#the story about you episodes have always been fascinating to me

[eldragon-x]

Let me ask you a question, Light.

What it is, Ryuzaki?

I've been wondering: Who is your favorite Pokemon Mystery Dungeon character?

...I see what your game is, L. Deducing the probability of me being Kira based on my answer. Not bad, but I'm already ten steps ahead of you.

If I tell him my favorite character is Dusknoir, it's obviously going to link me to Kira. Not only is he a cunning, detective-like figure chasing after himself, but he is part of a species of grim reapers which can be connected to the shinigami.

But,

It would be befitting Light to pick Dusknoir since in the expanded story of Explorers of Sky, he grew willing to take great risks in order to make the world into a better and safer place. And even before his redemption arc, he is shown to be genuinely concerned about fellow Pokemon who are in immediate danger.

Of course, he could always play it safe and say Grovyle, who is a well-written and widely beloved character in the community. Not to mention a true seeker of justice.

No, it's too obvious. I have no choice. I'll just be outright. He can't possibly connect my liking for Dusknoir to Kira if I just present the facts.

I think my favorite would have to be Dusknoir! His development in Special Episode 5 was a fascinating choice and made me appreciate his character as a whole.

I see. I'm personally rather fond of Celebi.

!?

What the hell... Who would care about Celebi? Is this a threat? She is one of the characters who contributes to foiling Dusknoir's plans... Is he that confident in his ability to stop Kira? What is your angle, L...

Pokemon Mystery Dungeon!? I love these games! My favorite is Munna!

!

Misa, what are you doing?! Munna seeks to rid the world of rotten Pokemon! You're blatantly making a connection to Kira!

Besides, Gates to Infinity is hardly worth of the Mystery Dungeon title... It's naive message about trying to better the world just through hope... I suppose it is just like Misa to like this game.

Still! Munna is an incredibly incriminating choice. Dammit, Misa...

Ahehehehe... Wigglytuff.

[everlastlady]

Husk Boyfriend Headcanons.

✦- Author's Note: I'm still trying to upload 400 Hazbin Hotel Icons on Pinterest. And those 400 Icons are just from episode one of Hazbin Hotel and Pinterest has an upload limit so I hit that upload limit for the second time today, so until I can upload the rest of the icons, I decided to post the Husk boyfriend hcs. Husk is my favorite character from the show; it's an absolute delight that David Keith is voicing him since David Keith was important in my childhood and he's my favorite voice actor, so him voicing Husk makes me love the character even more. Also update! I have medicine for anxiety and medicine for sleeping finally, so I'll be adjusting my schedule, I'm sorry that I didn't update Bloody Legend but I will soon, I promise my little roses. Remember to eat a meal or a snack, drink some water, get some fresh air, take your medicine, and remember that you are loved. If you loved this story remember to comment, click or tap that heart button, reblog with tags, and blaze if you can. Always remember to support your local writers. ♡♡♡

✦- Important: Reader is gender neutral, Protective Husk, Husk can sometimes be an ass, Reader is a singer at the hotel, & Just Cuteness.

✸- Husk was a loving and caring boyfriend. But sometimes he can be an ass from time to time. But at the end of the day you know that your fluffy boyfriend can be a sweetheart. He loves it when you sit at the bar while he's drinking or serving drinks. He'll listen to you talk about your day or songs that you have been writing. When he's talking about his day or people that pissed him off, you'll listen. The bar is likely where you two are mostly seen when it's not your rooms or the streets of Hell. Husk isn't afraid to tell other guests to fuck off if they come up and try to flirt with you. And you aren't scared to do the same if people try to hit on Husk or disrespect him if he refuses to serve them another drink.

✸- When it comes to laying in bed, Husk doesn't mind being the big or little spoon. But he very much prefers being the big spoon. He likes it when you run your fingers through his fur or use his fluffy chest as a pillow. It's hard for him not to let out little purrs because of how you play or stroke your fingers through his fur. He'll rub gentle circles on your back or hips. He'll watch a nice movie or show with you. Maybe even rock you to sleep, he'll whisper sweet nothings into your ear and tell you how much you mean to him. He'll place kisses along your face and cover you up a bit when you finally fall asleep, don't worry he's not going anywhere because he'll fall asleep next to you.

✹- You're both losers! You and Husk both know that you are losers. You both need through painful things when alive and when in Hell. Maybe you are both still dealing with painful things but you both know that at the end of the day. You have each other and can yourselves around one another. That nothing will stop you both from living through the shit streets of Hell. To never be scared to express oneself or speak your mind.

✹- You find it fascinating that Husk was once an Overlord. You ask him so many questions and he'll happily answer all of them. When you ask him if he ever had a chance to go back to being an Overlord would he? And his answer is always no because he isn't sure if the happiness he had as an Overlord was truly real happiness. He doesn't want to be an Overlord but he also doesn't want to be on Alastor's leash. But you promised to find a way to free him from Alastor one day.

✸- Husk favorite thing to do with you is taking you on a romantic dinner then having a night stroll in the park. Hand in hand the two of you will walk and Husk will sing a song to you. He'll pick a flower and had it to you. Tell you how grateful he is to have such a beautiful and special demon in his life.

[thesiltverses]

Hello! I found the silt verses about three weeks ago and have listened to it several times since. I have a few things to say.

I absolutely adore that episode about the national grid workers. I think it’s my favorite episode of any podcast I’ve ever listened to. My favorite part of that first episode Paige is in is how she justifies not standing up for Vaughn, that cognitive dissonance that you wrote so well. This episode gives me what I wanted from that episode, the workers all banding together to stop the wasteful sacrifice of one of them. The actor who played the foreman did an incredible job as well. I think that having him discuss which of his workers he would sacrifice was such a significant moment, despite how brief it is. It cuts right to the big question that I took away from the podcast which is, “How much is someone willing to sacrifice in order to maintain their comfort?” And the utter disrespect of Glodditch (apologies for the spelling) refusing to cancel even the radio but asking grid workers to kill themselves for 200kw/h! Top tier episode.

I grew up in the south and went to college in Appalachia. I saw the disparity in technology and “advancement” if that makes sense that poverty brings, and the way you set up the world invokes that feeling in me again. You are an amazing world builder and storyteller.

I really enjoyed the cameos - I’m a big fan of malevolent/devisor, Old gods of Appalachia, and all of Jonny sims work, so hearing familiar voices was an absolute delight. Harlan Guthrie as an acolyte of the snuff gods might have been a bit too on the nose with some of the things that man writes, though… /pos

I’m transmasculine, and something that I really appreciate is how you manage to make a trans man do some objectively awful things, but still manage to make him a complex, full character that I was rooting for very frequently. Brother Faulkner is so, so important to me as a character. Paula Vogel has a play called “Indecent,” which is about the true story of a troupe of I believe German Jewish actors between the years of 1910ish and 1940s putting on a show called “God of Vengeance” by Sholem Asch, also a Jewish man. “God of Vengeance” has queer themes and received a lot of criticism from the Jewish community for showing Jewish folks in a “bad” light at a time when there was already so much hatred for Jewish people. Brother Faulkner being as complex and, in my opinion, malicious and cutthroat as he is at a time when trans people face so much bigotry, especially legislatively in the United States, brings this conversation about “God of Vengeance” up again for me. I also love how normalized non-binary people are in this world, without question. “Sibling this or that,” the hunter, adjudicator Shrew - big thanks from me for all of this.

All of this to say, I love this podcast. Can you talk more about the rhetorical gods? Is Babble one? What makes them one if they are, or why aren’t they? I’m fascinated by them. Can you talk more about the propaganda gods too?

Thank you so much for the thoughtful and kind words!

I'll check out Indecent, it sounds really interesting and I'm very glad to hear Faulkner works for you as a character. I think the topic of how to include and write queer characters who are capable of terrible things and thoughts (because, after all, these characters are human beings and not tutelary exemplars), within the context of both a rising movement of transphobia right now and centuries-old scapegoating / pathologising portrayals more generally, is a really knotty but a really important one, and I always want to make sure I'm approaching it with care and due responsibility as well as a sense of humility around the limitations of what, as a cis writer, I can actually achieve.

To that end, I don't want to ever take the audience response for granted, but I'm always really grateful to hear that the portrayal is working for a listener!

Propaganda gods: gods whose prayer-marks or ritual verses are fed directly to the enemy, enforcing destructive or sabotaging changes to reality (so rather than sending a destructive saint or angel to rampage over the foe, you might drop pamphlets or send radio messages to the enemy to 'convert' them).

Rhetorical gods: gods whose followers possess reality-warping powers of language itself (which is why 'rhetorical god' is a polite way of saying 'liar's god'). In other words, the paranoia around them comes partly down to the fact that a disciple like Val may appear to be a limitless shaper of new forms, rather than shaped into a limited form of their own, as a result of their worship.

[dancermk]

HELLO MY FELLOW TRAVELERS!

I, like many viewers, have been completely entranced by Hawk and Tim’s love story in Fellow Travelers. As a mature queer person, this show has been very emotional, and I am deeply invested. (I WILL riot if Tim doesn’t get to die in Hawk’s arms, and know that he is, and has always been, loved by Hawk.) But I digress.

Something that I have been fascinated by are the differing opinions that have surfaced about the characters, especially Hawk. I’m not looking for any arguments here, everyone is entitled to their opinion, and this is simply mine. To me, Hawk falls hard and fast for Tim. He breaks all his own rules for Tim - they topple over like a house of cards.

