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mokocchii · 7 years ago

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The Kyman Fanfic Ultimate Guide (or in other words, how to be a kyman hoe)

So lurking in Kyman fandom for awhile people would ask, what do you recommend reading? Well, after much searching I conjured up a list in what I believe to be the best Kyman fics. As well since this is Kyman week might as well fellow fans read some good shit during this fabulously gay week.

Remember folks, my list is incredibly biased HOWEVER from reading countless kyman fanfics and engaging with fellow kyman fans, this is solely based on what I consider to be strong kyman fics in terms of story structure, writing style, characterization, and overall enjoyment.

RATING: E

we don't sleep when the sun goes down

by izzybusiness

https://archiveofourown.org/works/9450338

“Okay, will someone please tell me what the fuck is going on?” Cartman finally yells, clearly at the end of his tether. “So, what, everyone here got struck by lightning and now you’ve got superpowers like some kind of all-gay Justice League?” Misfits AU.

Unwell

By cigarettestainedeyes

https://archiveofourown.org/works/12319431

Kyle's being introduced to a whole new side of himself, the panicked side, the scared side, and he doesn't much care for it. Support comes from the last place he expected.

The Rules

By Creatortan

https://archiveofourown.org/works/13389867

South Park has many rules.

1) don’t try to get involved with Kyle Broflovski. You will face the wrath of Eric Cartman. Plus Kyle just isn’t interested, even if he pretends to be.

2) don’t try to get involved with Eric Cartman. You will face the wrath of Kyle Broflovski. And Eric isn’t interested and doesn’t try to hide that.

3) don’t try to get in between Cartman and Kyle. It never ends well. Just let them get it out of their systems.

RATING: T

Cant we just try?

By shortstackedchessecake96

https://archiveofourown.org/works/5187086

If Eric had his stubborn way, he'd deny his feelings forever. But Kyle's not going to let that happen.

Higher, Higher

By Sweeticing

https://archiveofourown.org/works/13518693/chapters/31008642

Bebe tries to use a love potion on Kyle, but the plan goes wrong when the potion makes him fall for Cartman instead. Good thing Cartman hasn't been pining for Kyle for eight years or anything crazy like that.

Cartman Gets bored

By sorrowfulJoy

https://archiveofourown.org/works/13062774

Cartman gets bored at 11pm and tries to get his friends to come and spend time with him, texting fic

Secondhand

By SnyapticFirefly

https://archiveofourown.org/works/7751491

Cartman does what he does best: peer pressuring impressionable Jews the only way he knows how.

Keep Your Enemy Closer

By guineabees

https://archiveofourown.org/works/9123163

A story about what happens when a superhero and their rival have been living under the same roof without realising it.

I Won’t Fall For You

By shortstackedchesscake

https://archiveofourown.org/works/13247808

Just when Kyle thought turning up alone to a wedding - that was starting to feel like a college reunion - couldn't get any worse, it turns out Eric Cartman is invited too. But Eric may just be his saving grace, and Kyle decides to run with his inevitably crazy plan even if he thinks he knows better. But Kyle is a lot smarter than his college friends, he won't fall for Eric that easily... will he?

the coriolis effect

by briwookie

https://archiveofourown.org/works/11544261

"There's nothing wrong with being attracted to the same sex." Kenny would say, but Eric Cartman had always thought otherwise.

It just surprises him that it takes Kyle Broflovski getting drunk at a bar with another man to prove him wrong

Sunday best and broken glass

By cherryvanilla

https://archiveofourown.org/works/2296934

Cartman doesn’t do nervous. He’s done plenty of fucking public speaking, public singing, public anything but tonight – tonight, he’s nervous. Maybe it’s because this stupidly means more than any of those other times, even though he wishes to fuck he could deny that. Because he actually cares this time. It isn’t based around some manipulation. Maybe it’s because Stan’s up there right now singing and playing electric guitar to Sweet Child O’ Mine like a lame-o, but he’s actually fucking good and all Cartman’s got is a dumb emo love song and an acoustic and a future bill for rejection.

Between love and hate

By izzubusiness

https://archiveofourown.org/works/8239649

“Fuck you, whore!” Cartman yells, getting to his feet and stomping over to the other end of the room. “What the fuck are you even doing in my house?”

“What were you doing with Kyle’s tongue in your mouth?” Wendy counters back, and if Stan’s head wasn’t about to explode under the weight of everything going on, he thinks he might have high fived her for that wicked burn.

I said I wouldn't by I did

By captaindude

https://archiveofourown.org/works/2754203

In which Cartman is whipped and he doesnt even know it. but mostly sex though.

Redéfinition de l'individu

By Kymanlvr

https://www.fanfiction.net/s/6481633/1/Redéfinition-de-l-individu

Kyle Broflovski is tired of his dull, unchanging life. But after he returns from being away from South Park for the summer, things start to spiral out of control, and everything falls apart. Mainly Kyman. Strong language and references to sex.

Don’t Touch Me

By Soul Flash

https://www.fanfiction.net/s/5231878/1/Don-t-Touch-Me

When your life hits an all time low, things can't possibly get any worse, right? Not for Kyle Broflovski. Slash, Kyle/Cartman.

Respect My Authority

by Soul Flash

https://www.fanfiction.net/s/5687376/1/Respect-My-Authority

There's only one thing you can do when a Jew tries to mess with your mind: play some mind games yourself. After all, all's fair in love and war. Kyman, slash. Cartman's POV. Companion fic to Don't Touch Me.

Boundaries

By cutie pie 9335

https://www.fanfiction.net/s/6547130/1/Boundaries

Cartman finally crosses the line that Kyle had so carefully drawn. Kyman, amongst other pairings.

Afflictions and Affections

By PartiPooper

https://www.fanfiction.net/s/10588091/1/Afflictions-and-Affections

When Kyle is sick, as per usual, Cartman pays him a visit. He even so much as looks after him, in his own bitter-sweet way. (Fluffy Kyman One-Shot; Rated T for profanities.)

The Sorry Struggle

By Partipooper

https://www.fanfiction.net/s/11152548/1/The-Sorry-Struggle

When Cartman does something bad to Kyle, he tries to say sorry - "tries" being the keyword. AKA, How Not To Say Sorry To Your Boyfriend. (Slightly Silly Kyman One-Shot; Rated T for profanities, slightly sexual scenes, and the follies and flatulence of youth.

if I didn't believe in you, we’d never have gotten this far

by orphan_account

https://archiveofourown.org/works/11282883

Kyle and Eric are both getting tired of the 'no strings attached' asterisk attached to their relationship.

The Stag Prince

By Synaptic Firefly

https://archiveofourown.org/works/4979806/chapters/11437663

A Swan Princess parody. Grand Wizard Prince Eric and High Elf Prince Kyle are roped into an arranged marriage. Honestly, who thought this was a good idea to start with? Eventual Kyman, slight Stenny, and poor Butters is a paladin.

RATING : M

Restraints

By Soul Flash

https://www.fanfiction.net/s/5867328/1/Restraints

“Goddammit, Jew...” Cartman breathed as he furiously began to work on Kyle's belt buckle, “Why'd you have to wear a goddamn belt today...?” Kyman. Graphic lemon. Contains whipping, rimming, frottage, dirty talk, masochism, and more.

How Long Till You Surrender?

By wettmark

https://archiveofourown.org/works/453686

Stan is self destructing, Craig Tucker might be gay, Butters can't handle Cartman's wiener, and Kyle just wants to get out of South Park without losing his mind, his best friend, or his virginity.

A Series of Left Turns

By ScribbleSibly

https://archiveofourown.org/works/4088479/chapters/9208600

Kyle, now 17 and preparing to be a responsible adult, is drowning in the stress of his mundane life. Until Cartman gets an idea. Kyle POV. Heavy swearing and smut later on.

