#what happened to the original actor!brad eh?

[nostalgia-tblr]

further loki s2 bitching (skip if u wanna)

Loki S2 either forgot about the variants concept or ditched it as too likely to draw the audience's attention to Sylvie-as-a-Loki and either way the variant stuff was MY FAVOURITE PART so thanks for that guys :|

[locke-writes]

2019 Oscars Thoughts/Predictions

Tagging: @ghostofachancewithyou

Note: These are just my thoughts on each of the nominees as someone who loves films but also as a filmmaker. This is broken down by category and by nominee

Best Picture:

“Black Panther”: This was a great film but I don’t see it winning. If I’m being honest I wasn’t even sure it was going to be nominated. My thoughts on Black Panther winning are pretty much the same as my thoughts on Get Out last year. I enjoyed the film and if it wins I’ll be surprised but fine with it. If it wins I’ll be anticipating uproar but if it loses I’m anticipating uproar as well. “BlacKkKlansman”: I wasn’t able to see this so I don't have very many thoughts on this nomination. I enjoy Spike Lee’s films and I’m sure this follows as one of his best but I can’t say too much about something I haven’t seen. “Bohemian Rhapsody”: I see this more as the underdog film. While it was good I just really don't see it pulling off the win. Even the nomination was surprising if the Academy was picking based solely on critic reception. But I found the performances well done and I did enjoy the experience so if it wins it won’t be all bad. “The Favourite”: What can I say. It’s certainly a Yorgos film, no doubt about it. I enjoyed the story and the way that it was set up. I’m not anticipating this to win best picture but I was anticipating it to get a best pic nom. It was well put together and it’d be a surprise win. “Green Book”: Based on what happened during the Golden Globes I’m really unaware of what to expect. I doubt it will win Best Picture due to the films it’s up against but if it follows in reception then it is very possible. I’ll be surprised if it wins since I found the story lacking. I understand that it was more a family story since most of the writers/producers are related to Viggo Mortenson’s character (I know he was a real guy but I can’t remember his name). I just feel with the way it was marketed as a story about racism and friendship in American as well as a focus on the actual Green Book with it’s use. But the film itself felt lacking in this area and I believe it honestly should have focused more on Mahershala Ali “Roma”: This is my winner. I have a feeling that it’s going to take the top. It was a beautiful personal story for Alfonso and that came across in everything. Every shot, every line, was gorgeous and moving. I’d be shocked if it didn’t win. The performances are amazing, especially from Yalitza as a non-actor. Yeah, I’ve got high hopes for this one. “A Star Is Born”: Eh. The film was fine. It wasn’t spectacular, I wasn’t blown away by it, but it was well done. I found the shot choices and the lighting tied it all together. The performances weren’t terrible but I’m not sure that they gave it enough to put it as the top nominee. “Vice”: I’ve heard that it was a great film but I haven’t seen it. Anyway based solely on the other films in this category that it’s got a high chance of winning but I’m doubtful that it’s going to be the winning film.

Lead Actor:

Christian Bale, “Vice”: If he doesn’t win based on his performance as Cheney, then I’ll be thoroughly surprised. Bale always throws himself into his roles and while I haven’t yet seen the film, from the clips that I have seen, he’s done another great role. Bradley Cooper, “A Star Is Born”: His character has never been too difficult to portray based on the past versions they’ve had of this film. I think Bradley made his version only a bit unique by having it set in modern day but I mean, it didn’t thrill me. If he wins, ok, but it wasn’t something jaw-dropping Willem Dafoe, “At Eternity’s Gate”: I love Willem Defoe and I wasn’t able to see this film but if he wins then that’s fine with me. Rami Malek, “Bohemian Rhapsody”: Rami may possibly win this. The fact that unlike the Golden Globes he isn’t in a separate category than Bale does make it a neck-and-neck race. As Freddie he was immensely convincing and the fact the Freddie is such a music icon as well as an LGBT+ icon does make the role difficult. Not because he’s a real person but because a lot of people are going to make judgements about every move you make as Freddie. Rami pulled it off tremendously and if he wins it will be worth it. Viggo Mortensen, “Green Book”: Viggo could potentially win the race. Again I wasn’t that much a fan of Green Book but voters sure do seem to be.

