#also i just had to include that last panel

[bull-shit-suji]

hi okay continuation of my dadbastian spiel because i was rereading EW and needed to add thoughts.

originally i was working off sebastian's actions in later chapters to justify his discomposure during EW in a like "well shit hit the fan and now he's cranking up what i Believe to be dad vibes" way but i didn't have a lot of evidence from the arc itself to back up that specific correlation.

turns out i'm an idiot because look. come here. we get a couple of master-servant parallels to sebastian and ciel (angi/soma, claude/alois if you count the anime) but do you know. Do You Know what parallel we get in EW, the arc in which sebastian finally acknowledges the flaws in his current mode of manipulation?

oh yeah for sure. just a soldier, who was trained to be a ruthless killer and in no way expected to end up raising a child, coming to love that child so dearly he abandons his directive. the literal. father-daughter duo of the century.

look me in the eye. the chapter in which sieglinde forgives wolfram, aka the source of the latter panel's embrace, is literally. Titled. "That Butler, Listening Intently." go read the chapter for yourself and tell me exactly what the fuck sebastian was Listening Intently to if not the sickening display of parental adoration going down a few rooms over. learning from it so he might begin to adopt the persona for himself.

wait i'm not done. smack in the middle of the arc is a chapter 99.5, a mini story wherein sebastian tends to a recovering ciel in the aftermath of BOC. except! the soup he brings ciel is of the very same recipe once prepared by vincent for rachel, who had fallen ill, with the help of what we now know was r!ciel, inspiring o!ciel to VOLUNTARILY tell the story.

yana's deceptive framing makes this slightly hard to follow But, given the knowledge we have now, it's safe to say o!ciel was also sick in this memory. so. so tell me what the purpose of randomly throwing a blatant parallel between vincent, his FATHERRRR, and sebastian, wherein they both tended to his illness, both made him the same FUCKING meal, right into the beginning of EW's climax. interrupting the action to say "hey! remember that time sebastian accidentally cooked this kid the soup of fatherly love and fond memories? that was crazy. anyways"

i'm gonna be sick. also honorable mention for EW being one of the few arcs in which sebastian bathes ciel and endearingly pokes fun at his height. which could mean nothing.

[yourstrulyrani]

thinking about simon riley and how he gets worried when he gets his labs back from medic!reader:

"Bloody hell, Doc. You could include this in my dossier if you wanted."

You let out a chuckle at his words when you saw him skim through his blood work, a whole packet worth of vital information, from the number of red and white blood cells he has, a basic metabolic panel, and so much more. He skims through the information, every row a new test and labeled with a green "normal" on each one.

Until he reached one of the rows: testosterone.

A red "above average" was next to his testosterone count and you could see the panic in the man's eyes but you didn't know what caused it. You decided to let him speak up about it.

"Hey, doc?" You could see the stress manifest into a physical form the way you saw his thumbs clutch the packet of paper tighter, causing the paper to crease upwards in submission at his grip.

"Yeah, Ghost?" You turn around, your body language evident that you are all ears for what he has to say next.

Ghost had to collect himself before bringing this up. He knows this hormone is a normal thing in males, but why is his so abnormally high? He clears his throat before speaking up, "My testosterone," he pans the packet to face you now, "the lab says it's quite high. That's not normal."

"For you, it is."

The man's eyes squinted behind the mask.

"What? It says 'above normal' right..." he points to the row with a gloved finger, "there. What do you mean for me it's normal?"

You walk closer to him, gently taking the packet out of his tight grip. You turn around and sit next to him, and because of the height difference, Ghost noticed the way your shoulder grazed his bicep.

"It's normal for you because of your muscle mass, sir." You point to his muscle mass percentage. "More muscle means more testosterone in the body. Testosterone helps to support your body in maintaining the amount of muscle you have. If you had a man's average amount of testosterone, you wouldn't be built like a tank."

Ghost snickers at the last remark. "I'm a tank now, Doc?"

"Have you seen yourself, sir?" You scoff. You point to his weight on the paper, "Your muscle mass is also why you're technically obese. You're 6'4 and 250 pounds. But nothing to be worried about. You have more muscle than fat, and muscle weighs more. So I can assure you, you're perfectly healthy."

Ghost at the moment thought the way you nerded out on all of these medical technicalities was quite hot. You were smart, he always knew that. But it was something about the way you were talking in person about all this health and medical stuff that got to him. It didn't help either that you looked even more professional with a white lab coat and scrubs on. You adjusted the glasses on your nose while you looked down at his labs and Ghost swore he felt six inches of some of his muscle and fat twitch.

"Perfectly healthy, Doc?" He repeats your words.

"Perfectly." You skim over the paper once more. "If anything, you have the highest muscle mass and testosterone in the task force."

Ghost felt his pride swell at that statement. Not only did you say he was perfectly healthy, but you basically just called him the most ripped out of all the guys?

"I'm trying to be modest abou' this whole thing you know. You're not helping." He replies sarcastically and you giggled, throwing your head back a little. "I'm serious."

"Well you can thank your hard work on missions and the extra hours at the gym." You nudged his arm with your shoulder, causing Ghost to tense at the sudden contact but he surely didn't mind. The cute little medic that works for the task force just touched him, how could he possibly complain about that?

After that encounter, Simon took no time in bragging about his "abnormally high" testosterone and "obese" weight to the group chat that consisted of him, Price, Gaz, and Johnny.

He sent a picture of his labs with the message: "Not only did Ms. Medic tell me I'm built like a tank but told me I'm more of a man than you all can ever be ;)."

Johnny replied with, "You mean "the missus"?"

Gaz replied with, "You better snag her before I do, Simon. I didn't see a ring on her finger last visit."

Price replied with, "It's only because of my age, you know. If I were in my prime I would have more testosterone and muscle mass than all of you combined."

(lol i love these men)

~ yours truly, rani ♥︎

[laserbobcat]

A WIP i'll never finish, i tried! I started this before march and will never finish it properly. I'm glad I had the energy to at least clean the last panels enough. I was trying a new style/process and it doesn't stick. Anyway, I'll just tell the rest of the story since I (probably) won't draw it, and maybe some of you like to read:

Nari turns into a god again, to his surprise. Turns out it's because the Lamb fucked up a new age reversing ritual they're trying out, and turned themselves into a baby. Too weak of a vessel, so the crown had to jump ships back to him. Narinder enjoys this IMMENSELY. Makes a dramatic evil laugh and give some kind of speech about how the Lamb is stupid and he's the boss now. He tells Aym and Baal to babysit the Lamb until they're old enough to be trained like they both were and "Maybe this time around they will learn obedience" and exits- also dramatically. The cultists start to panic, what the hell is that giant god, what do you mean it's Narinder are you kidding me? The tsundere Lamb's friend? The grumpy fisherman? Oh no what are we gonna do without the Lamb etc etc... Until Leshy laughs out loud and says "Just ignore him and wait a day or two, he's gonna get tired of bossing people around and miss his precious Lamb. He'll find a solution." Aym deadpan says five, Leshy says five days seems too long he'll cave in sooner than that, but Baal says "No we mean five minutes." And BAM the temple's door open again and Narinder is here yelling MORTALS I need you to remember EXACTLY the words they made you chant, I need it to reverse the ritual!

He quickly realized that this Lamb will not be HIS Lamb, HIS lamb is gone for good if he doesn't cook some good magic real quick. And that's the start of a period of time where Nari has to bust his ass trying to undo the Lamb's failed magic. I had bunch of stuff in mind, including: -Lambie being the worst and most insufferable baby ever. No one sleeps on their watch, and no one gets to be distracted for a second otherwise they start eating rocks. their yell is the loudest noise ever heard. The goat is a joke next to them. Everyone has the tired parent trait now. -Narinder smashing people to death when they're annoying and distracting him from his research. He adds their name to "the resurrection list" for the Lamb to deal with later. The followers somehow get used to it. -Morgan trying his best to keep Leshy away from his irritated brother, despite his intense need to annoy him at the worst time possible. -Narinder yelling "Fetch me my thinking Lamb!" and then squishing the baby between two fingers like a squeaky toy to help him focus (the baby enjoys that) -Saleos and Irene forcing a huge ass exhausted and irritable 19 feet god to take a rest, maybe go fishing to get some air. -Narinder accidentally hitting his head on the door frame of the temple. A lot. -Narinder reluctantly having to officiate the important rituals "I don't care about your damn crops but let's get this over with- NO we're not having an exhibitionist dance go back to work!" -Thena having to read most of the Lamb's writing for him because they write in cursive that is so pretty it's unreadable -Thena making him realize how much work the Lamb is doing everyday. Narinder keeps in mind that he will have to make him rest later. The end would be Narinder finally managing to reverse the ritual, and a butt naked, befuddled adult Lamb appearing on the floor of the temple. Narinder takes the crown off of his head and throws it at their face, and yells at them while changing back into his mortal form and stomping out of the temple: "You IDIOT baby god trying to CREATE new magics when you're not even able to master the old ones completely I CAN'T BELIEVE you would try something so stupid do you even realize how much of a pain in the ass it was to understand your weird logic and clean your mess I SWEAR if you ever do something like that I'll let you rot in whatever pit you dig for yourself AND DON'T YOU DARE SAY ANYTHING ABOUT THE RESURRECTION LIST-" And slams the door on his way out, leaving the lamb astounded.