When we are introduced to Hawk, he’s cold and heartless with the men he hooks up with - they are nothing more than a body to fulfil his sexual needs and desires. He doesn’t do repeats and he doesn’t bring them home. But Tim, he instantly begins returning to, gets him a job, then allows him into his own apartment, etc. When Tim pushes back, Hawk relents further, letting him in emotionally, sharing parts of his past, crossing lines by introducing him to others in his circle, and so on.

Hawk is a traumatised man, carrying guilt and anger and shame, and a bucket load of fear! Yes, he has some internalised homophobia, but interestingly, he’s also extremely righteous about his homosexuality -and I don’t believe he thinks being gay is wrong in any way. (His response to his father is indicative of this).

I can personally say that I’ve never thought it was wrong to be queer, yet I spent much of my life hiding who I was and feeling shame. It’s an odd thing! Perhaps it is that the shame forms purely from what is outside of us, while what is inside of us can love another person of the same sex, knowing it is right and pure. Perhaps these contradictions between self and society are what causes so much pain and conflict?

But back to Hawk. Hawk is undoubtedly most affected by his teenage first love experience. A love that he fucked up through his own fears (fear for many men is unacceptable and a sign of weakness), and now carries the burden of believing he is responsible for their death. Hawk doesn’t allow himself to love again, until Tim. And we see many times throughout the show how much Hawk fears losing Tim. And in the end he’ll have to face that fear. I think that, in part, not attempting to have a life with Tim, is also fuelled by his fear of fucking it up and losing Tim - so it’s easier to just not attempt it! In episode 7, when he loses his son, part of that spiral is Hawk recognising that he can’t really prevent loss, and he wasted his life trying to be something he’s not - still losing his child and Tim along with it.

But Hawk is a survivor! And no one has the right to hate or judge him for it. I don’t think some young people truly understand what it feels like to live in a world where who you love can put you in jail, and destroy your life. I grew up in the 70s/80s and my experiences were bad enough, but I try so very hard to think about what it was like before that! When being queer was a crime and a mental illness! That’s pure terror! And for Hawk, he chose to survive the best way he knew how, and he wasn’t able to change because that’s fucking hard when all you’ve known is living in constant ‘fight or flight,’ and when have chronic trauma and experience collective trauma.

I think in episode 8 we’ll finally get to see Hawk grow - I certainly hope so - because he deserves to be free. Our beautiful Skippy has been free for some time, and while we mourn for the cruelty of a world that would take such a truly decent man, I am glad he got to live freely. Being closeted is the worst kind of suffering- a compartmentalised and fragmented existence where you are never truly whole, and therefore can never be the best version of yourself.

Before I go, I just wanted to also talk about being in a closeted relationship-which I experienced in my youth. I think that Hawk and Tim’s intense and toxic and exquisitely beautiful relationship, in part, arises from this. Because two closeted people in love live their relationship in secret, in a bubble, only in certain rooms, with none of the outside world reflected back at them. It becomes the two of you against the world. It’s so insular. Hawk and Tim literally live their 1950s relationship within two rooms - their apartments. All their memories are held within those walls. And it only belongs to them. They know each in ways that no other living soul does. It’s all-consuming and often unhealthy, but also stupidly romantic.

Anyway, sorry for this long winded post that no one will read and is likely full of grammatical errors because I’m tired! This atheist is praying we get everything we need from episode 8! Acceptance, forgiveness, understanding resolution, healing and a whole lot of love! ❤️

Cheers queers! 🏳️‍🌈

PS Matt and Johnny are exquisite on and off screen and I am so thankful to them for bringing these characters and this story into our lives!

[amuseoffyre]

"I don't even know who I am"

What I have loved about the show from day one is that it has been an unflinching examination of identity and what makes it: the things that shape people into who they are and how that impacts on how they act and react to the world around them.

The exploration of Ed’s sense of self has been so beautifully handled and I know that if/when we get a third season, they’re going to do even more with it.

This is a character who has been raised with violence and cruelty his whole life, who was told “we’re just not those kind of people” when he yearns for something better, who killed to protect his mother, who ended up under the heel of a brutal tyrant of a captain who used sadistic punishments and death to keep his crew in line.

It’s the only life he knew and it’s the only option he sees himself as having. He has no concept of any other alternative until along comes Stede “there’s always another way” Bonnet and he’s fascinated. He even tells Stede as much the first time they met – “do you have any idea how hard it is to find someone doing something original out here? It’s impossible, man.”

Ned Lowe cements that fact in 2x06, describing Ed as a generic pirate and Ed immediately calls him out on the fact that he’s as messy as the rest of them even if he’s trying to act like he’s not, observing “It’s usually family stuff”. Stede even observes “A lot of your friends are troubled” and Ed fully admits “Yeah. Well. They’re pirates.”

There’s so much juicy meta to be had about the fact that Stede wants to desperately be a pirate and Ed doesn’t even catch that not only is Stede fully troubled but that it’s got Family Stuff etched all over it. He even says “you’ve got it all figured out”, but the Stede meta is for another day.

In S1, Ed’s in a pretty depressed space and finds a bit of a respite from it in Stede’s company. It lets him try out new things, things he didn’t think he was allowed/able to do, but he still follows a lot of the patterns of behaviour and actions that are standard in the pirate lifestyle that has been 80% of his lived experience.

He can switch violence on and off when he needs it (“next one goes through your fucking eye”), he doesn’t see anything wrong in talking about the violence he’s inflicted (“Well, this one time I was gouging an eye out of this lad’s skull”), he has a deep well of punishments that he can draw from (force-feeding body parts, mutilation, skinning, maiming) and all of these things are just so normalised for him that he’s desensitised to how horrific they are.

He’s still doing all those things while also telling stories, having fun, teaching people about fuckeries and generally being “more open and available than I’ve ever seen him”. He hasn’t wanted or needed to shed that side of his life because he’s getting the best of both worlds.

Only then Calico Jack pays a visit and ramps Ed’s behaviour up to 11 and this is the first time Stede – who is dealing with his own issues at the same time – says that there’s something wrong with the way he’s behaving.

Ed says to Stede, confused and stung, “This is who I am. This is me” when Stede points out all the behaviour he isn’t enjoying. And for him, at this point, this is him. This is what he’s grown up knowing and being. This is his lifestyle and part of the culture of the pirate community. We see it repeatedly when we see Ed encountering people from his past or in the Republic. It’s the frog-in-the-pot scenario. He’s been in the pot so long, he doesn’t know it’s been boiling the whole time.

Only the very next episode, at the academy, pared back to just be Edward Teach, born on a beach, he admits “I don’t know if I want to go back to the old days, drinking all day and forcing some bloke to eat his own toes for a laugh”. He’s been played and double-crossed by people who trusted him and he sees an alternative in Stede – “I’m your friend” Stede told him, and he wants that. He wants a friend he can trust. They can go off together, away from all that and everything’ll be fixed, right? That’ll make it all good.

And then…

And then we all know how that goes.

Briefly, very briefly he thinks he might be able to hold on to that different kind of thing, that softer, brighter world, but Izzy reminds him of the reality of their situation. That people he considers allies and friends can and will warn him to “watch his fucking step” and that this is not a world where he can let his guard down.

Either you’re part of that world or you die. Izzy said it as far back as episode 4. The only retirement they get is death. And so that’s the option Ed takes: either watch the world burn or die trying. Not like he can have anything else. For ever and ever, trapped in his life and world he has come to hate.

He sinks him into the worst of it to try and end things faster. He’s crueller. Relentless. Brutal. And no one seems to care that he’s shattering under the weight of it, until he forces their hand and goads them into killing him or letting him kill all of them.

Izzy says “we did this to him” to Stede, but neither of them seem to realise how much deeper Ed’s hurts go. Yes, they both had an impact on Ed, knocking away his sense of place and self and acceptance, but the wounds are far older and far deeper than they know.

It’s only when Ed is first forced to confront himself in the unsettling not-reality of the gravy basket that he takes the first step in understanding himself better. He’s forced to face the stuff he’s done and the worst parts of himself. He even tries to kill them, over and over again, until he realises.

I find it especially interesting that Buttons describes getting out of purgatory as “escaping”. That this is a place where you’re flayed down to the bones and forced to face the worst parts of yourself.

It’s so vital that he – and Stede – have the encounter with Anne and Mary. He’s reminded of the world that he was part of and the casual brutality that came with it. He’s shown that he and Stede could easily fall into those patterns, but instead Stede offers him honesty, comfort and the assurance that he is loved.

“A lot of your friends are troubled” Stede observes after and Ed admits that yeah, they’re pirates. He recognises that this is part of the social culture he grew up in and that it’s still impacting on him now.

But what happens next is so sweet and important. Buttons talks to him of learning to change, that nothing is fixed and that if you want to, you can change your path. And then Buttons shows him it’s possible and Ed’s face just lights up. Yes, brother. Fly. You can change things. You can choose another way.

Only it’s not simple. It’s not straightforward. With the probation period, Ed looks for quick fixes – offers to let Lucius push him overboard to get it over with and the like – but part of him still doesn’t quite get why some of the stuff he did was wrong because it was so normalised to him.

It takes Fang saying “I was terrified” to make him see it and coming from someone who has been with him for 20 years, realising someone else from within his own world was terrorised by him brings things into focus for him. That the things he thought were games weren’t. That the stuff he told himself was normal in context absolutely wasn’t normal.

And this is where Ed’s entire world view pivots. Fang shows him how to sit with himself, how to reflect. Ed takes this lesson to heart and he’s still working through it, gazing out to sea and thinking about it at the beginning of episode 6. He goes from never apologising for anything as a captain to telling both Fang and Izzy quiet, but meaningfully, “I’m sorry”.