Lead Actress:

Yalitza Aparicio, “Roma”: Just give it to her now. I mean her performance was beautiful and the fact that she’d never acted before is somewhat a benefit to that. Alfonso wrote her character to be personal, to basically be his mother and it worked. Her line delivery was beautiful and there are scenes I won’t mention (because of spoilers), that were breathtaking Glenn Close, “The Wife”: I love Glenn Close and if she wins it I won’t be mad. They haven’t been playing “The Wife” anywhere near me so I don’t have anything much to say since I haven’t seen it. Olivia Colman, “The Favourite”: The fact that quite a bit of her scenes relied on the use of facial expressions alone is insane. The fact that she was so convincing in her role with just the use of her facial expressions is a testament to Colman’s acting. I’m not certain that she will win but I have a feeling that there’s a large chance she will. Lady Gaga, “A Star Is Born”: She was good, no doubt about that. I think that her connection to Ally was obvious. She knew the experience of trying to become a musician but maybe not in the same way as Ally did with sudden fame. That being said I know a lot of people want her to win but I personally am fine with her only taking the nomination. Melissa McCarthy, “Can You Ever Forgive Me?”: This is the nomination I’m most surprised by. Honestly I didn't think anyone was paying attention to the film. I enjoyed it and Melissa’s performance, it was nice to see her in a dramatic role for once. I doubt that she’s going to win but it’s nice that she was recognized for this performance

Supporting Actor:

I don’t have many thoughts on this category since I’ve only seen two of the films in this. I have a feeling it’ll go to Rockwell whom I love as an actor and will be happy if he wins but I also feel they could hand it to Mahershala. Just like with Melissa McCarthy I’m surprised that Richard E Grant received recognition for Can You Ever Forgive Me?, I enjoyed the film but it wasn’t really talked about much as an award contender. As for Sam Elliott. Sorry Sam, I know you’re a family friend and all but I don’t think you’ll win and I’m surprised you’re even nominated because you were barely in the film at all.

Mahershala Ali, “Green Book” Adam Driver, “BlacKkKlansman” Sam Elliott, “A Star Is Born” Richard E. Grant, “Can You Ever Forgive Me?” Sam Rockwell, “Vice”

Supporting Actress:

I don’t know. I don’t know. I don’t know. Really in this category everyone was brilliant and everyone deserves it and I don’t care who wins because I’ll be happy either way.

Amy Adams, “Vice” Marina de Tavira, “Roma” Regina King, “If Beale Street Could Talk” Emma Stone, “The Favourite” Rachel Weisz, “The Favourite”

Director:

I’ve loved all these directors for years. Spike is so deserving as a first time nominee and I’d love to see him take it. I’d also love to see either Alfonso or Pawel take it because both of them created beautiful films that I’m happy they reached out of their country of origin and spanned the world. I truly would be happy for anyone to take it and my prediction is Alfonso.

Spike Lee, “BlacKkKlansman” Pawel Pawlikowski, “Cold War” Yorgos Lanthimos, “The Favourite” Alfonso Cuarón, “Roma” Adam McKay, “Vice”

Animated Feature:

“Incredibles 2,” Brad Bird: Maybe it was because it came out years after the first when I got over the hype. I’m not seeing this as the winner. It didn’t blow me away, it was fine and I don't think it’ll win. “Isle of Dogs,” Wes Anderson: This was hilarious and if it takes Pixar down than I’ll be excited. I’m doubtful that it will win but I would love it if they did.

I haven’t seen these other three but I’ve heard good things about each. Whoever wins will be great I’m sure but I don’t have a full prediction

“Mirai,” Mamoru Hosoda “Ralph Breaks the Internet,” Rich Moore, Phil Johnston “Spider-Man: Into the Spider-Verse,” Bob Persichetti, Peter Ramsey, Rodney Rothman

Animated Short:

Bao is the only short in this category I’ve seen which means that I don't have anything to say. If it wins great, but I'm sure the other films have as much of a chance.

“Animal Behaviour,” Alison Snowden, David Fine “Bao,” Domee Shi “Late Afternoon,” Louise Bagnall “One Small Step,” Andrew Chesworth, Bobby Pontillas “Weekends,” Trevor Jimenez

Adapted Screenplay:

I don’t really know about this category. I have a feeling that it will go to A Star Is Born but there’s a possibility of it going to If Beale Street Could Talk.

