#we are IGNORING the timeline stuff though cause it's dumb and too forced AND i want the cat school betrayal

[srapsodia]

“Make ‘em somethin’ more”

Thinking about purpose, costs, and internalizing harmful lessons.

[popculturebuffet]

Ducktales Final Four!: The Lost Cargo of Kit Cloudkicker!

Hello You Happy People. SPIN IT! OHOHOHOHOHOHO LETS’ BEGIN IT!

After 10,000 years we’re finally at the motherducking Talespin episode! And only 8000 of those years were the last 14 months as Ducktales 2017 has been working toward this for a while with Cape Suzette being prominently mentioned in both the first episode and the season 1 finale, and Don Karnage being a regular part of the rouges gallery, voiced by the wonderous Jamie Camil. So this episode was less a matter of “If”, since Don’s presence meant Disney wasn’t really against it happening, and more a matter of “When and How.” The how, to a point was settled at the big NYCC panel for Ducktales that revealed Daisy and Goofy... as it also revealed aged up versions of Kit and Molly, meaning a proper tailspin episode was on the way.  I could not have been more pumped. While I didn’t remember the cartoon well, i’d always loved Talespin since I was a kid and as an adult my curosity only grew. Still need to watch way more of it mind you, I really have slept on most of the Disney Plus Libarary and that’s dumb of me, but what i’ve seen is impressive. The story of an irresponsible bear forced to work with a buisnesswoman bear after she buys his seaplane, his loveable kid sidekick and said buisness bear’s daughter whose cute as a button but suprisingly tolerable for a little kid character. Opposing them were masterful buisnessman Shere Kahn, who sadly does not show up here and could be friend , foe or neutral depending on the episode, and Don Karnage, a kooky sky pirate who as mentioned is already in this series and was Balloo’s arch enemy. The series was colorful, creative, had a great premise and cast and in general was just awesome and out of the Disney Afternoon shows is honestly my faviorite, though Darkwing is getting close. I even recently finally got the Shere Kahn funko, which is starring into my soul as I type this review! Hurrah! 

So I waited impatiently like I did for Daisy and Goofy, both also things I’d wanted in the series since the start. Thing was.. Goofy showed up in the second episode of the season, that was part of the premiere, and while the wait for Daisy was agonizing, she still showed up pretty early into the season at episode five. Gosalyn showed up at episode 12. This is episode  20.  

I do get it: This season was built to be the last just in case.. and ended up being the last so good job there. There was a LOT to wrap up in one season and on top of that they had a double and TRIPLE length episode taking up 5 episodes of the season, AND two holiday episodes. So that gave them only 18 normal episodes they had to place very carefully. So likely, given that they had some episodes important to the finale that couldn’t wait for the last minute in “The First Adventure” and “The Battle for Castle McDuck!”, as I highly doubt pepper was given such  a build up to not be important in the finale, still think she’s webby’s mom, we’ll see soon enough. And New Gods on the Block, while not as important was probably not swapped with this one because they wanted a lighter episode after three plot important episodes in a row, two of which are fairly intense and had lasting consequences and one of which, while a bit of a breather, was still indulging in the new FOWL status quo. This one ended up crammed into the last block.. because they likely really wanted to do this one, wanted it to tie into FOWL... and had nowhere else to put it, with Life and Crimes likely serving as one last break from FOWL, if it doesn’t end up tying into it, before the finale movie. Doesn’t make waiting forever for it any less grating, but hey it’s finally here. So how was it? Was it worth the hype? And how do the Wuzzles factor into this? Join me under the cut and spin it with me to find out and count down to 3!

So we open with an adult Kid Cloudkicker at work, voiced by Adam Pally!

If you haven’t heard of him, and one of my Patreons had not, he was on Happy Endings and the Mindy Project, and has a very distinct voice and is very funny, so it was a pleasant surprise to have him pop up here as Kit and given aforementioned roles were messes in some way shape or form, especially Max from happy endings whose essentially Oscar the Grouch, just as gay only not living in a trash can. Though if he had to he would. 

Since he was a kid KIt’s picked up the old family business, and is now running hire for hire.. and has also picked up his Dad’s old enemies as Don Karnage chases after Kit, his second greatest nemesis, who freely mocks him. It’s a lovely sequence but shows Kit isn’t the best pilot, and his fancy flying, while beating Don, also opens both crates, freeing the livestock he’s carrying.. and the other cargo, a mysterious stone that was in a F.O.W.L. crate that merges the chicken with  a goat, and scares kit, and he ends up causing his cargo to drop out of the plane.  Cue titles. 

Back with our heroes for this series, Della is recroding Dewey as he flies solo the first time!

That is so precious. Huey is along for the ride and is taking having his reckless brother with the attention span of a coked up ferret at the helm exactly how you’d expect. 

Of course his helmet says safety boy and of course he has a helmet on over his hat. Awww. Dewey, while good at it, he’s a 12 year old flying a rather sizeable plane with no difficulty that’s  pretty impressive.. he’s also Dewey so just flying a plane normally isn’t enough and he wants to Dewey it instead and do all the fancy stuff. He wants to be special as is usual for him, not realizing this is how you get to being good as his mom or Launchpad. And he’s 12 so that makes sense just on the basic level.. but it also makes sense on a comparison level: Dewey’s done a LOT of impressive stuff over the course of the series: rattling it off because why not, and this is just things he acomplished himself: he found the Lost Jewel of Atlantis (Getting it home was still a team effort but he is the one who identified it), is a golf pro better than his uncle whose played the game for centuries at this point,   defeated Don Karnage in a sword fight with little to no sword training, was crucial in beating Magica during the Shadow War, travled through time, by accident or not, consulted on a major motion picture, defeated a Gandra, even if she was going easy on him, BLIND, and biggest of all defeated the World Serpent Jormunngandr, by himself, a GOD that’s fought Scrooge evenly for decades. AND FINISHED HIM WITH A PILEDRIVER. To reitirate this was ONLY the stuff he did himself. So I get why he’d think just flying a plane when his mom and best friend have done so much more with it is boring and that being a pilot when two people he looks up to are already one is just.. boring. I’ts not special or unique and given his family name is built on the two, I can see why he’d chafe under this. 

Della for her part isn’t doing things wrong entirely, she wants him to start with the basics, the fact he can DO those basics at such a young age with minimal training shows he has a true knack for it, and it takes experince to pull off death defying stunts. The First Adventure backs this up as while Della was so talented as a kid she could land a plane herself.. that was all she did. And it’s still incredibly impressive a ten year old landed a seaplane with no real world training or hours in a full on flight simulator. The issue that’s never really adressed is while she’s mostly doing it right she dosen’t get that despite his talent, Dewey just dosen’t find this INTRESTING or get how impressive he is, and that dressing it up a bit migh’tve helped. It’s an understandable mistake though, teaching someone something in any context is hard. It’s one of many, MANY reasons like currently horribly hazzarodus conditions, long hours, having to buy their own suplies at times, that teachers are badly underpayed. 

Before we get into why their headed to Cape Suzette at long last, there is one notiacble absence in this episode I can’t really ignore: Launchpad. While he has been absent in every episode since Let’s Get Dangerous, not counting “How Santa Stole Christmas!” as the two holiday episodes were made to fit in anywhere story wise and timeline and production wise take place before the rest of Season 3 , which takes place during Spring given both the March note on Boyd and Huey’s photos in Astro BOYD, and Forbidden Fountain taking place during spring break. At most it’s currently running into Summer. I put too much thought into this with someone i’ve lost contact with. 

My point, I had one trust me, is that Launchpad has just been gone for the second half of the season . And up till now it wasn’t necesarily a bad thing: He was a major part of Let’s Get Dangerous and wasn’t really needed for any of the episodes so far: The Manor side of things in ImpossiBin was purposfully intense and while he would’ve had some thoughts on Beakly’s actions, it just worked better with him gone and the only other adult in the house at the moment busy doing other stuff for their protection till the climax. Split Sword was kid focused, New Gods didn’t really involve him at all, though I am sad he and Storkules never met as far as I can tell, The First Adventure was a flashback, Fight for CastleMcDuck was about the family unit more, and Beaks in the Shell is the only one so far I think he could’ve been included in at all and again shoving him in would’ve just cluttered things up. Like a lot of character ballance issues of the series, there’s a good enough reason.. this is just the one exception in the last batch I think would’ve been improved by having him. He’s Dewey’s best friend, he’s been there for him, he would’ve been a good counterpoint as a teacher and it could’ve been intersting having both he and della have constrasting styles but valuable things to teach and I would’ve loved to see him interact with Kit. It also just feels really weird to be down a pilot in the episode about the franchise about a pilot. \

The fact Dewey ends up crashing while landing after Huey applauds him on his safe normal landing, which ticks him off because he dosen’t want to be normal, hammers in it in a bit as he missed his buddy’s first crash. I get leaving him out as Kit is just as irresponsible and the episodes just as much about Kit if not more so as it is about Dewey, so I understand it but it dosne’t make it feel like any less of a lost opportunity. 

