#verse: mpeg-4
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DEVIANTART CROSSPOST: https://www.deviantart.com/7r335/art/1138662726
(bones buzzing) So uh. I wrote and uploaded a thing about my OCs. I have not posted any of my writing since 2018. :')
Title: Holiday Woes
Word count: 1,158
Chapters: 1/1
Rating: General audiences
Archive warnings: none apply
Categories: gen, other (it's male character/non-binary character)
Summary:
Wolf was always hard to read. His emotional range was incredibly limited, he never smiled, his glower meant he was doing... fine. Now that Christmas is coming up, Ixo can't tell what to get him. Melody is going to take Ixo to the mall and help, whether Ixo wants her to or not.
#dear god i'm so nervous posting this but fuck it we ball.#original character#writers on tumblr#my writing#my ocs#oc: ixo#oc: wolf#oc: melody#verse: mpeg-4
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Tolerate Each Other!
https://revelatorytruths.blog/wp-content/uploads/2022/03/Tolerate-Each-Other.mp4 Tolerate Each Other! See More “Author Slides““ Here! Click Title to Open File and then click “3 dot symbol” for Free File Download
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Total Audio Converter
Learn how to mp3 to m4b converter convert MP3 to M4B online with MP3 to M4B Converter? Make use of the Output" bar to choose a pc location to retailer the converted iTunes songs. Click Format" > Widespread Audio", and select "MP3-MPEG Layer Audio (mp3)" as output format. M4a to MP3 Converter Free helps conversion of batch M4a files to MP3 format and different widespread audio codecs. An AMR file is principally used in mobile phones to retailer recorded spoken audio. Take a look at the following guide to extract MP3 audio file from MP4 video file. This text describes one of the best three methods for converting M4A to MP3 without any hassle.

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Best MP3 To M4b Audiobook Maker?
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Free HD Video Converter Manufacturing facility prides itself on being really easy to make use of that its website encompasses a 10-second information to getting began This would possibly appear to be an exaggeration, nevertheless it's truly true. Unable to transform my WAV files. Don't use chapter pictures so the settings are usually not important; if you happen to use chapter photos Chapter & Verse will create a film orM4A file instead of aM4B file. Transform bunch of ugly MP3 in to beatiful M4B AudiooBook on your iDevice. Relative to the overall utilization of customers who've this put in on their PCs, most are operating Windows 7 (SP1) and Home windows XP. While about 38% of customers of Free M4a to MP3 Converter come from the United States, it's also popular in Germany and United Kingdom.
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Amazon guitar jam tracks

#Amazon guitar jam tracks full#
#Amazon guitar jam tracks download#
Phone screening, followed by technical interview (Hackerrank) a week later, followed by a 3 hour virtual onsite, and a final interview (also done over hackerrank). I interviewed at Palantir Technologies (New York, NY) in Mar 2021. Anyone have any ideas on which questions to focus on? Like should I practice Trees and Graphs or focus more on the basic data structures? Anyone done with the OA, please share ur experience. So, I just received a hackerrank for the Palantir Path internship I applied for. Get a call saying the engineering team is moving onto a different candidate. I interviewed at Palantir Technologies (New York, NY) in Mar screening, followed by technical interview (Hackerrank) a week later, followed by a 3 hour virtual onsite, and a final interview (also done over hackerrank). How many days did it take for you to get the hackerrank assignment? Aug 4. facebook twitter reddit hacker news link. Palantir hackerrank 2020 We've been developing Codility's anti-cheating approach for over 7 years and have sent almost 7 million assessments through our platform Solutions to Hackerrank practice problems Nothing captivates sports fans like a great sports streak it is a simple yet powerful online IDE, Editor, Compiler.Highly recommended - although apparently it helps if you have a broadband internet connection. The tracks are actually good to listen to on their own!įor applied musical licks, this is a powerfully effective supplement. This is probably for a more serious student, but it will be fun for anyone. The blues section has a few jump tunes, walking basslines, boogie, and texas style grooves - so no boring 1-4-5 12 bar cliches here. I am focusing on the blues and country sections, but may move to the rock section soon. You can practice comping, soloing, or improvising themes across any of these styles. Honestly, this is as close to a studio session as you can get. It pairs beautifully with The Big Book of Backing Tracks. At the end of each song are five or six sample licks that will work over the respective track, broken down as audio at the end of the song's audio file. All are very well played with an actual band (no drum machines here), and the book outlines the mood and feel of each track, the key and the tempo, provides a chord chart, and a list with diagrams of which scales will work, and where they will work in the song. There are fast numbers and ballads in the genres as well. The songs are in different artist styles (the rock section has a Nervana-ish track, an AC-DC-ish track, etc). Each song is in a different tempo and key, and each has verses, choruses and breaks - as though they are actual tracks.
#Amazon guitar jam tracks full#
You get ten full tracks (each is five minutes long at least) in following styles: Blues, Country, Funk, Metal, Jazz, and Rock. Judging content purely on technical limitation seems a touch unfair without mentioning content.
#Amazon guitar jam tracks download#
Additionally, if you are familiar with the excellent Joseph Alexander books (and you should be) you know that they are all download audio as well. Also, they are formatted as 256kbps MPEG files, so the quality is quite good. While it might be convenient to have a CD, the audio files here are almost six hours long, and at the bottom of the download page is a 'download all' button for convenience. I have to disagree with the other review here.

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Eenie Meenie Sicileeny Lyrics
Shawty is an eenie meenie miney mo lover' Shawty is an eenie meenie miney mo lover' Shawty is an eenie meenie miney mo lover' Eenie meenie miney moe Catch a bad chick by her toe If she holla (if, if, if she holla) let her go Eenie meenie miney moe Catch a bad chick by her toe If she holla (la la la la) let, let her. Shawty is an eenie meenie. Mia and Michelle demonstrate their new hand game.
Eenie Meenie Sicileeny Lyrics
Eenie Meenie Sicileeny Lyrics
Eenie meenie sicileeny, Ooh ah zambalini, Achi cachi Liberache, I love you, Take a peach, Take a plum, Take a stick of bubble gum, No peach, No plum, No stick of bubble gum. I saw you last night with your boyfriend How do you know I was peaking through the key hole Nosy I didn't wash the dishes Lazy I didn't wash up Funky I jumped out the.
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Notes
Diana Joy Leonard sang this song while growing up. She wrote me 'I was born in 1982 and grew up in NYC... This song replaces 'eenie meenie miney moe' for making 'decisions', i.e. point to one of the options for each word until you get to the end.' Another New Yorker wrote: '...growing up in NYC, queens to be specific, my sisters and I used to sing this song as a hand clapping game, with the following additional verses...' I saw you last night with your boyfriend How do you know I was peaking through the key hole Nosy I didn't wash the dishes Lazy I didn't wash up Funky I jumped out the window You must be crazy That's why they call me... Eenie meenie sicileeny, Ooh ah zambalini, Achi cachi Liberache, I love you, Take a peach, Take a plum, Take a stick of bubble gum, Not a peach, Not a plum, Not stick of bubble gum. ***** Amy wrote, 'I am a born and bred Wisconsinite (at age 18 just now), and that was one of my favorite counting-out rhymes. We put our feet in a circle and used that chant (and several others) to choose who would be 'it' for games of tag or hide and seek. However, our version went a bit differently, and I thought you might be interested in seeing it. Eeny, meany, tortellini Beep, bop, bopellini Etchy-sketchy, liver-etchy I like you. Take a peach, take a plum Take a stick of chewing gum Stick it here, stick it there Stick it in your teacher's hair No more school, no more books No more teachers' dirty looks Yeah.