Cut to Narinder getting back to his house in his tree, and flopping on his bed, exhausted. He massages his arms, visibly relieved to have them back to normal, without the pain. He sighs with a little smile, stretches, curls into a ball and falls asleep.

That's how the lamb finds him later when they carefully come to talk to him after hearing about all of what happened. Except the black cat loaf on the bed changed into a baby.

Rinse and repeat.

[good-beansdraws]

Did a few fun official art redraws :3

I really love how the 2nd anni art came out :3 I'm most proud of that one for sure

The pose for the recent anni art looks a little stiff but not only was the reference out of love, but it actually really fits the bouquet/victim symbolism (<- she has thought way too much of the symbolism/motifs of a character that doesn't even exist but it WORKS)

Rip Muu in the raincoat collab but I just wanted to see if she'd fit in with the others adsfsd. Thank you to Tsumi whose post inspired me to finish that one 👍

And ah... I have mixed feelings on the last one... I didn't want to have to redraw all 12 cast members and the whole scene, but I'm still pretty bad at mimicking styles and I feel like it's so obvious that she's just pasted in 💀Still, it was a really good exercise in art and I'm proud of the experimentation! Plus, no matter how I'm tempted to cringe, it was very silly and I recommend drawing yourself anime-villain-style LMAO

I was originally waiting to post until I did cover song redraws I have planned, but that's going to take me 80 years and I figured I can share what I have now lol

Massive Milgramsona art/info dump as a treat to myself!! Alas, my fatal flaw is being unable to shut up about anything even while simultaneously embarrassed/nervous to share, so here's literally all the info I have on her 😅

Profile:

Name: For the sake of posting online I’ll call her Rose!

Number: 012

Color: #E7355B

Age: She’d be 20 when Milgram started

Status: Milgram Staff, Machine Technician

Song genre: Pop/theater (a mix of Mahiru and Kazui's vibes)

Backstory: She is studying abroad in Japan to work on technology related to the mv machine when she stumbles into top secret info about the trials. Horrified at the lack of prior testing, she demands to be included in the experiment to make sure the brand new tech runs smoothly and doesn't harm anyone in the process. To prevent her leaking info to the public and deciding an extra participant wouldn't hurt, Milgram agrees.

Role: Rose performs routine maintenance and updates on the extraction machine, and checks in with prisoners' health to make sure it's not having any adverse effects. She listens in on the interrogations, ringing the bell to signal Es when the machine is ready for use (re: my theory on how it works >:3). She then watches the mvs after Es to make sure there are no glitches.

(Though she is a personal milgramsona, her role in the story is supposed to reflect the audience's experience overall when it comes to how much info we know, emotions we experiencing regarding guilt/responsibility, and how much power over events we actually have given the voting system and trial breaks.)

Trial 1

Jackalope's comments during trial commencement: Oh, I almost forgot participant 012, Rose. We've never had more than one staff member before, so we figured that sort of numbering would be fine. Hey, don't look at me, it's not like it was our idea to include her. She's not a prisoner -- the only crime she's committed is sticking her nose where it didn't belong... You can ask her for the details, but she's just here for maintenance on our extraction machine. It's not easy keeping that thing running smoothly, you know? As part of her duties, she'll be privy to all the same information as you, but don't let her be any more of a busybody than she already is -- she has absolutely no authority when it comes to your verdict decisions, got it?

MV: Mic Check - “Can anyone hear me?”

VD: Positive Feedback

Cover: Pathological Facade - Ghost

Her album would release last in line. The VDs aren't interrogations since there's been no crime -- Es asks about her duties and observations of the prison. In them, she admits her predictions that she and Es will eventually be on trial for their involvement in the prisoner's fates.

Thus, her mvs are focused on her emotions towards the prisoners, her pride in helping bring justice, and her guilt at providing Milgram a means to pass judgement on people she cared about. I'm going to Goncharov the actual mvs/songs, but Mic Check is generally an introduction to her job behind the scenes prepping the equipment that will allow the prisoners' songs to be heard, as well kick off symbolism of her as a performer herself. She'll make a comment about how the experiment is leading to tragedy, "as if someone said Macbeth" (then covers her mouth, as she's standing in a theater herself).

I kept getting tripped up looking for Deco*27 songs that worked and weren't already taken, so I decided to go with some favorites and vibe-matching songs from other artists!

Comments during trial closing: It's good to hear you weren't a pushover when Rose gave her thoughts on the verdicts -- you guys disagreed on quite a few of them, eh? Ah... so she's not the type to pick fights, is that it? I guess that explains how she's managed to get along with everyone. (sigh) Even you knew better than to get attached like that. Well, at least she's kept our machine up and running the whole time.

Trial 2

Commencement: Now I need to wake Rose. We're going to need some extra upgrades to our machine if we want to get the most out of this round of extractions. I've got a sneaking suspicion that she and her bleeding heart are going to try and sway you during this trial. Her duty is specifically to look out for the prisoners' safety, but yours is only to judge them. Don't forget that.

MV: Changement - “Don’t say ‘break a leg,’ if it might just break.”

VD: Control Variable

Cover: TOXY - Kujiragi

I did my best to write out the title pronunciation out in katakana since I wanted it as the name of the dance move, not a direct translation of meaning. I went with シャジェモ "sha-je-mo" as the closest I could get to the "shanj-mou" sound, but feel free to correct me if there's a better way to write it. The door is based off of various set designs for Clara's home in The Nutcracker. (There's no deep meaning that this is the only one not opening -- I realized too late all the others are cracked open and my art app doesn't have the tools to easily fix that so I'm sticking with it 😭)

A changement is a small jump in ballet -- I thought it was fun to combine that (which means "to change") with Control Variable (refering to the variable in an experiment that never changes). The video shows conflicting emotions as her decisions/inaction caused so much to happen between trials, yet at the same time she feels like there's so much she'll be unable to change even if she really wants to intervene. Her mvs show the prisoners pretty regularly (since they are her crime, she's realized), and the teaser line is paired with references to Mahiru's broken leg.

The thumbnail combines different areas of study -- mechanical, medical, musical, mathematical (theater spotlight, muscles, Weakness notes, motion formulas). I think it's super cool how many areas of expertise are passed around the fanbase when discussing the characters. I've picked up new facts about plants, food, anatomy, geography, music, animals language, (sigh. color theory.), hobbies, professions, mythology, etc from fans with different fields of knowledge. While that's one of my favorite aspects of the project from the outside, I think it would be super intimidating to someone on the inside trying to tackle so much information at once.

Closing: As for Rose... (laughs) I thought she was dooming herself before--! Not only has she gotten hopelessly attached to everyone over the course of this trial, she's even started a relationship with one of the prisoners! And of all the people she could have chosen... Eh? Oh no, we have no policies against that for our staff. I mean, the whole point of Milgram is to explore human nature, the power of emotions, the complexities of connections, all that crap. I'm just grateful she shows a bit more common sense when she's operating the machine...

Trial 3

MV: Showstopper - “There won’t be applause, but I’ll take a bow, okay?”

VD: Please Exit Left

Cover: Ironina - Nilfruits

I don't know the album theme yet, but this is the tentative sprite and thumbnail design. The T2 sprite was kind of an "innocent" one, since at the beginning she still has faith in her role in the prison, excited to work with everyone there. (Plus, I joined the fandom a little after t2 started so that's peak excitement time lol). The T3 sprite has much more of a "guitly" feel to it because, at the end of T2 and after this hiatus, she'd harbor a lot more guilt about her position and fear about the experiment's conclusion. As a fun little detail, her pencil has been replaced with a more permanent utensil as final verdicts are locked in.