Perfectionist

By shortstackedcheescake96

https://archiveofourown.org/works/6452782

Kyle appreciates Eric's praise perhaps more than he really should. It is rare, after all. (All characters are 18+)

Backseat Confession

By psychelelicgoolash

https://archiveofourown.org/works/1907814

It was moments like these he wondered why he let that Jewish son of a bitch ensnare him like he did. How Kyle could just wrap him around his finger as he rolled onto his back, allowing Cartman full access to his unfastened jeans. Aged Up. Kyman. Smut.

Comfort

By NocturnalLament

https://archiveofourown.org/works/5361029

Unable to sleep due to 'unfortunate circumstances', Kyle finds solace in the form of Cartman - but as is inevitable with these boys it's not as simple as a mere sleepover, and Kyle gets more than he'd bargained for. This fanfic is based on the events of the incredible blog 'Ask The Main Four' on Tumblr, and is totally canonical to the universe. NSFW Kyman smut, first time and delicious grinding warning.

Games

By NocturnallLament

https://archiveofourown.org/works/4932157

The card game was enjoyable at first, but it very soon became clear Cartman had much bigger ambitions for is 'alone time' with Kyle - despite his parents sleeping in the room down the corridor. Unable to resist, Kyle tries to contain himself and stay quiet... but it's much easier said than done, especially when the sex is THIS good.

Mission Accomplished

by NocturnalLament

https://archiveofourown.org/works/3144293

Concerned about the imminent yearbook photographs, Kyle is intent on staying clean of hickeys - much to Cartman's displeasure. But Eric has never been one to back down from a challenge, and if he can help it the feisty auburn wont stay reluctant for long. Yummy smut with hints of fluff at the end. Kyman One-shot.

more than words can say

by NocturnalLament

https://archiveofourown.org/works/4794164

After an innocent slip of the tongue, Kyle can't help but wonder if he'd put their relationship in jeopardy. After a summer of strange behavior and evasiveness from Cartman, Kyle wants answers... but the truth is something he never had expected.

One word to describe myself

By confunded

https://archiveofourown.org/works/604033

"Because he was mine, and in a way he always had been. He just didn’t know it. Yet." Your standard love/hate oneshot featuring our favorite frenemies. Established sort-of-relationship, Cartman wants more and Kyle is a tease. Fighting ensues. Super smutty, but maybe there's more to it than just some porn. Maybe.

Denial

By SchwiftyJerry666

https://archiveofourown.org/works/13728942

At parties, when everyone's usually too high or drunk to notice or care, two enemies find that the line between love and hate is a very thin one indeed.

Express Love

By BookishTea

https://archiveofourown.org/works/8799361/chapters/20173393

Kyle misses his husband after a long and boring business trip.

Baby, Now you do

By charmzz

https://archiveofourown.org/works/13379967/chapters/30644319

Five years ago, Eric Cartman was hunched over him, with a fat hand on Kyle’s throat and the tip of a knife pointed between his eyes.

might last a day (minus forever)

by cherryvanilla

https://archiveofourown.org/works/420889

At twenty-five, Kyle Broflovski thought he had his life all planned out. He was living in Denver with Stan with a nice apartment and a decent job. Suddenly, his world is turned upside down when Stan breaks up with him and he loses his job all in the span of a few months. Now Kyle is back in South Park, living with his parents, and trying to figure out where he goes from here. Enter Eric Cartman, who always got under Kyle’s skin as a kid, and who was now about to do so again, in more ways than one. (A story about reevaluating yourself and your life. Or, How Kyle Broflovski Got His Groove Back.)

Go on, take everything (I want you to)

By cherryvanilla

https://archiveofourown.org/works/5070895

In retrospect, Kyle should’ve seen it coming. In retrospect, he really didn’t. Sequel to might last a day (minus forever).

Fake it so real

By cherryvanilla

http://archiveofourown.org/works/266865

In which there is a party and seven minutes in heaven.

I am beyond fake

By cherryvanilla

http://archiveofourown.org/works/503667

It’s been exactly 24 hours since Kyle was in seven minutes in heaven with Cartman and he hasn’t thought of anything else but the feel of his lips and the press of his body. Sequel to Fake it So Real.

Disintegration (is the best album)

By dont_take_me_im_seriously

https://archiveofourown.org/works/13325070/chapters/30499041

Kyle's Sunday morning began with an appalling marriage proposal and only got stupider from there. Now he's on the run from the government, stranded in a post-apocalyptic wasteland and contending with the idea that Eric Cartman might just have a heart to break after all.

Tough Luck & Tough Love

By kylebiased

https://archiveofourown.org/works/13807146/chapters/31746348

Cartman bets he can break his previous bike-jumping record. Kyle bets he cannot. Cartman bets that if he can make said jump, Kyle will have to own-up to his end of their old fourth grade bet, and give him head. Kyle accepts this bet, since he obviously, cannot lose.

Cartman wins and now Kyle, is totally, screwed.

...Only thing Cartman never betted on, however? Finally realizing he's got actual feelings for Kyle.

Now, they're both screwed.

Put out the fire on us

By I_Already_Forgot

https://archiveofourown.org/works/7262815/chapters/16490188

Cartman cheats at a bet he'd made with Kyle and when the other refuses to pay him Cartman decides to get creative. Kyle knows not to let Cartman goad him into anything, but in the end his ego wins out and through a series of poor decision making they find themselves stranded in the woods all night, handcuffed together, bruised and battered. They have to work together in order to make it through and the near-death experience forces them to talk in ways they haven't before. The ordeal sheds new light on their friendship, and Kyle wonders if things will ever be able to go back to the way they used to be, or if he even really wants them to.

Hate

By Kymanlvr

https://www.fanfiction.net/s/5953936/1/Hate

There are people in this world that would, upon first glance, have looked at them and called them enemies. A story about Kyle and Cartman, and how a series of events bring them closer together. Kyman.

Hiring Hope

By Partipooper

https://www.fanfiction.net/s/10659998/1/Hiring-Hope

Cartman has a job interview to attend, and Kyle has worrying about him to do. (Fluffy & Smutty Kyman One-Shot; Rated M for profanities and sexual scenes.)

Time Bomb

by sweeticing

https://archiveofourown.org/works/13009413

Cartman got therapy, Kyle has a hard-on, and New Year’s Eve remains a cause for celebratory champagne even if you’re locked in a bathroom with your worst enemy.

In my office, now

by mokocchii (yes i wrote a fic too)

https://archiveofourown.org/works/14469690

Working for Mr. Cartman hasn't been easy. (Or has it?)

HONORABLE MENTION (If already a kyman fan you’ll get the joke)

Kyle in Chains

By DanniDinmont

https://www.fanfiction.net/s/4676235/1/Kyle-in-Chains

Kyle has a problem, and it seems that there's only one solution to it. Slash, Kyle/Cartman.

I also wanna give a shoutout to these kyman authors, cherryvanilla, shortstackedchessecake96, partipooper, ScribbleSibyl, synapticfirefly, and NocturnalLament for their surplus of quality quantity fics. They’ve written more than what I mentioned on this list, so I highly recommend to read ALL their work regarding Kyman. I suggest to check both their AO3 and FF.net accounts for the full archives of their work.

Happy Kyman Week everyone!

#kyman #sp kyman #kyman week #south park kyman #kyle broflovski #eric cartman #kyman fanfiction #sp fanfiction

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thecaffeinebookwarrior · 7 years ago

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Hello Miss Caffeinated Warrior, I am a recent fan! Thank you so much for sharing your wisdom - it has really helped. Not sure if this has been asked before but can you share some of the WORST writing advice you’ve ever had? Or some that, in hindsight, were not good ideas? Thank you ♥️♥️♥️♥️♥️

First, Miss Caffeinated Warrior is my new preferred pseudonym. I want it engraved on my tombstone.

