#wicked act one

[briarlovesclara]

Choices and Consequences: A Wicked Analysis

"If Movie 1 [of Wicked] is about choices, then Movie 2 is about the consequences." -- Jon M. Chu, interviewed by @/mayaegbo on tiktok

Here's the thing: there's a pivotal choice that is presented to each of the main three (Elphaba, Fiyero, and Glinda) at least once in every configuration within the two acts (of the musical, presuming this transfers to the movie):

Character A asks Character B to run away with them.

Often this is talked about in the context of Defying Gravity, but it actually happens TWO TIMES before that! And it all starts with...

Now, this is the movie's rough draft, so the scene does change slightly on screen, but it's for dramatic emphasis and the important part's fairly consistent through both the musical and movie. Same for the rest of these :)

Fiyero asks Elphaba to run away with him, albeit temporarily, to do a criminal or socially unacceptable act. Elphaba accepts this, which jumpstarts their relationship in earnest (in contrast with him asking her to ride with him and Feldspur in the forest, where she denies what would be an understandable request).

The next example of this situation, interestingly enough, shows to be the exception to the rule.

Elphaba asks Glinda to come with her, and Glinda accepts. What makes this different from the other times? There is a) no loss if she accepts, and b) active gain. Even though she can't expect to get her heart's desire, meeting The Wizard and even going to the Emerald City is huge for anyone, especially someone like Glinda!

The heartbreaking effect of this being the first time someone asks Glinda to come with her is that the audience may be prepped to think she will say yes in the future. Maybe she's just adventurous; maybe she'll follow Elphie anywhere, or can't bear to miss out on excitement. The rug pull is that she won't always say yes, and you deliberately are able to mischaracterize this choice until she makes a different one in Defying Gravity. Speaking of which...

Elphaba asks Glinda to come with her again, this time to truly become a criminal, wanted and unwanted, to cast herself out from society irrevocably... and she can't. Glinda refuses.

Some people like to talk about the tragedy that by the time Glinda would have come with her-- at the end of the story, maybe-- it's too late. And I agree that if she ever reaches that point, that's true. But I want to make it clear that this isn't just an Act 1, pre-time jump way of thinking.

I don't have script for this one, because the second movie isn't out yet, and it's not included in the musical script provided in The Grimmerie, but Fiyero asks Glinda to run away with him to find Elphaba in the middle of Thank Goodness after Glinda says that she hates staying and listening to the slander about her. Not only does Glinda refuse, she admits that it's because of the glamor and love she's grown used to. Crucially, she asks who could give it all up, and Fiyero answers, "you know who could, and did." (Pretty certain that's the wording.)

Fast forwarding, we get to the Wizard's Throne Room. There's no way that Elphaba would ask Fiyero to come with her-- but he decides he's coming anyway, and she accepts.

Now we get to Fiyero's only denial of Elphaba-- in Munchkinland, when it's obvious that he is going to die either way. If he tries to run, they will both be caught and killed. If he stays and dies, she has a chance, so of course he's yelling at her to go without him.

(And maybe, just maybe, he's paralyzed with fear and guilt, staring down the barrel at Glinda as he yells to Elphaba, unseen behind him. Despite it all, he can't seem to turn his back on his fiancée. He won't leave her again.)

Finally, Fiyero and Elphaba run away together in the finale. That's not an ask, is it? But Elphaba wants Glinda to know. She's hesitating. Fiyero starts walking, but she holds back, and he reaches out a hand to her and says "come". After a pause, she follows him, and he puts her hat on as they leave together. So as it started, Fiyero asks Elphaba to come with him, and she accepts.

But wait, you might be saying, what about Glinda? When does she ask either of them to come with her? And the answer is that she doesn't, not explicitly, because that's not who she is.

Glinda wouldn't ask someone to come with her, because she'd never be caught doing something that needed persuasion. The other two are the revolutionaries, who inspire the best in her, but just like she doesn't go through with following any serious rebellion, she doesn't incite it, even as a joke.