Now listen. My artist brain was constantly fighting my science brain when doing sprite designs -- I know gloves like that and nothing else isn't proper PPE. I know none of those are safety shoes (god forbid wearing just socks??? to the lab???). There should be no jewellery at all. The whole point of a lab coat is that you don't roll up the sleeves and expose your bare skin. However. It's anime character design. There can be compromise.

Referencing Rose's personal life as a performance and comparing Milgram's trials to one, I wanted the mv to play on "showstopper" as both a great show and a literal attempt to stop the project before it reaches its finale. There would be creepy comparisons in the mv between operating stage equipment and prison executions: curtain/set ropes and nooses, heavy duty lightswitches and electric chairs, etc.

Misc.

And lightening things up again -- birthday art and minigrams :3

Birth flower: Camellias. Pink camellias symbolize love but also longing. The fact that they bloom in winter, and have a quick death (the entire flower wilts at once, instead of individual petals falling off), have inspired different meanings in different cultures -- overcoming hard times, facing death in battle, inseparable lovers, and so on

Three minigrams featuring my own annoyance that her design is a bit close to Shidou's coat/gloves look, a mandatory short joke, and a pun that works so perfectly for my Put-In-Situations guy

[doctorsiren]

Okay, doodle request:

Reigen meeting Serizawa before Claw got to him. Maybe helping him start leaving his room?

I had a lot of fun with this one. I wanted it to parallel the scene of Serizawa meeting Suzuki, and so pages 6-8 are directly referenced from the manga (just in a flipped format so it reads left to right like the rest of the pages) and I also referenced some shots from the anime (like the final panel of page 10). For the dialogue in those middle pages, I referenced lines from the unofficial English translation of the manga, the official English translation of the manga, and the anime. (I was picking and choosing which lines I liked better). I also had fun with the colouring, which is something I love to do in comics especially. It starts out with Reigen in a muted, paler, desaturated palette with no highlights. But when he meets Mrs. Serizawa (I gave the name “Azumi” because it means something along the lines of “safe home/harbour”), she’s much more warmer and saturated and she has highlights. Once she starts explaining her son’s situation, that’s when Reigen has the variation of colour as well as the introduction of some small highlights. Then, the colour palette changes in every panel after that point. Serizawa is done with a grayscale palette, with the only colour on him being the bright light of the TV screen (reflecting video games as his only joy and his escape from reality). As Reigen talks to him, Reigen slowly start to lose some of that variety and saturation (AKA hope) he got from Mrs. Serizawa until he goes grayscale as well when he thinks that Serizawa might know he’s a fraud. He decides to switch up his approach and actually open up, which is what causes the variations in colour to return. Serizawa stops being grayscale in the panel where Reigen reveals that he too is lonely. (He’s a gray-blue palette, but it’s not true grayscale). The next page is in bright colours as Reigen opens up and doesn’t lie, which causes Serizawa to have bright colour as well, since now there is light and hope. In the page after that, Serizawa’s colour fades until he is grayscale again because it’s him not believing fully and still having doubts, while Reigen maintains that bright colour. (Also silly Falsettos reference on that page). I have Reigen’s colours shift from yellow until he reaches pink which is the colour I just have assigned as His Colour (since his tie is pink). Serizawa gains colour again and he shifts from that muted dark blue to finally orange (which is his colour) as he finally accepts Reigen’s help. The light from the TV is no longer coloured, and is just white, because Serizawa now has a new source of colour in his life (that being a real friend.) It ends with them being in their normal palettes at a normal happy saturation, contrasting the muted colours of the start of the comic. With the umbrella, I still wanted to include it and give it a role in the story, but in a different way from how Suzuki used it. While Suzuki used it to directly manipulate and control Serizawa, Reigen used it as a way to open up a choice for Serizawa to either let Reigen stay or make him leave. He asks Serizawa if he can sit and stay for a while since it’s raining outside and he didn’t bring an umbrella, despite clearly having done so. And then I ended the comic with a shot of the umbrella to emphasize that point.

Sorry for the long and probably unnecessary explanation. I just really love explaining my intentions and symbolisms in my art. Yeah I just had a good time over the last few days doing this :) I thought it was an interesting idea and I couldn’t think of a way to reflect it better than in a comic (which was also partially inspired by this wonderful Ageswap AU comic made by @fend13th about Reigen helping Serizawa)

[enavstars]

Worst days

Tw for Kakashi’s general (terrible) mental state, including hallucinations, slight body horror and blood.

I.

II.

III.

These are parts 1, 2 and 3 out of 5. You can probably already guess who the rest will be about.

Parts 4 and 5

I have kind of taken this project as sort of like three different art studies in one (color, lineart and Kakashi's character).

It is set on Kakashi's ANBU era, where he was most depressed (and hallucinations were definetly (a common occurance/happening)). He had lost everything and everyone during this stage of his life, which is why I wanted to explore his feelings about every person he lost and how their deaths affected him.

More details about each part that you may have not noticed:

Sakumo:

Kakashi’s face is not fully visible, only Sakumo's.

At the end when he talks about the blood he refers to the floor as "wooden", but he's n the bathroom, actually standing on a tile floor, meaning he's hallucinating that he's in his old house right where he found his father.

Minato and Kushina:

They are both intentionally blurry, because Kakashi was not involved in their deaths in any way at all, unlike the other ones. He never saw them die. He just learned that they were gone.

This is also why he can’t reach them. No matter how much he runs he could not get there in time to save them, just like his sensei. He can’t go back into the past, either, so he just lost them without saying goodbye, only seeing what they left behind.

Minato is on his back in that one panel to represent the emotional distance between him and Kakashi. In canon Minato always seemed to keep a formal sort of work-oriented relationship with his team, because even though he seemed warm he was actually quite far, and he never opened up about himself at all.

Kushina's voice is simply "loud and vibrant", simply energetic, but I chose to make its connotation ambiguous because we never saw her and Kakashi interact in canon and so don’t know how their relationship was like.

In the last panel Kakashi's hand is monster-like, kind of like a certain seven-tailed beast in that one scene, which represents how he believes his influence would horribly corrupt Naruto.

Kakashi:

The color palette on the whole comic is monochromatic except for the blood and Kakashi's sharingan, representing how colorless his life was before he had his precious people with him, especially Obito.

This is the first time Kakashi's face is visible.

The focus on the "white fang" blade also works as a reminder of what will eventually happen if he breaks.

[aphel1on]

the longer i look at this panel the more deranged i feel about it. this is environmental storytelling at its finest.

the eodio stand-in doll in particular makes me crazy. where did it come from? did thistle just pop into the village like "hey ungrateful wretches, one of you needs to make me a life-sized mannequin, For Reasons". did he make it himself? seems quite unlikely, yet the possibility haunts me. i mean, i guess there could've been one just lying around the dungeon somewhere. it's the act of replacement itself that really gets to me. (edit: it's been pointed out to me that the eodio doll also could have been left behind as part of delgal's escape plan. slightly different kind of madness but tbh, just as funny-sad to me if that happened and thistle went Ok, Guess That's Eodio Now.)

both the wives are there too. we know very little about them, which makes me tend to assume thistle wasn't all that close to them, but they're still included. when did they end up here? did he kick their souls out of their bodies at some point, or were they among those who left their bodies voluntarily to try and escape? when did yaad become an effective orphan, delgal an effective widower? women in the margins of the narrative, tell me your stories!

and the fact that they're surrounded with the living paintings, which thistle habitually wanders through to relive the past. this truly is his inner sanctum, his place of utmost comfort... and it may as well be a tomb.

that panel is so creepy when you first see it. just a sense of "ohh jeez, there's a lot to unpack there".

and actually, yeah, it remains creepy from pretty much any angle, but the more you think about it the more it's also tragic.

this is where many of thistle's happiest moments took place. everything he had in that picture is now gone. first he lost their warm regard, then one-by-one their bodies became hollow shells. before the end, none of the people here needed or enjoyed food anymore. the dinner table, as a center of both family life and nutrition, became obsolete.

a line from someone else's excellent post about thistle has stuck in my head ever since i read it: "to eat is to live, but to eat together is to be loved". to me, this is the sentiment and symbolism at the core of everything that happens in dungeon meshi.

it makes this bit all the sadder and more disturbing.

there's several things to note here:

thistle has gone from seated and eating with them as part of the family, to a lonely and ominous figure hovering over delgal's shoulder

eodio is conspicuously absent from view, and his body would have been a husk by now, but yaad says parents, which forces me to assume that they are sitting at the table with eodio's soulless body, hidden under yaad's speech bubble

they're not actually eating anything.

