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#theres just so many layers to this
hinamie · 3 months
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Yuuji: Bye, im going to the fire nation!
Sukuna: Not dressed like you aren't.
Proceeds to give Yuuji a boob window in his clothes
ngl anon i took this bit way too seriously n got carried away thinking abt what yuuji's fire nation alternate fit would look like ,, then after figuring it out I thought well now I /have/ to draw air as well ....
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jjk atla!au with @philosophiums
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sea-buns · 6 months
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I have never wanted an uncut episode of Game Changer more than I do for Bingo
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cobaltcreations · 5 months
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Me and my partner @the-good-ol-art-corner collaborated on this AWESOME poster for one of our favorite Bendy Aus @toontiedterror by @dictatortirah !! I am in LOVE with how it came out and I am so excited to see how this story and world develops!!
I put so many details into this, it is absolutely silly, but I had a swell time doing them. Those headshots on the missing posters belong to the staff from our own Bendy project @howdy-folks-its-showtime and we didn't even intend to make two versions. But I put so much into the background... I just had to make a version without the foreground to show it off <3
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svankmajerbaby · 8 months
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she's her own means of production!!! she's the mother and the child! she's the woman and the infant! shes the teacher and the student! she's innocence and experience all in one! shes a monster and is also infinitely human!!!!!!
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hballegro · 2 months
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ONCE MORE UNTO THE BREACH DEAR FRIENDS, ONCE MORE
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prequel
i still have to do BJ's neck [jaw is finished, neck is not. Hawk's neck is tho], and finish the mustache, plus some fine touching to make everything Perfect [bjs forehead, hawk's lips, etc] but. other than that i am DONE with these old heads. fabric is so much easier than faces so im not even stressin abt it. my wrist. it aches.
im FREE no more HAIR except BLURRY STUFF SO NOT LOTS OF DEFINITION
bonus; the end of the journey
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ganondoodle · 15 days
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(idk if anyone wants to keep hearing my opinions on totk book stuff but-)
apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this
i dont think theres anything they can do or say that wont make be believe they either
are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all
something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)
given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??
are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )
(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)
#ganondoodles talks#zelda#ganondoodles rants#idk if others feel like that too but i cant shake the feeling there was something that either went horribly wrong during development-#-or the entire thing was neglected the whole time which is why its so .. i hesitate to even call it bare bones#...which is WILD given that its the supposed sequel to their best seeling zela game#like wtf where you doing#i get that the pressure can be immense but imo it wasnt that hard to make a sequel to thats better than totk#like i think it was harder to make totk like it is NOW bc it scraps and throws away so many things you could have easily used-#-as sequel material#its all so weird to me#my tin foil hat theory is still that they saw the success of the mario movie and immediately shifted everything to make more movies#bc it made so much money#and a movie is easier to make than a good game#so totk or botw2 at the time got the short end of the stick#which is why everything feels like .. so ... bare bones .. untested .. unfinished .. non sensical...#like an alpha build that got enough visual polish to look like a full game when its still an alpha build at its core#some main ideas like the abilities implemented and the basic map layers#mechanics functioning but untested on how it feels to play#like the sage controls and arrow fusing and ... contradictory game mechanics that dont work together#like the bulding WORKS but its clunky and underused- everything can be cheated so easily you dont even feel good cheating-#-bc it feels like the teacher just allowed you to mark your test with a green circle and you still got an A (or however USA grades work)#despite not even reading the questions- why attempt to solve a puzzle if you can just skip it#and how they tell you to be creative with it yet creativity gets punished and only efficiency is rewarded#which completely undermines the entire thing#...theres so much more you know i have ranted about it all before#ALSO rauru and sonia seemed like a rather newly wed couple to me- not one that had multiple kids that never appear-#since it only mentions rauru ..... if its only his then ... that doesnt explain anything bc zelda needs both sonia and rauru dna#................do sonau leave eggs to incubate somewhere heavenly or sth#watch out the springs where built to hatch rauru eggs bc they need the gods holy blessing bc they are oh so holy to hatch
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ckb1077 · 1 year
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hei you post a lot about the pink guys i just wanted to ask if you know that jaakko used to be a käärijä clone as well. i like to call him jäärijä
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WHHAAG???? WHAT??????? EHAT???(??(?? I KSUT WOKE UP
LORE????)??)?((????