As for why their in the cape at last, it’s unsuprsingly another missing mystery, the stone of what is which can combine two things, the stone seen in the intro. Kit loosing it turns out to be a good thing as it meant FOWL didn’t get it, and they can find it, and are in town to find him. They pass the hire for hire offices which have a ton of notices on the door, and Dewey is entranced by the idea of cloud kicking, aka sky surfing, aka that thing kit did in the original. We also get to see updated versions of Baloo, Kit and Molly. Sadly no Rebecca. Can’t win em all. 

Our trio find Kit whose asleep, clearly having no customers and trying to pass it off like he does. It turns out he knows Della, as they went to flight school together, though she only vaugely remembers him at best. She does remember Molly though, wouldn’t be suprised if that’s another ex of hers either, and wonders what happen to her.. and not just because htere’s always room in Della’s harem.  Kit dodges.. and it’s likely in large part because it’s clear to anyone looking despite his statments he’s kinda stalled as an adult. It’s very clear from his surroudings, him being a pilot for hire, and him eagerly taking Dewey on as a sidekick when Dewey shows intresting in Cloud Kicking, that he’s trying to be Baloo. This idea was, according to Frank, the brainchild of the episode’s director, and one of it’s writers and storyboarders, Tanner Johnson. Tanner pitched “What if Kit never outgrew his Baloo fanboying?”. 

It’s an intresting idea: while it is sad we don’t get to see the old boy at any point and I do wonder where he is now and what he’s up to in his retirment, probably just flying about free as a bird would be my guess given how he never liked working to begin with, I applaud them for doing something unique with the Tailspin cast that fits into the themes of the season rather than just have them show up. By making it Kit instead of Baloo cargoing them, it gives us more of an arc to work with character wise as Kit has become so obessed with becoming his dad, he never stopped to consider if he was even good at it or enjoyed it.

  Using Della is part of what makes this work as she too grew up with a larger than life mentor and adopted dad.. but unlike Kit, she grew up a bit and saw the flaws in her dad. His greed, his selfishness, his tendency to hog the glory, his ego.. she stopped putting him on a pedestal. She still loves him, still wants his respect and admiration to this day, but she gets he’s not perfect and not who she wants to be.  Kit clearly never got this message. He never grew out of putting Baloo on a pedsteal and wanting ot literally be him instead of his own man. So he ignored the many flaws in how Baloo lived: Baloo started Talespin having lost his plane because he was so obessed with freedom and doing what he wanted, he didn’t bother actually paying on it and chafed under actually doing work half the time. He’s talented, fun to be around and a hell of pilot bar none, he honestly outclasses Della, but he was entirely irresponsible. Kit’s found himself in the same position Baloo was in: living alone, having not a lot going on, and on the verge of loosing his plane. Not only that he’s worse off because Baloo at least, while lazy, had enough talent. Kit.. isn’t a good pilot as we’ve seen and will see again, and clearly not only dosen’t have a knack for it, but is only doing it because Baloo did. He’s so obsessed with being who he THINKS baloo would want him to be, he never stopped to think that the actual Baloo would just want him to be happy and has probably told him this, or was probably too proud of what Kit was doing to realize what he was doing to his life. 

But Della dosen’t have time to get him a therapist, they need to find that stone before FOWL, and Kit offers to take them.. if they hire him. Della scoffs at this and insults the Sea Duck

Yeah Della your fantastic.. but you do NOT insult the Sea Duck and your very, VERY lucky it’s not Baloo you were dealing with as he would’ve turned you down out of principal. The Sea Duck is fucking awesome, and a national treasure. Thankfully Kit instead points out the Sunchaser isn’t in a better place after Dewey Dewed what he dew, so they really don’t have a choice. 

Della does draw the line at letting Kit fly as she eventually realizes he’s not good at this, mostly letting Crowby his crowbar do all the work, and finds he has a map to where he dropped the stone, so he dosen’t even have that leg to stand on and throws him out of his own cockpit before he gets them all killed. Okay that time on her side. Kit takes this time to try and train Dewey on cloudkicking... but despite being encaustic at the idea of it the reality leaves Dewford scared shitless.. and doubles up on bad things as Don Karnage and his crew are closing in on the island. FOWL hired them to get it for them, though why FOWL didn’t do so themselves I don’t know. Don’t get me wrong i’m happy to have Jamie back and it really wouldn’t feel right ot have a Tailspin ep without Don Karnage, I just find it odd Bradford would hire outside contractors for this given he has a full staff and not at least send Heron or Steelbeak along to supervise.  Regardless, Don puts pleasure before buisness spotting Kit.. and fully commits after finding out Dewey is ALSO involved. I also find it hilarous DEWEY outranks Kit on Don Karnage’s enemy list. So naturally he goes after him, int he personal plane he used in the series which also showed up in the cold open, and with Dewey not having the skill to take Don on, Kit is forced ot step in. He also calls him “Little briches” which while another sign of how much he wants to be his own dad.. is still too awesome not to apricate. Don cuts the line but thanks to Kit’s fancy footwork, they make it out alive and wash up on an island. Della soon joins them, thanks kit for saving her kid then rightfully slaps him for putting him in danger in the first place. Dewey also has to stop her from punching him when he explains he had no idea the stone ended up on this island, which granted she is justified in but Dewey , of all people, rightly saw this means they don’t have to drag a  unconcious bear around who probably hasn’t showered in a while. I mean the smell will be there either way but there’s less chance of accidnetlly inhaling too much while he’s conconcious. They also find out what the Stone’s been doing: combining the wildlife leading to rhino monkey hybrid trying to murder them. So at the last minute Frank also squeezed in another disney aftenroon show but one tha’ts not streaming and most don’t care about: the wuzzles, a bunch of hybrids of various animals... Frank couldn’t do much with that as is and just decided to rightfully play it for horror. 

Our heroes find Don, whose found the stone.. and is simply throwing most of hi crew  at it rather than doing anything productive, with them turning into just.. utterly horrifying combinations. Hands for heads and everything, bug legs, a non-anthro parrot head. it’s pretty tough to watch and I question why the episode did this as Don’s crew did not deserve this and this episode is mostly lightearted before and after this. A tailspin tribute episode episode should not pair well with the song no spill blood.. seroiusly you paid for all I do is win, and rightfully but you couldn’t get this?

Regardless the kids and manchild are told to stay put while the slightly more functional womanchild takes care of Don. Dewey and Kit naturally don’t, which is fair: what did della expect, the sugared up rabbit in a small duck’s body and the incompitent but charming manchild she’s insulted repedadtly to listen? Naturally they both beef it as Dewey can’t board and while Kit does get Don’s plane, he ends up crashing it instead of doing anything productive. I mean even Launchpad would’ve at least got back to the seaduck.. he would’ve crashed into it but still. Look when you make Launchpad look compietnet you really need to rethink your life.  Della has bigger problems though as it turns out the thing they were on.. was a coocoon.. for a butterbear. Oh no. Thankfully this goes better than you’d expect as she’s able to ride the thing and it tangles up some rope, taking the stone of what was with it and Don takes off after it with what pirates he has left. 

Our remaining heros return to the Sea Duck. Dewey and Kit plan to do the same thing again and expect diffrent results but Huey.. has some words for them. 

He’s fed up with this and points out they need to swap jobs. Dewey CAN fly, and Kit really is good at cloudkicking, it’s in the name, and he needs to return to it. While Dewey balks again stating anyone can be a pilot.. Kit finally admits that’s not true and he’s just not good at it and Huey finally snaps them out o fthier neurosis, Kit a bit late but better late than never given the state of his life, and points out the episode’s aseop: YOU make something special just by doing what you like to do and are good at well. I’ts been hard making these reviews, but I feel i’m getting the hang at it and it’s what I was meant to do, I just had to find it. It’s not always easy to find your calling but when you got it, go for it instead of some version of you you think you should be.  So we get pured distilled awesome for the climax. Besides Della again riding a bear that’s also a butterfly, Kit, also a bear I did not miss that gag, proceeds to finally spin it and begin again it as he tears through them with Crowby and easily deispatches the planes finally earning Della’s respect and finally back in his element, using his newfound size and strength combined with his still inherent acrobatics to easily take them out and land on Carnage’s plane and beat him. 

