#tom fowlks

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Tom Fowlks / Untitled (Panama) / Photography / 2016

[elizaneals]

The fire rages on #BaddertotheBone hits #BMansBluesReport 🔥 "Badder To The Bone, from #ElizaNeals and its a power blues rocker. Opening with #UnitedWeStand with heavy tom tom's on a Bo Diddley beat by Jeffrey Fowlkes and slide guitar by Michel Puwal, Neals is on a roll. On slow blues, #QueenoftheNile, Neals shows real soul on vocals, playing piano and taking names. Backed by Jason Kott on bass and Tim Grogan on drums, and featuring Lance Lopez laying down some excellent blues riffs on guitar and Peter Keys on B3, this is an excellent track. With a tango rhythm and nicely blended vocals, the stylistic guitar work of Puwal makes #BucketofTears a real standout. Soulful, #Heathen, drips with #southernsoul under the vocal control of Neals and with the thick B3 and piano work of John Gavin. Steve Winwood's #CantFindMyWayHome is always great to hear and Neals puts her special touch on it with firm vocal lead and nice backing, topped with strong guitar lead work by Lopez. Wrapping the release is Queen of the Nile II, a foreshortened rip of the earlier track but still tasty and with excellent guitar riffs by Lopez. Excellent closer for a tasty release." ‼️💯 Thank You BMan you usually are the first person to listen and give me a #musicreview, thanks for your trained ear listening to what the #worldofblues has to offer 💙 #IndieBlues #independentartist #femaleproducer #arranger #songwriter #publisher #powerbluesrock #gothicblues #modernblues #classicrock #rocknroll #musiccritic #newmusicalert #modernbluesrock #bluesballad #BluesRock ⭐️ (at Grand Canyon, AZ) https://www.instagram.com/p/CeOZ9Ihu2Zq/?igshid=NGJjMDIxMWI=

[nofatclips]

Wreckless Heart by Glen Hansard from the album Between Two Shores - Directed and edited by Eoin Wickham

[badmovieihave]

Bad movie I have Immortal Wars 2018

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(via Fishing Buoys - Tom Fowlks - PurePhoto)

[danzigs-cat]

Glenn Danzig 2007 (Photo by Tom Fowlks)

[sanjeevarao]

Post-pandemic seafood could be more sustainable. Here’s how tech is driving the change.

Post-pandemic seafood could be more sustainable. Here’s how tech is driving the change.

A fisherman drops anchor at the first stop in a long night. (Tom Fowlks/) Workdays can begin hours before dawn in Guaymas, Mexico, where a small cohort of locals launch modest fiberglass-and-wood boats from the rocky shore into waters that will gleam azure at sunrise. From their pangas, crafts about 20 feet long with little more than three bench seats and an outboard motor, the 38 members of the…

[ornithologyorthodoxy]

A portrait of yours truly taken by Tom Fowlks and John Hankla for their series “Depth of Field,” photographing people working in the paleo field in Eastern Montana on wet tin plates. I highly recommend checking out their other work that captures a lot of great personalities that I had the privilege of working with this past summer!

(I would also like to mention that I was extremely excited to be included but I was not able to smile since the exposure time for this process is too long)

[the-hindu-times]

April 2019 reviews roundup

Ricky Gervais at Guildford's G Live was followed the week by a trip to Edinburgh. Whilst there, after John Hunt’s ‘After Work Blues’ at The Jazz Barr, we headed to the Usher Hall for DMA's where the floor was a riot of 14 - 18 year olds making the most of their youth and the school break; lifting the music just from their mass attendance.

The day after, we past Isabel Caswell coming out of M&S in Sheffield, realising ‘Calendar Girls’ was in town, whilst heading over to the other end of town for an intimate performance from Chloë Foy and her band at Cafe No.9. Stood around one microphone, the perfect acoustic sound detailed her delicate songs in the highest, audible quality. It was clear there were a few returning regulars filling up the venue but we managed to find the perfect position to hear the mix as, due to the nature of the set-up, sitting on the left hand side may have been too piano heavy. 

Mixing folk with classical, the dynamic performance showcased some great melodic writing, whilst using her voice as a true instrument, rapidly putting herself in line with Phoebe Bridgers and Lisa Hannigan.