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sallytwo · 7 months
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MOUNTAINHEAD ANALYSIS ⛰️
Preface: I know this album was inspired by Capitalist Realism by Mark Fisher, that the concept of digging a giant pit and living in a hole to build up a mountain that no one ever gets to see the top of is a very heavy-handed metaphor for late stage capitalism. Everything Everything has dealt a lot with the concepts of modern lonliness and isolation and disconnect before but holy shit do they hit the ball out of the park with this one. The way it slowly builds, the realization that the mountain is a lie, the growing bitterness and resentment but being resigned to not being do anything about it. It's absolutely phenomenal and a lot more direct than any of their previous concept albums.
"IT ALL MADE SENSE."
When End of the Contender dropped it was an instant favorite for me, with the theme of a whole generation of people who used to be well-respected and important who are now past their prime and don't know how they got here. Still feeling big and important when the world has left them behind.
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This wasn't just EoTC though. The entire album dives into misplaced nostalgia, longing for the "good old days" and wanting that back. You see it all the time in real life, the idealization of the 50's and 80's and 90's, purposely misremembering all the terrible things that happened then. Because yes late-stage capitalism is awful but instead of tackling the route issue of that, we can just reminisce on "wasn't it great when you could buy a house?" "remember how good the music/fashion/TV was 20 years ago?" The issue isn't isn't capitalism, it's just the modern era.
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Rather than do anything productive to change things, the album is stuck in a glorified past.
2. "MAYBE I'LL GO MISSING IN THE RAIN"
So it's been a scam all along, there's no glory on top of the mountain and building it has all been a waste. This one thing that you looked up to that to and placed your faith in has betrayed you.
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You did everything right, you followed all the rules and now it's for nothing. You've wasted your life chasing something that wasn't real. The only thing at the top is a mirror, reflecting your own image back. The mountain is a lie.
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What do you do now that you've realized this? Where is there to go?
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I joked when Cold Reactor dropped that EE needed to stop making songs about disappearing into the wilderness, but that's what this album is about. There's nothing left for you in modern society, so what do you do? Sell all your belongings, disappear into the woods, disconnect from everything and maybe you'll be happy.
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Here's the thing. This doesn't actually happen. It's an empty threat, since this society has left me behind now I get to leave it behind. But you never do! Which leads us to
3. "I STILL WANNA BE THE BEST"
Because even though there's no hope for the future, even though you're a has-been and your glory days are behind you, you still think you can get it back. You'll be famous again, and powerful, and everyone will know your name. It all links back to EoTC
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As long as there's still a chance to make it, no one will ever leave. Falling into old habits, watching the pit grow bigger, because one day maybe you'll be the one at the top of the mountain. There's no change or action, just continuing the drudgery of life for the hope of something better. Too caught up in nostalgia for the past, still thinking that one day you'll be a contender again.
4. "PLEASE CAST LIGHT OVER ME"
But at the end that falls away. On "The Witness" the narrator is left watching the brutality around them, but too disconnected to do anything about it. It ends with a question- what if I had done something? What if I stopped, or went missing in the rain, or did anything to stop this all from happening? What if the pattern was different?
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It doesn't matter because it never happened. It all continues, the pit grows, the mountain climbs, nothing happens. So caught up in the promise of the mountain, you never did anything. Even when you knew it was a lie, even after you realized that your life was meaningless, you continued along in this system to keep things moving. You're not going to be a contender again. You won't be famous and powerful, the wistful summers you fondly reminisce on aren't coming back. You're not going to go missing in the rain. The mountain continues to grow, and you continue to live in the pit.