“The Ballad of Buster Scruggs,” Joel Coen , Ethan Coen “BlacKkKlansman,” Charlie Wachtel, David Rabinowitz, Kevin Willmott, Spike Lee “Can You Ever Forgive Me?,” Nicole Holofcener and Jeff Whitty “If Beale Street Could Talk,” Barry Jenkins “A Star Is Born,” Eric Roth, Bradley Cooper, Will Fetters

Original Screenplay:

I enjoyed all of these films. First Reformed was wonderful and I’m glad it received the nom. I’m favoring Roma but again it could really go anywhere in this category.

“The Favourite,” Deborah Davis, Tony McNamara “First Reformed,” Paul Schrader “Green Book,” Nick Vallelonga, Brian Currie, Peter Farrelly “Roma,” Alfonso Cuarón “Vice,” Adam McKay

Cinematography:

Ahhhhhh. The Favorite, Roma, and Cold War are the three top contenders in my opinion. I’m not certain which I want to win more. The cinematography for each was gorgeous and made the films what they were. I’m sure it’s going to be one of those three however.

“Cold War,” Lukasz Zal “The Favourite,” Robbie Ryan “Never Look Away,” Caleb Deschanel “Roma,” Alfonso Cuarón “A Star Is Born,” Matthew Libatique

Best Documentary Feature:

I’ve not seen any of these, I’m just surprised the Mr Rogers doc wasn’t nominated.

“Free Solo,” Jimmy Chin, Elizabeth Chai Vasarhelyi “Hale County This Morning, This Evening,” RaMell Ross “Minding the Gap,” Bing Liu “Of Fathers and Sons,” Talal Derki “RBG,” Betsy West, Julie Cohen

Best Documentary Short Subject:

I’ve not seen any of these this year so I’m not certain who should win.

“Black Sheep,” Ed Perkins “End Game,” Rob Epstein, Jeffrey Friedman “Lifeboat,” Skye Fitzgerald “A Night at the Garden,” Marshall Curry “Period. End of Sentence.,” Rayka Zehtabchi

Best Live Action Short Film: 

Again I haven’t seen any of these so I can’t make a comment.

“Detainment,” Vincent Lambe “Fauve,” Jeremy Comte “Marguerite,” Marianne Farley “Mother,” Rodrigo Sorogoyen “Skin,” Guy Nattiv

Best Foreign Language Film:

I have a feeling that Roma will win but I’d prefer it to be Cold War. Cold War was a beautiful film and since Roma is nominated for Best Picture while Cold War is not I would truly love it if Cold War won Best Foreign Language film.

“Capernaum” (Lebanon) “Cold War” (Poland) “Never Look Away” (Germany) “Roma” (Mexico) “Shoplifters” (Japan)

Film Editing:

I’ve only seen two of these and while The Favourite had beautiful editing I can't really compare it to any films I haven’t seen.

“BlacKkKlansman,” Barry Alexander Brown “Bohemian Rhapsody,” John Ottman “Green Book,” Patrick J. Don Vito “The Favourite,” Yorgos Mavropsaridis “Vice,” Hank Corwin

Sound Editing:

I’m not saying too much about this category except that if they don’t give it to A Quiet Place I will be pissed. It’s the most deserving in terms of Sound Editing and you can fight me if you disagree.

“Black Panther,” Benjamin A. Burtt, Steve Boeddeker “Bohemian Rhapsody,” John Warhurst “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Roma,” Sergio Diaz, Skip Lievsay

Sound Mixing:

Give it to Bohemian Rhapsody but uhhh. A Quiet Place was fucking robbed.

“Black Panther” “Bohemian Rhapsody” “First Man” “Roma” “A Star Is Born”

Production Design:

Truly I have nothing much to say in regards to this category because all these films had incredible production design and I’d be happy with any win

“Black Panther,” Hannah Beachler “First Man,” Nathan Crowley, Kathy Lucas “The Favourite,” Fiona Crombie, Alice Felton “Mary Poppins Returns,” John Myhre, Gordon Sim “Roma,” Eugenio Caballero, Bárbara Enrı́quez

Original Score:

Desplat is nominated and so he shall win. Doesn't necessarily mean I want him too although his score was wonderful, it just means that he's the big name on this list. All the scores were well orchestrated so I’d be pleased with any outcome

“BlacKkKlansman,” Terence Blanchard “Black Panther,” Ludwig Goransson “If Beale Street Could Talk,” Nicholas Britell “Isle of Dogs,” Alexandre Desplat “Mary Poppins Returns,” Marc Shaiman, Scott Wittman

Original Song:

They’re going to give it to Shallow I can feel it. I am surprised that they chose “The Place Where Lost Things Go” as I was certain they’d nominate Trip A Little Light Fantastic or (Underneath the) Lovely London Sky for Mary Poppins Returns. Personally I would have loved is A Conversation was nominated for the live performance alone but either way they did choose a good Mary Poppins song. 