those plates are empty. you could assume that they've already finished eating, maybe, but yaad refers to it as sitting around the dinner table. in fact, he compares it to what he's currently doing; sitting at the dinner table watching the touden party eat, not eating anything himself.

it paints a pretty grim picture. for some time even after the fantasy had fallen apart, even after there was no need or desire to eat, they kept gathering around the dinner table. at that point, i'd guess only so as not to provoke thistle's wrath.

but even that last happened a long, long time ago.

this is a callback to what senshi said in the golden kingdom: the reason the people keep maintaining their fields and silverware and so forth is that they need to do so in order to stay sane.

paradoxically, the dinner table is the most striking evidence of thistle's insanity, and at the same time, it's the only anchor to sanity he has left.

he kept enforcing the ritual of dinner together long after it lost significance. when even that was impossible- because almost everyone's souls were gone- he kept their bodies at the table anyway. it's fine. it's fine! he's protected them, physically, just like he set out to. they're all still breathing. at a glance it looks like they could wake up and resume dinner at any moment. like this, it's easy to pretend.

isn't that what being a dungeon lord is, at the core of it? rejecting reality, staying in the prison of one's impossible desires. it's just one long game of pretend.

thistle did all this to protect his loved ones. no matter how obsessive and twisted he became in pursuit of that over the years, his core motivation never changed. this is all he has left of that dream: his loved ones' bodies gathered around the locus of their happiest memories together. like this, he can tell himself he's succeeded.

when eodio's body vanished with delgal's soul in it- when he couldn't even have that anymore... well.

i want to reach through the screen and shake him. no, they're not, thistle. THISTLE, NO, THEY'RE NOT! the doll of eodio is the closest thing to him in this panel, underlining the point. when that final illusion was shattered, he became completely unable to cope with reality.

therefore casually forgetting the creepy eodio doll isn't real.

thistle isn't stupid. eodio's body vanished at the same time as delgal's soul. shortly after, more adventurers came pouring in than ever before. deep down, he knows what happened. if he didn't, being confronted with the truth by mithrun wouldn't have made him panic so hard he summoned chimera falin to the first floor.

yet still...

he absolutely can't admit that to himself. he is clinging to the last scraps of the illusion with everything he has.

this is a dungeon lord at the end of desire. this is a lotus-eater machine left running long after its conclusion. this is mithrun lying listlessly in his bed, his replica lover having given up any pretense of being human. the illusion is all that's left. (an illusion is all it ever was.) thistle and the citizens of the golden kingdom- they're ghosts just as much as the ones who wander the dungeon floors. and if it weren't for thistle sealing the lion away, he would've been eaten by it long ago.

all of this encapsulated by that single panel of the dinner table.

[muletia]

✧˖° 𝐇𝐄𝐋𝐋 𝐁𝐄𝐒𝐈𝐃𝐄 𝐘𝐎𝐔, 𝐇𝐄𝐀𝐕𝐄𝐍 𝐖𝐈𝐓𝐇𝐈𝐍

[tfp] synth-en!obsessed!optimus prime x human!reader 18+ content/valveplug

cw: possessiveness, jealousy, top!optimus (he can top you once. as a treat <3), subish!optimus (kinda...), reader matches his freak, explicit valveplug, rough sex, overstimulation, breast play, no aftercare?, mention of ratchet's human partner (which is actually different reader lmao)

word count: 5100

sorry it took me so long to write this bitch; i had to rewrite everything three times before I was satisfied. also, don't expect an overly toxic optimus. i decided to stick as close to canon as possible while giving him just a pinch of freakiness, horniness and aggression

Optimus's servo smeared with energon shoots forward, locking around the helm of the nearest Vehicon. Behind him, Bumblebee and Bulkhead fire at the enemies guarding the energon cubes deeper within the cave, forcing the Decepticon soldiers to focus on them rather than on the exposed Optimus, whose servo grips the helm in a death embrace. Prime presses the enemy further against the cold, unyielding wall, just as unrelenting, securing against any escape before tightening his digits. They tremble for a moment, battling against metal, but it does not remain defiant for long. It yields to his strength, bends, gives way, until at last, completely crumples beneath his bare servo, spraying energon straight onto Optimus’s masked faceplate.

Violence is an inescapable shackle of war. Unyielding and inevitable. Optimus loathed violence, despised it, resisted using it, forcing himself only in the rarest of circumstances.

But there was not a trace of reluctance in the way he killed the Vehicon. This was not a wartime obligation or a fight for survival — it was murder. A deliberate act, cold and devoid of sympathy for mere cannon fodder, judging by how nonchalantly Optimus shakes the still-warm energon off his servo, all the while scanning for his next target.

“Bossbot?” Bulkhead asks, but the concern in his voice does not reach Optimus’s audials.

The Autobot leader’s entire focus is on the three remaining Vehicons, bravely defending two carts loaded with energon. On future victims, sacks to unload his uncharacteristic aggression upon. He wants to feel metal yielding beneath his servo again. To plunge his arm into a chassis and tear out a still-beating spark; to experience warm energon coating his entire frame. To break his own moral backbone, free himself, to finally taste victory in an era of failures.

He wants to live, to be free, rid himself of the restrictions he imposed upon himself eons ago. Optimus wants to kill Megatron and bring you his helm impaled upon his blade, for he is finally ready for absolute victory. But he also wants you. To devour, drown in, possess. Now, while the energon on his frame is still warm, while he can allow himself to indulge, while he feels like a god.

The fact that he cannot have you only stokes the unrestrained aggression further.

A storm of emotions swirls within him, spinning through his processor, through spark, and behind the interface panel, tormenting the spike swollen with thoughts of you, until Optimus finally lets rage and hatred win. Allows them to consume him completely and take control over every fiber of his being, including the most hidden, most private parts.

“Cover me!” he throws out a scrap of rationality before charging forward with a speed unsettlingly unnatural for a being of such immense power and height.

With only a few strides, he closes the distance between himself and the promise of liberation, dodging blaster shots raining down from ahead and behind, until he reaches the soldiers still fighting valiantly. He grabs the nearest one in his servo while seamlessly switching the other one to the blade, effortlessly slicing through the helm of a second Vehicon. Digits clench, repeating the sensation of his strength from before, still relishing in the pleasure of breaking free from the chains of nobility. More hot energon splatters onto his tainted frame.

The last surviving Vehicon fights bravely to the bitter end, trying to aim his blaster straight at Optimus’s exposed helm, but he is not granted the chance to strike. Prime releases the headless body of the other soldier and immediately turns his attention to him, predator locking onto his next prey. Before the shot can fire, his blade plunges directly into the Vehicon’s spark, snuffing out his meager, meaningless existence.

Optimus watches the body slide off his energon-coated blade and crumple onto the ground. Only then does it cease to interest him, to hold any value.

Yet, he does not feel satisfied. He still has the strength to fight, craves more enemies to extinguish. He is ready to face Unicron himself, the synthetic energon coursing through his lines whispering that he would win such a battle. He would triumph over anyone. Unstoppable. A god.

“Is that all of them?” he asks, a flicker of hope for more lingering in his voice. He needs to release this energy, to focus his pulsing, muddled processor on something simple. Something that will grant him relief from his hunger, no matter its origin.

“Yes,” Bumblebee replies. Despite his unease over their leader’s state, he adds, “All the energon is ours.”

“Bossbot,” Bulkhead tries again, “are you sure you’re feeling okay?”

“Exquisite, Bulkhead,” Prime responds, his tone bored, completely uninterested in continuing the conversation.

His thoughts have already shifted to someone else. Someone softer, sweeter.

His spike throbs irritatingly, demanding attention it will have to wait a little longer for.

Optimus presses his digits to his audials, unbothered by the energon staining them, and adds, “I am sending coordinates for the ground bridge. Be quick.”

He retracts his battle mask and turns toward his teammates.

“Gather as much energon as you can carry,” he instructs them, but the words are not truly for them. He is absent, lost in unreachable contemplation.

His optics, now a furious green, stare ahead, fixed on the point where the ground bridge will appear, each nanoklik of delay eroding his fragile patience. He clenches his servos into fists, trying to focus on that sensation, to concentrate on anything that will quell the irritation of waiting. Waiting until he can return to you and see you again.

Yet, he would not refuse one more Decepticon. The energon on his frame is beginning to cool, becoming nothing more than an echo of the euphoria of unchained rage. He had felt its effects for too short a time. Was not granted the full release of all the filth accumulated over eons of functioning on traditional, insufficient energon — and he wants more. Needs more. Wants to hear the clang of metal against metal again, to see the sparks and feel them ignite another fight; to witness how easily his enemies break beneath his might.

