#white sand street asylum

[sirenjose]

Analysis of White Sand Street Asylum - Part 1

Includes Full Character Analyses for: Freddy, Kreacher, Emma, Emily, Leo, Robbie and Dolores, Kurt, Ada and Emil, and Alice.

I have been forced to split this into 3 parts due to the length and number of images I've used for this. To prevent tumblr from forcing me to make this any more than 3 parts, I have cut back on the original number of images (mostly I just cut out the images of the deductions). Apologies in advance, but I hope this is still ok either way. If anything doesn't make sense, let me know.

Anyways, please enjoy~!

Robbie and Dolores were born to a “wealthy family” according to the post from Robbie’s release (https://twitter.com/IdentityVJP/status/1120251010042040320).

Their parents loved them based on Dolores’ recollection in Robbie’s 3rd letter, where they would “always give each of us a goodnight kiss before they tucked us in. And you would kiss on my cheek to wake me up in the morning”. Dolores also described their parents as “kind”, and implied their life was happy back then.

Unfortunately, this didn’t last forever. We don’t know what happened, but the White siblings lost everything, their home and their parents, in one night.

Robbie doesn’t understand what happened, though Dolores seems to, yet she is unable to explain the truth to Robbie, likely due to his young age. Dolores cares about Robbie more than anything else, who she sees as her “Precious Treasure”, but she is also hard on herself as a result and sees her inability to tell him what happened to their parents as a “failure” on her part.

As they lost both parents in 1 night, I doubt the cause of their deaths was natural. Maybe it was murder? That could match with Dolores being unable to explain that sort of concept to someone young like Robbie.

Though the fact they lost their house and seemingly all their possession and money, I wonder if there was a fire. Unless they only lost their house and possessions due to their parents’ deaths, but it could be seen as odd that their parents didn’t leave anything behind for them after their deaths or a will or anything. If they lost it all in a fire, that could be an explanation. (Though next question I wonder is if the fire was caused on purpose or accidental. Though an accidental fire could fit well enough on its own as it would provide an explanation for their parents not dying due to natural causes, dying at the same time, and how they could lose everything to become penniless orphans by the end).

After losing their parents, they are placed in White Sand Street Orphanage. This orphanage is run by Kreacher Pierson (who refers to the orphanage as “Sweet Home” or “Home, sweet home”).

Kreacher is someone who (based on his 1st letter and deduction summaries) grew up on the streets as an orphan, all on his own, from a young age. He was someone who was never “treated with sincerity and kindness”, especially not by the upper class, who were only ever disgusted by “rats” such as him. So Kreacher grew up without ever knowing love. Only hatred and disdain, causing him to learn that the only way he’d be able to survive was by relying on himself. It was a dog-eat-dog world that revolved around having enough money. He grew up learning that everyone was only ever out for themself. This is how he developed his hatred for the rich, and he decided, if they weren’t going to share any of their coins with a penniless orphan like himself, then he’d just have to take it for himself. It’s not like they needed it anyways. He saw plenty of people swimming in luxury that he’d never have. They could afford to share some with him, right?

This was how Kreacher became a thief. As a way to survive.

As we learn in his beta backstory: “Kreacher grew up in this cruel and realistic world, he followed the leader of thieves and endured various difficulties, training for a way to make a living”. He developed his skills in theft, all while becoming exceptionally “street-smart” with exceptional “survival instincts”.

No one would just give him their coin, even if he were to ask, and barely any if he begged. So, he learned to rely on deception as his only “way of survival”. No, what he was doing wasn’t good, but it was his only way at the time to keep himself from “dying from starvation or sickness on the streets”. And as he had to rely on this from quite a young age, it became the only life he knew.

Kreacher was managing to get by, though he had been caught and arrested for theft in the past.

Not wanting to go back to prison, Kreacher decides to change his methods. After earning people’s trust by making himself seem to be a “philanthropist”, he specifically adopts disabled orphans. He planned to use the kids’ disabilities “to gain sympathy” in order to profit even more than he’d been able to before via begging and stealing alone, while at the same time using the money to provide shelter and sustenance to the kids he’d adopted.

But Kreacher was a realistic person. He was someone who just did whatever he had to do in order to survive. As a result, he could be tough with the kids, and was implied to sometimes hit some kids that didn’t make enough money. This was likely the only way Kreacher knew how to ensure the kids did better next time. He knew the world was a cruel place, something they wouldn’t be able to survive unless they toughened up. He needed to develop their survival instincts as well as teach them how to be street smart. (Maybe Kreacher is the reason the kid in Robbie’s 2nd letter knew how to pry open a locked window with a knife. Maybe Kreacher taught them other skills like that.) Though at the same time, his actions were also due to a lack of any experience with love or kindness. He’s never had an easy life. He’s likely treating them that way because that’s how he was always treated and how he’s always had to live, and as a result, he doesn’t really know how to be gentle. As we’ve said, he’s had to learn to prioritize himself above everyone to survive. He’s never had to care for someone else, and so he doesn’t know how to do so with the kids. Even if did have concern for the kids, he likely wouldn’t even understand what those feelings were. What he does understand is survival and money, and he sees Dolores as a chance to make a ”fortune” due to her disability.

Robbie’s deduction 2 describes Dolores as “a girl who lost an arm”. Losing an arm is different than being born without one, so I wonder if Dolores lost it during whatever incident killed their parents?

There are instances where burn victims can require amputation if the damage goes deep enough, if the injury becomes infected, or if the limb was crushed in some examples.

(It is possible she was simply born that way. I just find the term “lost” odd if so.)

In the photo of Kreacher with the orphan kids, we can (most likely) identify Dolores, as she is the sole girl with a missing right arm. Since Dolores came with Robbie, it’d make sense for 1 of the children in the photo with her to be Robbie. We know Robbie is younger than Dolores, so a good guess would be either the kid with the missing ear next to her or the small child sitting on the ground. It’s hard to tell with this 2nd kid, but it looks like he has both hands but is missing at least 1 leg?

Robbie (looking at his default appearance) seems to only be missing his head, while all his limbs look intact. Considering when Robbie came back, his head was still missing, I imagine his default should be accurate to showing how his body was before his death. Otherwise, if coming back did supposedly restore any missing limbs he had previously, why not also restore his head somehow (rather than leave him headless)?

In which case, my best guess is that Robbie is the kid with the missing ear. The height would also match better with Robbie’s default compared to the smaller child.

(And if Robbie was only missing an ear, that would also fit with how we don’t see anything wrong with Robbie as we wouldn’t notice a missing ear with his whole head missing.)

Also, this kid with the missing ear is standing right next to Dolores. I know this same kid isn’t directly next to her in the other photo we have of Kreacher with the orphanage kids, but he is directly opposite her, on the other side of Kreacher and Father Duke, so it’s at least close.

This kid also looks similar, even though not the exact same (the kid has both ears), as the kid on the Milk Carton accessory that came from the charity event that Robbie’s Wail skin came from.

(Nothing says this kid is definitely Robbie, I’m just suggesting every potential theory/option.)

While at White Sand Street Orphanage, Robbie and Dolores are given no choice but to work. This is in part because Kreacher, even though he is the owner, is only a poor street orphan himself.

As Dolores was missing an arm, she was made to beg because that would make it “easier to pull on the heartstrings”.

Robbie though, despite being “such a crybaby” had “nothing wrong” with him. This does make me wonder if Robbie didn’t actually have any disabilities or missing limbs or anything, and could’ve been similar to the boy in the photo on the milk carton. If he didn’t have any issues like that, it could explain the comment about Dolores being able to pull on heartstrings but not Robbie. Unless the comment was just saying there basically wasn’t enough wrong with Robbie, not enough to make him as sad of a case as Dolores, and thus he could’ve still had an issue like a missing ear?

Robbie wasn’t assigned to beg. Instead he was tasked to “work in the yard”, where “gardening became his new hobby”.

In the Christmas Nocturne event, Robbie implies he chopped down trees for firewood, using an axe that was “even bigger than Robbie”. His backstory says Dolores helped Robbie get used to his tasks in the yard. I wonder if the axe was originally hers, or if it was just an axe that Robbie was given but Dolores taught him how to use. Though Robbie’s 4th letter does describe it as “her axe”, it may have only been described that way1 as she kept and used it after Robbie’s death.

If Robbie was too young to understand what happened to his parents, I question how good he really was chopping down an entire tree. It’s possible he just chopped branches off, or maybe only chopped down small enough trees. Or they already had small enough logs and Robbie just chopped it up into firewood.

Whatever the case, Dolores always told Robbie that he did a good job, which made Robbie happy. And as we know from Robbie’s 1st deduction, Dolores basically says that Robbie’s happiness “is the suffering I longed for”. She did anything she could to make Robbie happy, her “adorable brother”.

Life at the orphanage continued until the Church decided it wanted to be involved (likely due to the desire to also profit if not for the value of the kids for their experiments). Kreacher cooperated, likely in part because they pressured him but also in part probably because they offered some kind of benefit or financial compensation if he agreed.

This continues for a time, with the church partnering with him to hold events to raise money for the kids and the orphanage. The one he often works with from the church is Father Duke.

Eventually the church decides they wanted more and had Kreacher send over kids that were “diagnosed with mental illnesses” to their “mental institution” for “comprehensive treatment”. The reasoning stated in the letter they sent to Kreacher for why they did this was “Based on the need for cooperation with the government”. Whether or not the kids actually had any mental illness didn’t matter, the church got what they wanted.

“Letter to Mr. Kreacher Pierson:

Based on the need for cooperation with the government, the orphans who have been diagnosed as mentally handicapped should be sent to the Catholic Church’s Office of Ministries for unified care. For the well-being of the children, please be sure to send them to the abandoned church at 673 White Sand Street before May 5 to confirm their mental status.

Father Duke”

Despite several deductions using the term “mental institution” before we know the church created White Sand Street Asylum, it is likely this wasn’t actually a “mental institution” back then. The beta letter to Kreacher states the kids should be sent “to the catholic church’s Office of Ministries for unified care”, with the location being “the abandoned church at 673 White Sand Street”. Another of Kreacher’s later deductions uses the term “church clinic”, and this is likely the more appropriate description.

One of the children in the care of the church’s clinic that partnered with Kreacher’s orphanage was Emma. Back then, she was still using her original name: Lisa Beck.

Leo Beck, the owner of a small textile factory, and Martha Remington (aka Martha Beck) married on March 14th, 1874 in Devonshire and gave birth to Lisa on December 21st, 1876.

Freddy is a lawyer and financial advisor specializing in “non-performing assets disposal, mergers, and acquisitions” that Leo became business partners with. Due to working with Leo, Freddy encounters Martha, who he falls in love with. Leo, still unaware of Freddy’s feelings for Martha, invites Freddy to Lisa’s 1st birthday because of their partnership that eventually becomes friendship. Once Lisa is older, she mentions Leo invited Freddy over more than once, with Freddy “always bringing flowers”.

Freddy, being part of the middle-class, was likely born into a not too badly off family, though not a rich one. Likely enough to live at least semi-comfortably compared to the lower classes. That’s likely why he was able to pay to attend school to become a lawyer. Despite this, none of his family are ever mentioned, which makes me wonder if they were a bit distant, potentially focusing on themselves or their own work rather than caring or showing much meaningful love to Freddy. In any case, Freddy still had high hopes. His social status and education had given him confidence, and he had high hopes for his future, with his goal always being to earn money and wealth (he was a “gold digger”). He might’ve thought things would be easy since his deduction 4 says “People tend to trust hard-workers. You need to seem hard working, at least”.

Despite his friendship with Leo, Freddy had fallen hard for Martha, who he saw as completely perfect and someone he couldn’t live without.

