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ticket2concert-blog · 7 years ago

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The Times Cher Showed the World How Witty She Can Be

To this Date and Time, one can’t survive if he/she is not subtle same goes for the Music Industry Divas. Though Mariah Carey and Madonna have made the points much time that they are the shadiest being not afraid to word out their opinions for anything or anyone, none of both is as blatant and ruthless with their words as Cher the pop legend.

She topped the charts when she spoke out her disregard for Madonna on Ellen when she was asked who would she want to duel if provided the opportunity, she replied “Adele, Pink and … not Madonna.”

But that’s not the first time she has done that, this legacy of throwing shades goes way back. Here are some of the times when Cher Proved to world how witty she can be:

1. The Start if the feud with Madonna

As we already have said Cher is the most subtle when giving out her opinion it is exactly what happened to start a feud between herself and Madonna. The things started when she commented this back in 1991 when asked what she thinks of Madonna, “She’s unbelievably creative because she’s not unbelievably talented,” she said. “She’s not beautiful, but she’s kind of … she’s creative, but she’s rude”

2. When She First Went to David Letterman Show:

Cher’s really is an outspoken person and when she was asked by the host David Letterman during his own show that what she thinks of coming to the show, she replied non hesitatingly, “I don’t know, I thought that I would never want to do this show with you,” when asked why she said she thinks he is “an asshole”.

3. Her Opinions on Donald Trump

It’s not once that Cher has dissed Donald Trump but most memorable one was the “Spill Your Guts or Fill Your Guts” segment in James Corden’s Late night show. She was asked to say one good thing about Donald Trump and she said, “There’s nothing nice about him.”

4. Her Open Challenge to Britney Spears and J.Lo

When she went on her farewell tour in 2002 Cher made it clear that it was her last and that other stars like Britney Spears and Jennifer Lopez will take the place of pop queen she is leaving vacant, she once said during a concert “Well, they’re not gonna take my place, but they’re gonna take somebody’s place.” Then she added to the fuel by saying, “I have a motive. And that is ... that I’m gonna make this show fabulous and say: ‘Follow this, you bitches.’”

5. Criticism on Miley’s 2013 VMA performance

After Miley’s Shocking performance at 2013’s MTV VMA, everyone was talking about her. But the estimation Cher made had its own lengths. She said, “If the chick had come out naked and done a great performance, doing the same things, I don’t care. I would’ve said, ‘Great, I’m behind you 100 percent.’” She didn’t mind these things rather her criticism was on the poor quality, “I don’t like the fact that it wasn’t good.”

6. Her Call on Michael Jackson’s Parenting Skills

Cher was not a big fan of Michael Jackson parenting skills and dished out her opinion in an interview with TV Guide back in 2003. She said, “He had this child rolled up in a blanket, and I was thinking, ‘What kind of life is this?’ I cannot imagine putting my children through what he put his children through” talking about the American Bandstand 50th anniversary, “I thought, ‘This guy is nuts. He shouldn’t have these children.’”

7. Her response to Amanda Bynes Twitter fret

Amanda Bynes, the former child star, was having a tough time in her career when she decided to vent her anger on Cher calling her “ugly” and “fat”. But when one of the fans asked Cher what’s her thought about Amanda she responded by saying, “Who’s that?”, that was all that was needed to make it clear how she deals haters.

Cher “Here We Go Again” Tour Details:

The Here We Go Again Tour is the seventh solo concert tour by Cher in support of her twenty-sixth studio album Dancing Queen. It is the first time the singer tours Oceania since her Living Proof: The Farewell Tour in 2005. The tour started on September 21, 2018, and will finish on May 18, 2019. Cher takes the Here We Go Again Tour (Leg 1) to Oceania for 14 dates. The tour is set to start on September 21, 2018, in Auckland, NZ and will end on October 21, 2018, in Sydney, Australia. Cher will also take the Here We Go Again Tour (Leg 2) to North America for 30 dates. The tour is set to start on January 17, 2019, in Florida and will end on May 18, 2019, in Minnesota.

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brothermarc7theatre · 6 years ago

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“The Cher Show” #796

Of course a bio-musical of the one and only Cher would require three actresses to truly capture the diva essence of this icon. However, a fun romp such as this jukebox musical certainly needs a balance of drama along with bouncy, feel-good tunes audiences are expecting. Rick Elice’s book, a valiant effort in stringing together Cher’s life in a concise two-and-a-half-hour outing, makes swell use of Stephanie J. Block, who won a Tony award for her performance, Teal Wicks, and Micaela Diamond, all who play Cher at different stages of her life. Mr. Elice’s book fast forwards through the more somber areas in Cher’s journey to stardom in a fashion that seems to get through the scene in order to get to the next song or costume reveal. However, by the time Ms. Block and Jarrod Spector, playing Sonny Bono, reach their “95% ownership of the company” argument, Mr. Elice’s book finally breathes, allowing Ms. Block’s culminating torch song and delivery of Cher’s lifelong perseverance to take emotional hold.

