#tumblr stop trying to get me to be hyped for the live action adaptation of the haha funni pirate anime

[thephantomwolfi3]

How do I get One Piece off of my dash

Tumblr blease let me scroll without having one of the characters' names from the neverending pirate anime on top of my dash

yes, we get it, there's a live action adaptation coming out but STOP ADVERTISING IT TO ME, COME ON, I'M NOT WATCHING THE PIRATE ANIME UNLESS IT'S ONLY THE FILLER EPISODES

[melonteee]

When opla was announced I was guarded, but trailers and learning that Oda would have first and last word about everything made me hopeful.

But I knew that live action are never for the actual die hard fans.

Too much need to be cut because of time, as real actors cant look like they only age two years for 26 years, and some cartoon stuff doesnt translate well to live action *cough* garps fist of love *cough*

So I was able to convince my friend to watch opla with me.

She had read the manga when she was little, up to syrup village, so she was excited to see Kuro because she actually liked him back when she read it.

I was mostly there just to observe my friends reaction to it instead.

My favorite moment was watching her freak out after the "grandpa?" reveal.

I dont like that Garp was included that early on, I didnt mind him being there at rogers execution. But more than that seemed too much. I watched some Netflix guy explaining that they wanted to add a reason why the strawhat had to keep moving from island to island, but no marine would do because who would bother chasing a pirate crew with no bounty. I understand that reasoning. Still dont like it, but I understand.

But my friends reaction made it all better.

Did you know netflix wanted a romance between Nami and Zoro? Thank god Oda was there to stop it.

Also my friend and I quote "Oregano is for savages!" a lot now.

I'm truly glad you liked it anon and I do understand the excitement that came with it, but I honestly could not stand it. Nearly every scene and every line was like "Sanji wouldn't say that. Nami wouldn't do that. Why is this happening? Luffy definitely wouldn't say that."

An adaptation must adapt to its medium, true, but that is not what this did. This was an insanely loose reinterpretation that took so much charm away for me. I've talked about it on this Tumblr tons now but I've finally had the time to watch through all of it now that the hype's died down, and it just made me angrier per episode?

They had to shorten things down, but they included so many new scenes that added nothing? They had to explain the Strawhats going from island to island... WHY? They literally had a spine to go off, the original property had them going from island to island to find a crew and get to the grand line. That's literally a very solid reason. WHY did they need any marines chasing them? It just sounded like an excuse to add a fan favourite character so the Garp fans could scream about it.

And I've said this many times, but Oda being part of the process genuinely means nothing to me. Netflix infamously do not listen to their creators, and not only did they admit Oda HATED the Garp addition and they STILL added him, you can tell so much of his original vision was thrown aside for non-anime fan audience convenience. Usopp and Sanji felt like side characters for god's sake, Buggy felt comically evil for a LIVE ACTION, Mihawk's fight was literally so empty due to the fact no one was THERE? NAMI was the one who yelled she believes in Zoro and they'll always be friends??

I truly do not believe Oda would agree to most of that, and considering we know he was ignored for Garp, we know for sure he was definitely ignored for many other things.

As always, if you loved it, great! I'm glad the excitement was met. Maybe I'm cynical, maybe it's not to my tastes, but it screams Netflix cash cow to me and the whole time I watched it I thought "This is not One Piece at all."

As a reinterpretation? Great!

As an adaptation? It failed miserably. None of the characters felt like themselves and the additional scenes were so nothing. Sorry for the sour reply anon but for those on here who know, I indeed have a sore spot for that entire production.

I honestly think a lot of people got blinded by the pretty actors and the millions of dollars that went into production and promotion to really look at it for what it was trying to be.