We were back in London on Monday for the first of Glen Hansard’s 2 nights at The Barbican. Like when I'd seen him with The Frames at the Scala, neither evening was sold out. Since the success of the film and musical 'Once', from around that time, featuring the Oscar winning 'Falling Slowly' and the equally popular 'When Your Mind's Made Up', his two LPs solo, which came either side of 'Didn't He Ramble', expectedly followed on from that style of writing and production The Swell Season (his duo with film co-star and former flame, Markéta Irglová) possessed. Now touring his fantastic fourth full length under his own name 'The Wild Willing', this record seems to be as important to him as 'Didn't He Ramble' in comparison to his other two solo efforts 'Rhythm & Repose' and 'A Season On The Line', which were not featured at all in the first night's setlist. In fact, this new album happened from moments of inspiration and improvisation that took place in between takes from pre-penned songs - eventually casting aside the original plan altogether as the musicians involved propelled Glen's threads of ideas into songs; disrupting the flow if songs were heading in a certain area. 

Having been sent the new record’s audio in advance, before I was able to buy the vinyl, it arrived with a strong feeling of weather - like a storm was coming in; as featured at the end of the first night's opener 'Wait Of The World', which eventually became subsumed in wind; emerging like a fog. Balanced on a stall, just for this opener, Glen asked for a set list or possibly a lyric sheet during this new composition? 

For the last few years, Glen Hansard had been travelling as a 13-piece, soul revue, big band. Tonight the horn section had been disbanded but had the addition of acoustic guitarist, Javier Mass, (making them 11 on stage) joining them from the second song 'I'll Be You Be Me' - a studio improvisation in France; connecting with the idea of intimacy, surrendering to someone until you become each other. You can hear a split second of Bowie's vocal rasp on the loop (from a cassette demo of the Queen and Bowie session for ‘Under Pressure’) that David Cleary added to the track as the beat.

The end mantra of the third song played 'Don't Settle' built on the advice Liam Clancy gave to Bob Dylan, before the theatre went pitch black for a pre-recorded vocal performance from Aida Shahghasemi at the end of following new number 'Fool's Game' - a song they opened with the next night.

After 4 songs from 'The Wild Willing', a sigh of relief met the plucked intro chords to 'Didn't He Ramble''s 'My Little Ruin, which soon lead onto 'Once' film soundtrack favourite 'When Your Mind's Made Up', which Glen halted momentarily on night 1 just as the drums and bass came in. The 5/4 time signature seemed fine to me – especially with one of the best drummers in the business. On night 2, the Irish singer teased the title lyric about the UK having not made up their mind about Brexit before he showed how his solo/acoustic Swell Season song 'Leave' took on a whole new meaning. Joking aside, the band leant into the shift in dynamic even more so; covering the particular tones of the album’s Iranian musicians, who were absent, along with Aida, after being refused visas into the UK.

After 'Winning Streak' from 'DHR', another 4 songs (including 'Mary', 'Brother's Keeper' and 'The Closing Door') from 'The Wild Willing' were aired, mixing in The Specials' 'Ghost Town' (night 1 only) with 'Race To The Bottom' - a title which is already a play on AC/DC's 'It's A Long Way To The Top...', whilst the lyrics are diary entries of rhyming couplets from day to day occurrences from his writing sessions in Paris. Night 2 saw the only outing for a ‘Between Two Shores’ track with ‘Roll On Slow’ which lead on to a cover from Van Morrison’s former band, Them, in the shape of ‘Gloria’, with help from an audience member on lead vocals.

'Didn't He Ramble' (recorded for the 'Season On The Line' ep and not for the LP of the same name) saw Glen pass his electric guitar down to Javier to improvise a solo, which was better on night 1 but night 2 lead to an extra chorus at the end. 

With Glen coming to the front of the stage to sing 'Grace Beneath The Pines', he strummed a few of the chords on guitar for it on night 2 before putting it down. Despite having his string section with him, Glen decided to sing the fiddle part at the end of his 'DHR' solo, piano song 'McCormack's Wall', clapping along with the audience. This song was traded for a completely unplugged (like ‘Grace Beneath…’) version of 'Falling Slowly' on the second night, with the strings and keys watching closely for the changes. Maybe he was about to perform it on night one too before Javier Mas returned to the stage a song too early. Glen asked him to stay to duet one from his former boss: Leonard Cohen's 'Famous Blue Raincoat'. Night 2 saw the band go into Cohen's 'Bird On The Wire' after DHR's 'Her Mercy', Night 1, instead saw a snippet of 'Wedding Ring', from the same album, thrown in at the end, which wouldn't have been right now that Curtis Sonny Fowlkes is no longer in the band to come to the centre stage to sing a verse. After an old Frames rock number ('Revelate' on night 1, switched for 'Fitzcarralado' on night 2) the whole band did get an opportunity to take turns to sing a part of Pete Seeger's 'Passing Through' as the last song on the opening night, and Brendan Benhan's 'The Auld Triangle' at the end of the second.

