#tmnt idw icons
Explore tagged Tumblr posts
Text




They look so sick.
Teenage Mutant Ninja Turtles X Naruto by Caleb Goellner
(icons from my pinterest supeearman)
#comics#idw publishing#idw comics#tmnt idw#tmnt#teenage mutant ninja turtles#tmnt donatello#tmnt leonardo#tmnt michelangelo#tmnt raphael#tmnt comic#comic books#comic icons
93 notes
·
View notes
Note
Who’s your fave turtle?
#bro is anyone even gonna know who this is#shoutout to the 5 people who know about my blorbo skalman#absolute icon i strive to be like him#anyway if you're wondering about my favorite tmnt turtle it's donnie#specifically rise!donnie but i love all the donnies#extra shoutout to idw!mikey i dont feel like people appreciate him enough#tizel talk
60 notes
·
View notes
Text

The real mvp of the Tmnt idw comics:

This mf.
119 notes
·
View notes
Text







TMNT Holiday Icons :)
From:
( TMNT IDW Comic #112)
(TMNT IDW comic #124 Eastman)
#tmnt#mikey tmnt#tmnt fandom#teenage mutant ninja turtles#tmnt leonardo#tmnt raphael#tmnt donatello#tmnt donnie#tmnt idw#tmnt comic#holiday#christmas#christmas icons#pfp icons#cartoon icons
34 notes
·
View notes
Text
Matching discord icon for you and your gang
29 notes
·
View notes
Text
aroace idw mikey for @cocksuckercaseyjones
credit appreciated!
#lmk if u want separate ace & aro icons i can do that real quick. hope u like! 🧡 :)#tmnt idw#pride icons#aroace icons
113 notes
·
View notes
Text



>> leo icons !
rb if using/saving thank u!!
#tmnt#icons#idw tmnt#leonardo#tmnt icons#idw leo#icon edits#blue#blue icons#teenage mutant ninja turtles#leonardo hamato
48 notes
·
View notes
Text

TMNT: 40TH ANNIVERSARY COMICS CELEBRATION
July 2024
By Kevin Eastman, Edgar Alan Poe, Jim Lawson, Tristan Jones, Gary Carlson, Chris Allan, Erik Burnham, Lloyd Goldfine, Ciro Nieli, Andy Suriano, Tom Waltz, Ronda Pattison , Tom Napolitano, Steve Lavigne, Paul Harmon, Frank Fosco, Adam Guzowski, Sarah Myer, Luis Antonio Delgado, Shawn Lee, Khary Randolph, Emilio Lopez, Michael Dialynas, Pablo Tunica, Freddie E. Williams II, David Petersen, Ken Mitchroney, Aaron Hazouri, Dan Duncan, Sophie Campbell, Jodi Nishijima, Stan Sakai, and Emi Fujii.
Come and enjoy stories that will remind you of the 40 years of turtle history.

SCORE: 10 *
* Assuming you are familiar with these iterations.
This is a strange read, and curiously, there are three or four highlights for me, and they are not exactly the ones you would imagine.
Spoilers after the break...
The first story by Kevin Eastman is in the Mirage section of the book but... well... I'll leave at that... I wouldn't call it the Mirage we knew.

There is a story by Lawson and Lavigne with the Rat King that... it's fun. But, you know... I wouldn't even try to fit it in canon... the amount of continuity physics you need to bend to place this story is not worth the time. Just enjoy as a new story by these two iconic Mirage artists.

This other story by Tristan H. Jones and Paul Harmon requires more analysis. I'll revisit it on my gang wars video and try to give it more context... but unfortunately... it's just too vague. All I can say for sure is that it happens in the future of that incomplete saga, but the narrator just takes too many artistic choices to be taken at face value.
Also... I believe this is the first official (frontal) appearance of Agent Bishop (unless I got the character wrong, but Jones already tried to introduce him in this saga). I think he is still holding on to it, and I really hope he gets to tell his story. I wouldn't mind a mini-series... just saying!

The Volume 3 story was... not for me. The dialogue alone felt tired.

The Archie adventure was short, eventful, and funny... and it looks amazing too!
In just four pages a new character was introduced and... a new love story was implied! And it's not just a gratuitous cameo... this is a funny sequence.

The Saturday Morning Adventures (the de facto 87 story) looks amazing as usual, but I didn't find the story that interesting. However, it started a theme that would run across most of the stories in this special after this one: Master Splinter.


The 2003 story is a... loose canon?
Hun is Slash, and Shredder is back... so make of that what you want. All I'm going to say is that this felt a lot like watching the beginning of a 2003 episode, with the narration setting the tone.


The 2012 story was one of the least interesting in the previews, but I have to say... it was probably one of the best. It brought back a villain and it technically serves as an excuse to continue the series?
But to me the best thing about the story is the art. I am surprised Ciro Nieli didn't do more comic book work for the Turtles all these years. In fact, if they somehow decided to continue the 2012 universe in 2D in this style... I'm all in. Well, who am I kidding... I would be in anyway... but this looks amazing.



Andy Suriano did probably the most interesting story in the book. Now, I am not sure if his style doesn't translate well to static panels or what the problem is with the comic format... but it doesn't matter... this small story brought in a lot of things that ended on the editing floor after the show's second season was reduced to a few more episodes. There was a rumor about a female turtle, and not only it is here in all its glory, but there is also a brother?
And come on... it's so Lou Jitsu to die with a cliffhanger.

There are two IDW stories. One is another Splinter story, but the other one is perhaps one of the best in this book.
The Ronda Pattison story takes place just before the Armageddon game, and it shows the five turtles in full sibling dynamic (even Jennika). It was refreshing to see these turtles having fun for a change.
There are no stories by the new team, but... well... that's just starting.
#comics#review#teenage mutant ninja turtles#tmnt#post modern age#idw publishing#idw comics#kevin eastman#peter laird#2024#tmnt 87#tmnt 2003#tmnt 2012#rottmnt#rise of the teenage mutant ninja turtles#tmnt adventures#mirage comics#chris allan#ciro nieli
81 notes
·
View notes
Text
Today is the 10th Anniversary of the Most Shocking and Brutal Moment in TMNT History
This was the most shocking moment in TMNT history. March 18th 2015 Donnie had his shell smashed by Bebop and Rocksteady in IDW TMNT Issue 44 and he ends up with a metal shell later.

I know that Leo being beaten up and thrown through the window is iconic and has been done in 2003 series and 2012 series (and Rise had there Leo moment in the movie) but could Donnie's shocking moment happen in other versions too.
80s series aired way before issue 44 came out and they wouldn't have done it anyway. Even though they got comic book out right now, I can't imagine that happening in it at all. I Also can't imagine 80s Bebop and Rocksteady actually doing it,
2003 series, again aired way before Issue 44 came out and they also wouldn't have done it anyway. They wouldn't even air Insane in the Membrane at first and they even had to shelve a season 5 episode (Nightmares Recycled). But anyway poor Donnie already went through a lot with SAINW and being double mutated.
2012 series, I think they could of done it, they got away with a lot in that show like Splinters deaths and they didn't use blood. but unfortunately this happened during the airing of season 3 and they were already in the middle of making season 4 and possibly planning season 5 at the time. But there was a small reference in season 5 Tales. If issue 44 came out earlier or 2012 series came out later, maybe they could of done a proper story in season 4 or season 5. But to be honest I can't imagine 2012 Bebop and Rocksteady even doing it.
Rise series, I would say no as the series was too light hearted but if the series continued after the movie or the movie had a sequel, It could be a maybe, but as I don't know much about soft shell turtles, Donnie having his shell badly damaged could be fatal. So I'll stick with a NO on this one.
Mutant Mayhem/Tales. Could they do it? i'm not sure yet. Well we don't know how much of Tales season 1 is true, There have been moments where they try to damage Donnie's shell in the episode Donnie Hangs Tough and Donnie Goes Deep, so they are teasing it. Season 2 is out later this year but it will be similar to Season 1 but this time it will Mikey's and Donnie's Tales and again we have to guess on how much of it will be true. It also depends what they are planning after the 2nd movie as well.
Could they get away with it? it's possible. It could happen in the 2nd movie. it will feel more shocking because the turtles feel more younger than there other versions and Donnie is portrayed as the youngest this time. But are Bebop and Rocksteady staying as good guys or will they become bad guys. Or could someone else do it, like Tokka and Rahzar as there toys were leaked at the Toy Fair and they are carrying a mace but will they appear in Tales season 2 or the 2nd movie or after.
#tmnt#teenage mutant ninja turtles#tmnt 2003#80s tmnt#tmnt 2012#rise tmnt#rottmnt#idw tmnt#tmnt mutant mayhem#tales of the teenage mutant ninja turtles#tottmnt#donnie#Donatello#tmnt donatello#tales tmnt#too many tmnt tags lol
20 notes
·
View notes
Text

My mom caught me crying in my room so she took me to a store and bought me some TMNT IDW comics. She's such an icon
84 notes
·
View notes
Text
All TMNT Shredder’s Revenge Color References - Mondo Gecko
Other Color Reference posts are linked at the bottom of this post.
I made some posts back when the first Shredder’s Revenge dlc came out detailing the references of all the additional colors (to the best of my ability). As there’s 2 new characters out, that’s plenty of new colors to detail and I’d feel wrong not checking them out again. Feel free to give me any additional info/corrections you might know and I hope you enjoy checking this out.
Now is time for Mondo Gecko. Given the importance of his skateboard and the fact that the place I normally took screenshot in doesn’t show his skateboard for some reason, I took these pics in the first level instead.
# 1 - Normal (87)


# 2 - Super 7 Ultimate Toy - I believe this toy is basically just one of his Archie designs but all the other characters had a Toy color as their 2nd pallet which is why I think it’s specifically from the toy.