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Free Youtube To Mp3 Converter Download Mac
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CategoryCategoryInternet SoftwareSubcategoryDownload Managers
Download InformationFile Size58.74 MBFile NameFreeYouTubeToMP3Converter_4.3.33.1031_u.exe
by Christine Smith • 2020-10-28 17:38:18 • Proven solutions
MP3 (MPEG-1 Audio Layer-3) is a convenient, versatile, and popular way of storing music and other audio files. One of the main advantages lies in its comparatively small file size that saves storage space and bandwidth while sharing data. There are times, however, when you need to convert MP3 files into other audio formats such as WAV, AAC, FLAC, or OGG on your Mac due to compatibility issues with media players and devices. If you are looking for some good MP3 converters for Mac, you are in the right place. The sections in this piece not only inform you about some of the most robust and efficient audio converters, but they also give you a fair idea about the drawbacks those apps may have. This would help you decide which program to pick to fulfill all your conversion-related needs, and which among them is not suitable due to some missing ingredients or features that you feel are essential for your work-specific tasks.
Part 1. Best MP3 Converter for Mac
Wondershare UniConverter tops this list as the best MP3 Converter for Mac available today. It quickly and efficiently converts MP3 to numerous file formats for Windows, Apple devices, Blackberry, Zune, Android, video game consoles, YouTube to MP3 converter Mac and many more. Its main attractions are its quick conversion speeds and high-quality output while being economical on system resources. It also features an intuitive interface that is easy to use and allows for batch MP3 conversion as well.
Wondershare UniConverter - Best MP3 Converter for Mac/Windows
Supports the most popular video and audio formats, including MP3, MOV, WMV, and device-specific formats.
Convert to optimized preset for almost all of the devices.
30X faster conversion speed than any conventional converters.
Edit, enhance & personalize your video files.
Burn and customize your video to DVD with free DVD menu templates.
Download or record videos from 10,000+ video sharing sites.
Versatile toolbox combines with video metadata fix, GIF maker, video compressor, and screen recorder.
Supported OS: Mac OS 10.15 (Catalina), 10.14, 10.13, 10.12, 10.11, 10.10, 10.9, 10.8, 10.7, 10.6, Windows 10/8/7/XP/Vista.
Security Verified, 5,942,222 people have downloaded it.
How to Convert Video to MP3 on Mac
Now let's have a quick overview of how Wondershare MP3 converter functions on Mac within three simple steps. Before getting started, install the video to MP3 Converter and
Step 1 Add Target Video into the best MP3 Converter.
Launch Wondershare MP3 converter, click the to import your target video to the program. You can also add your favorite YouTube video for MP3 extraction as long as you download YouTube videos on your Mac beforehand.
Step 2 Select Output Format.
Click the Output Format: and you'll get a full list of output formats, which consists of Recently, Video, Audio, Device and Editing. If you want to convert video to MP3, just go to Audio > MP3 and select a resolution in the right. The same goes for other video or audio formats.
Free Youtube To Mp3 Converter Download Mac Full
Step 3 Start MP3 Conversion.
Once you're satisfied with the output format, just hit on the Start All buttons in the right bottom corner to start converting video to MP3 or vice verse.
Pros:
Apart from MP3, Wondershare provides support for over 1000 video and audio formats to which you can convert your media files easily.
A ton of customization tools is not found in most of the other products on this list.
Super fast conversion.
High-quality output.
Cons:
While Wondershare Converter is easy to use, it may take some time to discover all of its features and use them to their maximum potential.
Conclusion: Mac and Windows users alike will enjoy using this all-purpose software to prepare MP3 files for instant playback on any device easily. Simply select the desired audio format or device from the extensive list of supported options, and your MP3 file will be ready in no time.
Availability: Paid or free trial version
Part 2. Other 7 Top MP3 Converters for Mac
1. Handbrake
Handbrake is an open-source video to MP3 converter for Mac that supports a wide range of formats. Apart from Mac, it is also available for Windows and Linux.
Features: Handbrake comes with a decent amount of features that allow for the conversion of MP3 audio files. It works with the most common audio files and formats and leverages tools such as Libav, x264, and x265. Handbrake is the right choice if you're looking to convert YouTube to MP3 Mac free.
Pros:
● It is open-source and widely available for free download.
● It gives users advanced control with customization settings.
Cons:
● The main disadvantage of using Handbrake is its intimidating interface that is difficult to navigate, especially for first-time users.
Conclusion: Other converters featured in this article have user-friendly interfaces, but the same cannot be said of Handbrake. The program is robust but utilitarian and will take some getting used to.
Availability: Free
2. FFmpeg
FFmpeg is a cross-platform solution to convert audio and video. It's the odd one out in this list as it lacks a graphical user interface. Users are forced to input instructions from the command line/terminal. FFmpeg is a truly free MP3 converter for Mac.
Features: FFmpeg can convert your MP3 files to and from most audio formats. It uses the free FFmpeg encoder and supports many audio and video formats, including MKV, AVI, WAV, MPEG4, ASF, Quicktime, WMV, M4A, MOV and more. FFmpeg also supports batch conversion.
Pros:
● It supports a wide range of codecs and filters.
● It supports most audio/video formats.
Cons:
● Difficult to use for beginners.
● Its official documentation is not clear and can be quite confusing.
Conclusion: While a powerful tool, FFmpeg's lack of a graphical interface makes it unsuitable for the average user. It is not recommended for anyone interested in learning how to convert YouTube video to MP3 on Mac.
Availability: Free
3. Movavi Video Converter
Movavi is a good YouTube to MP3 converter for Mac that will help you to convert your MP3 files to a wide range of formats. It is available for both Windows and Mac.
Features: Movavi Video Converter supports MP3 format well and is quite user friendly. Its user interface has improved in usability and navigation and can convert most of the common video and audio file types. This video converter also comes with predefined settings for various media players such as Windows Media Player and iTunes.
Pros

● Easy to use user interface
● It supports a wide range of audio and video formats
● It allows users to convert YouTube to MP3 Mac
Cons
● Poor support
● Limited period trial version
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Conclusion: While a good choice if you're searching for a YouTube MP3 converter Mac, its trial version isn't free. Some users have complaints against its asking for payment, even in trial versions.
Availability: Paid or free trial version
4. Leawo Video Converter
Leawo Video Converter is a multifunctional converter that allows Mac users to convert MP3 files to most audio formats. Popular among users searching for free YouTube to MP3 converter for Mac. It is available for both Windows and Mac.
Features: This YouTube MP3 converter for Mac is compatible with most audio and video formats. One of the best things about Leawo Video Converter is its ability to convert media files in any combination. For example, you can convert MKV to MP3, MOV to 3GP, etc. It also allows you to optimize videos for playback on specific devices, including media players, iPads, iPods, gaming consoles, etc.
Pros:
● Easy to use interface.
● It allows users to customize conversion settings.
Cons:
● It lacks many out-of-the-box tools and features found in other converters on this list.
● It asks that you buy additional features.
● Slow conversion speeds.