We know he wrote love letters to her frequently, including one in 1878 that shows just how head over heels he was for her. His desire to be with her despite the fact she was already with Leo was already very strong back then.

“Martha:

You said that you fear I can’t give you the sort of love you hope for? My beloved lady, I swear on Gowd’s name that my love for you has no reservations.

My love for you burns so brightly that day and night, I am unable to sleep. When I think about your family, my heart suffers from the flames of envy. When will you be able to reciprocate my feelings?

Loving you

Freddy Riley

1878”

This love doesn’t go away. His desire only burned brighter over time. Especially as Martha likely did return some of it, and if Freddy did grow up without being shown much love, he likely latched onto it like a starving man to food. This could be backed up by how Freddy in his diaries says “What do people do for love? Fresh flowers, love letters, vows, marriage. I made fun of it all in the past. Until I met you, Martha. After which, all of my principles, all my dignity, completely vanished.” This seems to imply Freddy looked down on and didn’t believe in the concept of “love”, which likely has several implications about his own family and how he grew up.

It makes me wonder if Freddy’s initial disregard towards love was because of his parents. Maybe his parents had a falling out, maybe they didn’t truly love each other, or maybe even 1 of them cheated on the other, which could explain why Freddy would mock even concepts like “vows” and marriage. Maybe his parents even divorced.

In any case, any of these sort of ideas would explain why Freddy’s parents are non-existent in his backstory as well as why he felt the way he did about love initially, not to mention if his parents weren’t happy with each other, or if they did cheat or at least didn’t have a happy marriage, that could imply Freddy wasn’t shown much love, and thus why when he did finally encounter someone he loved, why he might fall so far for that person.

Freddy was blinded by love as well as jealousy over Leo, someone he saw as beneath him due to Freddy’s feelings of “class superiority” (according to Freddy’s 3rd letter). Yet despite this, Leo had a more successful and happier life than Freddy, which leads to him developing deep resentment towards Leo and eventually to begin planning a way to have Martha all to himself.

I wonder if it’s possible the reason why Freddy might see what he’s doing as ok could have been because of his own parents, as in if they really did break their marriage vows or even cheat on each other despite their marriage. Maybe that could be partially why Freddy didn’t care as much that Martha was already married.

We know Freddy continued to woo Martha, before eventually proposing to her. This happened some time before Lisa had even turned 8 or 9 years old. We know Freddy didn’t force Martha, only tried to win her over. Martha obviously was tempted, which leads to her and Leo arguing more and more. Lisa said that her mother told Leo that his “clothes were always dirty”, while Freddy was always a clean looking “young gentleman with a suit and shiny hair”. Leo was the owner of a small factory, while Freddy was a financial advisor (and potentially of a higher class based on Freddy’s 3rd letter mentioning his feelings of class superiority). Considering Freddy saw himself as part of a “superior” class, I wonder if him being part of a higher class was partially why Martha was temped (why else call Leo “dirty”, especially when she’d been living with him for some time and knew why he was “always dirty”).

Leo doesn’t comment though. He knew just as well as Martha that this wasn’t something he could help since he had to work at his textile factory. It never bothered him though. All that mattered was taking care of his family. So he let Martha criticize him without saying any such harsh words back at her.

According to the Christmas event, Emma didn’t really understand who Freddy was, referring to him as “that man” that she “didn’t like”, as well as “an uncle who wore glasses” that her mother took her with one time to see a play. Freddy was likely the one to take Martha to see the play as part of him trying to be with Martha. Emma said she “didn’t really get it and I wasn’t in the mood anyway”, with her main concern that she wishes Leo had been there with her.

Considering Leo’s failure to attend, it is possible he knew Martha was spending more and more time with Freddy. Leo was a trusting man, so I don’t think he even allowed the thought that Freddy was doing this to win Martha over from him. He didn’t like it, but I don’t think he could ever tell her no. Even though they were arguing at this time, I believe he still wanted her to be happy, and hoped with some time apart after their argument, things would get better.

Some time before the proposal, Freddy (as a financial advisor partnered with Leo) suggests to Leo that he invest in Minerva Arms Factory. Martha was concerned and asked for Freddy to be honest regarding whether this was a “good investment plan”, to which Freddy responds by saying “if the investor had sufficient experience and capital, this would bring him immense wealth”. Martha initially trusts him (though still believes it would be better Leo didn’t invest in the arms factory).

It's at this point that Martha leaves Leo and Lisa. It is also described as a “secret departure” with the description “Leave before they notice and maybe then you can avoid heartbreak”. Before leaving, the last word she says to Lisa is “sorry” (she likely saw her mother before she could completely sneak away, probably when Leo was working before he could return). This to me, combined with her actions, shows us that Martha didn’t love Lisa nearly as much as Leo did (or rather that there were other things she loved more).

She does leave a letter for Leo, informing him of what she was doing even though “I know I'm about to do something really bad”.

In her goodbye letter to Leo, she says “For the sake of Lisa, however, please consider carefully the investment we debated” and tells him she hopes “you will make a wise decision”. If they “debated” this topic before, and Martha is saying to consider it carefully for Lisa’s sake, I wonder if that was part of the reason why Leo and Martha were “quarreling”. Maybe Leo was arguing that he believed he should invest in the factory while Martha tried to argue against it, and their arguing over it was part of the reason Martha decided to say yes to Freddy.

Near the end of her letter, she tells Leo “Take care of Lisa, and find a more suitable woman for yourself” (find a “more suitable woman for yourself” makes me wonder as to the meaning of these words. Considering Freddy sees himself as of a “superior” class, maybe she means “suitable” as in someone of a more appropriate class for Leo, while she wanted to be with the higher class. Or maybe she’s saying suitable because, just like how she’s doing something bad, she wants him to find a woman who is more faithful than she is). Then, just like with Lisa, she tells him “I’m really sorry” (I wonder how sorry she really is because, if she truly meant those words, would she still have left them?).

Even more symbolic is how she closes the letter with “Martha Remington” instead of “Martha Beck”.

In any case, Martha is gone, leaving Leo and Lisa to fend for themselves.

Based on how Martha describes Leo as someone who “wasn’t smart” and “didn’t have any investment experience, not to mention capital”, I wonder if Leo was someone who grew up without a formal education like Freddy had. Leo may have been more of a self-made man, someone who might’ve come from a poorer, simpler background but managed to make a living due to his personal characteristics and hard work. He wasn’t a rich man, only the owner of a small textile factory, but he was happy and made the most of it.

We know from Emma during the Christmas Nocturne (2020) event that Leo was good with his hands, as we learn he used fabric from his textile factory to make her dolls (including 1 of Emma herself). He’d made 2 “bodyguards” for her doll, but Emma says she was never able to see them (likely the 2 dolls Leo uses in game, and Emma likely didn’t see them because that may have been when she was sent to the orphanage or when Leo died).

We can see from Leo’s accessories that he’s made her other toys as well (including a slingshot and a hot air balloon model). The descriptions for these accessories tell us that Leo loved Emma. She was his world, and he’d do anything for her.

The Christmas event informs us of the same thing. Emma tells us that she’d always get 2 presents from him on Christmas. 1 was her birthday present, on December 21st, and another was a Christmas present, but he’d hide her birthday present until Christmas, and put both of them under the tree for her.

For the last Christmas Emma had with her father, he told her “this little tree of yours will be filled with so many presents next year that I won’t be able to see your little face”, which shows how much he wanted to do for her (if he’d been able).

We don’t know how long Leo and Lisa lived on their own, but we do know Leo did end up buying the Arms factory, and it was some time after doing so he learned that the factory had an over “4-figure debt”. Even Martha in her letter to Freddy says, despite how “Leo wasn’t smart”, she states “Yet even the dumbest person knows not to spend money to take on extra debts”, which tells us Freddy, who knew about the factory’s debt, purposefully hid this fact from Leo. This is evident as Freddy, in his deduction “Covert Jealousy” mentioning how he cut Leo out of the picture of him with Martha and Lisa, states “He should disappear from here or not appear before my eyes again”, while the very next deduction about the Factory and its debt is titled “False Affection”, with the description including “Lend a helping hand for greater profit, not brotherhood.”

We know Leo did what he could despite the debts, as Emma during the Christmas event says he sometimes came back with a “semi-finished gun made in his factory”. Emma didn’t like the guns, instead preferring the dolls Leo used to make, which he likely stopped doing once he’d incurred the debt from the factory (I wonder if he had to sell the textile factory to try to help pay off the debt for the arms factory).

Lisa seems to have occasionally gone with him to the arms factory, potentially because he couldn’t leave her at home by herself or because he had to work extra long in an attempt to pay off the debt.

This debt puts an incredible strain on Leo, which causes him to begin to change from the person Lisa originally remembered him as. He starts drinking (to forget the pain and sorrows of reality) as well as selling items from their home (to help pay off the debt. He also might’ve “destroyed” items that used to belong to Martha in drunken fits of rage). Lisa describes her emotions at that time as “I don't know what has happened, but this feeling is awful”.

Unfortunately, Leo is no longer capable of caring for Lisa due to the fact he is drowning in debt, especially now that he’s begun spending some of their money on drink. As a result, he’s forced to send her to an orphanage while she’s around 8 years old.

We know Leo married Martha in “Devonshire”, meaning that’s also where they likely lived. Freddy’s business was also in Devonshire, with the specific stress being “583 White Sand Street, Devonshire”.

This means Leo and Freddy lived close by (and I imagine Leo’s textile factory wasn’t too far away either). It also means that they lived on the same street as Kreacher’s orphanage, which was “13 White Sand Street”. Kreacher’s advertisement says this is the “first orphanage on White Sand Street”, and if he was the first and thus only one on the street, it’d make sense that Emma wouldn’t have much choice but to be sent to his.

Sometime after Lisa was sent to the orphanage, Leo sets the Arms Factory on fire. Based on the fact that Leo’s 3rd letter takes place on December 21, 1897 and the fact it says Leo has been experimented on for 10 years, with the experiments on Leo likely starting right after the factory fire, the fire itself had to have started on December 21, 1887, on Emma’s 11th birthday.

According to a letter he sent to Lisa before this (Leo’s 2nd Letter), we know Leo intended to have Lisa receive the insurance money from the factory fire, as she is listed as the “beneficiary of compensation”. He basically explains in the letter his desperation to find “another way to make money”, as nothing he’s been able to do as been enough to settle the debts. Though as we never hear about Emma receiving this money, it’s possible there was an issue (such as she wasn’t of age yet).

Despite what he’s about to do, we can see once again that Leo is doing everything for her. He still worries about Lisa being fed enough and being kept warm. He also reassured Lisa so she didn’t think that she was “unwanted”, and informed her that her mother leaving had nothing to do with Lisa herself. He ends by warning her “not to trust people too easily. Live for yourself. You won’t get lucky by being nice. It took Father too long to learn this lesson”. This seems to show Leo has realized that Freddy tricked him, as well as show Leo changing further to no longer be the kind, trusting person he once was. Considering he calls himself a “useless Father”, this tells us how Leo feels about himself regarding his inability to sufficiently care for his daughter, as well as proves what his primary concern has always been.

Despite the fire, Leo survives but hides while he recuperates, making everyone think he’s dead. Due to the fact one of the walls says “I will find you” as well as based on Leo’s deduction summary stating he “brewed his own revenge plan”, we know Leo’s focus right now is to get revenge on Freddy.