As intended, he's certainly uncomfortable again and both nights proved how beauty exists outside of comfort. Don't settle. 

On night 2 we had gone to Rough Trade East beforehand for 'Idlewild: in conversation'. With no live performance, I went down to Southampton Engine Rooms to see them the following Tuesday. 

photo by Nic Bennett

The next day, we caught a bit of Lauren Aquilina's [mostly] solo performance at the House of St Barnabas private bar in Soho, where we’d previously been taken to by Starsailor, before catching the second half of Newton Faulkner’s set at the London Palladium – a place he deserves to be after the career he’s had so far.

After Ed Byrne at Kingston’s Outside The Box, we headed over the road for a sleepy Peter Doherty & The Puta Madres New Slang gig. We were back at Outside The Box for Tom Rosenthal & Ian Stirling as the month came to a close.

Nic Bennett

[mondoradiowmse]

07/26/17 PLAYLIST

Here's the playlist for this week's edition of Mondo Radio, which you can download or stream here. This episode: "Cosmic Cars", featuring classic Detroit techno and more. If you enjoy it, remember to also find the show on Facebook and Twitter!

Artist - Song - Album

Cybotron - Cosmic Cars - Enter

Cybotron - El Salvador - Enter

Rhythim Is Rhythim - Strings Of Life - Innovator: Soundtrack For The Tenth Planet

Rhythim Is Rhythim - The Beginning - Innovator: Soundtrack For The Tenth Planet

Reese & Santonio - Truth Of Self Evidence - Faces & Phases: The Kevin Saunderson Collection

Kevin Saunderson - The Groove That Won't Stop - Faces & Phases: The Kevin Saunderson Collection

Tom N' Jerry's Rockets - Electro-Voice - On The Road Again

Jeff Mills - Changes Of Life - Waveform Transmission, Vol. 1

Jeff Mills - Jerical - Waveform Transmission, Vol. 1

Mad Mike - The Force - Death Star (Single)

Claude Young - Time Distortion - One Complete Revolution

Mad Mike - Death Star - Death Star (Single)

Underground Resistance - Riot - Revolution For Change

Underground Resistance - Quadrasonic - Revolution For Change

Carl Craig - Televised Green Smoke - More Songs About Food And Revolutionary Art

Carl Craig - At Les - More Songs About Food And Revolutionary Art

FUSE - Dimension Intrusion - Dimension Intrusion

Drexciya - Andreaen Sand Dunes - Neptune's Lair

Octave One - Point Blank - The Collective

Eddie Flashin' Fowlkes - Move To Detroit - Black Technosoul

Eddie Flashin' Fowlkes - Stray Dog - Black Technosoul

Aux 88 - The Journey - Is It Man Or Machine

Aux 88 - The Countdown - Is It Man Or Machine

[spy-in-the-house]

4 Dayz In Detroit 02_BUG OUT @ The Works 05282016

Psycho Thrill Cologne's founder Claus Bachor closing the "BUG OUT" Movement '16-event at THE WORKS frontroom, right after Soiree Rec. Int.'s frontman Drivetrain aka Derrick Thompson, while DTM (Tom Linder & Bill Stacy) and Steve Bug made it seriously straight on the club's (back)main floor. Vinyl sounds range from Detroit Techno and Hi-Tech Funk to Detroit rooted House and BeatDown.

