#tl;dr i like when people see my art ^_^

[mindrole]

Question about reposting to Twitter (sorry if it's silly): by reposting you just mean stuff you post here, right? You're not going to change course and only post there and not here?

I wish I could give advice otherwise, but I don't use Twitter (which is why I'm asking this in the first place) also hope you recovered well from being sick!

i've been good and healthy! thanks for the well wishes!

when it comes to this i prefer posting on tumblr massively, so don't worry about me moving and setting up there as a main platform or whatever! its comfy here! i like the base of lurkers i've cultivated.

tbh it is mostly a "i wanna post art on twitter because the fanbase is largely over there" kind of ego thing. at first, i assumed i would be posting in parallel, but.. honestly tweeting should be a spur of the moment thing for me, and i have no sense for maintaining side accounts and accounts for specific subjects in particular (this blog in and of itself is a miracle). also i feel watched if i'm out of my element. i don't think it's possible for me to suddenly switch my main hub of cell series posting unless i somehow gained a group of people to bounce off of on a daily basis. i can't use twitter just to post mindlessly like i do here, i like to be chatty instead. at least on tumblr i entertain myself. idk what the difference is. i can use my own personal account just fine weirdly enough, but side accounts never tend to work out and i forget they exist quickly.

basically all i've been wondering from anyone who may know or may be interested in seeing it... the methodology of crossposting my art to twitter when its been a while.. tbh all i draw these days are doodles and stuff that's only funny to me so the mental block is a little strong. it's like "eh... it's not worth the effort.."

initially i intended on mirroring my longer text posts too, like on fusetter or something, but eh... ehhh.... i'll just keep it on tumblr... it's the same thing isn't it. so i'm only concerned with my art right now

also i feel kinda dumb tagging most of the art whenever i post it. but i also don't have much reach on twitter yet, so posting art without tagging it and having people follow until i build something up feels pointless. but also back to the point feeling dumb, i don't mind being seen at all, but i don't want anyone to scroll and go "what's this guy doing here" and such... idk why but it's probably mental illness. i just don't like to stand out in a way that makes me look like i'm trying too hard. but idk how to appear effortless (<-see i overthink too much, there's probably nothing of the sort going on)

but i want to at least semi-cultivate a habit of crossposting stuff even if it's not all of it!! idk if that makes sense.

ironically i think there is very little audience on tumblr compared to twitter for the corner/niche i've accidentally occupied (i.e. being obsessed with the interlude+com+characters that barely exist for some reason especially since i don't post about the main game that much anymore). also just in general i feel like my way of thinking is too strange. i can't fathom that people keep coming back to check over here. thank yew🥺🩷 (<-he was shot out back for this)

every day i am perplexed why this blog has people keeping watch on it, i feel very humbled and happy about it but i also scratch my head a little bit. it's very fun even if confusing. i like the level of interaction i have. so i'm not gonna switch over...!!! don't worry!!!

at the very least i have every intention continuing to archive my art in the poipiku attached to the twitter account... the twitter account itself however, is at a standstill, i have no idea what to do with it, which is why i'm doing the last ditch "phone-a-follower" effort

[vacantgodling]

not to be weird and sappy on main, but frfr i'm so glad i have found a community of people who think my work is good

[bonestrouslingbones]

for how hyperfixated i am on undertale aus i am so so severely out of the loop for pretty much anything outside of my own business rn but i guess the creator of underv/erse like. resigned from the fandom or something and i'm just lookin at their twitter post and seeing very outspoken undertale twitter-only mutuals saying they're gonna miss em like. damn folks really did just decide that misgendering is ok i guess

[todayisafridaynight]

i want to share my silly little masato and aoki drawing i made on paper but im terrified of sharing my art to strangers bcz its not that good and im afraid ill get ultimately slandered LMAO

when youre scared of being criticized for a drawing but still want to share it its best to do what i do and throw it on the internet and then dodge the website for the rest of the day :)

[dogtoling]

OK. . . seems i missed the whole 'chickens are controversial in splatoon' thing. . . why?

To put it short there's evidence both for and against them existing, and this is without me actually looking anything up so i might be missing something.

cases for chickens being extant: there's been chickens present in SOME form in several splatfests, they're not mammals so they're not NECESSARILY extinct, despite being domesticated animals and thus being unlikely to survive it doesn't mean it'd be IMPOSSIBLE because pigeons and other relatively human-dependent birds still survive in Splatoon, and of course there are many instances of Eggs being a staple in inkling culinary culture. egg is everywhere

cases for chickens being extinct: we only actually See chickens (or chicken, as in food) in splatfest art and splatfest dialogue which isn't (or at least definitely wasn't until Splatoon 3) canon-compliant at all. We havent actually seen chickens in-universe to my knowledge, nor had them mentioned outside splatfest. probably the biggest nail in the coffin is that there IS a chicken statue in Splatsville, and typically when there are big animal statues in the cities those are statues depicting extinct animals. this is something from an interview that touched on the crane and tortoise statues in Inkopolis Square; which also confirms that it wasn't JUST MAMMALS that suffered and went extinct, it was also other miscellaneous land animals and even random birds which I think me and initially a lot of other people thought were just. Fine and safe. But if a random bird like a crane can be extinct now then chickens are absolutely not safe just because they're not mammals. although eggs are in like every food it's not really been confirmed in any way that those are CHICKEN eggs (although that is the most likely), they could as well be farming domesticated pigeons or something

So really it's a big case of no real confirmation they DO exist, but also no real confirmation they DON'T exist, but also the only context we see them in-universe is in a context where every other animal depicted there IS extinct and it's like a lore thing. So the existence of eggs is a big hint TOWARDS them existing but could easily mean nothing whereas the other one is more in line with proving they do not exist. it is a very uncertain situation for the chicken

HOWEVER!!!!!! there is hope for the chicken. splatfests in Splatoon 3 have had more in-universe accurate themes and dialogue so far (meaning they dont randomly make up shit like "marina's landlord is a narwhal" and "inklings eat red meat" or whatever the fuck in that sea food vs mountain food one we didnt even have that one it was regional). SO THIS MEANS! in the next splatfest we Could get a somewhat stable answer to if chickens exist or not. of course the other 2 options are extinct animals whereas the chicken is 50/50. i'm HOPING the dialogue touches upon this fact and doesn't just talk about all of those like they just Exist. basically we are very close to some kind of progress on this issue that would be Somewhat credible because while splatfest dialogue has never been a credible source in the past, it has been WAY better in S3

TL;DR we just don't know. Chickens are a mystery

[drtanner]

You know, I think I'm starting to understand why the sharing culture on this site is such dogshit now.

As I mentioned earlier in the week, I spent several solid hours going through my art and writing tags as far back as 2012 and manually deleting everything I found, including all of my own reblogs, because I don't expect my opt out from having my blogs' data scraped to be honoured, and seeing the difference in the way people interacted with my work back then and the way they interact with it now (or the way they don't interact with it at all, more specifically) was deeply and tragically enlightening.

tl;dr, despite having had a fraction of the followers back then that I have now, as well as being an objectively better artist and writer than I used to be 10+ years ago, my work travelled further and people engaged with it more, and they also sent me asks with drabble prompts and questions about my OCs all the time, whereas none of that happens at all anymore. This place was a lot more communal back in that pre-2016 era and generally a lot more rewarding and fun.

There's been plenty of posts going around over the last few years begging people to reblog because that's how this site works, but every one of those posts always winds up lousy with people saying they just click "Like" on things because they like them but not enough to put them on their own blog, or because they don't want to clutter their blog, or because tagging things is too much effort or whatever, and I'm noticing a pattern. There's something that all of these common responses have in common:

All of these people are wholly concerned with themselves and the way their blog looks, or what their blog is supposed to be for, or some other similarly entirely self-centred point of focus.

Listen. Other people have already tried to explain to you that that's not what this place is about or what this place is for or that you can make as many sideblogs as you want if you're trying to curate something specific, and they've had little success in emparting understanding to you, so I'm going to try a different approach.

Here are ten (10) benefits of reblogging that will make this site more fun and engaging for you, personally! ( b ._.)b

You get to keep the thing for yourself, but you also get to pass it along for other people to play with, too! Best of all worlds. How often do you get to keep a thing and share it?