He tilts his helm slightly toward Bulkhead. A strong soldier — he would surely pose a challenge. Perhaps he could toy with him for a moment before hurling him across the cave with a single strike, indulging in his restless need to move, to act.

Their gazes meet for a brief moment, and Optimus sees hesitation in Bulkhead’s step. Uncertainty. A shadow of fear that reassures him of his own invincibility. He smirks triumphantly, even though their battle was only a fantasy.

But it could be real. Would you be proud of him if he took Bulkhead down with one hand? Finally proved his strength, impressed you with his power? He imagines you praising him. A simple “my good mech” rings loud in his processor, but its electrifying effect quickly travels downward, teasing his spike, reminding him just how much he needs you. How desperately he wants to be with you.

His pedes shift impatiently.

He prays to Primus that you are in the base right now. He does not trust himself at this moment to believe he could endure even a few more kliks apart without killing someone with his bare servos.

At last, the darkness of the cave is swept away by the flash of the Ground Bridge. Without waiting for the others, Optimus strides through first, each impatient step bringing him closer to you — until he is met with the familiar sight of the silo. And in the middle of it, standing on a lower platform, is you, seemingly engaged in a pleasant conversation with Arcee, judging by your warm smile.

You say something to the femme, a few words before your attention shifts to him, and you freeze upon seeing the energon staining his frame. As if you were afraid of him, though it is not your shock that truly irks him.

No, it is the fact that you were talking to Arcee, smiling at her, giving her attention that she does not deserve. Because it is he who is your partner, your lover, your soulmate, your future conjunx, and it is he who deserves your affection. He should be the only bot in your life, and this determination, this jealousy pricking at his spark, leads him straight to you, ignoring Arcee’s greeting and attempt to ask a question.

With measured gentleness, a fleeting echo of his former self, he scoops you into his servo and lifts you to his faceplate.

“Optimus, wait!” you plead, but your words do not reach him.

He presses you against the warm, energon-free metal along his intake, securing your back with two digits to prevent any attempts at escape. Like a cat seeking affection, he nuzzles against you a few times, rubbing your entire body and ruining your clothes and hair in the process.

The softness that envelops him soothes his jealousy. Not completely, for he would prefer a far less innocent form of touch, eagerly anticipating that moment, but it is enough to satiate, if only slightly, his hunger for you.

But only for a moment, because he quickly grows bored of simple cuddling. With his thumb, he tugs your shirt upward, revealing a stretch of beautiful, velvet skin, immediately pressesing his intake against it, leaving small but eager kisses.

“Optimus! Optimus, wait!” Your sweet voice quells the hatred and fury within him, but it awakens a different craving, one that has nothing to do with ripping Decepticons apart with his bare servos.

The way you call his name is beautiful. Desperate. But in the mania of his desire, he cannot tell whether it is pleasure or fear that laces your voice. What he does know, is that he needs to hear it again, but in a more private setting. In the seclusion of your quarters within the base, where the only interactions you would be allowed to have would be with him. Where only he would be granted the privilege of experiencing your melodious voice, your laughter, and your pleasure.

With his goal clearly defined, his pedes carry him towards your quarters of their own accord. He forgets about the energon still splattered across his frame — the deadly harvest of synthetic energon — and about his teammates, who continue to watch him in silent horror. His world narrows to you, to the sound of your voice still calling his name, to your occasional laughter whenever his intake tickles a particularly sensitive spot on your stomach. That is all that matters to him in this moment. That is the only thing of importance.

The only problem he is willing to concern himself with right now is the spike pressing painfully against the walls of its cage.

"Optimus!" You try once more. More forcefully, with enough anger and accusation to tear him from his trance of desire. His optics break away from your stomach, and he looks at you with a distant gaze. Yet he has no intention of stopping the way he’s caressing your body. Primus, he wants to devour you so badly. "Can you finally stop?!"

He obeys your demand, watching with invisible amusement as you sigh in relief. His intake remains on you, lips brushing against skin with feathery delicacy, dangerously close to your crotch. He knows he's overstepping, going too far, but he can't pull himself away from you, lost in visions of the future, in mass displacement, in the full-fledged idea of drowning in you.

His glossa, as if it had a mind of its own, slips out from his intake. The tip of his Cybertronian tongue grazes your navel, timidly trailing downward—but before Optimus makes a mistake he will regret for the rest of his life, he feels a kick against his cheek.

Your kick.

Weak, faint, one easily mistaken for an angry kiss, but firm enough to make him retract his glossa. And most importantly, it finally gives you a chance to say something longer than just sweetly crying out his name.

"Christ, why are you so pent-up today?"

"I have dreamed of you for an entire solar cycle. I withered with longing, waiting until I could finally hold you in my servo." He opens up to you, finally gathering the strength and courage to do so. Even if his boldness is artificial.

"I'm glad to hear that, but you've gotten a bit ahead of yourself, my love."

Love. His optics widen slightly, as if that pet name were entirely new to him. And in a way, it was. Because its use reignites the urge to rush to your cozy four walls and beg you to feed him "dearest," "beloved," and "sweetspark" until he goes mad.

"Optimus." A foreign voice pierces through the veil of sweetness, pulling him away from you. Something he cannot accept. His faceplate, unusually expressive today, freezes with irritation because he does not want to be Optimus for anyone but you right now.

Debates ignoring the bitter call, returning his thoughts and attention to you, but a quick assessment of your irritated and rather dissatisfied expression convinces him that, this time, he should at least pretend to care about his teammates. He sincerely hopes you will reward him later for the magnanimity he is about to show them.

Still holding you close to his faceplate but covering more of you with digits to shield his treasure from prying optics, Optimus turns to Arcee, the one who had called him earlier.

"What matter requires my immediate attention, Arcee?" he asks in a sharp tone, so unlike the familiar and beloved gentle giant that it chills your blood.

Arcee must have felt something similar, as she narrows her eyes warily but does not yield under the pressure of her leader's anger.

"Ratchet left the hangar a few Earth hours ago. I can’t locate him, he’s not appearing on the radar or responding to comms."

"So he's with his partner," Optimus replies as if it were the most obvious thing in the world, clearly bored with the conversation.

"What makes you so sure? He mentioned going after Megatron himself. He could just as easily be dead or held prisoner on Megatron’s ship!"

"Arcee is right," you interject. "This isn't something to dismiss so easily."

Optimus sighs, exasperated. This is not how he envisioned spending his time with you. Did not expect to find so many obstacles standing between him and the sweet reward for reclaiming the mine.

"Check his human’s home first," Prime insists. "If he isn’t there, which is as close to impossible as can be, only then do you contact me. Is that clear?"

Arcee studies Optimus with a watchful gaze for a moment but, finding only cold, impenetrable stone, gives up on further argument. For a brief second, her optics shift to you in gratitude for speaking up for her, something that Optimus does not entirely approve of. He shields you further with his servo, a possessive movement, blocking you from any foreign gazes or interaction. At the same time, he straightens his back to appear even larger than he already is.

Today, you belong only to him.

"Fine," Arcee hisses. "Who should I take on recon?"

"Anyone," Optimus says. He ends the conversation by turning on his heel and continuing down the corridor.

His intake returns to nipping at your stomach, but this time, he does so more aggressively. Faster, as if trying to rid himself of the frustration gnawing at him while ensuring that all of your attention remains solely on him. The tip of his thumb starts to toy with the waistband of your pants, attempting to make up for the seconds lost discussing his best friend. In response, you deliver another kick to him.

This time, he finds it utterly adorable.

"Do you really not care what’s happening with Ratchet? You know, your best friend?"

"I feel no need to concern myself with Ratchet’s condition when he himself informed me of his whereabouts."

"What makes you so sure he got held up there?"

"Because I now understand how he felt, rushing home to his beloved when they accidentally called him. Because I feel exactly the same way at this very moment."

His keen optics do not miss the faint blush that blooms across your cheeks.

Primus. Grant him the strength not to devour you right here and now.

"Wait." You speak. You breathe a sigh of relief when he obeys your command, stopping right in front of the newly installed Cybertronian showers. He lifts an optical ridge, prompting you to continue.

"Could you at least wash the energon off yourself?"

"I am heading to the washracks," he states calmly. "I assume you wish to join me."

You nearly choke on your own saliva.

"Later. I have a feeling I’ll need them more later," you reply, and Optimus has to resist the sudden urge to abandon the washracks entirely and rip your clothes to shreds right here and now.