Next, this is a great question! I always appreciate the opportunity to go off on tropes and tips I dislike. So, without further ado, here are the worst pieces of writing advice I’ve read or received:

1) If you want to be an author, you have to write every day.

As a teenager, I used to swear by this advice. Then adult life happened, and I realized it just wasn’t feasible. Instead, I try to do something that contributes to my writing every day, like send out a query, make an illustration or character design, or post on my blog.

2) Kill your darlings.

If your darlings are inhibiting your story and weighing it down, they need to be relocated. But that doesn’t mean you have to kill them! Just save them for different works. There are no limits to the world of writing, and there will always be places where your darlings fit.

3) Television is trash and needs to be avoided.

Many authors have bombastic levels of snobbery towards television, and I find it just ridiculous. Television is an artistic medium as much as anything else. Consuming Good Television(TM) feeds the soul just like literature does, and even watching Bad Television(TM) is incredibly helpful for analyzing the fundamental components of storytelling (in fact, studies show that smart people LOVE trashy TV for this very reason.)

So whether you’re binge-watching Mad Men or Keeping Up With the Kardashians, know you’re contributing to your artistic soul.

4) Anything is more profound if it’s dark and gritty.

There is no greater banality than evil. I find little entertainment in watching people take the easiest course of action, prioritizing their pleasure over the well-being of others -- or worse, deriving pleasure from others’ pain. There is no challenge in that.

This isn’t to say that works depicting evil or evil-doing characters -- like Clockwork Orange or Lolita -- or morally gray characters -- like Fight Club, Trainspotting, or Jesus’ Son -- aren’t good. They’re amazing. But they aren’t designed to depict their protagonists’ actions as something to be emulated. They’re cautionary tales, designed to show how human beings can justify a downward spiral into destructive behavior, and how we can succumb to them ourselves.

But in my mind, no characters are more interesting than those who are given the opportunity and justification to do evil, but still make the decision to do good.

5) Any writing advise is final.

I do advise my readers to be cautious about beginning their novels with dreams, second person POV, and adverbs -- but all these things can be beautiful if done correctly. There are no actual rules to writing. Just write honestly, write about what keeps you up at night, and be ready to polish that project to a shine. People will be there to read it.

I hope this helps, and happy writing! <3

#caff's writing tips #quincette

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equivvitch · 8 years ago

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Fassathon: A Summary (Part I)

So, this summer, in the year of Our Lord 2017, I decided to do something stupid and unnecessary, as I do, by watching every single theatrically-released movie Michael Fassbender has been in thus far. Every single one. I dubbed it the Fassathon and didn’t rest until I was finished. (I know a lot of his early career was in television and in television movies (trust me I know the only thing I have to type in my search bar is “im” and his IMDb page pops up automatically) and given more time I’ll probably watch some of those but for the sake of not having to watch like seven more movies I granted myself that leniency.)

All in all, I’d say it took about two months. In total I believe I watched 24 movies, having already watched five beforehand (the new X-Men trilogy, Shame, and Jane Eyre) for a grand total of 29 damn movies (full disclosure, one was a bonus which you’ll see eventually but whatever). Some of them were actually ones I needed/wanted to watch but a lot were….not.

In any case, for the sake of posterity and making myself feel better about being a dumbass, I decided to write up some kind of summary piece about it, so that’s what this is. It got fuckign long so it’s gonna be divided into three parts: two just reviewing the movies and one with some summary thoughts.

This is part one, but first, it wouldn’t be a post by me without eighty disclaimers so let’s get that out of the way first:

This is all subjective obviously. Keep in mind I had to watch all of these so a lot of times I tended to compare them more to themselves than films as a whole. I tried to see the big picture after the fact but when you have 28 films to watch you tend to get hyper-focused on the task at hand. Also I’m not a film critic. I’m just an asshole and a dumbass, a dumb asshole if you will. I am interested in film theory but that means about jack since I have no formal education in it.

It should also be noted that a) Fassbender’s performances in these movies were almost uniformly excellent. The man can carry a movie on his goddamn back and often does if required to do so. This was noted consistently to the point of it being funny in the reviews of each movie. b) A lot of these are British movies. They’re not Hollywood. Just…..pointing it out. And c) I’m 1000% attached to some of these films/franchises outside of this “challenge.” X-Men in particular and also Jane Eyre I’m invested in deeply so that might affect my ideas.

That out of the way, without further ado, some reviews, thoughts, and recommendations:

X-Men: First Class (Erik Lehnsherr)

Rating: 8/10

Quick Summary: At the height of the Cold War, Charles Xavier and Erik Lehnsherr meet under unlikely circumstances and form an even more unlikely bond. They end up with a common goal in defeating a ghost of Erik’s past, Sebastian Shaw, who is determined to cause nuclear war between the U.S. and Soviet Union in hopes of destroying all humans and making way for mutant rule. The two set out and put together a team of mutants to help combat him, but push their relationship in the process to an unfortunate breaking point.

Some Thoughts: I have watched First Class so many times you have no idea. Understand, I once did a full rewatch of this movie for the sole purpose of fact-checking a post that was talking about how many times Charles says “Erik” throughout the movie. I sat there and tallied them by rewatching the entire thing. I love this movie to pieces, so I really have no ability to objective over it. Because of that I do know its flaws pretty well, trust me. It has issues (coughs about the ridiculous awful romantic subplots), but I really do think it’s a strong film and an interesting start to this quasi-reboot. Ultimately it’s a movie about the relationship between Erik and Charles, so that is its strongest point. There are some big shoes to fill, considering Sirs Patrick Stewart and Ian McKellan had the roles first, but McAvoy and Fassbender do a great job with it. It was stated in interviews that McAvoy was cast first and then they made the guys going out for the role of Erik read with him to cast a chemistry instead of a person and it shows. It really is shot like a love story, especially when the B-plot is an explicit romance between Hank and Raven. In my opinion it’s a fun ride, watching everyone meet and use their powers, train together and learn together. The ending is not that happy and I always shake hands with movies that dare to do that, especially big films like this (see GotG 2). It can be silly and frustrating at times, but after Last Stand I feel like we could only go up. I know some people really don’t like this movie which? I guess I’d like to hear from someone who doesn’t to understand why. That being said, Armando deserved better. Fuck his nonsensical death.

Warnings: Montages? Also some violence. Not a ton but what’s there sticks in your head.

Recommend?: Yeah! If you like superhero movies this is a pretty solid one.

X-Men: Days of Future Past (Erik, but this time in the 70s, and with less turtlenecks and more scarves)

Rating: 9/10

Quick Summary: (This plot is so convoluted I’m going to have to be vague otherwise this could take years.) In an apocalyptic future these robots called Sentinels are murdering everyone, particularly mutants because at one point a guy named Dr. Trask got ahold of Mystique’s DNA and used it to make them indestructible. The always wonderful and patient Logan gets sent back to the past to try and stop this from happening. There he finds Charles in a terrible, drug-induced spiral having lost everything and has to attempt to get him out of it so he can help find Raven who’s gone rogue and wants to kill Trask for his experimentation on mutants. In the process they join up with Erik, courtesy of Peter/Quicksilver, which doesn’t go well, which no one could have ever seen coming. The whole thing comes to a head when Raven has to decide whether to become a murderer and risk an even darker future or let Trask walk free and go against what she believes in.