[tonyglowheart]

I kind of agree on sandman episode one, but it gets better as you go along and start getting into the characters a bit more. Though it still has this Gaimany feel to it that is honestly a bit of an acquired taste and better suited to print than live action. I'm not as hype on it as everyone else, but I'd still say it is worth a watch.

haha okay well I got as far as episode three and it doesn't. seem to have gotten good yet :') so uhhh hopefully it. gets.. somewhere?

and tbh. tbh my issue with this show isn't that it feels like there's an essence of Gaimanyness to it

it's that it feels. how do I put this. like it feels Hollywoodified, like, basicified for a general masses, into an almost say-nothing kind of place, the way that like MCU Phase 3 felt to me. Like, so many of the scenes just have this sort of confused vibe where it gives a little bit of some things but it doesn't really LEAN into anything, which renders it very "go girl give us nothing." Like.. if anything it just feels to me like it's lacking in artistic vision. And also storytelling deftness. The story FEELS like it WANTS a sort of web-weaving to it that the show absolutely is not giving. And the way they handled the Corinthian for example is just so sad to me lmao. like they should have leaned into the mystery of him and that should have been a whole subplot, where he shows up and tells ppl things and they're like, who are you, etc, and maybe they do little hints, but like, most of the major reveals should have come later. The nightmare line should have been figurative and not literal (the subtitles capitalized it lmfao and they already established him as a Nightmare in episode one 8) lmfao). honestly, even the eyes reveal was like... they just flubbed it, and it's interesting bc it's something that SHOULD have impact - the comic panels gives me that twinge of body horror - but the show version literally did nothing for me lol. and it SHOULD given my whole *gestures* stuff I have lmao.

A lot of parts of the effects give me low budget cdrama lol but like, they clearly have budget? but it seems used in the weirdest/randomest places/ways.

I dunno. I just. feel like the show lacks *vision*. Like it feels like they tried too hard to make a netflix show equivalent of a Avengers Endgame.

And another thing is that like. Okay you know how in Princess Bride, they changed things between the book and the movie, and there was some.. I think interview? or sth? or maybe a tumblr post lol, but where it was saying how like, the book is very much satire, and like Buttercup is insipid and Wesley is in it for her looks probably and the book implies or outright says that. But the movie has this like earnestness to it, and like, you NEED that in a movie, and the ppl creating the movie knew that? It's like, there are certain things you can do different modes of storytelling and they don't always translate one to one, but that's a feature of adaptation not a bug, and the best adaptations imo work with the media they're adapting to, to get the story to work there. I feel like whoever created this show was trying to hard to just recreate comic panels, and lost sight of like, why even adapt it to a live action tv show. It doesn't feel like the story was adapted, it feels like they're checking off boxes on the next line of content-generation.

Also lmao the show does this color-blind thing that to me creates uhh unintentional issues but I don't necessarily want to get into it, it's just like, I only really notice because there's so much else with the show that I just think it's lacking in as far as vision and care so I put this down to another manifestation of that sort of carelessness :')

okay this got. long lmao, and if I keep going who knows when I'll stop so uhh I will. stop lmao. but,.. yeah I mean, I'm watching w a friend (if you see this, hello friend) so that helps lol. but like. so far it's. oh god it's a trial. like. I really feel like I'd be much better served just reading the graphic novel. In a way that I didn't feel while watching Good Omens. :')

[chidoroki]

Head empty, pre-TPN season 2 thoughts only.

Normally I don’t even bother with hiding spoilers but since the new season is so close I’ll put everything below a cut (if tumblr cooperates) because I do want anime-onlys to enjoy the season with as little knowledge to what madness is about to happen as possible. This is just a bunch of notes that filled my head over the past couple days.. weeks? A long time.. and if I didn’t write them all down somewhere I wouldn’t stop thinking about them.. so if you understand this whole mess, then kudos to you.

So, here’s your post-season 1/ch37+ spoiler warning.

Demon language:

With Mujika and Sonju making their grand first appearances, I hope actually implement the demon language this time?

The only word spoken in the language in season 1 was the demon god’s name, which was just changed to “Him” (sub) or “The One” (dub), so ignoring it there was fine.

Granted, our demon friends don’t say much in their language during the upcoming arc, aside from this moment in ch48, but I can see the anime passing it off as a mere whisper between the two of them just so they don’t have to worry about it.

I don’t recall any of the GP poachers using the language though.. right? Pretty sure they don’t..

Anyways, all I’m saying is that they better figure something out by the Ayshe shows up way later in future seasons.

Episode count? 24?

Short answer: I don’t think so? Did once, but stuff happened. Anyways..

Season 1 ended in March 2019, which is also when we learned we were getting a second season and once we found later on that S2 was originally going to air in October 2020, I immediately thought we were getting about 24 eps.