Divine intervention (your words) is the only thing preventing him from completely destroying both his and your reputation.

One last time before your brief separation, he presses a kiss to your stomach.

"I assure you, I will not take long. Wait for me in your quarters."

"As you wish, Opti."

Primus once again tested his self-control.

You shut the door and immediately press your back against it, needing even a second of respite from everything that just happened.

"I have dreamed of you for an entire solar cycle…"

Oh god.

Oh fuck.

Overwhelmed by his unusual assertiveness, you cover your burning cheeks with your hands. But you don’t stay in that position for long, realizing that your blush is nearly as hot as his intake, his glossa. You can still feel the remnants of his kisses on your stomach and the desperation he poured into them. The hot breath that, over and over again, enveloped your bare skin.

You can’t escape from those thoughts, drifting on the edge of madness, wondering what happened to your dignity that his hunger made you feel like a lovestruck teenager.

Who swapped your Optimus for this pent-up, horny beast?

And most importantly, why didn't you mind at all?

In an attempt to regain control over your body and thoughts that were drifting into the near future, you decide to occupy yourself with something. Anything, as long as it is quick and allows you to gather yourself while you wait for his return.

Once again, your mind returns to the searing heat of the glossa working on your stomach. Taking a deep, reassuring breath, you head towards the cabinet and pull out a glass.

Yes, water will do you good, cooling the fire and restoring clarity to your thoughts. Especially since it is only now that you realize the dryness in your throat. Then, you will unpack your clothes from the suitcase. Mhm, that’s a good plan, you think, taking a sip of water. You will certainly have enough time to change out of your old hoodie and sweatpants into something more befitting of Optimus Prime — even if the concept of fashion was still an enigma to him, not entirely comprehensible.

Reaching for the bottle again, planning to pour yourself another drink, you freeze with the glass at your lips as the door suddenly swings open. And through it steps none other than a mass-displaced Optimus Prime, leaving you dumbfounded.

"It hasn't even been five minutes!"

Now free of energon but still dripping water in a few places, he closes the door behind him. "Forgive me, my dearest, but I was compelled to hasten my return," he says.

You finish your water and place the glass at the far end of the counter, cursing internally that your plan has just crumbled due to his untamed excitement. "It’s fine. But seriously, you could’ve at least given me two more minu…tes."

The words die in your throat as you feel hundreds of kilograms of living metal pressing against your rear, pinning you to the kitchen counter. Apparently uncertain of the effectiveness of his trap, Optimus places a servo on the cold marble as well, blocking your escape from the side.

Not that you were planning to escape, really.

"I could not wait any longer for us to be alone," he whispers directly into your ear, warm breath subtly stirring your hair. "I need you, sweetspark."

The unfamiliar passion in his deep, thick voice plays with your skin, sending a wave of goosebumps down your spine.

You should feel alarmed — you know this well. Instinct urges you to try and flee, to break free from the predator, but you cannot. Because the truth is, you do not want to move. You want to take advantage of this small shift in your dynamic. To channel his fervor toward your own needs, burning, pulsing, demanding his spike.

"I need you too," you say, adopting a low, raspy tone that does not contrast with your quickened breath. You turn to face him, only to be immediately consumed by the green glow of his optics, which seem to burn even brighter than usual. Optimus presses his hips against you more firmly, and even through the layer of sweatpants, you can feel that he is on fire.

He leans over you, a servo curling around the back of your head, and finally, he devours you, his heated intake sealing over your lips. He kisses you ravenously, greedily, as if he had been starving for centuries, setting a pace you struggle to keep up with. You try, chasing after his intake as it leaves kisses on your lips over and over again, but it proves futile when Optimus decides to trace a path downward. He attacks the corner of your mouth, your chin, and the edge of your jaw before moving to your neck, leaving several quick kisses before pausing for a moment.

"I can endure no longer," he whispers, and to confirm his words, he gently bites the skin on the side of your neck, only to immediately soothe the mark with the tip of his glossa. "[Name], I beg you, if I do not ram my spike into you this instant, I am convinced I will explode," he confesses.

With processor turned to mush and need surging through his circuits, Optimus opens his interface panel. His engorged spike, already dripping pink transfluid from its tip, presses against your stomach, rubbing against the fabric and leaving, thankfully washable, rosy streaks. You cannot tear your gaze away from this pathetically shameless display, basking in the heat of his desire.

"Are you particularly attached to your current coverings?" he asks, snapping you out of your trance.

"No, um, not really. Why?"

"I am pleased to hear that," he replies.

He grips the loose fabric of your sweatpants and, with a single motion, tears them in half, leaving you clad only in your ruined, slick underwear. But not for long. Your panties meet the same fate as your sweatpants, joining the shredded fabric on the floor beneath your feet.

The sight of your heat shatters the deadly seriousness of his faceplate as Optimus smiles, satisfied. At last, he has reached the climax of his journey, having pushed through the jungle of team complications and the forced visit to the washracks. But for a sight as breathtaking as this, for the intoxicating scent of your desire seeping into his intake and clouding his processor, and, above all, for you, it had all been worth it.

"Exquisite," he murmurs, unable to tear his optics away from your valve, even as you struggle to remove your hoodie and bra. "I am the most fortunate mech in the history of Cybertron."

Without warning, he grips your thighs and lifts you into the air, ignoring your startled yelp, which quickly transforms into a delighted giggle. And Primus, if that was not the most beautiful sound in the universe… Optimus would have crushed every Decepticon into dust if it meant you enjoyed this mere glimpse of his strength.

He aligns the tip of his spike with your burning entrance, teasing your wet lips with a single subtle touch that nearly drives him to overload. But he wants to last. He must, though he knows his stamina will not grant him mercy tonight.

"Optimus," you try, "maybe we could move to the bed, huh?"

"Forgive my impatience, my dearest," he responds, "but I fear I can endure no longer."

"Mhm, alrighhh… ah!"

With a fluid motion, he slides his thick spike into you, fitting two puzzle pieces into perfect unity.

"Primus, [Name]!" he gasps.

His sharpened senses push him down the path of madness.

Your walls tighten around his spike, welcoming your lover with affectionate reverence, and Optimus is overtaken by a profound sense of belonging and rightness, as if, after a long day’s work, he has finally come home. Buried deep within you, lost in the nearly claustrophobic sensation of your tight heat enveloping his spike, he dares to believe that this place is more comforting than Cybertron itself. And if this were to be your daily reality, he would have no objections to remaining on Earth for eternity.

"Opti, ah, fuck…" you try, slightly dazed by the sheer enormity of him stretching you out. Secured by the servos gripping your thighs, you allow yourself to wrap your arms around his neck, bringing yourself closer to the ocean of green. Being this near, you have the impression that the alien color of his optics is about to swallow you whole. Which is not far from the truth when Optimus begins kissing your collarbones, lightly nipping at your skin, trying not to lose his mind while waiting for your magic words.

"You can move, sweetheart."

The roar of his engine makes it clear — he is beyond delighted to hear that.

"As you wish," he growls against your skin.

The liberation he feels at finally being able to pump his spike into your heat is exquisite, yet treacherous, for Optimus cannot restrain himself from setting a fast pace. His hips ram into yours over and over, savoring the sight of the slight bulge moving across your stomach and the wet sounds of transfluid mixing with your juices — the most intimate union of two species. He is burning up, overheating, but even that pales in comparison to the molten lava that sears him inside your valve. If he cared enough, he might worry that you would melt him, truly fusing you both into one.

"Holy Primus," he pants, digging his digits deeper into the flesh of your rear. In response to the slight sting, you tighten your arms around his neck. "I am not pulling out of you tonight. Not even for a single nanoklik."

"Hah, w-what the hell did that synthetic energon…" you start, but a single powerful thrust momentarily robs you of speech. Seeking balance and clarity, you press your forehead against the cool glass of his chassis, but the tremors Optimus sends through your entire body do not allow you to stay there for long. "…do to you? Where did my mech, the one who begged for the strap, disappear to?"

"He is… s-still here," he assures you, purring with delight as he feels your slick, gummy walls clench around his spike, practically milking him with every drag. With such encouragement from your body, he cannot afford to slow down, determined to grant you a climax that will make you see stars. Or rather, one of your first orgasms. "If you so desire, hrrn, you may see him later."

"I don't think I'll, fuck, have the strength for anything later," you reply, words constantly broken by moans or gasps for breath.

"A-a pity, hah! I had hoped that you, too, might manage to wear me out."

