#when i see evidence to the contrary

[wheelie-butch]

Your tags on the "can I see your amputation" post are immaculate. That's so rude to ask someone holy shit. The way I see people talk about disabilities in physically disabled spaces is more like *offers up information about your own disability if youre comfortable* and if the other person feels comfortable offering up their own information they'll do so. Not asking "can I see it?" Like they're a freakshow or something.

To be fair to that person I was slightly misinterpreting them, I think they meant they would be enthusiastic if someone *offered* to show them their amputation? It's still something that would feel incredibly strange for someone to offer or a strange reaction in the spaces I'm usually in but I guess experiences differ.

I'd seen that post a few times and I don't want to be a downer on anyone in particular but it did always bug me just because it's so far outside how it's appropriate to act in the places I go, so I guess I just wanted to add a counterbalance to that and point out that's not a universal disabled culture.

[brittlebutch]

Desperately trying to make sense of Alex's motivations in Season Two and you know, I do eventually have to wonder if maybe Alex wasn't actually lying in the majority of those tapes.

Like, we tend to assume that Alex's motivations have been a consistent throughline since the college years, but do we actually know that that's the case? Do we know for sure that Alex was acting in deliberate, calculated ways in 2006; or could it be that he's telling the Truth on those olds tapes when he says he's blacking out and can't remember what's happening to anyone? After all, if we're assuming that Season 2 Alex's motivations are the exact same as his motives in Season 3, then it doesn't make any sense at all that he spend months working with Jay to try to find Amy; Season 3 Alex would have attempted to kill Jay like, on sight just to get things over with as quickly as possible and contain the spread of contamination as best as he could.

But, maybe, if Alex really had been separated from Amy after the events of the 04-04-10 tape, and if he really doesn't know where she is, then maybe that could make things start to make more sense. Maybe he really had been watching Jay's channel, and seeing Jay start going through the same things he went through in college without things devolving into violence and disappearances, and wondered if things maybe could play out differently this time. Maybe he really did send that tape to Jay to ask him for help, maybe he really was just trying to find Amy.

But then, instead of actually being helpful, Jay makes it extremely clear that he's a lot more interested in stalking Alex than he is in finding Amy. Alex asked for help, and instead there's a bunch of masked dudes on Jay's heels that keep attacking him, Jay is breaking into his house, stealing his things, leading the Operator right to him all over again, keeps trying to get other people (namely: Jessica -- if Alex is being honest when he says that his call reassuring her that Amy had been found was an effort to make Sure she stayed away from everything that was happening) involved; and instead of anything getting better, instead of anyone finding Amy, things are just getting worse all over again.

It's not until after the incident at the tunnel that things seem to start rapidly devolving. Rather than a calculated attempt to finally follow through with his need to curb the spread of contamination, this is very clearly an outburst of rage and terror. Alex's "I told you not to follow me" line in conjunction with Jay speculating that Alex didn't know who that guy was, to me, pretty firmly seems to speak to Alex having mistaken that stranger for Jay. From his point of view, Alex knows that Jay and totheark know where he live, have broken in before, he suspects that Jay stole a key to make it easier to get into his house, and he's been followed on the daily for months -- Alex is sitting at the tunnel because he doesn't know where else he can go without being constantly surveilled, hunted, and assaulted. And instead of getting a moment by himself to breathe, Jay followed him out there all over again (it feels like Alex looks directly at the camera in Jay's footage of him from this day; he knew for a fact that Jay was there), and then to make matters worse now 'Jay' won't even keep his distance anymore.

So Alex lashes out. And it's not until afterwards that he looks down and finally recognizes that this wasn't Jay -- it was someone completely innocent. Things have finally reached the low point he was at in college all over again; maybe even worse this time. If Alex doesn't remember attacking anyone in college, but he was at least partially conscious of it this time, then things have reached an entirely new rock bottom, they've reached an absolute point of no return.