I thought with all that time between seasons, 24 eps would be reasonable and that S2 would end at ch101. S1 managed to adapt 37 chapters, so 64 chapters in a season twice as long sound decent enough, right?

By the time we reach ch101, it would give us the demon forest, shelter B06-32, Goldy Pond and the short trip to Cuvitidala. (all of which would make this long wait for s2 sooo worth it btw.)

By this point we learn a bunch about the outside world, Norman being alive, what happened to Phil, and the demon bastard himself.

I bring up ch101 as a stopping point because it’s the last chapter before the two year time skip and.. I honestly can’t see them doing a time skip mid-season?

I mean, they could if they wanted to, I guess? Having everyone age up suddenly between episodes via a montage, a quick summary or even flashbacks of what we missed.. but maybe at the start of a season? Not in the middle.

Right now we know anime original scenes are going to be included into season 2 so I’m kinda hoping that once we do eventually reach the time skip we learn more about the search Emma’s group went on for T7W/golden water/temples.

I counted. If S2 does indeed get this many episodes, ep23 (or 22, if there’s a break in between somewhere or whatever) will land on my birthday and you can bet I’ll be beyond happy

HOWEVER! all the hope I once had about a 24ep season vanished due to the clusterfuck that was 2020. Thanks to the worldwide pandemic, many anime were put on hold and pushed back several months, with TPN airing this month rather than the original October date.

It was a bummer hearing about the delay at first but I never complained about it. I much rather have the studios prioritize their employee’s health over production.

Even if S2 did reach ch101, or even Goldy Pond, they would need to find a ton of new voice actors, and with how the world is working now.. eh, I have some doubts.

Cloverworks also has two other series airing this month aside from TPN so needless to say they’ll be a bit busy, especially if employees are still working from home, social distancing, or however they’re managing to produce these anime.

So, episode count.. 12?

The main reason I have a hard time grasping the idea of another 12ep season at all is because.. I don’t know where it’ll be a decent place for it to stop?

S1 ending at ch37 with the kids escaping? Perfect. You can’t question that decision. But now? When a whole bunch of craziness is about happen? How do you choose another perfect moment to end a season with?

No matter how many anime original scenes they have planned for the demon forest, I believe we’ll at least reach B06-32, which will get us to ch52.

Could they go farther? Sure. Perhaps ending at ch59-60? It would leave us off with Emma & Ray leaving the comfort of the shelter to follow Yuugo into yet another demon infested forest, much like how S1 left off, as the escapees left their once safe, comfortable life into the unknown world.

Or end at ch64? After Emma gets snatched by the poachers? It could work. It would certainly leave everyone wanting more, especially us manga readers because goddamn the GP arc would be SO close!

Perhaps ch74 after seeing Norman alive? Just so it’s not a big darn secret anymore to those who are going into this season blind? (how do people manage to stay anime only? i’m not trying to make anyone feel bad.. i’m just impressed? i caught up to the manga right after s1 because i didn’t have the self control to wait!)

Ending on that chapter would be so bittersweet to me.. because you know what appears in ch75 and it’s literally one of the only things I care about.

S2 preview trailers already teased some of the demon forest scenes I’m most excited about, so the only things left that will truly excite me are Yuugo and that darn outfit. (seriously, whenever we do get to see emma in her gp outfit for the first time, someone better scream at me so i can die from happiness.)

Okay, and all the GP kids too.. especially their trio!

Could they fit the Goldy Pond arc into a 12 episode season along with every other event that came before it? I.. seriously hope not? 

Compared to s1, which was very dialogue heavy, GP is about as action packed as we’re gonna get in the near future, and those scenes are going to fly by once they get put into motion.

Quick example (because it was recent and i can’t think of something else atm): the Overhaul arc from My Hero Academia. Off the top my head it was about 40 total ch? That arc took up half of the show’s S4, which was a total 25 eps.

So with the GP ending at ch96, it’ll give us about 20-30 chapters (depending on where you personally see the start of this arc I guess? once yuugo leads the duo through the forest, when emma gets snatched or when the battle actually starts)

If GP were to happen in s2 where there’s 12 episodes.. literally everything would be so fast paced and I don’t want them to rush anything or leave stuff out?

Other options?