“All The Stars” from “Black Panther” by Kendrick Lamar, SZA “I’ll Fight” from “RBG” by Diane Warren, Jennifer Hudson “The Place Where Lost Things Go” from “Mary Poppins Returns” by Marc Shaiman, Scott Wittman “Shallow” from “A Star Is Born” by Lady Gaga, Mark Ronson, Anthony Rossomando, Andrew Wyatt and Benjamin Rice “When A Cowboy Trades His Spurs For Wings” from “The Ballad of Buster Scruggs” by David Rawlings and Gillian Welch

Makeup and Hair:

Oh it’ll go to Vice but I’d prefer if they handed it to Border

“Border” “Mary Queen of Scots” “Vice”

Costume Design:

Black Panther needs the win. I personally think it’ll be the only win for the film but it’ll be a good one. Having to design that many costumes for entire nations in a fictional setting based off real tribal clothing is so intricate and they’ll be robbed if they don’t win. I know the classic choice will be The Favourite but who cares. Black Panther had the better costumes.

“The Ballad of Buster Scruggs,” Mary Zophres “Black Panther,” Ruth E. Carter “The Favourite,” Sandy Powell “Mary Poppins Returns,” Sandy Powell “Mary Queen of Scots,” Alexandra Byrne

Visual Effects:

My bet is for First Man but they tend to favor superhero films in this category and I’m not certain where the win will go

“Avengers: Infinity War” “Christopher Robin” “First Man” “Ready Player One” “Solo: A Star Wars Story”

[nonbinarysasquatch]

Getting Over Jeff.

“You know, my whole life I’ve only known how to be really good or really bad. But, being a human is… living in that kind of in-between space. It’s making mistakes and that’s very scary but… also very cool.”

After a season filled with intense plotting, we finally take a breather for an episode that’s more light hearted.

Josh “Big Boy” Chan:

Josh forgets the word for man and gets a job at Homebase and has the audacity to question whether Heather is smarter and cooler than he is.

I have a lot of thoughts about Josh’s arc in the remainder of season 3. While, I think ending the Josh/Rebecca arc when they did was the right choice, there’s no denying it left Josh without much to do. (And for the record, the original plan sounds completely awful and I am so thankful they didn’t go that direction.)

Still, it’s interesting seeing Josh do some stuff that has nothing to do with Rebecca or Valencia and Heather isn’t a character he’s interacted with often without Rebecca also being around. And I think it’s good to have him openly acknowledge that he’s lost and spiraling without the comfort of the women in his life telling him what he should be doing.

Darryl/White Josh:

The saddest break up of the season, as Madison basically tricks them into breaking up. David Hull doesn’t often come up when people are praising actors for this show but I actually really like his acting when he realises they are breaking up. It’s appropriate for his character.

Like David Hull in general probably doesn’t get enough credit. He’s the only lead part on the show that didn’t originate from the writers. The part was written for him because they liked him. And he’s done a lot with the role.

So here’s my salute to David Hull and White Josh. He may be named after Josh but he’s his own man.

Rebecca/Nathaniel:

There’s some cute stuff with these two in this episode. If you squint and ignore everything else about their relationship, you can almost see a healthy relationship.

Of course, I don’t think we should ignore everything that lead them up to this point. But as someone who relates a lot to Rebecca, it’s nice to be able to see her do normal, cute relationship stuff.

Paula/Rebecca/Jeff/Bob:

Bob Proctor is terrible. Now, just like I was critical of Josh, palling up with Rebecca’s mom and telling her how awesome she was, I have to be critical of Rebecca for not just palling around with Bob but pretty much ignoring Paula in a moment where she could’ve definitely used a friend.

I’ve never had the experience of being amused by someone else’s terrible father. I usually felt like I’ve had the exact opposite experience, where I think someone’s father is terrible and they are the ones amused by them. But hey, I grew up in East Texas where guys like Bob are seen as normal.

But thinking about Paula growing up with Bob is unpleasant and it clearly shaped a lot of who she is. I’d love to see what her mother is like (and the sister she mentioned in “I Never Want to See Josh Again.”)