The mix features fourty tracks by Claude Young, 3MB feat. Eddie 'Flashin' Fowlkes, 7S Collective pres. The Machinists, Keith Tucker, Matt Chester, Itokim, Unit 2, Esser'Ay, Visitor, Robert Hood, Robot Man, Dopplereffekt (2), Scott Grooves, Julian Kendall, Timeline, Felix Da Housecat (remixed by Robert Hood), Sean Tate, Tony Brown, Oliverwho Factory, Rick 'The Godson' Wilhite, Baby Pop, Steve Lorenz, The Other People Play, Iridite Productions, Naquil, Monty Luke, Chez Damier (remixed by Kai Alcé), The Unknown, Fedde & Marcello B (remixed by Orlando Voorn), Fix feat. Orlando Voorn & Blake Baxter, Daniel Bell, Cool Peepl feat. Billy Love, Amp Fiddler & Sundiata O.M. (remixed by Mr.G), Rick Wade, KB Project, Professor Inc (2), Niko Marks, Theo Parrish, & Ujuzi.

TRACK LISTING 01 CLAUDE YOUNG: Impolite To Refuse [ A2-track from "Detroit - Beyond The Third Wave" (Album Sampler) US 12" | 1996 ] 02 3MB feat. EDDIE 'FLASHIN' FOWLKES: The Golden Apple [ D-side from "Technosoul" Tresor 008 DE 2x12" | 1993 ] 03 7S COLLECTIVE pres. THE MACHINISTS: Jerk It [ B1-track from "The Seventh Sign Collective Vol.2" Sevents Sign Recordings 7SR-011 UK 12" | 2006 ] 04 KEITH TUCKER: WDTR [ A-side from "Stick It In Your Ear" End>To<End 004 US Promo-12" | 2002 ] 05 MATT CHESTER: Defeat Me [ A1-track from "Into The Fall" 11th Hour Recordings EHR-002 UK Promo-12" | 2004 ] 06 ITOKIM: The Mood Device [ B-side from "Subject Japan: Rhythm Poems" Subject Detroit SUB-039 US 12"| Detroit Threads / FIT Distr. ] 07 UNIT 2 [RAPHAEL MERRIWEATHERS JR. & NIKO MARKS]: Hillary Clinton [ B-side from Ideal Trax IDEAL-T5 UK Promo-12" | 1996 ] 08 ESSER'AY [KEVIN MAURICE SAUNDERSON] : Forces _ Reese Mix [ A-side from KMS 052 US 12" | 1994 ] 09 VISITOR [DAVE HILL & MARK BROOM]: Cottage Pie [ B1-track from "Out of The Red" D1 Recordings Done-010 UK promo-12"| 1998 ] 10 ROBERT HOOD: Realm [ B2-track from "Post Office" Telegraph 006LP / Logistic FRA Promo-2x12" | 2002 ] 11 ROBOT MAN [RICHIE HAWTIN]: Hypno Freak [ A3-track from "Never" Definitive Recordings DEF-003 US Red-12" | 1992 ] 12 DOPPLEREFFEKT [GERALD DONALD, KIM KARLI, MICHAELA TO-NHAN BERTEL, WILLIAM SCOTT]: Pornoactress [ B2-track from "Infophysix" Dataphysix Engineering DX-002 US 12" | 1996 ] 13 S.G. [SCOTT GROOVES]: Deneb (Hybrid Part) [ B1-track from "Parts Manager 2" Natural Midi 009 12" | Detroit Threads / W.A.S. Distr. ] 14 JULIAN KENDALL: Assumptions [ A-side from "Julian Kendall EP" Vanity Press Records 001 US 12" | Detroit Threads / FIT Distr. ] 15 TIMELINE [JON DIXON, DE'SEAN JONES, MIKE BANKS, MARK FLASH]: Still Pondering [ B-side from "Forever Forward EP" 4evr 4wrd 001 / Underground Resistance US 12" | Submerge Distr. / Detroit Threads ] 16 FELIX 'DA HOUSECAT' STALLINGS: Footsteps Of Rage _ M-Plant (Robert Hood) First Decision Mix [ B2-track from "Metropolis Present Day? Thee Remixes Part I" Radikal Fear 010 BEL Promo-12" | 1995 ] 17 SEAN TATE: A Matter Of Honor _ Rick Wilhite Mix [ A2-track from "Rick Wilhite – Vibes 2 - Part Two Of Two" Rush Hour Recordings – RH-10.2 NL 2x12" | Rush Hour Distr. ] 18 TONY BROWN: Planet Full Of Robots [ A1-track from "The Brown Brothers – A Planet Full Of Robots EP" Brothers Records 007 US 12" | 2004 ] 19 OLIVERWHO FACTORY: Moonhacker [ A2-track from "Solitaire" Madd Chaise Inc MCI-006 