It’s very wishful thinking and I would be getting my hopes up for nothing, because I know it won’t happen, but I could possibly see them fitting GP arc if S2 was made up of 18eps?

6 eps for the demon forest, 6 for Goldy pPond, the remaining 6 to accommodate B06-32, Cuvitidala and any other anime original scenes as they wish.

Although fitting about 64 chapters into 12-18 episodes sounds a bit much.. but not really? I seriously have no idea at this point how much story we’re going to cover this season.

Could I perhaps place all my hopes towards a second cour later this year? Like for the summer.. or would I be expecting too much?

This all could’ve been avoided if they just tell us! Seriously, I’ve been thinking about episode count since last year.. and now you have to deal with this mindless chatter of mine.

I’d honestly be okay with another 12ep season though. We waited this long that I’ll just be excited to see all the children again.

Anime-only scenes:

Those 3 days the children spent learning from our demon friends? Yes please! Did you know Emma not only learned how to use a bow and arrow but a freakin’ harpoon as well? Like.. hello?? I must see this!

Perhaps they’ll even adopt some of the extra pages from some of the chapters, like they did in S1 with the flashback of Norman being sick in ep10.

I know this will be such a high hope, but I remember in ch177 how Emma claims that after they escaped, they all remembered how kind Isabella really was, so if they decide to adapt the extras from ch41-42 & ch45, I’ll cry.

And these pages? Cloverworks, please..

I’m literally begging here..

Especially these two! Even though I still doubt we’ll reach Goldy Pond if we get 12eps.. but in the future! Please!

Other random nonsense:

I may or may not get emotional upon seeing Isabella at the very start when she goes to confront Grandma Sarah. If her hair is kept down as it was at the end of S1 then I’ll give the anime staff my sincere thanks.

We only heard 15 seconds of “Identity” and yet it has been living in my head rent free ever since that trailer dropped. I need to hear the full song sooo damn badly, y’all have no idea.

Here’s hoping they don’t cut out the inner monologues again. At this moment I don’t remember any specific ones from the demon forest I want to see but I’m sure they’re present.

I’m ready to die at every cute Chris moment they give us.. and this entire scene where the kids scold Ray. 

Literally every scene with Emma & Ray. They’re my top 2 favorites from this series okay? Of course I’m going to fangirl over them. (they already showed the hug in one of the trailers and i damn near cried)

If we see him, (which i’m sure we will, but i still have tiny some doubts) I hope they give Yuugo a fantastic voice actor.

Also, his nicknames for everyone!! Literally everything about that man I’m hyped for.

Again, very doubtful we’ll get GP in a 12ep season, but whenever that arc decides to grace us with its presence, “63194” better play on full blast when ch92-93 gets animated.

Speaking of music, while I’m completely excited to hear the new OST that Obata has in store for us (thank god he’s doing this season again btw!), I hope we hear some of those unused tracks from the first season, specifically “Their Own Thoughts.”

Every time Emma mentions their future, their goals or how her family will always be together, I’ll cry. (thanks demon god and your stupid reward)

Yes I’ll be doing those reaction posts (if you follow me i’m sure you’ve seen them by now) after every new episode as I do with other series I watch.. once I survive the usual long day at work, avoiding anything TPN related so I can watch in peace and quiet when I finally get home.. damn it, im already so anxious, help.

[janiedean]

Do you think hollywood will ever get out of its “woke” phase or will it only get worse from here?

... I sat on this for a while and I honestly don’t know how to take it, because woke means absolutely nothing put on like that and it’s not like if movies address social justice issues or start caring about accurate representation or whatnot or what we mean for woke it’s automatically a bad thing, but like the problem with any hollywood production is that hollywood makes movies thinking about money first and artistic value later unless we count a handful of directors/people who can go a good movie that will make money (spielberg/zemeckis etc) or who are at a point in their career where their CV is so out of this world good that they can afford to do whatever they want and/or are huge names who made history who have their own money/circle/clout or their own production company (scorsese, clint eastwood etc). also the second contingent problem is that most people only watch mainstream movies that were released recently which means that everything that comes out these days is supposedly groundbreaking when in truth it’s not 99% of the time.

