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[ykks]

The eyes are the window to the soul, at least that's what the poet says

He was about to exit the door, but Harry dared to look back at her—their eyes connected. 

 

He felt it in his core what Daphne wanted to say. 

 

Harry was determined to fulfill it. 

 

I will come home to her.

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[ykks]

“Would you still love me if I was a tree?” 

Harry had to stop chopping the vegetables for their stew later as Daphne suddenly blurted out that question. 

“What?” he asked, confused and trying to decide whether he heard her wrong. 

Daphne gave him a pout that would have looked cute if Harry wasn’t feeling lost. 

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[ykks]

There's not much to say other than it's an after party. A collection of random shorts which makes no sense like a morning after a night out. Explores the possibilities of life after the party, which is Hogwarts and the war. So, let go of all reasons and expect no rhyme nor reason. This is the afterparty.

...

“Theo, you messy mother–” Blaise cursed as he adjusted his hold on his drunk friend. Theo was absolutely wasted and walking like a marionette with only one string holding him together. 

Normally, Theo has a good alcohol tolerance, but once he gets in one too many drinks, things start to get messy. 

Harry was holding Theo’s other side to keep him upright. Truth be told, if Daphne hadn’t told him to not drink much, he would probably be in the same situation as Theo. 

“Luv ya guys… you too, Pots.” Theo slurred as Blaise and Harry dragged him away. 

Blaise simply grunted while Harry just chuckled at his confession. 

Read more in AO3 or FFN!

[ykks]

People love to compare Roy and Bradley or Ling and Wrath, but I think there is a special beauty in the narrative parallels between Riza and Winry.

Because these woman manage to break out of the Shounen mold in a way that reaches beyond the Strong Female Character trope and quickly secures itself as... good character writing. Period.

And they do so in a very clever way. Someone else on here once pointed out that Hughes/Mustang/Hawkeye are the trio that runs parallel to Ed/Al/Winry and while they aren't narrative foils to each other - at least not in the way many of the other characters are - they do present a similar function within the story. The three young people who went on an adventure. Only Hughes died and Riza and Roy were permanently altered - and Ed, Al, and Winry got a chance to save the world.

But especially when it comes to Riza and Winry there is something more to the comparison. Especially when it comes down to the choices they made.

But why are Riza and Winry more interesting?

Because when Roy recruits Ed and Al, Riza tells Winry that she followed Roy into the military because she had someone to protect - and this - in other stories - would clearly be a setup for Winry later following Ed and Al into the military to "protect" them. A direct parallel between the two "girls" in a Shounen trio. We've all seen it before.

And I think we see Winry play with that thought when she sticks around Central with them after her first apprenticeship in Rush Valley - she tries to be the third girl to Ed and Al's action duo… but it doesn't work out.

She - strong, clever, genius, confidant Winry Rockbell - suddenly feels weak. Because she can't punch danger away from Ed. She can't repair Al's scratches and dents. She can't kill Scar to save her friends and avenge her family. She can't learn how to shoot and kill just to protect her friends - no, that's not quite correct, is it? She won't. She won't learn how to kill.

And that sucks. Because Winry isn't used to feeling like that, so lost and insecure, at least not constantly. Yeah, when Ed and Al are away, she worries, and that's part of the reason why she tried to join in, but that is nothing compared to the powerlessness she's facing now. Maybe she would worry less if she could be there when they fight, if she could protect them like Riza does with Mustang… but that's just not who she is.

Her job isn't to protect Ed and Al - her job is to give people arms and legs and good costumer service. I really like that scene/episode (23, me thinks) where she gets a phone call from Rush Valley and all these people ask for her to come back. Because Yes, Ed telling her thanks for helping him is VERY important for her character… and yet I think this phone call is the moment Winry realizes that she's not Riza. That she won't take a gun into her hands and kill for Ed and Al.

She will never be Armstrong or Hawkeye or even Izumi… she will be Winry Rockbell, automail engineer and genius.

And that's the reason why only she could have pulled Scar on their side. Because she chose healing over killing - her telling Scar in Baschool that she'd save his life because her parents would want her to honor their choice? That was Winry following the deeper themes of the show, by adding positive energy to the flow of the universe.