# 3 - IDW Comics


# 4 - Archie Comics - I think he primarily used a design like color 2 in the Archie comics but he seemed to have this one as well in some of them.


# 5 - 2012


# 6 - Matt McMuscles (Avatar)? - I’m pretty unsure that they’d extend their color references to an online content creator and it’s not a perfect match. Plus I don’t know if this guy skateboards
The coloration though of a blue character with lots of purple and some yellow feels by far closer than anything else I could think of. Plus McMuscles I believe is a fan of beat ‘em ups, including this game.
(I kind of want to contact him to see his input on it, but idk).
Edit: As Fabuloustrash05 said in the comments, it might be the Mondo Gecko from mutant mayhem. Stuff like the lack of orange, a different color of eyes and a shade of blue skin that seems different, I feel like that might not be right either but I’ll list it as possible since I don’t feel confident in my initial guess and lacking a mutant mayhem color seems wrong.


# 7 - Bart Simpson - I’m not sure they would want to extend their references to characters in non-TMNT media for anyone (besides Usagi) and an Orange shirt I think would fit better. It is pretty close to Bart’s general color scheme and Bart iconically does ride a skateboard. Perhaps the blue shirt is a reference to specifically Bart in the Simpson beat ‘em up.


# 8 - Matt McMuscles? - I feel like this might be referencing a real life pro skater given it’s one of the only outfits with eyes that’d fit a human character. I couldn’t find anyone it’d fit though.
While looking for pictures of Matt McMuscles’ Avatar, his actual general clothing choices reminded me of this skin. Perhaps someone on the dev team are big fans of his.


# 9 - Mirage - I don’t believe he actually appeared ever in the original black-and-white mirage comics, but he already does appear in one of the Mirage levels in survival mode (side note, he won’t appear there if you’re playing as him).


# 10 - NES - He never appeared in an NES game I believe but given the TMNT have multiple NES games and thereby skins based on it, he has one to fit in line with everyone else.