He has no idea what happened to Amy, and he's spent months trying to find her with no hint of where she could be; he doesn't know where Jay actually is or what additional trouble he could be causing at this point; he does know that now innocent people are getting caught in the crossfire (in regards to the stranger in the tunnel, and also Jessica now that Jay has her phone number, and the untold number of people Jay got involved when he started posting videos to the Marble Hornets channel); things are spiraling out of control and there's no one left to ask for help. The situation isn't getting better, it's getting worse; things aren't getting easier to handle, they're just getting more out of hand; the negative impact is spreading and who knows how much further it can still go?

So, Alex decides to go scorched earth. He disfigures the body with the rock either to hide evidence or to make sure the guy would actually stay dead and not just get back up to start his own cycle of contamination in a few years. He tries to give Jay one last chance to back off, and Jay instead admits he's been talking to Jessica, acts obstinate and lies about not having Alex's spare key, and then breaks into Alex's house a second time (minimum). If Alex doesn't stop him now, who will? Alex met with Jay planning to kill the others, and then himself, so he could put a stop to this once and for all and keep things from getting any worse than they already were.

Maybe it makes a lot more sense if, rather than being a strangely incomprehensible detour on what should have been a straight path, the events of Season Two were the breaking point that put Alex on that path to begin with.

[oldshrewsburyian]

No one: Absolutely no one: Me: Is there any explanation for the quasi-friendship between the megalomaniac film director and the diffident writer in Jackson's King Kong remake if they aren't exes?

[attorneys-against-court-violence]

I apologise in advance, I just need to get this itch out of my brain.

Twice I've encountered the idea that Retinz/Reus didn't kill Manov Mistree. And every time, my mind comes back to these two moments:

Retinz describes Mistree as "but a fan". This is someone he's known for years but far from familiarity, he sounds almost dismissive of the boy. He does share his secret with him and allow him to carry his mantle though...

His self-described "grand illusion". It's what tips Apollo off to the idea that the murder had been committed via trickery. Retinz even goes so far as to hang this trickery over Trucy's head when he's defeated (even calling it HIS magic). At the same time, he might just be talking about his magic forged contract... which we also have little to no evidence for that being his doing specifically...

Now don't get it twisted. I don't think he's nearly as petty or flatly evil as I perhaps painted him in my mind - the guy was likely a member of the troupe from childhood and got kicked out years later for one mistake. His foray into pyrotechnics imply that his magic had been dangerous from the get-go but we don't get the impression he messed it up more than once.

Whether he actually murdered Manov Mistree is another point though. The way it's written makes it sound like he didn't think much of a fan he's known for several years, that he's proud that he managed to fool Trucy with this stunt. But then there's no direct evidence he tampered with the set - not the sword OR the coffin. Just that they were tampered with. We don't get a direct confession out of Retinz either, same way we would for a good chunk of other culprits.

Were the writers conscious that they had constructed a plausible argument for him not being guilty? Or were they simply writing another scumbag to put behind bars? It's not like Ace Attorney can't be complex - Matt Engarde and Marlon Rimes are good examples of more complicated culprits - but the truth is usually made apparent by the end of it all. We KNOW Matt hired de Killer and we KNOW Rimes had accidentally killed the Captain.

Retinz? There's enough wriggle-room to say he didn't do it. But he's written as if he did.

It's honestly a little eerie... a murder with no definite culprit is a rarity - if at all common - in Ace Attorney. That part tends to be the simplest, the one that can be most definitively proven; how you get there is the hard part.

Execution counts for a lot more than intent. It's the reason why I've harped about the phantom so harshly; I LOVE the intention behind him and I LOVE the ideas behind him. But he is so clumsy in execution that he ends up more flat and confusing in a way that really bothers me.

Retinz in hindsight is kind of the opposite of that; he comes across as pretty petty on first-blush, but the way he's written ended up making him open to an interpretation that is more interesting and even tragic in the right light.

After all...

There IS the fact the footage was edited to remove the ONE part that showed Trucy's complete sword-switch. There IS the fact that he had set up the circumstances for this plot to even be possible. Hell, there really doesn't seem to be any reason for the other characters involved to kill Mistree, save for Trucy as he stole her diary.