You feel the shape of a smirk against the skin of your neck, where his faceplate is currently nestled. Bastard — you think, but cannot stay angry at him for long when every thrust sends waves of pleasure coursing through your body. From the crown of your head to your curled-up toes. Optimus is lucky that his spike is so impossibly large. Otherwise, he would be treading on very thin ice tonight — something he proves moments later that he is more than willing to risk.

"My dearest," he murmurs into your neck. The involuntary clench of the softest valve he has ever known in his long life tells him that you enjoy his possessiveness. And what kind of servant would he be if he did not fulfill his master's every desire? "My most beloved. Mine to converse with, mine to kiss. Mine to interface with. Mine. Mine."

His greedy litany is abruptly cut short when your valve clamps down tightly around his spike.

"Ah, Opti!" you cry out. "I'm about to—"

"I as well, ah, I…"

He buries his spike deep inside you, pressing his hips against yours and pulling you even closer. Sticky transfluid spurts from his spike, and you reward him with your own release, now fully sealing your union. And though Optimus fills you perfectly, a few stray drops of your mingled love manage to escape your stretched cunt, soiling the insides of your thighs.

Chasing the divine bliss of overload, Optimus does not grant you much time to rest. He starts moving his hips once more, pushing his transfluid deeper into your body in preparation for a refill.

And at that exact moment, amidst the wet, filthy sounds of his spike plunging into your valve, a faint knocking echoes through the room. Barely audible to you over your own panting, moans, and his loudly revving engines, but Optimus has no trouble detecting the intruder. Their presence disrupts his complete surrender to pleasure, irritating him, bursting the fragile illusion that the world ends with you.

"Frag off," he growls loudly, never ceasing to frag your heat.

Your gazes meet for a brief moment, but Optimus does not hold eye contact for long, too agitated to acknowledge your questioning expression. Instead, he directs his intake toward your chest, stuffing your soft flesh into his mouth. His glossa immediately gets to work, gliding over your swollen nipple, licking and sucking to suppress the stream of curses and sins threatening to spill forth. To ensure you do not collapse backward, one arm wraps around your back, delighting in the discovery that he can afford to gather your other breast into his servo as well. Which he does, kneading the soft flesh like a stress ball.

"My dearest," he repeats his mantra between the worship of your nipple and breast. "My [Name]."

"My Opti," you return the sentiment, stroking the back of his helm. "My good mech."

An involuntary honk of his horn and an exceptionally deep thrust convince you that you have chosen your words well. Even at the cost of losing the ability to walk tomorrow.

[ofbatsandballads]

Yay! I’m so glad you take requests. Feel free to decide if you want to write this or not, it’s fine either way :)

So, I was thinking about Jason dating civilian!reader, and her coming home all disheveled and horrified. Since she knows about him being Red Hood, she can confide in him. She had just killed someone for the first time, whether it was an accident, self defense or whatever, you decide.

I was just wondering how Jason would handle this situation since usually he’s the one doing the killing.

Thank you <3

oh, this is amazing food for thought. I actually think he’d be the very best person to come to in such a situation because he has experience with killing. who’s gonna understand you better than him? literally nobody. had something similar to this in my drafts but now my mind is whirling in a whole host of directions. excellent prompt, nonnie!

jason todd x f!reader. warnings include graphic depictions of violence and killing (in self defense), attempted and failed sexual assault, the aftermath of both events (reader’s in shock), hurt/comfort. this one’s got heavier subject matter so please do mind the warnings, folks. i did way too much research of the Gotham Knights map for this, but it’s my favorite depiction of the city so so be it. also reader and Jason live in the Belfry bc i said so (personal hc that i may or may not elaborate on some time). and one last thing! the romanized Arabic at the end is “حياتي ” which translates to “my life”. I love the idea that Jason picked up Arabic terms of endearment from Talia calling Bruce just about every one she could.

Jason wakes up to soft afternoon sunlight shining on his face. He grumbles out a gravelly hum and scrunches up his face in protest against being awakened when he was sleeping so nicely. He reaches out to find the comforting warmth of his beloved beside him, to pull you in and bury his face into your hair so he can hide from the morning for a bit longer.

All he finds are cold sheets and an empty pillow.

He bolts upright. Something’s wrong. You never, never wake up before him. He doesn’t even register the way that the sudden abundance of light stings his eyes. He takes stock of his surroundings, his training executing on autopilot. The open layout of the Belfry lets him get his bearings in seconds. He doesn’t see you anywhere from the bird’s eye view of your loft bedroom. There’s no smell of food in the kitchen nor any mess that would indicate you’d been working in there. The living room space, fully visible below, is empty too. The only enclosed space in your home, the bathroom that’s just around the corner from your bedroom, is dead quiet. No running water, no sweet singing, no familiar coughing from swallowed toothpaste. And without so much as leaving your bed, Jason’s already come to a conclusion that sends his heart pounding and dries his throat. You’re not here.

He’s up and grabbing the 9mm taped under your bedside table in the span of a few breaths. He moves through your home methodically, like he’s clearing one of Gotham’s criminal hideouts. There’s no sign of a struggle. Nothing’s been disturbed. He’s not surprised by this—barring Wayne Manor, the Belfry is the most secure building in Gotham. That’s precisely why Jason had moved you both here once you decided to live together. He checks the coffee table and sees that your phone and wallet are gone. A different type of fear takes over now. One that makes his heart ache. What if you’ve finally had enough, finally seen that he’s not good enough for you, not worth sticking around for? It makes him sick. He swallows hard and tries to clear the blistering thought from his head. No, that’s not you. You’re not cruel. You’re kind and gentle and loving. You wouldn’t hurt a fly. And you wouldn’t hurt him.

The sight of gears turning in his periphery catches his attention. He sees the cables pulling and the security panel go green, and he’s running to the elevator doors damn near ready to pry them open. He hastily tucks the 9mm into the waistband of his pajama pants, easily within reach if he needs it. Relief floods him when the huge metal doors grind open and he sees your pretty face on the other side. Then his heart drops when he realizes that that pretty face is scraped and splattered with blood.

Your hair is tangled and wet, dripping dirty water down your neck and staining the bright red of his your favorite hoodie. Your hands, which shake as they reach blindly towards him, are stained crimson and battered too. But it’s your eyes that haunt him. You look broken.

“Jay,” you croak out, unable to summon anything but a plea for the one person who can keep you safe.

The tears fall from your eyes at the same time that you collapse into Jason’s arms. He drags you inside and locks down the Belfry. Jason wants to panic but feels a strange sense of calm about himself. As loathe as he’d be to admit it, he finds himself falling into Bruce’s habit of assessment and action.

“Baby, what happened?” he asks, voice steady and assured.

You don’t even hear him. You’re digging your hands into his shirt, clinging on to him like he’s the only thing keeping you tethered to Earth. He may very well be. He feels you going rigid and cold and he knows he has to get you stable before you descend further into shock.

“Listen to me,” he says firmly, adding on and enunciating your name for emphasis.

That sparks some semblance of lucidity. Jason hasn’t called you by your name in months, much preferring you be his baby or his sweetheart or his doll, or simply his. If it jars you back to reality, so be it.

“I need you to tell me what happened,” he demands gently.

It all pours out of you like a flood.

You’d woken up early by chance this afternoon. Normally you’d just close your eyes and snuggle closer to Jason to catch a couple more hours of sleep, but you wanted to do something nice for him. So you’d gotten up and gone to Lemay’s Flower Emporium in Gotham Heights. You’d bought him the prettiest bouquet of red and pink roses, so big that you had to hold on to it with both arms. The taxi ride from the Heights back to Coventry Station went fine. You were almost home. So close that you could see the clock tower where your heart was sleeping peacefully.

Then you stopped at Commerce Avenue Station. You just wanted to get him some pastries from the little bakery tucked away on 3rd Street that you both love. It was a decent walk; you knew that. You also knew that Jason wouldn’t want you to go out of your way by yourself. But it was morning and you were a grown woman and you could handle yourself, right? Well, that’s what you thought until a pair of hands clamped down on your shoulders and yanked you violently into a side alley.

Jason had prepared you for something like this. You’d spent countless evenings with him teaching you self defense techniques in the training area of your home. None of it mattered because the man that had you by the shoulders slammed you so hard into the brick wall that all your thoughts went hazy. Before you could regain your footing, you were shoved to the ground. The bitter sting of your palms scraping open pierced through the fog, as did the crushing weight of the vile man on top of you. Fear shot through you as the man started tugging at his belt and you realized that this wasn’t intended to be a mugging. You tried to scream but a grimy hand clamped over your mouth, hitting your head against the ground and soaking your hair in dirty rain water and blood.

