#workshop setup
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fantasticwombatmoon · 3 months ago
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vigilskeep · 3 months ago
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i’m experimenting with a new way of keeping minerva out of trouble (aka interfering with the later games in the series) by absolutely committing her to the entirely fruitless hunt for a cure to the calling, driven because her son is really adversely affected by the blight in his veins that he inherited from her. i’d tie in avernus and the architect and have each thread she follows let her down. it’s a pretty dark turn for the character to have her basically turn her back on her fellow mages despite all the power she briefly amasses, and say: none of that matters if me and mine can’t live to see it. but it does compel me. and it really compels me to have her fail in that as she’s never really failed before, for her to be a near ghoul in veilguard whose own experiments have done nothing but ruin her, and then to have mercy delivered by the actions of rook in whatever the fuck happens to the blight at the end of veilguard idk i don’t understand lore.
rook in this case would be elodie thorne, a character who minerva has never met before but who her actions in better days indirectly saved (if minerva hadn’t ended the fifth blight elodie would have been thrown at it as canon fodder; if minerva hadn’t spared loghain elodie wouldn’t be the strategist he taught her to be and wouldn’t have become who she did after adamant; if minerva wasn’t an inspiration then elodie’s dimming belief in being a hero might have been long since fully broken.) minerva always sets out to do everything on her own, believes she’s the only one she (or anyone else lol) can rely on, and there’s something fundamentally correct to me about not actually being able to save herself or what’s most important to her but being saved by the like, out of her own control, tremendous far-reaching effect she’s had on people
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stoshasaurus · 1 year ago
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v1 makes its own music. Ramattra listens.
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bestworstcase · 8 months ago
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Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?
Sidenote to this:
Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?
regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:
the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.
does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].
in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.
second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:
RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.
and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.
looks into the camera like im on the office.
like mother, like daughter!!!
further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:
summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.
summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.
ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,
math.
it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.
minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.
and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!
…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…
also
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<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –
third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?
summer rose, maybe.
but in the deeper sense,
where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.
and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”
cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”
<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.
summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.
what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.
and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.
anyway
to the broader question
i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.
(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)
ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.
the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao
#in general i don’t think rwby gets enough credit for how much gets set up in the first two volumes#or how well the dominoes falling in v3 is executed#like the fandom gets properly excited when things from v1-2 come to fruition but like#i think there’s a really strong tendency across the board to kind of#mentally compartmentalizing the beacon arc as this sort of#experimental prelude to the actual story. the writers figuring out how to write by trial and error#and by extension to treat these long game narrative culminations as just. ''callbacks''#or post-hoc stitching together from the raw material of the early volumes#when really it’s just. the story was planned out from the start! lol!#''oh but the maidens didn’t even exist until v3'' salem and cinder are in the first goddamned episode.#their narrative arcs were planned in advance but probably had a hole (like ‘what is cinder hoping to get out of this specifically’)#that was being actively workshopped while they worked on the first couple volumes#until someone came up with the idea that the keys to the magic vaults salem needed to open#could be people whose magic you can steal and that’s what cinder wants#this is how planning a story works you block things out roughly and refine more and more as you go!!!#ahh!!!!!#there is too much foreshadowing and critical setup in v1-2 for it to be anything but on purpose and planned#nobody has any business being surprised at this point when seeds planted in v1-2 sprout. and yet
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r4mc0des · 1 year ago
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sometimes a man's masculinity level is directly proportional to the awesomeness of his silly little workshop:
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(i was going for this sorta vibe: )
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makers-muse · 2 months ago
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Searching for Top Vendors to Set Up STEM Labs in Nagpur Schools? 
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There is an immediate need to train a new generation of thinkers and innovators in the world today, especially in the fast-paced 21st century, which revolves entirely around technology. This new age STEM laboratories at Nagpur schools would transform the traditional learning environment with experiential learning in the science, technology, engineering, and mathematics disciplines. Schools have some of the most sophisticated STEM lab programs in Nagpur, which could bridge the gap between theoretical academics and practical experience. It is up to learners to explore, experiment, and excel as they learn. Read ful blog here!
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cf-12 · 2 years ago
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vieraslaji · 2 years ago
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tärkeät kysymykset lomalla:
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onko niiden ihmisten sukunimi Barlament
onko barlament vaan sanaleikki parliamentista
jos on, miksi i puuttuu
mitä vois olla sanaleikki ilman i
ystäväni vastaus:
"when all that your legislators care about is the pub down the street that just closed"
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geppakudo · 2 months ago
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深川お化け縁日2025春の陣、無事終了いたしました👻
作品をお迎えくださった皆さま、手作り体験に参加してくださった皆さま、お立ち寄りくださった皆さま、そして運営の皆さま、本当にありがとうございました✨
たくさんのお化け好きの方と出会うことができ、とても楽しいイベントでした!