So the day is saved: The stone lands on the plane and our heroes properly secure it. Della releases her bear fly but it’ll find it’s way home i’m sure... so majestic. Or it’ll eat all the world’s seagulls. Good news either way. 

Back at the bay Kit packs up the stone safetly and gives them the bill. Which Della grumbles at but whiel he didn’t fly he did save their asses.. after endagenring them but still and does have a buisness to run. Plus he has to save his plane. 

But it turns out someone’s already bought it. And you can probably guess who. 

No not you sweetie.. though he is an investor for the person who DID buy it: Molly, whose taken being danger woman from a 4 year old’s play time to her career running an air stunt show. This is the other thing that cemented the whole aged up versions of these guys working for me: HIstory Repeating itself. Once again an enterprising young woman with a lot of ideas has bought the seaduck from it’s incompitent owner and hires the former owner to work for her.  But things are warmer this time: Kit wasn’t happy doing what he was doing, and it’s clear unlike Rebecca, who just bought the first plane she could get and hired baloo because he was who she could afford, they became friends with time and patience if not more but that’s still vauge... Molly did this out of love. She knew Kit was struggling and probably has as many fond memories of the sea duck and baloo as he does and didn’t want someone else to get the old girl. Her air show seems to be going fine, she apparently has a full crew, fans and enough money to purchase another plane on a whim from the bank to expand the show.. she wanted her old plane back and her old brother back. And wheras again Rebecca offered Baloo the job because he wanted to keep his baby safe from some half assed pilot she could afford and she knew it and thus could manipulate him with that. Plus he worked cheap so there. Here Molly just admires her brothers skills and hires them on it and he’s frankly more comfortable being a sidekick than the main star anyway. 

He TRIES to brush it off but gladly accepts. God another possible spinoff.. please make this Disney.. and if not at least Reboot tailspin I miss it. Still it’s a very satisfying ending. But what of Don Karnage? Well he’s lost everything as a result of this, unable to get back to his carrier, his crew mostly gone, and FOWL sure to be gunning for him. This is seemingly the end for him.. until he finds a chunk of the stone. “Or the start of an encore”. Wether this was a setup for a possible part of season 4, a possible spinoff or is going to come back in the finale.. we’re just going to have to wait and see won’t we?

Final Thoughts: I really liked this one. It’s not the best of the season: Kit’s arc is kinda telegraphed and Dewey’s arc while intresting isn’t focused on enough to really be that engaging. But the ideas at the core are solid and fit into the series well, the idea to age up our kid heroes from Talespin was really clever and paid off and as usual Adam Pally is a delight and as I said at the top was pitch perfect casting. Couldn’t figure out who played molly and the credits cut out on me, so let mek now if you do but yeah I enjoyed this one> It wasn’t the series at it’s best but given the last two are liable to get pretty intense it was a nice breezy break. And it got me wanting to watch Talespin again and there’s nothing bad about that. 

NEXT WEEK: In our penultimate adventure, Ducktales reinacts that one episode of Batman the Animated Series where all of Batman’s foes put him on Trial, as Scrooge’s Rogues put him on trial with Doofus as prosecuter and Louie for the defense. Well at least it’s not Lionel Hutz. 

This Week: Lots of Ducks! The lena retrospective continues as we take a detour for some comix, and we begin the Della arc as we go back to the start. It’s finally time to talk about Woo-Ooo!. 

If any of this sounds appealing follow my blog for more. If you like these reviews head over to my patreon, patreon.com/popculturebuffet, and become a patreon. At the 5 dollar level you get a review a month and even a dollar helps get to my stretch goals. I’m up to 15 a month so 20 is next and that means a darkwing duck review every month! And if you really like Talespin like I do, 25 nets you a tailspin review a month and a review of the pilot. Ohohohohohohoo. See you at the next rainbow. 

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i really liked your s6 blaine meta! would you be willing to do something similar for season 5 episodes 14-20?

Hi Nonny! Sorry for the delay, this is kind of a huge undertaking.  I’m going to be honest, this will be more of an abridged answer.  I really recommend looking over to my Finding Kurt Hummel Meta, because a lot of Kurt and Blaine’s stories are intertwined, and I do talk a lot about Blaine and his motivations there.  That said, let’s dig in! 

Pre-New York Arc

So, as Blaine tells us when before he’s going to graduate, his senior year has been really hard and really weird.  He broke up with his boyfriend, dealt with a school shooting, suffered the loss of a good friend, and then got engaged.  (Y’all should check out my Glee Timeline to see just how squished all of this stuff really was.) By the time his tenure as a high school student is over, he’s desperate to fast forward to being a full fledged adult -- living out his dreams in New York City.  The problem is trying to force your dreams come true doesn’t always work, especially when a) you’re still a kid trying to figure things out and b) you still have a lot of insecurities and mental health issues to deal with.  

So Blaine (and Kurt) still have a lot of growing up to do.  And a lot of the New York Arc is figuring out just that.  

Let’s talk about the proposal for a second, too.  Blaine jumping to marriage is, yes, a bit pre-mature.  He’s was so desperate to get his relationship back on track with Kurt, and so wanting to prove his commitment, he jumped about fifteen other steps and went straight to what he would be the ultimate band-aide -- marriage.  Well, just because you’re married (or engaged) doesn’t mean you don’t have a lot of issues in your relationship.  Blaine and Kurt were too young for their engagement -- and not necessarily because of their age, but because they really hadn’t dealt with a lot of things the move to New York, the cheating, and the first break up did to their relationship.  However, Blaine wants to ignore a lot of the red flags because he feels since he has Kurt back, and put a ring on that finger, he should be fine, right?  His insecurities about Kurt not loving him or wanting to leave him should be squashed because -- ring.  Right??  Oh, Blainey. 

New New York

So, what we don’t see is the six-to-nine months of Kurt and Blaine living together.  Which is a shame.  Because we don’t see how it started, and how they probably were so head over heels wanting to live together and do all the fun things Burt listed off in his conversation with Kurt before the proposal in Love Love Love that they did not have any kind of conversation about how living together would ultimately work.  So, it’s nine months later, and things aren’t so rosey.  

Blaine is trying very hard to make them the old married couple he wants them to be (which is no shade on Blaine!).  He’s singing old timey songs, and basically trying to show his love through acts of servitude, and kind of trying to ignore the nagging feeling that Kurt’s unhappy about it.  

Blaine is a giver by nature, and wants to make Kurt happy, and he thinks if he can be the perfect boyfriend (because he wasn’t before, made a mistake, didn’t take into account that Kurt really was part of that issue, and blames himself for the relationship woes) that his relationship with Kurt will be fine.  The problem is that Blaine is losing himself in the relationship -- trying to be the person he thinks Kurt wants him to be, and the person his own imagination thinks he should be, instead of the person he really is.  

The other thing is that Blaine is a bit clingy.  There’s nothing wrong with wanting to spend time with your significant other.  But Blaine wants to spend every waking moment with Kurt so they can share their magical journey together.  You see -- in high school, they were joined at the hip, and did do a lot of things together.  But they also had a lot of time apart.  They both had groups of friends to do things with, and different households to go home to.  But now, all aspects of their life are jammed into that little loft.  And for Blaine, it’s fine, (though it’s not - he has to learn how to be an individual person, too), but Kurt is struggling with it. 

Here’s the part where I do need to bring up Blaine and his homelife.  Blaine being who he is - is somewhat just his personality.  But part of it is also his homelife.  We can infer that unlike the Hummel household, Blaine’s family wasn’t exactly ones to unconditionally supportive in the same way.  He always had to compete for attention (and possibly love) with Cooper.  He has always felt that no matter how ‘good’ he is -- he’s a failure.  And he is, by far, his own worst critic.  These are things that Kurt cannot fix for him, and while Kurt can continue to love and support him, Blaine himself has to reach a belief that he is a worthy individual of love, support, and happiness.  

Also, because Blaine is trying so hard to make life perfect for Kurt, he’s not being able to make his own experience uniquely his own.  He tries to find a cute couch -- but it’s rejected (rightfully because bed bugs, but still).  He tries to make himself a space in the loft, but Kurt shuts that down.  Everything is about how Kurt thinks and feels, and because Blaine’s giving in on these things, he starts to go inward on himself, and thus they fight over dumb things.  (Kurt needs to learn how to share and compromise, Blaine needs to learn to stand up for himself and his own wants and needs.)  

As an aside, Blaine isn’t really jealous of Elliott -- that’s a bit of displaced anger.  But going to Elliott does help (wise sage that he is), and while that convo is a little weird, there is some good advice in Elliott saying you have to figure out who you are, and maybe not be so clingy.  Boundaries are good and don’t lose yourself in the relationship. 