There's this uncanny valley effect of uncertainty lingering around this trial. All evidence pointing to Retinz isn't remotely as clear-cut as things like Manfred's shoulder bullet or Ken Dingling intentionally hiding Max's bust. And it bothers me.

Given the sheer volume of signs pointing towards Retinz it's clear enough the writing wants you to think he did it, and there's good odds that he did. AA culprits are no strangers to doing whacky things to remove culpability - that's half the point of each case after all! For all intents and purposes, Retinz is the murderer. I don't get the impression this is something the writers did intentionally to play with the ambiguity of it all. As far as the story is concerned, he's not important enough to warrant a more complicated answer.

Though the fact that there IS enough room to give a more complicated answer is interesting to me. Any excuse I have to talk about one of the 3D game's more fun antagonists is a good one, so I'm glad to have this brought to my attention at all.

[gayvampyr]

wait wait wait i just realized. i just cracked the code. the reason i have anxiety about showing positive emotions toward other people, especially in forms of sweetness or flattery, isn’t because of stunted emotional trauma (or at least not entirely), it’s because any niceties that tiptoe along the line of formality are perceived as innately flirtatious or romantic, despite that not being my intention. so i’ve had to dial back the way i interact positively with others so that there is no way my actions or words can be interpreted as anything other than platonic, and now i don’t know how to shut it off and allow a close bond to form. huh.

[frogcoded]

What kills me about my parents’ reaction to both me and my sister being single for a while is that historically I’m the one who was always going from one relationship to another and I’ve never been more than a few months without at least a situationship while my sister had one (1) relationship in total and yet when they talk to my sister they’re like “oh no boyfriend yet so that must mean you have a secret boyfriend you’re hiding from us” and when they talk to me they’re like “it’s a shame no one will ever want you unless you shave your horrible horrible facial hair” like guys ??????? everything alright ???????

[the-restisconfetti]

we'll rave on gorbachov's grave

[infiniteseriesofhalfways]

I just realized I haven't read a single romance novel this year that didn't have a third act breakup

I am begging for different stakes please

[bitacrytic]

Pete is a victim... in this scenario.

Right now.

Today.

In the last two episodes, he's been the victim.

But I didn't see anyone coming out to defend the people that Pete actively participated in their torture.

I will never tire of stating that all these men are broken bunkums and Pete is no different. If given the chance, Pete would peel a person's skin from their body.

And yeah, you might say it's his job, but Pete himself would disagree with you. Because as far as he's concerned, none of them are heroes. They all have blood on their hands.

[dirt-str1der]

Im obsessed over the way that shinpachi follows okitas lead like this. Hes so clearly the one that calls the shots even though what we see most of the time is shinpachi reigning him in "okita stop trying to kill the new recruit" "okita stop acting like a child and sit up straight" but when it comes down to it when okita moves forward shimpachi is the one who backs him up

[orcelito]

Honestly tho as a writer I live and breathe hurt/comfort (probably bc there's smth wrong with me lol), to the point where it's just a Given in anything I write. And I kinda assume that's gonna b the case with others too??

But then. Romcom. With some angst, but overall just relationship shenanigans. Oh the potentials that were not realized

[consciouschunkofmoss]

im not sure i understand clara yet, but i dont think shed refer to katerina as "her dear" or darling or anything of this caliber

it feels too much of a forced expression. an act of sorts

[osaemu]

"YOU'RE PREGNANT?!" FT. GOJO SATORU

✩ ‧ ˚. synopsis: gojo mistakes your period symptoms for signs of you being pregnant.

contents: fem!reader. mentions of pregnancy and periods (duh), gojo is an idiot (obviously), innocent miscommunication lol. gets pretty suggestive.

just because satoru gojo's the strongest sorcerer on the planet, that doesn't mean he's the smartest one; especially when it comes to you.

not too long ago, you got your period, and the cramps have to be the most painful thing you've ever experienced. nestling yourself farther in between the couch cushions, you wrap your arms around your stomach and wince, eyebrows furrowing. somewhere in the background, you hear satoru enter your house and call for you, but your stomach hurts a little too much to allow you to do more than hum in response.