ps: this rant has very vague spoilers for the 2019 joker so like... thread carefully but it’s really really vague xD

now, since I apparently decided to go at this pseudo-seriously even if I think the question means all and everything, I’ll try to, but basically:

if by woke we mean performative representation/performative social justice themes/*insert-token-character-here*, it’s a 100% question of what the studios think the audience wants vs what makes money vs milking the thing until it’s dry. I mean, I’m talking in general about a genre no one on tumblr cares about, but as someone who loves bad/trashy testosterone-driven action movies every single time I see one with the Badass Female Character Inserted By Force Because The Studio Said They Needed At Least One Quota Because Otherwise People Say It’s Not Feminist I roll my eyes a lot because if I’m watching a genre which is the male equivalent of the female empowerment romcom (ie: if romcoms are the-empowerment-fantasy-for-girls the trashy action movie is the same for guys) I don’t need the Fake Strong Female Character in it because I’m not watching it for the feminism, but until people will worry about the bechdel test as the ultimate proof a movie is good then we’ll get the token character that makes no sense, but since these days the hype is there, you’ll get it because the studio wants the money;

on the other side, if we mean people want actual representation and should push the studios to have it/not whitewash characters etc it’s an entirely legitimate complaint and I don’t think hollywood should *get out of the woke phase* or whatever, but my issue is that most of the time it ends up turning performative as well. as in: you know the dark tower movie? (yeah, yeah, I hate it, I earned the right to trash talk it) when they racebent the lead everyone was screaming at how woke and progressive it was... except that they didn’t wanna hear/didn’t want to discuss the fact that the only reason they did that (imvho) was that they adapted seven books in one movie, cut the female disabled character who’s also mentally ill who’s actually black in the original canon and since they didn’t want to get called out on having done that, they racebent the lead so they looked progressive, but do we really think that doing that rather than adapting the actual black character they had which would have required at least some effort is more progressive? idk but I think it’s not. anyway: i’m all for people pushing for this, but they need to be coherent. in the sense that for all I don’t agree with clint eastwood’s political views, if you watch gran torino where the protagonist becomes friends with his vietnamese hmong neighbor, all the hmong characters were actually cast from hmong actors and if you look at interviews online with hmong people about that movie the opinion is that even if the script could have been better for some of them, they were delighted that he cast from their community and didn’t cast from another asian ethnicity that for any producer would have meant the exact same thing because figures if producers gaf about accurate casting when it comes to that. but like, hollywood won’t gaf about that until people are vocal about needing good and specific rep and not just generic ‘as long as it’s X it’s fine’;

that also goes for wanting more movies with minorities having a role - hollywood will go for giving minorities roles as long as it gives them good money/clout, but it won’t care for good movies about minorities or minority actors having good roles until people are vocal about it and/or it means money loss if they do it wrong;

(caveat: this obviously excludes actors from minorities whose work transcended that - meaning, for example will smith gets cast 85% of the time based on part and not on his skin color because he’s uber famous and he made his name in a specific genre and so on, but like we’re talking about the people who made the Upper Level of Superstar Hollywood)

anyway tldr: hollywood american movies were always 95% made for the money and reflect what they think the audience wants to pay for, which means that if hollywood producers think that people want fake woke movies then they’ll give them the fake woke movies.

this also goes hand in hand with the other problem I mentioned ie that people don’t watch movies that aren’t recent so hollywood can get away with pretending to be original when it’s actually not. now since we don’t wanna diss anything, i’ll mention a movie I actually did like *drumroll*... joker.

or, to specify what I mean:

tldr, I thought that joker was a very well-executed and planned and shot movie which had a good idea and went down well on it and was basically the batman movie nolan dreamed he was doing with the black knight and whose point was telling you that a sick system that abandons the weakest people in it (poor, mentally ill etc) and mocks them as if it’s their own fault that they aren’t better than that eventually breeds chaos and hurt and crime and it’s the fault of the system/the people in charge who don’t see it. now: that’s the least original idea in existence and I’ll go on it in depth later. except that..