At some point before he can do so, he was taken to Sacred Heart Hospital and used as an experiment. These experiments included memory erasure, forcing him to forget so Leo would stop getting “uncontrollably excited” on Emma’s birthday to ensure the “daily experiments” went more “easily”. Leo’s 3rd letter states that the experiments went on for 10 years. Whether Orpheus was the one to take Leo or not, we know Leo was definitely used by Orpheus during Emma’s game to punish those who broke the rules, as well as used as the hunter for Emma’s game. And considering some “mysterious man learned that ‘Cinder’ is alive and where he can be found”, someone that has been “writing more frequently these days”, a someone that is male based on “his probing”, it is more likely Orpheus is this other person that found out Leo was alive and likely blackmails the one who does currently have Leo to have him handed over (to Orpheus and the manor). Which just leaves the question of who is the author of Leo’s 3rd letter and the one who’s been experimenting on him for 10 years, which I’ll get into shortly.

Next: Asylum Analysis Part 2

(End: Asylum Analysis Part 3)

[ladymoony-art]

On going mission: find as much survivors as we can

Luchino has decided to scort Freddy, the misterious helper that appeared out of nowhere in the Miskatonic Shelter, insisting he could find survivors still alive

IDK guys I just, like this idea so much

I love connections the COA's lore

[withered--s0uls]

People on Tumblr apparently like me rambling so uhm uhm

Hi is anyone here into Identity V? Specifically Axe Boy/Robbie White and Dolores White Lore??? Because if yes then I might have an excuse to pick my doc of info complication on them back up... I'll wait until April 25th for Robbies next letter, but once we get that I could like make a huge post about me analyzing/interpreting their lore 👉👈

[woesunf]

I don’t care, I’m 100% biased, these are the best maps in IDV.

“White Sand Street is un-kiteable and a nightmare for hunters” no, just get good /j (pls im joking it’s so hard to play i know)

I’m so saddened… ITS SUCH A LITTLE PERCENTAGE OF ACTUALLY GETTING THE MAP

I got WSSA naturally ONCE. IVE PLAYED THE GAME FOR SO LONG.

I go into training mode just to see the map lol.

I remember insane asylums were a SUPER HUGE interest for me as an underdeveloped 12 year old, and that never left, and became even more once netease grabbed me by my shoulders and handed me Emma Woods.

Unnecessary info but my obsession started from Misfits High (Roblox) 😭😭😭

The lore runs deep there too…

Also Leo’s memory music 😫😫😫

It’s so good.

Also I found out they added new Easter eggs on Arms Factory.

Playing IDV again feels exactly the same but with just a few changes to leave me questioning things.

[douyinvids]

by 小魚 @ xiayuanyyds

thank you, white sands spawn

[vivaesc]

Delusions that will have me sent to the white sand street asylum….

[oletus-writer]

Andrew NSFW Alphabet

Warnings: nsfw

(Some parts are from this post)

A = Aftercare (what they're like after sex)

His first instinct is to hide himself, to not face how embarrassing the situation is, regardless of whether or not he wants to be there and pamper you. Andrew doesn’t have experience at all, and doesn’t know that you’d need to stay behind and make sure the partner is alright.

B = Body part (their favourite body part of theirs and also their partner's)

He doesn’t have a favourite part of his body, but if ask him his least favourite part, the list never ends. Maybe his hands aren’t that bad - sure, they’re scarred, but the warmth he feels when your hands intertwine is the sweetest honey. Of course, he loves every part of you; you’re the saint that his pilgrim hands can’t touch. He’s especially fond of your face, as it is seared into his memory, lest he forget it when you inevitably die. He definitely would have a locket with your face in it, if you permit it.

C = Cum (anything to do with cum, basically)

While he’s a virgin, he also doesn’t cum immediately. His skin is rough from the years of work, and while he is somewhat sensitive, the knowledge that it is you, the person he loves, he’s having sex with is the thing that tips him over the edge. His cum is light and stringy, and a moderate amount comes out.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

While semi-public sex isn’t his thing, there are some times where he finds himself rather distracted in matches, regardless of what you’re wearing. He also wouldn’t mind sex in The Red Church, if it’s only the two of you, pressing you against the altar and worshiping you like you were the only god present.

E = Experience (how experienced are they? do they know what they're doing?)

He has no idea what the fuck he’s doing.

F = Favourite position (this goes without saying)

Andrew enjoys vanilla, missionary sex, although it’s slightly off putting that you can see his face throughout the whole ordeal. No doubt he looks hideous while he’s cumming. Doggystyle fixes that problem, although that would mean he cant see your face, either.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

He’s a stammering, shaking mess, and therefore won’t have enough energy to think of jokes. Perhaps tell a few to soothe his nerves, although he might misinterpret it and think you don’t want to have sex with him. He would appreciate it more if you sat him down and told him stories of your embarrassments in sex, and encouraged him to do his best.

H = Hair (how well groomed are they? does the carpet match the drapes?)

There wasn’t anyone who told him he had to be neatly groomed, and if you are, he’d suddenly feel very self-conscious. He doesn’t mind if you are; he doesn’t see much of a point in shaving.

I = Intimacy (how are they during the moment? are they romantic?)

Sex, to him is an intimate thing, saved for his lover alone. While he might not prepare candles (might set the manor on fire) and wine and dine you (can’t cook a good steak) beforehand, the act is intimate in his heart. He thinks it’s one of the things that ties the souls together.

J = Jack off (masturbation headcannon)

He was raised as a Christian, so he was taught not to touch himself, as it was a sin. However, he began masturbating after he met you, when he couldn’t keep his lust under prayer and reflection.

K = Kink (one or more of their kinks)

He’s pretty vanilla - degrade him, and you’ll hurt him, let him tie you up and he feels uncomfortable, etc. While he’s willing to try things to an extent, you’ll have to be patient when introducing him to your kinks.

L = Location (favourite places to have sex)

There’s always the lingering paranoia that someone would stumble upon the two of you in his room, even if he’s locked the door. The beds in White Sand Street Asylum are a bit of a safer bet, but it’s dirty, and who knows if that map would suddenly be in commission. Besides, an abandoned building isn’t the most romantic place to have sex in… For now, he sticks to the bedroom.

M = Motivation (what turns them on?)

He’ll be turned on even if you’re wearing the most prude clothing. The way the fabric falls from your figure, how you move, etc. His mind would overthink everything, and a kiss on the cheek where your hand lingers makes him realise how busy he was with matches, and how he should make up for it.

N = No (what turns them off?)

He doesn’t like degrading, as it makes his insecurities worse, and he’s less likely to try to have sex with you soon after. He also doesn’t like degrading you either, as he doesn’t want to put you down for whatever reason.

O = Oral (do they prefer giving or receiving? how skilled are they?)

Both giving and receiving oral gives him anxiety - he’s worried he’d mess up, and he doesn’t like how the attention given to him makes him feel self-conscious about his reactions. With that being said, he prefers to give oral, as worshiping you feels natural.

P = Pace (are they fast and rough? slow and sensual?)

He prefers a slower pace, whether he’s giving or receiving, although he can’t deny being at the receiving end of a rough pace doesn’t feel good.

Q = Quickie (their opinions on quickies)

Andrew doesn’t understand the notion behind quickies, give him head before a match as a ‘good luck’, and he might just change his mind.

R = Risk (are they experimental? do they take risks?)

As I’ve said before, getting him to try out new things would require a lot of coaxing and patience, and there’s a limit to what he’s willing to try. Anything between daddy links and roleplay, he’s willing to try, but anything kinkier than that he’d pass.

Andrew doesn’t like taking risks, especially those that may impact your health. Being a gravedigger, he knows how many diseases the body can carry, and won’t stand for unprotected sex.

S = Stamina (how long do they last?)

Andrew, while a virgin, does have good stamina from his exercising, and if he’s not emotionally drained after one round, he can go for another.

T = Toys (do they own toys? do they use them?)

He doesn’t know of many sex toys, and usually won’t use them. Of course, if you ask, he’s willing to put a vibrator in your hole while you suck his dick, but he’s somewhat hesitant to get the same treatment. Although, he might be willing to try some on himself, in private.

U = Unfair (how much do they like to tease?)

He doesn’t like teasing - he’s far too willing to give you whatever you want. There are also times where he thinks he’s being too harsh denying the things you’re begging for.

V = Volume (how loud are they?)

He tries to suppress his voice, at first, but when he’s more comfortable, he’s moaning and grunting. You won’t hear much dirty talk from him, as he’s much too shy to say such a thing. He’s also rather hesitant to communicate during sex, as he doesn’t want to disappoint you, so you’ll have to prompt him by asking if it feels good, etc. Sit him down beforehand and have a conversation about good communication during sex, and be stern about it, and then maybe he’ll tell you how he’s feeling.

W = Wild card (a random headcannon for the character)

If he’s in a polyamorous relationship (think VALE), he’s more than happy to stay on the sidelines and watch. However, if you’re in a monogamous relationship, he’s adverse to the idea of sharing.

X = X-ray (let's see what's going on under those clothes)

As he is an albino, his dick is as pale as the rest of him, flushing red at the tip when erect. It’s about 5.6 inches (14.2 cm), and a bit thicker than average.

Y = Yearning (how high is their sex drive?)

His sex drive is a bit lower than average, as his heightened anxiety makes it hard for him to think about sex; the drive mainly comes from wet dreams and roaming thoughts.

Z = Zzz (how quickly they fall asleep afterwards)

He’s got a weak body, so regardless of the role he took in sex, and regardless of the intensity, he’ll be a tired mess. Perhaps you could convince him to drag himself out of bed for the day, but it’s unlikely he would be able to function as a normal person. It’s either sleep or a poorly programmed auto-pilot.

[athanasius-symposium-of-writings]

I swear rank is gonna get me in trouble lolol and fuck tht asylum map i never see it!

Rated Explicit | Warning: ploy ship of josecarl x reader

You know that texture! You grip the edge of the counter in front of the monitor in the security room in the White Sand Street Asylum.

This is not a place you have ever seen before and others tried giving directions and tips about this place, but it is a large map. Rarely is it used, but the match is here today. Along with a selected group forced to wear costumes for this match.

Aesop, Norton, Eli, and you all dressed like patients of this time. You suspected Joseph would also have an outfit to match this weird theme.

The Hunter is dressed like a doctor which is actually scary to think about if this was an actual running hospital with Joseph as the medical director, oof.

“Enjoying yourself?” He knows answers based on how tight and wet you are from him only teasing your clit with these gloves. “So needy.”

You try not to lose focus on where the last survivor is.

Hard to do as Joseph is behind you on his knees fingering you with gloves that are exactly like Aesop’s gloves.

“Perhaps we should turn on the intercom to tell the grey little mouse you are fine.”

You whimper, tears in your eyes from overstimulation. He has been toying with you since eliminating Norton and Eli, his attention immediately going to you the second he got Aesop to use his coffin to save himself.

“Only one cipher completed, quite the unlucky match for them,” Joseph says as the monitor screen switches to normal multi-camera view showing the Embalmer running around trying to figure out his location in this maze of mental hell.

“Please, please, merci!” Crying out as he brushes against that lovely sweet spot inside of you, curling and abusing the spot he knows too well.

“I taught you one word and you use it well, mon chéri.” 

“Gl-gloves!” Trying to form words.

“Something I added to be… Immersive. Seems you rather like them with how wet you are.”

Because it feels like Aesop's gloves! You found comfort in those things, it is that texture you often feel holding your hand or face when he kisses you with his mask on.

“Joseph, ah, Aesop…”

“Should be here soon after he finishes the final cipher.” Pulling his fingers out and standing up, “Speak his name.” Leaning over you to turn on the intercom, “Nice and loud for our grey little  mouse.”

The cry of his name in a long moan as Joseph fucks you in the monitor room is so shameful, your cheeks burn and your mind is becoming numb.