Some Thoughts: I remember so clearly sitting the theatre and seeing the first preview for this, turning to my family and joking about the really stupid title. Like “Days of Future Past? What kind of title is that?” It’s up there with Back to the Future in terms of dumb titles, but is somehow pretty much acknowledged as the best of the current three, alternate timeline movies?? In spite of its ridiculously convoluted plot, it’s a really solid film and has great character development for two of the big players, Charles and Raven. Wolverine acts as a familiar foundation and point of view for the story and grounds it as he often does. Charles has to learn to stop trying to control those around him and move on with his life despite past losses, and Raven has to make a pivotal choice for her character. The scene at the end where it’s flipping between the future and past and all the original cast and the new cast are fighting at the same time is really cool, and the character arcs are strong and satisfying. The only one who doesn’t change much is Erik, but arguably First Class was his platform for character development or, more accurately, regression. He doesn’t do anything that helpful (which is….true to form) but watching him lift an entire fucking baseball stadium, fly it through the air, and drop it on top of the White House is pretty rad. Also Quicksilver is incredible holy shit the way they do his scenes is iconic. Kind of confusing maybe, but it also retconned almost the entirety of the original timeline in a genius move to destroy Last Stand once and for all. It’s usually called the best for a reason.

Warnings: Wolverine gets stabbed by stuff and shot a lot but that’s par for the course

Recommend?: Yep! But you might want to have watched some of the other movies first. Watching it with no background would probably be….too much.

X-Men: Apocalypse (Still Erik/Polish(?) Lumberjack/Poster child for Man Pain™)

Rating: 5/10

Quick Summary: An ancient mutant named Apocalypse (or En Sabah Nur if we’re going to be technical) awakens in the midst of the 80s (because there must be a 10 year gap between each movie it’s a rule). He used to rule but now he doesn’t and he’s mad so now he wants to destroy the world or some shit and rebuild it in his image. He does this by getting together his four horsemen (get it) including Erik who is inexplicably in Poland with yet another family that gets fridged. The X-Men find this out and get together to take him down.

Some Thoughts: I can (and have) ranted about this movie for literal hours. I have some serious personal gripes with it and it annoys me to the point where I’ve blown it out of proportion so keep that in mind. That rating might be a bit low but this movie is mediocre at best. I guess the core of it is because the X-Men conflict is a lot more interesting when they’re up against some government entity or society as a whole rather than just some random villain, at least to me. This movie also does not have a strong foundation like the first two did, no solid grounding point. In XMFC it was Erik and Charles’s relationship, in DoFP it was Wolverine being the POV character, but in this we really have nothing. The stuff with the kids is probably the most interesting and I hope they do more of that in the upcoming sequel. It has a few good moments (Quicksilver’s scene and Erik dramatically throwing down giant steel beams in the shape of an “X” in front of Apocalypse as he switches sides to save Charles and co stick out in my mind) but it tends to drag otherwise. There are about twenty plots going on and it takes forever for them all to connect. The romantic subplot crap is a pain in the ass and dragging Moira back was particularly idiotic when you realize they once again gave her nothing to do in the final act except overlook Charles completely violating her personhood in the first movie by wiping her mind without consent so she can get back together with him. The shit with Erik’s Poland family is stupid even if it’s done well. Magneto of all fucking people does not need more man pain for god’s sake. Lawrence is so checked out she really might as well be a phone recording as Lindsay Ellis points out in her Loose Canon series on YouTube. The only one who really had any interesting development was Storm and I hope they keep on with her because she’s a really good character. There’s just not much there for me, or what is there isn’t of any value. I really hope the next one is better. (Probably a far-fetched hope but a girl can dream.)

Warnings: Lazy writing (and comic-book-movie-typical violence)

Recommend?: I mean you probably want to watch if you’re watching the series. It’s not the worst X-Men movie. I’m probably a little harsh on it. There are the Wolverine sequels. Still, if you’re not that invested, it’s probably not worth it.

Jane Eyre (Rochester)

Rating: 11/10 10/10

Quick Summary: Jane Eyre has lived a fairly unfortunate life, having been put under watch of her cruel aunt after her parents’ deaths and consequently sent to a boarding school that beats its pupils into submission, but remains strong in spite of this. She finds herself a new job as a governess at Thornfield Hall and soon meets its master, Edward Fairfax Rochester. The two begin to talk and form an interesting relationship in spite of their large age difference. Jane begins to fall for her employer, overlooking his rough exterior to the person underneath. Rochester reciprocates, but all is not well. Jane discovers her lover is hiding a dark secret and must decide whether to be true to her love for him or to herself.

Some Thoughts: I WOULD DIE FOR JANE EYRE TBH THE DAY NETFLIX TOOK IT OFF WAS A TRAVESTY. Really, though it’s such a good movie and very loyal to the book. It’s a period piece, but it’s very different from something like Pride and Prejudice, a lot because Jane is such an interesting character. I love her and Mia Wasikowska does a great job. Rochester is a bitch, but…..he’s a bitch with a good heart. Realistically he’s supposed to be kind of….not good looking? So casting Fassbender might have been counterproductive, but it does mean he has to compensate for his incredibly square jawline which can’t be hidden behind that shit sideburn beard with his acting, which he does very well. His charisma kind of helps to smooth over the fact that Rochester can be standoffish to viewers that aren’t prepared for him. He is no Mr. Darcy. The chemistry between the two is great and the story is really enthralling. The music is gorgeous and the ending is satisfying. Well-shot, well-paced, loyal to the original, just a great adaptation all together. It’s not a happy movie, but it has a happy ending. I really have nothing but good things to say about it. Please give it a chance if you’re even a bit interested.

Warnings: You might cry/a little blood

Recommend?: Yes!

Shame (Brandon)

Rating: 10/10

(Quick note: if you’re like “wow you sure aren’t harsh on these movies” listen this was back when I was actually choosing the ones I wanted to watch….so yeah….these are mostly good ones at first. There are definitely some bads on here….don’t you worry…)

Quick Summary: Without giving away everything: Brandon is a pretty normal man struggling with a sex addiction which he basically refuses to acknowledge at the beginning of the movie. His lifestyle is disrupted when his younger sister Sissy comes to stay at his apartment without asking him first. The rest of the film is about their complicated and mildly toxic relationship and Brandon dealing (and not dealing) with his addiction with mixed results.

Some Thoughts: This is one of those movies like Brokeback Mountain that just kind of….sticks on you. I felt that way about Silence of the Lambs too where you watch it and then you can’t really forget about it. Fassbender has worked with Steve McQueen who directed this film three times, this being the second, and they make a great pair. McQueen loves him some long takes and he does them well. His style of directing is unflinching to the point of it being uncomfortable which works well for the type of stories he likes to tell. It’s a very quiet movie, not much dialogue, but it really hits home. This really is one of Fassbender’s best of performances in my opinion. He can do a lot with just his expressions and it really shows here. The dynamic between him and Carey Mulligan who plays Sissy is really poignant. I probably could never do it justice with words alone. It’s difficult to watch, but worth it. It’s one of those movies where the protagonist doesn’t really grow, pointed out very blatantly here. True development hasn’t taken place, at least not yet. Whether or not you think it actually will after this is left up to how optimistic you are for the characters and the story.

Warnings: This is rated NC-17 for a reason. They do not shy away from anything and they do not cut you a break by easing into it. Translation: if you’re disinterested in becoming familiar with some very particular bits of Fassy’s anatomy I’d steer clear. Also strong warning for themes (and fairly graphic depictions) of self-harm.

Recommend?: I would never tell someone to watch this movie, but I would definitely advocate for it. Read the description (that a professional has written, not just mine fff), check the warnings, see if you’re up for it. This is one you need to choose to watch, not be forced to.

Macbeth (Macbeth)

Rating: 6/10

Quick Summary: Oh god, I still don’t remember the plot of this thing…. I swear I read it once but you’d be better off reading the Spark Notes or something. It’s based on the Shakespeare play (obviously) where this dude named Macbeth and his wife Lady Macbeth go around killing people to gain power because some weird ladies in the middle of a field told him he’d be king. Everyone fucking dies at the end per usual due to really ridiculous loopholes. A grand old time, as always, with Mr. ‘speare.

