#Editing Humor
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runraerun · 9 months ago
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bamsara · 4 months ago
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I meant to include this in the other post but I forgot
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junewild · 2 years ago
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what do you say to a trans person who’s sharing after-surgery pics?
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softstrawberrycreamcake · 11 months ago
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illisius · 6 months ago
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You called us 'Murder Husbands'. You did run off to Europe together.
Hannibal Memes 1/? ― HANNIBAL (2013―2015)
( what scene should i do next?? let me know in the comments )
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shyjusticewarrior · 1 year ago
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giotanner · 1 year ago
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All Tim Drake has to do is say "millenial core" (support my entire video on tiktok)
ko-fi
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humanismo-nostalgico · 8 months ago
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Cuando llevas tiempo en Tumblr, te das cuenta que es un centro psiquiátrico, pero sin psiquiatras.
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pupkinpumpkin · 7 months ago
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Thinking of Rook always having this mask of humor and chillness at all waking moments, but there are these little moments, where the worry and the stress and the fear are shown in a small downturn of the lips, a quiver of the voice, a furrow of the brow, or a nervous laugh. But then their mask is right back on.
The companions joke about how hard it is to read Rook or they comment on how confident they always look. Rook is their leader and sometimes they seem utterly untouchable.
Then they get sent to the Regret Prison. Everyone is obviously terrified and worried for their safety, but they don't imagine Rook being scared. They imagine Rook blazing through the prison, too stubborn and fierce to be kept down. So the only option is to meet them in the middle. Rook has inspired and helped them all so much that they spend those missing weeks working to get them out, because Rook would've done the same for them.
Finally, after weeks of trial and error, they find a tear in the Fade, just big enough to pull Rook out of. When they pull them out, they expect to see Rook exhausted but relieved. They expect a joke or for Rook to tease them for worrying so much. But that's not what they find.
They find Rook, shaken, sobbing, and scared. There is relief in their eyes, but that mask they always wore is gone, worn away by the prison, revealing all the terror and doubt that they tried so desperately to hide.
For the first time in this entire adventure, Rook is the one who needs to be comforted and taken care of. But that's a lie. Rook always needed help. They were just so busy helping the others with their problems that they never allowed themselves to feel the true weight of their emotions and they NEVER allowed their friends to see how fucking fragile they always were. How they were always so close to losing themselves. Rook never truly allowed anyone to see them. Not even their lover.
And now, in this moment where they are finally letting out everything they've kept so hidden, the companions rush to their side. Emmrich is checking if they're hurt, Bellara or Lucanis insists on making them food, Taash or Davrin go look for the comfiest blanket they can find(if Davrin is alive, that blanket is Assan), and, if Harding or Neve is there, they calm Rook down enough to where Rook can finally speak without their voice shaking. Rook's love holds them close while the others all sit around Rook and just listen.
Rook never expected anyone to take care of them, that was their job. They're the leader. Helping everyone else with their problems was enough. But as they explain what happened in the Regret prison, and realize that their friends don't judge or see them any less, Rook feels this profound sense of catharsis. Before Tearstone Island, all the companions set out to deal with their own problems and worries, with Rook by their side, and now each one is here for Rook as they finally let that mask fall and allow themselves to feel everything.
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futuristic-koala · 25 days ago
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retrogamingblog2 · 1 year ago
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lieutenant-catboy-little · 3 months ago
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yay!!
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hurtspideyparker · 3 months ago
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"What's up small fry?" Tony asks when he catches a blur of red and blue in the corner of his eye.
He continues unscrewing pieces from inside the old car engine at random, deconstructing the machine. Tony looks up at Peter when he gets no reply.
"Pete?"
Peter's hand slips from the door frame, trudging over to Tony across the workshop.
The sun must have gone down without Tony noticing, the only light in the room coming from a few scattered table lamps. Explains all the squinting he's been needing to do anyways. Peter doesn't have his mask on, but his face is too shadowed to read.
"How was patrol? I think someone made dinner, we can heat it up together. Or there's that mac and cheese you like—"
Peter comes closer and doesn't stop until he's crashing into Tony in an all-encompassing embrace. His arms constrict around Tony's waist, face squashed into the older's chest.
"Oh."
Tony looks down at the tuft of gelled curls, a warm sigh leaving Peter's mouth as his body melts into Tony.
Tony's arms jerk to catch the boy, scared he'll simply wash away, but Peter only relaxes further into the hug. Peter secures his grip with an unwavering hold despite the tension that drains from him in a steady stream.
When the hug sustains Tony pulls him closer, tucking his chin over Peter's head and breathing out his own restlessness. One arm rubs up and down Peter's back, thumb drawing a strong pressure into the firm muscle.
They stay like this; Tony's eyes close at some point, their breathing syncing into even exchanges like heart beats. He isn't sure if he should be worried or confused, but all thoughts flit out of his brain at the genuine expression of affection being laid upon him.
It's Peter who lets go first, death grip sliding away until Tony becomes aware enough to unwrap his own self as well.
"Sorry, I just really needed that," the boy mutters.
"Um. No problem."
Peter steps away, and Tony gives him a look up and down. He doesn't seem injured, but a weariness clings to his bones like laundry scent on fresh sheets.
"M'hungry. Can you make the mac n' cheese?"
Normally Tony would refuse, mostly out of the habit of saying 'no' whenever someone asks something of him before he even actually considers it, but Peter's eyes are big and earnest, and he quite possibly has turned Tony into a giant teddy bear with the way he's been appeased and clung to.
"Sure thing. Why don't you go get changed and I'll meet you in the kitchen?"
Tony is plating up the steaming, alarmingly orange food with a side of the lamb chop someone cooked earlier and a peeled clementine when Peter wanders into the room. He's in his signature hello kitty pajama pants and a striped sweater Tony is sure is his girlfriend Michelle's.
He looks a bit better now, simply sleepy instead of dead on his feet, the attempt of usual pep in his step as he comes and lays his head down in his arms on the kitchen table.
Tony places the food in front of him, Peter immediately shoving a spoonful of the pasta into his mouth without picking his head up.
"Fank 'ou."
Tony lets a humorous puff of air out of his nostrils.
"You're welcome, now don't talk with your mouth full," he says while ruffling the boys hair.
He swallows, "your hand smells like oranges."
Tony pilfers a piece of fruit from Peter's plate, taking a seat across from the boy and shooting a brief raise of his eyebrows his way.
"I wonder why."
Peter smiles at him.
He smiles back.
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softstrawberrycreamcake · 11 months ago
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illisius · 4 months ago
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Well, we are all Nietzscheian fish in that regard. Makes us tastier.
Hannibal Memes 2/? ― HANNIBAL (2013―2015)
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immortalseaqueen · 2 months ago
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It’s the ✨aesthetic✨
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