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weeswine · 10 months
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I love that the movie itself is literally from the start, a metaphor of a Glass Onion. The audience expects something complex, just like Blanc, so its easy to brush over all of the obvious suspicious scenes of Miles. Even though from the beggining you could point out all of it, the centre of the onion, and the rest of the movie just adds extra layers to make it seem complex and layered.
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banesberry-anomoly · 5 months
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I FINISHED MY DEALER DESIGN
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Other versions below the cut
One with just the relief filter, one thats just the flats so you can see everything properly, and nightmare mode (the main one from above but with a black background)
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rxttenfish · 2 months
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Pardon the question, but how do the reimagined merfolk reproduce? In MP I recall them saying that merfolk reproduce in a similar way to seahorses (may be a throwaway joke, but in any case) but the reimagined merfolk are obviously different from how they are in MP in many ways.
ah yes, one of those things that i've had worked out fully for forever but never made a dedicated post on it over here... at least partially because im suspicious of tumblr and its ability to nuke anything even frankly talking about sexual selection and reproductive methods of various animals, oops.
which is why this is going under a cut, oops. like i said, lots of frank discussion of sexual selection and the processes of it. im a nerd when it comes to this.
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the first thing most humans would notice when looking upon a group of merfolk (of the same species), is a notable lack of dimorphism. there's no dramatic color shifts, no difference in size beyond usual distribution among a population, no odd behaviors, nothing to really sort them out from each other. this is a consistent theme among merfolk in general — while they continually get larger as they age (at a much slower rate than they did growing up, certainly, and not as dramatic as pop media might suggest this to be), it's still fairly close along the existing curve of height distribution, and usually the only real "tells" for an adult merfolk's age is that they get pitted and worn, a little like a statue slowly wearing down, or similar to the age of crocodilians.
which might be a little odd for these hypothetical humans looking onwards, even if they were already familiar enough to be able to tell merfolk facial features apart. even moreso because as frank as merfolk cultures usually are about sex and nudity taboos seem rare, all of their applicable anatomy is internal, so even seeing one entirely in the nude isn't enough to sex them.
the truth has to do with merfolk as a secondarily aquatic tetrapod. i've mentioned before that the early ancestors of merfolk were temnospondyls that responded to environmental stressors in their freshwater environments by being able to take advantage of a wide variety of environments. they have lungs and gills, meaning they can breathe on land very well if they need to move between pools and ponds, and they have gills to optimize their time spent underwater and not have to surface if the going is good underwater. even more than that, they developed both external gills and internal gills, meaning they could reap the benefits of both fast-moving and slow-moving water.
all of this is relevant, because to be exposed to all of these different environments and to be able to move between them when the going gets tough in one, means they had to make longer and longer treks over land. some were dependent on specific vernal pools that they would travel to to raise their young, but this also limited the areas in which they could live, and if those vernal pools dried up then they could not reproduce.
so these early-line temnospondyls made the same switch that other tetrapods have made, and switched to internal fertilization. this meant that, if they were to find another one of their species during their land-travels, they could mate and continue onwards, even being ready to lay eggs right at the moment they found the vernal pool, limiting the amount of time the offspring needed in the water.
however, they did still need vernal pools and water, and were very vulnerable in these stages. and with the existing push towards shorter and shorter time spent in the vernal pools, well, what if they just didn't bother with them at all? it'd put more stress on the parents, but they were already primed to be able to survive through these periods of stress, so it wouldn't be such a huge jump.
so the line that would eventually lead to merfolk and the leviathans both made the switch to live birth fairly early on in their history.
the rest that happens from there varies. this was a more diverse group, back in the day! there were many different species with many different methods for that live birth. some would continue just carrying the fertilized eggs to be dropped off in the next suitable pool they found, some developed them into tadpoles, some went through metamorphosis in the womb and popped out into the world as mini adults, some left spermatophores for others of their species to pick up, some developed evertable genitalia and went at it that way.