That being said, she does tell Elphaba to do something big one time: when Glinda asks Elphaba to listen to the Wizard and Madame Morrible at the end of Act 1. Then, during Defying Gravity, she says, "Listen to me. Just say you're sorry." Even when she is finally trying to convince someone to do something rebellious, it's rebelling against what Elphaba knows is right, her sense of justice. The audience should have known by the time Elphaba asks Glinda to come with her that it wouldn't work; the Glinda that begged Elphaba to let go of Animal rights for her own comfort would never fly away from a life in the Wizard's Palace.

Some loose ends with Glinda:

Glinda similarly asks Elphaba to come with everybody else to the Ozdust, but she leaves without her and we know where that motivation came from.

I can't think of Glinda directly asking Fiyero to come with her anywhere, besides discouraging him from leaving with Elphaba in Act 2, which I don't feel like counts.

So yes, Jon M. Chu, choices and consequences. The two best words to describe this incredible story :)

[sirazaroff]

I dedicate this post to the funniest beef ever

[iwasbored777]

The way Glinda looks at the statue and she throws the torch so quickly to burn it, I think it wasn't just that she was pretending to be ok with people celebrating Elphaba's death but because she hates this image of Elphaba. She hates the "Wicked Witch" because she knows that this is not who Elphaba was. She'll never see her friend again but this image will stay, even though it's not true. And she tells the story hoping that someone will understand.

[bunnieswithknives]

Mostly familiar stuff, but I'm doing my best to keep it interesting ! Dorothy was surprisingly hard to draw at first, but really fun and cute once I figured her out :3

[Prev][Next]

[moghedien]

imagine you go to a school where everyone fawns over this one girl who is like this preppy little air head who's hyper focused on her appearance and her social standing who just all of a sudden starts getting really attached to her goth roommate who does really good academically, to the point where the goth girl gets invited to go meet the president and discuss a future career in the government.

and on the day the goth roommate is leaving, the preppy popular girl has a public falling out with her boyfriend, announces to everyone she's changing her name in solidarity with her teacher who was arrested for being a radical, jumps a train heading to the capital without telling anyone she's even leaving, and then the next thing you hear about her is that she's a political prisoner being held by the secret service and her goth roommate is the most wanted fugitive in the country and is on the lam

[jellynotbees]

I decided to give lamb a nickname! I realized for like 95% of the story they won’t be using their actual name (and would react poorly to anyone using it) so I needed Something for Narinder to call them because he’s kinda nosy and wouldn’t believe they had forgotten their name at this point

This will tie into a future comic :)

[sukibenders]

Glinda mentions to Elphaba how Fiyero can't stop thinking about that moment in Dillamond's class, or that he's having thoughts in general and how it worries her because it's not something she's used to from him (which is him thinking about actual things), in contrast to Elphaba, who doesn't seem all that bothered and, even more so interested in the manner when Fiyero brings up how he can't stop thinking about when they rescued the lion cub. I don't know about everyone else but for me, even with this scene probably being added for lighthearted value, I also see it as another piece in the puzzle cementing how Fiyero's and Glinda's actions will, eventually, either pull them closer or further away from Elphaba. I lowkey don't like it when people act surprised or confused as to why Glinda was spelled or get annoyed that Fiyero is in her place but I, personally, don't think she would have helped in that moment, specifically in the movie.

Prior to the train scene, Glinda is shown to, not only, be completely rude and spoiled (as shown with her literally fainting over not getting her way), when in class, she publicly points out Dillamond's inability to pronounce her name correctly even though it's an obvious struggle, parading in front of the class how easier it was for her other teachers to do it, then being dismissive during the rest of the lesson when learning the importance of history and why to learn from it (correct me if I'm wrong, as it has been a minute since I've seen the movie). All that already tells me that she doesn't really care for the animals' cause, let alone enough to follow Elphaba and Fiyero into the woods after stealing the lion cub and I think, subconsciously, Elphaba knew that. In fact, I can only see Glinda trying to sway them to leave the cub and how what their new professor wanted to teach probably wasn't all that bad (not saying that she would want the cub to be harmed, just that she would try to rationalize what's going as we've seen her do before). This is the same woman who, after learning that the Wizard was a fraud and responsible for the missing and harmed animals, still tried to justify his actions and berated Elphaba for not "acting accordingly" to the news, but yet we still think she should have been there to save the lion cub? That she would have helped those animals alongside Fiyero and Elphaba? I think it could allude to how Glinda could/will be used to help further push propaganda for the Wizard, especially given how it benefits her socially, as figures of propaganda often don't think too hard, or enough to critique the system around them not because they aren't smart enough too (for the most part), but more so because they understand how their world works and understand the consequences that follow when stepping out of line.