# 11 - Gameboy - Basically the same as NES


All other Color References posts:
1. Karai
2. Leonardo
3. Michelangelo
4. Raphael
5. Donatello
6. April O’ Neil
7. Splinter
8. Casey Jones
9. Usagi
10. Mona Lisa
11. Mondo Gecko
31 notes
·
View notes
Note
Since you are into TMNT I am curious what’s your opinion on each of the turtles in general since you seem to be into all iterations of them /gen question
ooh fascinating question. unsure if you mean each individual turtle from each gen or just each gen itself but i'll go into both!
so i actually have a tmnt powerpoint i'm working on right now, so i'll lift some stuff but obviously i won't lift it all, ill go in franchise order. shows and comics in order (show specific comics will go in the show sections) and then movies. spoilers for pretty much every single thing i talk about. if you haven't finished a specific iteration just skip the paragraph about it
Mirage
I havent read too much of mirage, though i'm sure its good i find it a bit visually noisy and actually struggle to read it- my vision is fine as far as i know and i don't usually have trouble with other black and white comics but man mirage is hard to read, whenever eastman would draw for idw annuals or issues i'd have a hard time getting through them because even though the style is cool i just can't see anything, so yeah, that for the time being kind of sums up my thoughts on mirage, i think the shredder worm shark is funny as hell though. i suppose the only thing of note i have an opinion on is the april race debate - wherein by one of them she was thought of as white and the other thought of her as non-white (i can't remember which ethnicity), so based on that i've seen people say that means she's white or the other ethnicity but since they're co authors i've just gone with the idea that mirage april is biracial. that's about the only mirage thing i can actually give my two cents on, moving on!
1987
I really like 1987, i haven't watched it all but trust me i'm slogging through it o7. i adore the animation mistakes, the way they give one turtle another turtles lines, and i think the characterisation is pretty solid. sometimes the show can feel tedious to watch personally, which is why i love saturday morning adventures, it's a much more concise, thought out version of the show itself and is a beautiful love letter to the show (they also finally sent usagi home :'D). obviously it went on for way longer than it realistically needed to, a majority of episodes basically mean nothing unless they introduce new characters, its the one piece of the franchise, lots of filler, i still think it's great though. i also love shredders revenge, it was the first tmnt game i've played since joining the fandom and similar to SMA it is a genuinely beautiful love letter to the community and franchise, i'm an avid cross stitcher as well so pixel games make me happy because i can stitch straight from the game sprites, which i've been doing :3. I love how the turtles are characterised, Cam clarke is iconic and i love shredder and krangs dynamic, irma has become the love of my life and much to my dismay i love the neutrinos which sucks because they're only present elsewhere in idw, i'm doubtful but begging Tottmnt to bring them back.
2003
2003 is by far my favourite of the shows, i actually enjoyed fast forward unlike much of the tmnt fandom, i thought it was fun, though sterling was meh to me, i just didn't like him - even though i liked fast forward i can personally admit the show dealt with similar issues to 1987 of just. extending itself. when they were able to focus on plots and do arc episodes was great, but the seasons could have definitely been cut down sometimes because the formula of an episode was beholden to ads, which meant every 5 minutes someone had to say something shocking or nearly die only for it to be dissuaded or continued after the ad break, watching it digitally now with no ad breaks was kind of funny though because i would be up late sometimes and delirious and the 03 singers yelling 'teenage mutant ninja turtles' at me while mikey or other did a cool move entertained me much more than it should have. I really love that the opening scene is recreation of the first scene in the mirage comics, even if i have trouble reading it i think thats cool and fun, i love all the turtles voices and characterisation, i never have any complaints about voice in any iteration but especially not here, they all feel perfect. the fandom is a big part of the joy of 03 for me, but i do still love watching my favourite episodes back from time to time, and like any good 03 fan i can scream about good genes and same as it never was like a banshee, though i do also have a lot of thoughts on other arcs dw. usually i find it easier to pick a favourite turtle iteration to iteration but man is it hard here, they all have their moments, i think the humour and the darkness are played really well (cough except for when leo got stabbed in the shoulder and i had no idea where he got stabbed until he got a scar next episode because there was no blood). I was drawn into the fandom by rise and it will always hold a special place in my heart but 2003 is far and away my favourite iteration. forever sad about the dreamwave comics being cut short and no one picking them up. we deserve more official 03 comics.
IDW
I'm also still reading idw - don't kill me its long and also theres just a lot of turtles stuff to get through, okay? I really have enjoyed it thus far, i jumped for joy when the neutrinos were revealed, i hated chet with a passion and they somehow wormed me back in with the fugitoid reveal, i will say similar to watching 03 digitally and just getting hit with the before ad and after ads cutaways back to back, there's a bit of an annoyance in trying to find and read everything in exact order, because missing a micro/macro or short side story like the secret history of the foot can kind of screw you over, so when someone says they're reading idw its not actually the 150 issues, its well over 200, though i haven't counted specifically. if you read the powerpoint pictures you'll see the artist death match, basically i was just going to pit them against each other by choosing the best design of reoccurring characters and the artist would get the point, there are some great artist who had a hand in this series, i can't deny all of them are talented, but man some of them are just not for me, getting through an arc with a style i don't like is a breath of fresh air, right now my main example of a style i like is Mateus Santolouco - not all the character designs are my favourite but the secret history of the foot clan was gorgeous, especially karai, she's always been one of my favourite characters. i enjoy idw, i think the worst thing i can say about it really is sometimes theres styles i don't like and akin to other comic series it can be stupidly difficult to figure out the exact reading order when you're not there from the beginning.
2012
possibly controversial (definitely, i'm lying to myself), 2012 is probably my least favourite of the franchises shows (no, its not below next mutation, just talking animated main shows). just to explain myself, I do LIKE the show, but of the shows i find its the least in line with my humour, the gross out humour is a little more uncomfortable for me given the 3d style, i can't deny the story is probably the most well done of any of the shows thus far, i do enjoy the story and i think even non relevant episodes to the main storyline do a good job of serving some kind of purpose to character development or giving the viewer a look into the world, it is by no means a bad show, i would never say it is, i do like it, but for myself personally i struggle to sit down and rewatch because of some of the things i pointed out and some other things like the way apritello is written, leorai (shudders), idk why but 2012 splinter just annoys me, i will say the turtles and april are really enjoyable characters, i find most of the characters (karai, casey, some of the minor villains even) pretty engaging, everyone feels really fleshed out and similar to 03 the voice acting is on point, though this iteration isn't my favourite in terms of rewatchability, i audibly cheered when i realised shelldon was greg cipes, when he said booyakasha i was on the floor weeping. 2012 is a show that i would watch on occassion when it was on, its the one i technically grew up with, though i wasn't really into tmnt as a kid, but greg cipes was pretty much my childhood as a big teen titans kid, as well as mae whitman, i was a big tinkerbell kid, so those 2 are a huge highlight of the show for me. my feelings on 2012 are pretty confusing, but i still do like the show, its just if anyone (like you) asked, i would have to say its technically my least favourite, but again, by no means means that its bad, because it isn't, it's just not really as for me as the other shows. the '12 comics i enjoy, i haven't read too many but the batman crossover was sick as hell, style wise the 2012 comics are solid, while i don't think 2012 looks bad as a 3d show i would personally be more drawn to it if it was 2d like the comics, i just prefer 2d.
Rise (2018)
As previously mentioned, like many others rise was my formal introduction as a teen/now adult into the tmnt fandom, for a while it kind of stood out as my favourite before 03 topped it, but still i love it with all my heart and i rewatch episodes frequently. i think the voice casting was on point, i had recently finished ducktales so ben schwartz and josh brener were welcome surprises, kat graham was in perth for a con recently and i was so sad she wasn't scheduled for the melbourne run of that con and was heavily tempted to go just to see her, rise april is definitely my favourite of all aprils, while i think its a fun dynamic when April is an adult and sort of an aunt figure to the turtles, rise april really killed the older sister thing, every episode she's in is a treat, omar miller and brandon smith (am i meant to put middle/second names i have no idea) were stunning choices for raph and mikey, rise raph is so brotherly and silly, he just brings so much heart to raph, Mikey is so much fun in rise, i can get caught up in inflection and the way a line is said and there's a lot of variety with Mikey's lines, its funny and i couldn't ask for better delivery, i think they're all good at it but brandon knocks it out of the park with mikey. So, partially the blame goes to 03 but rise was also what got me into usagi yojimbo, it's kinda funny how the only show without a canon usagi is the one that kinda goes the hardest in adding him into stuff. the format of the show not getting to focus a lot on plot and mostly just being one off episodes obviously isn't ideal, but for what story we got i really enjoyed, i also just liked the one off segments, the majority of them i really liked and found funny, for me this is probably the show that makes me laugh the most out of any of them - while i tend to participate nowadays more with the 03 section of the fandom, i still love rise to my core and still interact with it here and there.
Ronin
As i said before, theres a lot of tmnt to go through, but uh. everyone talks about the last ronin, so i detoured my regular watching and reading to dive into it. I liked it, there are things i would love answers to but i might just need to reread to know because middle of reading my cat threw up and i had to pause to clean it up, so yeah- there are things i'm worried to have possibly misunderstood, like the dissolution of their treaty of sorts, misremembering or misunderstood that part of the story is a possibility but if its not that i'm still desperate to know who actually betrayed who first, what actually did the turtles/foot truce in? i haven't gone into re-evolution or lost years yet, i've been meaning to but occasionally i'll get a new shiny hyperfixation and when i return to turtles i tend to dive right into the shows or long running comics first compared to stuff like ronin. i am very excited for the game and the film, little nervous at the idea the film will be live action but i'm mostly just going to wait and see, no sense hating it before i even know what it looks like.
Mutant mayhem/tales/2023
i know i said movies last but its kind of different since the movie was before the show- so deal with it ig. mutant mayhem is a great movie, emotional, funny, i really like it, and the style translates beautifully into 2d animation for the show, i don't have much to say on the movie itself, i really liked it, i watched it with my mum who really liked it and she can be pretty hot and cold when it comes to movies. Tales is a fun show, i similarly don't have too much to say, i struggle to rewatch things i've watched semi recently because i get burnt out on it quicker, but i'm super excited to watch this iteration continue, i'll miss rise like hell but i think tales shows great promise and i'm looking forward to more of it!
Bayverse
if you're wondering why i skipped the 2007 movie its because i haven't watched it, semi similar to mirage the style is a lot, but not similar in the way that i can actually tell whats going on in 07, i just. don't like the style. bayverse is pretty controversial but i like it enough, i don't really rewatch it because the 3d models freak me out, but i love the fanart people make, i do think the character designs themselves are very good, peoples fanart definitely helps you look at them more clearly as well. I still don't visually get leo's bone necklace placemat thing. splinter in the first movie is too furless and he needs to be shot. the movies themselves i don't find too special but i don't dislike them, i remember watching the second movie because some cousins and i went out with our nan and my younger cousin wanted to watch it so we did. i had very little turtle exposure as a child but out of the shadows was part of it.
Original trilogy
I quite like the original trilogy, it's very campy but i think its a fun watch, similar to mutant mayhem i watched these with my mum, we really only watch the movies together and we had a good time, we both struggle to really take them seriously. we had to pause the first movie for a WHILE to laugh at the bathtub scene, i still laugh about it frequently and remind her of it just as often, 'i'm coming....... tO A DECISION' also was funny, the third movie is there also.
Batman vs tmnt
Holy crossover, batman. i really like this movie, as a tmnt fan and a batman enjoyer this movie is just so good, many have said it before and i will continue to say it. the movie is so full of easter eggs, i'm still trying to figure out if that portrait in the turtle van is of mikey or jennika - everyone is characterised so well, the dynamics between the batfam and the turtles is done amazingly, alfred and mikey as a duo is delightful and as always the voice acting is so good, i would sell my soul to hear kyle mooney and baron vaughn as mikey and donnie again. eric bauza is always fun to see given his history with tmnt, so seeing him actually be a turtle for once was great, i really enjoyed his performance as leo, i still can't believe darren criss is raph. i'm a gleek and a huge starkid fan and i can't hear it but i know its true. its fucking insane. the movies story and pacing is just really good, and is one of the few animated tmnt iterations to actually let people get hurt, have visible injuries and get fully murdered on screen, when i saw that foot ninja DIE die i was fucking pumped, a lot of the other video iterations lack actual tension because yeah shredder wants to murder a guy but this is family programming, so he wont and can't. but you watch people die and suddenly that hologram the foot tried to kill doesn't just feel like a 1987 thing where the one time the villains are able to do real damage its a decoy, it feels like a truly necessary precaution, had batman not done that, someone would have died, no doubt. i've spent an extended period of time analysing the easter eggs in this movie, especially when it comes to the turtle van itself, i LOVE the van design, the fact its an old rv, the call back to 87, the spare tire being an anti-foot symbol, the grafitti saying 'Foot Stinks', the April calendar with a picture of a turtle on it, its all a genuine treat. I love this movie, i think it's the best tmnt film ever, i love rise's film but to me nothing holds a candle to this. rarely do i only ever have one criticism for a movie but the only issue i have with the movie is the fact they clearly imply mr freeze DIED and that mutated batman killed him but they NEVER TOUCH ON IT AGAIN. i need directors commentary, i need a script, i need SOMETHING to tell me what happened. anyways. the fighting is so much fun, i love it, it's delightful to watch a tmnt fight and to be fully dialed in because it feels like a real fight, 03 had some pretty good fight scenes but in essence they were very cartoony in the way they won a lot of the time, i just think the batman vs fights are golden, especially the penguin fight, but again, all of them are really good.
so yeah. i have a lot of tmnt opinions, there's more i could say about each iteration individually, especially the shows, but i'll leave it with a list of my favourite characters and their iterations.
IDW Karai, 2012 and 2003 karai, they mean the world to me, i'm a big karai fan and i think they're great. of course the neutrinos, as little as they appear they mean the world to me. 2003 casey is definitely my favourite casey, second is probably idw casey. Batman Donnie is so much fun, his lack of social awareness is really played up but it feels natural and very donnie and i love the think he does where he moves his head like he's going to hide it in his shell but doesn't so he's just poking out. Rise april has my entire heart, she's the best and i'd die for her. 03 and 24/MM Leo, they're both great. really the entire rise cast has my heart. also the 03 cast but special shout out to 03 splinter he's just very sweet. i have to stop now because i could yell about even more characters forever, so last one i would say Alopex, i think she's a great addition to the franchise and i hope more people adapt her.
in case you weren't wondering because i'll tell you anyways, i do have oc's, i just don't really draw that much or particularly well so i don't post about them, i do write about them but i don't publish it bc i don't think anyone would care much, i don't really dip into oc fic either so.
so yeah. general thoughts on most of the franchise! if you want me to expand on any of the thoughts i shared here i'd be happy to but for now my fingers ache from typing so bye :3
#tmnt#teenage mutant ninja turtles#tmnt 2003#tmnt shredders revenge#rise of the tmnt#tales of the tmnt#tmnt 1987#tmnt idw#tmnt mirage#batman vs tmnt#tmnt 2012#mutant mayhem
20 notes
·
View notes
Photo

