And day two of @ygoc-week is where things truly begin to spiral!!
Happy day yall, and welcome to the first iteration of "Kay is a little insane when writing character backstories"! GX is not exempt from the rule unfortunately,,
I've mentioned in a previous post that Musa shares similar elements with Manjome lore wise, and I'll just cut to the chase on that one:
What if...instead of two shitty older siblings...there were THREE instead?
The ramble begins under the cut, CW: for psychological abuse, manipulation, implied physical harm and trauma
Musa is a member of the Vogel family, part of a large conglomerate of entertainment companies and, most notably, the global enterprise of Vanity Entertainment— a casino ring. She’s the youngest of four children by over half a decade, with her older siblings Ryland, Boris and Amano all already having made significant business moves at around her age and were successfully integrated into the franchise and its way of life. Under the influence of her parents, two hardcore business moguls and openly shifty people, she and her siblings were taught to play games to win, no matter what— bend the rules, hide details between the lines, never let them know your next move, or see weakness. Musa was the only one to find the moral flaw in what she was taught; she found it early, and she didn’t like it at all.
“But Mum, this is cheating! You can’t cheat in a game; that’s not fair and no fun!”
Simply put, the rest of her family didn’t approve of her having a conscience and ensured she knew that.
By her preschool days, she was considered the family scapegoat. Her siblings would treat her like a mini servant and tormented her until she became jaded, almost robotic. She couldn’t show her feelings because if she did, they would use it against her.
Never let them see your weakness.
She lived a life of straight obedience until something caught her eye, when her school went on a trip to the orchestra. The music was so powerful to her that she was crying the entire way home, both from the intense emotion she felt from the musicians and the fact she knew her family would disapprove.
And they did.
“Music? What a joke. You’re a Vogel, not some low-class noisemaker.”
“But I love it, I want to pursue it. Is that not enough? Is business not just a bunch of chances?”
“There is no profit in music, Musa—nothing to be gained.”
But she was persistent, and they saw that. Thus, instead of removing music from her life, her parents gave her an offer—if she was consistently on top academically, she could pursue music in her spare time. They intended to exhaust her physically and mentally to the point of ruining music for her forever, but the stakes only fueled her passion further. Despite being at her breaking points for years, she put her mind into school and her heart into music, all the while still being subjected to the shame cycle and bullying of her siblings (especially since now they had something to hold over her head).
By the time she was to enter high school, she was a top scholar and the musical prodigy she was meant to be. However, by now, her parents had shifted their business plan to incorporate Duel Monsters tournaments into their gambling halls and needed a way to promote it to the world…
…in came Musa, who picked up the game quickly after they introduced it to her (even finding a lot of fun when she discovered her Divas) and proved to be the perfect pawn. Send her to school for the game, train her into an unbeatable champion, and use her as an attraction to get even more money from the scheme.
And while Musa is entirely aware of this plan, she is getting out of their reach by going to Duel Academia. She would be miles from them and free to enjoy her games and music peacefully. Or, so she would’ve thought if she wasn’t presented with a contract before she left:
“If you were ever to lose a duel, and we find out, you will be pulled from the academy, banned from playing the game, and we will lock you away in complete silence for the rest of your life.”
…she wouldn’t have believed it if it wasn’t written on paper, and they wouldn’t have put it there if they didn’t mean it.
…
She wasn’t allowed to leave until she signed the contract, so she did.
But she kept it in mind and, as she was taught, worked around it. She spoke to the Chancellor on the first day of classes and showed him the contract, offering him her clause: only duels she participated in at a duel field would be counted on her record. This allowed her to duel freely whenever she wanted without consequence, and only the data from her assessment duels would be reported to her parents.
And since she was a star pupil and quite the big deal, he agreed.
So, she spent about a year and a half in peace, somewhat, her losses never being disclosed to anyone and establishing her as “the Queen of Ra” with an undefeated record.
…until Asuka was converted to the Society of Light, and Musa was elected to try and break the brainwashing through a duel…in the stadium…
…and she lost because Asuka played dirty, using cards Saiou gave her.
As she approached Musa to welcome her to the Society, she was instead met with the most despaired look and spiteful sneer possible.
“...there is no light, not for me…you’ve just killed me, Tenjoin.”
Later in the arc, most likely after Manjome is freed, an incident similar to what he went through occurs for Musa. Her siblings arrive, unannounced, coming to claim Musa and bring her home. By now, she told the gang about what happened, and they’re quick to come to her defense, especially Kenzan, who is physically blocking Amano from touching her.
“You signed the contract, Muuuuusey~! There’s no way out of iiiiiiit~!”
“...actually, there is.”
“H–Huh??”
She put her foot down and told them that contracts didn’t matter on the island, but duelling did.
“I won’t leave unless you can defeat me in a duel, that simple. I will even take two of you at once.”
She immediately came to regret that moment of confidence on their way to draw up a contract for the challenge, realizing that while she could out-duel them, she in no way had the emotional strength to handle it. Her whole life was on the line, and she was against her tormentors; they knew exactly how to get a rise out of her.
“Then I’ll duel with you.”
“You– what?”
“You heard me, saurus. Let’s make it a tag duel, and I’ll duel with you. They don’t know a thing about me, but you and I are friends. I’m not gonna let you go into hell by yourself, Musey.”
“...they will make you sign–”
“And? What of it? The Musa I know ain’t scared of a piece of paper, saurus. If you can’t stand up to them yourself, lean on me and we’ll win together.”
“...and you are willing to take the risk?”
“If it’ll save my friend from going down, I’d do anything.”
“...alright.”
Something something they draw up a contract something something they sneak in a hidden clause that gets Musa emancipated from the family something something they duel and destroy both of her brothers with a cool and epic fusion monster (an idea i have in my head of a prehistoric music diva called Crescendo the Cretaceous Conductor) something something Musa cries for the first time in years and Kenzan nearly crushes her in a hug something something Musa is now in love haha whoopsie
In my mind there's an entire episode planned with the title "A Lesson in Duel Etiquette" and that alone makes me kinda hyped,,
SO, uh, moral of the story?? Fuck the Vogel family, all my homies hate the Vogel family.
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