Conclusion: Leawo is a capable converter that produces good quality results. However, it comes with a limited feature set and requires that you buy extra features such as disc burning and online video downloading tools as separate modules. Unless you have hours to spare while waiting for Leawo to convert video to MP3 on Mac, we recommend you use a different program.
Availability: Paid or free trial version
5. Xilisoft Audio Converter
Available for both Mac and Windows platforms, Xilisoft Audio Converter holds a renowned place in the market.
Features: Xilisoft Audio Converter can accept audio and video files, and convert them to formats like AAC, AC3, AU, FLAC, MP3, OCG, etc. It is even capable enough to produce lossless output post-conversion.
Pros:
● It can export output files directly to the target devices.
Cons:
● It offers a limited number of output formats.
Conclusion: Even though the basic version can convert audio files, Xilisoft Audio Converter allows you to access many advanced features only in its Pro variant.
Availability: Paid or free trial version
6. Aiseesoft Audio Converter
Audio Converter by Aiseesoft is an efficient tool for Mac and Windows computers and is available for trial, so you can check its features before investing your funds in.
Features: In addition to being an efficient MP3 converter for Mac, the tool can also extract audio from video files, trim the video and audio clips before conversion, and even lets you choose your output preferences.
Pros:
● It supports almost all major formats for conversion.
● It supports batch conversions.
Free Youtube To Mp3 Converter For Mac No Download
Cons:
● It comes with a price tag.
Conclusion: The tool is, of course, efficient and robust, but the interface lacks many options that are usually available in other similar programs.
Availability: Paid or free trial version
7. Switch Audio File Converter
Developed by one of the renowned vendors, NCH Software, Switch Audio Converter comes for Windows, macOS, and Android platforms. For PCs, it can run on a 64-bit operating system, thus giving you comparatively better performance.
Features: The tool is capable of extracting audio from video files and DVD, can obtain song details from the online database, allows batch conversion, can be used as a CLI plugin for automated conversions, and much more.
Pros:
● It offers fast conversion.
● It performs automatic normalization.
Cons:
● Advanced features are available only in the Pro version of the app.
Conclusion: Even though the app is pretty robust and extremely efficient if you are new to computers or conversions, all the options the interface and the boxes are populated with may scare you. However, with regular use, you will get familiar with the tool and will learn to use it seamlessly.
Availability: Paid or free trial version
Conclusion
Converting audio files is not as complicated as it may sound to some people. In fact, the process is extremely simple if you have a decent MP3 converter for Mac that is efficient enough to get the task done quickly and without errors. Thankfully Wondershare UniConverter is available for both Mac and Windows platforms with an almost identical interface that helps you locate and access the features, options, and windows without any separate training or learning resources for the two variants.
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An exploration into the importance of the self within Western Contemporary Landscape Photography
Chapter 2
Part 1
The Contemporary Landscape
Subjects and the Landscape

Alec Soth ‘Broken Manual’ (fig 4)
The landscape poses as three things when it comes to being documented by a camera, as do all genres within photography, according to the writer David Bates (2013). Either it is interpreted as a physical documentation, which Bates would describe as a ‘Naked’ image, one, which poses simply as a documented image, an image that is deliberately not intended as Art. Or it could find itself in the category of the ‘Ostensive’, the theatrical image, and ones that by all means, embody the characteristics of what a landscape image should be. Lastly, there’s the ‘Metamorphic’, the image that converses that of the commercial, for example travel brochures, national tourist boards. It would be fair to say, as a broad statement that most Landscape photography within the contemporary documentary and art scene would place itself within the Ostensive, an act of the theatrical within a place. This chapter will focus itself on two photographers who work alongside the concept of landscape and self, an insight into a concept that has been closely linked to photography through the years. Whether they focus their attention to communities in rural areas or being alone with ones own thoughts and the wild.
“Environmental theatre seems to say that we should never stand aside from life and merely be spectators, and that the yearning for clear images is vain pride and can only lead to illusion.” – (Yi –Fu Tuan, 1982 Page 192)
This ‘environmental theatre’ is as well documented one within the American landscape than any other place, from early suburban landscapes such
Work by Robert Frank, to Larry Clark and his social insight with the body of work ‘Tulsa’. One photographer in particular who has approached this concept of subjects not standing aside from the environment and partaking in one itself is Alec Soth, focusing themselves on the people within a landscape, generating this conversation between man and his environment. It is important to note, that Soth places himself as first a documentary photographer before anything in regards to landscape photography. The body of work in question is ‘Broken Manual’, a road trip across the American outback, documenting and representing the subject’s attitudes and feelings to their homeland of America, through portraits and landscape photographs. The fact the project is in America is an important one; developing upon discussions on whether this land is truly free or not. The manual, which is broken, seems to be the American Dream, this rich concept that you can take what you want, be what you want with the detainment of peace within society. The subjects within this project have walked away from this dream, feeling much like the verses from Allen Ginsberg’s poem, America. What is presented to us is a series of portraits within landscapes, creating a growing conversation between that of the subjects and the land they are in. All of the subjects are on their own; a sense of solitude and loneliness creeps in through the photographs as the work unfolds.
“Its not escape, its the idea of escape” – SOTH, A.(MAS FILMS, [MPEG-4 movie] 2011, Somewhere to Disappear, 3:26)
This statement, which comes from a short movie dedicated to the documentation of Soth’s project ‘Broken Manual’ by Soth, gives us the information much needed when discussing the concept of Landscape and Self. Admitting fully that, he himself is not looking for escape from his life, but passively encouraging its line of thought through dream like images and ideas, acting almost as a just to juxtaposition to that of the American Dream.
The project is male orientated, at no point within the series are we introduced to women who have escaped the normal pace of life, which we can only but assume that there are, why would the notion of escape be exclusive to man? It could be argued that the American Dream is an inherently male concept. It was derived by men and the first settlers, to build upon a civilization of acceptance and respect, this could lead as to why there is no inclusion of women within the body of work.
With a very much male dominated subject matter, after all the concept of ‘man and the landscape’ doesn’t evoke much thought into the idea of women within this context. We are informed clearly this is a communication between the subjects and their surround. There is constant evidence of man within the work, from a school bus to a shack; the presence of man is ever present within these landscape photographs. With this in mind, the subjects photographed by Soth within the Landscape feel vaguely familiar, as if these photographs have been around for years as paintings previously (fig 5). It is an established idea, as the previous chapter discusses that photography has referenced painting and its compositions to its colour pallets, yet this familiarity is flipped on its head through the vernacular and the mundane. Described as a ‘Hunter and Gatherer” by Siri Enberg (2010) in Soth’s book ‘From Here to There: Alec Soth’s America’, that Soth stakes out his concepts and photographs, finding the correct scene in which to portray an idea. It could be argued, that Soth is searching for such clear images, as Yi Fu Tuan (2012) describes as ‘Vain pride and can only lead to illusion’, the vain pride being the slightly overwhelming involvement of male subjects communicating with a landscape, yet never truly encompassing what this form of ‘escape’ Soth is trying to convince us of, but in contrast, the work itself is about escaping one illusion and embracing another.

(fig 5 Alec Soth Broken Manual)
The first photograph of Soth’s we should draw our attention too is a portrait, of a nude man standing within a small pond, surrounded by greenery and rocks. (fig 5). This photograph bares several connotations within it, the point he is nude suggests a strong level of being at peace within his surroundings and himself, the nude subject surrounded by foliage and nature reminds the viewers of biblical paintings such that of Adam and Eve, the composition looks vaguely familiar of that of British painter John Everett and his painting ‘Ophelia’ (fig 6).