Though this relationship with Aesop includes Joseph as a third to assist in your sexual needs, you both realize Joseph can have moments of… Being rather… You are not sure what to call them outside of inspiration.

Fucking you while he knows Aesop can both hear and walk into the sight of you being an absolute mess.

“No, no, his name, not mine.” Correcting you after slapping your ass, “Good.” As you chant Aesop’s name.

The gloves, the texture of his pants, the sterile clean smell of that costume.

It is not hard to picture Aesop, that is Joseph's intention as he knows you would always want the other but respect his boundaries. Thus why Joseph is the third, he can satisfy himself with you and enjoy a comfortable consensual voyeurism.

“They're going to cum, Aesop.” Speaking up, pass your babbling nonsense, “I shall leave them at the exit gate closest to this location.” So calm as if he is not railing you much for his enjoyment.

When you cum it is your lover’s name on your tongue, not Joseph’s, your legs giving out and he pulls out to watch you fall to the floor with his cum staining the already unclean floor.

[indieblueart]

whats maeve's deal?? shes so cute!

OUGH TY FOR ASKING!!!!

Maeve is an IDV oc, with her game title being “Dollmaker”. She’s a quirky, sharp-tongued, and upbeat gal with a passion for dolls, especially the three haunted dolls that always accompany her; Megaera, Alecto, and Tisiphone. However, under the surface, she’s a cunning and ruthless woman with more than a few skeletons in her closet.

Backstory and more info under the cut; content warning for murder, death, and child abuse. More info can be found on her lore doc here.

Maeve’s ability to interact with the deceased comes from a near-death experience when she was quite young; her uncle (Baron Shithead McCarthy), who adopted her after her parent’s death, attempted to kill her in order to take her inheritance for himself. However, the gunshot did not kill her, it just barely missed her heart. Waking up later that night in a grave, she dug herself out and walked back to town, much to the surprise of everyone there. She recovered, but the incident changed her quite a bit. After her little brush with death, she began noticing things that others could not. Primarily, she could see and talk to people that didn’t really exist, fragments of memories from ages gone by. She also learned that these memories have “homes” in the form of places, things, and even people.

Upon voicing these oddities, however, her uncle quickly declared her hysterical and had her shipped off to White Sand Street Asylum, a place chock-full of ghosts for her to practice her new abilities on. She quickly gained a penchant for being a sharp-tongued troublemaker with her hands in every other incident, damaging valuable equipment and generally causing a good old ruckus. This is where she gained her three ghostly besties: Alecto, who was stabbed, Megaera, who was electrocuted, and Tisiphone, who was mauled. She was able to transfer them to new “homes” in the form of dolls she made out of old clothes she snagged, making them her little partners in crime. While she was there, she also befriended Alice for a short time, retrieving her doll and fixing it for her when she first arrived.

After several years at White Sand, it was clear to most everyone that there was nothing actually “wrong” with Maeve, and any attempt to test on her was more likely to hurt several people then yield any results. Several staff there had even come to appreciate her spitfire personality within the Asylum’s depressing walls. On the down-low, she wasn’t really treated like a patient anymore, instead simply left to her own devices, it was safer for everyone that way. Noticing her passion with sewing, several of the staff there offered her more sewing supplies to work with, with which she went on to create toys and clothes for various patients there. Maeve found a lifelong love for crafting and gift-giving, with every tired smile and spark of hope pushing her towards her newfound dream.

When word of her improvement reached back home, her uncle sent word for her to return, as she was almost of a marriageable age. Maeve, however, had been nursing quite a grudge against him since his little murder attempt, and fighting fire with fire had already gotten her this far. Several days later, Baron McCarthy is nowhere to be found, and the only change to the house is a strange doll in the likeness of the Baron. Maeve takes her inheritance and uses it to purchase a small storefront, where she begins selling her crafts. However, the town soon starts experiencing some mysterious disappearances….

Maeve’s murderous tendencies are rather strange, for her, it’s a form of justice, making sure nobody has to suffer like she did. She targets abusive parents and relatives, especially those who go after children, whittling down their sanity with her ghostly friends until they repent their ways, go mad, or, if she decides it’s necessary, eliminating them entirely. She’s well aware that it’s dirty work, but for her, it’s a necessary job only she can take on. Even though she’s genuinely quite cheerful, she plays up the silly, naive persona to sell her act, keeping a well-maintained front while her friends are at work behind the scenes.

In all other fields, Maeve could be considered a very good person. She loves children, regularly sending money and toys to orphanages in her area and giving clothes and protection to the homeless kids that hang around her shop. She dotes on the spirits that make their homes in her dolls, regularly going out to offer safe places to memories that would otherwise be exorcized, and many locals know her as a wonderful conversationalist and a very helpful member of the community. Her “justice” is her little secret, and she intends to take it to her grave.

I don’t have toooooo much about her game just yet but the main points so far are!:

Maeve comes to the manor not on a game invitation, but on a commission; someone from the manor asked her to make a doll in the likeness of a very particular blonde-haired little girl, and requested a personal delivery.

Orpheus is participating! Maeve clocks him as a Bad Dude(TM) immediately, because every single ghost in the manor HATES him. Most of the preliminary events are Orpheus/Nightmare and Maeve playing logical 4d chess with ghostly possession against each other while the other players are very, very confused.

Maeve escapes! By the skin of her teeth, but once she’s figured out what Orpheus is really up to, she books it out of the manor before the actual game even starts. She goes into hiding for a bit while she turns over a new leaf about the whole murder thing and decides to make up for her past mistakes as best she can. Once the manor burns, she regularly returns there to collect the various memories lingering there and grant them some sense of respite.

Also more art of her because,,, I love she,,,,

If you have any more questions, feel free to ask! As I said above the cut, her lore doc, which contains some info about her skills and deductions, can be found here.

[ladyandthewalrus]

IDV Characters and Their Birthplaces

A reasonable number of people seem to have liked my previous chart of IDV characters and their social classes/income levels, so I thought I’d whip up another charting where the characters were born.

This chart operates on a combination of canon information and reasonable speculation including historical precedent and additional info from characters’ birthday art and the real people they are based on. It is not meant to crap on headcanons in any way, just chart the likely makeup of the cast as written (also! The United Kingdom and especially England and Scotland have lots of immigrant populations from across the world, but especially other parts of Europe, Asia and Africa).

Feel free to consult the list of everyone’s class backgrounds here, keeping in mind that we are taking for granted travel across the Atlantic was out of reach for members of the lower class and we are assuming that while IDV does have fantastical elements, given the heavy focus on class differences, money (and the need/desire for it) and the desperation created by poverty in many characters’ backstories, it is taking into consideration how expensive it would be for characters to get around. So we see more characters from North America and continental Europe who are from middle and upper classes make it to the manor, with a few exceptions like, Helena.

Also important is that on a grand scale, a lot of the events in IDV intertwine extremely closely. It is a small world full of fuckery, bad science, and occultism that seems to mostly be happening centered in one area, with Oletus Manor, Lakeside, White Sand Street Asylum, the Arms Factory, and Scared Heart Hospital all located within the bounds of one unnamed county/shire in England. Baron DeRoss definitely has an extensive information network that spans continents, but plenty of the characters in the story are locally sourced, as it were.

Let’s get going!

Born in England:

♡Margaretha/Natalie/Natasha: Likely born in England. She was raised in Lakeside Village, which is a stone’s throw from Oletus Manor based on this map from one of the art books. Although here referred to as LakeView, I think it is very fair to assume the name was changed in translation or slightly altered, but is meant to be understood as the same place, as many important in-game locations are in close proximity to each other and the water from Lakeside has unusual properties used in experiments by various parties at other lore-significant locations. Her uncle’s family is poor, so she was probably not born far from Lakeside. In terms of her ethnic background, her deductions mention her family eating borscht, so they probably hail from Eastern Europe originally. Her uncle’s surname, Hayward is English, and her adopted surname Zelle is Dutch and German.

♡Freddy: Freddy was present at Emma/Lisa’s first birthday party, suggesting a long friendship with Leo and having lived in the unnamed shire/town a long time too. He also makes several classist and xenophobic comments throughout the diaries of his manor group and is noted by the experimenters in his recent birthday letter to buy into Victorian England’s stratified class system and contempt for the poor. The Riley surname originates specifically from Yorkshire and Lancashire in England.

♡Memory/ Alice: Born in England to a noble father. Although the accents of the characters as portrayed by voice actors in English are really inconsistent, with the English Emma having an American accent, it is worth noting that both Memory’s narration in the Season 19, Essence 1 trailer, Alice’s words to Orpheus in Time of Reunion, and the off-screen voice of her mother in-game during Time of Reunion all make use of upper-class English accents. The surname DeRoss is an anglicized version of a Dutch surname.

♡Emily/Lydia: Emily is partially based on the English serial killer of infants, Amelia Dyer. She also worked early in her career at several locations on the map attached above, making it likely she was born somewhere not too far away. Her family is middle class, meaning she could reasonably be from anywhere in the United Kingdom as members of the middle class could move around within adjoining countries with relative ease. The surnames Jones and Dyer are both English.

♡Robbie: As an orphan taken to what became White Sand Asylum, he would have been from the surrounding area. His surname White is either English, Scottish, or Irish in origin.

♡Emma/Lisa+Leo: Leo’s ill-fated factory was located in the town directly by Oletus Manor. Given the timeline of events, with him burning the factory down when Emma was 10-11, Emma at least was probably born in this English town. The Beck surname is common in English and Slavic-speaking countries, and Woods is an English surname.

♡William: he is based off the real life Englishman William Ellis who is credited, perhaps erroneously, with creating Rugby, which did at least originate in England in 1845. The surname Ellis is Welsh and English.

♡Kreacher: as an impoverished orphan, Kreacher would not have traveled much, and there is almost no way he was born somewhere other than the contagious United Kingdom in terms of logistics. His surname Pierson is also English.

♡Tracy: If her father Mark’s clock shop being included/ referenced in the Chinatown map is anything to go off of, Tracy was probably born in England, as many major cities in the United Kingdom have Chinatowns but most are in England.  Her surname, Reznik is Czech.

♡Grace: She's a foundling that washed into Lakeside, so must have originated in the surrounding area to an extent. Her surname is unknown, both in terms of her birth and adoptive parents.

♡Kurt: Explicitly stated to have been born in Yorkshire, England. Frank is a German surname.

Born in Scotland:

♡Norton: Campbell is one of the most common surnames in Scotland, originating in the borderlands between England and Scotland. Two interesting things of note about the name 1) it means crooked-mouth, and Norton’s official art features him with a half-smile, half-frown, and 2) Clan Campbell is, to this day, not well thought of and considered to be full of violent backstabbers, which is also apt seeing as he is willing to resort to violence and trickery to get ahead in life. Norton’s skin Stray Poet/Troubadour also has him sporting the Clan Campbell Tartan (thank you @tallemy in the IDV lore discord for pointing that out). His birthday art from 2022 also features a map of the Scottish Highlands, and Scotland is known to be rich in mineral wealth, and thus, mining operations.

♡Percy: based on the character of Victor Frankenstein, who while Swiss in the novel, was based on the real-life Scottish scientists  Andrew Ure and James Lind.  For Percy to be getting corpses from Andrew, who is snatching them from an United Kingdom cemetery, it’s reasonable to think he is in the United Kingdom too, and he is a colleague of Burke, who is has been woking in England for decades..

Born in Wales:

♡Eli: His deductions and letters mention the character of Brooke Rose, a mistranslation of the name Blodeuwedd, a famous character from Welsh mythology, which tends to be fairly obscure. His surname, Clark, is generic and found throughout the United Kingdom.