Paula happens to run into her Josh Chan, Jeff Channington (which, astoundingly is apparently a real, albeit obscure, surname.) I like the parallels with Rebecca in the first two episodes of the series and a reference to that feeling like glitter is exploding inside of her.

Things for Paula go a bit differently as she flirts with the idea of pursuing Jeff but in reality, she only needed to find out that he regretted breaking up with her in order to let go of the fantasy.

And then Becks and Bob come running in with a shotgun. Such a classy guy. Who, ew, read Paula’s diary. No wonder Paula has boundary issues.

But Paula and Rebecca have the wonderful same size spoons conversation. But still. If I were Paula, I would’ve come down on Rebecca harder for buddying up with my garbage dad. But I guess she feels for Rebecca and her own poor father experiences.

Once back in West Covina, Paula has a nice moment with Scott, revealing that after Brad Pitt in Thelma & Louise, he’s her first pick for who she’d want to spend the rest of her life with.

The Songs:

First Penis I Saw: Allow me to count the ways I love thee. This season has already had a ton of amazing songs and this is another one to add to the pile. It’s an ABBA parody about penises, amazingly performed by Donna Lynne Champlin (give this woman an Emmy, goddammit.)

My Friend’s Dad: Not one of my favourites. In fact, I’d probably rank it pretty low if I were ranking ALL of the songs in a list. Like on the one hand, some of those old Shirley Temple songs were creepy as fuck (seriously, she sang love songs to grown men) but everything about Bob is just so gross and uncomfortable that the joke is maybe too easy. But, eh, they can’t all be winners.

Episode Rating: 9.0 out of 10.0.

If it were just the Paula stuff and Darryl and WhiJo’s break up I’d rate it higher but Big Boy Josh and Bob and Rebecca being buddies weighs it down a little.

[aaronmaurer]

Movies I Liked in 2019

Every year I reflect on the pop culture I enjoyed and put it in some sort of order.

Despite everything else going on in the world, 2019 was a pretty good year for movies! I saw a lot of things I really enjoyed (thanks AMC A-List!) and managed to avoid all of the live action Disney remakes. While it was hard to whittle down my list to a self-imposed/arbitrary 10, these stood out as efforts I can see myself returning to again and again.

10. The Public

This low-key release from writer/director/star Emilio Estevez is a deeply humanist look at systemic failures to address homelessness in American cities. During a bitterly cold winter in Cincinnati, a group of people decide to occupy a public library overnight rather than be forced onto the life-threatening streets, and media, law enforcement and politicians all attempt to shape the narrative. With a supporting cast including Michael K Williams, Jena Malone, Jeffrey Wright and Alec Baldwin, this one is worth seeking out (and has some great shots of Cincy as well).

9. Toy Story 4

Did Toy Story need a fourth entry? I wouldn’t have thought so, but leave it to the magicians at Pixar to find new ways to animate (eh? eh?) these beloved characters – and introduce some great new ones. With the additions of Tony Hale’s Forky, Keanu Reeves’ Duke Caboom and Key & Peele’s Bunny & Ducky, this is easily the funniest Toy Story to date. However, it still packs an emotional wallop as well: if you can get through Gabby Gabby’s final scene with dry eyes you may not have a heart.

8. The LEGO Movie 2: The Second Part

While not nearly as successful at the box office as its predecessor, the LEGO Movie sequel is just as funny, engaging and surprisingly moving. While the real-world metanarrative is no longer a surprise, the shift from parent-child relationship to that of siblings provides ample storytelling fodder that I related to even more than the original. And for the record, this was the first major movie released this year to feature a 5-year time jump – and time travel shenanigans (looking at you, Endgame).

7. The Boy Who Harnessed The Wind

Chiwetel Ejiofor adapted this true story of a boy in Malawi who devises a way to save his village from severe famine (his writing and directorial debut). The film doesn’t shy away from the harsh realities of life in under-resourced areas but also embodies hope and ingenuity that know no socioeconomic or geographic bounds.

6. A Beautiful Day In The Neighborhood

I’ll admit I was skeptical upon hearing Tom Hanks would be playing Mr. Rogers – he’s a great actor but doesn’t bear much of a resemblance in appearance or demeanor. However, his success in the part comes from not trying to technically imitate Rogers as much as embody his spirit of decency, sincerity and kindness. The fact that this is not a Rogers biopic, but rather a story of his impact on the life of a journalist who is wrestling with cynicism, anger and unforgiveness, also helps matters (what a year for movies based on longform journalism! See also: Richard Jewell, Dark Waters). The writers and director Marielle Heller take some interesting chances including a cheeky framing device and transitions using Mister Rogers’ Neighborhood-inspired miniatures that help make this film something {ahem} special.  