(fig 6 John Everett , Ophelia)
Yet the reason the subject is naked, is because he is alone. The subject has no reason to be clothed in this secluded and solitary environment. Apart from Soth’s presence, the naked man lives in complete solitude, posing in quite a peaceful and at ease pose, the relation between man and his surroundings seems to be summed up in this singular portrait in Soths large edit of ‘Broken Manual’. The subject himself, as discovered in a mini documentary titled ‘Somewhere to Disappear’ by directors Laure Flammarion Arnaud Uyttenhove, it is revealed to us that he is in fact a Neo Nazi, a homosexual Neo Nazi to be exact, through his political decisions and social stance, deciding to cut himself off from society through evident frustration with American politics and society. Yet this revelation does not reveal itself within the photograph, apart from a hairless head, we could assume he might be a skinhead, but there are not strong enough clues within the photograph to suggest this conclusion. It could be said, that Soth could of easily posed the subject in a manor which revealed his political and social believes, yet choosing to make the subject look and feel like every man, hides and shades over the reality of the image. In contrast to a neo-Nazi as the subject within one of Soths images, he also includes a Monk (fig 7), yet another man. In this reverse turn, it can be said that through the diversity of subjects, the message within this work is greater than that of the subjects; the landscape in which they are placed in also acts as a continual narrative, even though the scenes and geography change from image to image. This perceived idea of inner peace through nature is presented within these photographs (fig 5 & fig 7), yet is this inner peace only achievable by giving up on society and breaking out into wilderness? Greek philosopher Marcus Aurelius states different in his book ‘meditation’, he goes on to say;

(fig 7 Alex Soth Broken Manual)
“Men seeks retreats for themselves, in country, by the sea, in the hills – and you yourself are particularly prone to this yearning. But all of this is quite unphilosophic, when it is open to you at any time you want, to retreat into yourself. No retreat offers more relaxation than that into his own mind, especially if he can dip into thoughts there which put him at immediate and complete ease; and by ease I mean a well ordered life.” (AURELIUS M 2006. Meditations, p23)
With this in mind, are the efforts of Soth’s landscapes a failed attempt at retreat? If we are to go by the philosophical teachings of Aurelius, what is made evident from Soth’s photographic exploration into Western retreat into the landscape is its ability to unify and propose a level of importance to these subjects, even if their importance is somewhat a flawed ideal of the ability to be at peace through projecting their ideal lifestyle onto the landscape. This quote by Aurelius evokes a different stance on the subject matter of self and landscape. Suddenly the romantic gesture of climbing a mountain to be at peace is no longer relevant or needed. It is an interesting thought, that the subjects within Soth’s ‘Broken Manual’ are using the landscape for their own mental gain, to embrace tranquility from nature.

(fig 8) (Bryan Schutmaat – Greys the Mountain Sends)
In relation to Soth’s project Broken Manual, another body of work, which works with this sense of man and the land, is by photographer Bryan Schutmaat and his body of work, Grey the Mountain Sends. Here, Schutmaat presents a project depicting mining and working communities within the American West, he describes the project not only as study of the man and the landscape, but the internal landscape within the common man. Inserting portraits alongside landscape images, the two reflect each other, and create a conversation in relation of the two. The photographs have a dulled sense of colour about them, as if it is always dusk, and as if man is looking towards an approaching dark. Whilst observing Greys the mountain sends its can be noted the placing of the subjects also adds to the understanding and reading of the work, man is placed firmly in the middle of the photographs, almost dominating their portraits with the landscape acting as an idealist and peaceful backdrop, despite the looks of despair and trouble witnessed on the subjects faces. There is a conversation generated between the two generations represented within these portraits to, the old look weary and troubled, the young fresh eyed and glazed. The prospects of the land itself have changed, which was once a rich land in recourses, has dwindled and become a shadow of its former glory. This can be seen within the landscape photographs presented by Schutmaat. Below (fig 9) is a working community within a mountain range. It is evident from its shanty appearance, that times are less desired then they may have be in the past. With this information, the landscape photograph can present to the audience clues of history, and what the future may have in store. This particular landscape is riddled with personal and economical history of wealth which has slowly slipped into decline, this information is presented clearly within the photographs ability to convey ideas and clues as to the history of a place.

(fig 9) (Bryan Schutmaat – Greys the Mountain Sends)
In contrast to Soth’s work, there is the inclusion of women, if be it only one photograph at the end of the series, the last photograph we are left with, a red headed woman at a bar. This gives the audience a sense of community, even if through the projects exploration the community is mainly built up of working men, the project then begins to be less about a discussion about a failed mining town, more about a failing collective of working class towns. Inspired by the poem Degrees of Gray in Philipsburg by Richard Hugo, the work gets its title from and also the inclusion of the woman with red hair, within Hugo’s poem there is a sense of anger and frustration with life, which is reflected in Schutmaat’s photographs.
“Hatred of the various grays
the mountain sends, hatred of the mill,
The Silver Bill repeal, the best liked girls
who leave each year for Butte.”
-
(HUGO R Degrees of Gray in Philipsburg 1984)

(fig 10 Bryan Schutmaat – Greys the Mountain Sends)
Yet on the other hand this portrait of a young girl at a bar is slightly removed from the landscape and project. She is not a reflective thought of the landscape like the male subjects have been; her gaze doesn’t catch ours, as an audience we are devoid of any personal contact from her. Its almost as if she is uninterested by the camera, yet on the other hand is purposefully placed and framed by Schutmaat. The story, which is read here, is in direct reference from the work of Richard Hugo, the photograph itself is a complete fabrication, rather a theatrical staging than a stumbling upon a person who fits the mood of a project.
“The car that brought you here still runs.
The money you buy lunch with,
no matter where it’s mined, is silver
and the girl who serves your food
is slender and her red hair lights the wall.”
(HUGO R Degrees of Grey in Philipsburg 1984)
Here, Schutmaat is making a direct reference within his work to that of someone else, a poet rather than directly referencing the landscape at hand. In comparison to Soth’s body of work ‘Broken Manual’ it would be fair to say that Schutmaat’s work is fairly similar. Photographs in themselves are expressions, expressing what we have seem, feel or wish to lay witness to. This is the same as poetry, two channels into the same line of thought, through the expression of ones mentality.
There is a deliberate awareness of placing subjects within the landscape, so that the conversation between the two is direct. We are asked by both projects to approach the concept of man and landscape and our relationship with it, also to understand how others live in different conditions and places within the world. Another observation between these western photographers, both have referred to poetry whilst creating their work, Schutmaat has the works by Richard Hugo, Soth in tern, references American poet Jim Harrison, whose poetry reflects on nature, mortality and our place within the wilderness. In his book ‘In search of small gods’ (2010) Harrison expresses the importance of nature, and the small animals that inhabit it. Within the documentary ‘Somewhere to Disappear’ Soth documents the insides of Harrisons cabin, a place where he goes also to be alone and to ponder the coming and goings of his surround. Soth also states within the documentary ‘Somewhere to Dissappear’ when questioned what massage he is trying to give across with his work;
“Its not a message……its closer to poetry”
(MAS FILMS, [MPEG-4 movie] 2011, Somewhere to Disappear, 2:37)
The important of self and the individual is made evident within Soth and Schutmaat’s landscape photographs. They present to us this level of bonding and understand of the surround, whilst also evidently using their surround as way of dealing with the internal. Other opinions have argued differently over this level of over awareness within the west, Yi Fu Tuan for example expresses that the western man as an overbearing level of concern for the individual and what you can gain as a single form.