The Shredder gets his own series, as the villain returns to IDW's TMNT-verse this summer
Oroku Saki is back. The iconic Turtles villain is set to make his grand return to IDW Publishing this summer in TMNT: Shredder.
4 notes
·
View notes
Text
Vent vent vent vent vent post, being so unserious and annoyed for a pinch. Every time just Leo comes up as the subject of a damn Instagram post there are people screaming at each-other over whether Rise Leo is the worst or best version and I can fix it for all of them, neither, both, it doesn’t fucking matter. You’re welcome, people, here, here’s this
(∩`-´)⊃━☆゚.*・。�� Let People Enjoy Things. Let People Dislike Things.
Literally he’s just a different take and depending on if he was your first Leonardo or not he’s going to hit really differently. He’s everyone’s first Leon. The amount Rise Leo talks alone is wildly off-brand (Leo has like 6 lines in the entire secret of the ooze movie) and the frolicking was certainly a choice. A good one that I loved. Haaa had you there for a sec. Writers are always a bit ‘wtf do we do with Leo’ and Laird (co-creator of TMNT) has said before that Leonardo speaks formally so we know Rise Leo is on that shit list. But I don’t think the point of Rise was a reiteration, but a reimagining.
Leo, by design, is the responsible kid who despite age always falls into the brother-dad role and ends up in charge of wrangling his brothers (and it being all his fault when they fail). Subsequently he gets a lot of gloomy emo plot lines, a bunch of trauma, and when he does have fun ends up punished for it somehow (the 24 comic line is slapping this guy too- a Leo who loses mercy is actually terrifying. I love the brutality but am also begging them to just let him be happy at some point)
Rise Leo had that older brother role taken which I found refreshing, and then noticed he’d had a core quality stripped and that was really hard to adapt to. He was taken from skilled ninja due to extreme dedication to his craft and let’s face it, obsession with martial arts *cough special interest cough* to being a guy who ditches practice and was just good at fighting anyway; shiny gifted kid aura and full Mary Sue. Rise Leo had his strategic nature was so well written in but he also had no right being any good in a fight, and I have a theory that’s pretty much what pissed off all the people you see so annoyed about Rise Leo and angry about it (that aren’t just raging homophobes who can’t deal with a little queer coding) Leo bi icon real. Immediately, sorry, I have to share this thought, 03 looking 12 straight in the eyes and locking in just to really deliberately say “Gross.” over the Karai thing. 12 staring back “Rabbit.” “That’s not even canon. …D” “Don’t you dare ask me if I think he likes you.” And rise Leo piping in like “Ew 12 is allergic to being interesting, ask anyway, so who’s this guy and be honest does he like 3 furthermore is he also absolutely jacked because that is a lot of turtle, like a lot a lot of one you know what I mean, What are you Saying 12 get out of here, that is so inappropriate.” 12 just staring at him horrified. LMAO hello I’m insufferable, Moving on.
It was nice to have him not parentified straight out of the gate, and I really liked the spin on his personality (that again was a writer choice because Leo is allegedly both really difficult and not much fun to write) but as someone who came into the 87’s as my sentience was forming, Rise really is like a ‘What If’ version of the turtles that had always been varying degrees of the same people for such a long time.
I completely get the obsessive group of Rise fans. If that was my first turtles I’d be just as in love with it (although I hope not the same breed as those Insta comment kids wtf is that behaviour) but I also get why people hate on it. To a lot of fans it’s like Rise are caricatures or a fan fiction. But the thing is- that’s so fine!? Why the fuck not. It’s good, well written, immensely entertaining and so well animated (Rise is the single best animated television version of TMNT, objectively). Basically the whole of the last IDW comic run read like a big fan fiction too and it was awesome…
So yeah, Wise man say just let people enjoy things and also if someone says they don’t like a thing you do, you can be like ‘that’s fine’ and totally leave them alone. You can just like stuff without everyone else also liking it, abandon the binary 👍
Rant rant rant vent rant vent
5 notes
·
View notes
Text
Teenage Mutant Ninja Turtles: Mutant Mayhem Review and Analysis: This Films What Makes Me Feel Alright
Hello all you happy turtles! It's time to grab some pizza and party sized cool ranch doritos and pull your old high school sketchbooks out of some ancient backback in your closet, it's time to talk TMNT: Mutant Mayhem. As a massive TMNT nerd who was beyond hyped for this film coming from the powerhouses of both Point Grey Pictures and one jeff rowe, how did the film stack up? How did it spin kick on it's own? And why did they think Bebop nipple piercings were a good idea? All this and more under the cut, with FULL SPOILERS so if you haven't seen the film, you've been warned.
A New Coat of Ooze: Mutant Mayhem's story of how it came to be is oddly familiar: a massive movie company who has an iconic IP has no idea how to use said IP on it's own, and taps creators who have had some recent noticable and well loved succeses to make them a hit.
If that sounds familiar.. it really should as it was sony's creative desperation to get something spider-man centric only they would get profit from out that lead to Into the Spider verse and i'ts sequel. So it's funny and endearing to me that a film that wouldn't of gotten away with it's utterly unique and grungy art style without spider-verse.. happened for pretty much the exact same reasons.
Like with spidey, Paramount.. really didn't know what to do with TMNT for a while. And it's weird because when they first aquired the heroes in a halfshell from mirage, they had a pretty solid plan: the 2012 show, while messy as it went on, started out really promising and was a huge hit. The IDW comics prior to it were a massive hit for the company and are STILL around today, having outlasted other long term idw liscenses like transformers and having kept a consistent continuity for a decade while also leaving room for crossovers with ghostbusters, the mighty morphin power rangers, the goddamn batman and now street fighter.
So what went wrong? Simple.. they tried WAY too hard to mimic the transformers formula with their theatrical film, Ninja Turtles, not only not getting that audiences were tired of "Micheal Bay makes a weirdly sexual comedy about your childhood and it may have robots", but what really made the franchise work. The sequel from what i hear is slightly better but it just wasn't enoguh. Not helping is they quickly lost their shit on the tv front, as after the 2012 series concluded, they launched the creative, hilarious, and gorgeous Rise of the Teenage Mutant Ninja Turtles.. which proceded to last only two seasons because it wasn't an instant hit, aka the same issue most nick shows fell into, not helped by the fact that Nick also seemed to pick up Cartoon Network's bad habit of hating action shows. We DID at least get a really good Rise film that gave the series a nice epilogue, but it's still sad it sputtered out so fast.
So Paramount turned to something they really weren't using.. their film animatoin department.
Paramount Pictures Animation is neat to look into as it had a steep rise.. then fell right off a cliff. It was a bit spottier at first, producing two of the charlie brown films, Bon Voyage Charlie Brown (And don't come back) and my beloved Race for Your Life Charlie Brown... mostly for this theme song.. okay ENTIRELY for the theme song.
youtube
And scattered experiments like Cool World, which was so good Ralph Bakshi punched a man over what they'd done to his idea, Bebe's Kids, and Beavis and Butthead Do America.
It wasn't till the late 90's and the nick boom they really started seeing success with the rugrats movies, jimmy neutron, spongebob and even the failures like Hey Arnold and Wild Thronberries were still neat. And yes i'd like to talk about any and all of these films at some point, they made up my childhood etc etc.
Eventually they got a cushy partneriship with dreamworks, still releasing the ocasional original effort like Rango, Barnyard and TinTin (The last of which I WILL be covering next august, I simply didnt' have room in pirate month this year. Once dreamworks left.. it seemed like Paramount genuinely had no clue what to do with the animation divsion. We had things like Sherlock Gnomes or Wonder Park, and the ocasoinal spongebob movies but it's clear that with Nick constantly cutting itself off at the knees they had no idea what to do. The closest they got was the turdtastic loud house movie and the totally awesome Rise of the TMNT films on netflix, but they just had no idea what they were doing. I mean it's telling that their trying to get extra paw patrol tickets by promiting a double feature with saw X. I.. I wish that was just some stupid joke I made as it's comedy gold. Eventually they came across an idea: Stay the course in focusiong on ips they own.. but bring in someone who knows what their doing to create something truly jawdropping.
So for Mayhem Parmount brought in two proven successes. The first were producers Point Grey Pictures, helmed by friends, writing partners and permenant teenagers Seth Rogen and Evan Goldberg. Rogen has made quite the name for himself as a producer. While Point Grey started as mainly a way for Rogen to produce comedies starring himself and a pre-outing as a sex monster james franco, over time Rogen has proven to be REALLY good at making adaptations, with point grey having had a hand in both the Boys, which I haven't seen but seems to be a MASSIVE improvment over the original comics , which isn't hard but it's still nice they tried, and Invincible, one of the best superhero shows PERIOD and a fantastic adaptation that changes what needed it, moves around pieces and ultimatley creates something really special. So tapping him to adapt a big property like this was a no brainer. He even had animation experince thanks to Sony Pictures Sauage party and while this was Point Grey's first family production, it's clear it wasn't too hard for Rogen to adapt. As for their director they picked a hell of one: Jeff Rowe. For those not familar with him Rowe helmed the Mitchells vs the Machines, sony's first post spider-verse success and the film that helped codify the 2d on 3d style that spider-verse made popular and peanuts pioneered. And it was clearly just ont hes trength of word of mouth alone as Rowe went right from machines to mayhem and only got better. From interviews, the two worked really well together: Rogen was hands on but didn't make the mistakes lord did of being way TOO hands on, simply pitching neat ideas, adding to the film and clearly being heavily involved, while still letting Rowe steer the ship. Rowe in turn learned to have a good work life ballance and give his employees one, preventing the kind of nightmarish working conditions present on other flims such as, sadly, Across the Spider-Verse.
For the direction of the film Rowe was a fan of the franchise as a kid, specifically the toys. He recalled a really sweet story about he and his dad spent a saturday trying to find Tokka and Rahzar and really loved the toys designs and uniquely grungy astetic. As such Rowe really didn't lean into or heavily research the rest of the franchise. Which set off my alarm bells when I read it in a review close to release: after all a LOT of bad adaptations come out of the person adapting it not giving one iota of a shit about the source material. Eventually though I realized I was .. over panicking. What jeff meant was more "I don't want to be overly reverent to the material and see what we can do on our own with the basic concept' rather than "THE TURTLES ARE GOD YOU FOOLS GODS. GODS I SAY!". There are still little nods in there and bits taken from other series; There's a mention of the turtles taking in a knicks game (something that happened in out of the shadows), April's design borrows heavily from her design from Rise while still being unique, Donnie has glasses like the bay movies, there apparently was a miyamoto usagi sticker on a notebook (thanks tv tropes for noticing), and there's a TON of refrences to the 87 continuity as it's clearly the one rowe knew best. And while I do get a LITTLE tired of that being the one continuity most creators seem to lean on the most, I don't hate it and plan to binge the whole giant thing soon I just feel there's a LOT more turtles to pull from, paticuarlly the idw comics, the nods are neat stuff like them having their belts form that series, the various obscure mutants. The Ninja Rap even shows up. Rowe and Rogen clearly love them some turtles.. they just wanted to do something new with it and I completely love and respect that. The biggest swing and the one that's paid off the most was leaning on the teenage aspect. Rowe and Rogan were baffled that no other version of the franchise had done the obvious: Have actual teens voice the turtles. There are reasons for that: For the various tv shows it's simply easier to know the va's wont' age out of the roll, and to the 2012 and rise series credits, they both still tried to make the turtles feel younger and had va's that still made them sound sorta like teens, paticuarlly rise... but it's not at all a bad concept and i'm shocked it took this long for someone to try it.
Another aspect was having the boys all record in one booth. Rogen had the idea.. but Rowe had to explain that it'd be a sound mixing nightmare.. but eventually agreed to it when they tested it out and he saw how much having the four actors playing the turtles riffed off each other and just how much material they got out of the boys adlibs. It adds a natural feeling to the boys conversations: it feels like four teens riffing who just happen to be turtles. It was indeed an audio nightmare.. but the nightmare was worth it and Rowe was greatful and apologetic to his sound crew.
The final bit was simply taking from teen movies, the film even outright has the boys watch Feris Buller's Day Off, which gives me one of my faviorite lines in the film, courtesy of Raph: "Being in high school means you can hyjack a parade whenever you want. "
There's more to get into as we go but with the film opening decently and paramount being so confident in the film pre-release they announced a two season tv show and a sequel, the future looks bright for the green machines. So now we've seen how the pizza gets made let's see how it came out
Perfectly Sketchy: Rogen and Rowe's "Teenage Energy" philosphy went into the design. Rowe wanted to find a unique look for the film, but it was a bit of a puzzler at first: There's SO many incarnations of the tmnt, which one do you pick for this? Do you go with the mirage comics, the 87 cartoon? 2003? the next mutation if you huffed some paint? In the end Rowe decided