"baby?" satoru calls again, poking his head in the living room and smiling when he sees you. "hey, i'm hom— babe, you okay?"

you open one of your eyes (which was previously squeezed shut) and look at him, a soft whine slipping out from your lips when the pain in your stomach goes up a notch. "hey, 'toru," you mumble, watching him quickly plop down besides you on the couch. his eyes round in concern when he notices how tight your teeth are pressed against each other, and a moment later, satoru scoops you up and holds you in his lap.

"is.. this 'cause of last night?" satoru murmurs, stroking your hair as you squirm in his grip. his eyes are focused on your scrunched-up face as you fidget, struggling to find a comfortable position.

"i dunno," you mumble, assuming that satoru's referring to the way you scurried off into the bathroom the second you and satoru finished round after round in his sheets. funnily enough, your interpretation of the events is starkly different than satoru's.

you had immediately gone to the bathroom because you suspected that your period might've come, and you were right. but to satoru, he had something very different on his mind; especially since last night was the first time you two had fucked without protection.

satoru pauses before replying, face slowly tinting pink as his version of the events settles in. he had no idea your departure from his arms so soon after sex was because you just wanted to check for your period; on the contrary, he thought you ran into the bathroom to check if you were pregnant.

"are you—" he starts, dipping his chin and looking you straight in the eye. satoru's azure eyes carefully take in your expression, studying your features for a sign of what's to come.

you nod. "yeah, i am." on your period, that is.

satoru's eyes widen and the corners of his lips twitch with a smile. "is that why your stomach's hurting?" he whispers, and you hardly spare a thought as to why his reaction was nothing like what it usually was.

"duh," you huff, automatically assuming that he's talking about period cramps. "why else would my stomach be hurting?"

"holy shit, are you kidding?" satoru breathes, eyes lighting up like a child's would on christmas. you make a face, confusion evident all across your features.

"that's not the reaction i was expecting," you note tentatively. satoru's mouth falls open a little and after a moment, he immediately dips his head and kisses you, long and slow. his mouth tastes like spearmint (like always), and something about the way his lips melt into yours feels... different.

"is this better?" satoru whispers, smiling against your lips. you nod, carefully removing your arms from your torso and wrapping them around satoru instead. you nod hazily, more invested in the way satoru's mouth collides with yours than in anything else.

"much better."

"anythin' for my pretty girl," satoru murmurs, eyes softening every time they settle on your face. his hand trails down your waist and settles on your tummy, and he slips his hand underneath your t-shirt and rubs the skin with his thumb. a couple more seconds slip by in silence, with the only sound being the soft breaths you two take in between kisses.

when satoru finally tilts his head up and takes a longer breath, you both open your mouths to speak at once.

"i can't believe i'm gonna be a dad."

"my period cramps feel a lot better."

the two of you stare at each other in silence for a long, long second. you blink and ask, "what did you say?"

satoru tilts his head like a confused puppy, eyebrows lifting in uncertainty. "uh, what did you say?"

you look away, cheeks heating up as you mumble, "satoru, i'm not... pregnant...?" you stare at him blankly, matching the confused look on his face. "i'm on my period, baby. what did you—"

"oh, shit."

"yeah."

five awkward seconds go by until you clear your throat and smile up at him hesitantly. "i mean... d'you want a kid?"

satoru's face somehow goes even redder, which you didn't know was even possible. after a moment, he nods, and the subtle movement is enough for you to grab his face and pull him in to kiss you again; and you stay like that for the rest of the night.

[unclewaynemunson]

It wasn't the first time Eddie woke up to an empty bed after having someone spend the night. But it for sure was the first time it caught him by surprise.

He had been pretty sure things were different, with Steve. There was a real, proper date before they ended up in Eddie's bed together, after all. They held hands, they cuddled, they did all the romantic shit that Eddie used to scoff at and skip right past, before he got to know Steve Harrington. It hadn't felt like it was just about the sex: there had been tender touches and sweet words and soft kisses, and falling asleep in each other's arms afterwards had felt more intimate than anything Eddie had ever experienced before. So it didn't make sense to wake up and see no trace of Steve. No note, not a single piece of evidence that Steve had been there, not even something as dumb as a forgotten sock. Nothing.