So, about their decision to live apart -- my Kurt meta had a good paragraph: 

I’d also like to mention that Kurt isn’t really thrilled with Blaine’s idea.  He doesn’t want Blaine to leave, but he recognizes that something has to change.  Unfortunately, they’re still young and growing and don’t have the tools or experience to figure out how to fix what’s wrong.  So - in a way, I get this solution.  Blaine doesn’t know how to give Kurt emotional space - so let’s try physical instead.  

Blaine wants to fix the situation, so it’s no surprise that Blaine is the one to comp up with the solution.  It’s not great (honestly, they should have moved out and found their own place but alas tv show logic), but it’ll have to work for now.  Blaine is more interested in salvaging his relationship the only way he can try to.  Unfortunately there are some other, bigger issues going on, but for now, they’ve come up with something that might help.  

Bash

It’s a shame we don’t get more Blaine during this episode, because I think it’s really important.  There’s a story here about the frustrations a gay couple can have when one of them is going through a major trauma, and the other can only sit and wait to see how it turns out -- adding in outside factors such as, hospitals not allowing the partner to visit because they aren’t legally “family”.  

So, one of Blaine’s biggest fears is losing Kurt.  And this time he does to an external power.  Blaine, who likes to control things just about as much as Kurt, feels like he should be able to protect Kurt no matter what, and comes out of this episode feeling like it’s his duty to do that.  

You see, Blaine doesn’t think he’ll survive very well if anything ever happened to Kurt, and kind of ignoring the fact that Kurt kinda jumped into the fight himself, Blaine decides that he’ll do everything in his power to ‘save’ him.  Problem is, that’s not at all what Kurt wants or needs....  Which will be discussed more in the next episode. 

Meanwhile, Blaine manages to piss off Carmen Tibideaux with he and Rachel’s little duet idea.  Not liking anyone mad at him, he does go retake the final (or whatever it is), and pours his own fears and sadness into the song.  I do kind of wonder if Blaine’s involvement in this is a slight nod that Blaine won’t be finishing his college career at NYADA.  (Which is fine - the school is utter shit.) 

Tested

Okay, god.  Here’s the Kurt Meta because this is one really complicated episode that I won’t do justice in the little blurb I’m going to write here.  There’s A LOT going on, and it’s helpful in understanding the story as a whole, and I do write about both their sides in the Kurt Meta. 

So, here we are -- Blaine is trying to make Kurt’s New York life and experience perfect, and he kind of ignores his own.  But, he is indulging himself (as young people in new places often do) and not taking care of his physical health either.  He does gain some weight (or Glee tries to suggest that he does), and this latches on to his insecurities from before.  

A lot of this episode’s issues comes down to identity --- Blaine saw himself as the White Knight in Shiny Armor -- the one who protected Kurt from Karofsky, and made him smile.  The one who was the prince who got to give the other prince the Happily Ever After.  The problem, though, is all of this is magical fairy tale talk that doesn’t work in the real world.  

Kurt isn’t a delicate flower who needs rescuing.  He is very physically fit, and is seen as attractive by other people.  And Kurt is trying to find his own, individual identity that isn’t solely connected to Blaine.  All of this activates Blaine’s major insecurity about being rejected -- about not being loved enough.  He doesn’t understand that he doesn’t have to be the person who another person needs for them to love him.  He can just be the person who someone wants.  But Blaine has a very hard time with this concept.  His value of himself is wrapped up in how much he thinks he’s needed, which of course, causes all the problems.  

What’s making it worse is that Blaine begins to manipulate the situation -- trying to make Kurt ‘need’ him again, which is very unhealthy (don’t do that guys!).  But also starts to do what he always does, and we see a repeat of the issues had back in season 3/4.  Blaine starts to pull away physically because he fears he’s not good enough, and in turn, Kurt pulls away emotionally, and it’s just a downward spiral that they keep doing.  

The thing that Blaine is not doing is expressing how he actually feels to Kurt.  When he finally does that at the end of the episode, when he reaches out and says ‘hey I need help’ Kurt is finally there for him.  (Yes, Kurt is still pissed, but at the end of the day, Kurt is not wrong about the fact that he’ll never stop loving blaine -- no matter what happens.)  The problem is, no matter how many times Kurt can say it, or even show it, until Blaine actually trusts him, it’s never going to work.  

As an aside -- one of the reasons I think the second break up actually was good for them, is that Blaine learns how to love himself, and live with himself, after Kurt’s gone.  He’s too attached to defining his self worth based on what Kurt thinks of him -- and that’s not healthy.

(Also, I encourage you to read the Tested Meta -- there is so much to dig into in this episode!) 

Opening Night

There really isn’t much Blaine in this episode - but we do see him use his acts of service love language towards Rachel.  Usually, she’s much better in her response, though.  

I also want to point out that it’s Blaine’s idea to go to the gay bar.  I’m all for Blaine starting to learn where his places in the city are.  Makes me wonder if Kurt and Blaine frequented there together, of this was a Blaine only thing.  Hmm.  

The Back-Up Plan

So... the June Dolloway stuff.  Okay.  

June plays to Blaine’s romantic ideals of what life as a successful performer would be.  And, as we’ve talked about, Blaine’s self worth is based on the idea of how much people need him (or want to use him).  So, he kind of falls into June’s trap, and lets her try to mould him into who she thinks he is.  The problem is, that entails getting rid of Kurt.  But a big part of who Blaine is - is loving Kurt.  

There’s also the issue of competition again (which came up in Tested, too) that I kind of roll my eyes at.  I’m not going to say that Hollywood, or the performing arts, isn’t competitive.  Because it is, in a lot of ways.  However, I feel like media and society are often the ones pushing that narrative.  You can be successful and still support your friends and love ones.  

There’s an entire conversation to be had about how art is subjective, and this idea that this painting is better than that one is just kind of stupid, so all of these fancy awards for things are really, often times, just rich or powerful people stating what they think is the “best” and puts a false equivalency on things that can’t or shouldn’t be pit next to each other.  

So, this whole idea that Blaine is ‘winning’ because June picked him is just -- whatever, Glee.  The thing that I do like, however, is the fact that, despite Kurt being disappointed in the situation, he is still supportive of Blaine and his career.  The thing that I think is a bit contrived is Blaine’s eagerness to please everyone leads him to lie to Kurt instead of be honest about what’s going on with June.  But alas, television. 

However, as we’ve talked about earlier -- Blaine’s ultimate goal is to make everyone happy at the expense of his own happiness, so it isn’t out of nowhere that Blaine would try to please June and Kurt at the same time, in an attempt to ‘fix’ everything before someone rejects him. 

Old Dogs, New Tricks

So... this episode really isn’t about Blaine or the Klaine issues at all.  Chris was perhaps wise (and maybe mandated a little) not to even get into it.  

The thing, though, we do see is that Blaine’s spending a lot of time on his fantasy career ideas with June.  He does recognize that Kurt isn’t really happy with life, and while the Klaine issues will eventually hit the fan, that’s not what this episode is about.  It’s about Kurt trying to find his own place, and make his own happiness, when everyone around him is becoming more successful.  It’s really not Blaine’s issue -- and I’m glad Chris didn’t make it out to be.  

Instead, Blaine plays the supportive partner here, and while they do need to work more of their shit out, I’m glad they do get a softer, and more emotionally aware moment here.  

The Untitled Rachel Berry Project

So, Kurt mentions in this episode that he and Blaine have had some long conversations about their relationship.  And while I’m sure that’s true (probably a lot after Tested), I do have to wonder if Blaine wasn’t listening as well as he should have been.  I think, in order to preserve things, Blaine probably nodded along, and took more notes on how to be the world’s perfect boyfriend, while maybe not actually comprehending some of the issues Kurt laid out.  All the while, I’m guessing that Blaine didn’t express many of his wants or needs, in order to not rock the boat.  Unfortunately, all of this holding back, on both their parts, comes back to haunt them. 

The big lie comes out, that Kurt isn’t in the showcase, and this plays a lot on Kurt’s insecurities, partly about being a failed performer, and a lot about his trust issues with Blaine from the last time they broke up.  Blaine is the type of guy who tries to make everything perfect until he literally can’t anymore, and he’s left there being forced to tell the truth, even though he knows it’ll hurt himself and Kurt.  And while this, normally, would be a minor thing, because of their past history -- this self-imposed forced disappointment is what he expects.  Because he believes that sooner or later, he’s going to eventually disappoint everyone he loves, and they will eventually leave him.  

The thing is -- Blaine has a tendency to push people away, because he thinks that’s what he deserves.  But interestingly, Kurt comes back to him -- and they talk about it.  