“Western Culture encourages an intense awareness of self and compared with other cultures, an exaggerated belief in the power and value of the individual. The rewards of such awareness and belief are many, including the sense of independence, of an untrammeled freedom to ask questions and explore, of being clear eyed, without illusion, rational, and personally responsible. The obverse is isolation, loneliness, a sense of disengagement, a loss of natural vitality and of innocent pleasure in the givenness of the world, and a feeling of burden because reality has no meaning other than what a person chooses to impart to it. This isolated, critical and self conscious individual is a cultural artifact.” (Yi Fu Tuan, 1982, p139)
As Yi Fu Tuan states there is an over awareness of the individual in the west, it could be argued that Soth and Schutmaat have created cultural artifacts through their photography. Their ‘intense awareness’ is evident through the composition of their works, nothing is by chance and everything hints towards a larger conversation. Would it be fair to say that the teachings of Marcus Aurelius can only be appropriated to that of western culture and ideals when discussing the landscape and its inhabitants? As Tuan expresses in his book ‘Humanist Biology’ that in different parts of the world, tribes in the amazon for example, only exist as a group, if one is alone in a place, then they simply do not exist. Yet in contrast to Soth’s Broken Manual, the individual is at strength.
In agreement with the words of Yi Fu Tuan, explorer and writer Robert Macfarlane within his book Mountains of the Mind: A History of a Fascination he explores the concept of the western man and the lure of the mountains/landscape
“Mountains seem to answer an increasing imaginative need in the west. More and more people are discovering a desire for them, and a powerful solace in them. At bottom, mountains, like all wildernesses, challenge our complacent conviction – so easy to lapse into- that the world has been made for humans.”
He continues;
“Mountains correct this amnesia. By speaking of greater forces than we can possibly invoke, and by confronting us with greater spans of trust in the man-made. The pose profound questions about our durability and the importance of our schemes. They induce, I suppose, a modesty in us. Mountains also re shape our understanding of ourselves, of our interior landscapes. The remoteness of the mountain world – its harshness and its beauties – can provide us with a valuable perspective down to the most familiar and best charted regions of our lives.”
(MACFARLANE R Mountains of the Mind. 2008, p274)
Here Macfarlene discusses an acute fascination with mountains and how they are important to our natural development as individuals. A man of the west himself, it could be argued that he himself, as Yi Fu Tuan suggests, that his words and achievements as an explorer still evoke this cultural importance of self found within the western world.
In contrast to the thoughts of Aurelius, American Philosopher Henry David Thoreau comments upon this level of solitude and how it was important to him, as an individual, often finding himself longing to be alone, in complete solitude. His popular book ‘Walden in the woods’ was an experiment of the self, taking it upon himself to disengage with society, to live by Walden Pond and be hidden away amongst nature. His comments upon society and peoples materialistic needs are as ever more profound and important today, given the text was written in the 1800’s. It would be fair to say, that Thoreau believed in a strong sense that solitude is important for self reflection and self preservation, yet there was an ability, like Aurelius discusses to be alone, within the tranquility of your own mind, without having to resort to the wilderness or landscapes to get the same result, the concept of being able to be alone, solitude not necessarily coming straight from a source of being physically on ones self. Thoreau goes on to say;
“I find it wholesome to be alone the greater part of time. To be in company, even with the best, is soon wearisome and dissipating. I love to be alone. I never found the companion that was so companionable as solitude. We are for the most part more only when we go abroad among men than when we stay in our chambers. A man thinking or working I always alone let him be where he will. Solitude is not measured by mile of space that intervenes between a man and his fellows. The really diligent student in one of the crowded hives of Cambridge College is as solitary as a dervis in the desert. “ – Henry David Thoreau, Solitude, page 88.
Does this not mean, that we are all alone in some form or another? The landscape can then begin to be a useful tool for the human mind, a place to escape as Soth has suggested within his work. Yet it could be argued that if man can be alone anywhere, then the act of man prioritizing nature before other scenes and outlets is one washed in the preservation of self. Nature is used, preserved and discussed by man, for it to be photographed and appropriated to the will of man is an interesting line of discussion. Do we not just project what we want and feel onto a landscape? Giving it its own ideals and purpose, thus to be changed by the next person to photograph the same place. Robert Adams an American photographer and writer on photography, from a recorded interview featured in ‘Landscape Theory' discusses the natural wilderness in its relation to photography;
“Yet it’s far from incorrect to think of the natural wilderness as a moral wilderness as well; it is, at the least, morally neutral, and therefore accommodating to most any system of beliefs we project upon it.” –( ADAMS R(edited transcribed from taped interview) Landscape: Theory 1982 p29)
With man shaping the land, he also appropriates what is intended to be seen by an audience, even if they do not follow the same line of thought whilst looking at the same image of a landscape. With Thoreau’s concept that we are all alone in some form or another, and the words of Adams that landscapes act almost as a canvas for thought, it is easy to understand why landscape photography can struck a certain cord with photographers and audiences alike. Yet a photograph becomes more than the landscape as it has now been formed into an object, a piece of a perceived reality, which you can hold and carry around with you, a visual reminder of what you have seen.
“Photographed images do not seem to be statements about the world so much pieces of it, miniatures of reality that anyone can make or acquire.” – (SONTAG S, 1984 On Photography, page 4)
Sontag’s comment on what a photograph is can inform when approaching a photograph of a particular landscape. Photographers choose to create their own realities within their work, as Sherry for an example, his reality is a saturated wash of colour, to grind against the old present something new. His concerns are more informed about the history of Landscape photography and preserving its future rather than attempting to create a physical document of reality.
To conclude this first part of the second chapter, the western landscape is a complex and engaging one. Investing strong and sometimes overbearingly senses of the self into contemporary landscape photography. There is a level of awareness to document the changes which are going within the west, the preconceived visuals we have of America make it all the harder to create images which bring forth something new. Yet as the quote by Robert Adams suggests, the landscape is a canvas on which we project, especially within our westernized society. This level of projection to understand one self seems to be an important one, as the second part of this chapter will discuss in further detail, the relationship between that of the landscape image and ourselves is a strong one. It has been learnt that it is not only the landscape itself, which gives inspiration to photographers, that in turn, literature can inform the photograph just as much as scenic beauty.
The work by Soth brings up the question of solitude and confinement within oneself within a particular location; this has been unearthed through its deliberate decision to make ‘Broken manual’ to place man amongst landscapes, directly informing and asking us to understand the length of measures those subjects have taken, to feel free within the land which causes divide on its use of the word. Whilst the project aims to discuss the relationship of escape and those who have found sanctum within the wild, more questions than answers are given on whether the activity of searching of peace from a natural source is still up for debate. For example, is the work of western photographers like Schutmaat and Soth purely self indulgent, are the concerns of the individual too overpowering? Put simply, they are not. The work presented in both bodies of work resolves around the idea of these people as one encompassing whole, rather than going through the lengths of creating a very linear photo story about individuals and their struggle. In a way, what presented is everyone’s struggle.
