Isamaya Ffrench. Photo by Josh Wilks.
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“Having discovered the landscape design programme ‘Crime Prevention Through Environmental Design’ (‘CPTED’), Walker-Smith realised that high security public spaces in London, which present themselves as being free and open, actually covertly guide behaviour through security design and monitor human activities through extensive surveillance infrastructure. The reason these things are not often observed is because they are carefully hidden and softened by the strategic deployment of vegetation.
This illuminating finding led to what could only be described as Walker-Smith’s intense paranoia as to the ‘innocence’ of all plant life in these spaces. His resulting photographs dramatically expose what he sees as the ‘suspect’ plants of securitised urban spaces (these plants are so-called for posing as ‘innocent’ decoration whilst actually being hidden parts of the security apparatus).” - Max Colson
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Egon Schiele, Dancer “Moa”, 1911
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Neta Mark by Ed Singleton for W Magazine
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Alek Wek by Jean-Baptiste Mondino
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Making Space - Louisiana. 2015. One of three beautiful documentary short films about teen dancers by Petra Collins.
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