Instead he made a brilliant decision: if the film was going to feel teenagery, then why not have it look like the sketches teenagers make in their notebooks? It's an idea that just oozes brilliance and still fits the franchises history like a razor decked claw glove. Part of what made the early comics stand out was it's sketchy, frank miller-esque style, and the toys stood out for largely echoing that as much as you could in three dimensions at the time. So it still fit.. but did something entirley new with it. As as a result the film has a look that simply nothing else has: porportions on most things are off, the backgrounds arne't hugely detailed , did you when you were a teen?, but still pop gloriously, and the characters all have SOMETHING that would be off model anywhere else. One of the thugs in the turtles first act of vigilnate justice, for instanc,e has a weirdly crooked head with indents. It's a look that's perfectly stylitic, fits the series history, and it's a kind of weird that perfectly complintes a series that was already having our heroes fight space dinosaurs by the third issue. I especially love how the shurikens are not even yet still throw perfectly and Mikey's hey arnold head. It's a look that pops with creativity and the crew really took to playing with. It's a style that will, much like spider-verse lead to this, undoubtly lead to more unique swings and I cannot wait to see what people come up with as a result
Protecting a World that Hates and Fears Them
The film's core comes from a rather genius decision to simply pick apart a key part of the franchise... the fact Splinter keeps the boys isolated from humanity for most of their lives and encourages them to stay hidden. Now credit where it's due some continuties justify it well enough: sometimes splinters hiding from shredder, or already had a sweet rent free sewer apartment he set up for no reason, trying to find his lost son and complete his family while avoiding a mutated alley cat or simply was waiting till the boys could defend themselves. They often have a lot of enemies... but even that shouldn't mean they can't get an education or have friends. April and Casey stick by them no matter what. They should be able to at least try for a normal life or the idea of them WANTING more than hidnig all the time should really come up more. The only ones that have really tapped into this are the IDW continuity which is just now having the boys integrate post armageddong game, out of the shadows which from what i've read has a throughly intresting subplot about the boys wanting to become human and leos' resistance to the idea (which also makes him come off as a bit of a jackass honestly as it's not his choice and "We're turtles end of story" is not an excuse). We've had the turtles say move into an apartment but this is the first to just flat out ask: why CANT the boys at least try to live with humanity instead of under them? And if so why did splinter keep them apart?
It's part of what really grounds the boys in this incarnation and makes them feel so damn real. The other of course was the decision to have actual teens play them and riff off each other. We get them making unteiotnally douchey digs at each other, such as the other three mocking Leo attempting a batman voice, casually talk about how they'd like to meet drake or have brunch with tom brady, which leo no you can do better man, or do some goofy shit while april marvels at their stupidity.. and then double down when told it might make people like them less. By making the biggest attempt so far to make the turtles FEEL like teens instead of young adults, an evolution the franchise has been undergoing since the 2012 cartoon and honestly reaches it's apex here, it makes us feel for them that much more; These are just kids who simply want to be loved and accepted, like any teenager. That awkwardness, wanting to fit in, wanting to simply belong.. it's one of the most painful parts of a teen and transplanting that to the tutles wa sa brilliant move. One of the earliest scenes is what sells this the most: the boys going to see Ferris Buller's Day off.. and just wondering what it'd be like to be normal. That lost shot of them sadly returning to the sewer... looking on screen at something they only wish they could have... it's so heartbreakingly beautiful.
The reasons WHY Splitner restricts their time in the outside world and refers to humans as "the demon scum of the earth. They lust to destroy that which is diffrent than them"
Giving Splinter a deep fear of humans is a brilliant move. It's something that really coudln't be done in most incarnations as he's been the pet of a martial arts master who treated him well, said martial arts master living in a sweet sewer apartment after being clumsily blamed for murder, got reincarnated as a rat after dying in ancient japan, a martial arts master who turned his back on his heritage because his clan let his family die, became a movie star, fucked a spider lady, had said spider lady put him in gladatorial games, then got depressed after becoming a rat but gladly adopted his sons. Here they strip that away and we're left with a splinter who was just a rat who was yelled at by other animals, shooed by humans just for trying to survivie and whose only friend was a cockroach.. who he ended up eating after humanity killed the poor guy. Finding the boys also abandoned in the sewers and covered in ooze, as oozual, not only made him into a rat man.. but also gave him the one thing he never had: a family. We also get a REALLY adorable montage set to de la soul's eye know that makes me REALLY glad the copy right hurdles around them are gone so we don't have another spider-man no way home situation because the song both slaps and has a nice soothing tone that really fits. We'll get more into the music on i'ts own later, I just really love this montage.
It also makes what follows..
We see that Splinter GENUINELY tried to go out into the world.. and the result was humanity throwing things at him despite carrying 4 small children and said children nearly being hit by a car. It's a really unsettling sequence. While yeah everyone going "rat man" and throwing things is a bit on the nose... given how a LOT of humanity acts to LBGTIQ+ persons, People of color, diffrent religions I could go on but i'm depressed enough as is, it's not really that much of a stretch that they'd throw things at a rat just trying to show his sons the world. It reminds me a LOT of the x-men and it's honestly weird to me that the othe rbiggest mutant franchise int he world HADN'T taken a page from them sooner.
It gives the film nuance: Splinter IS objectively prejudiced, leo even says so directly, but you can see how those prejudices formed and why he's so terrified for his own kids. He's worried a world that hates and fears them will also hate and milk them.. a runner that while awkwardly phrased, I don't think Seth or Jeff have heard of the term milking before, is hilarious, especially the usual refrain of "we don't even have nipples. " He just wants them safe and happy and you can tell he really does love them. He taught them the martial arts to protect them.. and the how is also really clever and a really fun idae: instead of "I learned it from a book" Or "I happened to be owned by a ninja master" or "I was reincarnated" we instead get him teaching them.. via martial arts films, instuctional videos, and the ocasional youtube thing. I love it because it honestly makes way more sense than it should as shown in the animation: splinter watched the films, learned the movements himself and then taught the boys. It's also a nice bit of meta text as Jackie Chan himself is a practicing martial artist who makes martial arts films and did his own stunts. One of his films is apparently even in the montage. It's one of my faaviorite takes of the film.
One of my faviorite scenes is Splinter's biggest pet the dog moment: the pizzza party. Splinter brings in a bunch of pizza hut pizzas
It's neat because it both clearly misses the point, Splinter really dosen't seem to get that simply bringing down a bunch of pizzas to have a human style prom and having kelvin captain kirk cutout won't fill the void inside. I mean I could think of a lot of uses for a chris pine cutout, i'm not saying it's a bad gift and it's sweet he's trying SO HARD to get his boys to open up and Jackie Chan just nails the dad energy on this one. It's just clear that they don't want to stay there there whole lives as safe as that is.
What brings it to it's head is one of the films more brilliant decisions. Originally, while I haven't found many specifics the film had other antagonists: Baxter Stockman was originally the boys teacher (they went to school during the course of this film in this draft) and became the fly again, while Shredder was TCRI"s heavy in earlier drafts. Both were nixed, the former likely due to abandoing the school plot and the latter for the entirely on the mark decision that it was just too much. Shredder.. is THE arch enemy to the turtles. The one constant in every universe. So it makes way more sense to save him for a sequel and let someone else take the reigns. As Rowe has teased Shredder's going to be a bit of a wakeup call: just as the boys think they have it figured out .. in comes shredder to kick their asses. Which really has happened A LOT across the franchise, with it being a regular tradition that the shredder beats the shit out of the turtles the first time they fight. Even in IDW where they do rally and turn the fight on it's head.. he still easily handles them all one on one before they rally as a team. It makes sense to save their ultimate test for a sequel while still giving them one hell of a trial by fire
Instead we got Superfly, who better fit into the fantastic racisim narritive. If the boys want to get love and acceptance by fighting for a world that hates and fears them x-men style.. it only makes sense they have a magneto on that other end.
Like Magneto Superfly has a tragic backstory behind his hatred of mankind.. Superfly was the creation of Baxter Stockman and what they did with Baxter both completely floored me.. and drove me to tears. Instead of what he is normally, either a put upon target coerced into villany who strikes back at both the turtles and those who wronged him, or a narcsitic monster who will gladly do whatever he wants and kill anyone in his way, here... Baxter is just a deeply lonely old man who just wants a family. At worst he steals from TCRI.. but given we see their a horrifying company who wants the mutants as weapons and will gladly torture teenagers for a buck, it's not hard to side with him. It's really nice ot see a heroic baxter.. and sad to see him go so quickly.
It puts Superfly's hatred in perspective: like splinter he saw just what huamanity does and how his kind is treated and grew up having to raise his younger siblings. Like Splinter he seems to really love them. And like splinter his attempt to take his siblings topside.. went horribly wrong with them being chased by an angry mob for just..c oming to a snack bar. But it's right after that we get the clear diffrence: Splinter just ran in fear and while he trained the boys ot protect themselves, he just wants a line between himself and humanity. Superfly.. wants them all to pay. He wants to mutate the world that killed his dad and drove him and his siblings into hiding. The only way they can be accepted.. is if humanity is mostly gone and what's left are enslaved.
IT's that sadistic streak that ultimately defines him as a villian: the turtles just want to be accepted, splinter just wants to be loved, the rest of the mutant "cousins" just want a home and have been indocrinated and browbeaten into thinking there isn't another way. Superfly.. wants things his way: he wants blood, he wants revenge and if anyone stands in his way no matter their age or being his family he will kill them. It's that anger inside that makes him a true monster.
And that extends to his own family. Superfly's an abusive parent to Splinters flawed but loving one: The rest of the mutants turn stone quiet when he subtly/notsubtly threatens the turtles if they happen to disagree, and during the chase not only are they all desperate to get the thing back but Wingnut in paticular gets the most telling line
Wingnut: Superfly's almost here and he's not going to be as nice about this! Leo: You're not being nice! Wingnut: He'll be less nice!!
While the other mutants SEEM jazzed during the bowling alley scene, it's very clear later none of them were that enthused about the idea. Both sets are afraid to speak to their parental figure.. but the diffrence is clear in motion: the boys hide from splinter because they know he'll say no, it's a standard teenage thing and as seen with the pizza party when Splinter finds the various knick knacks they've picked up on their heroic journey, his response is to try to bring the surface to the sewer. It's awkward as hell and dosen't remotely work.. but it's still a sweet gesture and you still feel bad for him when the boys quickly leave to finish their half assed plan. Splinter ultimately wants what's best for his kids and even if he's not always right in carrying that out, I never doubted he actually loved his children.
This all brillantly comes to a head towards the end: While Splinter plans to just.. isolate the turtles after their nearly milked, the one time he seems GENUINELY angry the whole film, he still wants to save April, the one good human, who warned him the boys were in danger in the first place.
This leads to a touching bit in itself: the boys COULD fight the other mutants, their trying to do a genocide after all.. but instead the boys.. just talk them down. I mean i'm used to this kinda thing by now, most animation these days is about forgivness, but it still works: earlier when meeting each other the turtles gladly bonded with their cousins, who i'll talk about in more detail later: Mondo and Mikey were both chill, raph finally found some people who liked to hit stuff, presumibly while blasting Limp Bisikit, it was really sweet. THeir relutance to stop them added a nice dimension to things: they UNDOUBTLY want to stop superfly's plan.. but they genuinely like their cousins and see them as good people in a bad situation. Likewise the cousins are utterly destraught at the fight afterwords and miss the turtles. These are simply at the end of the day teens 20 somethings and whatever scumbug is who just wanted to not be chased iwth torches.
So it's utterly heartwarming when the turtles and splinter simply offer their home. They may not have humanity.. but they'd have each other. It's also YET ANOTHER idea that seems obvious in retrospect but most turtle series never really thought of: why.. can't other mutants stay with them? They usually order suplies and stuff descretley anyway or in this case take them out of nescsity, if they can afford pizza for 5 people reguarly, why NOT let other smove in. I mean I get it meta wise, you dont' want to overcrowd things. But it's a nice thought i'm glad gets realized: that the boys aren't alone and now have a whole new family to lean on.
And of course Superfly can't take that. To him there's only one way to go: never stop making them pay. I'll also say I like just how poweful superfly is: he's got strength inunerablity, and super smarts, which I thought was a nice touch. I assumed he woudln't have baxter's intellegence and I'm glad to be wrong. He's only stopped and only then breifly by sheer numbers.
What follows is a LITTLE on the nose, with superfly just.... saying outight he and splinter aren't so diffrent, down to both having said "You'll be safe if you just LISTEN TO ME".