He’s known for a long time that he’s tired of piracy, but the Ned Lowe situation is the thing to put the final nail in the coffin: this man hunted him down because of his pirating. This man hurt them all because of it. And worst of all, Ned took the man Ed loves and pushed and provoked him until Stede killed him. This was Ed’s “you defile beautiful things” moment. His face in those scenes, when he said “don’t do it, you can’t come back from this” is a call from his own experience. Stede is taking that step onto a path that Ed desperately wants to get off.

That night makes the decision for him.

The next morning, his leathers go overboard, a symbolic end to Blackbeard (and I will yell another day about him putting the proverbial beast back under the waves. Ed and his sea metaphors are gnawing me alive) and he’s happy about it, humming and hurrying back down to join Stede in their bed.

Stede doesn’t notice, though. Stede never would notice something like that being important because for him, Ed is Ed. Whatever he wears, whatever he does, he is Ed. A change of clothes doesn’t change him in Stede’s eyes.

But other people notice. Hell other people not noticing Blackbeard and only seeing some hobo dude is such a change. There’s something so significant that the people he chooses to talk to about it are the old guard in his field. He tells Jackie “it’s not a phase” and Izzy that it felt “fucking great” and both of them get it. Both of them have been there, seen it, experienced it.

Only it happens as he’s seeing Stede become what he used to be, stepping into the space he’s willingly leaving, and Stede is so happy about it. And he’s happy for Stede to have his moment and be appreciated, but it just throws into stark relief that this is absolutely not what he wants or needs right now. He still has a lot of figuring out to do and unfortunately, they’re both highly-emotional people and when they’re emotional, their communication goes down the toilet.

Once upon a time Ed said “this is who I am, this is me” to Stede, when he was acting exactly like Stede is now: raucous, drinking, chaotic and loud. Only time and reflection has let him see that wasn’t necessarily him but the environment and his circumstances shaping him to be like that, just as it's now making Stede act that way.

“I don’t even know who I am,” he admits in this argument. “I’m not ready for whatever this is”. He knows he has a lot more to figure out and because he’s latched on so hard to fishing as a place to be quiet and contemplate, that’s why he runs there. He wants to work himself out without the weight and pressure of the pirate world breathing down his neck.

Only he doesn’t talk about it, he doesn’t explain, he just tells Stede he’s leaving and Stede immediately sees it as something he’s said/done, rather than something that Ed is trying to figure out. They both hurt each other because Ed has always worried that Ed isn’t enough – the loss of the beard still weighs on them both – and that Stede is only humouring him to get Blackbeard, while Stede is so convinced that being a great pirate will mean he and Ed can be together as equals instead of him being a bumbling amateur who isn’t worthy of the man he loves, only to see it slip through his fingers.

They both need to talk to each other, but they don’t know how. Ed’s made quick, rash decisions, but they’ve come on the back of a lot of reflection and he just didn’t explain it. He’s right that he doesn’t know who he is himself. He’s never had the chance to just… take the time and figure it out. He needs that time, but they just don’t have it right now and they end up hurting each other more because of it.

I’ve said from the beginning that both of them are coming from opposite ends of the spectrum and that they’re destined to meet somewhere in the middle. Ed got his fantasies of a fancy life shattered in season one and now, Stede is seeing the impact of his pirate fantasies on the life he made for himself in season two.

Both of them are on the edge of a catastrophe curve, misunderstanding each other’s motivations and totally at odds with who they are versus who they have been told they need to be. They will get there, but two little lost boys finally taking off the rose-tinted glasses and dealing with the mess that they have carried with them their entire lives isn’t easy.

And I will fully admit I am loving it.

[mikareo]

⌗ SEASONS OF LOVE ₊ ˖ ་. a 呪術廻戦 miniseries

“ ࣭⸰ ★ HOPELESS ROMANTIC ; geto x fem reader ⠀ ꒰ . . episode four ! ꒱ . . . word count; 0.9k ⠀ ⠀ ⠀ ⠀ ᯇ leaves are falling, and he is too

⊹ ⠀⠀ with so many love stories on the shelf, geto feels his heart being influenced. if he's going to fall in love with anyone...it's you.

contains; geto suguru x fem reader, university (year 2) au, fluff, swearing, friends to lovers, love triangle

⋆⋆⋆⠀ ⠀pm or send ask to join/be removed from taglist,, ⋆⋆⋆⠀ ⠀link to miniseries masterlist

"suguru how do you expect me to read when my heart is in a million pieces?"

he doesn't think he's ever met a person as dramatic as you are.

"these books can't teach me how to get laid."

it's kind of cute, though. annoying...but cute.

with the november breeze sweeping the leaves from every tree on campus, winter is approaching fast and geto feels like your irritation towards gojo is at an overwhelming high. there really isn't anything he can do about it. after all, he wasn't there when you oh-so-spontaneously confessed your undying love for satoru on halloween; to which you received a brutal rejection...this is why geto doesn't date— especially why he doesn't date in a world run by satoru gojo.

now, geto has done his very best at trying to distract you from the devastating heartbreak that comes with loving his best friend. there have many so many girls before you who've tried to get on with him after being ignored by the white haired boy; which is extremely insulting that any of them thought geto would be an easy target or a second option to satoru. when geto does fall in love, he hopes that it'll be with someone who chooses him first. someone who doesn't even consider their other options and believes that he's the only person in the entire world who can fit with their uneven puzzle piece. clearly, gojo isn't the person to fit with yours.

"maybe you just need to sit down and be silent?" he purses his lips in annoyance, trying his best to focus on the words of poetry and rhyme. poems are the language of love. you could take some advice from these lines. "you're talking so much that you're not even enjoying the book."

you groan. "this book is boring. who the fuck reads poetry for fun?"

um. he does.

the glare he sends your way is intimidating, but also gentle. "what would you like to read instead? since you're such an avid reader?"

his sarcasm is meant to be insulting.

a mischievous smile creeps into the corners of your lips; smile likes yours used to scare him as a child after having seen alice in wonderland one too many times. he never understood the other children's fascination with a purple, talking cat. it's just weird. "how about this one!"

the book your present to him isn't anything he's read before. actually, it's something that he hopes to never read ever. "you're kidding."

"dead serious!"

how is a cheesy romance supposed to make you feel better?

"that's just going to make you feel worse, y'know." he gently takes the book from your hands and shuffles through the pages. with his head nodding along to each words his eyes skim, it's painfully obvious that you're going to read this book imagining the male lead to be satoru. "you have such an active imagination, you'll be heartbroken all over again."

with his words, your smile melts and geto knows he's right. "satoru is a lost cause in the romance department." he explains, scooting a little closer to you and rubbing your knee. the two of you have been seated on the floor of the lovely little bookshop near campus for an hour now. you're practically the only two people in the entire store, which has made this fake date feel a little more real. "i promise that you're better off dating anyone other than him."

you don't move away from the comfort of his palm, and instead lean into it; but your words are in defense of gojo. they always are. you can't seem to find it in your heart to let him go— no matter how awful of a rejection. "he's not a bad guy. he just needs a little help learning how to love."

the look in your eyes is earnest and geto sees that you believe your statements with your whole heart.

"i can be the person to help him learn."

there's no physical tell that you're upset, but he can somehow sense that you're about to cry. maybe it's the way you slightly tensed up with your body rejecting his soft touch or the way your gaze refused to meet his; no matter, he's going to cheer you up anyways. there aren't many people that geto can make smile— but somehow, in the past four months of being your friend (?), you've become the only person he cares to cheer up.

he murmurs your name in the most comforting, gentle voice that anyone's ever spoken to you. "you are the most talented, most interesting, and most extraordinary person in the universe; and you are capable of amazing things—"

"because you are the special. suguru, i've seen the lego movie. you're not being slick." aw man.

your tone of voice is irritated, yet you still laugh. yes, geto knows that might possibly have been the stupidest and cheesiest thing he's done in his whole life, but he doesn't care. he made you smile. him! not satoru. geto suguru made you smile. it's not something he'd win an olympic medal for, though in his mind it's worth more than that. he doesn't know when you became so special to him. he doesn't know how you managed to creep your way into his heart and cause this embarrassing blush to consume his cheeks; and he isn't bothered to figure it out.

he doesn't want to rejoice in your heartbreak...however, there is a tiny part of him that's happy satoru doesn't love you back.

maybe it's finally time suguru gets to be loved.

⋆⋆⋆⠀ ⠀pm or send ask to join/be removed from taglist,, ⋆⋆⋆⠀ ⠀link to miniseries masterlist

⠀ ⠀ ⠀⠀ ⊹₊｡ reblogs are greatly appreciated! ˚₊⊹

[wen-kexing-apologist]

Rose's Day of Asks

Who were some of your favourite overall performances in terms of physical acting? Hands, face, body, whatever you prefer.

Have a great Day💜

 Hmm this is is a really hard question to- 

Billkin in I Told Sunset About You

Billkin as Teh is one of my favorite physical performances, not just in BL but of all time. I said this in The Conversation episode where we talked about I Told Sunset About You but for a boy that does not say much, Teh is incredibly loud as a character. The way he sits up, the way his face falls, the way he always circles, the grandiose and the miniscule ways that his body reflects his emotions. Do not get me wrong, PP is gorgeous and devastating in his role as Oh, but Billkin has a very very difficult character to contend with and to embody and from the posture, to the motion, the anger, the tears, the jealousy, the joy. He is constantly, constantly moving: tapping his fingers, shaking his leg, pacing, peeking, there is no way Teh is not an exhausting role to play, and he absolutely nailed it.  