Born in Ireland:

♡Keigan: The Clerk is partially based on the unpopular Irish judge and politician William Keogh. Again, although the accents employed in video materials are inconsistent, she clearly has an Irish accent in her English character trailer. Her surname Keogh is Irish through and through.

Born somewhere in the United Kingdom or British Isles:

♡Martha: Or at least “Martha” is passing herself off as the British Martha. The ideal of the “angel in the house” and Victorian womanhood Martha Behamfil fought against is inexorably tied to British class and gender values. Behamfil is likely a bastardization of Beham, which is an English surname by way of the Normans.

♡Fiona: Very little is known about Fiona’s background, but her given name is Celtic. The surname Gilman is also English with Norman origins.

♡Melly: She stared as a domestic servant at a manor, likely somewhere in the United Kingdom. As such, she was probably born in the United Kingdom, as the pitifully low wages of housemaids would make international travel legitimately impossible. Her surname before marriage, Ndlovu, suggests her father’s family hails from South Africa or Zimbabwe.  

♡ Ann: she comes from a wealthy family that falls within the geographical  range of influence of the cat cult. Her family own pastoral land where sheep graze, and sheep are in many ways the stereotypical livestock of the United Kingdom. Her surname is not known.

♡Bane: if he's working as a gamekeeper, he’s likely from the area around Oletus and knows the land well. Perez is a Spanish surname extremely common in the United States and Mexico, but also sometimes in Peru and even France.

♡Mike: A circus foundling and adoptee, he was probably locally sourced by Bernard. Morton is an English and Scottish surname.

♡Emil: Another character who would not have ranged far due to his extreme poverty, who was found near White Sand Asylum in a delirious state. His family surname is unknown, and the name Emil itself is popular broadly across continental Europe, and offers no clues.

♡Violetta: a circus foundling, based on a German performer, Violetta Wagner but probably abandoned somewhere in the United Kingdom unless the Hullabaloo and her prior employer/foster father/owner Max had international reach. The actual historical Violetta had living relatives and traveled with them.

♡Aesop: His given name is Greek (and honestly a very unique choice on the part of his mum). His Once skin previously including the Italian word for shame/disgrace, vergogna, is probably a reference to him going to an elite academy in that timeline, as many upper-class British boy’s schools included Latin, Italian, Greek etc in their curriculums. His letters to his teammates during his manor game are impeccably written, suggesting English is his first language. The surname of his foster father, Carl, is German, but the surnames of his birth parents are unknown. 

♡Andrew: Scottish Andrew theory here, and more broadly, Laz/Luz/Lutz Cemetery is within train ride distance  from Oletus Manor, making it in England, Scotland or Wales. Given his childhood landlord is buried in that cemetery, he has to have been born in one of these countries too. His German surname, Kreiss, makes plenty of sense, as Germans are one of the largest ethnic groups in the United Kingdom.

♡Orpheus: His parents were park rangers/ groundskeepers employed by the English DeRoss family. We do no know his given name and surname, as Orpheus is a nickname/alias. 

♡Ada: Ada and her father are based on the German doctor and scientist Franz Mesmer. It is highly likely Ada was born in England, given her father practiced there, and she came across Emil begging on the street when they were both children in the vicinity of the unarmed town so discussed in this post. The surname Mesmer is German.

♡Murro: A circus foundling and adoptee, he was probably locally sourced by Bernard. Morton is an English and Scottish surname.

♡Luca: 100% ethnically Serbian, based on his being heavily based on Nikola Tesla,  and his favorite  dish, ajvar, coming from the Balkans.  Active in the United Kingdom during his time working with Alva, who in turn knew his father as a young man, since the cat cult is linked to the events around the manor, Lakeside, and Golden Cave, all of which are in England. His surname, which is translated as Balsa but probably meant to be Balzer or Balzac, is Austrian.

♡Weepy/Joker: another circus foundling. He has no known surname and no proper first name either.

♡Alva: based on Thomas Alva Edison, an American with Dutch heritage. Alva and Herman, and then Luca, were working on their invention somewhere in the United Kingdom given that the cat cult got their hands so easily on Alva’s corpse. Lorenz is a German, Dutch and Spanish surname.

♡Will Brothers: orphans and circus foundlings. Their surname is German, and they don't possess given first names.

♡Luchino: fluent enough in English to conduct lectures at a college in England, and able to get to the manor by train. The surname Diruse is a nonsense name like Behamfil, but is probably a corruption of DeRossi, which, like his given name, is Italian. It is a given thing in IDV that to be Italian is to be cursed by a supernatural entity.

♡Burke: I think I’ve heard speculation that Burke is based on the Canadian architect Edmund Burke, but there aren’t many definitive pieces of evidence pointing to this besides the name Burke and a connection with architecture; the connection is a lot weaker than with other characters inspires by real people.  Lapadura is allegedly (?) Sicilian, but a very rare surname.

♡Victor:  His family seems to have been poor based on his dialogue in the Autumn Letter event. His favorite dish (and Luchino’s too) is Steak Diane, which was invented in London anachronistically in the 1930s. Grantz is a German surname

♡Edgar:  One of the few characters I can only tentatively guess about, falling into this category simply because so many of the characters are British. One of the artists Edgar is based on, Edouard Manet, was French. The surname Valden is apparently Russian, though very rare. Perhaps, perhaps, he is indeed French, and as none of the other participants of his game (José, Vera, Kevin, and Patricia) are British, they’d all be outsiders, in a sense.

♡Lucky: he is just some poor guy dressed like a 90′s kids sitcom character. I don't know. Also probably from Britain because almost everyone is.

♡BonBon: honorary inclusion. He is whatever his dad Burke is. A little Sicilian-British robot?

♡Galatea: Galatea is partially based on Camille Claudel, who was French, but she was likely born in Britain. She and her family are in the same social circles as the British Baron DeRoss, and she is mentioned to be considering traveling to Florence and Paris, which would be viable given her family’s wealth and not worthy of note if she did live in France already.

Born in Belgium:

♡Servais: Based on the real magician Servais LeRoy, who did spend a good part of his career in Britain. LeRoy is a surname specifically from northern France.

Born in Spain:

♡José Baden: He has a surpassingly common Spanish name and his favorite food is Paella. His family’s shipping activities saw them sailing frequently through the Mediterranean Sea. The surname Baden has Danish origins.

Born in Germany:

♡Jack: IDV’s version of Jack is heavily based on one of the candidates for Jack the Ripper’s identity, the artist Walter Sickert, who was born in Germany but grew up in England from the age of 8 onwards. Sickert is a fairly uncommon German surname.

Born in Austria:

♡Frederick: A HUGE number of composers and musicians were active in Austria, and specifically Vienna, in the 19th century. Frederick is mentioned in his deceptions as departing from Vienna for Paris, making it likely he and his family lived there, given his father was a famous musician. Many of them were from Polish or Hungarian families. Kreiberg appears to be German, as there’s a very similar German surname Kreisberg.

♡Marie Antoinette/Maria Antonia/Mary: This applies more to the historical Marie, as canon material suggests Hunter Mary is a woman experiencing delusions of being Marie Antoinette. Although Queen of France, she was born in Austria and lived there for the first 14 years of her life.

Born in France:

♡Joseph: fled France with his family. Joseph is confirmed to be largely based on the French inventor  Joseph Nicéphore Niépce, who even had a brother named Claude. Desauliners is a French surname that is much more common in Canada than France.

♡Vera/Chloe: Vera hails from the French town of Grasse, a hotspot in the perfume industry. Nair is apparently  (?) a Scottish surname, of all things.

♡Philippe: he is based on Philippe Curtis, a surgeon and wax artist. In his debut trailer, the map projected behind his sister shows his voyage beginning in what is either Eastern France or the Western edge of Switzerland. Surname unknown.

Born in Italy:

♡Antonio: he is based on the Italian violinist Niccolò Paganini. A celebrity musician would be internationally mobile and welcome at courts across Europe. His 2022 letter speaks of his lover, Andrea, who also has an Italian given name. His actual surname is unknown, as he is never referred to as Paganini in canon materials.

Born in Czechoslovakia/ The Czech Republic:

♡Annie: her mother was a British socialite, and her father a Czech painter. Her favoring of unconventional traditional dress despite being part of the upper class indicates she feels closer to her Czech, rather than British heritage, and as such likely grew up in proximity to other ethnically Czech people, as I doubt she would have access to that side of her culture as much had she grown up in the United Kingdom. Her 2022 birthday letter also lists her inheritance from her mother in British pounds, which would be odd to do when writing to someone who was also in Britain, as it could be assumed that was the currency in question. Her favorite food is Czech sausage. Lester is an English, not Czech surname, and it’s possible Annie identifies by her mother’s maiden name as a fuck you to her dreadful father.

Born in the United States:

♡Helena Adams: Based on the American activist and scholar Helen Keller. Her international travel was likely facilitated by Sullivan, as her family is not wealthy. The Adams surname is Scottish and English.

♡Patricia: abandoned as a baby in New Orleans, Patricia was technically born at sea and could count as being from Haiti as much as the United States. She is very loosely inspired by Voodoo practitioner and herbalist Marie Laveau, who was of French, Black and Native American heritage.  The surname she shares with her adoptive mother, Dorval, is French.

♡Kevin: his friend childhood Angelica was a member of the Great Sioux Nation, who since the 19th century have lived for the most part in the Midwestern states of North and South Dakota, Wyoming, Montana and Nebraska. His Spanish surname indicates Spanish and possibly Mexican heritage as well, given many cowboys and farmers were mestizo.

♡Demi: Demi’s birthday materials include a ferry ticket for a vessel traveling from New York, suggesting she lives in the United States.  In terms of gameplay, she doesn't give drinks to underage characters due to strict censorship, but as a lore explanation, it would make sense that (although anachronistic by a good few decades) a European would not have any problem with giving someone under the age of 21 alcohol, but an American character may be stricter about drinking age.  The surname Bourbon is French.

Born in India:

♡Ganji: explicitly confirmed to have been born in India. The Gupta surname comes from Northern India.

Born in Nepal:

♡Naib: again, explicitly confirmed. The great question is how a mercenary from the Himalayas wound up in England carrying out assassinations.  We only know him by his alias, and have no idea what his given and family names might be.

Born in China:

♡ Shiyi/Yao: the daughter of a Chinese noble. Given that Shiyi came to Oletus to find her partner, Si, I also wonder how Si wound up involved in the dealings of an English manor in the first place and how the pair came to Baron DeRoss’ attention given the vast distance. The Xiao surname is ancient, originating between 770 to 476 BC, and is very common today in China.

♡ Bi’an + Wujiu: based on Heibai Wuchang, Chinese folk deities. Their in-game lore has them as two former government officers. Fan is a very common surname in China and Vietnam, and Xie ie even more common.

Born in Japan:

♡Michiko: Born in Japan, and moved to England with Miles Donnelly. His surname is Irish, but given that Michiko’s corpse was disposed of by the Female Dancer’s uncle Eugene Hayward at Lakeside, she must have lived nearby with Miles.

🌙🌙They Came from Space 🌙🌙

♡Yidhra: an Outer God, a being in the Lovecraftian mythos defined as originating from outside our solar system. She has been on earth a long, long time, however.

♡Hastur: a Great Old One, a deity that is based on Earth but, according to his original lore, has been active on other plantets, as the work he is most closely associated with, the King in Yellow, features mentions of the city Carcosa, an extraterrestrial location associated with Hastur.