今回は久しぶりのイベント参加ということで什器や設備などを張り切りすぎて設営がかなり大変で、開始から少し遅れてしまいましたが何とか形になりました。
作ったものでは「たましいキーリング���と「おばけカブトピンブローチ」が嬉しいことにご好評いただき、ほとんどお迎えいただきました。ありがとうございます✦
そして今回の肝は何といっても「おばけの形のアルミ板に刻印を打って作るブローチ」手作り体験でした。こういったワークショップを開くのは初めてで色々と不安もありましたが、参加者の皆さまのデザインしたおばけを作るお手伝いをすることが思っていた以上に楽しく、やってみて良かったとつくづく思っています。今後はより作業しやすく工夫してまた開催したいと考えておりますので何卒よろしくお願いいたします。
それにしても出来上がったおばけたち最高に可愛いですよね😭いつまでも眺めていたい…
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newcombnotes · 2 months ago
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I looked through what one of my beta readers had to say about Pride and Pettiness. There were some legit notes in there, but there was also a lot of laughter. Every time I got a note that said, "haha," my life got longer by 2 years. ^_^
Now off to write draft 4 and try to incorporate those notes.
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nationalbusinessconceptsinc · 3 months ago
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Empowering Small Businesses: A Comprehensive Guide to Consulting and Financial Services
Running a successful business involves more than just a great product or service—it requires smart financial planning, strategic thinking, and the right tools to stay ahead of the curve. Whether you're launching a startup, growing a small business, or managing a franchise, having expert support can make all the difference. Let’s explore a suite of professional services that can help you streamline operations, boost profitability, and build a sustainable future.
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Accurate financial records are essential for any business. For small business owners, managing books in-house can be time-consuming and prone to errors. Professional accounting services ensure your records are up-to-date, compliant, and organized. Services typically include bookkeeping, bank reconciliation, payroll processing, and financial reporting—all designed to give you a clear picture of your financial health.
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Startups often operate in fast-paced, high-risk environments where financial missteps can be costly. Financial consulting for startups provides the guidance new businesses need to create robust financial models, secure funding, and manage cash flow effectively. A consultant can help with everything from setting budgets and forecasting growth to preparing investor-ready financial documents.
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Sometimes, what a business needs most is a fresh perspective. Business strategy coaching helps entrepreneurs and managers clarify their vision, define their goals, and implement effective action plans. A strategy coach can assist with everything from competitive analysis to long-term planning, helping leaders make confident, data-informed decisions.
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luthiery · 1 year ago
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doing a workshop today and my manager was going to pick me up from the train station to go to the location. fell asleep on the train somehow deeply enough that i missed my stop and the next one so now i am on the train going back the other way and going to be 45 min later than expected (15 min before the workshop starts, but still). i am so embarrassed
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ancienjeans · 1 year ago
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catboy eminem: i'm beginning to feel like a cat god, cat god
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healthhubforyou · 1 year ago
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How To Setup Your Workshop In A Small Space Under Budget!
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artisticdivasworld · 1 year ago
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Nomad Artists: Crafting Creativity Across the Globe
The traditional concept of an art studio has evolved significantly in the digital age. Modern artists are increasingly breaking away from the confines of four walls and embracing a nomadic lifestyle that combines their passion for travel with their creative pursuits. These globe-trotting creators carry their studios in their backpacks, drawing inspiration from diverse cultures and landscapes to…
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makers-muse · 2 months ago
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Champion Progress: Start a STEM Lab in Nagaland Schools! 
With time, education becomes more and more a process rather than an old concept. Schools today believe that they are now embracing innovation and technology for their students’ capabilities to endure the current tough world. For Nagaland, an example of stimulating the culture of creativity and critical thinking and future-ready preparedness for the students is the introduction of STEM labs in Nagaland schools. STEM education tries to fill the gap in Nagaland between the theoretical and practical aspects of knowledge acquisition and application by providing avenues for students to practice and innovate. The lab programs allow the students to be exposed to emerging fields such as robotics, artificial intelligence, and 3D printing at their schools in Nagaland, where teachers can implement these solutions in the lab. This customization allows facilitators to transform classrooms into true experiential, hands-on, and fast-paced environments in favor of the students. Read full blog here !
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