept (with a touch of the sword/brush thing) because it did latch onto my brain!!

(This is the LAST major event I do in this doomed timeline though)(1)

[Planet Robobot] [Apologies AU "Snowflakes" Timeline] [Secret Boss Fight - "NULL v0.3"]

:Kirby enters the room: :There is no one there: :Suddenly, the whole building shakes: :A horrific scream, overlayed atop itself, is heard:

:A door opens and Susie rushes out: :It shuts behind her, then shakes with a thud: :Eyes downcast, she murmurs to herself:

Susie: "...What is that machine thinking...? Why would the Mother Computer...ask for something that awful to be...?"

:She finally sees Kirby is here and puts her business face back on:

Susie: "Ahem! You're back! And you've found our secret lab."

Susie: "Clearly, you don't appreciate the miraculous wonders of science and technology as much as some of us..."

:The door bangs again, interrupting her: :There is another piercing dual scream:  :Susie flinches at the sound and begins shaking:

Susie: "...I can't do this anymore." 

Susie: "Listen, think what you like about us being here, but I just need a little more time. I can't let anyone interrupt this!"

Susie: "My original plan was to distract you with our latest in wide-area suppression, fresh off the assembly line but..."

Susie: "...I can't go back in there... We excavated this dreadful THING out of your planet, so YOU handle it...!"

:The door behind her opens as she flees the scene: :Slowly, white sludge begins to spill out from the open door: :It rises into a burbling bubble with a single slit of a closed eye:

:The bubble then cracks right down the middle where the eye sits: :The split orb unfolds into two limp halves each with a smaller, half-lidded eye: :Inside each of the sphere halves one melted-looking half of two figures, a boy and a girl: :Each vaguely familiar figure has a single wing (one dark, one light) made of grasping fingers:

-

[BOSS: NULL v0.3] - Pause Screen

Of all the biological data the Haltmann Works Company unearthed from this planet, the Mother Computer seemed especially interested in this. However, it found it could not fully analyze it to its satisfaction due to the "unknown bond" sustaining the creature's core. It would ultimately deem the project a failure.

[IE: Star Dream is trying to understand Zero for its own purposes but cannot and could never understand the deep "love" that ultimately brought about Zero Three; just like it could not understand Haltmann's love and would delete it]

[BOSS: NULL v0.3 EX] - Pause Screen

Though Susie always tried to follow the mother computer's directives faithfully, she deeply questioned this particular project. When the directive came to "use" the creature in spite of the unhappy children's souls inside, it strengthened her conviction that Star Dream had to be separated from her father.

[In EX form, the sibling-goo is dark matter black instead of snowflake white; Noir's wing is blood red instead of corruption purple; their eyes remain the same]

-

NULL v0.3 plays out as a very unusual boss fight. It is somewhat timed, because v0.3 will damage itself with its "attacks," thrashing about. And if you leave it alone for long enough, it will kill itself. Or you can defeat it with regular copy abilities. Both of these lead to the "normal" boss fight ending, where v0.3 rips itself apart, both sides screaming as the white bodies melt away into nothing. 

However, like in Super Star, this boss will provide you with special, unique battle-limited Copy Abilities if you inhale the right attacks from it: "Dark Sword" and "Light Painter."

Attacking the "swordsman" side of v0.3 with the Dark Sword ability will make it attack you more aggressively. However, if you try to turn Dark Sword ability on the "painter" side, you will be met with a vicious, un-blockable counterattack from the swordsman side that will knock the ability out of you and cause it to swap sides again.

If you try to use Light Painter on the swordsman side, it will cower away in the background, ...guiltily... keeping its distance, however you can lure the painter side closer to you and reduce its aggression levels again by attacking the painter side with Light Painter.

If you succeed in the task of defeating v0.3 with proper use of the two copy abilities, you are rewarded with a different end fight cutscene, where the white body coalesces into a giant sphere once more before melting away, revealing Adeleine and Noir, looking as they did before, who then dissipate peacefully into sparkles...

--

...Man I want to make video games so bad...

AHEM! Here's Mechalor Anon's uncropped asks that inspired this!

Thanks for the appreciation and glad you liked what I did with Zero Three! Sorry I couldn't include Bandee in this more. I really did dig the idea of him using the paintbrush like a spear though!

-

PS: NO MORE HURTING THEM, OKAY? ^^ ; < message to myself

-

(1) I say this again to myself because after the "good" ending, someone out there is going to suggest, "Well, if they were purified they could come back in Star Allies! Maybe each of them sporting white hair! They could be a swap character, like the Mage Sisters. It would make King Dedede happy..." which... okay, sure, maybe yes!

Bu~t I have a huge backlog of stuff INCLUDING other Apologies stuff to do so I'm still declaring Snowflakes to be a "failed Noir" timeline!