To be continued....
Essay By Harry Rose
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How to Understand the Difference Between MPEG2 and MPEG4 | Soukacatv.com
MPEG2 vs. MPEG4
The Moving Pictures Experts Group, or MPEG, is the body responsible for the standards that we often use for video encoding. MPEG2 is the standard that was created to encode high quality videos, meant to be used for the, then emerging, DVD media. MPEG4 was developed much later, as an encoding method for devices with limited resources. Portable devices, like media players and mobile phones, use this format, as well as online stores who provide the hiring of video and audio files.
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MPEG4 is the preferred format for devices, as it yields a file that is under 1G for most full length movies. This is a far cry from MPEG2, which can only produce files with five times the size. Storing MPEG2 files will not be a problem on DVDs, as the usual DVD capacity is over 4GB, but is a major issue with portable devices. MPEG4 also made it practical to buy and download videos online, as MPEG2 videos are quite large, and take a long time to download. The small file size of MPEG4 files directly translates to a lower bandwidth needed, when streaming recorded or real-time videos through the internet.
Setting file size aside when considering the better format, MPEG2 wins hands-down, as it provides a far superior image quality. The difference in quality is minor when viewing the files through a tiny screen, like those installed in mobile phones and even netbooks, but when it comes to large displays, like most current HDTV displays, you can clearly notice the difference in the final picture. We can attribute this to the amount of data lost, since both MPEG2 and MPEG4 are compression methods that lose data. MPEG4 simply discards more information, which results in poorer picture.
MPEG2 compresses the video by discarding the information in portions of the image that do not change from one frame to another, and saving only the portions of the image where new information is added. The MPEG4 compression mechanism is a bit more complicated compared to that of MPEG2, as it needs better algorithms to scan and determine which pixels can be discarded, to reduce the data even further.
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Summary:
1. MPEG2 is the encoding method for DVDs, while MPEG4 is the encoding method of choice for portable devices and online use.
2. MPEG2 encoded video files are much bigger compared to MPEG4.
3. MPEG2 requires a lot more bandwidth for streaming compared to MPEG4.
4. MPEG2 produces the best video quality compared to MPEG4.
5. MPEG2’s compression is much simpler compared to MPEG4.
Understanding the Difference Between MPEG-2 & MPEG-4 Encoders
In a world where technology is rapidly expanding the way that we send, receive, compress, and decompress data, it can be difficult to maintain a full understanding of formats and processes. One of the most common sources of confusion when it comes to video encoding arises when trying to understand the difference between MPEG-2 and MPEG-4. Thankfully, our team at Radiant Communications Corporation, one of the best places to buy MPEG-2 encoders online, is well-versed on the subject. As a way of bringing clarity to this difference, we will explain how MPEG-2 and MPEG-4 encoders handle compression, file size, quality, and application.
MPEG-2
MPEG-2 encoders have been around since the late 1990s and are responsible for great strides in the capabilities of video encoding as compared to their predecessor, MPEG-1. MPEG-2 video coding uses an algorithm for compression that uses a block-based 8 x 8 discrete cosine transform (DCT) and allows for high-quality, but restricts the ability to shrink file size, which has become integral in the world of digital multimedia. Due to the larger file sizes associated with MPEG-2 encoders, they are typically used with local video such as DVDs and broadcast cable. While the quality of MPEG-2 is more than capable of handling high-definition local video, there is a significant degradation in quality when applying MPEG-2 to online and device-based streaming.
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MPEG-4
After passing over MPEG-3, the MPEG-4 video coding format was released to coincide with the massive expansion of the internet that occurred in the first few years of the 21st century. One of the most notable differences between the MPEG-2 and MPEG-4 formats involves the use of an algorithm which has a 16 x 16 DCT, allowing for much a much higher rate of compression. This higher compression rate means that files sizes can be cut in half, opening the door for decreased bandwidth without losing picture quality. MPEG-4 is a step in the natural progression of encoding methods, as the internet has created an environment where online and mobile streaming are the primary forms of video consumption.
The Basics
Ultimately, both MPEG-2 and MPEG-4 are capable of maintaining high-definition video quality. The difference, however, lies within the application. MPEG-2 is more than capable of handling video streams from local sources like DVDs and cable broadcasts, but due to the larger file size, it struggles with portable devices and internet streaming. MPEG-4, on the other hand, utilizes its high rate of compression and smaller file sizes to provide high-quality video and audio across mobile networks.
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Established in 2000, the Soukacatv.com main products are modulators both in analog and digital ones, amplifier and combiner. We are the very first one in manufacturing the headend system in China. Our 16 in 1 and 24 in 1 now are the most popular products all over the world.
For more, please access to https://www.soukacatv.com.
CONTACT US
Company: Dingshengwei Electronics Co., Ltd
Address: Bldg A, the first industry park of Guanlong, Xili Town, Nanshan, Shenzhen, Guangdong, China
Tel: +86 0755 26909863
Fax: +86 0755 26984949
Mobile: 13410066011
Email: [email protected]
Source: difference between & rccfiber
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Diputación renueva el último tramo que lleva hasta la meta de la etapa 11 (Calar Alto) de una carrera que está proyectando el destino almeriense en 190 países y acercando los productos de ‘Sabores Almería’ hasta 400 municipios de España, Andorra y Francia en sus 21 etapas
La Diputación Provincial de Almería tiene a punto todos los detalles para recibir a la caravana de ‘La Vuelta Ciclista a España’ el próximo miércoles en su décimo primera etapa que unirá Lorca (Murcia) con Calar Alto a través de 13 municipios de las comarcas del Levante y Filabres-Alhamilla. Tras ocho años, la prueba reina del ciclismo español regresa a la provincia gracias las negociaciones entre la organización y la Institución Provincial a través de ‘Sabores Almería’ y el Servicio Provincial de Turismo.
La Institución Provincial ha invertido 480.000 euros en la rehabilitación del último tramo de la carretera que conduce hasta la meta, el Observatorio Astronómico de Calar Alto. En una primera fase se ha ejecutado el proyecto de ‘Estabilización de Plataforma y Saneo de Taludes en la Carretera Provincial AL-3102 -De la A-349 en Tabernas a Tíjola por Velefique, Bacares y Bayarque- que se ha financiado con cargo al Plan Viario 2017 (180.000 euros) y en una segunda fase se ha ejecutado el aglomerado y asfaltado de cinco kilómetros de esta carretera con un presupuesto de 300.000 euros.
La importancia de esta actuación va más allá de la celebración de ‘La Vuelta 2017’, puesto que tiene un gran impacto turístico porque es uno de los accesos al Observatorio Astronómico de Calar Alto a través del Alto de Velefique. Turistas, vecinos de la comarca los trabajadores de este centro de referencia pueden circular, de forma más segura, hasta su punto de destino.
Las obras han consistido en la ejecución de hasta 11 actuaciones que han mejorado la rodadura en esta vía. En concreto, las obras están permitiendo asegurar la plataforma con la construcción de muros de contención, restitución del firme, balizamiento con biondas metálicas, así como la señalización horizontal y vertical de esta vía. También se van a ejecutar reperfilados de cunetas y hormigonado de las mismas en diversos puntos de la carretera provincial.