when I go look at recs especially from american media, there’s a polarization between ‘OMG THIS INCITES VIOLENCE IT’S HORRIBLE IT’S DANGEROUS’ and ‘OMG THIS IS A NEW MASTERPIECE I’VE NEVER SEEN ANYTHING LIKE IT BEFORE GROUNDBREAKING AMAZING NO ONE EVER DID IT BEFORE’, which to me is imvho showing very clearly where we have the issue;

as in, issue one: OMG IT INCITES VIOLENCE BLAH BLAH it’s the oldest excuse in existence that has been disproved over and over and it’s just another proof of how puritan/calvinist is the viewership because the point is not inciting violence, it’s showing that as stated not giving a fuck about people who need help means growing discontent that then explodes... which again, you don’t need to read freud’s theory about the masses to know that if the majority of the population lives in shitty conditions you get revolutions;

issue two: the only original/innovative think joker has going for itself is that it’s a movie that has a way wider audience than usual *and* an actual comic book/genre film to discuss the aforementioned issue going in depth into it and not sugarcoating it. but other than that... the deconstruction of the hero/villain in a corrupt world was already in watchmen if you want a genre movie and there have been endless others pointing that out except not that mainstream (because again everyone knows what batman is and who’s the joker, watchmen is a lot more niche), the spectacularization of THAT THING on television was already in network that came out in the year of the lord 1976 and the entire movie was basically an homage to taxi driver when it came to how it was filmed/structured and I guessed 95% of what was gonna happen in the first fifteen minutes. it’s nothing groundbreaking whatsoever, but apparently everyone thinks it is because they haven’t seen either of the above movies or any other that predated this one;

now, joker is a movie I actually liked so I don’t see the lack of originality as a bad thing because that wasn’t the point, but like just to say one, hearing people say that mad max fury road was revolutionary feminist action movie and nothing else ever happened before it when there have been four alien movies before, the valid terminator movies (one and two obviously), kill bill and so on, as in stuff that existed in the eighties was honestly meh because I did like MMFR but again it was hardly groundbreaking (maybe it is for this decade and for other reasons but not for the plot). now, both of these are good movies, but like....... 95% of nolan’s movies are hailed as top originality masterpieces and imvho he’s good but not that good and if people think dunkirk is the best war movie ever it’s because they haven’t ever seen an actual effective war movie (like I can’t even believe some people said it was like two hours of saving private ryan’s first twenty minutes, five minutes of SPR were endlessly better than all of dunkirk and SPR is hardly the best war movie out there), same for about anything he does. now, that’s way beyond the wokeness discourse, but the point is that if people don’t watch other movies and then think that hollywood’s performative woke stuff is peak progressive movie when it really really really is not then hollywood isn’t going to bother producing better stuff that’s both progressive and quality (which can happen I mean have we all seen philadelphia, even if that is like... not exactly mainstream hollywood and it was a risky movie to make but anyway not the problem). tldr: people need to stop acting like the last ten years of movies have been the only era in cinema where you got progressive movies because it’s not true and for one I can 100% assure you that for all its faults tied to the era, the defiant ones is a lot more seriously woke and effective when it comes to discussing racism in the US than 85% of the contemporary stuff I see.

so, idk what you meant with the original question, but imvho: hollywood will produce fake-performative woke movies until the audience contents itself with fake-wokeness instead of actual good material or until people decide to finally stop watching only blockbusters and also give money to indie filmmakers or like nonamerican filmmakers and anyway hollywood goes where the money goes.

which mean that if the activism irl doesn’t stop being performative and becomes serious and therefore automatically turns into people asking for serious rep and not the token character/plot, you’ll keep on getting fake woke movies. (also the day people stop saying GO WATCH THAT MOVIE BECAUSE IT’S WOKE without having even seen it and having read the summary on tumblr will be amazing, but that’s not the day.)

that said, since the idea behind a lot of the fake wokeness is actually right (ie: we need more women/minorities of every kind in movies or television/we need more rep that aren’t blonde blue eyed tall white guys/we need to cast ethnical minorities properly etc) we can hope that people actually grasp the message and we get more and more movies that cast people correctly or who have good rep for the good reasons and I’m all for it because that is a good thing. fake wokeness is not. 

but anyway: hollywood stops being each single trend it is when that trend stops selling. that’s your answer. and until we all think that the oscars are top cinematography choices in existence, it’s not gonna happen.

to end it all: no one is obliged to watch hollywood movies. actually, it’s highly advised to spend your money on either foreign movies or indie movies or independent movies or riskier projects rather than hollywood blockbusters if you don’t want fake progressive stuff also because those movies usually gaf about the issues they touch and if they get money maybe it means more of them get made.

and this was my rant, idk if that’s what you wanted to hear but I guess that’s what I had to say on the topic.

