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BABIES.

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was abt to say “they need to kiss” but the incest is already canon !!

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we need more freaks who are obsessed with cannibalism as a metaphor for love in this fandom so here is my tribute featuring vampire Saxon.. <3

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fuckkk we got oasis on friday

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VICTORIAN AU SAXLOCH.

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Just saw a comment section full of people saying they wish Chelsea chose Saxon over Rick…..

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you want me to believe that the gallagher brothers using gay terms as insults is supposed to be some kind of proof that they're not queer themselves? do you hear yourself? I'm not about to excuse their behaviour based on culture and all the stuff that DID influence their behaviour but also does not excuse it (and am not going consider the glaring anachronistic expectations about them), but yall should know that internalised homophobia is a hell of a drug. Denial and hypocrisy too.

It's like that time John Lennon beat the crap out of a DJ that insinuated that John had a fling with Brian Epstein during their trip to Barcelona only to now have it confirmed that they actually did. Yeah.

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the scars are part of me, darkness and harmony...

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Should I make more of these..

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Tumblr's great, it's so nice meeting people who share my incests I mean incests I mean incests I mean interests

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Hey guys I just wanna let you know about these two because they’re pretty big figures in the fandom (especially on twt) and a lot of people don’t seem to realize that they ship gcest, if you didn’t know then that’s fine but if I see anybody still following after 24 hours I’m gonna start blocking

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Saxon and (Belinda’s son) Zion start experimenting after Piper brings him over for dinner to their resort introduced as one of her friends.. any buyers??

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I wouldn't usually be all in on anything related to vacant rich white guys but I think its the way that the vapidity almost imperceptibly ebbs every now and then that has unfortunately captivated me very much.

Based on 95% of Saxon's words and behavior, like Chelsea I also would have quickly come to the conclusion that Saxon is soulless, interacting with his environment and other people in superficial ways that barely penetrate even a centimeter past his skin, never compelled to truly engage with the world, or allow any force to do even a little bit of substantive work inside him.

Most people unfortunate enough to have a conversation with him would probably assume that he's never known love in his life - and that he doesn't even know he hasn't, either. That's why it's so satisfying to me to witness the moments where Lochlan does something that briefly catalyzes evidence of something substantial existing within Saxon.

e.g., when Lochlan places his hand on Saxon's back and runs his fingers through his hair, Saxon's immediate unguarded look of euphoric overwhelm at the intimacy of the moment is absolutely wild. How few gestures of genuine, intentional affection has Saxon been the recipient of? For a moment, Lochlan's action allowed us to glimpse an interiority/depth of emotion in Saxon that he usually seems devoid of.

Also, in Saxon's flashback to the kiss, he is effusing such a palpable glow of vulnerability. You can feel it with the positioning of their bodies (Lochlan higher and bending down to Saxon), the warmth of the light, the softness of the kisses that Lochlan is bestowing on Saxon, Saxon letting the back of his fingers lightly graze across Lochlan's neck.

He is exposing his longing for tenderness. Lochlan's love and affection briefly shows us that Saxon is a human capable of feeling. He is a person relishing connection and intimacy with another person on mutually-informing emotional and physical levels, something that I'd assume neither of them have experienced before.

I will say that the story as Mike White has written it makes sense to me. These are two lonely brothers, raised at different times by bizarrely disconnected wealth-obsessed parents who either didn't teach the boys how to love others/cultivate relationships in healthy ways, or perhaps did and said things that actively hindered their children's emotional development and capacity for connection. Lochlan as the youngest child alone in a house with uninterested and distant parents, no instinct for developing love and intimacy with others and terrified that his loneliness will be forever. Saxon as the oldest child, out in the world grinding for useless and empty experiences with people just as vacant as him, incapable of getting anyone to love him and terrified that his whole life will be devoid of sincere intimacy.

I buy Sam Nivola's theory that Lochlan isn't sexually attracted to Saxon and that his actions were influenced more by his people-pleasing impulses. I think he recognized that Saxon has a physical/sexual attraction to him and, knowing how much Saxon prioritizes physical sexual experiences, wanted to offer gratification/consummation as a form of connection.

Although it may not be distinctly sexual, I do think that Lochlan gets a tremendous amount of pleasure from making Saxon feel good. He is happy to tenderly kiss the affection-starved brother that he loves deeply and that he knows loves him just as much in return. Saxon seems to actively crave both Lochlan's emotional and sexual attention, and Lochlan seems to enjoy giving it.

Even though they are more-or-less strangers in each other's lives due to their age gap, their love for each other is likely the only easy, natural source of good feelings they have. The distance between them in age/life stages/actual physical space, however, makes access to those feelings difficult. It makes sense that two siblings from a fucked up family, one or maybe both of them queer in a repressive conservative religious environment, with severely stunted emotional development, would interpret each other's love as the only thing that could bring them happiness- but more importantly, the only thing that will keep them from dying alone and unloved. It makes sense that in circumstances like that, the boys wouldn't know how to stop themselves from conflating and seeking to gratify all of their impulses for connection, with each other, all at once.

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looking at how the knowledge that lochlan is the one jerking him off cracks over saxon's head like a brick and makes him twitch and swell in his palm and come all over himself immediately

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Patrick Schwarzenegger and Sam Nivola in The White Lotus

3.08 "Amor Fati"