Some Thoughts: Listen pal I got food poisoning trying to watch this damn movie THE CURSE OF THE SCOTTISH PLAY IS REAL. But really, it’s kind of what you’d expect? All of this is coming from me, an idiot, who doesn’t remember the play super well and is shit at Shakespeare, so bear that in mind, but?? It stuck to the original pretty well. It’s played dead-ass straight, so know that right now. There is no humor in this movie ever; it’s completely serious. Also impossible to understand because it’s Shakespearean English in Scottish accents. You’d be better off with a background knowledge of the play I think. That said, the visuals in this movie are absolutely gorgeous holy shit. The ending fight scene is incredible. That alone made it worth the watch for me at least. Marion Cotillard who plays Lady Macbeth is amazing as well. What a great performance. It’s a solid film. You need to accept its no-nonsense attitude to get into it, but otherwise it’s fine.

Warnings: It gets pretty bloody, but not overly so.

Recommend?: Not really, unless you really like the play or have a good knowledge of it already. It’s beautiful, but a little too serious for the casual viewer. I assume that’s why its reviews are kind of mixed.

Prometheus (David)

Rating: 6.5/10

Quick Summary: Two scientists discover a series of ancient drawings, all of which are very similar despite appearing hundreds of years and thousands of miles apart. They believe this might be a clue as to how the human race came to be, a path to our creators. They set out on the Prometheus to investigate a planet they believe to be the origin of these so called “engineers.” Things go awry as one might expect when they find the planet is already inhabited, but not by any “engineers.” Moreover, several crewmembers have secret motivations of their own for coming along which doesn’t really turn out well for anyone.

Some Thoughts: I feel like a lot of people don’t like Prometheus because it’s a think-y movie. It’s not really an action-packed thriller like other movies in the Alien franchise. This was the first in the franchise I’d ever seen so I didn’t really go in with those kind of expectations which I think was to my benefit. If you go in looking for answers you’re probably going to not like it, but I just sort of went to have a good time and pretty much did. Noomi Rapace as Elizabeth Shaw is really great. I really enjoyed her as the main character. There are some really good actors in this movie and I think they do a good job. I loved Idris Elba’s character a lot for example. It’s a beautiful film as well. Fassbender plays David, the resident android of the ship. It was interesting to watch him play a robot because he is, to me, a very emotive actor and this had to be more restrained. I don’t remember the movie super well which probably speaks to it just being an average sort of film. It’s not great, but it’s not as bad as some people seemed to think it was. Just go along for the ride and it can be a good popcorn flick.

Warnings: There’s one really graphic surgery scene that was hard to watch, but otherwise it’s (compared to the other Alien film on this list) not too bad. It really is more introspective than bloody. Also, maybe obviously, there are aliens in this movie.

Recommend?: If you’re into sci-fi thought-pieces, sure. Just don’t go in expecting a masterpiece.

Alien: Covenant (Walter and David, yes both)

Rating: (completely subjective) 8/10

Quick Summary: A group of forgettable, idiot crewmembers who are all inexplicably married for no reason other than a desperate bid to get you to care about them in any way (you won’t. trust me. they’re so stupid you’ll probably rooting against them eventually) are piloting a ship called the Covenant with 2000-some passengers and a lot of embryos on a colonizing mission. Along the way they intercept a strange transmission coming from another habitable planet they hadn’t noticed before which is much closer and decide to investigate. Once there things take a turn for the worst. After several deaths and the completely avoidable destruction of their ship, they run into David who’s been living alone on the planet for ten years after the Prometheus crashed there. They soon learn that they would have been better off braving the planet and waiting for rescue alone.

Some Thoughts: Listen I went into this movie completely expecting it to be horrible. This really was the one that started it all, where I decided I’d watch all of them. I wasn’t going to watch it because it looked ridiculous, but then it was available to rent and I was curious. In all honesty, I really only went in to see with my own eyes how and why the actual hell Fassbender was playing two characters which at some point kiss, so that was part of it. Ultimately I ended up really liking it. Now mind you, this is not a good movie. It’s not. The cast is forgettable and stupid to the point where you just want them to die already and get it over with. The only person I even slightly cared about was Daniels, the main crewmember character you follow. People die without any pomp and the movie is riddled with clichés. That said, it is a lot more like what I expect an Alien movie usually is. There’s a lot more fighting of aliens and a lot more blood. So what’s with the rating? Really it’s completely subjective, but if you know me and watch this movie you’ll probably understand. Let’s just say I have a very specific type of character I tend to like and this movie delivers.

Fassbender carries this gotdamn movie on his back half the time and somehow pulls off the ridiculous scenario of him being the two different robots. The interactions between Walter and David really were some of the more interesting parts of the film for me, completely ridiculous as they are (“I’ll do the fingering”). If you can just suspend your disbelief and go with it I insist that it can be a good time. My favor of the movie really comes from my opinion of David and I think that’s what will make or break the movie for you. It was a ballsy choice of protagonist, and when you realize that I think the forgettable main crew is a little more justifiable. Big kudos for the ending as well, at least from me. It ended exactly the way I wanted it to, and I ended up being invested in who I needed to be invested in. It’s a stupid movie, but I do think you can have fun watching it if you’re in it for the right stuff (namely the fassbots).

(Also, people are not happy about the fuck-million more Alien movies in the works but hear me out…. I have a great pitch idea….what if with every new movie we just double the number of Fassbenders…… so there’s four and then eight and then sixteen all the way until we just have infinite Fassbenders….. listen this is a great plan Mr. Scott please hire me as script consultant from now on)

Warnings: This is a lot more of a horror movie than Prometheus. It’s bloody and violent, and yes there are more aliens. Also it is really stupid. Also warnings for that sweet, sweet ‘bot-on-‘bot action ;)

Recommend?: I mean….not really. Again my opinion is so subjective here that it’s worth a grain of salt. If you do, you need to watch Prometheus first because you need to form an opinion of David.

Hunger (Bobby Sands)

Rating: 5/10

Quick Summary: Without me sitting here for like a half hour looking up a lot of proper names and dates (which I’ve already done once when I was watching the damn thing), this a movie about a hunger strike led by a man named Bobby Sands. It takes place in a prison in Northern Ireland. A group of people called the Republicans who are fighting against being part of Britain and want one united Ireland are being arrested for political acts and are protesting in any way they can. This begins with bathing and clothing strikes, and eventually leads to a hunger strike when this accomplishes nothing.

Some Thoughts: So this is a critically-acclaimed movie and I know people really like it. I guess I can see why but compared to McQueen’s other films I didn’t think it was super impressive. It’s his first project with Fassbender and in a lot of ways it feels like an early-career film. It has a lot of pacing issues. I read reviews saying it’s two movies in one and it really is. As an American (and therefore a dumbass when it comes to conflicts in other countries because our history classes here are Shit) it was sort of a confusing movie to watch just because I didn’t really have any background knowledge about what was happening. I was doing a lot of googling throughout to catch myself up with the conflict and acronyms etc. It’d definitely strike more of a chord with someone who knew about it beforehand. It is a prison movie and it’s difficult to watch because of that. There’s a lot of mistreatment of prisoners and just kind of gross stuff in general. I was whining at one point about the hunger strike not starting until like…20 minutes before the movie ends but I see now why it didn’t because you’re basically just watching Fassbender starve to death from that point on and it’s Not Fun. There are impressive parts of it. There’s a long take of a conversation between Bobby and a priest where he explains his idea of starting a hunger strikes that is, I shit you know, seventeen fucking minutes long. It’s crazy. There are other long takes in the film but they’re not always used super effectively. This can cause the movie to drag at times. The use of sound in the movie is also really amazing. It’s very quiet usually, but picks its loud moments and picks them well. Overall I didn’t get much out of watching it, but that’s just me. I didn’t think it was worth the difficult watch.