Riza saving Scar? Wouldn't have worked (why would he listen to the woman with a gun in her hands?). Armstrong helping Scar? Wouldn't have happened (what reason would General Armstrong have at this point to spare a murderer?). Mei saving Scar? Would have ended with the Ed/Marcoh/Scar/Al alliance falling apart (it is so much easier to fall apart if no one has been forced to see past the horror yet).

And it's not because these characters were even a touch less well written than Winry - if anything it showcases how unique all of the female characters in FMA were/are.

In this we find Riza again - because Riza chose differently than Winry. She followed Roy into the military, she learned and perfected how to shoot and kill. Their narratives mirror each other - Ed carefully prying a gun out of Winry's hands so she doesn't kill, only to give Riza a bloody gun a few episodes later, knowing she will clean it and use it to kill.

When Riza tells us that she has lost the right to feel squeamish about killing because of often she'd pulled the trigger, she is Winry's foil - Winry who was stopped before she could make a similar choice.

And it's not just that, is it?

Riza let her hair grow because a young Winry Rockbell had long hair and seemed to like it - and Riza needed a change after coming back from Ishval.

Winry got her ears pierced because the strong Lieutenant visiting them had looked cool (and because she needed a place for all of Ed's little gifts) - and Winry needed something steadfast, now that her friends were growing up.

There's just something about the two of them, so similar, so loyal and stubborn and full of love, that fascinates me. Because at every turn they make a different choice, at each turn one walks deeper into hell and the other chooses healing - and yet, while they couldn't be more different, they also couldn't be any closer.

I can't imagine how glad Riza was, when she realized Winry hadn't followed Ed and Al into the military.

I can only guess how happy Winry was, when she saw Riza follow Mustang further if only to make sure the future actually changed.

A mirror doesn't have to be a perfect thing, and if anything I think that is on purpose.

[ykks]

People love to compare Roy and Bradley or Ling and Wrath, but I think there is a special beauty in the narrative parallels between Riza and Winry.

Because these woman manage to break out of the Shounen mold in a way that reaches beyond the Strong Female Character trope and quickly secures itself as... good character writing. Period.

And they do so in a very clever way. Someone else on here once pointed out that Hughes/Mustang/Hawkeye are the trio that runs parallel to Ed/Al/Winry and while they aren't narrative foils to each other - at least not in the way many of the other characters are - they do present a similar function within the story. The three young people who went on an adventure. Only Hughes died and Riza and Roy were permanently altered - and Ed, Al, and Winry got a chance to save the world.

But especially when it comes to Riza and Winry there is something more to the comparison. Especially when it comes down to the choices they made.

But why are Riza and Winry more interesting?

Because when Roy recruits Ed and Al, Riza tells Winry that she followed Roy into the military because she had someone to protect - and this - in other stories - would clearly be a setup for Winry later following Ed and Al into the military to "protect" them. A direct parallel between the two "girls" in a Shounen trio. We've all seen it before.

And I think we see Winry play with that thought when she sticks around Central with them after her first apprenticeship in Rush Valley - she tries to be the third girl to Ed and Al's action duo… but it doesn't work out.

She - strong, clever, genius, confidant Winry Rockbell - suddenly feels weak. Because she can't punch danger away from Ed. She can't repair Al's scratches and dents. She can't kill Scar to save her friends and avenge her family. She can't learn how to shoot and kill just to protect her friends - no, that's not quite correct, is it? She won't. She won't learn how to kill.

And that sucks. Because Winry isn't used to feeling like that, so lost and insecure, at least not constantly. Yeah, when Ed and Al are away, she worries, and that's part of the reason why she tried to join in, but that is nothing compared to the powerlessness she's facing now. Maybe she would worry less if she could be there when they fight, if she could protect them like Riza does with Mustang… but that's just not who she is.

Her job isn't to protect Ed and Al - her job is to give people arms and legs and good costumer service. I really like that scene/episode (23, me thinks) where she gets a phone call from Rush Valley and all these people ask for her to come back. Because Yes, Ed telling her thanks for helping him is VERY important for her character… and yet I think this phone call is the moment Winry realizes that she's not Riza. That she won't take a gun into her hands and kill for Ed and Al.