US 12" | 2008 ] 20 RICK WILHITE: Techno Dust [ B1-track from "Freedom School DJ Series Vol.1" Freedom School FS-004 JAP 12" | Underground Gallery Distr. ] 21 BABY POP [DAMON PETERSON]: Deep Techno [ A1-track from Relief Records RR-737 US Promo-12" | 1995 ] 22 STEVE LORENZ: Berghain 5 AM _ Original Mix [ A1-track from Tarvisium Electronique Taelwax_002 US Promo-12" | Complete Distr. ] 23 THE OTHER PEOPLE PLAY [JAMES M. STINSON]: Let Me Be Me [ C1-track from "Lifestyles Of The Laptop Café" WARP LP-090 UK 2x12" | 2001 ] 24 DOPPLEREFFEKT [GERALD DONALD, KIM KARLI, MICHAELA TO-NHAN BERTEL, WILLIAM SCOTT]: Plastphilia Mix 2 [ B5-track from "Fascist State" Dataphysix Engineering DX-001 US Promo-12" | 1995 ] 25 JASON BRUNTON & REI LOCI: Methodology _ Re-wired [ B1-track from "Iridite Productions - The Acceptable Face Of Elitist Techno" Down Low Music DL-012 US Promo-12" | 2004 ] 26 NAQUIL [ NATHANIEL KILLINS IV ] : Bionic Dikk [ A-side from Infra NF-004 US Promo-12" | 1998 ] 27 MONTY LUKE: Ghosttown Traffic [ A3-track from "Rude Photo EP" Fina Records FINA-021 UK 12" | Distinct Distr. ] 28 KAI ALCÉ: Sky Up [ B1-track from "NDATL Special Edition 2016" NDATL SE-2016 US WL-12" | Detroit Threads / FIT Distr. ] 29 UNKNOWN ARTIST: Untitled B1 [ B1-track from IG 814 / NSC Acetate-12" | Detroit Threads ] 30 ORLANDO VOORN pres. FEDDE & MARCELO B: Untitled _ Orlando Voorn Remix [ A1-track from "Untitled EP" Soul Survivor SSR-001 US 12" | DBH-Music Distr. ] 31 ORLANDO VOORN & BLAKE BAXTER: Here We Are _ Clip! Rwrk [ B2-track from "From The Ghetto" JD Records JDR-005 ESP Promo-12" | Subwax Distr. ] 32 DANIEL BELL: Berserk [ B2-track from "Elevate Special Projects 2" Elevate ELVSP2 Promo-12" | 7th City Distr. 1998 ] 33 COOL PEEPL feat. BILLY LOVE, AMP FIDDLER & SUNDIATA O.M.: Free Prt.2 _ Mr.G's Testify Dub [ B-side from Moods & Grooves MG-056 / Big50Entertainment US 12" | W.A.S. Distr. ] 34 RICK WADE: Gambit [ A2-track from "Detroit Fury" Hizou Deep Rooted Music HZ-0O3 ESP 12" | Subwax Distr. ] 35 KB PROJECT [DANIEL BELL]: The Symphony _ Can U Feel It [ A-side from Elevate ELVSP-1 / ELV004 US 12" | 7th City Distr. 1999 ] 36 PROFESSOR INC. [FRÉDÉRIC PPIX]: Billie Holliday Edit [ A1-track from "Welcome Back To The Underground" WBTTU MB-111737 FRA WL-12" | Cyber Distr. 2011 ] 37 NIKO MARKS: Indestructible [ A2-track from Skylax Classic LAXC-1 FRA Promo-12" | W.A.S. Distr. ] 38 THEO PARRISH: 71st & Exchange Used To Be [ A-side from Sound Signature SSTTTPLC 1 US 12" | Detroit Threads ] 39 PROFESSOR INC. [FRÉDÉRIC PPIX]: GQ Disco Nights Edit [ A2-track from "Welcome Back To The Underground" WBTTU MB-111737 FRA WL-12" | Cyber Distr. 2011 ] 40 UJUZI [FELISHA STEVENSON & NIKO MARKS]: Sonny Daye _ Restless Movement [ B2-track from "Twin City Sampler" PAN-010 UK Promo-12" | 1997 ]  // The first mix in a row of five from  BANGTECH 12, 05272016 The 5th mix in this row of five from  HOUSE GALLERY SOIREE, 05302016

[graemepark]

THIS IS GRAEME PARK: LONG LIVE HOUSE RADIO SHOW 07JUN19

This week’s Long Live House Radio Show features Pamela Fernandez, Danism + Train (UK) feat. DJ Rae, Roy Davis Jr. & Terry Dexter, Byron Stingily, David Penn & Kevin McKay, Illyus & Barrientos, Blaze feat. Barbara Tucker, Slam Dunk'd feat. Chromeo & Al-P, Purple Disco Machine and more.