Warnings: It’s unrated but I bet it would be R or even NC-17 if it was. Lots of disturbing shots of violence against prisoners and behaviors of the prisoners themselves tbh. There’s nudity as well, but it’s used as humiliation mostly. As usual, McQueen’s style of filmmaking is unflinching and watching someone starve to death isn’t fun.

Recommend?: Not really. McQueen has better films you could watch. Unless you’re personally interested in the conflict at hand, I’d skip it.

Frank (Frank)

Rating: 10/10

Quick Summary: An untalented aspiring musician named Jon suddenly stumbles across the opportunity of a lifetime to play in actual band when they find themselves out a keyboard player the day before a performance. Jon lends them a hand and is accepted into the group in spite of some friction with most of the members. They invite him back on what ends up being year-long trip into the woods to write a new album. While living with the band, the Soronprfbs, Jon gets to know the members better, as well as their many quirks. Notably, there is Don, the manager who seems level-headed if somewhat depressed, Clara, who doesn’t take Jon’s being there very well, and Frank, the apparent leader of the band. Jon takes a special interest in Frank who appears to be the heart and soul of the group. In spite of wearing a giant fake head at all times, he’s very friendly, encouraging, and strangely inspiring. As they work to write their album, Jon begins to record and post their progress on social media, gaining them a new following of people amused by their bizarre antics. This new popularity ends up landing them a bigger gig than they’ve ever had before, but comes at the cost of risking the band’s identity and solidarity.

Some Thoughts: Frank is an amazing movie. If someone wasn’t interested in Jane Eyre but wanted a Fassbender rec, I would 100% give this one. I love this movie to pieces and I’m so glad I watched it because I was initially on the fence with it. In fact, I liked it so much I watched it twice within my rental period, and have now purchased it. If you’re looking for something close to a comedy on this list, this is it. I kind of describe it as if Wes Anderson directed Scott Pilgrim vs. the World, threw in a strong lesson about mental illness, and bumped up the rating a bit. This movie is hilarious and wonderful and poignant. The message is a really good one and one I don’t think we hear a lot. It’s a good commentary on the relationship between art and mental illness, and it’s done respectfully for the most part. Fassbender as Frank is kind of incredible. You don’t see his face for the majority of the film, but he still gives an amazing performance. I think it shows how talented he is as an actor that he pulls this part off so well. You’re intrigued as much as Jon is by him, or at least I was. The humor is a little out there and some of the themes may be off-putting, but I really do think this is one to see. Maggie Gyllenhaal as Clara is fantastic as well. It’s a difficult part but she pulls it off so wonderfully. Domhnall Gleeson as Jon gives a decent grounding point of view character as well. It’s funny and touching and goddammit maybe someday I’ll watch one of these movies without crying but that ending hit me right in the heart.

Warnings: Themes of self-harm and mental illness are present. They’re not played as a joke, but they’re there.

Recommend?: Yes please watch this movie I beg of you it deserves all the praise

Fish Tank (Connor)

Rating: 5/10

Quick Summary: The movie is a coming-of-age story of sorts for the protagonist Mia. Mia has a difficult home life with a neglectful and often abusive mother as well as a penchant for causing trouble. Having been kicked out of school she is directionless which only furthers her spiral downward. Her only true passion is dancing, but she prefers to do this privately. One day she meets her mother’s latest fling, Connor. Unlike the others, however, Connor seems there to stay. Mia begins to interact with Connor and the two form a relationship. Connor is kind to both her and her younger sister, treating them with respect and parental affection they do not receive otherwise. Connor encourages Mia’s hobby and leads her to begin searching for a career in dancing, helping to turn her life around. Things take a turn when Mia and Connor overstep a boundary in their relationship and this leads to Mia discovering that Connor was not what she thought he was.

Some Thoughts: I’m very…ambivalent about this movie, so I don’t probably have a lot interesting to say about it. It seems to me that Fish Tank is a part of a very particular genre of movie about a specific part of the British lower class, making it difficult to relate to for someone who hasn’t experienced that way of life. I watched another movie called Beautiful Thing a long time ago that was part of this genre as well, and that’s what Fish Tank reminded me of more than anything else. It seems to be characterized by poor, crowded living conditions and abusive family dynamics more than anything else. The characters struggle to get by and are generally mean-spirited to everyone they encounter automatically. It can make for a bitter watching experience, even if it is realistic. Mia is a somewhat believable teenager. Since this is a British movie about hip-hop dancing however and the actress playing Mia has…little to no actual dancing skill, any parts of the movie that have to do with this dancing can be embarrassing to watch. You really have to accept that it’s stupid and move past it to watch the thing.

The relationship between Mia and Connor is…troubling which I’m sure it’s supposed to be but it’s never resolved. Some of the scenes in the movie are disturbing as some in Hunger. One of my biggest issues with the movie was there really seemed to be a conversation missing. The end of the film felt like it was lacking a crucial interaction between the two and it made the ending fall pretty flat, at least for me. I know people like this movie and it’s award-winning but I couldn’t relate to it in any meaningful way. It left me feeling conflicted more than anything else. I have no strong or final opinion on this movie. I do respect that it had a female director, but I feel as though I very clearly wasn’t its intended audience, so its impact on me was minor at best and non-existent at worst. There are some nice cheesecake shots in it of Fassbender I guess. I think it still wins for best ass shot afdjks;lj

Warnings: Some disturbing character behavior, especially from Mia. Abusive family dynamics and physical child abuse are also present. Also statutory r*pe. Also some really embarrassing excuses for hip-hop dancing and general cultural appropriation shit that comes from a British movie about hip-hop.

Recommend?: You can try it, but I wouldn’t advocate for it. There are better artsy films to watch unless you’re actually in the target demographic and think you might like this sort of movie.

Inglourious Basterds (Lt. Archie Hicox)

Rating: 7/10

Quick Summary: When she was young, Shosanna’s family was murdered by Nazis hunting down Jewish families who had escaped to France. Now, as a young woman, she finds herself with the opportunity to get revenge. Meanwhile, Lt. Aldo Raine has formed a group of rogue Nazi-hunters called the Basterds, infamous throughout Germany for their lack of restraint and ability to avoid capture. His team is hired by the Allies to help with a plot to hopefully take out all the big political figures in the Nazi party, including Hitler himself, in one fell swoop. It just so happens these two plans are meant to take place in the same place, on the same night.

Some Thoughts: This is the first Tarantino movie I’ve ever seen and I do think it was good for me to at least see one. I was glad to see the movie itself too, actually. It was one on here I just needed to watch outside of this thing. I enjoyed it for all it reveled (as expected) in gore occasionally. I really loved Shosanna. Mélanie Laurent did an excellent job with her and she was easily the best part of the film for me, though I did enjoy Brad Pitt’s shenanigans as Aldo. Fassbender has kind of a bit part in this one which was a little different, since he tends to steal the spotlight otherwise. It really wasn’t my favorite performance of his. It was a little unfocused, though that might be because his character is just a plot device. Kind of a shame but in true X-Men fashion all he did was show-up, fuck things up, and then make his exit. Ah well. It’s well-shot and a good time, if a little long. The blood was there, but not excessive. Maybe a good choice if you, like me, wanted to see one of these movies, but were a little nervous about the violence.

Warnings: Typical Tarantino violence, I presume. Really, it’s just a few focused shots of it, but there is scalping in this movie, as well as some mutilation and gunshot wounds. I whipped my hand up to cover the screen more the once throughout and I’m pretty decent with blood.

Recommend?: Sure. It’s a pretty solid film and last time I checked it’s free on Netflix.