[bryanclaesch]

Hey, everyone.

Continuing with my series of Top 10 Reasons Why (this-character) Should Be Your Favorite, this time, we'll be looking at everyone's favorite emo kitty-cat Batman, Blake Belladonna. I'd also like to thank my friend Michaela Roan and RWBY Wonderland admin Blake Belladonna for their help in making this list.

And if you guys want to make sure you don't miss the next Top 10 RWBY post, subscribe to my RWBY mailing list: http://eepurl.com/cWX8Fj. And if you really want to show me the love, support me on Patreon: https://www.patreon.con/bryanclaesch.

Let's get to it!

"Blake..."

So, Blake... so... Blake-y. I'll be honest, before I started writing the Novelization and before Volume 4, I really didn't like Blake. I didn't get the hype. She felt more like a stock character than the other members of RWBY and it still feels like she has the least characterization of them all. So it can be difficult for me to get into that Blake-mindset, but I'll do my best to explain why people like her so much.

1. "And what about you, Blake?! You seem to carry yourself with a sense of purpose."

"There's too much wrong in this world to just stand by and do nothing. Inequality. Corruption. Someone has to stop it."

Perhaps Blake's strongest asset is her strong sense of justice. Having lived through injustice and even committing unjust acts, Blake knows how far the crimes of others reach and how deeply ingrained they are in the world. Desiring real equality through real change, Blake left the White Fang and became a huntress all for the sake of rooting out the corruption. And even though she isn't quite clear on how to go about it, she's still fighting which is more than most people can say.

2. "There's no such thing as pure evil!"

This one confuses me a little, especially because I do believe in pure evil. (His name is Satan.) I got this from Michaela, so if it confuses you too, blame her.

Anyway, the argument here is that since Blake has been from both the right side and wrong side of the tracks, she can see the motivations behind every action and doesn't actually see people as necessarily evil. At the worst, they're just misguided. Who knows? Perhaps one of the reasons why Blake left the White Fang is because she pitied the White Fang and Adam. Blinded by their prejudices, she sees them not as evil, but handicapped, and so they can't objectively see the harm they're doing.

3. Psychomachia

I'm sure that's a new word for a lot of ya! But I bet Blake knows its meaning.

Anyway, psychomachia is a fancy word for the phenomenon of the angel and devil that sit on either of your shoulders and tell you what to do. Nearly all of Blake's existence has been tied to a battle between good and evil. She is that battle, and she constantly struggles with how to live a normal, virtuous life when her life has been darkened by everything she's done. We even get to see this battle play out as she struggles with the decision to just kill Torchwick or let him live in No Brakes. Her sense of morality and the struggle she faces reflects how others also struggle with the fight between good and evil.

Luckily though, Blake has her own sun who'll never stop brightening her world just like how morning always follows night.

Suck on that Bumblebee shippers! Blake's light is a sun, not a firecracker.

4. Redemptive

Blake fell in with a very bad crowd. She stole, she hurt, and quite possibly maimed or even murdered. (We don't know.) But Blake had the perspective to see what she was doing and what she was becoming, and she was repulsed by it. So, she left and got back on the right path. And as her father points out, she faced the White Fang, her demons, again and again, and she always came out on top rather than running away or changing her stripes for the sake of survival. Her story is one of redemption, and the audience always loves a good redemption story.

"I should have left the White Fang with you and Mom."

 5. "I've heard students visiting from Vacuo will be arriving by ship today. And as a representative of Beacon, I feel as though it is my solemn duty to welcome them to this fine kingdom."

"She wants to spy on them so she'll have the upper hand in the tournament."

Not much gets past Blake. Is it the Faunus eyes? The life of a criminal? Or is she just naturally sharp? (Ow! I cut myself!)

Whatever it is, Blake can see through the BS whatever the situation, whether it be Weiss' feigned diplomacy, the goodwill gift of Menagerie, or that there's no good reason for the White Fang to be working with Torchwick. Blake's got the eyes of a hawk.