but another shift also happened early on in their evolutionary history. them being able to spread out so far and wide meant that there was a very low density of them in any given area, and these low numbers made them vulnerable. if there was high disparity in the proportion of sexes in any given area, they'd feel the effects of that quicker, and when they were already in competition over the same niches as other temnospondyls, crocodylomorphs, marine reptiles, and later early cetaceans, etc who dominated these niches, they were often kept at these lower population numbers.
which was about when these early-line temnospondyls also made the switch to a trioecious mating system.
this happened because sex determination in amphibians is already weird, so it wasn't too far of a leap for a mutation to arise which created fertile dual-sexed individuals. and these dual-sexed individuals had a lot of success under the niche they had already carved out! now, whenever they did find another member of their same species, it was guaranteed that they could mate with them, which meant that their populations were self-sustaining and stable on much lower numbers. due to how their dispersal already worked, inbreeding wasn't as much of a negative factor, and they were even more capable of making it through the disasters and ecological strain that had the other non-lissamphibia temnospondyls going extinct. they could eke out a living wherever they found it, make long traversals over land if they needed to seek out greener pastures, and they were able to sustain themselves in the background without needing as high of a density of themselves in any given spot.
like i said too - this was a diverse clade back in the day! and you ended up getting different variations on this. some species didn't have any dual-sexed individuals. some species had only dual-sexed individuals. some had only males and dual-sexed individuals, and some only females and the dual-sexed individuals, and all in various different proportions and numbers.
what matters here is that merfolk were a part of the line who had evertable internal genitalia, and who ended up entirely composed of these dual-sexed members, making them an entirely unisex species in the modern day.
(this is also where i butt in, to explain from an authorial perspective, this is me kinda... being sneaky with canon and how it tends to phrase things. yes, technically it is the male who gets pregnant with merfolk! but, also, so would females. because they don't have "male" or "female" in these strict terms, and any given individual to them has the potential to do both. this is something that i do a lot with the usual facts given to me by canon, where it's technically true, just because i like to be contrary about it and not take things in the most literal way. it's just what i find fun, i know some other people do it differently, and that's fine with me!)
what this means is that merfolk don't have a conception of "gender". it checks out with their social structure too, because if a merfolk's miivt'ia have a child, then it doesn't matter who actually physically created that child, said merfolk would still consider themselves their parent all the same. the reproductive unit is larger than a singular merfolk or even two merfolk, and at that point, even if they were bisex, then each grouping still has the same reproductive potential as any other.
what this means is that, when miranda describes herself as a princess or a girl or that the king is her dad or she has sisters — these are best seen as translation errors. to a merfolk, the concepts at play aren't gendered. they would not immediately identify themselves as male, they would not immediately identify themselves as female, they'd be very confused and would only get more confused as you tried to explain it to them. miranda describes herself as a princess and uses she/her because she was told that, for landfolk, everyone had to pick one of two and she had to just choose one. she picked "princess" and "girl" because one of the first things given to her as a way to learn english were fairytales, and she really ended up latching onto the princess characters in them.
in fact, this is why merfolk seem to be a little... reductive? when it comes to gender? as in, if you do take the time to explain it to them, you will have to explain it all. which means starting with gender relating to the different genitalia, and you have just told this hypothetical merfolk that it is important to landfolk, who will now operate under that assumption. they will not innately understand why landfolk care about this or all the distinctions thereof and certainly not the nuance of it, so they end up just going "okay, when this landfolk tells me this person is a girl, that must mean she is like this", and potentially getting frustrated when you tell them that that's wrong.
it can't even really work for royals, who do simplify parentage down to two people, and care a whole lot about who is related to whom. for royals in the current merkingdom, its primarily about attempting to preserve a specific lineage. because merfolk lineage is its own can of worms, they simplify - they take the current heir (one who has been groomed and taught how to behave as though emblematic of that lineage and has been guaranteed to have the strongest claim to it), and will find a suitable non-heir of another royal house, for whom they will forbid either of them to make kids with any other merfolk. this agreement is less like a marriage in the traditional sense, and more like the heir's house is briefly sponsoring the non-heir's house, sending extended political and economic benefits to the latter through this connection, in exchange for reinforcing the lineage of the heir and making it more potent, reinforcing their political ties.