Centurion (Quintus Dias)

Rating: 6.5/10

Quick Summary: In the something-or-other A.D. the Romans are up somewhere near Britain trying to expand the empire, as one does, but are having trouble with the native peoples of those lands called the Picts. The Picts keep decimating their armies, as they do with Quintus Dias’s men. The Picts take him in rather than killing him because he speaks their language, allowing him to escape and meet up with another regiment. Together, they try again to attack the Picts and again are defeated handily. This time the Picts take their general of sorts. Dias and a small group of men are the only ones to survive and attempt to rescue him, but ultimately fail. Afterwards they begin their attempt to escape to safety, all the while being hunted by the Picts.

Some Thoughts: So I fully expected to hate this movie. When I saw this was the other one on Netflix I was Not Happy, but? It kind of surprised me. I think really it did a couple small things well and that turned my favor of it. It really isn’t that great of a movie, with a lot of narration and not a ton to say, but it’s certainly not offensive. It turned into a survival movie rather than a war movie which I greatly preferred. They also weren’t super over the top with the romantic subplot which was….SHOCKING. Usually, in my experience with the Fassathon, if there can be a sex scene there Will Be A Sex Scene, but not here. They meet a cool witch lady along the way who takes to Quintus, but never is it obnoxious, nor does it waste time with it. It was a breath of fresh air tbh…. I’m probably patting this movie on the back for little things too much, but I really do think it could have been a lot worse. It’s fine. I don’t really know who the target audience was supposed to be but it might be good for a night when you’re bored and can’t think of anything else to watch. You get to watch Fassbender run valiantly and stupidly shirtless through the snow if nothing else.

Warnings: It can get bloody, but not overly so. Also mentions of past sexual assault, but nothing shown.

Recommend?: Eh…like I said. Maybe for the night you’re flipping around and there’s nothing on. Decent popcorn flick, probably not worth spending money on.

Trespass Against Us (Chad Cutler)

Rating: 3/10

Quick Summary: Nothing I could write will make this movie’s plot make any damn sense but I’ll try anyway. Basically there’s this family called the Cutlers who are….Irish tent-people and also a weird kind of mob family with a patriarch named Colby. They live in this little trailer park circle and commit crimes to get by. The plot basically revolves around Fassbender’s character Chad Cutler trying to get out from under Colby’s thumb in order to give his wife and two children a better life. Unfortunately, it seems again and again that he’s already dug his grave and there’s nothing to do but lie in it.

Some Thoughts: So this is a weird movie. The whole conceit is weird and another one that you just kind of have to go with to be able to watch it. Its problem is that it doesn’t really have an arc or a narrative that goes anywhere. If it really had wanted to do something it would have needed to allow Chad to make any progress in his attempts to get away. The dialogue is full of slang and really difficult to understand at times. The whole dynamic of the family is sort of confusing and it’s never explained, just thrust upon you immediately. There are some good interactions, notably between Colby and Chad. The parental relationship between Chad and his son is interesting too, but it really just doesn’t go anywhere with itself. I got a little caught up in the emotionality of it watching it, but looking back I can see how flawed it is. I really don’t see what the director was getting at. Also the religious overtones are strange and didn’t do a whole lot. Just kind of unimpressive if still nice to look at sometimes.

Warnings: Animal death. A lot, actually, and often purposeful. Disturbing behavior, especially one scene where a man is stripped and humiliated. It was surprising and difficult to watch.

Recommend?: Hard pass. Skip it.

300 (Stelios)

Rating: 4/10

Quick Summary: Gerard Butler leads a group of 300 dudes against a gigantic, vaguely racist depiction of the Persian army.

Some Thoughts: I have nothing original to say about this movie, I’m sure. I was……not super happy to find it on here honestly, so I did my best to just enjoy it by making fun of it. Most people know what 300 is like. It’s got some interesting visuals, but it’s definitely one that looks pretty and does as little as possible. Mostly it’s a male power fantasy interwoven with quite a bit of racism, particularly in the portrayal of the Persians. It’s saturated with slow-mo shots and rousing speeches that aren’t really that important to anything. It’s a good one to watch on a bad movie night probably if you don’t mind some of the gore. This was Fassbender’s first theatrical appearance if I’m correct and he’s fine. I guess one plus-side of this movie is that everyone’s practically naked the whole time and super buff so that can be fun to ogle if nothing else. It is what it is.

Warnings: Body horror, lots of blood, and war stuff. Tiddies? Racism? Scottish yelling?

Recommend?: It’s your life buddy. It’s probably one to see once so you can rag on it in good conscience.

Steve Jobs (Steve Jobs)

Rating: 9/10

Quick Summary: A movie shot in three parts showing a dramatized version of the events before the release of three of Jobs’s products, focusing in on his relationship with his coworkers as well as past lover and daughter.

Some Thoughts: This is an excellent movie. It’s another one I’d readily recommend to anyone. The scale of the script is unheard of, meaning it’s super dialogue-heavy but you don’t notice at all. It’s completely absorbing. The performances are top-notch all around. This is another one of Fassbender’s best performances. He sinks into the role completely and does a phenomenal job. Kate Winslet is equally wonderful and balances Fassbender’s Jobs well. I really knew nothing about Jobs before watching this movie and I don’t know how much is true and how much is dramatized but I think that shows that even someone who knows nothing can enjoy it and find it interesting. The politics of it all were particularly wild to bear witness to. It’s a great character piece and it deserved the nominations it got in my opinion. I really liked Jobs’s relationship with his daughter as well. I don’t know how they managed to make a movie full of mostly talking so exciting but they did. I also think they did a great job of not idolizing Jobs at all, nor vilifying him. They walked a fine line and wrote him so he seemed truly human rather than a historical figure. That’s hard to do but they nailed it. Once again, I have little bad to say. If you’re not interested in Jane Eyre, Shame, or Frank here’s another good option for you.

Warnings: The IMDb parental advisory page said something about there being some sex/intimacy stuff but I never saw anything which makes me Highly Suspicious

Recommend?: Yes! Give it a chance!

(cont. in pt. 2 / pt. 3)

#fassathon #shut up alice #holy shit an actual post?#that's never happened before #listen i know this is long as shit #and no one's going to actually read this #but i spent a long-ass time on this #and i wanted to actually put it up for posterity #really i'm just proud of how hard i dragged the counselor #i'm sure there are grammatical errors in here but ¯\_(ツ)_/¯#i had to wrap this thing up somehow #it's 1000% self-indulgent but....i don't Care #if i had anywhere more appropriate to post this i would but....#where tf else am supposed to put this crap

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deepdarkwaters · 8 years ago

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2016 WRITING YEAR REVIEW

@notbrogues tagged me!

Total Number of Stories Completed: 24 complete (although a bunch of these are just separate bits of the Bespoke universe), and 6 lingering WIPs.

Total Word Count: 133875, goddamn :O

Fandoms Written In: Code Name Verity - Elizabeth Wein Killers Kill; Dead Men Die - Annie Leibovitz Kingsman Night Watch - Sarah Waters RED The Carnival Is Over - The Seekers The Secret Garden - Frances Hodgson Burnett Velvet Goldmine

Mostly Kingsman, the others were all for exchanges. I can only seem to focus on one main fandom at a time.

Looking Back, Did You Expect To Write More Fic Than You Thought You Would This Year, Less, Or About What You’d Expected? Less... I had all these plans to write less fic and more original stuff fpr publishing but NOPE I am helpless in fandom's iron grip.

What's Your Own Favorite Story Of The Year? I'm very fond of Ballerino... I highly recommend writing the most self-indulgent swoony trash your heart wants, because it's the most fun ever AND I think when you're gleefully enthusiastic about something then other people have fun with it as well.