[the rest of these are in no particular order, but there are so many, you really need to limit me to like..five cause I can’t do that on my own.]

Nike Nitidon in 180 Degree Longitude Passes Through Us 

Nike as Inthawut is an understated physical performance that I really enjoyed, Inthawut as a character is incredibly self-isolating, distrusting, shameful, and Nike carries that character very stiffly, squared shoulders, rimrod back, but he still moves with such grace to him. I watched all of 180 Degrees just thinking “he’s moving like a dancer” the entire time. Which is such a fascinating way to exist in a story where Inthawut and Sasiwimol as characters are engaging in a sort of social dance around each other and around Wang as they attempt to deflect questions about Siam. 

Hagiwara Riku in My Beautiful Man: Eternal 

Hagiwara is incredible generally but I really want to highlight his performance in My Beautiful Man: Eternal which has one of my favorite acting moments of BL. That is his performance when he is rescuing Kiyoi from Anna’s stalker. He moves so swiftly, so gracefully on a dime between threatening and violent, to soft and loving in his body and in his voice and in the shimmer in his eyes. Is it a surprise that he was able to pull that off? No, he showed such incredible range in his physical performance in the original season jumping between the timid, awkward, pushover to the loud, aggressive to the point of needing three people to hold him down, when he is defending Kiyoi, but it was truly so fun to watch him turn it on and off at any time. 

Also just an additional shout out to Yasei Yugei, specifically for the scene in Utsukushii Kare 2 when Hira tells him he doesn’t love him. The way his face fell? Incredible. 

Hasegawa Makoto in Koi wo Suru nara Nidome ga Joto

I wouldn’t say Hasegawa as Miyata is overall my favorite physical performer, however he had one of my favorite face changes of all time in the episode 4 sex scene. The way he sets his lips, the challenging look in his eyes, it was such an incredibly impressive shift in Miyata who has until that point been rather annoyed, bitchy, or awkward. 

Tod and Boy in Ghost Host, Ghost House

Again, I wouldn’t say they have one of my favorite physical performances overall BUT Tod and Boy in Ghost Host, Ghost House had one of my favorite physicality moments of all time with their sex scene in Episode 4. More accurately with the build up to their first time. Kevin in his shorty little short shorts knowing exactly what he was doing. I can’t even describe the whole thing or what exactly it was about the scene that really did me in but you can absolutely feel the desire, the tension through the screen, and that is in huge part due to the physical performance of both of those actors. Pluem covering his mouth, trying to look away, ugh, exquisite. 

Nishijima and Uchino in Kinou Nani Tabeta? 

I think the hardest thing for me to appreciate with a lot of the Japanese actors is that I haven’t watched a ton of Japanese media so I rarely see the actors cross over between shows or genres and that makes it hard for me to understand just how talented they are at embodying their characters. But oh my god, these two, they are just. Their hug at the end of season one is one of my favorite moments of all time, it makes me so emotional. The full body panic that washed over Shiro’s body when Kenji turned to leave in the first ever episode of What Did You Eat Yesterday? Kenji’s face during the “I know you’re hurting” line, the increasingly frequent smile from Shiro in season 2. Just AHHHH they are both such good physical performers. 

Louis Chiang, Hsu Kai, and Takeda Kuohei in Kiseki: Dear to Me & Old Fashion Cupcake (respectively)

Louis and Hsu gave me the same physical acting moment in Kiseki that I loved in Old Fashioned Cupcake which is the body responding to something differently than the brain is, especially in something as physically demanding and choreographed as a kissing scene. All three of them did such phenomenal jobs in their respective scenes with Ai Di looking so fucking confused when Chen Yi kisses him, and actually kissing back for a split second before biting him, Fan Ze Rui kissing Bai Zhong Yi back while trying to push him away and then immediately giving up, and Nozue fully doing calculus in his head while still kissing Togawa back. I appreciate actors so much because I could never oh my god. 

Milk and View in 23.5 Degrees

I gotta get some ladies on here and who better than the loves of my life Milk and View. Milk I just want to commend how variable her performance is between 23.5 and Bad Buddy. I am so so here for all the rolling, flailing, fainting, screaming. She’s doing such an incredible job in what I am sure is a very physically taxing role. 

View going on the complete opposite end of the spectrum with a very stiff character with a very flat affect. I love everything about Aylin, and I especially love those little moments of emotion that do break through. The small smile Aylin gets, the crying breakdown she has on the basketball court, the delay before she too runs all gangly and awkward to the door to greet their friends. Stiffness feels like a hard thing to embody without it feeling like bad acting, because I think a lot of what I see of bad acting comes from people who are too stiff, for completely non-character related reasons. 

MOTHERFUCKING BARCODE TINNASIT IN DEAD FRIEND FOREVER

This kid. Was. SO. CREEPY. I am so proud of him! When I first saw Barcode on screen in this show, I thought they picked him for the role of Non because he was the sweet, baby-faced little boy you remember from KinnPorsche and thus would garner sympathy. But no. 

NOPE. 

I WAS WRONG. 

It is because BARCODE IS A FUCKING POWERHOUSE at 18 years old. The laughter, the smiles, the absolutely deranged behavior. The breakdowns. This kid. Holyyyyyyyyyy shit. 

__

In truth there are so so so so so many moments, performances, actors that are just absolutely incredible and worthy of praise, and the nice thing is that even small moments can make huge impacts on me, on an audience as a whole. Sometimes it’s not just the physicality of the actors that really makes the performance, it’s the anatomy of the scene, it’s choreography, it’s lighting, it’s sound. The silence in Our Dining Table, Episode 8 when Yutaka reaches back for the briefest of moments. The editing of the masturbation scene in I Feel You Linger in the Air cutting between Jom’s hands on Yai’s back and Jom’s hands on his own body. Han Baram’s sad, sad little face and his sad sad little song and the way he and Im Han Tae cuddle even when they are platonic in Sing My Crush. Sam Lin + Alcohol in We Best Love. Like ugh there’s just so many beautiful physical moments out there. 

Additional Shout Outs: 

First Kanaphan, Mark Pakin, Fourth, Ohm, Singto: all of these boys are so impressive in their physical acting in so many ways. First as Yok and First as Akk was almost completely unrecognizable to me when I first saw them. First is an incredible physical actor, and I wish that GMMTV would actually let him maintain complex characteristics rather than turning him in to the weepy boy every time. But from a physical acting standpoint, he’s incredible. Mark Pakin truly is GMMTV’s six man: he was on The Warp Effect, Moonlight Chicken, and My School President which all aired at the same time, with him playing three very different characters. It was such a treat to see Fourth and Gemini back to back in MSP and MLC as well, but the happy bouncy puppy dog that was Gun compared to the jaded, angry young adult that was Li Ming was just marvelous to behold, I swear to god I saw a storm cloud pass over that kid’s brow at one point during MLC. Ohm because of course. Singto because that dude is able to convey so much by moving so little of his face, it’s truly astounding. 

James Supamakong in Bed Friend, Episode 4

This is honestly more from a vocal perspective but the way he fucking screamed and cried in both attempted rape scenes haunts me to this day. 

The cast of Ossan’s Love Returns, but especially all of the fight scenes between Hayashi Kento (Maki) and Yoshida Kotero (Kurosawa), they were so fun to watch, especially because they are supposed to present as such put together characters, and the sustained fight scene in Episode 6 was fucking hysterical. 

Non-BL mentions: 

Toby Stephens and his voice acting in Black Sails

Matthew McFayden and the hand flex in Pride and Prejudice 

Kalki Koechil and physically portraying cerebral palsy as an able bodied actress in Margarita With a Straw (you can check out my write up for my thoughts on the ethical component of that though)

The fencing scene from The Court Jester

I have never watched the movie, but Christopher Reeve’s Clark Kent to Superman transition

Sense8. All of it. 

I haven’t even seen it, but Orphan Black

What are some of yours?

[stargirl-writes]

[navigation] the secret history of anakin skywalker

pairing : assassin! reader x general anakin skywalker

status : ongoing

tags : enemies-to-lovers, SLOW burn, angst, hurt/comfort, mystery, espionage.

warnings: !mature content! (violence, mentions of abuse, mental corruption, mentions of suicide ideation) scheming, more mind games obvs, eventual smut(?) i'll be specifying on each blog !

read on ao3!

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sypnosis

you have only known one truth about this war, the republic and the seperatists are two sides of the same coin. but now, your master count dooku has disposed of you after your consequent failures. his betrayal fueled your thirst for revenge. and in the cruel twist of fate, you have found yourself with an arrangement with the enemy. general anakin skywalker is willing to do what it takes for the republic to win, even if it meant dealing with you, his nemesis.

╚═══════════════════════.✾. ═╝

╔═.✾. ═══════════════════════╗

chapter summary / navigation

↝one

captured

chapter summary

your mission to secure umbara has failed. your master, count dooku would not have asked of anyone but you to deliver success. but as you stand amongst the pile of bodies of umbaran soldiers, the horror of your failure washes over you.

and in the hopelessness of events, a jedi appears amidst the ashes of your city. one that did not hesitate to kill the jedi general krell despite his jedi order's honor.

warnings : mentions of ptsd, mentions of abuse, war, mentions of a panic attack.

notes : centered around the same time as the clone wars season 4 episode 15.