And, I’m just gonna quote my Kurt Meta cause I don’t feel like writing it all out, but the Klaine scene here is important! 

So - yeah, let’s break this down…  Kurt’s pretty stiff when he comes to Blaine, arms crossed, looking forward out at the birds and not at Blaine.  He’s thought through is anger, but these kind of conversations are still hard for Kurt.  But then there’s Blaine – who outright says to him that the showcase doesn’t mean anything without Kurt – that /Kurt/ is more important to him than his career.  And Kurt visibly relaxes when he hears this.  Because its confirmation of something he does already know – that Blaine really does love him.  He seems to fuck it up, but he loves him.  And it’s something Kurt really did need to hear again.  

(Obviously vise versa needs to happen, too, but more on that in a second.)

So - Kurt goes on talking about birds, and builds this elaborate metaphor around them – about how taking a step out of the nest is freakin’ scary, but you can’t stay in that nest forever – at some point you have to trust that you can fly.  And even if you fall and hit the ground, you have to keep on trying.  

Well, Kurt comes to the smart conclusion that relationships are like his bird metaphor – you can’t have a relationship unless there is implicit trust there as a foundation.  And he’s learned, the hard way, that yeah, sometimes one of them is going to fuck up and they will hit the ground like a stone, but if you hold on to your faith that it’ll be all fine in the end – that you can help each other out keep that solid foundation, it’ll be okay.  Because at the end of the day, you can’t ever be 100% that someone won’t hurt you again, you can’t control anyone else but yourself (oohh and Kurt letting go of complete control is huge - HUGE).  

And yeah, yeah this little speech is nice and all but what about what’s about to happen? What about the second break up?  Do you guys remember in Dance With Somebody when Blaine says to Kurt - if you’re unhappy talk to me don’t cheat on em?  Well - this is almost the inverse of that.  Kurt says to Blaine that you don’t even know if or when someone’s going to break that trust – and this is true, because yeah, Kurt is going to fuck it up not that long after this conversation.  

But this is a resolution to the original issue back in season 4 – Kurt’s finally understanding that in order for this thing to work, he has to choose to trust Blaine.  Blaine can’t instill that in him – it’s something Kurt has to do for himself.  And for better or worse, he does choose to trust Blaine, to love Blaine, to let Blaine in implicitly.  Blaine has been desperately trying to break through Kurt’s shell since the whole cheating incident, get back into that place in Kurt’s heart.  But what Blaine doesn’t know - or realize - and what Kurt’s just figuring out himself, is that it’s not about Blaine’s ability – it’s about Kurt allowing it to happen.  

Kurt doesn’t let people into his world, past is exterior, implicitly into his heart – but on a smaller scale, this whole June ordeal kind of just puts things into perspective.  Yeah – he was mad about Blaine’s lie – but he realizes that the way Kurt was acting about it, he was going to be hurt either way.  And he can be mad and be angry, but at the end of the day, they all have choices to make, and Kurt makes the decision to still stand by Blaine through the hard stuff as well as the easy stuff.  

(But what about season 6? Well – we’ll talk about that when we get there ;))

I will say this – Kurt never breaks his promise about loving Blaine no matter what.  Even through the stupidity of the second breakup, it’s really not because he doesn’t love Blaine.  That’ll always be apart of him, and the more they go on, the more he understands his own heart will always feel that way.  

Meanwhile – Kurt actually can be (gasp) a loving and supportive partner.  Yeah, it’s hard on him to feel unwanted by June – he’s been fighting that fight since forever.  But he is proud of Blaine, wants Blaine to fly incredibly high – and much like way back when in season 3 with Tony – he’ll be there giving Blaine flowers and telling him how amazing he is.  Which is reassurance that Blaine needs, but doesn’t always get.  

(I realize that’s mostly Kurt’s POV - but it covers what’s going on with Blaine, too.)  

The thing though, while Kurt’s learning what it means to trust again, Blaine really just wants everything to be fine.  And gives in to Kurts wants and needs immediately.  The one problem, really, that’s still lingering is the fact that Blaine is still only defining himself through his relationship, and that’s not good, and is part of the reason Kurt’s going to pull away, and ultimately break up with him, the second time.  

But, we do end the season on a happy note.  Blaine, feeling the love and support from Kurt, is able to stand up to June, and is able to have a moment for himself, where he gets to express his true self, in the form of showing everyone his love for Kurt at the showcase.  We also get a moment of a small step forward when Kurt let’s Blaine have a bit of the loft -- a small space to call his own.  

Yes, ultimately it’s going to break down again, but it’s a first step.  By the end of the season, Blaine and Kurt have started to learn what being in a real, adult relationship is like, but ultimately, for Blaine, he needs to learn to be okay with himself first and foremost, and that is what Season 6 was about... 

If you’d like to continue on, here’s the Season 6 Blaine Meta! 

I know there are things I didn’t get into -- like Blaine’s relationship with Sam, but idk, I don’t think there was much to pick apart there.  

If you guys have any questions on specific things, let me know! :) 

[adozentothedawn]

Saint Waidwen The Musical The Justification

This is an explanation for something I wrote in this fanfiction. Go read it maybe if you haven’t? :) But if you don’t have the time or interest, the relevant thing for this is that I mention a controversial musical adaption of the story of Saint Waidwen in Readceras.

Yeah, so first of all, I just really wanted this to be a thing because musicals about weird things are just my jam. I can however justify why this could totally be a thing! I’m aware that I don’t have to, but I just really want to write this, so I will. Now sit down and listen.

(Also you might know a lot of these things already, but I don’t know what they teach in your countries so I’ll just explain the basics.)

Let’s start off with why anyone would ever do this anyway. 

First of all, people make musicals about weird shit all the time in reality, so why not in Eora. Like look at Les Mis. Does that scream “musical” to you? And, yet it’s pretty cool! 

Second of all, Art moves in cycles. To explain this, I’ll use german literature, because that’s what I learnt in school and therefore know a few things about. Let’s begin at the era of the “Aufklärung” (enlightenment I guess? It’s an era of literature from about 1720 to 1790. Note also that eras can’t be distinctly seperated, they do go on simultaniously for a while). This was the time of logic and reason first and foremost. Art had to be practical, without actually having to serve a purpose. So after a while of this going on, there were a bunch of young people who decided, fuck that. We want emotion to be important again! Among those people were for example Ghoete and Schiller, two names you might know, because they’re kind of famous. So there were these young men (and they were almost exclusively men unfortunately) who started writing plays and poems which are based on extreme emotion and the idea of the natural genius (genius is a relative term here, the characters were still kinda dumb, but they were very poetic about it), instead of sticking nicely to the idea of reason. This era is called “Sturm und Drang” (roughly: storm and urge, these are really hard to translate. Also they’re names, so they’re not really supposed to be translated anyway). Now these young people weren’t young forever though, so they grew up at some point (or died, but you get the point). Both Goethe and Schiller decided at some point that that stuff they wrote was kinda cringy and started writing other things, more focused on harmony, beauty and (as in the Aufklärung) tolerance, as opposed to the more forceful and often tragic Sturm und Drang. This was then called the “Weimarer Klassik” (Weimar being the cultural centre of germany at the time and Klassik as in classic). And then after a while, a new generation of young people decided that that was dumb and started someting called the “Romantik” (romance, not necessarily as in love, but more as in romantifying things). In this time, people wrote about magic, myths and fairy tales, the less realism the better. So you see what’s happening here. One generation says: This is great! The next one says: Fuck that, I’ll make it as different as I can. That generation grows up and decides: eh, maybe let’s tune it down a bit. Then the next generation comes and says: Fuck no! again. Of course there are always some that stick to their style, but that’s the general idea.

Now, how does that apply to my musical idea? For that let’s look at Readceras for minute. Readceras was founded by a bunch of farmers, though there was a tiny elite, as we know because Waidwen managed to win some of them over, most people were pretty poor. Poor people usually don’t have the time or recourses for literature or painting, with music, especially singing, being the most accessable form of art. That’s not to say that farmers don’t make art, weaving and the painting of furniture was a thing for example, but the poorer the people, the less they have to use, even when it’s winter and they’d have time, and Readceras was just pisspoor. Singing doesn’t really need anything, and instruments are reusable if they somehow managed to get one. So chances are, Waidwen and his generation grew up with music as their main form of art. Then the Godhammer happened, which sucked big time for them, and they probably wanted to distance themselves as much as possible from the time before Waidwen and idealize him, which in all likelihood lead to art changing a lot as well. 