You don't have to like Fiyeraba or even find Fiyero interesting, but to purposely ignore what the movie is presenting you is such a cop-out. Fiyero enters the film being a sort of anti-establishment-like character, caring little if he gets kicked out of Shiz for breaking the rules, or just hardly caring in general (something Elphaba calls him out for), and so on. Why wouldn't he be down to rescue the lion? Even if it was to just feed his rebellious streak, he still would have gone, but when he and Elphaba meet, he's on a talking horse and they are conversing like lifelong friends. That might add another layer to the pair saving the lion. Even if he wasn't on the same level as Elphaba at that moment, the train scene shows that it had a profound impact on him that he couldn't shake. I think, had he been presented with the choice of joining Elphaba or staying, he would have gone, not only for her but also because he now knows that the Wizard is a fraud and most definitely wouldn't stand for what he [Oz] is doing. This is what sets him apart from Glinda which, isn't necessarily me hating on her but just stating facts. Glinda isn't/won't be willing to sacrifice her position and what it brings her, until it's too late (which is the tragedy of her character and her relationship with Elphaba), while Fiyero risks everything, even to some extent his own body (Scarecrow) and, in the end, gets to stand with Elphaba.

[just-an-enby-lemon]

"The kid seems scared.

Tip had always been a little nervous. Or at least that was the reality when the two had met.

It was fairly obvious for everyone that met them that the child had not been treated well by their formar guardian and in a way that Elphaba sadly recognized still seemed to afraid of facing the same pain and rejection again.

Still lately the kid seemed more relaxed and open, treating her with the same easiness and earnest they did Jack. More determined to learn than eager to please. Following her around with questions and vibrating with excitement as she turned wooden sticks into dolls and toy swords alike. It made her think of Nessa in a very bittersweet way.

She failed her sister and she would not allow herself to fail another young person she became responsable for.

That's to say Tip's strange turn to the same scared kid she met soon after leaving her behind and being declared and enemy of Oz scared her.

"Miss Elphaba, I have something very serius to tell you."

Maybe they want to leave. They are not in fact different in the same way Elphaba is. Tip is a normal if deeply magical child who just ended up in the care of a horrible woman. Being her aprenticce is actually the only thing turning them into a dangerous and hated figure.

"I understand."

The kid takes a deep breath. Elphaba tries to think on the best words to explain that of course they can leave if they want to and that they can take as many provisions as they need. Tip will never again be a prisioner.

"I don't think I am a boy? Wait no. I know I'm not a boy. Like the idea of it is still a bit scary because it seems like it will be a big deal but I'm fairly sure I'm a girl actually. I just never though about it before but Jack called me she accidentaly and it just makes sense. I am still the same Tip and please let me keep being your aprentice." She says in a single breath.

"What?"

The girl looked scared. "I'm a girl." She says. Than in a smaller voice. "I can try to be a boy if you want?" It does not appear to be something she wants and the fact she still sugests it breaks Elphaba's heart a little.

"Oh! Oh. No, no, that's fine. Do you want to be called something else?"

Her eyes go huge and she stops deep in thought before answring.

"Uh. I guess so, but I'm still thinking on it. I don't mind Tip for now."

"Okay, tell me when it changes?"

"Will do."

"Anything else?"

Tip looks a bit shy for half a second before a excited smile covers her face. "Could you let me borrow a dress?"

Elphaba laughts.

"You are too tiny for my dresses, kid. But I can help you magic one for yourself. "

Her eyes shine. "Cool!"

