#Terminal Shells

[theknucklehead]

Back to SkullGirls for some more Alt references, this time for Robo-Fortune: the robotic version of Ms. Fortune built by Brain Drain to destroy her.

Samus Aran

Mega Man

Master Chief

Iron Man

Motoko Kusanagi - Ghost in the Shell

The Terminator

Vectorman

R-DASH 5000 - PONY.MOV

Virtual Boy

[transmechanicus]

Everyone scandalized about Chilchuck being thirsted over, a character who is objectively 29, which is 40+ in human years, who has 3 grown daughters and a divorce, just because of how he's drawn, you have my biggest congratulations. I truly did not think the complex physiological system of a human body could be managed by a creature with not one singular brain cell. How you managed to stagger over to the computer and bash your skull against the keyboard with enough accuracy to post remains a further mystery. I am going to put you in a maze filled with buzzsaw goblins and will use the results to write a second PhD thesis.

[lindsayfrazerdraws]

[but-a-humble-goon]

I know it's like a running gag that in every iteration of Ghost in the Shell there has to be a moment where Motoko attempts to brute force something and ends up pushing her cybernetics past their limits and tearing her own arm off at the elbow. With that in mind, since Production I.G were behind Terminator Zero do you think that bit in the final episode where the T-800 attempts to hold back a horde of 1NNOs and is exactly as successful is supposed to be a reference or no?

[kaiasky]

look it's very simple. I want my shell to have global history of every other shell precisely when I want it to. and local history of only this shell when I want that. it should just KNOW.

[bonyfish]

Perfecting my analog double-exposure text overlay! Though I don't know if you can call it entirely analog, since I photographed the terminal of my (very digital) laptop for the text portion.

Camera: Pentax MX Film: Ilford HP5+ (shot at 1600, pushed 2 stops in development) Developer: Flic Film Black/White & Green (1+49 dilution, 22 minutes at 70°F) Text: Long-term nuclear waste warning messages

[icantalk710]

Behold, my blog's namesake--LIVEEEEE 😍🤩🔥

God seeing the TDCC boys live again after nearly 12 years was incredible--not the best vantage spot being a floor and several feet away from the stage but the immaculate vibes were all the same 😌 Such a nice mix of their tourist history in music i need to throw up soon, they were so goooooood

[essential-randomness]

It's time for the Tuesday article!

This (coding) week, we once again bait two seme with one uke: dive deep into a topic we found beginners struggling with, and show a rough sample of how @fujowebdev articles might look one day!

Until the content for our guide is finalized (and until we have budget for doing the same thing for articles), you can find my own doodles adorning it. My favorite one this time were the final cheatsheet and the gratuitous Evangelion reference.

If you like the idea of using online (and fandom) culture to lure a whole new demographic into building the web of the future, support my work here: - Patreon - Personal website

[cantsayidont]

Three mediocre recent streaming shows:

TELL ME LIES (2022–2024): Padded and flavorless Hulu adaptation of a 2018 Carola Lovering novel, set mostly in the late '00s, about a bland young white woman (college student Lucy Albright, played by Grace Van Patten) and her regrettable affair with a manipulative asshole (upperclassman Stephen DeMarco, played by Jackson White). Typical of recent Hulu dramas, it relies heavily on some surprisingly explicit sex scenes to enliven a dull plot and thinly drawn characters. Stephen isn't even an interesting creep, just a garden-variety douchebag, and Lucy herself has no discernible personality. (The eating disorder with which the character struggles in the book is also omitted, one supposes because creator Meaghan Oppenheimer felt it wasn't sexy enough.) The entire first season contains exactly one memorable story point: a nightmare-fodder subplot about Lucy being accused of plagiarism after reusing for creative writing class a short story she wrote on her LiveJournal in high school. CONTAINS LESBIANS: Lucy briefly gets a Black lesbian roommate (Zoe Renee), and one of her friends is closeted, but little comes of it until Season 2. VERDICT: Has the "I guess you had to be there" vibe of listening to strangers gossip about their boring college reunion, and Lucy's lack of personality becomes a really glaring weakness in the recently started second season.