Because here’s the thing, art doesn’t just move in cycles, it is also heavily influenced be societal and political happenings (but you probably knew that). For example: the literature era that followed (roughly, it began a bit before the other one ended) the Romatik was the “Biedermaier” (which is a surname and not translatable, you might now it from a furniture style though, that’s pretty big in Austria, not sure how it is where you live), which is a style that was heavily aimed inwards. It was mostly, look how happy my little family is, everything is great, nothing is happening, nothing at all, and could be mostly described as idyllic and quiant. That was, because it was a time of political regression, with the empire getting more authoritarian again and literature being heavily censored. So when Waidwen took the throne art probably already started changing, though he likely didn’t notice much of that as he was kind of busy being king and GOD, and with another traumatic event it would’ve changed even more. So it’s completely feasible that 20 years later the youth would decide to fuck all of that over and go back to find their roots, while changing what they find to fit their style. Admittedly the existance of elves mucks up the timeline a bit, but since the largest group of people there are human anyway, I’ll ignore that. Also, in context with the fanifc I’m writing this for, the timeline is helped by the fact that my Watcher is an Eothas priestess. Might sound weird, but hear me out. Favaen came to the Dyrwood as a missionary, and though she got sidetracked a bit, that was still her end goal. So after everything was over and she was well established as Taynu of Caed Nua, she made it into a sanctuary for Eothasians started to spread the faith there again. Of course she didn’t achieve too much in 5 years, but she set a trend. With Adaryc spreading word about her in Readceras, that would’ve had an effect there too, at least insofar that the Dyrwood wasn’t completely off limits anymore and leading especially young people who hadn’t lived through the war to be more curious about it.

Now, why would the older people not like that? Well for one, it’s different, and different is bad in Readceras. Also, it reminds them of a time both worse and better. Worse, as in the Aedyran colonial times (because I refuse to belive that Waidwen didn’t change the economy at least a little for the better), and better when their god literally walked among them, which he doesn’t anymore, so it rubs salt into that wound.

Then how can they get away with putting it on at all? That I can answer with absolute certainty, because it is entirely rooted in canon. The Ladies of the Aviary. Worshippers of Hylea which work explicitly to help artists portray their art and avoid censoring. They convince higher up people, or if they cannot be convinced, help the artists avoid detection. They don’t discriminate between good and bad art, and only seek to spread it unchanged and as the artist intended.

And while we’re on worshippers of Hylea, the church of Hylea is known to comission plays and poems about Eothas and Waidwen, specifically as a way to mourn their dissapearance, which certainly had a hand in the musicals creation.

For the last point: why does Waidwen like it? Now, aside from a personal preference I just made up, we established that Waidwen grew up with music. While the rest of his generation may have distanced themselves from that sort of art, Waidwen never had the chance to grow up so to speak. His death was one of the factors in the changing of art and so he never got to experience that. Yes I had to end this post on a sad note.

Thank you for listening to my TED talk that I basically just did because I wanted to rant about literature for a bit.

Here the Soundtrack It’s on Youtube cause I don’t have Spotify. The last song was added after the events of Deadfire btw

[nonsensical-shitposting]

Petrichor (Seeker fanfic): Chapter 1

Here’s the first chapter of a @seekerquest reader-insert fanfic, the general premise of which is that the reader appears at the beginning of the story and proceeds to try to make things better, only to end up… not doing that. Huge thanks to @the-sans-the-sans-the-sans for cowriting parts of this- they were a massive help with dialogue, planning, and generally everything. The next chapter should be coming soon!

.

You open your eyes, and your first thought is that grass isn’t supposed to be purple.

Your second thought is that somebody’s hesitantly poking your shoulder.

Your third thought is that this feels way too real to be a dream.

You sit up abruptly, ignoring the sudden dizziness filling your head as you look around you. Purple grass, fog lingering over everything, gray cloudy sky…

“Uh. Who are you?”

Your fourth thought is whoever that voice belongs to, they sound kinda like John Mulaney, but female, and then you spin around and where you are suddenly becomes much clearer.

The “person” speaking to you is a small, white bunny with big yellow eyes, who is currently staring at you in confusion- not total, abject confusion, but it’s clear that she doesn’t know what’s going on.

It’s also clear, at least to you, that she is Seeker, the titular protagonist of the webcomic by the same name.

Under any other circumstances, you’d expect yourself to start thinking things like how did this happen and then quickly move on to freaking out over the implications of this, but somehow you’re able to keep your cool as you get to your feet and brush yourself off. Okay, looks like we’re in Pax’s world right now. When is this in the timeline? Seeker isn’t gray yet, so it’s still early- actually, hang on… You tilt your head to look behind Seeker, and sure enough, there’s the pillar/column thing she appeared on. So, probably really early on, then.

“Did you meet Darth Noodlecat yet?” you ask her.

Seeker furrows her brow. “What… does any of that mean? You’re the first person I’ve seen here, if that’s what you’re asking. I turned around and you were just…” She gestures aimlessly. “…lying there on the ground.”

Okay, so probably the very beginning of the comic, then. Great, you think, pressing your palms against your temples as you do your best to stave off the probably-inevitable panic attack looming at the back of your mind. Okay, think. What do you… actually, no, first things first, you need to find somewhere to hide before Impaxter shows up. How…

“Hey!” Seeker snaps her fingers directly in front of your face, causing you to flinch. “Can you hear me?”

“I need to hide.” you say, less to her and more just in general. You have a feeling Impaxter won’t react well if he sees you. Feeling distinctly idiotic, you crouch behind the column, glad it’s large enough to conceal you. “Pretend I’m not here,” you tell her. “I’ll explain as soon as the Impostor finishes his spiel, but I don’t want to find out what’ll happen if he sees me.”

You can tell Seeker’s still confused, but to her credit, she nods and gets back up onto the column. Honestly, you thought she’d be more argumentative. “Who’s-”

You shush her immediately, hunkering down even more behind the column in a desperate attempt to conceal yourself. Dread roils within you as you realize you don’t remember which direction the Impostor came from in the original comic- what if you’re crouching directly in his line of sight?

Fortunately, luck is on your side, and the footsteps you can hear approaching come from the other side of the pillar. You hold your breath and keep as still as you possibly can.

“You are back here.” the Impostor says. His voice “sounds” more like one of your own thoughts than anything else, but… clinging, somehow, as if it’s gradually filling your skull with a rotting, cloying odor until it spills out of your eyes and nose and mouth in horrible spidery tendrils. You’re distantly aware that you’re shaking and pray that he can’t hear you. “That is interesting. You moved, and then you came back to where I put you.”

“What?” Seeker asks. She sounds… scared, at least a little. Then again, given how you acted right before he showed up, you might have something to do with that. Oops.

“You are fearful.” observes the Impostor slowly. “That is also interesting. Why?”

Because you’re a creepy cat-shaped toothpick, that’s why, you think, desperately hoping Seeker doesn’t say something stupid in response.

“I’m not!” Seeker insists before jumping right into interrogating him. “Who are you? Why did you put me up here anyway? And what’s with your ears?” You would laugh at her last question- you almost forgot about that line- but you’re just too terrified to find any amusement in this.

“Ears.” the Impostor repeats.

“Yeah, you’ve got big, long ears. Is there a reason for that, or… are you just gonna keep staring at me?”

Their conversation seems to be back on track to how it was in canon, so you tune it out for now. Your lungs are starting to burn, so carefully, quietly, slowly, you allow yourself to breathe. Luckily, the Impostor doesn’t seem to hear you, which is weird considering how ridiculously large his ears are. (This time, you can feel nigh-hysterical laughter bubbling up in your throat at your internal quip, but you force it down.)

“The Seeker. That is you,” says the Impostor, drawing your attention back to their conversation.

“Is that my name, or my job?” Seeker asks.

“I will wait up there. Return if you find the truth.”

“Woah woah woah, hang on!” Seeker shouts, earning a slight smirk from you despite your fear. There’s the Seeker we all know and love. “What makes you think I’m just gonna do what you say?”

“You have something else to do?” the Impostor asks rhetorically. You hear his footsteps receding, and the creeping feeling of his presence leaves with him.

Once you’re sure he’s out of earshot, you sigh in relief (cliched a thing to do as it is) and sag back against the column, parts of you that you didn’t even know were tensed relaxing. If there was any upside to you being scared out of your mind for the past however many minutes, it’s that the majority of your existential panic over what might have put you in a world that is, as far as you know, supposed to be fictional was rerouted into being afraid of the Impostor.

There’s a sudden fwump noise, and a pair of bright yellow eyes are abruptly staring into yours as two floppy ears sort of swing awkwardly down and smack you in the chest and stomach. All you need to do is glance up to see that Seeker apparently thought it would be a good idea to flip her head upside down and over yours to stare at you, instead of just getting off the pillar and approaching you from the front like a normal person. “Okay, back up a little there, Seeks,” you say, instinctively leaning away from her.