[...]

"Morrible says you'll marry some prince soon." Dorothy says making a face.

"I don't see why you are soo distraught, my dear, I'm pretty sure she'll find me a great prince." Glinda says with false cheer.

"I doubt it. Princes are all very dull."

"Met many princes did you?" She jokes lightly, trying to find a way to change the subject. She loves the kid dearly and for all it's bleak consequences will always be glad the tornado ended up bringing the girl into her life but she would preffer not to discuss those subjects. Specially not in her own bedroom in a rare moment of relaxation.

"Well no." The girl pouts. "But most boys are dull and I can't imagine liking to marry even the ones that aren't. I guess I just thought you were the same? I'm sorry."

"No need to apologize. And I sure hope marriage is unimaginable for you, you are way to young for it."

The girl smiles a tiny bit before frowning.

"I can imagine myself marrying a girl one day."

"Oh!" Is all Glinda says.

"I told Aunt Em once she told me to never say it again, she told me I was too young. But I'm ten now and I feel the same. " Dorothy rarely talks about home, sometimes Glinda tricks herself into beliving it is because her the kid just loves Oz better, that she forgot all about it, but she knows deep down that Dorothy will always miss Kansas, always miss her uncle and aunt and Toto, she just accepted home as a place she'll never return to. In the good days Glinda knows Dorothy would also miss Oz, would miss her munchkin friends and mostly would miss being Glinda's apprentice. In the better days she thinks about bringing Dorothy's family here. After all Kansas always seems sad and hungry. "Girls don't marry each other in Kansas." She continues. "But I though maybe they did here. "

"I think they do everywhere, Dorothy, is just some people pretend they don't because the different scares them."

"Like the Wizard and the animals?"

Glinda had only recently convinced Dorothy to only speak her very dangerous beliefs on the Wizard in private and even there she sometimes corrected the kid. But right now it felt too much like liying to Elphaba she couldn't do it, not when she knew Dorothy to be right.

"Yeah. Just like that."

And after a second she adds.

"Between us, I would also like to marry a woman".

Dorothy smiles, just a little bit.

[...]

She knows she should not be here.

But it's fun, she likes the dancing and the food and the small chance of going back home with something that can actually help Elphie. Maybe a magical item or even just some usefull information.

Besides the girl she is talking to is very pretty and fun and smart and she is not open about it but she's definitivaly not the biggest fan of the Wizard either. Oh and a great dancer.

"I'm sorry" the girl says "but I think I did not catch your name?"

Now it's the moment to say something clever like 'i never gave it to you' or maybe just invent some fake name. She can't say her name. It's too easy of a conection to make. But she doesn't need to lie. After all it was never really her name. And she has a name now. Has had it for days and just keept it a secret in some weird form of fear. But it felt like time. She would tell it to Elphie and Jack when she went back.

"Ozma. I'm Ozma. What's yours?"

[...]

Dorothy had never had so much fun at a party before. Her new friend was the most beutifull girl she ever met and the funniest and cleverest and it had never felt so easy to talk to someone before. In fact the only thing Ozma didn't appear to be was a good dancer but Glinda had teached Dorothy well and she found herself leading the other girl steps into the best dance she ever had.

She noticed Ozma did not gave any surname but it was not her place to pry. She just hoped to mert the girl again.

"Dorothy." She says and takes the hand. For a second she considers continuing in the way she was instructed to (Dorothy Upland at your pleasure and a kiss to the hand) but while she loves Glinda that's not really her. And she somehow trusts Ozma enough to be honest. "Dorothy Gale." She shakes the hand just like Uncle Henry used to.

[presidentofspace]

Hot take: the reason Glinda is so absolutely crushed in Act 2 when Fiyero leaves is less because she’s in love with him and more because it’s an entirely too familiar reminder of Elphaba leaving her (and Glinda not being brave enough to follow).

Glinda in “Thank Goodness” is Fiyero in “Dancing Through Life”— someone who’s consciously choosing the smooth, privileged, faux-ignorant path because it’s much less risky than actually acknowledging you care. Fiyero tries to play the part with Glinda a little while longer, but he can’t keep it up.