She will never be Armstrong or Hawkeye or even Izumi… she will be Winry Rockbell, automail engineer and genius.

And that's the reason why only she could have pulled Scar on their side. Because she chose healing over killing - her telling Scar in Baschool that she'd save his life because her parents would want her to honor their choice? That was Winry following the deeper themes of the show, by adding positive energy to the flow of the universe.

Riza saving Scar? Wouldn't have worked (why would he listen to the woman with a gun in her hands?). Armstrong helping Scar? Wouldn't have happened (what reason would General Armstrong have at this point to spare a murderer?). Mei saving Scar? Would have ended with the Ed/Marcoh/Scar/Al alliance falling apart (it is so much easier to fall apart if no one has been forced to see past the horror yet).

And it's not because these characters were even a touch less well written than Winry - if anything it showcases how unique all of the female characters in FMA were/are.

In this we find Riza again - because Riza chose differently than Winry. She followed Roy into the military, she learned and perfected how to shoot and kill. Their narratives mirror each other - Ed carefully prying a gun out of Winry's hands so she doesn't kill, only to give Riza a bloody gun a few episodes later, knowing she will clean it and use it to kill.

When Riza tells us that she has lost the right to feel squeamish about killing because of often she'd pulled the trigger, she is Winry's foil - Winry who was stopped before she could make a similar choice.

And it's not just that, is it?

Riza let her hair grow because a young Winry Rockbell had long hair and seemed to like it - and Riza needed a change after coming back from Ishval.

Winry got her ears pierced because the strong Lieutenant visiting them had looked cool (and because she needed a place for all of Ed's little gifts) - and Winry needed something steadfast, now that her friends were growing up.

There's just something about the two of them, so similar, so loyal and stubborn and full of love, that fascinates me. Because at every turn they make a different choice, at each turn one walks deeper into hell and the other chooses healing - and yet, while they couldn't be more different, they also couldn't be any closer.

I can't imagine how glad Riza was, when she realized Winry hadn't followed Ed and Al into the military.

I can only guess how happy Winry was, when she saw Riza follow Mustang further if only to make sure the future actually changed.

A mirror doesn't have to be a perfect thing, and if anything I think that is on purpose.

[ykks]

one of my favorite things about fmab is how many men there are who are completely devoted to the women in their lives, whether familially, romantically, or platonically.

like you have maes hughes, who is always talking about his wife and daughter and how amazing they are (though it’s meant to be annoying, you can tell his love is pure and sweet), who dies with a picture of them right next to him and gracia and elicia’s names on his lips.

there’s ling yao, who time and time again refuses to leave lan fan behind, who will have his friends pass her notes so she knows he okay, who will take control from greed just to jump in front of her.

there’s sig curtis, who is silent with his words but loud with his love, who holds izumi gently when she’s coughing up blood, who places a hand on her shoulder so she knows she’s not alone when she remembers their lost child, who looks upon his wife with pride, who screams her name when he fears she’s lost forever.

there’s captain buccaneer and major miles, who follow major general olivier armstrong into battle fearlessly, who are loyal to her before they’re loyal to their country, who send men to help her fight when they know she won’t admit she needs it, and buccaneer dies asking that ling make sure her orders to him are followed.

there’s roy mustang, who places all his trust in riza hawkeye and does everything he can to keep her safe, who calls her his queen- the most powerful piece on the chessboard- and panics when he sees she isn’t at her post, who is so devoted to her that the homunculi know putting her in danger is the only way to get him to do what they want.

there’s alphonse elric, who walks through a blizzard to keep winry rockbell from walking into a trap, who jumps in front of mei chang time and time again to keep her safe and carries her in his armor when she’s hurt.

and then there’s edward elric, who eases a gun from winry rockbell’s hands and tells her she has hands that help people, who lets her cry into his shoulder, who looks up to her as the person who helped him stand again, who does everything in his power to keep her safe, who makes it his mission to make her cry tears of joy rather than sorrow, who loves her so much that he confesses by telling her he wants to spend his life with her.

it is just such pure devotion and raw love, and there are so many ways it’s shown, and i think it’s beautiful.