La etapa Lorca (Murcia) – Calar Alto recorrerá 155 kilómetros por las carreteras almerienses que discurren por un total de 13 municipios con uno de los finales de etapa más interesantes y que va a empezar a definir entre los ciclistas en la subida al Observatorio Astronómico de Calar Alto.
Los municipios que podrán disfrutar de la gran fiesta del ciclismo con el paso del pelotón son Pulpí, Cuevas del Almanzora, Vera, Mojácar, Turre, Los Gallardos, Sorbas, Lucainena de las Torres, Turrillas, Tabernas, Velefique, Bacares y Gérgal. Los primeros kilómetros por la provincia se producirán en la franja costera y el recorrido continuará por el interior hasta llegar al Desierto de Tabernas para encarar la escalada por la Sierra y los bosques de los Filabres hasta Calar Alto.
‘Costa de Almería’ y ‘Sabores Almería’ viajan con ‘La Vuelta’
El impacto de ‘La Vuelta’ en esta edición se va a extrapolar a las 21 etapas y los 400 municipios que están recorriendo los 200 ciclistas por España, Francia y Andorra. Dentro de los acuerdos de promoción del destino ‘Costa de Almería’ y de la marca ‘Sabores Almería’ con la organización, se encuentra la presencia de ambas marcas y de los productos almerienses en las carpas de salida de todas y cada una de las etapas.
Si los paisajes almerienses van a poder verse en cadenas de televisión de 30 países y en la guía de ‘La Vuelta 2017’, en cada una de las jornadas la organización, las autoridades y los invitados a la carpa de la salida están degustando los productos de 19 de las empresas que conforman la marca ‘Sabores Almería’.
Rosquillas, quesos, tomate, vinos, vinos sin alcohol, carne en conserva, pulpo en conserva, cabrito de Los Filabres, conservas de Suflí y verduras hidratadas son algunos de los productos que están conquistando a consumidores potenciales de los productos de Almería.
Turismo + Deporte= Desarrollo económico
La llegada de ‘La Vuelta’ a la provincia de Almería es una muestra más de la apuesta decidida de la Diputación Provincial de Almería por asociar el turismo al deporte para impulsar la economía. En este sentido, ‘La Vuelta’ se suma al apoyo a otros grandes eventos de primer nivel (como el Rally Costa de Almería ó la Clásica Ciclista Almeriense) y a la creación de programas como ‘Almería Activa que atraen a deportistas de todo el mundo para practicar deportes singulares en unos paisajes y parajes únicos.
Una inversión con retorno
La inversión realizada por Diputación, entre las obras realizadas en la carretera AL-3102 y los contratos de promoción de ‘Sabores Almería’ y ‘Costa de Almería’ va a tener un gran retorno tanto para el destino ‘Costa de Almería’ como para los empresarios de la marca gourmet. Y es que, con más de 550.000 euros la provincia no sólo ha visto mejorada una de las vías del interior con mayor afluencia turística, sino que además va a proyectarse en los cinco continentes a través de las televisiones y la web (4 millones de visitas), va a recibir a la caravana de La Vuelta (460 vehículos, 198 corredores de 22 equipos, 300 acompañantes y 18 miembros del colegio de comisarios) y está acercando a miles de personas a diario (en todas las etapas) la excelencia de los productos gourmet de la provincia.
La Vuelta Diputacion sabor
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ANEXO 1: Empresas de ‘Sabores Almería’ que viajan junto a ‘La Vuelta’
Pulpí Conservas Pulpí Ella
Almería Almericarne, S.L (Orza de Almería)
Lubrín Cooperativa los Filabres
Roquetas Hortícola Costa de Almería, SL
Suflí Industrias Alimenticias de Suflí, S.L (Fritada de Sufli)
Gérgal La Gergaleña Productos Artesanales, S.L
Dalías Cubisol Almería, Sl (Caribata)
Alhama de Almería Panadería el Túnel
Viator Conservas la Receta
Serón Serones Artesano, SL
Fuente Victoria Bodega Fuente Victoria, S.L
Fuente Victoria Bodega Viñedos de Laujar; S.A.T
Tabernas Rafael Alonso Aguilera, SL ( Oro del Desierto)
Pulpí Oleoalmanzora, SL
Huércal Óvera Oleojarico, SL
Uleila del Campo Aceites Campo de Uleila, S.L
Almería Olivar del Desierto, SL (Castillo de Tabernas)
Níjar Biosabor Nature, SL (gazpachos)
Huércal de Almería Bodega La Tautila, SL (vino 0,0)
ANEXO 2: Las 11 actuaciones ejecutadas en la AL-3102 del Proyecto de Estabilización de Plataforma
Actuación nº 1.- P.K. del 16+800 al 16+850: Restitución del firme y señalizar todo el carril.
Actuación nº 2.- P.K. 19+400, margen izquierda. Construcción de muro de gaviones de 3 metros de altura y unos 30 metros de longitud para contención del terraplén evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando. Ejecución de solera de hormigón sobre el muro cuya función es el encauzamiento de las pluviales de modo que viertan por el punto deseado no dañando así el talud de la carretera provincial.
Actuación nº 3.- P.K. 20+060, margen izquierda. Construcción de muro de gaviones de 4 metros de altura y unos 20 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando.
Actuación nº 4.- P.K. 20+700, margen izquierda. Construcción de muro de gaviones de 4 metros de altura y unos 40 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando.
Actuación nº 5.- P.K. 22+650, margen izquierda. Construcción de muro de gaviones de 2 metros de altura y unos 30 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando.
Actuación nº 6.- P.K. 22+800, margen derecha. Construcción de muro de gaviones de 3 metros de altura y unos 15 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando. Previamente se ha procedido al desmontaje de la barrera metálica (bionda) existente en una longitud de unos 20 metros y posterior montaje de la misma.
Actuación nº 7.- P.K. 24+010, margen derecha. Construcción de muro de gaviones de 2 metros de altura y unos 18 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando. Previamente se procederá al desmontaje de la barrera metálica (bionda) existente en una longitud de unos 20 metros y posterior montaje de la misma. Además se ha ejecutado solera de hormigón HM-20 de en coronación del muro de gaviones de 1,50 metros de ancho 10 cm de espesor y 18 metros lineales de bordillo prefabricado de hormigón HM-40 achaflanado de 17×28 cm de sección cuya función es el encauzamiento de las pluviales de modo que viertan por el punto deseado no dañando así el talud de la carretera provincial.
Actuación nº 8.- P.K. 24+900, margen derecha. Construcción 100 metros lineales de bordillo prefabricado de hormigón HM-40 achaflanado de 17×28 cm de sección cuya función es el encauzamiento de las pluviales de modo que viertan por el punto deseado no dañando así el talud de la carretera provincial. En el punto de vertido se ejecutará un caedero de acero corrugado, galvanizado de 80 cm de diámetro y unos 10 metros de longitud.
Actuación nº 9.- P.K. 25+400, margen derecha. Construcción de muro de gaviones de 3 metros de altura y unos 15 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando. Previamente se ha procedido al desmontaje de la barrera metálica (bionda) existente en una longitud de unos 20 metros y posterior montaje de la misma. Además se han ejecutado soleras de hormigón HM-20 de en coronación del muro de gaviones de 1,50 metros de ancho 10 cm de espesor y 15 metros lineales de bordillo prefabricado de hormigón HM-40 achaflanado de 17×28 cm de sección cuya función es el encauzamiento de las pluviales de modo que viertan por el punto deseado no dañando así el talud de la carretera provincial.