↝two

the arrangement

chapter summary

after your old master has betrayed you, you were captured by the jedi general skywalker. stricken by the grief, you resigned to your faith.

on the way back to coruscant to face republic jurisdiction, a sniper has fired in open space. taking general obi-wan kenobi down.

in a fit of anger, anakin skywalker accuses you. but you have already made up your mind in taking revenge on your old master. and even though you are terrified, you struck up an arrangement to aid anakin's mission to find obi-wan kenobi's true killer.

warnings: violence, imprisonment, betrayal, mentions of ptsd.

notes : centered around the same time as the clone wars season 4 episode 15.

↝three

common ground

chapter summary

a clue tipped by the jedi council leads anakin skywalker back to your cell. now his anger has passed, he wants to clarify the terms of your new alliance.

on the way to nal hutta, anakin skywalker steers the conversation to his fascination over your beliefs— which legitimizes the doubts he's been having about the republic.

warnings : none so far.

notes : centers around the same time as the clone wars season 4 episodes 16-17

↝four

the attempt

chapter summary

rako hardeen escapes with two known bounty hunters on orandia. anakin skywalker claims obi wan kenobi remains alive. and a revelation by cad bane made you head down a bar and drink the night away.

warnings : drinking.

notes : involves spoilers for the clone wars season 4 episodes 16-17

coming soon...

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notes

hello my lovely people! thank u for taking interest in this story :)

i've always been in love with the enemies-to-lovers trope and this series would be canon compliant (at first) because i think it'd be more fitting to build on what filoni already established.

the timeline would be around season 4-7 of the clone wars.

and this series will be dark and angsty and contains mature content that i want to clarify is meant to serve the plot. and my depictions/interpretations is no way of endorsing or 'romanticizing' these situations.

anyway, i hope that i can fill your imaginations with this little thing i have in the works.

please don't post my works anywhere else. though likes, reblogs, comments are highly appreciated ! (and fuels me hehe)

╚═══════════════════════.✾. ═╝

if you're looking to find more of my works, you can check out my navigation list !

© to @cafekitsune for the borders!

[sevensoulmates]

Season 7 Press Article Buddie Analysis

Okay I don't usually write meta/spec on press runs/articles but I found these super fascinating today, especially in comparison to how the showrunners (including Tim himself) and the actors have spoken about their arcs in the past.

First I want to say that in these interviews the goal is never actually to give the audience any important information but rather to tease, and purposely be as vague as possible. So most of what they're saying will likely have double meanings and all of them are being extremely careful with the words they choose to say. Now with that out of the way in the first EW article (linked here), I found several things extremely interesting.

Calling Marisol Eddie's "Hardware store flirtation". It's so funny to me, for one, but it's also interesting that that's all she's reduced to. A flirtation. I know that was really all they were in the last season, but we know Marisol's involved (likely minorly) in at least 2 episodes out of the first 5. Natalia on the other hand is for the most part understood to not be coming back (I would honestly be surprised given the actress is in NYC). But what's even more interesting is that Marisol is not mentioned anywhere else in either of these articles, meanwhile Oliver WAS asked about Natalia. So, I want people to keep in mind that in whatever way Marisol IS a part of this season, I SEVERELY doubt she's making it past the finale.

2. This answer about Natalia is your typical non-answer but to me, it's basically a confirmation she isn't coming back, which lends a tad bit more credibility to Tommy potentially stepping in as a LI for Buck (fingers crossed).

3. Buck is apparently called in to help talk to Christopher about dating women. Do I even really have to talk about how weird this sounds? Eddie had a whole WIFE? He dated Ana for many many months. He's currently dating hardware store flirtation Marisol right now. And yet, Ryan is claiming that Eddie feels like he doesn't know how to talk to his son about women? Enough so that he calls Buck to help? Talking to your kid about dating is a new avenue yes, but why are we acting like Eddie has never been with a woman before? Like I know last season in particular emphasized that Eddie isn't the best when it comes to dating but like ??? I swear to GOD y'all it's giving such severe compulsory heterosexuality. Eddie, my man, I hope this is indicative of where your story is going this season because it's been heading this way for many many many years. Separately, I also find the lack of mention of Shannon very interesting as well.

4. Which brings me to this part. The whole family dynamic aside...Buck's romantic relationships have been severely questionable at best the entire show. Before Abby, it's canon that all Buck did was sleep around a lot, which doesn't seem like something you wanna tell a young teen dating for the first time. So what's he gonna talk about? How women flee him? As I saw someone else say on the timeline "are the successful relationships in the room with us"? This is especially odd if the spec is true and he and Natalia broke up off-screen prior to the start of the season. Eddie, you just saw Buck have yet another failed relationship with woman #4 and your thought is that HE'S the one best suited to talk to your son? These two men are so queer and so dumb, but their hearts are in the right place.

Okay, moving on to EW article #2 linked here. Here I'm shifting a little bit more to Tim Minear, and what he's said before in the past as showrunner about Buck, Eddie, the buddifer dynamic and the buddie ship.

I have a love-hate relationship with Tim. On one hand, I think he's a far better showrunner than Kristen (for OG 911, 911 Lonestar does and always will suck ass). But on the other hand, I remember some of the things he said back when season 2 was airing. It's part of the reason why I can't take things like "he's so cute. he gets that a lot" or "does this boycrush on eddie mean you're over abby" or "you two have an adorable son" or any Big Buddie fanservice line in season 2 seriously or as any definitive proof of anything. Tim has openly admitted most of those were in season 2 to throw shippers a bone. Not to be taken seriously. And that didn't sit right with me. Very obviously, there was a shift in season 3 and no longer was buddie and shippers the butt of the joke. Season 3 is when I genuinely think the writers and Tim shifted from "haha this is funny" to "oh wait, maybe there IS something here" and obviously The Powers That Be (Fox) had some control over whether or not that happened and is honestly why I think it didn't happen in season 5 or 6 where it realistically could've fit very well after s4.

So firstly, please take everything I say with a grain of salt because Tim is a Known Liar and Word Twister and is very VERY good at saying a lot while absolutely saying nothing at all.

5. So...I find what he says in this article interesting because it's not in the first article. First, his word choice is very interesting. Using both "friendship" and "coupling" in the same sentence, which have two different connotations. Secondly, he says that "at their core" their relationship is about their friendship. When something is the core of something else, that doesn't mean that's all there is. The core may be the essence, or the foundation, or the glue of something. But it is something that is BUILT UPON, something that extends past the core. To me, it means that while the core of buddie's relationship is their friendship, their relationship encompasses much more than that. It's like those successful old married couples who say the key to being married happily for 50+ years is that "we're still best friends" or that "the key to a successful romantic relationship is having that foundation of strong friendship" etc. Now, I'm not SAYING this means canon buddie, but I just find it interesting that this is how Tim chose to describe them this time around. To me, that says Tim is very much aware that there's far more to be explored in their relationship than just their friendship. Whether that means far more buddifer family arcs, or an actual real exploration of Buck and Eddie as a romantic couple, I'm very excited to see where it goes.

[bengiyo]

We Must All Get Louder and Gayer About La Pluie Immediately

I understand that this show only airs on iQIYI and that most of us canceled that after KinnPorsche and/or Love in the Air, but I’m gonna need y’all to re-up those subscriptions and get on this train right now. This and Step By Step have been some of the most intriguing romance explorations we’ve had in the realm of Thai BL in a long time, and you are missing out on this incredibly breakdown of the soulmate and fast romance tropes that I’ve ever experienced.

I’ve seen some consternation about whether this show is honoring or defying conventions within romance and BL, and I don’t think that’s the most enjoyable way to engage with a piece of media in a mature genre. I think it’s more useful to ask questions like:

How is this show using those conventions?

What do these conventions fit?

What new things have we learned about ourselves or the genre as a result?

We’ve been unpacking the soulmate idea from the very beginning (@lurkingshan). The show upended our expectations about that from the opening scenes by showing us a romantic man who doubts in his own romantic destiny because his parents divorced. The show has then gone on to state quite plainly that it believes that the hearing loss connection is entirely coincidental, and that what people do in their relationships with other people is what matters the most.

We are sitting in the audience, and so we know that this is a romance. We fully understand that Tai and Patts will more than likely be together at the end of this story. What that knowledge and expectation allows the show to poke at the development of relationships in dramas. The characters are in a slow burn romance, but everyone in their lives doesn’t think they should be! That’s been incredibly fascinating because we so often see BL characters rushed into a relationship with each other that we are always surprised when they aren’t (Bad Buddy, My School President, Bed Friend). It’s been incredibly enjoyable for me to see a romance refuse to rush their characters into commitment with each other.

My good friend @lurkingshan wrote about this subversion of tropes and expectations this morning as they pertain to Lomfon. She makes the point that we expected Lomfon to be a bigger factor going into episode 7 than he was, and that’s also I think part of the point. He’s not a threat to the core romance, but he does have a role to play in this story. For me, I think he’s here to reinforce that skepticism and doubt are critical to making any sort of relationship or belief system function. Your ability to handle new challenges and things that confuse you are critical to being able to maintain a commitment. It doesn’t work if it’s forced.

As for misunderstandings, this show also continues to be intentional about this. As far back as episode 4, Dream chided Patts for not making things clear with Nara. Patts listened but hoped that his non-answer would be enough for Nara. Likewise, Bow has warned Tai twice about Lomfon’s clear desire for him, and how by not making things clear Tai may also face difficulties.

This comes to a head this week with Nara. I agree with @ginnymoonbeam that Nara’s return lets the narrative blow up Tai’s uncertainties he’s left bubbling since the beginning. I personally love Nara’s reintroduction here because Tai is romantic and because he genuinely seemed to like Nara. He liked that she still knew how to take care of her ex. He liked the determination she showed to travel all the way to Chiang Mai to pursue him. He was rooting for her! Even if he misunderstands the kiss, it’s not really about the kiss. It’s about the fact that someone he admires cares for Patts, and he likely worries that he’s the reason they didn’t work out. He’s also still questioning if the mutual attraction between himself and Patts can be trusted.