As he went through his morning ritual of coffee, cereal and cigarette, he felt confusion make place for anger. By the time he was dressed and looking at himself while brushing his teeth in front of the crappy old bathroom mirror, he wondered how he could ever have been stupid enough to think that Steve would stay. The realization that Steve had apparently only used him to get what he wanted and dropped the act as soon as that happened, made him feel gross. He spit out his toothpaste with way more force than necessary and jumped in his van to tell Steve exactly that Eddie wasn't the kind of guy who tolerated being toyed with like that.

-----

When Eddie barged into Family Video, Steve was standing at one of the shelves with a big pile of tapes in his arms, the store empty and quiet except for some movie playing on the big screen in the background.

He looked up at the sound of the bell, and actually had the audacity to smile a soft, almost tender smile when he saw Eddie coming in.

"Hey there."

And, well, that truly did it for Eddie.

"Hey there?!" he repeated in a loud, shrill voice. "Seriously, Steve? What the hell, man? You sneak out of my bed after making me think what we did actually meant something, and now you greet me with a "hey there" like nothing has even happened?!"

Steve frowned; he looked genuinely surprised. Seriously, had none of the dozens of girls he probably pulled this on ever told him off? Or were they all worth staying for, contrary to Eddie the Freak Munson?

"Wha- What do you mean, making you think it meant something?" Steve stuttered. "It meant something. At least," he shrugged lightly and his cheeks colored into a light shade of pink, "to me it did."

For obvious reasons, Eddie found that a little bit hard to believe.

"Then why the hell did you sneak away at the crack of dawn like it was just some goddamn one-night stand?!"

Steve stared at him for a couple of seconds, his mouth falling open. Eddie had seen him look confused plenty of times before, but never like this - like he was missing something huge.

"I - I was allowed to stay?" Steve finally uttered. And it sounded so genuine, so small, so lost... All Eddie's anger easily got knocked out of him with that one question.

"You thought you weren't allowed to stay?" he asked, in a much softer voice this time.

Steve shrugged, suddenly avoiding Eddie's gaze.

"Yeah, I mean... I just assumed..." He swallowed visibly, seemingly searching for words. Finally, he fixed his eyes back on Eddie's face. "You actually wanted me to stay?" It sounded equal parts confused as hopeful, and the look in his brown eyes was so soft and innocent that it almost broke something inside of Eddie.

"Why the hell did you think I wouldn't?"

"I dunno, I just thought..." He looked away again, to a point just behind Eddie's shoulder as he continued, "Whenever a girl would come to my place, they'd always leave right after we finished. Or when I'd come to theirs, they'd have me leave through the window before their parents would notice. Some of them wanted to cuddle for a bit afterwards, but not, like, the whole night, y'know."

"Fuck, Stevie... I -" Eddie could barely believe what Steve was saying; it truly blew his mind that there were so many people who could have Steve Harrington in their bed and not want to keep him there forever. It made him furious - not at Steve, obviously, but at those girls who had made this perfect boy believe that he wasn't the kind of person people would want to keep around for what came after the sex.

"Falling asleep with you last night... That was the best thing that ever happened to me," he told Steve. It felt vulnerable, to say it out loud, but he knew he had to get it all out in the open. "I mean, don't get me wrong, the things we got up to before falling asleep were also pretty damn mind-blowing..." He couldn't help but chuckle. "But of course I wanted you to stay. I thought that would speak for itself."

"Oh," was the only thing Steve said, just blankly staring at Eddie for a couple of seconds. Then, his eyes widened as Eddie's words finally seemed to sink in. "Shit, Eddie, I'm so sorry, I didn't mean to -"

"It's okay," Eddie cut him off. "Can you uh," he nodded towards the video tapes in Steve's hands, "Put those away, please?"

Steve placed the pile on the shelf behind him and Eddie immediately launched himself into his arms, pulling him as close as humanly possible without crushing his bones.