6. "General Lagoon was inexperienced and made the mistake of trying to ambush the Faunus in their sleep. His massive army was outmatched, and the general was captured. Perhaps if he had paid attention in class, he wouldn't have been remembered as such a failure."

Besides being perceptive, Blake studies. The girl knows her history, and although it's easy to assume she would've known that since she's a Faunus, we must also remember that in Volume 2 when she becomes obsessed with finding Torchwick and the White Fang, one of her problems that Weiss mentions is that her grades started to slip meaning she had grades that could slip. (I can't even claim that! But I don't go to school anymore.) And! The way Blake went searching for the White Fang and Torchwick suggests a studious, researcher mentality what with checking out books and searching the web. Blake's not your stereotypical cat-furry--she's got brains.

7. "Plus she likes books!"

If you were asked to name two things that Blake likes, what would you say? Adam? No! Yang? Maybe. Sun? Depends on the situation. But two things that you'll never go wrong with are books and tea. This may sound a little strange, but for those of us who like books and tea, it's great to see a character with these traits. Especially tea--there's too much coffee in the world! And books and tea go together perfectly. What's the perfect drink to have when you're reading? Tea! What's the best thing to do while drinking a cup of tea? Reading! See? It works splendidly.

8. Mmm, mmm. Yeah, yeah.

Have you guys ever been on YouTube and seen those RWBY Crack videos? Most of them suck, but some are genius. One I saw played that crappy song "Mmm mmm yeah yeah" by Austin Mahone over the footage of Blake walking away from Ruby after helping her with Weiss, and for the first time ever, I had to recognize the fact that Blake has a great booty. It's shallow, I know. But I mentioned Ruby being cute and guess what I'm going to say about Yang. That's right. Steel yourselves. But my point here is that while Blake is overshadowed by Yang, she's no slouch herself in terms of physical beauty. And I think all our hearts melted when we saw her in her prom dress.

9. "Now that's a katana!"

The Gambol Shroud is an interesting weapon. It's a sword, it's a gun, it's sheathe is a sword, and it's got a ribbon and can be thrown like a kunai. While I never would've thought of this as a viable weapon design because there's too much going on and there are better gunblade designs, Blake's weapon is effective and adaptable. In fact, there are times when it's more of a tool than a weapon. And if the Samurai or Ninja could've gotten their hands on the Gambol Shroud, they would have definitely used it. It's a pretty cool katana. (But admittedly Jetsteam Sam's is cooler.)

His sword is also a gun!

Can Blake's sword do that?

Hmm... not bad, actually.

 10. "Here. This should help you."

On the surface, Blake's shadow clones don't seem to be anything special. She dodges and leaves a copy of herself to take the hit--what's so great about that? Well, Blake's semblance has a few extra advantages. For instance, she doesn't just dodge, she can use the clones to change the direction of her movement on a dime. She can go from flying right at Torchwick to the train car floor a safe distance away. Or, she can be flying through the air and then use her shadow clones to move her into attack position to take on a giant Nevermore.

Add dust charges to her Gambol Shroud and she can show you a whole range of new tricks from freezing an enemy's weapon in place to blowing them up. And if Weiss' semblance can evolve, I wonder what will happen when Blake's also evolves. Because lets face it, no one predicted Weiss being able to summon her fallen foes or how dust could help Blake. Just goes to show that Miles and Kerry still have a few tricks up their sleeves, and that we still don't know everything there is to know about Blake. How exciting.

And there you have it. The Top 10 Reasons why Blake should be your favorite character.

Ugh!

If you guys think I missed any, go ahead and put them in the comments below.

Keep writing, my friends.

 Stalk me everywhere:

BLOG: https://blaeschportfolio.blogspot.com/

FACEBOOK: https://www.facebook.com/thewriterbryanlaesch

BS Page: www.facebook.com/bawdyscholar

INSTAGRAM: https://www.instagram.com/bryanclaesch

PATREON: https://www.patreon.com/bryanclaesch

TWITTER: https://www.twitter.com/BryanofAllTrade

TUMBLR: https://bryanclaesch.tumblr.com

YOUTUBE: https://www.youtube.com/channel/UCLeDVBfO7mR0s-eyGPCZlTQ

https://www.youtube.com/c/bawdyscholar