Look in your Activity after you reblog something you enjoy to find other people who like the same things that you do! This is a terrific way to find new people to follow.

Sometimes you'll make a comment when you reblog something and later find that an awful lot of strangers are reblogging it from you directly for some reason. This is usually because someone else later down the line made a much stupider and worse comment and those strangers are now all clicking on your reblog so that they can reblog the post without that other person's stupider and worse comment on it. I like it a lot when this happens. You can get a lot of new followers this way, too!

Even if you don't have the time or spoons to play with jpegs like dolls yourself, your reblog can put the post in front of those folks who do. Playing with jpegs like dolls is half of what makes this site function; give it a bit of time, and the jpegs will cross your dash again with new additions. As it is with anything you love, set it free, and the love will come back to you one hundredfold. 💜

Look in your Activity after reblogging some art or writing to see people going nuts in the tags. You can also go nuts in the tags if you want; everyone loves seeing this when it happens, especially the artist or writer themselves.

Commenting with your reblog is like raising your hand to share your opinion with the whole room, whereas reblogging with your comment in the tags is more like whispering to the person next to you and keeping it between yourselves. Contrary to what you might have been told by others, both are perfectly fine and good and they each have their place. You can do both on the same reblog, even! Take part in the conversation!

If you're too shy to talk, reblogging without commentary is a lot like parallel play. You're all enjoying the same thing quietly together!

When you reblog things a lot, you'll start to see the same people popping up in your Activity feed all the time. These people are your friends whether you actually talk to them or not.

Stuck for something to say? Point out something you liked about the post! It can be something small! Acknowledging things that make you happy out loud is good for your mental health and also your soul.

Reblogging also invites other people who are doing all of these things to find and follow you!

There's so much to do on here beyond checking your dash and occasionally looking at the For You tab. You can discover all kinds of people and things by making a bit of an effort and having a poke around in your Activity feed and on the blogs of people who interact with the posts you're seeing and passing along! I promise you don't need an algorithm to do this for you; the action of exploring the landscape around you on this website is fun in its own right!

Get out there and see who your neighbours are. 💜

[wilwheaton]

favorite goncharov character

Goncharov! Holy shit I haven't thought about Goncharov in YEARS!

I remember seeing it at the Vista theatre downtown in ... I want to say 1983? It was either 82 and I was 10, or 83 and I was 11. Now that I think about it, it must have been Spring of 83. I remember that Kimmy Mendini was my babysitter, and she drove my friend Ahmed and me all the way downtown to see Goncharov. She would have been at least 16, but I feel like she was a little older. I remember that she LOVED movies and just never stopped talking about European cinema.

Ha! I can still her her sort of roll "Cinema" out of her mouth. Movies were for the masses to watch, while sophisticated adults experienced Cinema. I'm just realizing now that she absolutely pronounced it with a capital C. She was like "you are so lucky to see a clean print of Goncharov!"

I had no idea what a clean print was, but I understood it was important and impressive.

She had read about this screening in the LA Weekly, which I didn't know at the time was TREMENDOUSLY subversive in our suburban part of Los Angeles County, and we were going to an old theatre in maybe not the greatest part of town, but Kimmy had been watching me since I was in second grade and was like my big sister. I knew we'd be safe with her.

That old theatre (which is now a fucking swap meet) was just so beautiful inside. 100 foot ceilings, box seats, gold paint and murals. It felt like a place you went to experience Cinema, but, like ... it had absolutely seen better days. I remember that I felt kind of bad for the place, a little embarrassed, like when I got a good grade and accidentally made eye contact with a friend who got a D.

Okay. This clearly hit a memory artery, and I appreciate you staying with me this far, when we finally get to the fireworks factory. We're walking up to the box office, and she tells Ahmed and me that we have to wait on the sidewalk, because *technically* it's rated R, and she's not our legal guardian, but what does this guy making two bucks an hour know about art anyway?

So we wait. She buys the tickets, and then we all walk in as casually as we can.

I remember how scared I was that we were going to get caught and they'd call the cops (that's how it worked in my anxiety-ridden brain), but literally nobody cared. The theatre wasn't even half full, and everyone there was a dude at least as old as my parents.

You know the story, so I don't have to recount all of it, but I can at this very moment remember how shocked I was when Bruno was shot. This was the first time, ever, I had felt an emotional connection to a character. I didn't cry when Bambi's mother was shot, I didn't cry when ET died, I didn't cry E V E R.

But when Bruno died? I didn't make a sound. I just silently wept. Tears just poured down my face and I wanted to roll back time, rewrite the movie, and get him out of that room.

I obviously understand now, all these years later why I connected to him and why his story meant and means so much to me, but at the time I had no idea. I just thought the actors were that good.

I can't believe that guy who played him died so young. I think he was like 40? I remember thinking that was old. Now I know different.

When the movie was over, Kimmy asked us how we liked it. Ahmed was obsessed with the photography (he grew up to be an illustrator), and I obviously had my Bruno Moment.

We got Thrifty ice cream on the way home and listened to Donna Summer in her Datsun.

I haven't thought about Goncharov or Cinema or Kimmy in FOREVER. Leave it to Tumblr to boost my nostalgia check to a natural 20.

tl;dr: Bruno. I know he's supposed to be that character we all hate, and there are so many valid reasons for that. But when I was 12 ... well, I was a different person.

Oh! And now that I know what a "clean print" is, having seen so many "dirty prints" in revival houses before they all turned into swap meets or churches (hey, two places where people sell you stuff and take your money!), I retroactively appreciate it in a way that would make Kimmy happy.

Thanks for the trip into the crumbling mall that is my childhood memories. I haven't been here in awhile and it was nice to visit.

[leafofkudzu]

Greetings and salutations from a summer in full swing, everyone! I hope the season is treating you well, because the first Saturday of a new month is this Saturday, and the festival gods have blessed us with the perfect venue for yet another art party hosted by my guild, [VS] Verdant Shield! That's right, finally the cards have aligned for us to visit one of my favorite locations in game - the Labyrinthine Cliffs!

For those who aren’t familiar with art parties, they’re a concept carried over from Final Fantasy XIV - in-game get-togethers for artists/writers/creatives of all types to hang out, chat, and create together! Get your favorite character/look together, head to the location, find someone that catches your eye, and create! Afterwards, everyone posts their creations in a shared tag (ours is #VSArtParty) so others can see, interact, and share! Tl;dr: the ‘goal’ of an art party isn’t to be drawn, but to draw others, and share with the community!

Time and /squadjoin information is under the cut, but will also be posted again via reblogs as the squads go up on the day of the party!

Location Information:

No picture needed because the Labyrinthine Cliffs are unforgettable! When the Festival of the Four Winds started on Tuesday everyone should have got an invitation to the festival grounds, and if you didn't you likely have an old one lying around, or can find a portal to the locations from just about any major location you can think of! Head to the Cliffs and look for my tag down by the water - there's a good chance I'll be on the NPC boat that cruises around, or lounging on the beach awaiting the next treasure hunt with everyone!

Time & Squad Details:

As we always do, we’ll be having two parties - one on EU servers and one on NA ones - with an hour break in between. People tend to arrive early and/or jump between accounts as soon as the break comes up, so don’t be surprised to see tags and announcements going up ahead of schedule!

The first party will be on EU servers and begin at 9pm Central European Summer Time (aka 3pm Eastern Daylight Time or 5 hours before in-game reset). I’ll be hosting on my EU alt account, so to join either /squadjoin or whisper Ashelin Falstaff for an invite.

The second party will be on NA servers and begin at 7pm Eastern Daylight Time (aka 1am Central European Summer Time or an hour before in-game reset). I’ll be hosting this one on my main account and may swap characters a few times, but a safe bet is to either /squadjoin or whisper Teekzi for an invite - just don't be surprised if you get a response from a different character name!

Closing Words:

As is clearly evidenced by this post being in the right format, I did mostly cobble my computer back together after last month's implosion! I wanted to wait until the Festival was announced in order to confirm that it would be active for this month, and then IRL got in the way again (but in a pleasant way this time don't worry), so I'm a smidge delayed. But we got there! Thank you for rolling with my weird Situations these past few months - hosting these events is a joy I will continue to prioritize as long as you all continue to come by and make them awesome! Keep being kind to each other, and I'll see you all on Saturday! ♥

[shijiujun]

WHY YOU SHOULD WATCH 莲花楼 MYSTERIOUS LOTUS CASEBOOK

Guess I’m back for another rec, you know I’m there when I get minimum two bromance dudes and historical and OOMPH if you liked The Blood of Youth this might be up your lane!! Slightly similar main character premise but super good, the trope never gets old!!