With a surprised Oomph! Steve took a few stumbling steps backwards before he caught his balance again, and hugged Eddie back just as tight.

"I'm really sorry, I messed up," he said, his mouth close to Eddie's ear. "I had no idea. If I had known, I would never have left, seriously. I would've called in sick and made you pancakes, and I would've stayed with you in bed all day."

"It's okay," Eddie repeated. "I mean, it's frankly ridiculous that you'd assume I wouldn't want you around every single fucking morning from now on, but -"

"So can I make it up to you tonight?" Steve interrupted him, an eager undertone to his question. "Or actually tomorrow morning, I guess?"

Eddie leaned back slightly to see Steve's face. He was hesitantly smiling at him, and Eddie gave him a beaming smile in return. Then, he leapt forward again to press an impetuous kiss against Steve's lips.

"How 'bout you make it up to me every day from now on, big boy?"

"I dunno, making you pancakes every day from now on is a bit much, don't you think?"

Eddie laughed. "Then the deal's off, sorry."

"What if we take turns?"

He pretended to think for a moment. "Alright, I think I can live with that," he finally concluded, letting Steve pull him closer again to steal another kiss. And as long as he could taste Steve's lips, he couldn't care less about pancakes.

[ellestra]

The Voice from the Outer World

Dune is a story of failure. SPOILERS for Dune Part 2 below

Power corrupts and all of that. We all know this. So we would be able to avoid it, right? If you know what happens you can chose another option. You would be different.

And here's a story that shows that even when you know all of this and more and can literally see the future it's still not enough.

I get why people often think that to avoid this the person in power shouldn't want that power. That this would make them somehow immune. And this logic has multiple faults (like - how can you be good at doing something you hate?) and one of them is that just not wanting to abuse power doesn't mean you would do right things with it.

We are reminded multiple times in the film (and the books also aren't shy about it) that Fremen religious belief in a saviour is not something that arose naturally. It's a belief seeded by Bene Gesserit's Missionaria Protectiva. They seeded superstitions and myths in different cultures so they could use them in a future emergency. Everything Fremen believe about their Mahdi was created so their faith could be used by a Bene Gesserit in need. And both Jessica and Paul are aware of this even before they even set a foot on Arrakis.

It's specifically made for the saviour to be a foreign one (Lisan al-Gaib is The Voice from the Outer World) because the people who made and planned to use this prophecy were ones from an outsider culture. Paul doesn't hijack Fremen beliefs to insert himself as their white saviour. These beliefs was specifically created for someone like him to use.

It was made with purpose of hijacking Fremen religion into protecting the foreigners who know how this prophecy was constructed. This is a parasitic belief (cuckoo-like faith) and the truth doesn't set anyone free. We see why with Stilgar as he wants to believe so much that everything becomes a sign. Even when he's told this has been fabricated and he was manipulated he warps it into something that supports his beliefs not undermines them. I'm sure you've seen this in real life, in real politics if not religion.

Jessica and Chani got changed the most from their book versions. They've become opposite sides of the ideological divide. Not between religion and lack of it - Jessica obviously not a believer - but between using people and letting them decide their own future.

Book Jessica is more apprehensive of Paul's choices. She's often more worried he may not survive the trials than pushing for them for power. In here she becomes the driving force of using the messianic belief Bene Gesserit implanted for Paul's benefit. She makes sure Fremen believe he fits the story. She doesn't care about Paul's wishes to avoid this burden. She knows it doesn't matter when he tells the people the truth about Bene Gesserit, their abilities and their manipulation techniques. Belief is impervious to proof and confirmation bias makes you reject all evidence to the contrary.

But then, in the film, Jessica is kind of possessed. Stilgar warns Paul not to listen to the djinn but neither he nor his mother can stop listening to the voices. The film removes Alia's book doings but replaces them with foreshadowing of what she becomes. She whispers the truths about the future to her mother even before she is born. Funny how this change make her, not Paul, the first fully prescient Atreides. She is manipulating the events when Paul refuses to and that's foreshadowing too. When Jessica took the Water of Life while pregnant she did it for the power this new position among the Fremen would give her. Alia never stood a chance. She was pre-born into this.