Actuación nº 10.- P.K. 25+900, calzada. Se ha procedido, en un tramo de unos 100 metros de longitud y 7 metros de ancho, a la ejecución de un refuerzo de firme una capa de rodadura formada por 5 cm. de aglomerado asfáltico en caliente AC/16/Rodadura/B_50-70/Semigruesa sobre emulsión asfáltica ECR-2 empleada en el riego de adherencia con una dotación de 1,0 kg/m2. Se procederá a la reposición de la señalización horizontal del tramo afectado según lo indicado en la Norma 8.2. IC- Marcas Viales.
Actuación nº11.- P.K. 39+100, margen izquierda. Construcción de muro de gaviones de 5 metros de altura y unos 55 metros de longitud para contención del terraplén de la C.P. evitando de este modo que las escorrentías generadas por la lluvia lo sigan erosionando. Previamente se ha procedido al desmontaje de la barrera metálica (bionda) existente en una longitud de unos 60 metros y posterior montaje de la misma. Además se ha ejecutado una solera de hormigón HM-20 de en coronación del muro de gaviones de 1,50 metros de ancho 10 cm de espesor y 60 metros lineales de bordillo prefabricado de hormigón HM-40 achaflanado de 17×28 cm de sección cuya función es el encauzamiento de las pluviales de modo que viertan por el punto deseado no dañando así el talud de la carretera provincial. En el punto de vertido se ejecutará un caedero de acero corrugado, galvanizado de 80 cm de diámetro y unos 10 metros de longitud.
Este proyecto se enmarca dentro del Plan Viario 2017 que junto al del año 2016, que se está culminando actualmente, está arrojando una inversión global que supera los siete millones de euros.
ANEXO 3: Asfaltado de AL-3102
Asfaltado y aglomerado de cinco kilómetros con 300.000 € de inversión
Diputación tiene todo a punto para recibir a la caravana de ‘La Vuelta’ Diputación renueva el último tramo que lleva hasta la meta de la etapa 11 (Calar Alto) de una carrera que está proyectando el destino almeriense en 190 países y acercando los productos de ‘Sabores Almería’ hasta 400 municipios de España, Andorra y Francia en sus 21 etapas…
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Text
MPEG2 vs. MPEG4
The Moving Pictures Experts Group, or MPEG, is the body responsible for the standards that we often use for video encoding. MPEG2 is the standard that was created to encode high quality videos, meant to be used for the, then emerging, DVD media. MPEG4 was developed much later, as an encoding method for devices with limited resources. Portable devices, like media players and mobile phones, use this format, as well as online stores who provide the hiring of video and audio files.
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MPEG4 is the preferred format for devices, as it yields a file that is under 1G for most full length movies. This is a far cry from MPEG2, which can only produce files with five times the size. Storing MPEG2 files will not be a problem on DVDs, as the usual DVD capacity is over 4GB, but is a major issue with portable devices. MPEG4 also made it practical to buy and download videos online, as MPEG2 videos are quite large, and take a long time to download. The small file size of MPEG4 files directly translates to a lower bandwidth needed, when streaming recorded or real-time videos through the internet.
Setting file size aside when considering the better format, MPEG2 wins hands-down, as it provides a far superior image quality. The difference in quality is minor when viewing the files through a tiny screen, like those installed in mobile phones and even netbooks, but when it comes to large displays, like most current HDTV displays, you can clearly notice the difference in the final picture. We can attribute this to the amount of data lost, since both MPEG2 and MPEG4 are compression methods that lose data. MPEG4 simply discards more information, which results in poorer picture.
MPEG2 compresses the video by discarding the information in portions of the image that do not change from one frame to another, and saving only the portions of the image where new information is added. The MPEG4 compression mechanism is a bit more complicated compared to that of MPEG2, as it needs better algorithms to scan and determine which pixels can be discarded, to reduce the data even further.
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Summary:
MPEG2 is the encoding method for DVDs, while MPEG4 is the encoding method of choice for portable devices and online use.
MPEG2 encoded video files are much bigger compared to MPEG4.
MPEG2 requires a lot more bandwidth for streaming compared to MPEG4.
MPEG2 produces the best video quality compared to MPEG4.
MPEG2’s compression is much simpler compared to MPEG4.
Understanding the Difference Between MPEG-2 & MPEG-4 Encoders
In a world where technology is rapidly expanding the way that we send, receive, compress, and decompress data, it can be difficult to maintain a full understanding of formats and processes. One of the most common sources of confusion when it comes to video encoding arises when trying to understand the difference between MPEG-2 and MPEG-4. Thankfully, our team at Radiant Communications Corporation, one of the best places to buy MPEG-2 encoders online, is well-versed on the subject. As a way of bringing clarity to this difference, we will explain how MPEG-2 and MPEG-4 encoders handle compression, file size, quality, and application.
MPEG-2
MPEG-2 encoders have been around since the late 1990s and are responsible for great strides in the capabilities of video encoding as compared to their predecessor, MPEG-1. MPEG-2 video coding uses an algorithm for compression that uses a block-based 8 x 8 discrete cosine transform (DCT) and allows for high-quality, but restricts the ability to shrink file size, which has become integral in the world of digital multimedia. Due to the larger file sizes associated with MPEG-2 encoders, they are typically used with local video such as DVDs and broadcast cable. While the quality of MPEG-2 is more than capable of handling high-definition local video, there is a significant degradation in quality when applying MPEG-2 to online and device-based streaming.
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MPEG-4
After passing over MPEG-3, the MPEG-4 video coding format was released to coincide with the massive expansion of the internet that occurred in the first few years of the 21st century. One of the most notable differences between the MPEG-2 and MPEG-4 formats involves the use of an algorithm which has a 16 x 16 DCT, allowing for much a much higher rate of compression. This higher compression rate means that files sizes can be cut in half, opening the door for decreased bandwidth without losing picture quality. MPEG-4 is a step in the natural progression of encoding methods, as the internet has created an environment where online and mobile streaming are the primary forms of video consumption.
The Basics
Ultimately, both MPEG-2 and MPEG-4 are capable of maintaining high-definition video quality. The difference, however, lies within the application. MPEG-2 is more than capable of handling video streams from local sources like DVDs and cable broadcasts, but due to the larger file size, it struggles with portable devices and internet streaming. MPEG-4, on the other hand, utilizes its high rate of compression and smaller file sizes to provide high-quality video and audio across mobile networks.
SKD19 Series 1U Rack 12CH Encode Modulator
Established in 2000, the Soukacatv.com main products are modulators both in analog and digital ones, amplifier and combiner. We are the very first one in manufacturing the headend system in China. Our 16 in 1 and 24 in 1 now are the most popular products all over the world.
For more, please access to https://www.soukacatv.com.
CONTACT US
Company: Dingshengwei Electronics Co., Ltd
Address: Bldg A, the first industry park of Guanlong, Xili Town, Nanshan, Shenzhen, Guangdong, China
Tel: +86 0755 26909863
Fax: +86 0755 26984949
Mobile: 13410066011
Email: [email protected]
Source: difference between & rccfiber
How to Understand the Difference Between MPEG2 and MPEG4 | Soukacatv.com MPEG2 vs. MPEG4 The Moving Pictures Experts Group, or MPEG, is the body responsible for the standards that we often use for video encoding.
0 notes