Did You Take Any Writing Risks This Year? Bespoke, maybe...? I've been super passionate about OT3s before (received loads of Butch/Sundance/Etta treasure in fic exchanges, for example), but never really been invested on the writing side. It's a fascinating one to figure out.

But Smaychel is the best writing partner imaginable, so in that way it's not really a risk at all :-)

Do You Have Any Fanfic Or Profic Goals For The New Year? F I N I S H M Y W I P S I am so sorry I am the worst. I was so adamant on getting everything complete by the end of the year but it just didn't happen. Too many pretty ideas, never enough time! WIPs are the priority. I've got a stack of original short stories and another novel to finish as well, but honestly I'm just having way too much fun with fanfic to prioritise them (and nobody reads original stuff anyway).

Best Story Of The Year? Is this a different question to Favourite Story?

Most Popular Story Of The Year? Ballerino is my most popular story ever in any fandom in about eighteen years of posting fic, so... thank you?!

Story of Mine Most Under-appreciated By The Universe, IMO: This fandom does appreciation like no other :-) There’s always going to be smaller ships like Roxy/Merlin that fewer people are interested in but that’s cool, you know going into it that there won’t be as many readers for that stuff as for Harry/Eggsy.

Most Fun Story To Write: Ballerino probably because it's just everything I love thrown at a page. Fight scenes!!! White tie formalwear!!! Undressing people in white tie formalwear!!! Ballet!!! Bottom Harry!!! Phone sex!!! Kingsman agents’ banter!!! Gross old stalker licking the sweat off his victim!!!

Story With The Single Sexiest Moment: Viewer Discretion Is Advised (aka the Bespoke fic where Harry and Eggsy finally get together while Merlin instructs) was an interesting one. I was trying to challenge myself to write something smokin hot without it being about dicks, and it turned out to be one of my favourite things I've ever written mainly for this scene:

"Pick a place," Merlin tells him, "anywhere you like, but don't touch him."

Through Harry's glasses feed, Merlin sees Eggsy's eyes moving and knows exactly what he's seeing: scars on golden skin; soft ridges of retrained muscle; the glorious way Harry flushes when he knows he's about to get what he wants. "Here?" Eggsy asks, soft and uncertain. Merlin watches the boy's shaking fingertips hover an inch or two above Harry's collarbone.

"Very good." Merlin hears a quick intake of breath at that, a shaky exhale, and drops his voice to a low murmur just to see what happens. "Good boy, Eggsy."

"Fuck," Eggsy mutters, "oh my god, fuck," and stares straight at Harry, at Merlin through Harry. "Okay, what now?"

"Nothing," Merlin tells him, and watches Eggsy's eyebrows flicker in confusion. "Pick another place."

"Here?" Eggsy checks, sliding a little way down the bed to kneel between Harry's sprawled legs, pointing at the place just above his navel.

"Good choice." Eggsy looks vaguely disappointed at that; must have been hoping for a word other than 'choice'. Tease, Harry finger-spells at Merlin. "But don't touch him."

The camera feed dips when Eggsy nods his head. Merlin watches his fingers trace the line of soft hair leading down to Harry's pyjama trousers, never actually making contact. Eggsy's got his lower lip caught between his teeth as though he's concentrating, hand moving lower and hovering a hair's breadth above where Harry's cock is heavy, half-hard, wearing the taut silk of his pyjamas like a second skin.

"Hands up, Eggsy. Harry, turn over for me."

He watches Harry move in quarter turns, first onto his side and then stretching out languidly on his front like a spoiled cat begging to be petted. Not too far away from the truth, really.

"Pick another place."

"Here," Eggsy says immediately, gesturing to the dimples at the bottom of Harry's spine. His whole hand rests there for a moment, a centimetre of space between his skin and Harry's, then he lifts his wrist and starts drawing gentle little swirling patterns in the air with one single fingertip. "Fuck, I know it's probably in my head but I swear I can feel how warm he is from here."

Harry makes a soft little stunned sound at that, pressing his face into the pillow. Merlin knows how much it costs him not to lurch up into this kind of almost-touch; the time he kept it up for the entire length of The Fellowship of the Ring, Harry naked and draped across his lap on the sofa, Harry was begging by Rivendell and outright sobbing by Lothlórien, and came crying when Merlin finally ran a fingertip down his spine at the credits.

"You're doing beautifully. Both of you.

"Fuck," Eggsy murmurs again, sounding fascinated by the writhe and twist of Harry's back as he slowly starts to lose his mind.

It's almost half an hour before Harry finally says please.

"Don't touch him," Merlin says softly. Eggsy hesitates with his fingertips drawing spirals in the air just above Harry's scapula, head tilted slightly to one side as though he's waiting for more. "You mustn't let him have anything the first time he asks for it. Give him an inch and he'll take a mile, goes the saying."

"Yeah, I got six inches I wanna give him," Eggsy says with his mouth right by Harry's ear, and Merlin downs his entire drink in one shaky swallow.

"What do you think about that, Harry?"

"Please." His voice is muffled in the pillow, screen dark where his glasses are pressed there, until Merlin tells him to turn his head and speak nicely. "Please," he says again, clearer but devastatingly quiet, imploring gaze fixed on Eggsy's eyes so Merlin can see the fluttery way he's blinking and the pretty pink flush in his cheeks.

"Stay still for me," he says, and Harry freezes, silent and barely seeming to breathe. "Eggsy – touch him. One fingertip, stroke him as gentle as you can. Watch what happens."

The glasses camera refocuses automatically when Eggsy leans in, filling the screen with Harry's upper back and shoulders – the glimmer of sweat, every pore and freckle, every scar from old gunshot wounds to the ghost marks of Merlin's favourite flogger. When Eggsy touches him, forefinger dragging a lingering line from the nape of Harry's neck to a spot between his shoulder blades, Merlin can see in perfect high definition the sudden thrilling rush of goosebumps bursting up and marring the beloved skin just below his damp hair.

"Oh," Eggsy says softly, inflected like he's just found god.

"That is why we say no to him."

Most Sweet Story: I suppose Harry babysitting Daisy and letting her draw tattoos on his arms in Sleeping Beauty?

"Holy Crap, That's Wrong, Even For You!" Story: I don't do wrong! Even the BDSM kinky pain shit is as fluffy as candyfloss. I usually quite like a bit of fucked up angst but it just doesn’t do it for me in this fandom, at least not when I’m writing. I just want everyone to be happy and kiss lots (and gangbang Harry until he’s done).

Making Harry a seven foot tall god with fuckin massive antlers and galaxies for eyes was a bit odd, maybe :P

Story That Shifted My Own Perceptions Of The Characters: This sort of demisexual voyeur Merlin in Bespoke was Smaychel's creation really. We just talked endlessly about these guys for weeks on end before they ever made it into any fic, and somehow he's become so comfortable for me to write even though we're nothing alike. I didn't realise until months into posting that most of the stuff I write for that series is Merlin POV.

Most Unintentionally Telling Story: I don't know about unintentional, I'm pretty open about the extremely specific indulgent crap I love to write :P

Hardest Story To Write: I'm dragging my feet a bit on Echoes of Dreamland (the one about Harry and Merlin as posh schoolboys) because it's taking me closer to the Flame Keepers series being OVER and that makes me sad! My very first offering to this glorious fandom. Need to finish this, then there'll be a sequel to the Roxy/Merlin Little Sparks thing and a final small Harry & Merlin epilogue, then I think it's done. (Unless I actually give in to the temptation to finally write a Kingsman origins story with some of the Flame Keepers retired agents OCs, but not sure anybody wants to read basically original fic.)

Biggest Disappointment: MY WIP SHAME. Terrible.

Biggest Surprise: Every time someone says "so I really didn't like bottom Harry but fuck you for making me love it" my heart grows seven times bigger.

#writing #meme

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