That part.. dosen't quite work for me. What does work is the animation on splinter during the struggle between everyone else and superfly.. the dawning realization of what he is as Superfly states the obvious and his determination as soon as Superfly says "the diffrence is i'm not a punk". Superfly just wants to get revenge on a world that hates and fears him.. Splinter just wants his sons to be happy. And he finally realizes that even if there's a lot of risk involved, they DESERVE to live out there with everyone else. There is something better than hiding or murder.
I also like how Superfly.. drops the pretense: once his plans done he just goes on a massive kaiju attack: I also like how fucking horrific his form is: the whale part's a bit goofy at first.. but then you see how much STRENGTH that gives him as he destroys it. Even if we get the ocasional joke (I didn't need that horse is gold), for the finale Superfly is just a nightmarish, imposing threat that threatnes to run our heroes lives and also maybe end them. The glee he takes in crushing the boys alive... it's fucking terrifying.
I also love the bit of the boys panning... seeing all the destruction.. and seeing the media blame them too. Their trying to HELP people.. and get blamed. I'd suggest moving to krakoa but a lo tof shit has went down and living with one old man full of fear and regret is what started this whole caper. And the boys.. fight on anyway because it's the right thing to do. Despite all the hate... someone has to stop superfly. And in doing so.. April makes sure they get the glory and praise they deserve anyway.
Finally I love splinter's turnaround right before the final fight... where he admits he was wrong.. but hasn't FULLY turned around on humans. He's simply realized he can't let his baggage with humanity weigh down his sons. And it pays off brilliantly during the time square fight, as when Splinter is downed.. someone helps him up. And what I love is that while it COULD just be someone who saw April's newscast clearing the turtles and other mutants.. it's left ambgious. As far as we know it was just a nice guy and gal helping an old man up regardless of if he was a giant rat or not. It dosen't paper over all the films flaws with the rat man mob scene but it does help quite a bit.
The film brillantly tackles prejudice and I like how unlike most films.. there's no easy answers. Our boys have to do something big and loud to get accepted and it's not guaranteed to shield them, as seen with the stingers. THey find friends , activites and get what they want.. but it's likely not the end.. but that's okay. The important thing is for the first time the turtles are out of the shadows and into the sun. And it suits them. Seriously this last twist was brilliant and i'm shocked it took a tmnt this long to just.. let them be public since 87, and since media has evolved, it means when we get to the series we can actually explore what that means: how will they adapt? will everyone accept them? will april realize Leo is into her and it wasn't just a friend thing? there's a lot of questions I can't wait to be answered.
Change is Constant
I didn't have a good segway so.. CHARACTERS! MY WHEELHOUSE. LET'S GO.
Starting with the boys, their more of a package deal here. They still have unique deisgns, takes on the cores of their personalities, all you'd expect from a good tmnt adaptation.
What changes it up a bit is the recording together: while most sets of turtles have great chemistry, this one.. really feels like their brothers thanks to the shared recording: they talk over one another, dunk on each other and goof around. This has always been a thing, and part of the franchises charm, but how they do it here feels more real, helped by the fact they clearly took some adlibs in. Both the BTS bit where they try to comfort Donnie only to both mangle the lyrics and writhe in pain and the bit with the new york accents both sound like the boys just started riffing on the prompt given, didn't stop and they rolled with it because it was comedy gold. It also means a LOT more pop culture refrences.. but it works. It dosen't feel like too much
Admitely I don't know how current the refrences are to ACTUAL teens, but they work well enough and don't feel like their horribly date the film. Plus it'd be.. weird to have a turtles work that didn't reflect it's era in some way, as all 4 cartoons and most films and comics reflect their time either in writing or in the general vibe.
The downside to this is the turtles indvidual personalities, while present.. get kinda underplayed. Leo and Raph make it out fine enough: After the radience that was Rise Leo and ben schwartz being at his peak slacker doofus (while also still being badass), we're back to Leo being Teachers Pet. But thankfully like the 2012 film they play with it: like that Leo his brother's don't really respect him as a leader, but rather than the usual raph snarling at him like wolverine, here it's more just their his brothers, they woudln't respect him anyway and benig their dad's mouthpiece just makes them ignore him harder. He's the dutiful son but he's simply outnumbered. Raph dosen't get a ton of spotlight, but gets enough to be a fun little murder baby and probably my faviorite of the 4. Instead of the usual brooding loner, sometimes ultra violent sometimes just sassy, often both, here he's more an obnoxious older brother who picks on leo the most, is happy to do dangerous stunts and badly needs therapy. He's essentially Reese from malcom in the middle as a ninja turtle. He still loves his brothers and loves a good scrap, but he's got some issues to adress.
Mikey and Donnie likewise aren't bad but kinda one note: Mikey gets it the worst: he's a bit goofy.. but since they ALL are this incarnation it dosen't stand out as much. He gets some nice bits and one hell of a impariment shot, but not much else.
Donnie fairs better, but suffers from the unintended consequences of a good choice. As part of grounding things a bit, Donnie isn't a super genius. He's just a snarky little otaku who does really like tech, but on the resonable level of a teenage boy. As a result he dosen't get as much to do as most donnies as he's not hotwiring shit as often or making super lasers. It works for me, it's intresting to have a donnie whose just a normal kid who happens to be really nerdy, but it means plotwise he dosen't have as much to do as Raph as the ringleader to the boys mischief or Leo as the leader of the band during hero stuff. I get why: they only had a hundred minutes and it's remarkable they crammed as much in as they did, but it's something I really hope the series can course correct. I don't mind the boys riffing and hope it continues, but I also hope we get them more as their own people too.
As a final note I love Leo's crush on April. IT feels like a better realized version of the Donnie one from 2012. Instead of waffling over wether april notices or just dosen't want to turn him down which..
And then having it go from cute to "spiraling obessive dickhole", here April notices something's weird, but is clearly more intrested in the "giant talking turtles who can help my rep" thing and thus dosen't really pry. It only REALLY crosses into that at the end when he transparently asks her out.. and she waits till prom to ask "wait this is a friend thing right". But that could be nerves or her being just as scared of her feelings as he is with his. It also helps that while he's intrested in april romantically the two do bond: out of the four he' sthe most empathetic at her barf reputation, priortizes her not out of his crush but because she asked for their help and later works with her at her club. It's still somethign the series could work on, but for "a way to both mine jokes and get leo to go against his dad's wise council" it works fine. It's better than "how dare you ruin my ship you bastards" and "Mikey stop being a sex creep. "
So moving on to April herself, I mostly like this version. She's the third time this franchise has gone with a teen april and the third to have her POC. I've liked the turn to teen april as instead of being a big sister to the turtles, and essentially another authority figure when they already have their dad, she's on their level and it opens up fresh possiblities. Mayhem is the first with this take on april to have her be a reporter again, and it's honestly nice to see that work at a school level, having her TRIED to be on their equivleant of channel one.. and end up puking. And i'm not a barf joke man but walking back into the theater after a bathroom break to see her ralphing to "UnwritteN" may be one of my faviorite cinema moments of 2023, up there with walking back into Barbie to find she and ken now had cowboy outfits they'd apparently stolen.
I also love how it gives her a personal stake: she just wants to be loved same as the turtles and like them realizes this isn't WHY to do this. She also provides a nicely needed straight man to the goofier brothers without being reduced to the old sterotype of "Joy killing female foil. ", something her fellow teen aprils and most aprils in general have thankfully achieved. April is just a person and reacts with annoyance to the boys because their going on a 4 minute tangent saying new york sterotypes while mike does a rumpshaker.
We do have to unpack that mostly though and that comes from April being kind of a dick at time's. She's pressuery when the boys are undercover with SUperfly's gang.. even though she can HEAR what their saying.. and thus hear that he's clearly indocrinated the others and that the boys may not want to harm THEM. I get her not wanting Superfly to succeed, his plan is fucking horrible, but even for a teen it's weird she dosen't see the nuance. She can also be a bhit short with them, though the latter I acknolwedge in hindsight as being like the boys: she's a teenager and teens aren't perfect. This is still a great april and continues Ayo's streak this year of great voice acting roles.
The other mutants are great. I was worried: While the cast for them is fucking stacked and Seth called in a lot of his rolodex to fill it out, and himself as credit where it's due he tends to show up in shit he produces and bring his absolute best rather than showing up because he can, i've seen plenty of films fall flat because they tried to add too many characters from the source. Just this year I felt one of the biggest issues with Transformers; Rise of the Beasts is that they tried to jam so many autobots and maximals in, a total of 10 but didn't bother to give any of them but optimus, bee and mirage an actual character.