TERMINATOR ZERO (2024): Convoluted, gloomy, pretentious animated TERMINATOR variation, written by Mattson Tomlin, but produced by Japan's Production I.G. and directed by Masashi Kudō. Set primarily in August 1997 — the eve of the nuclear war in the timeline of the first two movies — it focuses on the efforts of scientist Malcolm Lee (Yuuya Uchida) to convince his powerful new artificial intelligence, called Kokoro (Atsumi Tanezaki), to save humanity from Skynet; inevitably, visitors from the future seek to intervene. More conceptually ambitious than many of its predecessors, but also very muddled, with frustratingly hazy stakes and a lot of high-minded speechifying that sometimes clashes with this franchise's by now very tiresome story conceits. The 2-D animation is generally good, but it's dragged down by some dreadful 3-D inserts (particularly in the finale), and the action sequences lack imagination, wasting too much energy trying to echo familiar moments from the live-action movies rather than coming up with anything very new. CONTAINS LESBIANS? Not that it acknowledges. VERDICT: Tries hard — sometimes too hard — but doesn't ever add up to much, and if you're not sure the world needed yet another TERMINATOR spinoff, you'll likely remain unconvinced. In the time it would take to sit through all eight episodes, you could watch GHOST IN THE SHELL (1995) and most of TERMINATOR 2 (1991), so why not do that instead?

THE PERFECT COUPLE (2024): Unbearably grating mystery, ineptly adapted by Jenna Lamia from a trashy novel by Elin Hilderbrand, about a murder investigation on the eve of the posh Nantucket wedding of a cute middle-class zoologist (Eve Hewson) to the vacuous middle son (Billy Howle) of a mega-rich mega-bitch mystery novelist (Nicole Kidman) and her shiftless old-money pothead husband (Liev Schreiber), who's constitutionally incapable of keeping it in his pants. Plays like a Benoit Blanc mystery without Benoit Blanc, laboring under the misapprehension that just showing rich people being entitled, racist assholes constitutes incisive social satire, and the entire cast (which also includes Isabelle Adjani and Dakota Fanning) is unbelievably bad, not helped by a total lack of coherent character motivations. Stupid, abrasive, and stretching the story to six one-hour episodes makes it a real endurance test. CONTAINS LESBIANS? Just some '90s-style comic relief gay guys. VERDICT: Like broken glass on the beach, featuring one of Kidman's career-worst performances. If you're in the mood for something like this, try the recent Peacock adaptation of Liane Moriarty's APPLES NEVER FALL, which is much better.

[unix--porn]

[labwc] Minimal + Dynamic Wallpaper Theming

Desktop: KDE Plasma 6.1.4 Wayland

OS: openSUSE Tumbleweed

Terminal: Kitty

Panel: Waybar

Launcher & Widgets: Rofi

Icons: Papirus (Pywal Accent color gets matched to the closet Papirus presets)

Accent Color: Accent from Wallpaper

Dotfiles: https://github.com/ulinaaron/dotfiles (Super rough, I've been in the weeds theming that I haven't cleaned up my mess)

I recently switched from Hyprland to Labwc. Mostly for simplicity and it covered most of my needs. I was able to port most of my custom scripting for theming. I started with a rudimentary foundation from Archcraft and continued to expand on top of it. I am now to the point where I have my own theming and templating system in bash to handle randomizing themes based on wallpapers in a directory. Instead of using Pywal templates I have opted to do my own. Some are full config files stored as templates, others are just color overrides. Not for everyone, but works for me.

I switch themes multiple times a day, thus my goal is my standard daily apps all get refreshed automatically or with relative ease.

—trustytussle

[sheliesshattered]

I have been begging game developers to use colors besides brown and gray for literally more than two decades now

but that doesn't mean I want a whole generation of games that look and sound like a fuckin 1990s sugary breakfast cereal commercial

[python-programming-language]

Difference between Terminal, Console, Shell, and Command Line - GeeksforGeeks

Post #223: GeeksForGeeks, Der Unterschied zwischen dem Terminal, der Konsole, der Shell und der Eingabeaufforderung, 2025.

[dormiloncito]

watching the terminator and going crazy at how many songs use/sample dialogues from it

[dibelonious]

WARP is an amazing AI Linux terminal. The mixing of shell script and natural language is simply mind blowing.

[shellterminal]

About Us

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[funeralscythe]

you know what, fuck it. i'm making an effort to move on into the genloss fandom. i tried a while back but it didn't stick, but now i'm back on my crossover au bullshit tossing rgb trio into elden ring. gl!ranboo character study disguised as an elden ring au. he's melina now. specifically we're working with the theory that melina is the gloam-eyed queen, rebirthed and repurposed by marika as a final safeguard to ensure the perpetuation of the golden order that usurped her. if this gets refuted in the dlc i don't care.

the tone starts out as a funny roadtrip comedy with sneeg and charlie as two tarnished who are desperately trying to get ranboo to adventure with them instead of just kind of tailing them while incorporeal and it progressively devolves into darker territory, reaching its darkest point when ranboo remembers his purpose, and sneeg and charlie meet shabriri, who promises them he can help them save ranboo from his destined death. from there it is of course a shitshow.