The only one trying to stand in the way of succumbing to the power corruption is movie version of Chani. She was never believer in a saviour. She wants her people to save themselves. They already have a plan for a better future that doesn't involve killing worlds for the Empire they never wanted anything to do with. They were not supposed to be warriors of the prophet. She sees this for what it is - a way to control her people. She understands this is another form of enslavement. The only difference is that this one is embraced. No one listens to her when she tells them the truth. They only see what they want to see.

The power that comes from being close to the rule is just as blinding when you stand close to the throne as it is when you sit on it.

And the sad part is she knows she played a part in this happening to as she convinced Paul to give this a try. She didn't see the visions he saw so she hoped he can remain the person she fell in love with. When he submits to the way prescience shows him and takes over the faith we feel her heartbreak. She watches him becoming what he feared and everyone around him stops her from trying to save him (not just other Fremen or Jessica - Gurney puts atomic arsenal in Paul's hands).

Paul doesn't bring freedom. He just changes who holds the power but in the end the structures of power remain (the similarities between Saudarkar and Fremen are not accidental). And billions die so it can happen. But billions is a an abstract number. It's much easier to feel the consequences when they hit close and personal.

Everyone around Paul gets to gain something - Gurney gets revenge on Rabban, Jessica and Stilgar get to destroy Harkonnens and Emperor. They are on top now. The power corrupts even before you even hold it. Just the promise of power is enough.

This film version of Chani doesn't let us forget that this is what we watch. That what is happening is not a good thing. We as humans have tendency to gloss over big numbers of deaths when it's unseen people with whom we have no emotional connections. Through her eyes the loss is so much more personal. She loses her Usul to Paul Muad'Dib. And he takes her people and her planet too.

As Paul says - they are Harkonnens too. And they do what Harkonnens do too. The difference was always cosmetic.

And one more thing. A lot is said about Arabic and Muslim influences in Fremen culture and religion but they aren't the only ones. One other is the word used for the places where Fremen live - Sietch. It comes from Zaporozhian Cossack name for their fortified encampments - sich.

In the West the name Cossacks invokes the cruel Russian Imperial forces that tsars used to pacify conquered territories. But this is not what comes to my mind first. In the Polish-Lithuanian Commonwealth they were free people living in the borderlands of the Commonwealth on the territories often attacked by the Ottomans. The constant raids from Turks meant they were warriors and constantly moving. But this also allowed for a lot of freedom as there wasn't a lot of direct control over these territories for the same reason. This meant that they were often joined by anyone wishing to have that freedom - from peasants escaping indenture to nobles escaping the law.

The dissatisfaction with Polish rule eventually lead to uprising and this part of Ukraine joined Russian Empire. That Empire destroyed all the freedoms Cossacks had and those independent warriors became just another enforcers of conformity for the Empire. They've become exactly what they fought against. I often wondered if Herbert chose the name Sietch intentionally to invoke this turn of events.

[anantaru]

— how to make them blush

including dan heng, sampo, jing yuan, blade, gepard, welt, luocha x gn! reader

꒰ genre ꒱ — fluff, blushy boys, very cute

contrary to popular belief, it doesn't require a lot of effort to make your boyfriend dan heng blush radiantly because of something you'd do— for instance, delicately ruffle his soft hair, or easily grabbing his hand while you‘re going on a leisure walk or placing a precious and thoughtful compliment on him so he doesn‘t forget how much you love him. it begins slowly, and dan heng doesn‘t take his eyes from you, yet the very reason you can see it focused, more unimpeded. the casting of soothing red evincing on his person, gently cascading over the outlines of his sharp features like rural waves and there he was, you smile triumphantly at him when you catch it— expressing and doughy, the luminous scarlet color.