Because he doesn’t want it—he can’t want it—anymore. ;)

When Fiyero leaves with Elphaba, it’s a reminder of what Glinda couldn’t do. What she still can’t do. It’s got to feel like the moment in the attic all over again.

[lesbianshadowheart]

I love the way Glinda copies Fiyero…..’our first fight’->’let’s not quarrel’, the flower in hair move, the way she copies his moves in the Dancing Through Life scene. you knowww she wants to find the prettiest girl and give her a whirl

[feinv]

John Wick x fem!reader pleaseeee 🥺 angst angst angst

turned out longer than planned. hope u like it bby <3

john wick x female!reader. fluff. angst. mentions of wounds. reader can’t stand up for herself bear with her.

he has been taking more jobs lately, more often than not getting out of bed at an early hour when the sun was just peeking over the horizon, and coming back well past midnight, leaving you all by yourself in the walls of your big mansion.

you were on the couch, legs crossed as you watched him put on his bulletproof vest before packing his body with guns, rifles, and knives. you could already feel the tears threatening to burst, but decided to speak up anyway. “could you stay?”

his head snapped towards you, stopping in his actions, “what?”

“n-not right now i mean…in general. could you stay home more? you are always away…” you explained, fighting everything in you not sound like a fool, whispering the last part more to yourself than him.

his eyes went back to his firearms as he continued getting ready, “you knew what my job was when we started dating. don't act like i blindsided you,” sounding like a harsh statement.

oh. you were taken aback by his serious tone, unsure how to react since he never talked to you like that before. but again, you didn’t really engage in an actual conversation with him this past month, so it was hard to say if he was acting unlike him or exactly like him.

“why are you complaining now?” you flinched at his harsh tone, snapping out of your thoughts, "my work takes up a lot of my time, and you were aware of that,” circling around to get his full magazines, “I can't just drop everything for you,” annoyance dripping from his voice.

your eyes were following his movements, immediately focusing at something else when he looked back at your figure. “i know that. but that doesn’t mean i can’t want more time with you. is that too much to ask for?” you anxiously fidgeted with your fingers, silent tears now streaming down your face.

john felt a tingle of empathy for you, but his anger and defensiveness got the best of him, and he retorted, “don’t guilt trip me for doing my job.”

“can you just…take one or two a week?” your face etched with pain and frustration, voice cracking as that lump in your throat just won’t let go.

“my reputation is on the line here. taking days off isn't practical," he dismissed you, closing the locks of his artillery filled case.

“please, john. just hear me ou-”

“no,” he cut you off spitefully, heading towards the door and muttering “don’t stay up for me,” before slamming it shut, unbearable solitude enveloping you once again.

3:17 am

naturally you would’ve been asleep by now, but you couldn’t stop wetting the pillows after your fight, turning and tossing around in the bed, trying to doze off, but nothing could help.

you heard the tires of his mustang drift against the gravelly porch of your house, followed by the sound of the front door opening, then closing.

you could hear him pouring himself a glass of bourbon and crashing down on a couch with a heavy sigh. having memorized all his routines, you knew he wasn’t the one to drink after job unless he needed a painkiller. and despite him shattering your heart today, it still ached with worry. you got out of the covers and took the first aid kit from the bathroom before slowly making your way to the living area.

you stood there, like an awkward child, contemplating if you should just drop it and leave him like he left you, or following your heart. you settled on the latter. he heard your footsteps before your form came into his vision, craning his neck to acknowledge your presence, dark eyes scanning your body as you approached him, straddling his lap and opening up the kit.

his face was littered with wounds, some not too serious, others cut quite deeply, his once slicked backed hair disheveled with a few strands covered in dried blood.

with a trembling sigh leaving your chest, you started working on cleaning his face, dabbing it gently with alcohol dipped cotton ball.