TLDR: almost everything is happening in one little area! Almost all of these people got rained on a lot and are serious about tea time. I regret using the heart symbol as a bullet point because truly there are some characters on this list I would not piss on if they were on fire, but I value aesthetic consistency and there are a few individuals on this list I would cook a four-course meal for (It’s Andrew. I want to feed him. I want him to eat a lot and then take a really quality nap). I hope all my links work. Thank you for taking the time to read this far. ♡♡♡

[eaudeeuphoria]

thinking about adamil and honestly i just love them so much!! it really bothers me when people hate on that ship. i can understand some of the reasoning why people would feel uncomfortable with it, but i also definitely think people fail to consider everything about it, and i personally have a few reasons for why i ship it.

they met before emil's hospitalization. according to emil's wiki and ada's deductions, ada saw emil while he was panhandling and noticed that he was starving, so she bought him a loaf of bread. this is one of the reasons he was so comfortable being treated by her; he remembered her kindness.

ada treats him like an equal. emil was literally treated like an animal during his time at the dog fighting pit, and when he first arrived at white sand street asylum, he was traumatized and his violent responses caused the staff to lock him in a cage and subject him to electroshock therapy and constant sedation. his entire life, he has been treated as subhuman. however, when ada meets him, she treats him with kindness and administers treatment gently. she sees through his current state and recognizes his humanity. she also tries to lower his dosage of sedatives, so that he can be conscious and think for himself. he is more than just a test subject to her. she sees him as a person.

ada asked for emil's consent. she realized her hypnotherapy was an effective way to help emil heal and recover, and she was excited to test her theories, but she asked emil whether he wanted to continue using the sedatives or work with her. emil chose to work with ada, and chose to leave the asylum with her.

ada resigns from her position as a psychologist. while she does still use hypnotherapy to help emil, she no longer works for the asylum. even though she still performs treatment on him, there isn't the same power imbalance that he would have with a staff member at the asylum.

the relationship itself is healthy. ada encourages emil to think independently, socialize with others, write in a diary, and participate in other healthy coping mechanisms. ada does have to take care of him a lot of the time because of his severe trauma, but she isn't possessive or controlling and her main goal is for him to recover.

also, identity v is a horror game so it would make sense for them to have some darker and sadder themes!! in most situations, real or fictional, i would never condone a doctor/patient relationship, but adamil is obviously a very special case. everything in this post is probably common knowledge by now but i just love them and wanted to infodump!! that's all have a wonderful day and if ive converted you to adamil let me know lmfao

[sirenjose]

Analysis of White Sand Street Asylum - Part 3

Includes Full Character Analyses for: Freddy, Kreacher, Emma, Emily, Leo, Robbie and Dolores, Kurt, Ada and Emil, Alice.

Beginning: Asylum Analysis Part 1

Previous: Asylum Analysis Part 2

Soon after, the evaluations begin.

1 of those being evaluated is Kurt Frank.

Kurt was born in Yorkshire, England to parents who, even when Kurt was young, constantly moved around. They went “from England to Italy, then to France, and then to England again”, with young Kurt always surrounded by “all kinds of adult travelers”. Unfortunately, his parents are described as never paying him much (if any) attention: “Whenever he looked up, he could only see the tight jawline of his parents and their hurried figures that never looked down”. As Kurt is described as “working class”, it is likely his parents were the type who spent all their time and energy on their work, and thus by the end of the day had none to spare for their son. This means they likely didn’t attempt to help Kurt to really understand all the foreign places they took him too. Based on how he was surrounded by “adult travelers”, it is likely much of what he encountered wasn’t a place for kids, and possibly due to his parents’ work.

Everything was huge, confusing, and overwhelming, leaving Kurt feeling “small and powerless and out of place”. This is no surprise considering the constant moving left Kurt with no stability, making him feel unsettled and disconnected, like he had no safe place to call home. He also had no guidance or support from his parents, leaving him feeling neglected amid chaos. And without any form of stability, he likely never stayed around in 1 place long enough to form any long-term relationships. Neither did he have much control over anything, as he was subject to his parents’ decisions.

Kurt’s backstory continues from here by saying “This early feeling of being ignored led Kurt Frank to develop a typical avoidant personality”. Avoidant personality disorder (APD) is characterized by severe and chronic social anxiety. People with this disorder have a long-standing pattern of social avoidance accompanied by hypersensitivity to negative evaluation (aka fear of criticism, rejection, ridicule, etc…) and low self-worth so pervasive that it defines who a person is. They will be easily and extremely hurt by any type of criticism in any situation. They avoid making new friends and trying new activities unless they’re absolutely sure they’ll be liked and accepted without rejection, criticism, or ridicule. They tend to be shy, quiet, “invisible” (aka tend to hide using their clothing or by staying in the background in social situations), and lonely, but they’re different from schizoid people. The avoidant person wants social contact but is afraid of rejection, whereas the schizoid or schizotypal person is completely indifferent to such contact.

Due to being ignored by his parents, Kurt turned to books to escape his reality and his fear of rejection. His backstory says it was also due to him having “trouble concentrating�� and a disinterest in going outside. His favorite novel was Gulliver’s Travels, where he “imagined he was a great adventurer and refused to accept the actual situation”. In this world, he was the hero. There was no more feeling of not fitting in. A world where everyone accepted him. He was important. He received all the love and concern he wanted here. It was also a place where he could essentially design it however he wanted, and thus a place he understood perfectly well (compared to everything else).

Even though Kurt couldn’t make real friends, he was able to play with his imaginary ones, and his imaginary world continued to expand as he continued reading.

Eventually Kurt goes to college, but his “bushy mustache” causes him to argue with others often, leading to him being an “outlier”. Unable to get approval from others, this causes issues with his avoidant personality, and he starts avoiding going to school, something that disappoints his father. He attempted to stress the importance of college if Kurt wanted to be successful in the future, like they were, but Kurt didn’t care. He couldn’t handle the ridicule and rejection from his classmates. He couldn’t even talk about his problems to his parents because they didn’t understand nor care. They never had and they never would. His relationship with them had been strained for as long as he could remember, and this on top of his problems at school was overwhelming Kurt, who was left to handle it all on his own.

Without the proper emotional support or help from anyone, he funnels his emotions into horse racing, but Kurt “lacked the vision and brains to invest” and “lost all his living expenses and even owed a loan shark”.

This forces him to completely drop out of college. His parents, left with no choice, send him into the army hoping it would “correct his behavior”.

Initially, Kurt was likely quite unhappy with his situation. He didn’t want to deal with the increased social interactions, new people, new activities, and everything. But as usual, he didn’t have a choice. Fortunately, he had been able to bring his book with him, allowing him to escape from his new reality at least temporarily.

Eventually, Kurt decides to “boast” about his “adventure experience” to his comrades. There weren’t many ways for men at the barracks to amuse themselves with, especially when far from home and family, and Kurt thought this would “cheer everyone up”.

Initially, all goes well. The other men are “captivated” by his experiences, and he earns the attention and praise Kurt has always wanted, the approval he’s never received even from his own parents.

Unfortunately, it doesn’t last. The men eventually discover Kurt had been lying and the stories he shared were only from books he read, rather than experiences he actually lived through. His skills aren’t anywhere as good as he claimed, and the men in general don’t appreciate being tricked or lied to. Soon, Kurt becomes reviled and an outcast similar to how he’d been at college.

 With Kurt’s avoidant personality once again triggered, his mental state deteriorates. He wants to prove them wrong. He wants them to know that he is a real explorer, and he has gone through all these things. He goes a bit off the deep end, and ends up getting into trouble.

Kurt had said he wanted to remain in the army for “as long as his health allowed”, but due to his increasing inability to differentiate between fantasy and reality, he is labeled as mentally ill and sent to White Sand Street Asylum. This is based on the title of deduction 9 being “Road-blocking ‘Dragons’” (dragons, like an enemy or threat), with the line “These giant, fanged...dragons! You can't stop an explorer!” essentially depicting him being taken away.

This is confirmed via the event Kurt’s Wondrous Journeys. In the event, he says White Sand Street is the center of his world. So, on the center of his map, he drew a circle to represent “the origin of my adventure, and surround it with triangles, representing trees” (via drawing a “1” under each triangle”). He later talks about people using “fears to stop you” and how “nothing but monsters and danger await you, should you ever leave”. It’s at this point he says, “If you turn these triangles upside down, they are the shape of a dragon's terrible fangs, a symbol of unknown terror, and the ultimate price—death” (and we know terror and death both happen at the asylum).

In the Asylum, we learn during his reassessment that he is indicated to have “Delusional Schizophrenia”. I’m not sure this is an actual thing, so I tried checking the translations of other versions (as best I as I could). So far, I think the more appropriate terms I saw were “delusions of grandeur” and “schizophrenia”.

Delusion of grandeur is a false belief in one’s power or importance. It may be a symptom of a mental health disorder and can cause confusion between what is real and what is not. The strength of a delusion is based on how much the person believes it. Specifically, a delusion of grandeur is a person’s belief that they are someone other than who they are, or a belief that they have special abilities, possessions, or powers.

Many types of mental health disorders can lead to delusions, including schizophrenia.

Schizophrenia is a complex disorder that causes people to interpret reality abnormally. They don’t know what sights, sounds, and experiences are real or what they are imagining. It usually involves delusions (false beliefs), hallucinations (seeing or hearing things that don’t exist), unusual physical behavior, and disorganized thinking and speech. With treatment, most symptoms of schizophrenia can greatly improve and reduce the likelihood of a reoccurrence.

In any case, Duke eventually asks Lorraine to discharge Kurt. Lorraine, who is currently the head of the asylum now that Duke has become a bishop, believes Kurt can’t be discharged due to the persistence of his delusions. Kurt claims “he had flown solo across the English Channel, possesses extraordinary survivalist skills, and is capable of the construction and operation of, including but not limited to, Blimps”. Lorraine adds that his delusions evolve “in a scale of grandiose when exposed to outside influences”. She worries, even though he is not violent now, he could pose a threat later due to his “deteriorating mental health stability and elevating delusions” and “eloquence in persuasion”.

But Kurt has other ideas. He has no desire to remain in the asylum, which he starts thinking of like he’s back at school, and is willing to do anything if it means getting out.

Life at the asylum hasn’t gotten any better.

We see in Kurt’s Wondrous Journeys how he describes the place: a “great gray structure” whose interior is all that many of the patients “have ever known”. The corridors are “long” and “lined with heavy, iron doors”, behind which the patients live, awaiting “inspection” from the “King”.

The “King” card we have during this event shows one side looking like a king, but the other is a nun. The card reads “They try to use love to lock other people down”. It is clear the “King” here is meant to represent Lorraine.

1 of the things still limiting the patients’ freedom is the medicine, which is likely represented by “Tea Time”. They were given that medicine at the “beginning” of each day.

The size of the rooms for the patients behind the “heavy, iron doors” were likely “only 52 inches long”.

As another side note, one of the other cards is of a chair that may symbolize the same one Emma used when she was getting electroshock treatment. I wonder if it could imply he got electroshock treatment while he was there as well?

Either way, we know Kurt does eventually leave the asylum to go to the manor.

What we do have is Kurt’s deduction 11. It talks about a “battle between Don Quixote and the Biscayan up close”, after which Kurt says “Obviously, I managed to get out of there”. Don Quixote being the man obsessed with becoming a knight and reviving chivalry who, in his delusional state, charges at windmills he mistakes for giants. Biscayan, who’s passing by, thinks he’s mad and, misunderstanding the situation, challenges Don Quixote to a duel. Don Quixote, driven by his delusions of grandeur, manages to disarm the Biscayan. Kurt is likely to represent Don Quixote. The Biscayan, symbolizing a skilled opponent, could represent Lorraine, who is the one fighting to keep Kurt at the asylum.