Seeker grumbles but complies, pushing herself down off the column again and flopping inelegantly into a seated position next to you. “So. Talk.” she demands.

You sigh, pinching the bridge of your nose. “Where do I even start?”

Judging by the look she’s giving you, Seeker clearly thinks it should be obvious. “Uh, how about… who are you? What are you? Where’d you come from? What’re all these weird fabric things you’re wearing?”

“I’m a human, and these are clothing. Do you not know what clothing is?”

“Not like that.” Seeker pokes your hoodie. “Why were you hiding from that bossy weirdo- what’d you call him, ‘Darth Noodlecat?’”

You can’t help but laugh a little at that- you almost forgot you called him that in your panic to hide. “No, that’s just… an insulting nickname I came up with for him on the spot. I don’t know if he has an actual name, but I just call him ‘the Impostor’ or ‘Impaxter.’”

“You sound like you know him.” Seeker observes.

You shrug as nonchalantly as you can. “I guess you could say that.” You can’t exactly tell her the truth, after all. Given that she’s probably only a few minutes old at this point, and also that she’s Seeker, she’s probably pretty gullible, but you doubt she’d believe you if you told her she was the main character of a webcomic- though, if she did, you have a feeling it’d result in quite the ego trip. Speaking of which… “You don’t happen to have any stupid voices in your head telling you to do dumb things, do you?”

“Uh. No? Is that something I’m supposed to have?”

“No, it just means things are going to be simultaneously easier and harder for us.” That is strange, though- why did she ask Impaxter the same things as she did in canon without them prompting her? Furthermore, the only reason you can think of why she wouldn’t have the askers telling her what to do is because you’re here, which raises a whole lot of other questions. On the other hand, if it means that Seeker’s going to do what you tell her to as if you were the askers… well, you can figure that out later. Right now, you need to come up with an excuse for why you’re here and then try to make things better. Other than exposing Impaxter earlier, though, you’re not sure there’s much you can do right now with what you know- last time you saw it update, the comic had only gotten up to-

Seeker snaps her fingers in front of your face several times again, bringing you back to reality. (Your new reality, anyway.) “Right, sorry. Uh… do you have any other questions?”

“Why’s that guy an ‘impostor?’” Seeker asks impatiently.

“Long story short, this world belongs to someone called Pax- nice dude, made a lot of cool stuff. Now that guy’s there in his world acting like it belongs to him, and I don’t know where Pax is, hence…” You shrug. “The Impostor. Or Impaxter- y’know, combination of ‘impostor’ and ‘Pax.’”

“Did you know this ‘Pax’ guy?”

“Not really?” While you can be honest, there’s no reason you can’t leave a few things out here and there. She wouldn’t believe the full truth anyway. “I never met him in person, if that’s what you’re asking. I… know some things about this world and the people who’re supposed to be in it, but not a lot, and I can’t say how I know them, either.” Tone is everything, and if yours just so happens to make Seeker interpret “I can’t say” as “I don’t know,” then that’s her problem. “I don’t know how I ended up here, but I don’t think I’m supposed to be here.”

“Yeah, that’s the general feeling I’m getting off of you.” Seeker nods.

“Wait, what? What do you mean by that?”

Seeker’s eyes narrow as she stares at you more closely, simultaneously demonstrating how little she understands the concept of personal space. “I… don’t really know? I dunno how to explain it, it’s just that… just looking at you makes me feel like you shouldn’t exist.”

“Huh.” You don’t have much of anything to say to that. You know what she’s saying is true on some level- you shouldn’t be part of this story- but yet, somehow, you are. “…okay, I have an idea.” you say, shaking your head. “I’ll help you figure out what happened to this world, and in return, you’ll help me figure out why I’m here. Sound like a deal?”

“…I mean, what are you gonna do if I say no?”

You hadn’t thought about that, actually. You should be able to find Fen as long as you get to that pipe thing and wait for him, and if he doesn’t show up, you think you know how to get to the door into the Family’s hallway, but you have no clue what you’d do after that or how you’d convince them to help you out. “I dunno. I guess I’d be kind of screwed.”

Seeker sighs reluctantly. “Alright, fine. I guess if helping you out means that… um, the Impostor has to wait longer to find out what happened to this place, it’s worth it.”

“That’s the spirit!” You try to give her a reassuring grin, but even you can tell it’s shaky. For a moment there, you were genuinely concerned she’d refuse to help you.

“Just, uh, one thing. What’s your name?” Seeker asks. “Do you even have one?”

You’re about to answer, but you realize with a shock that you don’t know what it is. You remember what your life before waking up here was like, you remember your family and friends, you remember every other detail of your however many years of existence- just not your own name. That seems like a very specific and arbitrary thing for whatever (or whoever) brought you here to make you forget, but what with how implausible everything else that’s happened to you in the last few minutes is, you’re inclined to set it aside for now.

“I don’t know.” you answer, brow furrowed. “I… don’t think I remember?”

“Well, how about ‘Speaker,’ then?” Seeker suggests. At your confused look, she adds, “Because you’re a weird… thing speaking to me, and it rhymes with Seeker!”

“Speaker?” You can’t stop a small grin from spreading across your face- somehow, that feels right in a way you can’t quite describe. “Yeah, that works. Alright, ‘Speaker’ it is, then.”

“Okay!” Just like that, Seeker immediately jumps on to a wholly different topic. “You said you know about this world and stuff, right?” At your hesitant nod, she continues, “Alright, so where should we go first?”

“Uh…” You consider. It’d be a good idea to find Fen as soon as possible- he probably has the best chance out of anyone at figuring out what the hell’s going on- but you also don’t think it’d be a good idea if Seeker skipped any of the memory orbs. With your luck, whichever one she missed would probably contain some major plot-relevant information that wouldn’t have become apparent until the end of the comic or something like that. “There’s some ruins in the fog over…” You spin in a circle, trying to figure out which way she would’ve headed originally. “Thataway. It’s probably a good place to start exploring, I think there was some important stuff going on there.”

“Alright,” Seeker nods, and just like that, she’s up and heading towards the ruins, and you hastily follow her, your mind immediately spiraling back into what comes next. At the very least, you can probably predict what’s going to happen in the near future, but everything after that is going to be more difficult to figure out as it diverges from the original comic- just Seeker knowing that the Impostor isn’t Pax is going to change a lot of things right off the bat as soon as the two of you encounter Fen. Furthermore, you think you remember the creator saying that the comic was about halfway done maybe a month ago, so that’s a lot of lore and plot you know nothing about that you’ll have to improvise your way through. While Seeker seems to have bought everything you told her, you have a feeling the Family’s going to be a bit more inquisitive about how you know the things you do know, and you’re not sure what you’re going to do then. You sure as hell can’t tell them they’re fictional characters, that’s for certain, but you don’t know what else you can tell them- pleading ignorance is only going to take you so far, and-

Your thoughts and worries are abruptly cut off by a sudden tug on your hair- not painful, but hard enough to make you flinch. You whip your head to the side and glare at Seeker, who raises her hands and takes a step back, face full of feigned innocence. “Don’t pull my hair.”

“I didn’t know if it was attached to your head!” Seeker protests. “It’s weird.”

You almost want to laugh, but it probably wouldn’t be a good idea to give her the satisfaction. Her antics were a lot funnier when there was a screen separating you, that’s for sure. “Just. Don’t, okay?”

“Okay!” Seeker keeps her hands raised, a slight whining tone entering her voice.

“Okay.” you repeat, shaking your head. I have a lot of work to do.

[metalandmagi]

January Media Madness

It’s a new year, and yes I’m still keeping track of the stuff I watch and/or read. I really just like being able to keep track of everything that came out during the year, and I like to shout my thoughts into the void. And maybe someone will find something they like.

Movies!