[ykks]

Al: I haven't had a body for a while so I'm still figuring it out but constant pain is normal right?

Ed: Apparently not but I don't buy it.

Lan Fan: Right? You can't just... not be in pain.

Ling: It's like that thing where apparently most people don't faint all the time! What's up with that? How do they meet people?

Mei: Yeah! How else do you make friends?

Winry, sobbing: what the fuck is wrong with all of you

[ykks]

my otps: *exist*

me:

[ykks]

honestly some days i’m like edwin invented love when temperamental shrimp edward told winry her hands were meant to give life/winry told ed he doesn’t need alchemy to achieve his goals because she’ll give him her whole life instead of half ,,,, other days i’m like royai invented love when riza would follow roy mustang into hell if he asked her to and roy mustang called her his queen and asked her if she could still fight ,,, and other days im like almei invented love when young mei chang raced to give al the biggest hug even after seeing he didn’t fit that image she crafted in her head because she was just so glad to see him safe ,, and other days im like izumi/sig??? lan fan’s utter devotion to ling??? greed and the chimeras??? trisha and hohenheim?? pinako and winry?? mustang’s entire team?? gracia, elicia, and hughes?? do you ever just randomly think of the way arakawa writes LOVE and just

[ykks]

Popular opinion: but Hiromu Arakawa really gave us the best four ships in anime when she made FMA

[ykks]

Official artwork of Ling and Lan Fan from the FMA Mobile game

[ykks]

Drunk on You from @jellymlk. For more translations, plus a link to the original artist, check out bit.ly/PeartatoDraws.

All translations are made with the knowledge and consent of the artist.

[ykks]

People love to compare Roy and Bradley or Ling and Wrath, but I think there is a special beauty in the narrative parallels between Riza and Winry.

Because these woman manage to break out of the Shounen mold in a way that reaches beyond the Strong Female Character trope and quickly secures itself as... good character writing. Period.

And they do so in a very clever way. Someone else on here once pointed out that Hughes/Mustang/Hawkeye are the trio that runs parallel to Ed/Al/Winry and while they aren't narrative foils to each other - at least not in the way many of the other characters are - they do present a similar function within the story. The three young people who went on an adventure. Only Hughes died and Riza and Roy were permanently altered - and Ed, Al, and Winry got a chance to save the world.

But especially when it comes to Riza and Winry there is something more to the comparison. Especially when it comes down to the choices they made.

But why are Riza and Winry more interesting?

Because when Roy recruits Ed and Al, Riza tells Winry that she followed Roy into the military because she had someone to protect - and this - in other stories - would clearly be a setup for Winry later following Ed and Al into the military to "protect" them. A direct parallel between the two "girls" in a Shounen trio. We've all seen it before.

And I think we see Winry play with that thought when she sticks around Central with them after her first apprenticeship in Rush Valley - she tries to be the third girl to Ed and Al's action duo… but it doesn't work out.

She - strong, clever, genius, confidant Winry Rockbell - suddenly feels weak. Because she can't punch danger away from Ed. She can't repair Al's scratches and dents. She can't kill Scar to save her friends and avenge her family. She can't learn how to shoot and kill just to protect her friends - no, that's not quite correct, is it? She won't. She won't learn how to kill.

And that sucks. Because Winry isn't used to feeling like that, so lost and insecure, at least not constantly. Yeah, when Ed and Al are away, she worries, and that's part of the reason why she tried to join in, but that is nothing compared to the powerlessness she's facing now. Maybe she would worry less if she could be there when they fight, if she could protect them like Riza does with Mustang… but that's just not who she is.

Her job isn't to protect Ed and Al - her job is to give people arms and legs and good costumer service. I really like that scene/episode (23, me thinks) where she gets a phone call from Rush Valley and all these people ask for her to come back. Because Yes, Ed telling her thanks for helping him is VERY important for her character… and yet I think this phone call is the moment Winry realizes that she's not Riza. That she won't take a gun into her hands and kill for Ed and Al.

She will never be Armstrong or Hawkeye or even Izumi… she will be Winry Rockbell, automail engineer and genius.

And that's the reason why only she could have pulled Scar on their side. Because she chose healing over killing - her telling Scar in Baschool that she'd save his life because her parents would want her to honor their choice? That was Winry following the deeper themes of the show, by adding positive energy to the flow of the universe.