Maybe this means that Lorraine lost her argument or “battle” to keep him there, thus implying Duke forced her to let him go (or maybe Kurt somehow reasoned with her himself, in something like a battle of wits, and via his “eloquence of persuasion” was able to convince her to let him go).

Kurt may have even been the first patient to leave, potentially the same one mentioned in the asylum backstory. This is important as, after this first person, Lorraine, according to the asylum backstory, left her resignation in her office and disappeared. The Church quickly moved the remaining patients from the White Sands Street Asylum and closed it down (as ordered by the government after the locals questioned if the asylum should be allowed after Dolores’ killing spree).

Before the asylum closes, the events of Ada’s and Emil’s stories occur, though I do not know exactly when.

Emil was the youngest son of a poor couple, where he had 3 other siblings. The mother seems to have been suffering from a type of mental illness, and it was difficult for Emil’s father to care for her as well as 4 kids. As a result, he sold his youngest to an underground dog fighting ring. His new owners at first didn’t care for him, but this all changed after Emil snuck into the pit and managed to make it out alive. His owners, seeing the reaction of the audiences, decided to continue to utilize him that way for more money, and Emil was forced to grow accustomed to this life, where he saw himself more as another dog than a person.

He’d never known real love. He’d only ever been seen as an object that others only saw in terms of how to get value for themselves. All Emil knew was if he wanted to survive, he had to fight for it, and so he did. Living conditions were horrid, with him being forced to live in a “kennel” with “shackles locked around his ankles” and barely enough food to sustain himself with, and what he was given was of poor quality. He also wasn’t given proper treatment for his wounds, which he acquired plenty of by the vicious dogs in the ring that would always attempt to tear him apart without restraint, or to ensure he stayed healthy. He was on his own. His owners didn’t care if he lived or died. If he did, they could just get another dog and continue on their merry way.

Emil wasn’t satisfied with being a “plaything of nobles” and always forced to survive the dog fighting ring, so one day he manages to escape. Unfortunately, he ends up with a high fever and forgets everything, and this is when he’s taken “by the asylum who defrauded charity funds”.

The asylum uses a “staggering amount of sedatives on its patients”, including sleeping pills and tranquilizers, to keep their patients under control and from being able to fight back. Emil is so high on these that he feels like he’s “floating away”. They do this as they diagnose Emil with “manic fits” and “severe aggressive tendencies”. This is why they keep his hand “cuffed to the bed” and lock him in “solitary confinements known as the ‘Cages’”, which is only for the “most dangerous patients”.

He suffers greatly due to their painful treatments, but he “always accepted being manipulated obediently”. And then everything starts to change when he meets Ada.

Ada, unlike Emil, was from a “relatively affluent middle-class family” where “every step in her life has been strictly planned” by her doctor father and teacher mother. She didn’t have much of a childhood, as she had “few playmates her own age” and spent most of her time “communicating with adults or reading”.

She is sent to university, where she enters “the school's psychological laboratory for research”. As a medical genius, she is awarded “the position of assistant professor of psychology”.

This is likely because her father had been training her from a young age and had her watching him since she was at least 13.

Ada has been researching hypnotherapy and the “idea of eliminating a patient's pain or negative emotions with subliminal suggestions”. This is likely the 1st time she’s actually chosen something for herself, yet no one, not even her own father, a “leading authority in psychiatry”, “had much faith in me”.

She explains the issues she had with her research: “The patients provided by the academy where I studied couldn't be hypnotized while they were in pain, and after countless failures… I had to devise a new method...”. Unfortunately, her “private experiment was discovered and those people pulled the plug on my research”.

Ada thinks very lowly of other doctors who stop her from this research. Her goal is to help the mentally ill, while most other doctors just follow “the latest academic fads” and use the mentally ill for “turning profits”.

I imagine the reason for Ada’s desire to help people likely started due to her encounter 1st encounter with Emil, who she found starving in the street. She bought him bread, but her father refused to help Emil when she asked. Ada couldn’t understand why. I think from then she likely began to look down on her father’s actions. Her father was probably like the other doctors, someone who followed the latest “fads”, was primarily interested in profit, and utilized treatments that Ada wouldn’t always agree with, just like how she looks down on what the asylum is doing.

Ada says she used to utilize the same methods in the past, but “that was a long time ago”. This could also refer to potentially what she used to do in her desperation for her hypnotherapy experiments at college to work, before the plug was pulled. That would explain why she’d describe “tormenting patients for the sake of my research”.

Not giving up, Ada travels to various hospitals and clinics, looking for some place where she can carry out her experiments and hopefully find a patient who will give her success.

It’s during this period that Ada goes to White Sand Street Asylum for an “eleven-day medical training program here”.

While looking at the list of patients, specifically at those labeled dangerous, she notices “a person without a surname on the list, Emil”. She watched the doctors give him electroshock therapy, and how, unlike other patients, he “didn't seem as terrified”. “When his treatment was over, he even smiled at the doctors... A mindless, yet eerily natural smile...”. She’d never seen someone react like this: “He didn't try to avoid or resist the pain inflicted on him. Even though his consciousness was tenuous at best, he instinctively showed signs of joy”.

Eventually, she finds herself alone with Emil, who was “trembling and gasping violently”. Taking a chance, she found that “when I blew my whistle, he would become surprising calm”. Ada figures out his past based on the only possession Emil had been found with, a dog collar, and why he reacts the way he does to the whistle.

Emil is the first person Ada’s encountered who could “respond to hypnotism while under intense pain”, which was part of the reason her experiments had failed in the past. It is at this point she decides to mess with the medications the asylum was giving Emil, so Emil could be more “cognizant” even though it’d bring “greater pain”. The next day, Emil does suffer more from the electroshock therapy, but just like before, he calms down once he hears Ada’s whistle. Ada is ecstatic to finally find the “perfect candidate for my experiments”.

Ada gradually reduces his medication over the next few days. Once he was conscious enough, she tells him she’d taken away his pain medication. Ada is conflicted, and wonders if what she’s doing is alright, and seeks answers for herself based on whether Emil forgives her. When she asks him “Ada or medicine”, he responds with “Ada” despite Emil knowing this meant more pain, which relieves her worries and makes her feel “elated beyond words”.

Despite the fact Ada initially only saw Emil only in terms of him being a perfect candidate for her experiments, she gradually starts to “develop feelings for him”. She knows she is going to have to leave soon, but due to the fact she’d grown quite attached to him, she decides she wants him to leave with her.

Emil is grateful to Ada for her helping to wake him up. He says he’s stopped experiencing the nightmare about his past that’s plagued him “for as long as I can remember”. And so, when he receives a gift of a flower from her one day, not knowing what was a proper way to react in response to getting a gift, fashions a ring for her from his bed wire.

Ada is touched by his return gift, as this was the “first time a patient had shown me understanding and gratitude”. This only hardens her resolve to get him out of the asylum.

As they prepare to make their escape at dawn, Ada mentions the staff will be on high alert until then because a patient, a “young girl” managed to escape from the asylum. This is likely to be Lisa, who we know escapes from the asylum based on the fact she is using a fake name to hide her identity.

Eventually, the 2 do manage to escape from the asylum. Ada takes them to a “new home” that’s “faraway” with “no people around” and requires “getting there in a car”.

They live like this for 3 years, but unfortunately, Emil starts growing worse. “Emil has begun to have frequent headaches again, and his self-awareness is declining...I can't watch him lose himself and go back to the pathetic way he was before. I can't lose him again, my one and only love...”. His other symptoms include “Anxiety disorder, OCD, hallucinations, dementia, and recurring night terrors”.

One potential solution to her current issue comes in the form of Orpheus, who Ada 1st met while at the asylum. Orpheus is offering to try the “latest treatment” on Emil in exchange for Ada giving Orpheus the list of patient files of White Sand Street Asylum. Ada is skeptical at first, and initially directs him to her father’s clinic, who she says may be “the type of doctor who will get along with you”. This I think is a bit of sarcasm to imply she thinks him and her father are both the bad type of people/doctor that she doesn’t like. She did say she didn’t believe in his “method of finding inspiration from patients in the asylum”. However, after some amount of time and Emil’s condition only worsens, she decides to eventually agree to the deal and heads to the manor.

Besides potentially as “inspiration” for his novels, another reason Orpheus is likely interested in the patients of the asylum is because that is where Alice was sent. After the tragedy that killed Alice’s parents in 1887, Alice was sent to the asylum due to her supposedly having gone “insane”.

Orpheus wants to visit her, but is declined because Alice is currently “unstable” and they want to “minimize external stimulation” since he would remind her of “what happened in the past” which “wasn’t a great memory to her”. Instead, they tell him a “kind individual” took notice and “offered a significant amount of financial assistance to the orphanage and put together an excellent treatment package designed exclusively for Alice”.

Orpheus is less than enthused as he writes “LIAR!” at the bottom of the letter. But we also know Orpheus to an extent was right as Alice “experienced both mental and physical torture in the orphanage” (aka the asylum).

This “individual” was Villhelm Lamb, a “medical professor” that “secretly adopted” her for the purpose of using her as an “experimental subject”. It was for this reason that he took her to “Melbourne when she was 14 years old”.

Her backstory states “With prolonged medication and physical therapy, she gradually regained consciousness, however, it is perhaps more cruel to live soberly in hell than to live unaware in human world”. But as we can see from flashes of her past, this wasn’t a very happy time due to all the experiments she was subjected to.

We can see that some of the drugs used on Alice included Mnemosyne and Siren’s Song. Mnemosyne is the drug that makes a person forget, and considering what we heard in Orpheus’ letter from the asylum, it is likely they were trying to make her forget the tragedy (potentially as a way to stabilize her). Siren’s Song is the hallucinogenic. Maybe they were giving her this as another way to somehow help her regain her mental stability (unless this was a mistake, but I’m not sure).

We can also see one of the people shown working on Alice includes someone who looks strikingly like Orpheus, so it’s likely he somehow managed to get himself involved to see Alice again and may be wanting to do this to her as some way to help (though it is clear this isn’t entirely a good thing and Alice wants to get away).

In any case, Alice does eventually manage to escape back to England when she’s 21, where she becomes a “social journalist in anonymity, looking for the truth about the tragedy and the disappearance of her playmates”.

We can see from her deductions though that someone likely wants to eliminate Alice. Considering the similarities, I believe it’s possible whoever this is has hired the crime syndicate that was first mentioned during Luchino’s 1st letter to go after her, with their conclusion being she needs eliminated.

Alice’s deductions 8-10 appear to be written by a different author than the one who wrote 1-7, meaning it is likely no longer the crime syndicate talking, meaning whoever hired the syndicate has hired someone else to go after Alice. This new hired person seems to suspect that Orpheus and Alice are “much closer than expected” based on Alice’s deduction 8. Considering Norton’s 2nd letter, it is possible he is this new person hired to go after Alice. There’s also how this person says they initially believed Alice’s “recklessness and bravery were just a front”, which is very similar to how Norton calls the female he was to target as “arrogant”, before Alice’s deduction 9 continues by saying they realize this was a mistake, “it is neither a front nor bravery”. This is likely because Alice’s “sense of fear” is “significantly weaker than normal” after the experiments Villhelm put her through. The last deduction, where it asks what the subject thinks she saw vs what she actually saw, which can relate to how during Ashes of Memory Alice sees Mary and Fool’s Gold instead of Frederick and Norton.

[ladymoony-art]

Father Duke outed Kreacher as a thief to steal his orphanage...

[withered--s0uls]

PART [1/2]

Part two

A patient lost control and led to numerous casualties in White-Sand-Street Asylum. Fortunately, such patient didn'ttry to escape. [...]"