Moving on to the intimacy, I wrote last week about the way this show has made it clear that these are two men interested in each other. Following up on that this week, we entered an incredible liminal space in their relationship. Patts signaled earlier in the episode when they first got to their room that he is hoping to pick up where they left off with their last intimate moment. Both went into this bed fully aware of the sexual tension between them.

Tai is the one who opens the door this time by first offering the massage and then initiating the kiss. Things heat up between them, with Tai again on top to remain in control of the situation, something @shouldiusemyname points out here. Tai once again asks Patts to stop when he moves to escalate the encounter, but Tai shows Patts that he is interested in him. He offers to help him out by performing the act that Patts was most certainly going to do last week. This is incredibly fascinating for me, because I have always asserted that bottoms are the ones in most control of an encounter. I do not read Tai choosing to take care of Patts as him giving up control in any way. In fact, it’s a way for him to further maintain it. He reassures Patts that he is happy to be here and lets them release the tension of the moment.

Also, I just absolutely lose it over the lip flick.

gif by @pharawee​

Once again, I cannot overstate how radical it is for me to see a show saying that the one performing the act is the one in control of the encounter, and has the character who’s feeling unsure use that as a way to explore their own feelings. Tai needed to know that he likes making Patts happy. Please list the other BLs that have done this with sex in the notes. It’s not very often we get this!

Also, look at this man. This is not the face of a man who is being coerced. This is the afterglow of two people navigating their intimate relationship (@ginnymoonbeam).

He’s literally rubbing his hand because as they spoon because he’s so relieved.

I also just absolutely love Patts. I love that he keeps leaving notes for Saengtai to make sure he knows where they are.

Look at him walking around the next morning. He seems pleased...like a man can seem pleased.

We just never get this kind of stuff in genre. This is a classic romance of the Nora Roberts variety that’s allowing us to show two men navigating their romance and intimacy on their terms while also showing that even fated mates must be good partners to each other. This is a story that loves romance and loves the conventions of the drama. It is approaching each thread with clear-eyed conviction, and we as queer viewers deserve this.

So, I’m going to need you all to get louder, weirder, and gayer about this show. We gotta get more people on this one. We can’t let this show be forgotten because it’s not on YouTube.

Once again, thank you for coming to my post.

tagging @wen-kexing-apologist​ and @kyr-kun-chan​ for all the conversation we’ve had about this show.

[oneatlatime]

The Tales of Ba Sing Se PART 1

Once upon a time in Ba Sing Se, the Gaang got Appa back. The end. Please?

This title sounds rather expositiony, but last episode was already a plot/exposition dump, and a rather dark one at that. So who knows? Not me.

Sokka hun I think you're supposed to shave with a blade slightly less substantial than that.

I am fascinated by the hair loopies. I always thought that they were braided in, but they clip in. Does she have a magnet in her braid that they clip in to? A lego type system?

CAT

Toph's morning routine is uncomfortably close to mine.

I know Toph likes being slobby to stick it to the man, but wouldn't it also help with her spatial awareness if she's always sporting a healthy coating of earth? Maybe she can sense where her limbs are better or something?

"Spa day!" "Do I have to?" UNCOMFORTABLY CLOSE GUYS.

That has got to be torture. How would you like a pumice stone to the eyeballs?

Now THAT'S a healthy coating of earth.

You're not usually into that stuff? You got dolled up last episode.

Are there voice acting awards? Because whoever voiced these guys needs one. I have never in my life heard such perfectly distilled middle school clique bitch impression.

That's cathartic.

Katara's smothering/mothering tendencies usually annoy me, but it's a good thing those means girls happened when Katara was around, because this calls for serious hugs. I almost want to say that it's out of character to see Toph not be 100% sure of herself, but I think it adds character instead.

Do you think anyone's ever told Toph before that she's really pretty? Ever?

That's a good hug.

Is this short stories? Like an anthology? TALES of Ba Sing Se. Like day in the life? Ok. I'm going to break this up for ease of reading/writing.

The Tale of Iroh

If Iroh hadn't distinguished himself by making the best tea in the city, he would have come to everyone's attention anyway by single handedly fixing everyone's personal problems.

Bending soccer. Why didn't I think of that?

His voice is funny in this scene. Also isn't honour a fire nation thing?

One of my absolute favourite things about Iroh is that his philosophical side is always balanced out by a practical side. He's always philosophising but he's also always grounded. Sometimes hightailing it is what needs doing. Sometimes your sister is crazy and needs to go down.

You know you're bad at crime when your poor stance actually offends the guy you're mugging.

I also like how Iroh really doesn't moralise. He'll teach this guy what conditions the moonflower likes; he'll teach this guy how to mug better. Knowledge is for sharing, no judgment attached!

Random mugger speedruns Zuko's arc.

So pretty. It's been a while since there's been good pretty.

oh shit

ok

Now I have questions!

The Tale of Aang

Writers take note: You see this sad face? You see what you've done to my boy? You can reverse it with one simple trick! GIVE HIM APPA BACK.

I love this. Can't help Appa, so Aang helps every other animal in Ba Sing Se instead.

I want to know what this is. Monkey panther?

I didn't realise until now how tall platypus bears were.

CABBAGE GUY! HI!

Actual dragonflies. Punny.

I love these. My nomination for cutest atla animal.

I hope that wasn't required agricultural land. Should have put the zoo near the drill instead. That land already looked close to salted.

This was some Toph level bending. Love to see Aang's skills progress.

Turtle seal's got competition for cutest animal.

Just call this portion the petting zoo and it's a win.

The Tale of Sokka

Something I don't talk about enough is Sokka's supernatural skill with that boomerang. The realistic explanation is that he's spent every spare minute since receiving it honing his skills by chucking it at random piles of snow, but I like to think he's a boomerang bender. Actually wouldn't boomerang bending be a manifestation of latent airbending tendencies?

I make this face at lasagne.

I may have to make another Sokka's Stupid Faces post.

There is nothing oaflike about falling out of a window and into a Haiku. He was even polite about it!

Somebody introduce Sokka to flyting.

Forget about being a warrior, Aang needs to end this war yesterday so that Sokka can go be a poet. Warrior poet. He's way too creative to waste on cannon fodder.

Poetry bouncer. The longer I think about that the funnier it gets.

Betrayed by hubris.

A Poetry bouncer. Who comes up with this stuff? How do you come up with that? I keep thinking about a poetry bouncer and I keep giggling.

I'm breaking this post here as I'm reaching the image limit. Part 2 coming immediately!

[fortunelowtier]

One of the things that's always fascinated me abt Vivzie as an artist is how her artstyle has almost “regressed” over the past like 10 years.

Like lets take Helluva Boss for example. Every character, be they imp, demon, hellhound or otherwise, all follows the same basic template for their specific race.

this is made painfully obvious with the introduction of this design in the most recent episode, which is supposed to be Beelzebub, a deity usually associated with flies/insects (I bold “usually” because while yes people usually associate Beelzebub with flies, this is because their title/description is being the “Lord of the Flyers”, which people usually see as “Lord of the Flies” So technically Bee doesn't even need to be a fly, she just needs to fly)

Now normally that wouldn't really matter, creative freedom in stories with inspiration from mythology/religion is what makes them interesting. But what FASCINATES me about HBs depiction of Beelzebub specifically is that Viv already went through the trouble of designing the Gluttony layer to have a hive/bee aesthetic, which makes the whiplash of seeing Bees design so much more severe, because you see the hive designs and honeycombs and go “Oh! they’re gonna make her a bee, yknow like BEElzebub, that's interesting” but then nope, just a 4 armed hellhound

And the fact that the layer seems to have been specially designed with insects in mind begs the question of why the fuck even bother making her just a 4 armed hellhound, you already were halfway there because you had enough foresight to give her 4 arms why not just, yk, make her a fucking bee, or a wasp, anything that ISNT just a 4 armed hellhound is my point

And like...have yall seen Vivs old artstyle?? That shit lowkey oozed character. Like just look at this comparison here, the ones on the left are from before Hazbin (to give a specific date, you're looking at around the range of 2013-2017, Proto-Charlie and Proto-Vaggie I know are from at LEAST 2013), the ones on the right are from the recent redesigns for the A24 pilot

Now am I saying that ALL of the old designs are better than the new ones? No, I still prefer the new Cherri and Pentious over their old designs. the point I’m trying to illustrate here is how interesting it is to me how much Vivs style as gotten noticeably less “unique” over the past few years

Thank you for coming to my Ted Talk, I will now sit back and await the Vivziepop Designated Firing Squad to come and execute me 

[uptoolateart]

Hey, hey, hey - time for a Gabriel analysis!

So. After we learned that Gabriel Agreste wasn't his original name, my mind jumped to Andre Bourgeois, who also once had a different name. In keeping with the themes of the show, we are seeing that secret identities don't always come with masks and comic book names.

We had a hint of Gabriel's secret past in Psycomedian, when Harry visited and alluded to his Gabi days. How, oh how could the Gabriel Agreste we all know have ever been friends with someone like Harry Clown? This is only possible if he was once a different sort of person.

We had further clues in Gabriel's vision of the past, in the time burrow in Evolution - and in Emilie's video messages left for Nathalie, and the photographs of Gabriel, Emilie and Nathalie on some expedition, seen in Passion - and in Amelie's accusation that Gabriel has changed, in Emotion.