TL;DR

- Stupid disciple + his (unknowing) shifu - Enemy bros “where is my shixiong’s remains?!” + “defeat me and find out” vibes who have to work together and form their deep friendship and get past misunderstanding and mystery blah blah love it - All-powerful legendary swordsman losing all his powers and becoming a legendary physician - Everything is about dead shixiong we don’t even know how the man looks like - Investigations and jianghu shenanigans, cases!!!  - Uwu puppy dog and good in martial arts disciple and his sickly, ex-legendary and still cool shifu who doesn’t know he’s a shifu LMAO - Yes uwu bromance, especially cuz shifu is DYING and he is WEAK and he gonna spit out blood and faint everywhere as they find cure for him 

-----------

AIRING DEETS

Total episodes: 40

Premiered on: July 23

VIP ends: August 18

Can be watched from iQiyi

Airing schedule: 6 episodes on the first day, 2 episodes everyday after for 6 days, then 8 episodes a week except for the last week, that has 6 episodes with finale

SUMMARY

Ten years ago, Li Xiangyi who was master of Sigu Sect, challenged Di Feisheng, master of the Jinyuan Alliance, to a fight on the seas, where they both end up critically hurt as Li Xiangyi tries to find out where his shixiong’s (Shan Gu Dao) corpse and bones went - his sect was attacked on the same day, and when he returns to the sect, critically injured, he sees some of his deputies blaming him for the attack, and instead of going in, he disappears after that.

Ten years later, Li Xiangyi is now Li Lianhua (Lotus Li LMAO) and he’s an eccentric but skilled doctor who has his eyes on earning money. By chance, he meets Fang Duobing (Fang Many Illness LMAO), a young, aspiring detective who’s super skilled in martial arts, but he’s been unable to enrol in Bai Chuan Yuan (the past Sigu Sect), a sort-of sect that plays an enforcer role in the pugilistic world and helps to solve cases, arrest wrongdoers, and the like. Fang Duobing’s dream is to get in, but as he’s the only son of two powerful people who’ve been refusing to let him be part of Bai Chuan Yuan, he’s failed the test 3 times despite being the most-skilled one there. On his third try, however, he tells the four masters of Bai Chuan Yuan that his shifu is Li Xiangyi, a Li Xiangyi who used to be a part of Bai Chuan Yuan and is still greatly missed by the four masters. They agree to it, but only if FDB solve three cases with arrests.

His first case leads him to meet LXY who’s now known as Li Lianhua, and their meeting doesn’t go off to a great start; FDB is idealistic and a rich, wealthy young master at heart who’s never suffered much hardship, and LLH drugs him after and scolds him for being too trusting of people and being too obvious, going around with two servants. LLH leaves him with parting words, only to meet him again later at the scene of the crime.

They solve cases together from there; LLH is still looking for his shixiong’s body ten years later, and decides to solve cases with FDB as a guise to get closer to the truth, making use of FDB slightly. Later, Di Feisheng recognises him, and the three of them are forced to become allies/friends to uncover a greater conspiracy. The clock is ticking for them as well, as Li Xiangyi was poisoned and injured ten years ago, and was given only ten more years to live. The story begins in the year that he’s meant to die.

*Fang Duobing met Li Xiangyi when he was young and still sickly, and Li Xiangyi encouraged him, and Fang Duobing held onto his every word and suffered a lot to become healthy again and as skilled as he is today, all because Li Xiangyi said those words to him that year ;-;

WHY YOU SHOULD WATCH

(1) Fight scenes are GREAT 

- Water water water

- All female sect?!

(2) Bromance, subtle for now, but greater later I assume - ZENG SHUNXI’S FACE HE SO PUPPY BLURBLUR AND SMILING?! AND CHENG YI SMIRKING?! Like Fang Duobing is just wagging his tail and running after a person he doesn’t know is truly his shifu as he claims LOL

(3) Shifu Li Xiangyi not knowing he was shifu to Fang Duobing

(4) Li Xiangyi being the reason for Fang Duobing to EXIST but Li Xiangyi ain’t around anymore (not) and he sad and Li Xiangyi can’t tell him who he is UWUUUU

(5) Familiar faces hehe if you are a SNGX/The Blood of Youth and SHL fan 

(6) CASES ARE INTERESTING!!!

[ot3]

Hi, I just finished the AA trilogy with my bf and we fell in love with it! I found your blog the other day, and it sometimes feels like you're the only one giving correct takes on these characters' writing and the minutiae of everyone's inner worlds (or the fumbling of, see Godot).

I just got here, but, something that's been bothering me about the fandom's approach to the sequel trilogy is like... the imperialist undertones are glossed over, or swept under the rug. Researching "The Dark Age of the Law" and beyond puts a sour taste in my mouth. And with Khura'in the country vs Kurain the village? It all feels racist at best (the concept of the Divination Seance gives me squick). If you have the time, I'd love to hear your thoughts about AA5 and AA6 in relation to the world of AA as a whole. Thanks again for all of your thoughtful and nuanced takes on this series!

so glad to hear you guys liked the games!! thank you for enjoying my posts, i always appreciate it.

the tl;dr of it is that i do think they are genuinely bad enough additions to the franchise that they have signed mainline ace attorney's death warrant. picking out the dark age of the law stuff and aa5 and the imperialism in aa6 you've pretty much honed right in on my two biggest critiques

however i do want to say that although they're being bundled and sold as a 'second trilogy' that's not quite accurate either experientially when playing the games or from a development perspective. aa4 had scenario design/creative direction by series creator shu takumi, with the art director being kazuya nuri (responsible for character design for rise from the ashes in the series previous to this); aa5+6 was spearheaded by takeshi yamazaki, who had been with the franchise since its first game, with the slightly less tenured takuro fuse on art direction/character design. yamazaki and fuse are not without skill, but i think they're both significantly less skilled than takumi and nuri respectively and. it really shows.

pair that with the fact that aa5 and 6 fundamentally do not follow up on any of ace attorney 4's established characters or plots more than superficially, i don't think it's particularly useful to critique 4-5-6 as if they're a single body of work in the same way the trilogy is. apollo justice isn't a perfect* ace attorney game but it's a good one.

anyway i think buying into the 'dark age of the law' stuff in ace attorney 5 necessitates cheapening all of the events preceding it. the implication that 1. the law wasn't that bad before but it Is Now and 2. a single case was the tipping point for whether or not the entire legal system would be bad just ruins the times when ace attorney has managed to acknowledge corrupt systems as a massive source of problem for the everyman in the past

i think this screenshot from the dark age of the law wiki page says a lot:

For starters, that phoenix quote. He would not fucking say that. I don't think there has ever been a point during or leading up to phoenix's career where he thought the legal system had 'glory' he would then want to restore it to. you seem to get it so im not gonna harp on this too much on this but. jesus christ

then, then there's fact that even by stating the most basic details about the franchise's events undermines the whole premise. like okay notice that the corruption that happens during the trilogy/investigations spinoffs is coming from all of the actual agencies that represent law and order/the system: the prosecutors, the police, and the prosecutorial investigation committee. however in aa5 the thing they choose to paint as responsible for supposedly unprecedented levels of corruption in the legal system is defense attorneys resorting to more drastic means, and the general public; aka not the people who are responsible for upholding the legal system but the people who are victimized by it and in opposition to it.

i don't think this was an intentional choice as much as it's just sloppy, inconsiderate, and contrived writing.

aa6 is just flat out racist. 'imperalist undertones' is i would say the gentlest way you could phrase it. like. japanese characters going to a made up south asian country that needs to be taught how to govern itself to quash its internal rebellion is like. so high on the yikes meter.

