#the odysseus effect is just having a horrible time trying to get home and a horrible time in general

[deadbaguette]

Day 4: Business ft. Odysseus trying to get home after a long business trip

(Everything for this month will be very quick and not rendered most likely! So please take my doodles <3 )

Business AU:

Hiii back with more AUs! This AU is heavily based off this post, so I’ll only do a small rambles

Odysseus has gone on a business trip with his coworkers, and he’s heading home to see his son and wife :D

The universe is not on his side.

The lotus eaters are drunkards, Aeolus is the check in agent who Odysseus has to come back to because there were problems with the check in, Poseidon is the airlines who delay the flight, cancel the flight, he has to rebook it for a connection, get soaked in the rain in the new airport, connection flight gets delayed because of the rain, Charybdis is the baggage claim that eats his baggage, Calypso is the TSA agent that locks him up in a holding cell for hours, etc etc

His coworkers are: laughing (Achilles), concerned (Menelaus), confused (Diomedes), feels so SO bad for him (Agamemnon)

He’s been calling Penelope and his coworkers this entire time, giving updates and whatever

[microwavesaferat]

This is a different topic than my usual stuff, but I was relistening to Epic: The Musical and wanted to talk about my personal interpretation of Calypso's character both within and out with the musical.

So a couple things to consider when going into this:

The original material and the biases/lense that it was created through

The long game of telephone that has moulded the current view of her character

The changes made from the Odyssey to Epic

In the original material, Calypso is trapped on the island of Ogygia for supporting her father, Atlas, in the battle between the Titans and the Gods. When Odysseus washed up on her shore, she took a fancy to him and proceeded to attempt to court him. She did not take no for an answer and in fact cast spells on him through song to force herself onto him. It is noted that, later in his stay on the island, Odysseus would spend most of the day crying on the shore before being forced into bed at night.

TLDR: in Greek Myth, Calypso is a horrible person.

In Epic, some liberties are taken for a multitude of reasons:

Dramatic effect

Narrative flow

Thematic storytelling

Making it more 'PG'

The big one here is the last point, although Epic covers a lot of violent acts and tough topics, but some aspects do need to be cut in order to not make the musical too graphic. For example, in the original myth, Odysseus and Circe definitely have sex, in fact, she has a child with him. So Jorge trimmed down the complicated relationship Odysseus has with Calypso, that is perfectly fine, in fact, it probably works better in the medium than being 100% accurate.

To talk about the version of Calypso in Epic; she was cast away as a child and naively fell in love with the first person she saw. My interpretation lies somewhere in-between these versions. I believe she was isolated on the island (something present in both), but I do not believe she was entirely well meaning yet harmful.

Calypso, at least in my eyes, became obsessed with the first contact she has had in a century and did, like a school-child, gain a naïve crush. But I believe she was cruel and manipulative to Odysseus and is not free of blame for what she did.

Based on the lyrics present in Paradise, she does not reveal her Godly nature until after Odysseus threatens violence if she does not leave him alone, this is a threat to him. She will play nice as long as he does, but she always has the upper hand. She also uses his friends' words against him to manipulate him (open arms), plus she almost completely ignores everything he says during the song to continue her fantasy of a perfect couple.

In Not Sorry for Loving You, she sings a very half-hearted apology that sounds like a YouTuber apology video where she apologises for how he interpreted her behaviour (I'm sorry if my actions offended some people), she blames her actions on her own problems (I've been having a real hard time you guys and wasn't thinking straight). My interpretation is that, she is (as she says) not sorry and is fully aware of what she did, just hoping he would believe that she was simply trying her best and that he would choose to stay.

An important factor that stops Calypso from being 100% awful is that she is a goddess with a skewed interpretation of mortality and of human emotions. She doesn't understand why this is such a big deal to Odysseus to be faithful and get home soon, they have all the time in the world. 7 years is merely a moment in her lifetime. It is also important to note the general reception to Calypso's actions at the time of the Odyssey. It was common for mythological characters to take war brides and the like in many Epics, even Achilles has a bride given to him as a spoil of war. The use of an action like sex in the Odyssey is to demonstrate a power imbalance and a sense of ownership. Calypso takes Odysseus like a spoil of war because he has lost and the Gods have won. In the Odyssey, Calypso does not do this because she is a horrible person, but because Homer wanted to demonstrate the loss Odysseus has faced.

I also find it weird that Calypso is brought up so much surrounding the topic of consent when, in the original myth, Circe does the same exact thing. In fact, it's like her main thing. She turns Scylla into a monster for being with a man she likes, she turns a king into a beast for noting accepting her courtship and has sex with Odysseus in exchange for help home, giving him a child.

The changes for Circe in Epic work because Circe's job in the story is to demonstrate Odysseus's wit and his devotion to Penelope, so she can still help him after he proves he's 'not like other men' (he's a monster rah rah rah). With Calypso, you cannot make it so that she respects his choice, or that would make for a pretty chill 7 years.

TLDR: In both the Odyssey and Epic, Calypso is more important as an idea than as a character. She serves to show how far Odysseus has sunk, lost the war and has been taken as a spoil, defeated and broken.