Adrien is also aware his father has changed with time, demonstrated when he tells Gabriel that Emilie once said they came from different backgrounds.

The photos shown in Revelation finally gave concrete evidence that Gabriel used to have an adventurous spirit and he used to smile. He was fun...but something changed...and I don't think it was just Emilie's death that caused the personality shift. Based on casual comments Adrien has made throughout the series, his father has been strange for years.

Gabriel tells Adrien that he and Kagami are 'of the same design' - and we know he means this literally. But taking it as a metaphor...for two seasons I've wondered what Emilie's parents were like. We can infer that she comes from a wealthy, 'important' family. Maybe Gabriel struggled to fit in and win the approval of his in-laws. Maybe he never felt good enough. When he tells Adrien things like, 'You're clinging to Marinette because her mediocrity lets you shine more,' perhaps someone once talked like that about him. With that kind of background, it would be unsurprising that he decided to try to forge a new identity.

And let's remember that Gabriel is a designer. His whole empire is founded on inventing personae. Even beyond the sentimonster aspect, he tells Marinette that he designed the image the world holds of his son. Everything is his invention. That speech in Pretension proved just how deep his God complex runs - he fully believes he has made the world in his image. Even the episode title - Pretension - smacks of the image he is presenting to the world in lieu of truth.

At this point, what we're seeing is a 'new money' stereotype - a self-made man who now spurns those who remind him of where he came from. It's one of the most shameful things about him. No matter how much fame and money you get...you can't forget your roots, people. Maybe that's easy for me to say because I'm not rich or famous. But I just can't imagine turning my back on my own origin story. It's what makes you who you are. Gabriel clearly didn't want to be that person anymore...and that's sad.

What's also fascinating is that, if we zoom in on those pictures Nathalie took in Revelation, we see that once upon a time, Gabriel - Gabi Grassette - was a punk. Let's take a moment to appreciate the spiked hair, makeup, leather jacket, ripped jeans, and dog collar - not to mention that smirk. And far from being ashamed of his work with Harry Clown as a human frites (who, by the way, reminds me so much of Mr Banana), he was smiling about it. Man, he loved it. Contrast that with Gabriel in Party Crasher - 'JOY.... What's going on in my HOUSE!?'

If it were at all possible for the old Gabi to meet Cat Noir, I can imagine him loving Cat's costume. On that note, I can't help but compare that dog collar with Cat's bell. I've said before that I see the bell as a symbol of Cat being domesticated and under control. Gabi probably saw his dog collar more as a rebellion, but maybe it too is a symbol of how he once felt controlled by someone.

The thing is...the punk movement was all about anti-establishment anti-authoritarianism. Today, Gabriel is the establishment he once rebelled against. It makes me think of John Lydon of the Sex Pistols turning Conservative and advertising butter. Musicians like Donovan - not a punk, but in a similar category, as a 1960s hippie - are rare for maintaining that same spirit all through their lives.

Gabriel is a 'sell-out'. He gave up that spirit and became someone unrecognisable. Those photos demonstrate that Emilie isn't the only body buried in a 'basement' in the Agreste mansion. There is a different person buried under the cold veneer that is Gabriel - a person Nathalie probably misses. I expect that's why she's stuck with him all this time, despite her better instincts. Something tells me Gabi would've made a better father.

The irony is that Adrien's moments of rebellion are probably one of the few things he has in common with his father, if we look far enough back in Gabriel's past. That, and their temper - and randomly breaking into eccentric dance and song. Gabi might have appreciated Adrien more for standing true to his principles. Maybe Adrien sometimes reminds Gabriel of himself and he can't stand it - can't stand thinking of what he's lost along the way.

I believe Gabriel exists in a perpetual state of regret. Part of him probably misses Gabi, too. After all, Gabi got Emilie. What has Gabriel got? Wealth, sure, but Emilie's dead, Adrien all but hates him, Nathalie's wasting away, and Gabriel himself has only weeks to live.

If you think about it, Gabriel's whole quest has been about getting a do-over. He wants a second chance with Emilie - a second chance for Nathalie - a second chance at his own life. He then tells Adrien that his greatest wish is to try to reconnect with him...because he knows he doesn't have much time left with his son. Even then, though, his selfishness prevails. (Psst, Gabi...you can't make up for years of terrible parenting with banana pancakes.)

Thinking of the snake miraculous, the second chance lets you know what's going to happen, enabling you to make better decisions the next time around. In other words: it's about learning from your mistakes. Gabriel never learns, and it is his refusal to accept destiny and his own human fallibility that is causing his disintegration.

The more Gabriel necrotises, the more we can see this as his 'sins' catching up with him. He doesn't seem to grasp that all the blackness devouring him is, in a way, the blackness of his own heart. Even if he erases the whole world, he can't erase his deeds. If he managed to get his Wish and bring Emilie back, she would be horrified. She'd wonder where her Gabi went.

Gabriel is proof that 'evolution' isn't always positive. He reinvented himself once, and now, because it didn't go the way he wanted, he's trying to reinvent things again. Tomoe also hints at a belief that the solution to her problems is to make the world anew - to get a second chance. Felix tries this, too, when he creates the red moon to wipe out all people except his select group.

But Felix does learn - Ladybug helps him see that even if you erase all the people causing you so much grief...you still have to deal with that pain. What Gabriel fails to see is that - like Cat Blanc on the roof, all alone without his lady - destroying your witnesses won't remove the witness in your own heart.

Even if Gabriel wiped everyone else's memory of his crimes, he would still know what he'd done. And when you cross those kinds of lines, you can never go back to who you once were.

Please no post-Revelation spoilers in the comments :)

[cryptidafter]

Voyeurism in Playboyy

First off, I will preface this by saying I am by no means an expert on film and it’s been years since I’ve written an essay so - uh - take that as you will! 

One of the most fascinating elements of Playboyy to me is the overwhelming feeling of being observed. The most obvious way this is achieved is through the use of video. Characters are often recording themselves or other people and those clips are integral to the progression of major story arcs (Captain filming Keen without his consent, the clips of Nant used to investigate his disappearance, etc.) There’s this omnipresent gaze that can’t be hidden from. Someone, somewhere, is always watching. You could be recorded at any moment, your most intimate and personal moments put on display for an unseen audience, and you'd have no idea. 

TV screens also play into this sense of being watched. There are often TVs on in the background of scenes. Sometimes they’re being used (Captain showing the video he made with Zouey to the rest of the rugby team, another voyeuristic act) but oftentimes they’re simply showing static (Nont has many scenes like this as do Nont and Prom together). The TV acts as a sort of window into the outside world and, in this case, we're the outsiders looking in. These characters are performing for our entertainment and Playboyy doesn't let you forget that.

Mirrors are another way that Playboyy heightens this sense of being watched. These are often most utilized with Nont as well. Private moments are being “reflected” back both to the character and the viewer. It's a double dose of being looked at. Twice the attention and judgment.

However, what I really want to touch on are the characters’ sense of being observed by us (the audience) thanks to some really neat camera work and breaking of the fourth-wall. We're voyeurs in our own way, another element that Playboyy plays with and draws our attention to (no, I will not be getting into the overarching theme of being surveilled by society because I'd be here all day).

To start, so we’re all on the same page, some basic definitions of voyeurism and the fourth wall. 

Voyeurism can be described as “the practice of obtaining sexual gratification from observing others” which fits Playboyy in regards to cam work and the sharing of sexually explicit videos (often without the consent of all involved parties). However, the definition I’m most interested in is “the criminal act of surreptitiously viewing a person without their consent in a place where the person has a reasonable expectation of privacy (such as a home or public bathroom) or of using a device (such as a camera) for the purpose of such viewing.” Merriam-Webster

For fourth wall breaks, this video summarizes things pretty well:

Okay, with that out of the way, I want to get into how Playboyy utilizes fourth wall breaks and specific camera angles to bring the audience directly into the story and heighten the sense of voyeurism. We are as much a part of the mystery as the characters. 

I won’t touch on every single instance of this in the series but a few of my favorite ones (thus far). 

In the beginning of episode 2, we have Prom welcoming us to the Playboyy Lounge. The reason I say “us” is because he is addressing the viewer. We aren’t tailing some nameless, faceless person off the street; Prom’s facing the camera and we’re put in the position of a patron. We are the ones participating, looking at the sex workers who are available, being given the rundown. I think it’s a really fun way of establishing the location and preparing us for what’s in store at Playboyy Lounge in the future. 

One of my absolute favorite scenes is in episode 6, where the university gang is talking about the best way to get all the suspects together, and the camera is hidden. It’s like the camera has been placed in a closet, left to capture whatever happens behind closed doors. We are given a glimpse into a private conversation that we should not be observing! 

And then, the university boys all turn to the hidden camera - to us - and Nont says this: 

Yes, he’s speaking to his friends but he’s also addressing the audience! We're riding along, anxiously awaiting what will be revealed next, passively watching as these characters go through difficult and terrible things. I think it’s a clever utilization of the fourth wall break that still ties into the show’s presentation overall (the characters, most specifically First, are often remarking about how their life isn’t a specific genre of movie or TV show. That’s another little fourth wall break in and of itself, but I digress). 

On to another altered perspective moment that had me screaming: the interrogation scene in episode 12. 

Nont and Captain are executing their half-baked torture plan and the camera is positioned above, lurking. We’re hiding up in the rafters, watching some very illegal activity going on that - again - we are not supposed to be seeing. We're a captive audience to some truly awful behavior but, hey, we shouldn't be here right? We've chosen to follow the story because we want to know what happens. We're voyeurs! There are also moments where the camera is low to the ground and nearest to a column, giving the illusion that we’re hiding. I just really love how these angles add so much extra tension! 

