#up-see-daisy

[futuristichedge]

The most well adjusted apocalypse survivor

[carnivalcarriondiscarded]

another little barn for us all while we Anticipate <3

[pianokantzart]

Princess Daisy's capabilities as a ruler being disregarded because she's loud, hotheaded and emotional, leading her to be perceived by many as immature and impulsive.

Luigi's capabilities as a hero being disregarded because he's awkward, nervous and emotional, leading him to be perceived by many as weak and pathetic.

Both of them recognizing the value inherent in each other's feelings while simultaneously seeing the strength and potential in one another that they are unable to see in themselves. Do you feel me?

[bassboosted-moon-chao]

I think they'd be friends if they ever met. They deserve to.

[nowritingonthewall]

Poe & Rey - Happy 2nd of Poevember 🥰

[aingeal98]

More aos rambles but I find it so interesting that Coulson, despite being the one May and Daisy look to as a man with a good heart when they themselves feel like monsters, is the one who would risk everything including other people to save them. Like if Daisy is in danger and the only option to save her is a plan where every other agent has a 95% chance of dying, he's doing it. And he's very openly hypocritical about it to the point that everyone else calls out his double standards. Mace saying "When it comes to May and Daisy you can't be objective." and Lincoln and May pointing out how he'd sacrifice every inhuman but never Daisy. Like he cares very deeply about Fitz and Simmons but he makes decisions that puts them at risks that I just can't see him doing if it was Daisy. And Coulson very rarely feels bad about it, he stands by his hypocrisy and desire to protect his daughter. Even when it comes to Daisy's own wishes, he cares too much to let her sacrifice herself.

Meanwhile May doesn't love Daisy any less, quite possibly even loves her more by the end of the series, but she also is just more... understanding and respectful of Daisy's autonomy and wishes. Like if Daisy were to die or sacrifice herself May would never recover, would be the last to leave the grave side. But at the same time she wouldn't risk every agent to save her, choosing instead to believe in Daisy's ability to beat the impossible like she's done time and time again. And I don't think she would have knocked Daisy out to drag her home when she was scared of ending the world. She would have stayed with her, and that would likely have been what twisted Daisy's arm to get her home. 'If you're going to be stupidly sacrificial and stay then so am I, because we're too alike. I know how you think and I know that's how to checkmate your self destructive impulses.'

I'm not saying one is morally better than the other, they're both just parents who love their kid and want to protect her. But Coulson, who's viewed by most people as essentially just some suit with a good heart, would order every man he commands to fight a suicide battle if it was the only way to keep Daisy alive. Meanwhile May would be first in line to fight that battle, and she would win! But she would never drag anyone else down. She's as practical and ruthless as Coulson, even more so sometimes. But having been the one to train Daisy, her protection comes in the form of unshakeable belief in the good Daisy is capable of, and a gentle but solid place to rest whenever things don't go as planned. If she thinks Daisy's making a mistake she'll say it to her face, but she's more... open, than Coulson is, to letting Daisy fumble around and find her own way. She'll still be there to beat up anyone that threatens her kid and offer wisdom in the aftermath, but it's less impulsive than Coulson.

Coulson idolizes Captain America as a hero for the same heroic traits he sees in May and Daisy. He believes that they are Special people, and they must go on even if he doesn't. But those very same traits that makes them so special in his eyes are what makes them feel like they have to be the one to jump on the grenade and protect their team, all while Coulson is trying to keep them as far away from the grenade as possible. And they both see a goodness in him and in each other that they don't believe they posses themselves. They're all somewhat correct and also all a little blinded by how much they love each other, but that's just how families are.

[heartslobbf]

hater alert! far too many people say that juri’s character arc ‘isn’t about her being sad about being gay, it’s about being sad about unrequited love that happens to be gay’ and. well. that is not true and by saying that you are completely flattening the brilliance of juri’s character arc which literally culminates in her being able to accept her own lesbianism despite her unrequited love, despite all her shame and self-loathing, despite this pursuit by Some Fucking Guy to try and ‘save’ her from these feelings. like if you think juri’s entire character is just ‘sad about shiori’ how do you appreciate even a modicum of the emotion packed into that final juri duel. it is both about shiori and, even broader, her lesbian identity and what that means to her intrinsically as a person, removed from romantic relationships and just purely as like. you know. Who She Is. the idea that even when juri’s locket is cut from her neck she is still a lesbian that’s still who she is and she cant change that and, crucially, she doesn’t want to even as she is agonised by these feelings. that’s why she forfeits the duel!!!! she’s clocking out she’s quitting she’s saying no!!!!!! this is me and ive got to be ok with that this is me and i can accept that this girl might not love me and i can keep living despite that. like. god im so normal arisugawa juri im so sorry that no one understands you and your intrinsically unapologetically lesbian storyline like i do