Here while the characters are one note, they have charming designs and work more as a unit like the boys, but are still friendly and likeable enough that your fond of them like the turtles and happy when they join the family. The breakout is easily natasha dimoscu's wingnut. I already loved wingnut, but this is easily the best verison: she's cheery kind and gets some great subtle jokes, the wifi one is fucking great as is her swiping Donni'es akira voices. All of them are pretty charming though. The only one to not really feel like a character is Hannibal frog, a sad waste of hannibal burgess, but everyone else gets something fun to do: Bebop and Rocksteady are rageholic morons who then get a sweet character arc as they realize their rage is because Superfly ENCOURAGED them to be constantly angry, and it's fun to see a version of them that's genuinely heroic. Not so fun is Bebop's pierced nipples.
I am genuinely baffled by this design choice. I don't doubt Bebop would get pierced nips, it' sin character. But why Seth thought anyone would want to see that, why he made HIS CHARACTER HAVE THEM, OR WHY HE MAKES IT SO PROMINENT will be a question that will haunt me for years to come. Or until we get creators commentary to explain why he hates viewers eyes. For the record I have nothing against nipple piercings, I just question why anyone thought giving them to Bebop was a good idea. OR their so large or
I also like Scumbug and i'm happy to see Splinter in his first relationship where his partner hasn't died horribly or put him in gladiator games. I did not need to see them make out with clone high level tounge. I"ll let this discord conversation with my good friend @kammieceleek handle the heavy lifting.
I mean their a cute couple but please, NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN. NEVER AGAIN NEVER
Anyways capping us off we have TCRI, who are decent enough. I like remaking them as this sort of paramilitary goon squad that shows the worst of humanity. Cynthia herself.. is fucking great. I like that to anyone familiar with Krang, it's DAMN obvious who she either is, or is a stand in for, with the name, apperance and Maya Rudolph somehow doing the Pat Fraley krang voice and tics while also doing a thick german accent. She's a brillaint combo of over the top hammy.. and an utterly sadstic monster, shocking the boys just for speaking, not carring that they don't really belong to her, and willing to kill them just to get her super weapons. She's what a remade krang should be: still over the top.. but also dead seriously terrifying. My only complaint is she's a bit OBVIOUS as a sequel hook. Like Rowe was really banking on that sequel and i'm never a fan of when films do this when they don't KNOW this story will continue. It is clearly, with the film slowly picking up more and more money and more than enough in merch, but he coudln't of known that.
So with that we just have one bit of buisness to wrap up
Yo Jeff Drop the Verse
The soundtrack for this flim is liquid gold. It's so good to my ears and full of such nice cuts. Guardians cemented my love of needle drops in film in tv: If you can pull it off well do it. And this film does it so damn good. The film skews to hip hop, likely due to wanting a "Tony Hawk Pro Skater" vibe, which really does fit teendom well. I will admit it's also pretty explicit here and there, so kids may be disapointed to find they can't stream these songs, but it's still a stacked selectoin
So before I break it down track by track, something I regret failing to do with spider-verse as like this reveiw it was massively behind, I whipped up a playlist as Parmount's own leaves out several tracks. While I get the what's going on bit being left out as that bit is a good suprise why it has'nt been added weeks out from the film I don't know. You can find it here
Ante Up is a song i've heard maybe once or two here, but is a perfect gag for the opening grocery run, while still showing off just what our boys can do.. even if their doing it for some party sized cool ranch doritos. Which is still a great reward.
Danke Scheon shows up in the clip of feris buller. This dosen't really count but I do think the film is a perfect fit, since John Hughes was an inspiration for this film, and it's an idealized version of the freedom the boys desperately want. Not a John Hughes film I was ever a huge fan of, but it works and that "You can hyjack parades whenever you want" joke is so damn good.
Now we come to a track I wasn't familiar with but is easily my faviorite now: Eye Know. I"m glad more films are using De La Soul's music, mostly because it makes ME want to know them better as I haven't heard much and even after really enjoying three is the number, thanks to the weird rights limbo it wasn't avaliable to stream ad nauseum when No Way Home came out. Thankfully just a few short months ago, the whole De La Soul catalogue is up. This song is a really gentle, really fun love song with one heck of a chorus, and it nicely meshes with Splitner raising his adorable little children. It's one of my faviorite scenes of the movie.
The next track is another perfect selection but for something more hilarious and badass: While Push It To the Limit verges on a parody of training montage music it works for one where we find out the turtles and splinter learned ninjitsu from movies,, instructional tapes and whatever they could scrounge up. HOw their learning is awesomely rediculous, so it needs backing that's cheestastic.
Love is an Illusion by Ronnie Walker was nice for Leo falling for APril. It's a really crisp, dreamy love song so it fits.
Okay look i'ts only there for a second, but I can't tell you how much I love Ninja Rap making a cameo on this soundtrack. The soundtrack is cheesy good and one of the more iconic ninja turtle songs for a reason. It's not as good as say Pizza Power or the various awesome theme songs, but it's goofy fun that fit the film it was in. It's also one of Vanilla Ice's better songs, though that isn't huge compettion especially since he made a weird as fuck sequel I still can't comprehend that was also compeltely ninja turtle free for some reason.
Cavern By LIquid Liquid is fun, a nice chill beat to meet turtles to.
Dance by ESG is already a fun song and fits the boys going full blast on their plan well. THat's.. about it. THankfully I have more for unwritten. I'm not a fan of Vomit humor most of the time unless you have a paticuarlly inspired twist like say. a mad scientest making everyone in the room vomit at a bar as a thought experiment leading to an image like this
That's just beautiful. But i'm just not a gross out guy, so this gag working for me was a lot... setting the most embarassing moment of April's life to FUCKING UNWRITTEN, a song I heard 998 times over the course of the 2000's as every fucking movie and tv show overused the hell out of this throughly mid song, it was transedeant. First and only good use of unwritten. Well done.
Now we come to what's easily the best musical bit of the movie. And it has some steep competition from Eye Know and another song we all know is coming, but the No Diggity Scene is just one of those sequences that once you see it you know "This shit is iconic". This is a scene that's now etched in tmnt lore and for damn good reason. It's also a brilliant way to get up to the chain to superfly and have a few weeks of sluthing and our heroes getting better pass as our heroes easily blaze through some goons and those shots of EACH turtle getting to burst in and lead the assault?
And look I admit this montage hits a sweet spot that was also started by guardians: setting an action montage to music that somehow fits despite having no right to. In this case a mellow smooth as hell jam perfectly complmenting some frantic action. So fucking smooth.
Wake Up in the Sky grew on me as let's face it, a song that has bruno mars saying fly a dozen times nad saying he's super fly works. I just don't like it a lot because trap is'nt something that fits me musically. I prefer more intricate beats or at least a really solid one thorugh the whole thing. The more relaxed beatwork here isn't for me, but I can't deny it fits Superfly's big debut well.
Fitting me much better is the use of Shimmy Shimmy Yay for the bowling scene. It's fucking great, a song that's never not awesome and that's also a bit low key while being way more my speed.
The use of BOTH major versions of What's Up? .. is an easy close second for best use of music int he film and one of the most brilliant masterstrokes. And this all comes to Seth Rogen. When the chase scene wasn't quite working, he suggested the slackcircus version of he man. It's also awsome in that the song's themes of isolation PERFECTLY fit what the mutants are going through. So not only did they manage to stick one of the best meme songs in human history in a feature film.. but they did so with it being ENTIRELY relevant. The switch from the 4 non blondes version to slackcircus is fucking genius and the song adds nice manic energy. It'll also hopefully give this song a rightful ressurgence as the heman cover is , while hilarious, also GENUINELY good. The original ain't too shabby either.
The boys version of butter is hilarious and got me to listen to the original which is alright. Mr. Lonely isn't a bad song, and perfectly fits Splinter's mope session.
Finally we have can I kcik it, an objectively awesome song. It fit the trailer perfectly and it fits our ending as our heroes are finally allowed to mingle with the surface adn get their happy ending beauitfully. A beautiful ending to a beautiful film.
So overall mutant mayhem is fucking awesome. If you haven't seen it after all this go see it, support the hard workers who made this film possible by supporting the ongoing strike and thanks for reading.
#teenage mutant ninja turtles#tmnt mutant mayhem#mutant mayhem#leonardo#donetello#raphael#michalangelo#april 0'neil#screwloose#superfly#bebop#rocksteady#jeff rowe#seth rogen#nickelodeon#scumbug
45 notes
·
View notes
Text