this is to ensure that absolutely no other genetics can be involved and to contain the process. because this occurs by who-was-born-where, it also means that only the heir really matters in this ordeal. if the heir dies while the non-heir of the couple lives, and they already have had children, then the non-heir is "locked in" and cannot remarry, obliged to stay within the heir's house in their current position to ensure the current holders of the lineage are brought up and cared for properly. if the heir dies while the non-heir lives, and they have no children, then the non-heir is sent back to their prior family with no benefits, and the next heir is named as though the marriage never happened. if the non-heir dies while the heir lives, then they can remarry as they please, existing children or not. this is not especially popular, as the non-heir's family can accuse the heir's family of being unfair or snubbing them, but it is still perfectly legal and accepted.
for instance: the king, miranda's father, had to marry into the royal family. it was the queen, miranda's mother, who was the crown princess before miranda, and who is seen as passing her inheritance down onto miranda and the other three sisters. when the queen died, the king could not remarry. he was secure in his position as king, but any other marriages would not carry the lineage of the royal family, and at best he would be seen as trying to "dilute" that lineage.
in this setup, it's not all that important who is the donor party and who is the carrying party. either the inheritor or their partner can be the one carrying, so long as it's certain and guaranteed who the baby comes from and that this can be assured with certainty. usually it's agreed between the two of them for whatever reason, though the carrying partner does have a benefit in being a surefire way to prove that they are one of the parents, with zero doubt. inheritors will do this mostly to make their kids look the most "100% royal line, no doubts", but this can also go the opposite way, to cement it down to it being a specific line who carried them and to reinforce the political benefits their prior family enjoys from this arrangement.
which brings me back to merfolk genetics, and why this is so important for the royals to ensure they know exactly who made what!
which is to say, merfolk never opted for traditional sexual competition, and instead erred towards sperm competition.
early on in their lineage, they didn't have a lot of sexual dimorphism to begin with. they were already fairly widespread, and while gatherings around early vernal pools were a pressure towards sexual competition, after they stopped relying on vernal pools, the differences between the sexes became more of a hinderance than a benefit. why would they bother with any colorful spots or being extra big and bulky when you're not even around enough of your species for choice to be an issue? if you can find another one to begin with, then that's really all either of you need, and challenging each other just puts another bind on that low-population issue. they were all function, minimal fuss, beyond some general traits that were seen as markers of health.
even when the ancestors of merfolk first started forming their colonies along the coasts, they didn't change this. there wasn't an initial hierarchy laid out, they were just a large group of the same species arranged in the same area for the same purpose, and also maybe some protection by numbers. they did start to form the early groups that would later lead to the modern miivt'ia, and they started to primarily associate with those groups and socialize with them, which meant that when they wanted to find someone to mate with, that hunting group was always the first and the easiest to access.
why fight over mates in that situation? why compete? the health of the group starts to become directly correlated to the health of the individual, and you've already determined they all have good genes, or else they wouldn't be this beneficial to helping you hunt and survive and evade predation.
but this isn't to say competition isn't happening. there is still the slight edge that natural selection adds in, and with multiple matings between different individuals, the thing that gets selected upon is the sperm itself. faster sperm, ways to kill competetor's sperm, ways to suppress the immune system of the mating partner to ensure that sperm will take, more output, ways to remove competetor's sperm to begin with, etc etc etc. their internal genitals start to get bizarre, both for the sake of excluding saltwater intrusion as they get more and more aquatic, but also for the sake of this sperm competition. this system also means, not only do more matings occur right after each other, but more partners involved. the "default" evolutionary position for merfolk starts to look more and more like a clump of noodles, writhing around and over each other. sexual contact becomes a way to bond and to connect with someone primarily, and a means to reproduce secondarily. it's an easy way to solve problems and to get merfolk to make up, by them simply fucking it out and everyone feeling better for it.
which is where i can get into the actual mechanics of it all!