making a bunch of fake 'ethnic sounding' nonsense names filled with apostrophes to make them into silly sounding english phrasing was a disastrously tone deaf thing for the localization to do. they're really unforgivable. the worst of it all is probably "Inga Karkhuul Haw'kohd Dis'nahm Bi'ahni Lawga Ormo Pohmpus Da'nit Ar'edi Iz Khura'in III" i'm unsure if the names are quite as offensive in the original japanese because i haven't looked too much into what they actually are and have a really limited knowledge of the language. but. this name in japanese is "インガ・カルクール・ククルーラ・ラルバン・ギジール・ホフダラン・マダラ・ヴィラ・ヤシマ・ジャクティエール・クライン３世" which is written in katakana. katakana is, in contrast to kanji and hiragana which are used for writing japanese, used to phoenetically transcribe foreign languages or to write loan words. so the foreign-ness of this character is being emphasized here in the original text as well.

the supposed cultural inferiority of the khurainese people is baked into the game at pretty much every level, down to the gags. khura'in has the 'plumed punisher' show, which is actively criticized by the characters in game for just being a cheap ripoff of the steel samurai. they don't even get to have their own tv.

i believe the reason the racism is pretty much glossed over a lot in the fandom is for several reasons. for starters, ace attorney fans overall tend to fall into three camps: 1. people like me who fucking hate these games, refuse to acknowledge them, and would retcon them out of existence if possible. 2. people who have found things they like about the game and have a Good Version of the characters and plots that they have constructed in their head and 3. people who view all of the hate on these games as completely overblown

the first camp Does talk about how the game is racist but we're all already in agreement about that so it's kind of preaching to the choir and a bit redundant to keep going on about. the second camp tends to acknowledge the stickier aspects of the game but focuses on making content around the elements they like rather than critique. the third camp is the type to throw the baby out with the bathwater re: critiquing a thing they like. it's all haterism to them. but either way i think its kind of fucked up how many people will be like 'aa6 isnt that bad you guys are just mean' without even acknowledging these complaints.

anyway the khura'in country vs kurain village thing is really weird to me it shows both a lack of imagination and a disregard for the series' own established lore. why would a girl from a village where almost everyone is a spirit medium need to go to a place where only, like, two people are mediums to train.

i will say though that the divination seance is kind of one of the only things i found about aa6 to be an interesting addition. for a franchise with ghost summoning and murder solving, the two have a kind of hilariously low amount of overlap so i found the idea of bringing ghost bullshit into court really fun. mechanically speaking, the divination seances also felt a LOT better to play than the mood matrix segments of aa5.

in general, i think the biggest weakness of the mainline franchise under takeshi yamazaki's stewardship is its misunderstanding of stakes. both aa5 and 6 prioritize more bombastic and impressive on paper material stakes. oh no! the ENTIRE JUSTICE SYSTEM BEING GOOD OR BAD depends on this one case! on no! we have to DEAL WITH REBEL INSURGENTS! complete horseshit when there is not competent and functional enough character writing to get us emotionally invested here. yamazaki seems to think bigger is better, and that just simply isnt true for something like ace attorney

i've pointed this out in the past when critiquing aa5 and 6 but if you look at the actual material stakes on the line in ace attorney, they're at their highest after rise from the ashes. ousting the corrupt chief of police is the most impressive and impactful thing phoenix does with his career (arguably until the jurist system, but definitely in the trilogy.) but that's not the big Finale case for his character arc. his finale case is defending his college girlfriend; a nun who lives in the mountains, whose conviction would have had zero implications on the larger fabric of ace attorney's legal system. because takumi's writing clearly shows that he understands what makes a plot impactful is the emotional stakes the characters have invested in the events.

before taking over the main franchise, takeshi yamazaki was responsible for the miles edgeworth investigations spinoffs. i do enjoy both of those games - aai2 in particular is really strong. yamazaki does a great job with edgeworth's character arc even if i have some specific gripes with the duologys writing. i think theyre solid additions to the franchise. but you can see traces of this sort of misalignment in narrative priorities here as well. for example, the last case in aai1 is notorious for still going on for, like, an entire hour or two past the time when the last remaining plot point we care about has been revealed. because yamazaki seemingly had no understanding that That was the thing the case should have been about, and that should have been the final mic drop of the game. it just keeps going! he didn't know the game was done and he added a bunch more bullshit busywork after it that no one likes!

so yeah. without going into anything even as specific as how individual plotlines or character arcs were mishandled in aa5/6 that's really my overview What Went Wrong of those games.

[bluishfrog]

tl;dr: please, please interact with your local fanartists

Since my dash is talking about artists and ex-artists, I thought it would be not the worst moment to encourage people to engage with fancreations more!

I obviously cannot speak for ex-artists (and there are very clearly many different issues depending on the situation that have absolutely nothing to do with what I am talking about), but I could imagine that maybe some of them would be less resentful of this fandom, if they felt more like an appreciated part of this community, and instead of dedicating time and energy to keep up with something they no longer like, they could have left quietly with fond memories.

I consider myself very lucky since despite being fairly new on dtblr, I have a few lovely blogs who regularly leave encouraging comments in my tags, but I see so many art works without any 'personal' tags (as opposed to 'category tags' that people use to navigate their blog) or any comments in any other form.

So let's make sure that the many artists of this community - and especially the smaller ones - have a good experience! :D

Here some ideas (the list is in no way exhaustive) on how to show love to your local artists:

leave personalized comments in the tags: you can point out what you like about it, maybe comment on a small detail you noticed, compliment the drawing style, etc. (small trick: if I don't feel up to add personalized tags, I put the post in my drafts and then add the tags later!)

send them a message in their askbox - you can even stay on anon if you are more comfortable like that! If you want to reference a specific artwork, you can add the link or include the title / description

you can tag people you think would enjoy the art piece - show off your favorite works

if you have something longer in mind, you can even make your own post and tag the artist themselves to ensure they see your post

write something based on your favorite art - no matter how long or short

draw something inspired by an artist you enjoy - and you definitely don't have to be an experienced artist for that. It's so much fun to inspire each other!

Same goes for our wonderful writers: leave a comment, gush about your favorite quote, ramble to them in their ask box, draw fanart for their work - let them know that you appreciate their creations and that you took the time to interact with it.

At the end of the day, we are all here because we want to enjoy something together. And some of us like to do that by creating our own little works inspired by that common interest. And as online communities tend to do, it is quite often the case that negative attention is a lot louder than positive attention. And it can feel rather lonely at times.

It makes all the difference when you feel like your works are loved and cherished :)

[haliteatiger]

Happy Werewolf Wednesday, ya'll! We're serving up a big pot of tea tonight so get those cups ready!

Special thanks to Blackbackedjackal and King for their help in putting this together, editing, and especially to Jackal for being so supportive and encouraging. I'm very much not normally the type to do call-out posts, but people need to be aware of Dogblud, as she has hurt, not only myself, but quite a few others as well, and seems to have somehow gotten away with behaving like this for 20-odd years. I'm of the mind she shouldn't be allowed to do so any more, hence this post.

TL;DR - Beware of Dogblud, aka Ashryn, aka DogofBlud, aka ThatDogMagic. Very, very long post under the cut.

With everything happening with DogBlud and Blackbackedjackal's studio, I felt emboldened to come forward with my own experiences with her. This is something I've been carrying around since it happened roughly 2 years ago. It was one of the main reasons that put me off drawing werewolves, my own characters, or engaging any more in the fandom. I've hinted at it a few times but I've never had the energy to come forward and deal with the fall out. I wanted to move on with the rest of my life because IRL was more important than online drama. And I knew her behavior would come back to bite her sooner or later, regardless of what I did. 

It's been very validating to see that I was right.

It was around the time that Blud and I became friends that I was feeling a bit burnt out on werewolves. I'd been trying to pull together my own werewolf-related project for something close to 12 years. The past 4 years had also been pretty draining on me creatively and socially, as it had for a lot of artists with regards to the pandemic. I also had some IRL things I was dealing with: mainly with my marriage and transitioning between medications to manage my anxiety + bipolar.

Unfortunately, I didn't have the foresight to screenshot everything at the time. I do have logs from back when we roleplayed together. There are several conversations in them but because they were saved as text documents, they're pretty dubious in terms of solid evidence. 

It would have been better if I had taken screenshots as it was happening, rather than just saving the logs. With what I *do* have, however, I feel as though it may be enough to make the point that I'm trying to make, and to exhibit how horrible things got.

I'll provide some context.

I had talked with Blud on and off over the years, and we had always gotten along. We had a lot in common and after we had started talking more, our friendship eventually grew into a collaborative project. We were going to combine our stories and write a comic based on it. We had a lot of discussions on how Blud was reticent to do this in the beginning and how she wanted a contract to be made up so that in the event that something *did* happen, we could both walk away feeling like it was handled fairly.