Tales of Team RWBY: This is Team RWBY as I attempted to draw them, using Kevin Eastman’s two art styles from both the IDW Turtles Comics, and the miscellaneous TMNT 2012 artwork he occasionally made in both some of the 2012 TV tie in-Comic Series’ Variant Comic Covers, as well as when he drew both BTAS/90's Batman and the 2012 Era-TMNT in a variant comic cover for that Spinoff or Remake that’s based on the Batman and Ninja Turtles Franchises’ Two Best Cartoons of course. I hope this one is as Kevin Eastman stylistic enough as I could get at it so far? Because I did make some of their body sizes look a little unintentionally and indirectly like their ArrowFell in game-model designs I’ll say, but hopefully I did hopefully manage to capture the White Highlighted Outlines that Kevin Eastman would draw in those thickly inked comic covers this time y'know, it wasn’t easy for me to capture the Kevin Eastman style interpretation of Team RWBY’s Atlas Era Designs, plus the third picture of my RWBY fan art illustration that I’m managed keep in my iOS Photo Library’s Traditional Art Folder was colored in red highlights to pay homage to both the first Ninja Turtles One Shot Comic’s iconic comic cover and the first TMNT Cartoon’s Red Sky Seasons too of course, which is why I chose to make make the Night Sky, Red, it wasn’t easy but it was fun to make, plus I’m currently planning on upgrading from my current iPhone with a 64 GB Storage to the next iPhone with better storage capacity sooner or later in general after Christmas, as I’m now currently busy making my latest decorative family portraits of my extended family tree and my family and I as our own RWBYsona human & faunus huntsmen and huntresses to celebrate the 10th anniversary year of the RWBY Franchise on it’s last month, before 2024 kicks in where the RWBY CG Anime Saga’s 10th Anniversary year will transition to a Post 10th Anniversary Year since the RWBY Franchise made it’s debut in July 2013, and I hope you RWBY Fans like my Kevin Eastman styled Fan Art Illustration of Team RWBY finished drawing and coloring this year of course.
#rwby#rwby fanart#traditional art#kevin eastman style#kevin eastman#cartoonist#illustrator#colorist#ecf#ecfartcenters#blake andrew roten#teenage mutant ninja turtles
9 notes
·
View notes