Simply put, Ms. Block (specifically billed as Star), Ms. Wicks as Lady, and Ms. Diamond as Babe are a stunning trio, delivering pinpoint harmonies, glorious belts, acting nuances which match their Cher counterparts, and a Cher timbre which precisely matches the famed singer. With plenty of trio songs to feed one’s hunger for Cher song obsession, these three ladies rock their turn at “Ain’t Nobody’s Business if I Do,” and in a passionately inflected “Song for the Lonely.” Their voices gel like a well-oiled and stellar-sounding machine, worth every penny of your ticket money (and immediacy in attendance, since it’s closing August 18th). Ms. Diamond teams up with Mr. Spector for an absolutely fabulous “I Got You Babe,” an unsuspecting show stopping duet. Not to be outdone, Ms. Wicks turns on the fire with Mr. Spector in their beautiful “All I Ever Need is You.” Ms. Block delivers an absolute tour-de-force in the starring role, roping in the audience from the start and never relinquishing the power. From her strut to her asides to her pauses to her focus, Ms. Block delivers a Cher that is a tribute and honest performance, fleeing from any fall into impersonation. “Gypsies, Tramps, and Thieves” is a stunner of a tune in Ms. Block’s range, but it’s when she brings the Neil Simon Theatre house down in “The Way of Love” that audiences are reminded of what an 11 0’clock number looks and sounds like. And no discount to Ms. Block’s dance and movement talents, for she is just as active in movement as she is in dialogue and song; it’s no wonder she took home the coveted prize.

Mr. Spector’s performance as Sonny, Cher’s most famous partner, is excellent, filled with impeccable detail, cadence, and attention given to the goal of each scene and Sonny’s long game: make sure he makes as much money as possible and enjoy the rewards of his, but mainly his wife’s, fame. Angel Reda went on in the role of Georgia Holt, Cher’s mother, and rocked every line and bit given her, as well as shined in her turn at “Heart of Stone” alongside Ms. Block. Michael Berresse gives an incredible featured performance as Cher’s costumer, Bob Mackie. His few but phenomenal dance turns are on par with the superb ensemble in “The Beat Goes On,” and he impresses with his comedic timing and delivery. Matthew Hydzik is a highlight as Greg Allman, another one of Cher’s noteworthy partners. His relaxed, rocker, demeanor in the well-sung “Midnight Rider/Ramblin’ Man” serves as great juxtaposition to his fall-into-love-with-narcotics departure. His duet with Mr. Spector in the competitive “Dark Lady,” a moment of tug-and-war between Sonny and Greg for Cher’s heart, is given the right timbre and inflection for the angst to be palpable.

Christopher Gattelli’s choreography is energetic, athletic, and completely in tune with the eras of Cher’s legacy, encompassing everything from disco to pop. Mr. Gattelli’s choreography triumphs, though, are in full form in a lift-tastic and sensually stimulating “Dark Lady,” and especially in the ovation-worthy mega mix “Finale.” The execution of every dance step, background moment, and vocals are delivered by one of the hardest working, most committed ensembles I have ever seen. Jason Moore’s direction creates an always-party ambiance to The Cher Show, one that is equal parts concert and jukebox. Now, thanks in large part to Bob Mackie’s Tony-winning costume design and Kevin Adams’ fantastic lighting is this show so successful in its aesthetic appeal, but that is to be expected when Cher is the titular character, right? And just to bring it full-circle, if Cher is a big enough star to warrant three actresses to deliver her magnitude and impact, then certainly the book simply writes itself. However, to Mr. Elice’s credit, he follows Cher’s life in a manner that highlights what audiences are wanting to see and hear, while adding plenty of humor and heart which suit the strengths of the leading players’ acting chops. The Cher Show is a production you’re going to wanna shoop-shoop on over to and check out. So go, go believe in love and believe in how much you will absolutely enjoy seeing this show!

#thechershow #stephaniejblock #musicals #tower theater #musicaltheatre #tonyawards #newyork #broadway #theatrereview

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conversationpoint · 6 years ago

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