“told you not to stay up,” he murmured before eliciting a wince at one of the deep cuts. your cheeks were wet again, and you didn’t even know why were you crying anymore. because he was hurting? because he hurt you?

it didn’t matter as his thumb wiped at your soft skin, his deep voice whispering in the dark, “i’m sorry.”

you stayed silent the entire time, refusing to squeal a sound at the fear of making a total clown out of yourself.

“i’m sorry, sweetheart. i’m an idiot,” he continued, his other hand gently caressing your thigh, “don’t cry because of me,” which made you break down completely, stopping your actions and burying your face in his chest.

he wrapped his arms around you, holding you as you weeped, rubbing your back in soothing circles. “i’ll do as you wish. i promise,” he stated in your ear, whispering i love you as you cried yourself to sleep in his strong embrace.

[aquitainequeen]

I've been reading some excellent posts about the character development of Elphaba, Glinda and Fiyero and how this dictates who ends up together and who ends up alone at the end of the story, and I thought deeply upon the fact that:

all three of them are on a journey to gain a brain, a heart, and courage.

Elphaba starts the story already deeply intelligent, but while she's very loving toward her sister, she's emotionally closed off and afraid of losing control of her power and hurting people. She grows close to Dr. Dillamond, opens up to and befriends Glinda, develops a crush on Fiyero, and is eventually motivated by her empathy towards the plight of the Animals of Oz. By the end of Act One she gains the courage to take the Grimmerie for herself to boost her power, to defy Morrible and the Wizard and to bear the hatred of all of Oz for years afterwards.

Fiyero starts the story jaded and apathetic, pretending to be unintelligent, self-absorbed and shallow as he finds it's the easiest way to get through life. He even gets a whole song about how life is ultimately meaningless and it's far better never to try and achieve anything. Then it emerges that he's actually quick-witted and empathetic when he helps rescue the Lion Cub and starts to seriously think about the state of Oz. He falls hard for Elphaba to the point that he spends years trying to find her, but while he originally began to date Glinda because they were 'perfect together', he stays with her because he does genuinely care and doesn't want to hurt her. Roughly half way through Act Two and reunited with Elphaba, Fiyero finds his courage; he gives up everything to join her in defying the Wizard and Morrible's regime, saves her life very nearly at the cost of his own, endures brutal torture and a horrific transformation, and immediately sets out to help her once more. And he's potentially the one who comes up with a trick that not only allows them both to be free, safe and together but which eventually liberates Oz.

Glinda starts the story apparently genuinely self-absorbed and shallow, and while intelligent she's also spoiled and sheltered, finding methods to get her own way and move through life without much thought or effort. She wonders why Dr. Dillamond keeps going on about the past and is enrolled in Morrible's sorcery class purely because Elphaba wanted to repay her; while she repents of the way she initially treated Elphaba and comes to consider her a dear friend, she's far less empathetic to the fate of Dillamond and her renaming herself in solidarity with him is mostly to curry favour with Fiyero; she refuses to join Elphaba in her rebellion against the Wizard because she doesn't think it's a fight that can be won and she doesn't want to give up the position she has or the power she could achieve. Throughout Act Two Glinda goes along with the Wizard and Morrible because she doesn't dare risk losing what she's gained, she doesn't think of how she could use her influence to help those whom the regime is targeting and, while she loves Elphaba and Fiyero, she's very quick to turn around and lash out at her friend when Fiyero 'chooses' her and breaks Glinda's heart. It isn't until the eleventh hour that Glinda truly starts thinking about the methods of Morrible and realises she deliberately killed Nessarose, tries to stop the witch-hunt and rushes to save Elphaba from doing something irredeemable by hurting/killing Dorothy. Glinda's cunning in taking advantage of what she's learned about Elphaba's parentage, her courage in manipulating the Wizard into leaving and imprisoning Morrible, finishes what Elphaba started and Fiyero aided. By the end of the musical Glinda is wise, compassionate and courageous-

-but it's too late, because Elphaba and Fiyero are gone.

[justforthismomentalaym]

If Wicked For Good doesn't include Fiyero's sexy little lantern, I will lose it and start bawling in the theater.

