#these are just bizarre tbh

[sebbyisland]

“Thanks for listening to me ramble” how do I explain my love language is having someone ramble about a random topic I’ve never heard of and am not personally interested in. I’m literally falling for you because it took ten minutes to explain your favorite napkin texture.

[porunareff]

Weekly Shonen Jump 1999 cover artwork

The boys have arrived in town... what crimes will they commit?

[chloesimaginationthings]

Big sip club

[citronlad]

jojos animal mafia au 🐾🐏💭🌸☺️

[haarute]

italian style. specifically naples.

[kuttblueberry]

!Old Art!

I wanted to draw Josuke and Okuyasu post part 4 since we never got to see them again </3

They'd be between part 5 and 6 here. I think I made Josuke a private investigator and Okuyasu became a chef after working in Tonio's resturant.

Their clothes were inspired by a certain marine biologist they both look up to <3

[moeblob]

I think Gepard would also probably like to pick him up by the scruff like a kitten (and throw him in jail) !

Thank you for the compliment @durasposts ;w; I have been enjoying doodling Sampo so I am glad he's been appreciated!

[gomorysghost]

this is probably already done, but since I havent saw this yet...

[blueiight]

claudia still gets infantilized by media surrounding iwtv despite this being core to the tragedy of her condition

i think shes always been infantilized & ppl dont see the merit of her arc bc ppl rly only care about female characters in relation with romance or if they are children [or someone’s child of sorts?] in so far as they relate to the men rearing them. [cue 5001 lestat-claudia webweaves]. claudia is both selectively infantilized & excessively adultified whenever convenient to character/s [somehow both a ‘child interfering’ and both powerful enough to ‘turn louis against lestat’] nd to a certain extent by the fandom too. speaking of the show here too - show!louis now wanting claudia as his child is never disseminated for what it is in relation to louis (how he wanted children, and how hes forcibly exiled from the public sphere & makes do with the quasi-domestic) or claudia (in her want for a companion in immortality & wanting to understand the origins of their existence. in both the book and the show its claudia who initiates the question of ‘who made lestat/vampires as a whole’) but rather ppl render show claudia inert solely as a fictional moral bludgeon to character bash louis or make stuntin like my mommy/daddy posts with lestat. i was thinking too the other day how people often talk about iwtv in the sense of outcasts but never mention claudia… which is insane bc this line in the show alone says so much

But it was 1939, and the only N* allowed in first class was the porter, and the N* passenger rode the rear. The N* vampire made do with what was left, which was fine with her.

neither second-class passenger nor porter directly serving whites: claudia is the black vampire sitting in the stowaway with the dogs and people’s luggage, earlier hiding out in university corners pretending to be the cleaner’s child, engorging herself on blood and taking body parts from her victims to put in storage all if it means she could have something for herself. shes really the ult. outcast of sorts.

[carnivalcarriondiscarded]

hey man, did you need something?

[aahsoka]

this ex fiancee plot is like. aggravating for no reason. we already need to contend with him not admitting he might die in ten years we dont uhhhh need this?

[the-brainrot-central]

Sorry for not Jojo posting. Here’s some Kosaku AU doodles I did of Kira and his fake family in the hospital post-birth (click for higher quality):

Hayato is uncomfortable with PDA, especially when his parents do it 😳😓 (also ignore the fact I only drew one of the twins, two babies is too much for me to handle 😭 can hardly draw ONE)

[theprinceandthewitch]

Tbh... I don't think TOH should get a pass for it's shoddy plot just because some of the stuff that happens within the plot invokes an emotional response in people.

First of all, people react to concepts with varying degrees of emotional intensity based on what they like and/or their life experiences. Secondly, you can still create resonate moments with a good plot lmao.

There is no reason TOH should get a pass for making Belos a non threat for most of Season 1 just because people think x, y, z moment is wholesome or whatever.

[gjdraws]

found sketchy jjba comic roughs for

vento aureo:

diamond is unbreakable

and idek what these are

I miss kakyoin

[churbo]

continuing my self imposed tradition of drawing these guys for new years! Happy new years everyone!

[kindahoping4forever]

my ultimate wish for this next era is they finally let Ryan go like they did Andy. I'm so sick of not getting the content we deserve. All the gatekeeping of tour diaries and now the crumbs of concert footage in that "documentary" yesterday. he was working for months on that? that's why we didn't get tour diaries? all that footage just goes in his vault now? Please.

Hello! I'm sorry to hear you felt disappointed by yesterday's special. However, I feel compelled to comment on a few objective points in your ask.

- "Live & Backstage in Amsterdam" was directed by James Tonkin, the same director (and production team, Hangman) they worked with on "The Feeling of Falling Upwards" (and the unreleased "Live in Brixton" special). Ryan was credited as director of the documentary footage and as a contributing editor (1 of 3) but the live footage and overall final program was not his work.

- Regardless of the particular creatives involved here (or in any given project for that matter), the fact remains that any directors, producers, photographers, etc are all hired hands operating with full input and specific direction from the band. The band chose to make this a hybrid concert film/documentary. The band chose to condense the setlist the way they did. The band chose this format over the traditional tour diaries. What happens to the unused footage will be determined by the band. Ryan is a friend but he is first and foremost an employee and the band owns that footage. (Likewise, the MYT diaries are not sitting on Andy Deluca's hard drive because he's "gatekeeping" or too lazy to edit it. If the band wanted them released, they'd be released.) All this to say, of course you don't have to agree with the decisions but it's important to clarify who your complaint is with.

- This concept of the band or their collaborators "gatekeeping" and fans not getting what we "deserve" is, to be blunt, entitled and immature. Being a fan does not make an artist indebted to you. They make music, if you feel so inclined, you listen. That's it. That's the extent of the contract. Anything beyond that is optional for both parties. Any content an artist chooses to release is not out of obligation or generosity, it's part business strategy, part artistic vision. Artists do not owe you anything. This band does not owe you anything.