Riza saving Scar? Wouldn't have worked (why would he listen to the woman with a gun in her hands?). Armstrong helping Scar? Wouldn't have happened (what reason would General Armstrong have at this point to spare a murderer?). Mei saving Scar? Would have ended with the Ed/Marcoh/Scar/Al alliance falling apart (it is so much easier to fall apart if no one has been forced to see past the horror yet).

And it's not because these characters were even a touch less well written than Winry - if anything it showcases how unique all of the female characters in FMA were/are.

In this we find Riza again - because Riza chose differently than Winry. She followed Roy into the military, she learned and perfected how to shoot and kill. Their narratives mirror each other - Ed carefully prying a gun out of Winry's hands so she doesn't kill, only to give Riza a bloody gun a few episodes later, knowing she will clean it and use it to kill.

When Riza tells us that she has lost the right to feel squeamish about killing because of often she'd pulled the trigger, she is Winry's foil - Winry who was stopped before she could make a similar choice.

And it's not just that, is it?

Riza let her hair grow because a young Winry Rockbell had long hair and seemed to like it - and Riza needed a change after coming back from Ishval.

Winry got her ears pierced because the strong Lieutenant visiting them had looked cool (and because she needed a place for all of Ed's little gifts) - and Winry needed something steadfast, now that her friends were growing up.

There's just something about the two of them, so similar, so loyal and stubborn and full of love, that fascinates me. Because at every turn they make a different choice, at each turn one walks deeper into hell and the other chooses healing - and yet, while they couldn't be more different, they also couldn't be any closer.

I can't imagine how glad Riza was, when she realized Winry hadn't followed Ed and Al into the military.

I can only guess how happy Winry was, when she saw Riza follow Mustang further if only to make sure the future actually changed.

A mirror doesn't have to be a perfect thing, and if anything I think that is on purpose.

[ykks]

leftovers doodles

Keep reading

[ykks]

developed a sudden and urgent fancy for royhavocai

[ykks]

doodle stuff….

[ykks]

One of the biggest “I love you”s in Fullmetal Alchemist are all the ways people respect each other’s bodily autonomy. There are two scenes that carry this theme to its fullest potential, and I love them so, so much.

The first one is quite iconic: Riza’s throat was slit and Roy has a chance to save her - by dooming their country and committing human transmutation. And Roy would do it. He would throw it all away just to save her, even though he knows that human transmutation is an unforgivable sin. But she looks at him and signals him to Not Do It. And he doesn’t. He wants to, but he doesn’t do it. Because only minutes earlier, he hurt her again by dooming himself (and potentially the country) with his fury.  And if there is one thing Roy Mustang doesn’t want to do, it’s hurt Riza Hawkeye any more than he already has. Even if that means watching her die. Even if that means letting her go.

He respects her and their goals enough to say no.

He loves her enough to let her die.

The second one is just as heart-wrenching: after Al sacrificed himself, basically dying in the process, Ed tries to think of a way to save him. Both Hohenheim and Ling offer him a Philosopher’s Stone to bring Al back - and Ed says No. Even though he wants nothing more in life than to save his little brother. Even though there is nothing he wants more desperately than the safety of Al. He says no for many reasons - Hohenheim is his father after all, Ling needs the stone to become Emperor - but mostly he says no because he and Al promised to never use a Stone for themselves. And he respects that. He puts Al’s wish above his own desire to see his little brother again. He respects Al’s decision (his own conviction) enough to break the rules of the world to find another way.

Because he loves Al - he loves him enough not to break the fundamentals of their principles. He loves him enough to respect the integrity of their believes.

And the narrative rewards both Roy and Edward for their choice to respect the agency and bodily autonomy of their loved ones - they survive, are saved, are brought back… and neither Ed nor Roy had to force their own desire for them to live on clearly stated last wishes.

So often we see media portray the disregard for bodily autonomy (especially in medical contexts) as a sign of love, the breaking of patient-doctor confidentiality as a sign of care, the violation of a living will as a sign of family - I like to think that Fullmetal Alchemist shows us that there’s strength in respecting it instead.