(To clarify, the lantern doesn't make Fiyero sexy. The lantern itself is sexy, and Fiyero is merely a (very attractive) vessel for the lantern.)

[yourartmatters-itswhatgotmehere]

posting THIS because i didn't see anyone talking about it here yet. (IYKYK) *wicked part 2 spoilers*

from:

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more Jonny/ +wicked:

!https://www.tumblr.com/yourartmatters-itswhatgotmehere/785542358456467456?source=share

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+ "fiyeraba according to everyone working on the wicked movies: an ongoing thread" this twt thread is SO GOOD (and the op keeps adding to it!) :https://x.com/hobiesprowler/status/1936078989610848727

[nobodysdaydreams]

While I’m on a roll with Wicked posting, I gotta ask my fellow musical fans whether anybody is feeling different about Nessarose and Boq after seeing the movie?

I mean, it has been a while, but I do remember thinking they were okay in the musical: they show how they become the tin man and the Wicked Witch of the East in the Wizard of Oz story. But when I first saw the musical I was mostly focused on Galinda, Fiyero, and Elphaba’s stories. (Yes: obviously that makes sense since they’re the main characters, but make no mistake, I am not above hyper fixating on minor characters with two lines of dialogue).

However. The movie had me feeling very differently about Nessa and Boq, and I can’t quite explain why. Maybe it’s the fact that the movie let’s us have close ups of the actors’ faces and shows more little moments that the characters have together, but I really care about them now, and I’m so sad for what’s gonna happen to them.

Nessarose was so happy and excited to tell Elphaba that Boq asked her out and when Boq saw Galinda kissing Fiyero, it looked like he might finally take no for an answer and appreciate what was in front of him. Baby Nessarose was so cute and when she’s with Boq, there are so many scenes where she’s smiling and looks so happy to be with him, and Boq is so endearing with how awkward he is and how he does that thing where he stands on stuff to look taller. That meet cute moment Nessarose and Boq had during the assembly where they look over at each other was adorable too. I want them to be happy even more now, and it’s worse when I know they won’t!

Why would you take two perfectly adorable relatively kind and endearing people and turn them into (in one of their cases, literally) heartless people? 😭💔 I know the act one characters are flawed, but that’s true of all of them, and it’s not like either of them are irredeemable at this point. They show Nessarose getting upset at the Ozdust when people made fun of her sister and crying when her sister was branded a wicked witch, and even though she says hurtful things, you can tell she does care about Elphaba. And even though Boq still has feelings for Galinda he’s not being honest about, it’s clear he doesn’t pity Nessa like other characters do and won’t use that as his reason for showing interest in her.

Honestly, I don’t even care so much about whether Nessarose and Boq end up together romantically as I do them staying friends and still being loving and happy people.

[princesssarisa]

The other day, I was inspired by posts from @professorspork and @theseerasures to watch many different videos of "One Short Day" from Wicked to see how different Elphaba and Glinda pairings delivered their exchange of "Two good friends"/"Two best friends" near the end.

Elphaba's "Two good friends" can be...

*A warm, joyful assertion: "We're not just friends, we're good friends!"

*A tentative, questioning "We are good friends, aren't we?"

*A cross between the two: pretending to firmly assert that they're good friends, but clearly unsure if Glinda agrees or not.

*An overwhelmed, effusive "Oh Glinda, you're such a good, good friend to me!"

*A solemn, tender, barely-veiled confession of love: "I have to admit, you're not just a friend to me.... you're a good friend."

Likewise, Glinda's "Two best friends" can be...

*A cheerfully reassuring "Oh Elphie, we're not just good friends, we're best friends!"

*An amused, incredulous "What do you mean 'good'? Isn't it obvious that we're best friends?"

*A tender confession: "Elphaba, I say this from the depths of my heart: you're my best friend."

*A tentative "We are best friends, aren't we?"

*Tentative in a different, subtext-laden way: "I know we're something more than 'best friends,' but I don't dare say it."

This is why some of us never get tired of seeing different performances of the same shows onstage. Different actors can bring so many different dimensions to the same lines!