-

This took me 6 fucking hours and idek how I feel about the finished piece- oh well here you go

-

IDV Lore incoming (possible mentions of all prior CW experiments & other Robbie Deductions)

Okay but I genuinely adore Dolores as a character so much, she and Robbie deserved so much better. They were so happy with their parents and then lost them so suddenly, Robbie not even being aware they are dead. His second deduction implies Dolores arm was removed by force, I wonder if it's connected to their parents death? Then the following months she did everything to protect Robbie as he's all she has left and she cares about her little brother; throwing out the meds used on him (and if shes unable to, taking them herself), repeatedly asking to share a room so he won't hurt himself climbing around the building, not telling him whatever happened to their parents... and then the night of his death she wasn't there to protect him. She was taken away to a room, implied to be under the influence of the amnesia "meds" we find in-game (not recognizing Robbie at the time), he wants to check on her because he hears his older sister screaming but the window frame is too broken and next thing she knows her little angel is gone. "Since they've lost their humanity and the asylum is basically hell, I may as well bury everything here!" I'm convinced she's the one who attacked staff & possibly other patients, as a way to make WSS pay for especially Robbies but also other patients/children's deaths...

[janitorbot]

Can you make senes of the gardener’s latest letter because it confuses me on her relations page it says she understood her father and planned to avenge him but in the latest letter it seems she forgot who her father was i don’t get it

There are two sides to the Gardener.

Back in White Sand Street Asylum, Lisa Beck received electroshock therapy, which can change the brain chemistry enough to induce long term memory loss and personality changes. It's likely that this gave birth to "Emma Woods," a more upbeat identity that further distanced herself from her previous identity as Lisa Beck and the associated abandonment trauma.

But that doesn't mean Lisa Beck - the girl whose mother left her, father put into an orphanage, and the nice volunteer doctor who cared for her disappeared - isn't gone. That jaded, vengeful girl who misses her family and doesn't want to be alone is still there. That's why Gardener would overly attach herself to comfort items (Mr. Scarecrow) and later to people (the Doctor) because the experimental drugs and severe stress would get to her.

If you read her Experiment File, the Writer (who's only human and biased) thinks that Gardener is a schemer pretending to be sweet and innocent. But in her latest letter (which isn't a diary page so who knows if the Experiment File Writer read it or not), it shows that the Lisa Beck inside Gardener is acting out beneath the Emma Woods identity and is ready to bring hell on earth.

The TLDR: Emma Woods and Lisa Beck exist inside Gardener. Emma Woods does not know Hell Ember, but Lisa Beck recognizes her father.

[dxy-drxxm]

SYNOPSIS: Ghost hunting is a term she'd never find herself using again. Not after she's seen what she shouldn't have.

CW/s: tragedy levels of horror (slightly exaggerated), implied gore, animosity, unresolved conflict (that gets on hold) and character death(s? yeah). Please, please dni, this fic is purely sfw but it will go through the darker topics for a bit.

NOTE: inspired by the song "the dentist's swamp" (both survivor and hunter side), recent entry for @i23kazu's ebg. Its honestly an excuse to write smth horrific (IDV AU)

Entering White Sand Street Asylum, the match begins like how they are used to, and especially with where the embalmer found herself in.

Or, well, what should be something that she's used to. After all, she didn't realize that things could change way, way too swiftly.

Avoiding the blade sent by the queen, Furina, the ferrylady kept sprinting from the beheaded ruler in all of her glory. 2 ciphers had been decoded, but they needed to do 3 more, and they lost a member in the cruel game of 'hide and seek'.

It was a shame, really. They were sure that Emilie, the perfumer, would've been able to avoid her should they have relied less on her perfumes and more of her surroundings.

"I thought that an embalmer like you wouldn't have given her the chance of rebirth," the queen seem to call out, their chase continuing as she tried to hinder her with the mirror and fail. "What made you change, hm? Did something happened?"

"Like Hell will I tell you," the embalmer retorted, vaulting a window and slipping inside the next room over the hall. "After all, you'd use what I say against me and everyone else."

The hunter laughed as she narrowly avoided a big glass shard after her, lowering her body before she scrambled up and away. She could vaguely hear the sound of fabric hitting wood as she left the church, her shoes slamming on the ground as her heart raced a million miles an hour.

There was something to be said about getting chased by something that can, in simpler terms, drive one mad. And surely, she would've learned how bad it is to catch a hunter's attention by now... But she didn't.

If anything, it was almost like she was compelled to do it again. Maybe it was something that she couldn't deny, as she has yet to learn her lesson on how to deal with the residents.

Or to even pay attention to where she's heading.

In the midst of it all, she found herself panting, heaving as she tried to get the lady in red away from her. But when she felt that hope was too far from her reach, she felt a hand yank her wrist and pull her over.

She was about to flinch and pull them away, but she fell short when she saw who it was that was trying to save her.

Placing a finger on their lips, they kept crouching behind the abandoned furniture as they heard the soft humming of the hunter. Their heartbeats were beating rapidly, but it didn't took long until the hunter has left the vicinity. At least, for now.

"... There," the novelist whispered, letting go of the embalmer with a sigh. "We should be safe from Madame Red. She's not the brightest like the Photographer, but we should stay cautious. Who knows when she's coming back?"

... Ah. I forgot, she thought somberly. When it comes to matches, they're not the type to joke around... How careless of me.

"... Of course. Although, with the pace we're going I think she will find a difficult time finding a new survivor to go after," the woman explained, standing up to pull the latter as well, facing the once wiggling cipher. "After all, that man is not one to kid around in a match."

Ah, the 'Prisoner'. I have never known what his story is, but to think that someone would have the utter audacity to demote a Warden from his position...

"Mm, but that's besides the point," the novelist muttered, seeing the injuries she retained. "And especially when you were kiting Madame Red, too. Are you okay?"

"I'll be fine," she replied, albeit her tone did sound a bit cold. "I hadn't been hit hard enough to be impaled, thankfully. She's not good with a mirror shard than a sword."

At the corner of her eye, the novelist's mouth seem to open... But it closed, though she did catch the sight of a small frown.

Ah.

"You worry too much, Navina," the embalmer added, reaching over to pat their head. Still, she saw that the frown remained.

It seems she's done it now... How unfortunate.

"I know, I'm just... I suppose being concerned over someone is a little unnecessary," they added, grabbing her hand to pull it away. They turned their head to the cipher, beginning to work on it once more.

"Anyway, let's focus on the match first. I don't want to delay any second we have over something you don't want me worried about."

Charon's eyes narrowed, but she said nothing. Walking over to their side, she began to turn the cogs, making sure that the machine worked as it should be.

...

The silence is oddly deafening. It was almost hard to ascertain how they're feeling, especially when she's aware that her words led them to be so quiet. Even if they are friends, there were bound for disagreements to arise between each other.

Such is the way of life, especially in a manor that's hellbent on setting itself up for manslaughter with everyone's grim experiences.

The only sounds that surround them were the laughter echoing from outside, the slams of pallets and groans, and even the eerie clangs of the bell when the hunter regained more of her power.

Charon and the others were familiar to the sound. It was haunting as it was enchanting, and even she couldn't deny, she gets scared the more she hears it.

Maybe it reminded her of those church bells that were too big for one to deal with and use, or even those in Eversleeping Town, wherein the 'ringing' you'd hear was the tram's arrival. Whether it's goal was to simply cause a freak accident or for a hunter to be sent off flying for being too careless, she didn't knew.

In those moments of her lack of self-awareness, she could vaguely hear someone calling out to her. It sounded familiar, and yet she continued to ignore it, like she wasn't planning to see who could be bothering her.

"...ey..."

Just what goes on in the manor's walls, anyway? Was there something that no one understood?

"... H..."

Were the others here for a different reason, perhaps? Was she here for someone else to use her like a puppet?

"...ro...!"

Just... what's going on? And who even is she? What even are they?

"Look out!"

The piercing sound of shattered glass caught her attention, and the feeling of time slowed down as she watched the scene unfold in her very eyes.

Death was not uncommon in the world they live in. In a way, death felt akin to the sweet release that they can get from each of their matches. But to the embalmer, it felt like a harsh slap to the face.

Blood seem to pour out right in front of her as the novelist took the hit. The mirror shard had went through to their body, but from the look in their eye, they seemed far too relieved to care of their current predicament than anything else.

"Oh, good... You're finally aware," she heard them say, but it was short lived when the object was yanked from their chest, letting them stumble and fall on top of the embalmer.

No.

Catching them, blood began to pour on her attire out of panic. She could see the queen wipe off her bloodied shard, which didn't give her enough time to process everything.

Hoisting the severely injured novelist, the survivor dashed off, hearing the laughter from the hunter as their hearts began to beat as wildly as it can. Although theirs stuttered as they lost blood at each step, this only pushed her to go faster.

She needed to go someplace safe, someplace where she can safely embalm them, even if the process is as painful as it gets.

"Breathe for me, okay?" the embalmer told them, hoisting them up so their head would rest on her shoulder. "Come on, I need you to breathe. You'll be okay. I won't let you die."

"You won't...?"

"Not if I have a say in it," she hissed, vaulting another window and pallet. The sight of the walls around them seem to deteriorate the longer she carried the injured survivor, causing her to grimace.

She never liked the memories associated with White Sand Street Asylum. They're as unpleasant as they come, and the two were able to attest to it.

After all, the first few times they came to the asylum, it was due to a somewhat foolish quest.

Klee, the youngest survivor, had asked her and a few others if they could explore back then. She has heard of multiple rumors of the asylum being filled with ghosts, and unfortunately for the child, she hasn't been told of the horror stories with them.

And just like any other child who's yet to experience the scare of a lifetime, she asked her, Albedo, and Navina to investigate with her and see if the ghosts were really lurking from down below.

Safe to say, though, the embalmer knew too well of the outcome and made sure that she didn't get to see the things that they had to.

She couldn't forget how it felt to step foot in the halls of the abandoned asylum the first time. She couldn't forget how it felt as though time ceased to move when she caught sight of the bodies laid in some of the rooms, some of them covered with a stained gray cloth, but the stench being putrid like no other.

Klee wanted to see what it was at first, but catching whiff of it had made her stop asking. Even Albedo made sure that the other two can walk through it, his hold on the younger child firm.

It was only when they reached room 13 that she saw an unsightly view of one of the newest patients in the vicinity.

It was too difficult for Charon to explain what she found, but every time she found herself recalling, it was almost like she wanted to hurl. And as bad as it sounds, she knew that it was the safest place they can go.

No man or monster would come a step near that room, and that was their only option for a refuge.

Skidding down the halls, she slipped for a moment before running to her right, making a slight turn to dash towards room 13. The door was open, so it didn't took long for her to slam it open with her right side, barreling in.

Side stepping, Charon pushed herself back and closed her eyes, pushing all of her bodyweight and theirs to close the door shut.

Ca-chunk!

...

The strench was stronger than last time, she notes. But it was the price she had to pay, as its for the sake of their safety.

And it would seem that it paid off, considering their heart beat stopped thundering when the hunter got near. She did screamed in disgust at the smell permeating from the room they're in, making her chuckle.

Ah... It was worth the effort.

Looking down at Navina's body, she laid them down. She needed to ignore the monstrosity of the patient's body that used to reside in the room, since the novelist had passed out.

Turning to the door, the embalmer opened it up enough to let light pass, this time turning to see the damage on the other survivor's body to see what happened.

... Sheesh.

Pulling the handle of the case off of her arm, she opened it and grabbed the items she needed.

No time.

She raised the syringe she retrieved, and the scalpel she had always thought of carrying for an emergency extraction.

It's time to operate on a patient.

@.dxy-drxxm | do not republish, repost, or copy my works anywhere | 2024