[daisyofwaterdeep]

[nsfw, gender neutral, reader has tits] Imagining Halsin being super casual with unprompted sexual touching after being with him for awhile. Him sliding his hand down your pants, lazily fingering you as you're cuddled up and reading together. Leaning over and swiping a big thumb pad over your nipples to get them hard, just because he likes the look of them through your shirt. Him listening to you recount your day and he just starts stroking himself through his pants, as casual as someone would scratch an itch. He's still completely listening to you, but he doesn't try to ignore or hide when you turn him on. Now that he knows your his and his completely, he follows his desire unabashedly. Touching you and loving you comes as naturally as breathing to him. But this does lead to him forgetting his manners outside of the house--a former companion comes to visit, and the three of you are chatting and reminiscing happily, Halsin's arm comfortably across your shoulders. Without thinking or even realizing, he starts playing with your tit...oh Halsin, dear.

[autism-swagger]

Various Quakes I drew while thinking entirely too hard about alien/human hybrid physiology.

Reblogging is better than just liking.

[foxett]

Your omori au (Swingset) is driving me insane /pos MORE KEL ANGST!!! MORE!!!

Spoiler alert vision sunny (Kel's hallucination, that's not even ghost sunny.) is lying and there is a car.

Bad/good ending setup! Could be either.

[eyepatchoflove]

now that lestat had a successful one-sided beef with the switfies, can we manufacture some beef between him and the vampire band from chica vampiro that becomes real beef as soon as mirco gets actively involved because of course it would

[annabelle--cane]

I'm rotating melanie and jon in my mind in a way that I can't really put any words into but I want you all to know that they're being microwaved as we speak

[pitofneverendingsarcasm]

I am not immune to propaganda.

Yes I did, in fact, stop halfway through a video essay to start watching a silly crime show I had never heard of before because I heard the vibes were wholesome, nerdy, and bi.

[djatsbrainrot]

unpopular opinion: i don’t think the show misunderstood the point of the book at all, Actually. i think it captured the spirit quite well while still being palatable and coherent to an audience that isn’t familiar with the book.

[meanscarletdeceiver]

Daisy & Mavis?

Or maybe Sir Handel & Peter Sam?

Ooooh, Sir Handel and Peter Sam have a fascinating dynamic. However, I don't really have much to say that others haven't already said, and probably said better. To the degree that I'm tempted to talk about their Trauma Responses, I have another ask about Sir Handel & Skarloey, so I think I'll fold these thoughts into that post.

So, Daisy and Mavis — love 'em — only wish they got more screen time!

("Screen" time. Do they ever have a significant interaction in the television series? I really want to be told if they do.)

Actually they only have one page in RWS where they exchange a word. But it's such a good page. Posting it here for the uninitiated:

Look at this mess. Look at this absolutely perfect bitchfest. There are a total of zero brain cells in this conversation. Venting to your work bestie and and letting loose your inner mean girl. A classic RWS dynamic! It's just the diesel (& the female) version of the Thomas and Percy relationship: They make each other worse.

But, they need each other.

But, they make each other worse...!

Despite their lack of screentime following this, you cannot convince me that these two don't remain peas in a pod, just like 1 and 6 after 6 is transferred to the branch line.

I do think it's rather sad that Mavis is holed up in the quarry. :( There's a real bummer of a line when she appears in a later Christopher story...

"Besides, she sometimes finds it dull up at the Quarry with no one to talk to but trucks." I know it's realistic, but I want better for her. LET 👏 HER 👏 OUT 👏

Once smartphones became a thing, I like to imagine that they videocalled from the quarry to the carriage shed every night. (Annie, Clarabel, and Henrietta are very understanding about this when the call lasts half an hour. If ever the workers try to indulge Daisy and Mavis with a longer call, however, the coaches start murmuring...)