Listen now: Long Live House Radio Show 07JUN19

THIS IS GRAEME PARK: LONG LIVE HOUSE RADIO SHOW07JUN19

Title (Mix), Artist

You Can’t Turn Me Out (Parkside Remix), Eddie “Flashin’” Fowlkes

Kickin' In The Beat (Extended), Pamela Fernandez

Upside Down (Original Mix), Babert

No More (Original Mix), Riccardo Piparo & Vincenzo Callea feat. Vicky Martin

Upside Down (Original Mix), Babert

Dirty Sylvester, Lewis Monbarn

Riding High (Extended Mix), Milk & Sugar, Andrey Exx feat. Alice Russell

Little Boy Blue (Original Mix), Piem

No Limits, Danism + Train (UK) feat. DJ Rae

Just A Little (Kenny Dope Remix), Roy Davis Jr. & Terry Dexter

Happy People, Wh0 feat. Byron Stingily

Hallelujah, David Penn & Kevin McKay

Use Me Again (Carl Craig Remix), Tom Trago

Got 2 Be Loved, Soul Reductions

Get Up (Everybody) (David Morales Rework 2019), Byron Stingily

Strings, Illyus & Barrientos

Most Precious Love, Blaze feat. Barbara Tucker

Grace Jones (Party Animal) (Original Mix), Wow & Flutter

No Price, Slam Dunk'd feat. Chromeo & Al-P

All That Dancin’, Danny Howard & Guz

Superlovin’, Mark Funk & Danny Cruz

Fantasy, Luca Debonaire & Jose

Dished (Male Stripper), Purple Disco Machine

[nofatclips]

Roll on Slow by Glen Hansard from the album Between Two Shores - Directed by Piotr Kabat

[8dpromo]

D.J Genius 313 - Like That! (dotdotdot records)

A native son of Detroit, D.J Genius 313 (born: Sidney Jordan), has had a musical career spanning decades across several genres of music. Attending high school with Detroit’s own Eddie ‘Flashin’ Fowlkes, his love for electronic dance music was forged early on as a member of Twins, a social club crew who threw huge parties in the early ‘80s. They were inspired by the European new wave music and progressive fashion seen in UK magazines like The Face and iD. This was then interpreted by late night Detroit FM radio shows such as the Midnight Funk Association, hosted by legendary radio host The Electrifying Mojo. Jordan was featured as part of the famous Hot Mix Crew on Detroit’s WGPR and later ended up living in the same building as Juan Atkins, helping the techno originator put his studio together. Juan later returned the favor by critiquing Sidney’s first techno tracks. Come take an intergalactic ride with “Like That!” This potent cut — and its pared-down dub — feature classic-sounding elements and a chunky groove that undeniably come out of the Detroit-Chicago house music axis. Proper vibes. It’s part of a long line of releases bearing the name of Sidney Jordan/D.J Genius 313 — there’s a treasure trove of music waiting to be sprung onto the dance floor.

Tyler Stadius (Deepen) – “Cool dub. Something sort of creepy and dark for the late nights.” Alien Tom (Native Alien) – “Wicked house. Nice one.” Lee Guthrie (Click Therapy) – “Nice, I like both mixes.” Eric Davenport (Guesthouse) – “Cool Groover. Crowd pleaser.” Mozaic (As You Like It) – “Great chunky groove.” DJ P-Rez (Not So Fast Records) – “I’m diggin’ this. I’ll play it.” George J.J. Flores (Sol Sundaze) – “Really like this dub!” Anthony Pappa (Red Light District) – “Both mixes are nice.” Jean Jérome (Kut ‘N’ Paste) – “Nice old school vibes!” Kosta (Vibe FM) – “I’m down with this Detroit!”

Available Now From: Beatport, Traxsource, Apple Music, And Spotify.

[safe2keep]

(via Astoria-Megler Bridge II - Tom Fowlks - PurePhoto)