The Guy Who Didn’t Like Musicals: Okay, not a movie, but it’s the latest musical from Starkid so I had to include it somewhere. And this time it’s a horror alien/zombie take over that causes everyone to act like they’re in a musical, and humanity’s only hope is an average guy who happens to not like musicals. That may not sound bad, BUT THINK OF THE IMPLICATIONS! The plot could sort of meander at times, but it’s hilarious and also pretty dark for Starkid. If nothing else, watch it because Lauren Lopez is a goddess. 9/10

Monty Python and the Holy Grail: Everyone’s favorite silly King Arthur searching for the holy grail story. I hadn’t watched this movie since I was a kid, and there was so much stuff I forgot about! And yeah it’s still pretty great. I do feel like it drags in the middle a little, but I still always enjoy the tomfoolery! 9/10

Three Identical Strangers: A documentary about a set of identical triplets who were separated at birth and the sinister intentions of the adoption agency who separated them. On top of being an interesting story, it is super thought provoking bringing up questions of scientific morality, nature vs nurture, and mental health...which does make it a little depressing. I love the way it sets up the mystery of the story, but it also makes you feel terrible for trying to plot out and guess the story of these actual human beings’ lives. So I’d recommend it to anyone who is interested in crazy stories and scientific corruption! 9/10

Venom: A classic tale of a boy and his symbiote. In which the weirdest investigative reporter in the world is possessed by an alien parasite while trying to stop a corrupt corporation from constantly murdering people. Guys, I originally never planned to see this movie. I never cared about Venom. I was never big into the Spiderman universe, but then this movie came out and everyone was saying how weird it was...and how Eddie and Venom are like a thing...so curiosity got the better of me. And I’m kind of underwhelmed. I think I would have liked it more if I never had any expectations going into it, because it really wasn’t as weird as I thought it would be. The first 30 minutes were a slog, the dialogue was clunky, the plot was very predictable and basic, and I feel like Eddie and Venom didn’t have enough interaction. But it had its moments, I get why some people love it, and I did like what I saw of the symbiote relationship, so all in all it was just..okay. Oh well. 6.5/10

Mama Mia Here We Go Again: The just as ridiculous sequel to Mama Mia, featuring more dumb plots that don’t fit together, more dumb writing, and more over the top performances. Just like the first one, it’s a silly excuse to put some ABBA songs in a movie and make you have fun, and it accomplishes that in spades. Because if you’re watching a Mama Mia movie for the “plot” or anything other than the musical numbers and silliness, you’re making a huge mistake. It is a little clunkier trying to weave two timelines together, but who cares because they’re singing Dancing Queen! As an actual movie, we all know it’s barely passable as a 6/10 but just for getting drunk with your friends and having fun it’s a 9/10

Books!

The Horse and His Boy by C.S. Lewis: The fifth/third book in the Chronicles of Narnia in which a boy and a talking horse run away from the land of Calormen to get to Narnia...and find out about a plot to take over Narnia along the way. I know some people think this is the most interesting book in the series plot wise, and technically there is more plot...but it’s boring as hell. I really think Lewis’s normal interjections would have made it more entertaining, but he doesn’t use his author’s voice at all! Not only is it written in an incredibly circular and drawn out way (some people literally tell stories like they’re writing the bible), but it’s also SUPER RACIST and kind of sexist too. I was so excited because when the book first started I thought we were getting a canonical protagonist of color...and then he turns out to be a kidnapped white boy surrounded by “savages.” Yes we have Aravis...but I really don’t know how to feel about her. Also Bree the horse is really just an asshole, so it’s hard to like any of the characters. I did appreciate having adult Edmund and Susan around though, so it’s not a total waste. The truth is, this is the book that I could barely get through as a kid and would constantly fall asleep reading so I barely remembered anything besides the fact that I didn’t like it. 3/10

Skyward by Brandon Sanderson: In a distant future, humans are trapped on a wasteland planet where their only hope for survival are teenagers flying spaceships while fighting a mysterious alien race. Aka: local girl is constantly dumped on by society and makes friends with a talking spaceship. Okay this book definitely has its problems, but I mostly don’t care because 1. The world building is great. 2. Spensa is a fun main character. 3. All the side characters have distinguishable personalities and interactions *cough* m-bot *cough*. And 4. The plot could be predictable at times but I really liked following the mystery of it all...even if there’s some weird chosen one type of bullshit going on towards the end. It has a major season one Attack on Titan vibe with all the questions about humanity’s history and mankind uniting to fight a mysterious enemy. This is a super fun read that kept me theorizing and was also incredibly motivational. Did I like all of Sanderson’s decisions when it came to which characters died? Hell no. Do I think the government would have a lot more backlash considering its dumbass way of fighting wars? Yes. But I’d still recommend it, and I’m still looking forward to the next book! 8/10

TV Shows!

Aggretsuko: The most adorable musical comedy anime of 2018, where Retsuko, a 25 year old office worker is getting fed up with her job and copes with life by singing aggressive death metal songs...and by the way everyone’s a cute animal. I’m a little late to this party, but this show is so precious and also disturbingly accurate to real life. Retsuko is so relatable, Haida’s crush on her is well executed and not forced, there’s great working women solidarity (Gori and Washimi are the fucking queens of anime side characters) and the metal is so well integrated! Please watch this charming show and the Christmas special if you haven’t already! I NEED ANOTHER SEASON NOW! 10/10

A Series of Unfortunate Events (season 3): The final season of the Baudelaires’ tale of misery and woe. And man did they stick the landing. “But it doesn’t leave things vague enough, they didn’t leave the sugar bowl a mystery.” GOOD! I’ve had to deal with Snicket’s badly written ending to the books since 2006. I love that they explained as much as they did. The ending was bittersweet and more concrete while still delivering the message of how the world is morally gray. Also Quigley was amazing, Sunny was amazing, FERNALD WAS AMAZING! KIT WAS AMAZING! EVERYONE WAS AMAZING! And I almost cried seeing the kids in their outfits from the book covers. I wish Jacqueline was in it, but I think her character would have felt redundant with Kit in the mix. This was an amazing adaption all around, and this season did a great job at putting some of the more...difficult books on screen without it feeling out of place. Even if you haven’t read the books, I encourage anyone who likes mysteries and different forms of storytelling to suffer with the rest of us! 10/10

The Disastrous Life of Saiki K (season 1): Local overpowered psychic anime boy just wants to be ignored and blend in with society, but the universe constantly surrounds him with silly situations that cause him to use his powers. I finally got around to watching this show, and it’s hilarious. Kusuo is a great deadpan main character who is definitely ace as hell, and the English dub is actually pretty good! I don’t really want to watch the show in Japanese now because I feel like the dub does a better job at timing the comedic lines and distinguishing everyone’s thoughts. So now I’m upset that the second season hasn’t been dubbed (thanks Netflix). But yeah it’s a great silly show to binge watch. 10/10

Community: The misadventures of a wacky study group going to the world’s worst community college. You know, the one with all the memes? Okay, I know I’m the last one to watch this and  technically I still have a season and a half left at this point, but I thought I’d include it anyway. This show is such a wild ride that I don’t even know what to think about it anymore. The first two seasons were pretty average with a few absolutely brilliant episodes thrown in. And then...the paintball episodes happened, and the show just became amazing. I do have a lot of questions though....like if the main character is a lawyer (sort of), why does he never sue the dean for sexual harassment? Why does Pierce, the resident old, sexist, racist, problematic baby boomer have an “arc” centered around a logical fallacy. No one wants to hang out with him because he’s terrible, but he’s upset because he feels left out and constantly does terrible things to get back at them? I literally almost dropped the show because I couldn’t take him anymore, and then the writers just magically dial him back in his last seasons...which I’m thankful for. And I don’t even know where to being with Chang. BUT this show is a testament to creative writing and innovative meta ways to tell stories. The rest of the study group is made up of hilarious well balanced characters that all have their distinct broken but quirky personalities. And I love them all...except Pierce. So, even though I haven’t finished it, I’d give it an 8.5/10 so far.

Superstore: A sitcom about the daily struggles of workers in a W*lmart-esque superstore. I finally caught up to it, and it’s still fine. It’s not great, but not terrible either. It is incredibly accurate though, coming from someone who works retail. The best parts of the show are the scene transitions because they show all the things customers are doing in the store. And most of the time I just nod and go “yeah I’ve seen that.” This is one of those shows to have on for the sake of just having something on. It has its moments. 7/10

Honorable Mentions

Because these are the reasons why I didn’t really read much this month...or watch many movies.

YOUNG JUSTICE is officially back with the long awaited season 3. And it’s still pretty great, but man I wish I had rewatched the original series.

Netflix released the Taylor Swift Reputation stadium performance. So now you all know how much of a slut for Taylor Swift I am. I can’t help it if her latest album is basically Captive Prince the musical!

The Masked Singer (US version) is dragging me into a spiral of conspiracy theories. Please watch this ridiculous reality show where celebrities wear elaborate costumes and a super annoying judging panel tries to guess who they are. I’m in hell, because this show is set up terribly, but I also don’t want to leave.

Life is Strange 2: episode 2 was finally released. And I’m actually loving it. These games have a special place in my heart for some reason.

New Super Mario Bros U Deluxe came out and I hate myself for buying these stupid games because they consume all my time, and I don’t even really like them.