Honestly, I should have listened to the first alarm that went off in my brain, when, in an act of ominous foreboding she said something along the lines of don't be so sure, it could happen. It was in response to me being like "we're getting along so well and share so much of a bond right now. I can't fathom that being a problem!" 

The contract never materialized. It was something we had decided to do *after* we had put together something of a prototype project to see how well we worked together. It made complete sense to me at the time as we were both eager to focus on the fun parts of writing and drawing together.

It was decided that I would be the lead artist (doing coloring and final lines) while Blud would do everything else (which was inking, layouts, and the majority of the writing). The both of us felt that she had more experience in those areas. I also believed that she had a better knack for it as well. I had felt that she had a better understanding of story structure than myself. And I thought that Blud had felt the same way about my art. That I had the experience to take point on that. 

Since I had collaborated with other artists and writers before, I attempted to approach the project with the same sort of professionalism I always do. Especially the projects that I genuinely thought stood a chance of being published in the future. We had started out trying to get a feel for each other's flows and rhythms. I had expected Blud to try and meet me in the middle of where our processes would potentially differ from one another, so that we could develop a fairly smooth workflow.

I had also expected, according to our discussions on the matter, that we would value each other's opinions on things and take them into consideration. We had such good synchronicity already.

In the beginning, there wasn't any unusual behavior that caught my attention. Blud was a bit uncomfortable with trying out new things but I did my best to accommodate her so that our project could move forward without too much turbulence. She had also mentioned to me before that she was autistic, and since my husband is also autistic, I knew how difficult it could be when it came to adapting to new routines. But when it was time for her to deliver the first set of layouts, it wasn't at all what I expected.

What I had expected was something with margins, clearly marked boxes, and figures that I could do rough lines over. I also expected notes that confirmed what we had discussed earlier about the project; that way I knew what she wanted or if there would be any changes. She took offense to this, feeling like I was violating our agreement. Though Blud did try to give me space with regards to the actual art, and while she would offer criticisms here and there, I trusted her opinion as an artist and as a friend. But apparently that didn't go both ways. In fact, Blud seemed to be offended that I expected more from her.

Blud agreed to concede. She suddenly seemed fine with the changes that I had asked for after seeing the layouts. I guess she was feeling overstimulated by the change and I might have been applying too much of a critical tone to her responses to begin with. I have had to deal with rejection sensitivity throughout my life and it's certainly prompted me to approach what people say to me online with a bit of scrutiny (sometimes too much).

And while I was mildly annoyed, although admittedly I was more concerned with Blud's overall reaction to my asking for clarification about several things in the layouts, I let it go. But it seemed like there was a problem. The majority of my ideas were either rejected or outright overridden with Blud convincing me that my faulty memory had made me unable to remember what we had agreed upon. Or that I might have been misremembering in my own favor.

There was one time where we were discussing a monster's design. Blud had already decided to settle on one design that she had come up with, even as I continued to offer other suggestions. The story was to take place in my setting, so I was under the impression that I got to decide what kind of creatures should populate it. The conversation ended somewhat ambiguously. I had assumed that we'd come to a solid conclusion later. 

I came back the next day and it turned out that we were using her design because that was what we had decided on. "Don't you remember? You really need to do something about that faulty memory of yours, Tek. I can't be doing this for you all the time."

At which point, Blud would go back and meticulously scour the conversation until she managed to find a set of lines that would make it seem as though I had 100% agreed. Even when I tried to explain that I had meant something else, she took it as an affront on her inability to understand nuances due to her autism.

I admit that my memory isn't that greatest at times, but I've never had anyone complain about it before. And none of my friends have ever minded providing reminders to me if I did misremember something incorrectly. We all forget stuff at times, right? It's *still* something that I'm self-conscious about because (like a lot of people with ADHD) my memory seems selective at times. This was, apparently, a problem that I needed to manage. 

And even as I'm remembering these incidents to the best of my ability, I've already spent so much time recounting all of this to friends. I feel confident in my recollection. There are some details that may overlap or become entwined with other things, but it all basically tells the same story. Especially in conjunction with what's been said by others. You're free to take it as hearsay since I do not have screenshots to back this up.

I will mention (since I've been told it's something that Blud has taken particular interest in) that at one point, I did have a crush on her. I was having some problems IRL, and it was nice to have someone whom I felt actually understood me. I also felt like I saw a lot of myself in her. I think that, at one point, I did describe her as the kind of "girlfriend" I would want. Blud seemed to indicate the feeling was mutual.

Between our collaborative partnership and all of the details we shared about our lives, it did feel like an intimate relationship at times. I had no intentions of pursuing it. We were not compatible in our romantic and sexual identities, and I had no intention of leaving my current partner for her.

I had begun to notice red flags, even if I wasn't ready to accept them yet.

I've had experience with abusive relationships in the past but they were in person, and not online. I knew what to look out for and yet I was being willfully ignorant about our friendship. I wanted to give Blud the benefit of the doubt. I wanted the project to work *so* badly that I was willing to work with her increasing demands as the months went by.

I had no idea that those demands would change into, quite literal, temper tantrums. It would then trigger my fawning response which was due to an abusive family situation that I had dealt with before I moved to Canada. The tactic was this: concede to someone until there was a time that they either understood reason or I had the chance to use it against them if necessary.

I started to take screenshots. I wish that I had taken a lot more of them so that everyone could get a better idea of what was happening. I did go back and manage to record the majority of the first outburst. It was the first inkling I had that Blud wasn't playing with a full deck of cards. I knew that that would be one of the first conversations that she would promptly delete. And consequently, I was right.

This assortment of screenshots will exhibit the first serious confrontation that Blud had with me. I am absolutely *not* proud of how I handled this. I was literally panicking at the time and doing whatever I could to get her to calm down. Because I have a temper that can look similar to this in person, I knew that I had to wait until the post-tantrum clarity would hit Blud. I tried my best to not lose my own temper in turn but looking back, I feel that I came off as sounding too timid.

I didn't want to ruin this project.

I wanted to make a comic with an individual that I admired and respected as a fellow artist. And, with me not knowing how to respond, my main priority was to not make things any worse than they already were.

Below is the conversation in its entirety:

I had taken this screenshot on my phone after I had stepped away to compose myself. Blud had handled the confrontation and criticism with a reasonable amount of apprehension. But what had not occurred to me was that I could have said something that would remind her of past experiences with a roleplaying group.

It was something that had evidently scarred Blud for life.

I took away the wrong things from what she had told me, choosing to focus on the aspects of the "betrayal" that had appeared to bother her the most. And in hindsight, I did not see the correlation. I was genuinely apologetic that I had hurt her feelings.

But I *will* critique Blud for her poor handling of the situation. Whether or not I had hurt her feelings, no one is entitled to act like this or claim that this is what attempting to resolve a problem should look like.

I wasn't sure on how to initially respond to Blud. It had been ages since I'd had to deal with someone flying off the handle like that.

The following screenshots are where the conversation picked up, after she had already deleted the above message:

We had weathered the "storm" and after Blud calmed down, she was ready to communicate. There was a part of me that was genuinely sincere when I apologized to her. I did mean it when I said that I had no intentions of hurting her and that I hadn't considered how my statement would sound to her.

I had hoped that this had been a stress response due to factors outside of our collaboration. And especially when I took into account how she had interacted with me in the past. I knew that Blud had a lot going on IRL, and that she had already put a considerable amount of energy into this project.

I had taken her meltdown more personally than she could perceive that I would, because this was something that was acceptable to her. She had a "condition" that would absolve her of these abhorrent meltdowns and I needed to get used to them if we were going to continue working on that project together.

I was shaking the entire time we were typing in the chat.

I was sincere in my responses. I really did want to work things out with Blud and give her the benefit of the doubt. I could have been taking the things that she said too personally or maybe I had been reading too much into the situation. Was there a chance that I could have been misreading her outburst? I tried my best to keep an open mind though I was still somewhat baffled by the fact that she would have meltdowns as often as she did.

I confided in my husband and some other friends about the situation. They were also bewildered by Blud's actions.