One great thing about this convo is that it's the first time I feel like I'm really, genuinely looking at lasting steam/diesel coexistence on Sodor's 'big railway.' Coz this is a target Awdry has been trying to hit for at least a dozen books now, yeah? Due mostly to his publishers' pressures, he's been trying to have beloved diesel characters while keeping his 1920-cosplay steam railway too, and this is where I think he finally hits the target. Daisy's first appearance was hamstrung because the turning point where she changes her haughty new-engine attitude and where the others accept her despite all the shit she's already pulled is off-screen, we're just told "they're friends now" and have to be all "right. sure." Probably because he got negative feedback on his Daisy hash, Awdry played it suuuuper safe with BoCo and Bear — less so Bear, but that's another post; for now I will just say that in contrast to Daisy they are presented as very clean-as-a-whistle, and their acceptance by the railway is made so much of that it doesn't feel natural, they both feel like one-offs. But then, ahhh. Now we've got Mavis, and Awdry has the bright idea to let her talk to Daisy, and BANG. Now we're here. This doesn't feel Informed, or starch-and-stiff, or tokenistic. You read this and you're like oh, yeah. Even the sleepiest branch line on this railway is now part dieselised. They're acting like characters! Everybody is acting like squabbling coworkers! It's like sinking at last into a warm relaxing soak. Ahhhhh. Here's the good stuff.

Because they don't need to be Representatives of dieselkind? They can just kinda suck for a moment, without being villains? When TVS subs out Daisy for Diesel, it automatically gives this conversation a sinister air. He's the devil on Mavis's shoulder. But in the original, there's nothing sinister here; it's homey. They're just venting to each other. Their behavior is kinda crappy, but also very normal and recognisable. New work besties fr. They are both three drinks in.

Daisy: He said what to you? Omg babe. I cannot believe that old garden shed said that to youuu.

Mavis: Right?????

Daisy: raising a glass Anything steam engines do, we diesels can do BETTER!

Mavis: hauling herself a bit unsteadily to her feet so that her gesticulation can be its most dramatic and sweeping You are RIGHT and you should SAY IT!

(Narrator: mildly ... Daisy was not right and, being probably the most specialised and least versatile engine then on her railway, she definitely should not have been saying it.)

(Above: The quintessential moment. Mavis & Daisy are commiserating/carping, and Annie & Clarabel are trying so hard to not hear their shit.)

Now, I've always had a question here...

Did Toby really say that only steam engines can shunt trucks?

The text indicates only that he was annoyed that she kept re-arranging things, they had a tiff, she rejected his input and left.

Then again, the text doesn't reveal that Percy calls Mavis's shunting "a ---- ------ ------ mess!", so, y'know. We get the minimum detail necessary in these stories. ;)

We never see Toby express any such sentiment about diesel engines. I'm inclined to think he never said this — and I suspect we're not supposed to believe he said this, only that Mavis is in stroppy teen mode and exaggerating and embellishing her grievances to the point where she's straight-up making shit up.

Still, I'm not sure. Usually in the RWS if a character is lying they are slyly or explicitly called out for it in the nearby text and this time the claim is just... sitting here.

Ultimately, I don't think he ever said that to her, but (considering how salty everyone on the Ffarquhar line can get: some have quicker fuses than others but they're all so provoke-able) I don't think Mavis just made this up completely. If she were making up stories from whole cloth, that would be... well, that would be 'Devious' Diesel behavior! I suspect, however, that Toby and Percy (comparing notes on her shunting) are at least thinking it, or have said it to each other, and Mavis has picked up on these vibes. All of which would be incredibly realistic.

Anyway, I bring this up because the answer does color my read of this conversation a little. If Mavis is completely making up attitudes that Toby never dreamed of having, and Daisy just eats it up and eggs her on, that makes this conversation somehow even 10x messier (and somehow I'm still rooting for their friendship). If this is a sentiment that is real or implied when Mavis or Daisy annoy the other Ffarquhar engines (and they can both be annoying, no question) then the bond between these two characters, with their very different personalities, just becomes even more 'understandable.'

Anyway, about those differences. Mainly, Daisy is ultimately very conventional. (This reminds me I have a nearly-finished essay about Daisy lying around somewhere. For now...) Mavis is the original, creative one, the mover-and-shaker. All Daisy's initial behaviors, as Hazel observed recently, are things we've seen from proud new engines before! She wants lots of attention, she boasts, she tries her damnedest to get out of work that she thinks is beneath her. What Mavis wants is to improve things, to have more responsibility, to get to stretch her wheels. Furthermore, Daisy by nature is keen to avoid work that's too heavy (she's a railcar with limited pulling power, so, you know, understandable); Mavis doesn't mind work — she just doesn't like being told how to do it, and she doesn't like being bored!