5. The Current War: Director’s Cut

(Note: This film was originally set for release in 2017 and an unfinished version screened at film festivals that year to critical disdain. The Weinstein scandal mired it in development hell, but it got a second life in a new, finished version this fall as the “Director’s Cut.”)

This story of the “war of the currents,” as Thomas Edison and George Westinghouse raced to electrify America at the turn of the 20th century, snuck into theaters under-the-radar at the end of the summer but I am so glad I had the chance to see it on the big screen. Far from a conventional biopic or historical epic, there is a beautiful lyricism on display here with sweeping camera movements, innovative shot compositions, gorgeous use of light and color and a enveloping musical score. For a film that tracks multiple characters and locations for over a decade, there are moments of touching poignancy and intimacy that prevent it from becoming impersonal. I found it utterly compelling and transporting, though your mileage may vary.

4. Avengers: Endgame

It’s a rare Hollywood blockbuster that allows its characters time to grieve and process trauma, and even acknowledges the futility and emptiness of revenge. Endgame manages all that before launching into a time travel adventure and an ultimate showdown that pays off the 21 Marvel films that came before over the past 11 years. I’m sure it doesn’t make sense at all as a standalone, but for fans of these movies it was a satisfying conclusion to this era of the MCU, filled with humor and heart.

3. Little Women

I have no connection to the source material at all, having never read Louisa May Alcott’s book or seen any other screen adaptation, so I cannot compare it to anything that’s come before. I can say Greta Gerwig’s follow-up to Lady Bird is simply fantastic, with an engaging cast and beautiful cinematography that radiates warmth. I’ve read that the novel’s chronology is linear and this movie rearranges it with flashbacks, creating juxtapositions that reveal a great deal about characters, choices and the passage of time. It all leads to a somewhat meta finale that serves as a salute to the creative voice.

2. Ad Astra

As with the likes of Gravity and First Man in recent years, James Gray’s Ad Astra recognizes that traveling to our inner spaces is as transformative as venturing to the stars. Set in a near future where the moon is a rundown spaceport and Mars has been colonized, Brad Pitt plays an astronaut tasked with finding out what happened to his father’s missing mission to Neptune decades earlier. Atop a fascinating backdrop of space futurism, the film is a meditation on the loneliness and isolation of space and the meaningfulness of community and connection.

1. Knives Out

This relentlessly entertaining murder mystery from Rian Johnson (The Brothers Bloom, The Last Jedi) not only satisfies from a plot and character perspective, but delivers a level of social commentary and critique of white privilege akin to Get Out without feeling didactic about it. The cast is terrific all-around, but Daniel Craig’s starring turn as thickly drawling Detective Benoit Blanc is note-perfect, especially as he chews his way through Johnson’s hilariously meaty dialogue.

Bonus! Honorable Mentions:

Apollo 11 – Comprised of newly discovered and restored NASA footage of the first moon landing, this fresh and immediate documentary brings history to vivid life without leaning on talking heads or narration. (View alongside last year’s Neil Armstrong biopic First Man for an even richer experience.) 

Spider-Man: Far From Home and Captain Marvel – two more solid additions to the MCU that are honestly probably in my Top 10, but it seemed excessive to give 3 slots to Marvel and Endgame was the clear standout. That said, Gyllenhall’s performance as Mysterio was all types of fun (see also: his gleefully unhinged turn as “Mr. Music” in Netflix’s John Mulaney & The Sack Lunch Bunch special) in the former and directors Bowden and Fleck bring warmth and humanity to a great buddy comedy in the latter.

A Hidden Life – Terrance Mallick’s best work since Tree Of Life tells the true story of a rural Austrian farmer who refuses to swear a loyalty oath to Hitler and is arrested for treason. The three-hour run time could have probably been trimmed but its thought-provoking meditations on resistance and conscience get under your skin.

Klaus – A Netflix original that presents an origin story for the legend of Santa Claus sounded a bit rote to me, but its story contains surprising emotional weight (that honestly brought me to tears a few times) and it’s gorgeously animated in a style that finds a groundbreaking medium between 2D and 3D.