By this point, I was struggling with the reality that this collaboration was most likely *not* going to work out but I still wanted to try. I still cared about Blud. We would still hang out together and talk about things like music, our characters, or our stories.

While I did have the foresight to go back and screenshot this section, I wasn't fast enough to get screenshots of everything else that I will be going over. Blud *did* admit to going back and deleting certain exchanges due to a mixture of shame; not wanting to look at them when she would scroll through our conversations. 

In retrospect, it was very telling.

And even after that meltdown, I still enjoyed the friendship that I had with her. I kept my guard up but I was willing to make compromises on her behalf if it resulted in better communication between the two of us. Blud made me promise to immediately tell her if I had a problem with something. I also agreed to keep notes of our conversations.

It worked for the most part.

In the end though, it became apparent that Blud wasn't willing to do the same for me (even after we had an extended conversation about it). I then realized that I had been tasked with basically *managing* her autism for her. I was already busy with my supposedly "bad memory" at the time; and Blud was more than ready to scroll back up through our conversations to cherry-pick a line or two of text to remind me of what was said earlier.

Because, for her, circumstances couldn't ever change. If they did, it would mean that Blud had lost control of the situation and that she was in the wrong. She could *not* be in the wrong. 

And if she was in the wrong? It would take solid evidence, three witnesses, and a court of law to prove it.

She had two other major meltdowns after this. I managed to step away from communicating with her through one of them and I don't remember the other meltdown lasting very long. She immediately deleted the texts of both of those instances before I could take screenshots of them.

It seemed like I could do nothing right when it came to Blud, no matter the lengths I would go to accommodate her. I knew that it was a common tactic used by abusers. I finally accepted that our partnership wasn't going to work out and I began thinking about an exit strategy. The final straw was when she began to expect me to be at her beck and call.

I had promised that I would be there for her, within reason, and I was willing to offer reassurances whenever she would ask me for them. The promise had been made back when we had first started to talk to one another with more frequency, before Blud had shown me her true colors. I would end up completely underestimating just how badly she would need reassurance.

To be frank, I underestimated a lot about Blud in the beginning.

I would end up mentioning that I enjoyed my space in several different conversations with her. That there was a chance that I might be offline for several days so I could take care of things IRL and recharge my social batteries. I'm somewhat of a recluse. And an adult who enjoys things that aren't online.

She said that it was fine.

I became incredibly anxious when I would talk to Blud, especially after her somewhat abrupt change in personality.

I then attempted to put my foot down about boundaries and this is what she had to say:

I decided to walk away for a bit and I came back after I had had some time to think things over. This wasn't healthy for either of us. I wrote a couple of sentences to say goodbye to Blud before I blocked her. I knew that my actions would probably infuriate her. She had told me in the past that she *hated* not being able to have the final word... which she was able to do through email:

“And I'm not letting you pretend you have control over the situation, or the high ground. You distinctly have neither. But since you're determined to stick to your 'principles' on this, I've decided to make it easier for you.”

She thought that she was absolved of all sins just because I had said that I would stand by her at her worst. And at the time that I said that, I had no idea that her worst would be her trying everything possible to protect her boundaries while stomping all over mine. It didn't matter what she said or how often she would apologize when I would confront her. She kept doing it.

I admit that I wasn't perfect in this situation either.

There were times when I was condescending, critical, or downright mean when I talked to Blud because that was the way I had felt when she was talking to me. I soon realized that it didn't matter either way. I could have been using the friendliest tone imaginable and she still would have perceived it as either mocking or dismissive on my end. There were even a few times where I would preface my explanations with an advisory “please know that I am not attacking you and try to read this in an understanding tone,”etc. I would then post an explanation I had spent hours picking at to ensure that there was no way she could misinterpret the intent. Even so, she still read the majority of what I said as criticism and would take it to heart.

I never expected Blud to do something that made her uncomfortable; nor did I expect her to overextend herself when it came to our project. I would go out of my way to make sure everything was fine when we would talk about it. I only expected mutual respect in return.

When we would get into discussions (arguments), she would never attempt to understand my point of view or let me explain myself. It would have made it about me when it should have been about Blud and her needs. She sometimes would agree to come to a compromise about something, but only if I would admit that I was in the wrong.

I know that if Blud was to look at these screenshots, she'd be incredulous that I'm trying to distract from the horrible things that *I* did. And those horrible things that I did? I tried my best to work with her.

It wasn't just her poor teamwork that bothered me. It was her attitude and the lack of respect that she showed me. She would never ask me to clarify something that I said; always assuming that it was a criticism against her. I can only speculate that Blud did not want to hear about how any of this was her fault, like in the email she sent me.

I don't know if I was actually her friend at any point. Friends make efforts to understand one another. Ideally, they’d want their friendships to continue, and they would want everyone to be getting along and having fun. She seemed to actively defy that.

I would argue that things like this don't just happen in a vacuum. There's almost always a reason for such things, but it's honestly a mystery to me as to where this vitriol comes from. I don't know why Blud sees monsters in every word, especially if they come from a  "friend". 

I've seen her viscously mock herself during meltdowns; it seems like she hates herself and expects everyone else to hate her too. I think that she wants it to be the truth, so that it validates the feelings she has about herself. The behavior patterns that I'd been exposed to are consistent with the idea that Blud is seeking confirmation about the personal assumptions she has about herself. It's what makes her so volatile to those around her. Yet, she refuses to break the cycle.

I hope that she can make that choice in the future but at this point, I'm not holding my breath.

[phantomarine]

Hey what were you trying to say in your “it gets good at page 1001” post

Was it more of a comment directed at yourself ( self degradation), is it satire about perfectionism,

Is it supposed to be inspirational for Beginners webcomic creators, or we’re you just in a bad mood?

More of a warning against self-sabotage, because I see it so much. Sometimes it's tied to perfectionism, sometimes it's the opposite - people surrendering to imperfection when they don't really have to.

Creator chat incoming. I'll put it under the deelybob for anyone who wants to read it 👇

I've been in the webcomic sphere for several years now and I've seen so many people introduce their comic with 'I know it's very long and not easy to read, and I won't be going back and changing anything about what I've already made - but please critique it so I can make the rest of the pages better and attract a bigger audience from now on.'

And that's a hard thing to respond to. If a reader can't get through all those existing pages without being confused or bored, then how can they get to the good stuff that lies past them?

So much of gaining an audience is about actively making it easy to 'fall into' a work. Without that easy entry point, it's always going to be an uphill battle to build an audience, no matter how good the later chapters get. There are outliers, but most webcomics won't be those outliers, especially with thousands of them available nowadays. Some people love the grind, but most people will jump to a new tab and try to find something less frustrating.

And webcomic creation is particularly cursed by its very nature. Creators are hesitant to go back and edit pages, even once they've figured out more details about their craft or story structure. It's mostly because of the seeming permanence of it all - the art takes ages and the words feel unchangeable if even one other person has read them. To go back and edit is to publicly admit your failings, right? That's how it feels. What do you MEAN you didn't get it right the first time? You were supposed to do it live, and do it PERFECTLY!

But ideally it shouldn't be any different than prose writing, which is ALL ABOUT finding the story in those edits. And because your story is digital, you can go back and change things whenever you feel like it. A webcomic is fluid.

And if you're thinking 'I should just redraw my whole first chapter' - NO! Hell no, old art can be a part of the appeal! It's far more about finding little tricks to convey your story/characters more clearly. I have read some first chapters with janky art that made me fall completely in love with the story and cast. It's not about the art - as with all things comic-related, it's about conveyance.

Examples I've seen and some I've used myself: A single extra page with a meaningful interaction can solidify the theme of a character's arc. One additional 5-to-10-page scene can help add visual context for an offscreen event where there was none before. Adding a map can tell people where the characters currently are. Changing a character design can help if they get often confused with another character. Redoing your lettering to make it more legible is a huge one too.

In the end, I just don't want people to be afraid of small edits. When I got feedback about the bad clarity of my own work, I knew it would take some time to fix those problems. It wasn't fun to think about or to do, but I'm glad I did it in the end - because it would have limited my audience tremendously. With just a bit of extra effort, I opened a door that wasn't there before, and it now leads more people even more easily to 'the good stuff.'

tl;dr You started your webcomic for a reason, and you're learning more things about its characters, story, and craft every day. Don't be afraid to go back to old pages and inject some of that wisdom through editing. Even a little can go a long way.