in the early stages of your relationship, you never thought that the usual confident and self assured sampo actually had a pretty deep soft spot of being praised and complimented by you. he likes, no, adores, when you compliment the most arbitrary things he'd carry out— whether it was easily cooking you dinner, situating a pure smile on your lips or planning ahead an upcoming date for the both of you. by the stowing means of this, you decide to do it again and tell him how impossible cute he was and how much you valued all the effort he put forth, especially how so very special and ambrosial while your boyfriend will quickly stave his head away from you before you can see it, an exultant blush flickering a powerfully charming redness on his entire face.

a man, specifically a well renowned general, such as jing yuan himself was quite difficult to fluster in a way where he‘d end up blushing and reddening honest warmth. but, evidently, you weren‘t one to give up on such a big challenge, the thought of having the man blushing in front of you was far too delicious to refuse on. so, you massage his scalp, kiss him and show him your brightest smile, yet nothing seem to work for some reason. but then, it‘s different, out of the natural sphere, when after an entire day of trying your hardest to make him show any early signs of redness, you show gradual defeat, eyes heavy and low lidded, drenched in tiredness— to add onto that, jing yuan‘s chest was far too comfortable to get up from. well, little do you realize after a couple of minutes pass, you find yourself deeply slumbering on top of him, and the thought that you feel so safe and shielded by his side, made the sleepy general blush at last.

prior to you, your charming boyfriend blade wasn‘t used to being loved or cared for in his life by anyone at all. to say that this heart warming relationship with you now was a new one, was a clear understatement. be that as it may, you can catch him hide a blush from you quite frequently, especially in the early stages of your togetherness, he for no other reason cannot help himself and get easily emotional at the thought that he has you, you're his, greater reason that you love him just the way he was and accepted each flaw, each scar, without a single care throughout the entire universe. but, one particular motion that will make the man blush instantly, faster and the most distinguished— in its highest duration, was when you cuddled him in midst the night, without saying a word, both quietly tangled under the soft sheets, and you whisper a little "i love you" right against his ear shell.

gepard finds it immensely captivating when you listen to the little, fun stories he tends to tell you all after coming home from his hard work. suddenly, he becomes shy when he notices that he talked far too much and wordlessly fears that he might‘ve bored you to death by some of his seemingly uninteresting stories, or that's how he referred to them. at the same time, when he looks at you up closer and realizes that you were in fact, eagerly listening to each of the words he expelled from his lips, gepard can‘t help himself but shine a glittering red towards your direction— cheeks puckered and flustered scarlet and spreading onto his entire face. "so?" you say, effortlessly snapping him back to the present, "how does the story end?" and your boyfriend suddenly leans into you without warning, to place a subtle peck on your lips, words couldn't possibly describe that feeling.

welt doesn't blush, nope, that's the end, he unelaborately doesn't. the man keeps himself in tact pretty forthcoming and without an issue— besides, he doesn't think it's possible for him to blush in the first place. then there's you, moving your lips slightly to indicate a smile as you slant forward, "your hair." you point out, "let me fix it." and progress your hand into his strands to couple the lousy hair hanging carelessly on his forehead. it's a mess, both the bloody situation and welt who, for some unclear reason, couldn't stomach what just had happened and he quickly pulls his head away— taking off his glasses and act as if he had to clean them, even though he just did that five minutes ago. a keen smirk plays around the edges of your mouth when you realize what was going on, yet you do not speak, don't say anything, but make a mental note to never forget on how to make your usually sophisticated boyfriend the exact opposite.

luocha knows whenever you try to fluster him, beyond everything, he has observant eyes and effortlessly sees through all the teeny tiny schemes you tend to carry out with him. when you become more clingy and coo sweet nothings towards his direction, or when you decide that your boyfriend deserves a couple more kisses than the day before, he can see that you were attempting to play tricks on him and coax out the desired reaction. but what luocha did not see coming was that, as a matter of fact, it was beginning to work, quite powerful as well. conveniently there he was, having you wrapped around his strong arms as you do it again, sneakily kissing from his collarbones to the outline of his sharp jaw, until placing your lips on him at all. he instantly blushes, pulling his hand to the back of your head to keep you into the kiss, so you wouldn't catch him, wouldn't flash him a cheeky smile afterwards too when you'd realize that you managed to make him flustered at the very end.

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