unfortunately this is also where i run out of steam (also am sick. that will do it too), so i'll absolutely have to make a part 2 to this... and also i'll make another post sharing a few old writings of mine on this topic.
someday i'll make like. a masterpost on merfolk reproduction and what's going on there, but like i said. sexual selection is one of those things my brain goes ham for and i looooove talking about all these additional little facts. like how merfolk pregnancies last 2 years (to match with other large marine predators), and that they're based off of both tiger sharks and the alpine salamander, the latter of which has the record for the longest pregnancy on the planet at up to five years :3
also read Bitch: On the Female of the Species by Lucy Cooke if this sounds interesting to you! and maybe listen to the episodes the Common Descent Podcast did on Live Birth and Milk!!!
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c-kiddo · 10 months
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finished scavengers reign s1 .
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carmenpeach · 2 months
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hm okay something thats been on my mind for like over a year now. sometime last year? or maybe closer to almost 2 years(!?) i started taking antipsychotics cause i just couldnt stand the paranoia anymore it had been ruining my life and i just could not function as a person and i was sick of the daily panic attacks. but like i thought "if i dont like how this makes me feel, i can stop and just go back to being crazy" and obviously i wasnt enjoying it- mostly it made me feel really numb to enjoyment and i found that my special interests were just becoming background noise for me at most and it was really hard like i didnt wanna draw or even play games it was like "wake up go to work come home smoke weed go to bed repeat"
and it was like my stuffed animals quit feeling like sentient and started to feel like just objects and it made me feel sick. like my toys had always been alive in a way and then suddenly they werent, but thats definitly not the reason i was so distressed being sane, since i know that special objects are bound to over the years not feel like friends etc etc <- mentally ill whatever. it was like there was a sudden wash of clarity over me and i hated it.
like it was like i was split in two in a way, and this is the part thats hard to explain unless you personally know the feeling. a lot of schizophrenic people have this feeling of like another person/ self residing in the back of the head or spine. and it gives this sense of paranoia, of being over your shoulders or under your skin just beneath you. and until a few years ago i didnt know this was something other people felt sometimes, and it was terrifying just feeling this entity of sorts possessing me in a way. i had felt it ever since i was a kid (maybe 9? for sure became a hard issue by the time i was 12 though so you know. early schizophrenia if not life long) but i never mentioned it to anyone for a variety of reasons, primarily because there was this feeling that if i outwardly acknowledged it, then it would know that i knew about it, and it would get me. whether that was killing me, torturing me, pulling me into another dimension, or taking over my body. and after 2 decades it just became part of my every day life, this thing within me that would always look for an opportunity to torment me in some unknown but inhumane way. and it was just this all consuming feeling, even feeling its thoughts inside my head, and not being sure where i ended and it began, and i accepted it as just a part of me for better or for worse.
and so starting antipychotics, they did their job and i felt "normal" and i was sleeping regularily for the first time in my life (would lay awake for hours and hours ever sinde like idk 3rd grade. 5 hours a night max usually and then that was plagued by nightmares. and of course the constant hallucinations and delusions in the meantime made sleep even harder) and i even felt less of that endless anger inside of me. and i hated it. it was like after being on it for idk maybe 2 weeks or a month or something i just suddenly in the day felt this clarity wash over me and just like that, the spine creature was gone. it was quiet upstairs. and ive felt hollow ever since. i quit the medication not long after but ive felt the same. its like it got mad at me and left to teach me a lesson for trying to toy with it. and ive been a half human ever since. its spacious in my body and in my mind, used to holding two people and now its just one. and ive spent so much time trying to induce epiosdes and just hoping(?) it comes back, but it hasnt.
its like im being forced to live as a human when im not. "being human" is this like aspect ive always struggled with, like im not gonna go into it but ive been forced to live as a non human my whole life, and every time i start to feel that feeling of "maybe i could be a person" something fucking outlandish happens and kicks me back down. i feel like a cartoon character the way everything is such a "yeah this sort of shit would happen to me" moments all the time. and like in a weird way, i always had this "evidence" i was a non human, with this otherworldly thing living inside of me and it was me.