***Caveat: If your goal is to just create chaotically, with no goal of gaining an audience, you are a wild and free little thing, and I am in awe of you. This whole rant doesn't apply to you, and you are stronger than me.

[nordidia]

May I request some pain, Raph flavored

Pretty pleaseeeee

i hope i dont sound angry writing this, but please dont send/ask me stuff like this! i've gotten a lot of similar asks like this and this is scary for me but i need to set a boundary!

.

i dont like making "angst" or sad things, i dont make non-happy content for the sake of inflicting pain, and i dont like people assuming/thinking i do! i make it for meaningful emotional impact, i dont want people to tell me how much they like that i "put raph through pain" or assume im appealing to people who like doing that .. it makes me very sad!

i dont make "angst" to purely hurt characters, im making fanart of a character with emotional depth, and to explore the character's reaction to serious matters, and to let people know that theyre not alone, and that struggling can look like many things

some of the most motivating things ive been told by people who like my comics is that it's helped them (and their therapist sometimes!) figure out what was up with them, because i write a lot of things such as ptsd and anxiety and general mental pain to look different than the media portrays. because there really is alot of forms mental issues can take, and not all of them get portrayed, which leaves real people wondering "whats wrong with me" when its right there, just different form!

i think the closest i'll get to making it "just because" is vent art, but that too has meaning. and i will specify when its vent art for that very reason. to say "this isnt necessarily me exploring anything, or canonical, its to make myself feel less alone, and hopefully, the people seeing this as well"

and thats why i make the content i do, its not because i enjoy putting characters i like through bad things,,, in fact, i often hesitate/regret posting because i feel bad about the things i create for the sake of this. but i try to look past it because it can genuinely help a lot of people, and it does help myself too.

i think that assuming i make emotional stuff just for the sake of pain takes away from that.. i try very hard to not over-do sad stuff and i often cut down on it because i dont want to overwhelm people with it, and to prove that i only do the necessities for the sake of healing from the things i put emphasis on

any of the pain i "put them through" is my take on what they've canonically been through, and exploring their reaction and way to deal with the aftermath of that. nothing more,,, nothing less.

ugly things are still worth talking about, especially for the sake of healing growth

this got alot i hope i made sense uhh yeah!! yeah.,, apolocheese!!

TL;DR: i personally make pain for the necessity of healing, not because i think its fun

and now back to our regularly scheduled program

[thelostgirl21]

Somehow, I don't think I've ever truly taken the time to appreciate just how sort of... ridiculous Radovid's introduction scene is?

Not Radovid himself, he's adorable!

But it does make you wonder...

How often does King Vizimir just... randomly yell his name at the top of his lungs like that to get his attention, and then, just... basically lets him carry on, because turns out he didn't want anything from him?

He's like: "Nah, don't worry about it, 'bro! I just felt like loudly shouting your name in a crowd rather than simply telling Dijkstra that I'd decided you'd be leading the 'Princess Ciri finding efforts' from now on! Just reminding him of how adorable you are, you know? Look Dijkstra? Isn't he adorable? That's my baby brother with his little bottle making cute little "whoo! " sounds right there..."

Because, you know, once Radovid realises that his brother is calling him, he makes literally no effort to go see him, either!

I know he's playing dumb/drunk, but still!

"What's that?! Oh, okay! It's just Vizimir trying to locate me. Whoo!"

WHAT *IS* THAT?!

It's like a parent at a children's party suddenly going "SAMUEL!".

Child: *Stops playing to look at their parent.* "What?!"

Parent: "Oh, no worry, honey! I just wanted to make sure you hadn't run off, drowned in the pool, got kidnapped or something! But I see you've got your grape juice bottle and are having fun with your friends, everything's fine! Go on!" Child: "Yay!"

I mean, you might reasonably expect King Vizimir to shout Radovid's name in a crowd like that to get his attention so he can motion to him to come over, and then introduce him to someone he's never met before.

Which, on a meta level, is technically what he's doing: introducing Radovid to the audience.

But in Universe?!?!

It's Dijkstra. Dijkstra knows who the crown prince of Redania is, Vizimir! You could've just told him, and he'd have gotten it! No need to get all dramatic about it!

TL;DR: King Vizimir is a ridiculous drama queen that loves showing off his pet baby brother every chance he gets!

And Radovid's gotten so used to it by now, that he's totally stopped attempting to figure out what his big brother wants when he calls him.

What if it's not just Vizimir, though, and Radovid just has that reputation for constantly getting himself into trouble if left unsupervised for too long.

So, people at court have a habit of periodically shouting his name; just to get him to manifest himself in large crowds, or crawl out of whatever hole or tight space he's crammed himself into, make eye contact, and locate him.

Therefore, in my new personal headcanon, there's now a scene at the Thanedd Ball that pretty much goes:

- Dijkstra: "RADOVID!" - Philippa: *walking over to him* "I think I saw him leave earlier with his royal security detail. He's probably sniffed out the bard's scent..." - Dijkstra: "Oh, good! You made sure those guards understood their assignment, right?" Philippa: "Of course!"

***Meanwhile, in the nearby woods.***

- Captain of the guards: "RADOVID!" - Other guard: "It's no use sir, we've lost him! " - Captain: "Gods damnit! Dijkstra won't be pleased..." - Radovid: *having already put plenty of distance between them, on his way to go see Jaskier* "Whoo!"

It's a good thing Philippa wasn't with them, or what might have happened would have been something closer to:

- Philippa: "Don't worry! I've got this!" *in whispering tones* "Sabrina was right. Valdo Marx's compositions are far superior to Jask -" - Radovid: *instantly traveling across space and time to appear right before her* "Valdo Marx has NOTHING on Jaskier! His sublime ethereal melodies, and the poetry of his lyrics, elevate the bardic arts to -" - Philippa: "Oh. Look. There he is!"

[torialefay]

🗝️ Sun in Scorpio ♠️

minho as your boyfriend!!! (pt. 1)

(based on astrology) 🔞

✨minho x reader (f); possessive fluff, slightly suggestive at the end

✨take a look into lee know’s natal chart to see what type of boyfriend he would be! in this post, i will be talking about his sun in scorpio. this is a series!!! so follow up later if u want more <3

✨i will give a brief synopsis of what each chart placement means (for all my non-astrology friends out there <3) and how that would affect minho in a relationship :)

✨word count: ~2k

✨ author’s notes:

★★ (1) i do do brief astrological compatibility readings if anyone wants one! if you’re interested, message me your birth date, time, and location OR lmk your placements. i’m gonna limit the reading to include you x 1 skz member only! just specify who you’d like.

(2) i am wanting to get better at using neutral-gendered pronouns so more people can feel included in my posts. i’m really struggling since i use phrases like “my girl” a lot. anyone who has some good alternatives or tips, please message and lmk! i really want to be able to start cranking out more gn options!

(3) the aspects in this reading are based solely on my opinions and interpretations! nothing about a person is set in stone simply because of astrology. please don’t use anything i say as canon :)

(4) i will not be going into ascendant or house placements because lee know’s birth time has not been confirmed for AM or PM

✨warnings: some explicit language

✨ tl/dr: minho as your boyfriend will spoil the shit out of you and charm you until you can’t help but live and breathe him. he’s got to keep a grasp on you at all times- literally AND figuratively.

Sun in Scorpio: Sun signs are all about personality- the face you show the world! It is also the lens through which you usually see yourself and how friends would describe you.

• Scorpio has two planetary rulers- Mars and Pluto. Mars is the ruler of action and aggression, while Pluto is the ruler of transformation and rebirth. Scorpio is an amazing mixture of the two, as it embodies strong desires, innate control, and deep mental and supraphysical understanding.

• Scorpios encapsulate passion. They tend to have a deep understanding of others and can utilize this power to their advantage. They are able to influence others to do as they wish. Scorpios have a deep understanding of beauty and admire things that could be seen as dark, different, or strange to others.

• Scorpios have a tendency to become obsessive, controlling even, if not careful. They get fully engrossed into who other people are and want others to fully engross themselves in them as well.

• Scorpios are known for their creative and expressive nature- something that comes naturally to them. Because of this, they can really shine in areas such as art or drama, historian or detective, intuitive research or psychology, and are amazing for dabbling in the occult.