A point where they can be contrasted is in how they accept Toby's help and friendship at the end of their initial... "arcs." (All right, Daisy's "arc" is ended so clumsily that you can barely call it that, but you get me.) I'm not saying Mavis is devious or calculating, but for her Toby's offer of friendship is just as important as a pathway to her getting out of the quarry sometimes as it is for his forgiveness. It is her ticket out. For Daisy, Toby's offer of friendship was important because she wants friends, now she's making a friend yay!! — and I think that was pretty much it. Daisy just wants positive attention; that's what all her 'modern and right-up-to-date' stuff was about, but that failed to get her the positive attention she wanted and it turned out that being a team player did, so she had little trouble re-orienting herself. She resisted the pressure of everyone on the platform for her first train because she clung to the memory of her friend the fitter, but I don't think she's one to resist peer pressure in general, and as time passed and the Ffarquhar line residents became her peers, it was completely inevitable that she start to conform to their ways.

So (although, again, annoyingly — we aren't shown) I reckon that Daisy panicked after Percy's accident when she realized that she would be in trouble too (all right, someone probably had to point it out to her). And so for the first time she pitches in and does some hard work. Toby can't help but own "you did well to get all your half cleared, Daisy" and Daisy's entire system lights up because compliment, baby!!! That's all she ever wanted. She's Toby's man now (so to speak).

I can also easily imagine that, in trying to get adjusted to Mavis, Toby remembered how thing went last time. He must have tried from the first to tell himself, through slightly gritted teeth, "Just find something to compliment the new engine on, just anything. Helps build trust." But he was stymied twice over. 1) She keeps re-arranging the trucks in some crazy-ass unapproved way and he can't find ANYTHING nice to say! 2) It wouldn't have worked, anyway. Mavis wouldn't have been satisfied with just some friendly attention. Mavis wants to do. shit.

Mavis is bright — possibly has little common sense, but she's bright. I do wonder sometimes if her shunting arrangements are actually bad, or if they're just different and Toby and Percy can't adjust. (The text does own that due to the siding arrangements it's inefficient to put the trucks where Toby expects them. She probably does optimize things — from her point of view, anyhow.) Either way, though, here is an active and creative mind at work. Plus, her ploy to slo-o-owly expand her pathway down the line in "Toby's Tightrope" shows long-term planning, which is hardly something we've ever seen any vehicle do! So yeah, she's well above-average bright for an engine.

Hilariously, in Their Own Scene she is easily impressed by Daisy's lofty confidence (another classic RWS dynamic — it's giving Duncan staring amazed at James's boasting), but she's also super young, hasn't been Toby-fied yet, and in short I expect that as the years go by Mavis is likely to see Daisy as less of a role model and more of a crony/partner-in-crime. Daisy might instigate things sometimes — but she needs Mavis and Mavis's bright ideas before she really makes much headway! And I expect Mavis is often the instigator anyway. In her literary-device role of Second Coming of Thomas (Dieselised Flavour), she probably continues to want all sorts of things that engines aren't supposed to pine for (silly stick-in-the-muds!) Daisy is quite content to grumble but put up. Mavis will find a way to make stuff happen.

(Which is the only explanation we're going to get for how Mavis is at large on every quarry and some not-remotely-a-quarry sets on the island, come TVS!)

That was a light rap on the TVS there, but not a very hard knock; at least TVS insisted (in spite of all logic) on using her character for stuff. Christopher lets me down, personally, by finding so little for Mavis to do — and never having her and Daisy interact! I want more of this shit so badly.

However, in the Author's Note of Thomas Comes Home, Daisy apparently has a bee in her bonnet about fans who think the series has no female engines and is like 'me and Mavis tho!!!!!!' Which... I like seeing Daisy mention Mavis. That's all. It assures me that they’re still a duo (although I prefer Wilbert's interpretation that they bond over being The Two Diesels On This Line vs. Christopher's implication that their bond is being The Two Girls On This Line).

[multicolour-ink]

Some ideas for Daisy's character in the Movie Movie verse (hopefully in the sequel 🤞)

Instead of just making her "the tomboy", make her the extreme opposite if Peach!

So like how Peach takes a halberd weapon into battle, Daisy takes a baseball bat with barbed wire wrapped around it.

Instead of being careful and courteous with her words like Peach, Daisy is more direct and foul-mouthed.

Naturally Luigi is terrified and a bit put off by her boisterous attitude, but he soon becomes the calm green to her feisty yellow 💚💛

And also Luigi is secretly into it 😏