for a long time i thought of it as the "original" me before all the events in my life forced me to create a new version of myself, and that it hated me. like i was one person ripped in two, and the part you have now (carmen) is the "active" "half" but its only half of a full person. but the other half certainly wasnt a person either. ive had many theories of what it is/ was, but knew i would never know, all i knew was that i could never acknowledge it. and its funny cause knowing that "its just schizophrenia" doesnt ease that feeling. its hard to explain. but what im getting at is that ive spent the last two years learning to navigate myself as only a fraction of what i was before.
its interesting cause i wouldnt say the insanity is gone, every now and then paranoia rears its head and certain topics that would make me have an episode will still freak me out. but i can walk past mirrors now (mirrors were always a 100% episode inducing thing) and i still sleep regularily and ive been eating stable too. but its still with this feeling of hollowness. im used to there being two people inside my body and now its just one, and its too spacious and its almost like i get lost in there. only one set of thoughts in my head, only one person looking through my eyes, only one person controlling my arms. i always felt like an alien and thought i always would. and i found great joy in embracing my schizophrenia rather than hiding it as some terrible secret. and it was the best thing i ever did for myself, was finally being open about my psychosis. ive made so many meaningful connections to other psychotic people, and im so happy ive met ppl that helped me understand myself and that im not the only one that feels this, and also that ive helped other people realize their own psychosis too.
i thought i could play pretend at being a normal person and go back to myself if i didnt like it, but i ended up staying this way. i know its not impossible for that feeling to come back maybe, but my god its horrifying to lose it the way i did. it feels only the more recent months ive started to adapt to being the only me in my body, and to feel like i could maybe be human too. yeah it was scary, but on the other hand now its kind of lonely in a really weird way, and not something i thought was possible either, i can still feel the impression where it was even as it fills in with my own shape now.
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lacomandante · 3 months
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me: this will be a quick piece :) also me: goes overboard on the hair....help me
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8cfc00 · 3 months
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augh who up feeling like they should be humanely euthanised for liking media the wrong way... sorry for fandomising certain characters but not fandomising others enough in the right way.
#ive noticed the wbg fandom has a very different way of interacting w the source media than like. dndads#both are similar in some of the fandomising of characters#specifically like funny characterisation stuff#but when it comes to more complex stuff like angst it feels like the wbg fandom approaches from a different layer#eg in dndads just a characters death is seen is sad but for wbg a lot of the time theres more to it...#an extra layer. a more complex flavour. the horrors are not just those experienced but the entire surrounding situation.#like edgars death isnt sad#i mean. its not sad in the way that referencing it in art will get any attention#but TJ's death is devastating!#with notable exceptions of course. eg innocent hunter and like everything about him#i find that i tend to approach media more stylistically and appreciating the DRAMA which i can mine for visuals#and then in my art i try to challenge myself to translate those vibes#like picking at a thread that is already present. an angst or dynamic already present and explored briefly#but wbg fandom tends to lean more towards analysis? which makes the way i engage feel a bit surface level#like in wbg fandom i dont think i can do the eqiuvalent of all my angsty glenn close art#also i just noticed. the characters in wbg are really interesting because you THINK they#wouldn't be very fandomised. that theyd be treated within the show as more like characters that exist to push the plot forward#but then certain characters act as very fandomised versions of themselves in canon#and are treated as their one trait in the qnas too!!#its like theyre almost dndads characters in this way. but without even that extra layer#the second heat that even like henry oak has! like henry's a hippie but he's also stinky and cringe and is repressing so much shit#but marissa is just explosions girl#i guess that's maybe cuz many characters in wbg arent main characters but in dndads they all are#BUT EVEN NPC HERMIE. HIS LAYERS.#very interesting
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kkoct-ik · 1 month
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yttd spoilies
im still not over how sou could have been The Best My Favourite did representation ever except its not canon and it never will be because nobodys understanding of did extends further than split personality trope. heem heem
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