As your boyfriend:

• He is super protective over you. He’s always watching behind you as you do something to make sure you’re okay and no one is bothering you… And to be honest, I don’t think many people WOULD bother you, knowing you were the person with a psycho boyfriend (in a good way <3).

• He would bring you lunch any chance he got. If you were at work/school and he knew you hadn’t brought lunch or hadn’t had lunch that day, he’d definitely bring you something- whether he picked it up or made it himself. It also gives him an excuse to see you and check on you during the day.

• He knows when you are having a bad day. And he knows exactly how you need him to act in order to help you deal with it. When he senses something is wrong, he will pull you onto his lap in a hug and tell you to talk to him about it.

• Other people think he’s cold, but he’s definitely not with you. He loves you and nurtures you. He takes pride in knowing every part of you. He loves that there is a side of him that is specifically for you and not for the rest of the world. He’d like it if you were the same.

• He loves when the both of you have a chance to get dressed up. To look good for one another and just enjoy the other’s company.

• He loves nice dates, ones where he can make a grand gesture to make you feel loved and special.

• That’s why it was no surprise when he’d texted you earlier to dress up pretty for him and he’d be at your apartment to pick you up at 8.

• This was a monthly occurrence. Him surprising you with a nice date- and when I say nice, I mean NICE.

• Yes, you went on smaller dates a lot too, but he made it a priority to spoil you with something bigger at least once a month.

• So here you were, all dressed up in your favorite dark blue satin dress. It looked absolutely enchanting with it’s spaghetti strap and cowl neck top with a deep slit running up the side.

• You made sure to do your hair his favorite way- loose curls all brought to one side.

• You gave yourself one final look in the mirror, swiping on a glossy coat over your lip stain before heading out the door. Minho was already waiting on you downstairs.

• When he saw you like this, he always smirked.

• ‘Looking so beautiful all for me,’ he thought.

• Once you got to him, he just smiled at you, taking your hand in his.

• “Now, are you going to tell me where we’re off to?” you asked.

• “Shhh, you’ll see,” he kissed your hand, leading you out to the car.

• He always made sure to open the car door for you and make sure you were buckled before you took off.

• And of course he always had to rest one hand in his favorite spot- gripping onto one of your thighs. It was harder when you had a dress on, but he’d never let that stop him. He needed to always have a hold on you.

• Arriving at your destination, it was a quaint building you didn’t recognize. You’d never been here before, but it seemed to be a small restaurant with only a few (very nice) cars in the parking lot.

• The valet rushed to the car to speak with Minho and grab the keys.

• You smiled up at your boyfriend as he walked around to your side of the car, opening the door for you and taking your hand in his to help you stand.

• As you made your way toward the restaurant, he made sure to hold tightly to the one hand, while the other stabilized on your hip, making sure you were safe while ascending the few steps in front of you.

• “Hello, can I get your name please?” the host of the restaurant asked as you stepped inside. It was a beautiful restaurant- dark and sensual. There was very minimal lighting, but what they did have gave a beautiful warm glow. The sleek bar to the right shined bright from the sparkly crystal bottles aligning each of the shelves- luxury liquor only.

• “Lee,” he said, matter of factly, only taking a brief moment to look at the host. Tonight, his eyes were only on you.

• The host presented a big smile before stepping to the side and motioning for you to follow him. “Great, Mr. Lee. Right this way.”

• Minho let you walk just slightly in front of him, always watching your back to make sure he had a full view of you. One hand continued to rest on your hip. It was like it was glued there. He never wanted to lose contact with you.

• The host led you down one of the dimly-lit aisles and to the back of the building. Off to itself, he rounded a corner to lead to a beautiful, private, screened-in room in the back. It sat adjacent to a huge lake, which could be seen through the mesh netting of the “walls” that enclosed you. With the moon shining bright over the water and the stars on full display, it was a captivating view.

• Minho pulled your seat out for you to sit before pushing you in towards the table. You allowed yourself this moment to look around the beautiful secluded room. It was still dark like the interior of the building, with the nice, warm lighting. But there was an even more bewitching feeling to it through the beautiful scenery and soft music that was emanating from afar. It was absolutely breathtaking.

• If there was anything Minho knew how to do, it was how to wine and dine you. He made sure to start the evening with ordering a full bottle of your favorite reserve red wine. He loved the way you looked and smiled at him after a glass or two- how lovey dovey you got for him and how you began to try and charm him, getting all giggly, before the night was over with.

• He encouraged you to get whatever you wanted off the menu- even if it was the most expensive thing by far, he wanted you to have it. He was never going to let you pay anyways.

• Once you decided what you wanted, he always wanted you to tell him so that he could order for you. It wasn’t that he thought you were incapable of ordering for yourself, but he wanted you to know that you would always be taken care of when he was there. He didn’t want you to have to take your attention off of him for one second.

• Your heart always swelled as you watched him order- for some odd reason. And he never ordered just what the two of you wanted. No way. He made sure to always order at least 3 or so dishes so that you could share with each other and sample everything. He would make sure to have something on the table that his baby loved.

• Even if you were absolutely stuffed, if he noticed there was still wine in your glass, he would always order a dessert for the two of you to share. And although he wouldn’t admit it, this was also a way to extend his time out with you.

• He’d make sure to do all the gross romantic stuff with you, like feeding you a bite of the crème brulèe straight from his spoon. He definitely didn’t want to overdo it though and would NOT do it unless you two were in private.

• At the end of the evening, after your head felt light and bubbly from the wine and your stomach was full, he made sure to tip the waiter very generously. You loved that about him. That’s why the restaurant owners and workers always loved to see the two of you back.

• Taking the last sip of your whine, you leaned in with a smile, half-whispering “thank you for dinner, jagi.”

• “Thank you for being here with me, love,” he said back. Slowly, he stood from his chair, so naturally you waited in yours as he always requested, so that he could again pull your chair out before you stood.

• He made his way over as usual, standing behind you, but this time he didn’t put his hands on the chair.

• Instead, he placed one hand on the nape of your neck, bending down to plant a soft kiss to your shoulder and then to the side of you neck.

• You let out a giggle as you started to blush. “Stop itttt, you know we can’t do that here.”

• “I know, but I had to at least get a little bit out,” he smiled smugly.

• Suddenly, you saw his hands both in front of you and a cold sensation on your chest. You looked down to see a beautiful silver pendant resting just between your collar bones.

• “What’s this?” you asked, as you felt his hands secure the latch at the back of your neck.

• He walked to your side so that he could see your face and bent down, resting one knee on the ground.

• “Why don’t you look at it and tell me?”

• You picked the small-ish pendant up to examine it. On the front, in dainty cursive font read “LMH”. Lee Min Ho.

• The back had a single, small diamond implanted in it. Around it’s edges, it had a Latin phrase inscription. You read it aloud. “Aut viam inveniam aut faciam?” You tried to make the words out, looking to your boyfriend for confirmation.

• “That’s right jagi. ‘I will either find a way or make one’. For you.” He smiled up at you, as your looked at him with eyes of endearment. The love you had for this man was unbearable. You could hardly stand the emotions that he made you feel.

• He gently reached out for your hand, planting a gentle kiss to it, before standing up and motioning for you to do the same.

• Once you were upright on your feet, he leaned in next to your ear. “It looks beautiful on you, by the way,” he whispered seductively.

• You smirked, the boldness of the wine starting to manifest out of you. “I’ll keep it on for you later. Everything else is coming off,” you winked.

• His eyes grew large for a split second before turning himself so that he body was right up against yours. He swiftly let his hands wonder to your waist, then hips, then grab lightly at your ass.

• “That sounds perfect,” he planted a small, sweet kiss to your lips. “But that necklace is never coming off of you. Promise me. Promise me you’ll wear it at all times, and I’ll always be with you.” He looked at you, his face full of sincerity and genuine lust.

• “Anything for you,” you gave in to him before leaning in for another slow kiss.

• You knew that’s exactly what he wanted. For you to give yourself fully to him. You’d play around with him later, but for now, you would give yourself up. He knew you were his.

———————————————————————————————————

✨ author’s note: lowkey thinking this man put a tracker in the necklace lol. he just wants to know you’re safe and also wants to be able to know where you are at all times. but it’s up to you what you want to think 🤷‍♀️

✨ if you enjoyed, please consider liking, commenting, or re-blogging <3