The final fourth wall break I want to touch on is the rooftop party in episode 6 (you know, the one we sneakily listened to the planning for?). The uni boys (+Nont lol) do a toast and we’re included! They’re looking directly into the camera and raising their cups to us - we, the audience, are in on the plan and now we’re explicitly being invited to see how it unfolds.

There are more instances (and flavors) of voyeurism and fourth wall breaking but I don’t want this post to get crazy long. (Reiterating that I’m not a professional lol).

I really appreciate all that Playboyy does, not only narratively but stylistically. Each choice that’s made feels deliberate and enhances the story. 

[gotylocks]

Willow Month 2023: Day 2- Favorite Relationship

If you read my day 1 entry, this will be similarly unsurprising. Obviously Kit and Jade are my favorite relationship on the show. From the first moment Jade flicked her eyes down to Kit's lips, I knew I was going to ship them regardless if it was canon or not.

Thankfully, I didn't have to wait long to have my feelings confirmed by the show itself. I adored how their relationship was built. The foundation of inseparable best friends ("For Kit and only Kit", "I can't do this without you") gives way effortlessly to the clear, overwhelming, yet buried love and desire they have for each other.

One of the most fascinating things about them is while most stories (especially mainstream) will build both romantic and sexual tension in a queer relationships by keeping them apart. Willow really said "What if the tension comes from them kissing immediately and then not being able to unpack that till way later?" It makes their every interaction have this hidden weight to it, whether they're just joking around around the rest of the crew (almost trying to pretend they're "just good friends" so nobody suspects anything, which Boorman clocked day 1) or they're having an argument as if having that tension bottled up is rippling and causing easy discussions to be fights (specifically thinking about the Wildwood).

For Kit's brashness and bad attitude with everyone else, when it comes to Jade, she acts so differently. Where she holds grudges a lot, Jade admitting she had been lying to her about training results in Kit pouting, sure, but in the immediate aftermath of the Battle of the Slaughtered Lamb it's like she has already processed it. Instead, she is in full "Comfort Jade" mode, which continues into Nockmaar.

Jade's statement "Who protects Kit? I do." in the finale hits me so hard because it doesn't come off as Kit is a damsel always needed to be saved. Instead, it has the feeling of "She is my partner and we need each other. We keep each other safe. We look out for each other." When they're separated, they're capable, but they're better together. They're better together because they push each other to be better after the training lie is revealed. There are so many moments where they deal with the exact baggage they need to in order to be in a romantic relationship together.

This can be individual baggage like Kit's anxiety about her connection to Bavmorda or Jade's discovery of her heritage; or it can be shared baggage like learning Kit's dad killed Jade's. At each step, they go through these huge moments that could have massive ramifications in their lives, they deal with them, and they look at each other like "As long as we're together, we can get through anything."

I also think about how at no point does Kit lash out at Jade for pulling her away from her father, as all of that anger is directed at Elora (despite Jade being the one that physically restrained and removed her from the Tomb). This ties back into that feeling that they protect each other. She doesn't blame Jade because she's her partner, she had no choice but to protect her, whereas Elora had no responsibility to save her, which also is a big moment that sets up their connection later (but that's another essay).

The trust Jade shows Kit at the end of episode 7 ("I think you're going to make that decision on your own") hits me so hard because it is this clear feeling of growth on both their parts. It's Jade taking her hands off the wheel and making it more of an equal partnership between them, where up to now, she's often had to be the voice of reason to rein in Kit's poor decision making.

"When you love someone, and they need you, yes, you jump off the edge of the world to go and get them."

I've made the joke that Kit and Jade made me believe in love again, but it's true. Their connection, support, friendship, deep attraction, and overwhelming love for each other felt so vivid, so real, so beautiful, there are painfully few relationships that live in my heart and mind like Kit and Jade.

Oh and they had the two most intimate and beautiful kiss scenes I've seen in ages, if not ever.

[demonioenelespacio]

Lately I've been thinking a lot about Crowley, Aziraphale, their feelings and the way season 2 has recontextualised some very popular headcanons from the previous one.

Starting with the first scene of both seasons: Eden and Before.

I think everyone agreed that Crowley fell in love with Aziraphale in Eden. We all know the exact moment, don't we? And I read countless fanfics around the idea that it was love at first sight for Crowley, while it took Aziraphale millennia to fall in love with him.

But then S2...

His little smile all the time, when he tries to introduce himself… His reaction to "Look at you, you're gorgeous". My man, did you have a crush before they invented them? And my only question is, is this instant interest in the Angel who will be Crowley? Or is he acting like this because he knows who they are, has admired them from afar and finally has an excuse to talk to them?

Regardless of that, the headcanon falls apart. If there's a winner in the oldest crush competition, it's Aziraphale.

And the truth is that all this changes the way I see the Eden scene. We don't know how much Crowley remembers of Before, but, inside, he knows Aziraphale isn't going to attack him right away, the angel is somewhat familiar. Aziraphale gets nervous, but otherwise doesn't react. A demon wants to speak, and, oh, no, it's him. That Angel doesn't exist anymore, what's your name now? This creature is evil, a demon. But he repays him with the same kindness he offered him before.

Even if I still read Crowley's expression as an absolute fascination with Aziraphale, at this point I don't think we're talking about a love story for either of them. By the time of A Companion to Owls, the two are at a loss as to what to expect from each other and they spend the episode poking at each other's edges.

As far as we know, the last time they met was with Noah. Crowley knows that Aziraphale is not a typical angel, but (in theory) he does nothing against God's order to drown all those humans. Is he really going to do something for Job's children? Why? What is his limit? Aziraphale is aware that Crowley is a demon, but is he really going to do this? Can he trust him not to harm the kids? Crowley was an angel Before; even if the Angel doesn't exist anymore, Crowley's core is the same. He is the same kind being.

And then you have the Oh moments.

The moment in the church… I know for many people this was the moment when Aziraphale fell in love. For me it was always more complex than that, but with season 2… Now we know Aziraphale was interested Before, and we have two new scenes to give more context: a story before the fight and what happens after the church.

While I'm at it, I'll take this opportunity to say: the fight is because they are idiots. It's not even about holy water! Well, partly yes, but the argument starts with the fraternizing thing.

Aziraphale has been denying for millennia that they know each other, not because they don't, but to cover their backs. "I'm no nice, don't say I'm nice" insists Crowley every chance he gets to cover his kind acts, unable to overlook "fraternizing."

In case Aziraphale was really covering their friendship with that word, saying "I've got lots of other people to fraternize with" is telling him that they are not so special, that Crowley has more friends.

They fight. But the fight is not that big of a deal. Honestly, to me it has the same energy as the fight when they're saying what to do about Jim. One of them leaves upset, thinks about it, apologizes, and they work together to resolve it in the end. It's a discussion like the one they had about working together to stop the apocalypse. In the book they have conversations that continue after years of not seeing each other; they could have kept talking about this, Crowley making his case, Aziraphale better explaining his objections.

But they don't. The discussion that starts with whether they are friends or not (as if Aziraphale refusing to give him a way to destroy himself if necessary isn't born from not wanting anything to happen to Crowley) is serious enough for both of them to refuse to talk.

In the end Aziraphale gets into trouble and Crowley comes to save him. That's no different from all the other times, it's what they have agreed upon. The Arrangement. But Crowley rescues the books too. And the last time they saw each other before the fight, Crowley was dragged to Hell to be interrogated and, possibly, tortured. His sin? Being slightly kind to a human. At the church, Crowley spends a demonic miracle to save some books. What excuse is he going to give for that? Aziraphale realizes that, whatever happens between them, Crowley is willing to risk punishment for a kind act towards him. Maybe Crowley does feel something for him, cares a little bit about him.

Because I don't think Aziraphale knows how Crowley feels until then. This Oh moment is not Aziraphale realizing his feelings. He's an angel, he feels love, and now we know he was infatuated from the beginning. Almost every time we see him meet Crowley, he's always amazed.

Is he really not going to be aware of his own feelings? No, I've always bet it's the other way around. Crowley is a mystery to him; I suspect that, just as angels and demons cannot detect each other (except Crowley, as I proposed here), Aziraphale doesn't know if Crowley feels love, of whatever kind, for him.

But he cares. And Aziraphale spends the night trying to say they are friends whenever he can, tentatively, seeing their reaction to the word. And they return to that state of blind trust in each other.

On the other hand, Crowley's Oh moment…. I don't think it's when he realises he's in love either, sorry. And it's because, to me, they know. They know by then their feelings and each other's. But they've been thinking for so long that it's all too complicated that even when they're on their own side they don't know how to make it simpler.

In the "You go too fast for me, Crowley" scene I always get caught up in what he says before. "Perhaps one day we could go for a picnic. Dine at the Ritz." Options that sound suspiciously like dates, even though he's turning him down again, covering their backs. They eat at the Ritz in the first episode; in the last episode (S1) they go to the park for ice cream as if it's an usual thing for them, just another monday. Even if they're not together-together, they already go on dates do these things.

To be honest, after S1 I always imagined that they weren't going to do anything different. Well, maybe hold hands in public, but everything else? They already act like a married couple (that's why it's possible for them to divorce hahahelp). So seeing them as they were in S2, I don't think they thought they had to change anything. But between Nina talking to Crowley and Aziraphale's enthusiasm in experiencing his own love story with the Ball, they both thought about changing their relationship at the same point.

But as Crowley once wisely said: it's too late. They are idiots, and in the end both Heaven and Hell stopped them.