Your eyes darted around in search of someone—anyone. But no one was coming. You felt fingernails scratch against your stomach as clammy hands curled into the waistband of your sweatpants and suddenly you saw your savior. A brick from the damaged alleyway laid within reach. You didn’t even think when you grabbed it, when you swung it as hard as you could into the side of the man’s head. The corner hit his temple and he crumbled to the side. You rose to your knees and hit the man again. And again. All you could remember were Jason’s firm instructions: if someone makes it a choice of you or them, you make sure that it’s you no matter what it takes.

“I don’t r-remember anything else,” you sob into his chest. “There was so much blood, Jason. And his head—oh, God.”

Jason shushes you gently. He holds you tight in his arms like he’s terrified that if he loosens his grip even slightly, you’ll fade away on him.

“Don’t think about it, baby. You did what you needed to do. You protected yourself. I’m so proud of you.”

“I killed someone, Jason. I killed someone.”

You look at him wide eyed—afraid, horrified, guilty. No. Jason won’t have that. You will not feel guilty over some lowlife scumbag who wanted to hurt you, who probably would have killed you. Jason can’t even stomach the thought. He wants to put a bullet into whatever’s left of that predator’s head. No, the only shame in you killing that man is that you got to him before Jason could.

“I need you to listen to me,” he says, repeats your name again for emphasis. “You. Did. Nothing. Wrong.”

“Someone’s dead because of me, Jay,” you argue, gripping him tighter as your panic rises.

“Baby, do you know how many people are dead because of me?” he asks. “Far, far more than I’d ever want you to know. Do you think I’m a monster, honey? That I did something wrong?”

He knows it’s an apples to oranges comparison. But you’ve used this same tactic on him so many times that he also knows it’s effective. Every time he demeans himself for something, you ask if he’d treat you the way he treats himself for the same thing. The answer is always no.

“No!” you reply emphatically. “You protect people. You do it to keep people safe.”

“You did it to keep yourself safe.”

“But—”

“No buts. Or ifs. No ands, either, just in case you get any ideas,” he says lightly, brushing a speck of blood off your cheekbone.

You smile at his stupid little comment and he feels the tension in his body release just slightly. As long as there’s light back in your eyes for even a moment, he knows that you’ll be okay. He picks you up, lets you cling your arms around his neck and bury your face in his chest as he carries you to the bathroom upstairs. He runs you a bath and, after asking repeatedly if you were okay with it, undresses you and washes the blood and grime from your body. He wraps you in a big fluffy towel, dries and brushes your hair, and tends to your injuries before he bundles you up in his comfiest hoodie and pajama pants. He soothes you when your tears make their return and never leaves your line of sight because he knows he makes you feel safe.

The thought gnaws at him throughout the day. It outright scalds him as he lies in bed with you after deciding to skip patrol. He’s failed you. Failed to protect you, failed to ensure nothing harms a hair on your head. He’s failed at taking care of you, the one thing that matters more to him than anything else. He’s seconds away from spiraling into self hatred when your sweet voice comes calling, soft and pleading.

“Jay…please stay with me,” you say softly.

Your eyes are clear and focused again. You squeeze his waist tight where your arms are wrapped around him, like you’re physically trying to anchor him in place in your bed. The look on your face says that you know exactly where his mind was headed. You see right through him. It makes him feel more vulnerable than anything else, and it surprises him how much he loves the feeling. And Jason, as always and for eternity, can’t bring himself to deny you. So he pulls himself together and shoves all his self loathing down. He can deal with it later—you need him more right now.

“I’m right here, hayati. Not goin’ anywhere, I promise.”

He kisses you gently and feels some of that self hatred wash away when you chase after him for more goodnight kisses. He feels it dissipate even more when you fall asleep in his arms with a soft smile on your face. It’s all but forgotten as he drifts off too, safe in the knowledge that you’re here with him, that he can feel your heart beating pressed tight against his own.

[rebouks]

Keeping Lag to a Minimum...

I was chatting about a few things I do to combat lag over on discord and realised I do quite a bit of maintenance to reduce lag/load times. I decided to write em all down and before I knew it, I had a big ol' list. Here's hoping it helps!

Save/File Tips:

Clear your caches (located in the same spot as your mod folder fyi) I usually delete the onlinethumbnailcache, avatarcache and localthumbcache caches every time I exit the game, the main one to delete regularly is the localthumbcache file, they're just temporary files but it can get pretty big after a while.. if you're having any mod issues, particularly ui ones, it's always worth deleting that to see if it helps.

Remove any saves you're not using from your saves folder, and keep an eye on save file sizes. In my experience, any saves over around 30-40mb start to get a bit laggy. Things that bump this size up are the amount of townies in game and the amount of lots/objects in the world.

Regarding the above point, I regularly bulldoze lots I don't need anymore, just to save the game from having to cope with extra shit to load in the background and reduce save file bloat.

Similarly, I delete a lot of unnecessary townies. Also, try to keep the amount of outfits on townies to a minimum, ain't no townie need four swimsuit outfits, the game will thank you..

If you have cheats enabled you can usually shift-click/delete object on things like random coffee cups or stray cupcakes sims foolishly drop around the world (or eat em.. whatever tickles ur pickle) just get rid!

Whilst we're keeping objects in game to a minimum.. I try to clear sims inventories now and then, including townies. You can do this via mccc even if you're not currently playing that household by heading to MC Cleaner -> Sell Sim Inventory/Sell Household Inventory. RANDOM LUMPS OF CLAY BEGONE!

Think of a save file like a lot.. the more objects in it, the laggier it gets! Try your best to remove anything or anyone unnecessary where you can.

Hit "Save As" instead of "Save" now and then - the more you overwrite a save, the more chance it has of going wonky, treat your game to a fresh one now and then and remove the old one from your saves folder (maybe don't delete it right away in case you wanna roll back, keep it somewhere safe).

If you can (although ik it can be a pain) set up a new/fresh save, you'd be surprised how bogged down old ones can get! For legacy players, it's usually best to do this whenever you have a small family to save yourself some pain, since you can just save the household and take em to a new save (you will lose sims inventories/household inventories/relationships with sims outside the household tho so beware! Pictures/other collectables can be saved to a lot however, and you can always cheat back relationship bits etc.. bit of a last resort but new saves are shiny and fast!)

Make sure your Screenshots/Video folders are empty - move em somewhere else, it works, trust me. If you have a lot of custom music installed try n' clear some of those out too.. the smaller that Sims 4 directory is, the better.

Delete any last exceptions/last crashes (same spot as your mod folder again) you don't need em unless you're planning to upload em somewhere for help.

Settings Etc:

If you get a bad lag spike, opening the main menu and/or saving can randomly stop this. If it doesn't, try exiting the game, clearing your localthumbcache and restarting.

Clearing all notifications from the game panel can also help.

If you can, close all other apps and background apps you don't need whilst playing, ts4 is super memory hungry so it can definitely help.

The GraphicsRules Override file by Simp4Sims can reduce lag/latency and make your game look a little better in the process!

Srslysims Simulation Lag Fix mod can help reduce lag too (if you've altered the game speed via mccc tho, don't use this unless you plan on resetting it to default).

If you aren't keen on, or barely use a pack, consider disabling it.

Not ideal, especially for those of us taking screenshots, but lowering the graphics settings whilst playing definitely helps.

If you use re/g-shade, consider switching it off whilst playing and only turn it on for screenshots.

A clean and tidy pc/laptop runs better in general. Remove anything you're not using/don't need anymore to free up space, remove temp files, clean up your folders now and again etc etc.. especially that dreaded mod folder, speaking of...

Managing Mods:

SORT OUT YOUR MODS FOLDER FOR THE LOVE OF GOD.. skdsjdjs it doesn't have to be immaculate but at the very least try n' clear it out now n' then. Also try to separate your script mods/overrides from the rest, patch days don't need to be so stressful ;-;

Personally, I don't merge my mods; if something breaks it's much harder to pinpoint! It makes it easier to find/delete specific mods too.. and let's face it, there's usually one or two items in that set you could do without lmaooo.. also, don't think it helps much tbh! Yeah you could say the game doesn't have to work as hard to load merged files but that's debatable, it's still the same amount of items/polys at the end of the day ¯\(°_o)/¯

If you like merging files and/or see results from doing so, you can merge stuff you definitely know you're never getting rid of, especially CAS/BB stuff.. but steer clear of merging gameplay/script mods! If a merged file seems to be the culprit when using the 50/50 method, try unmerging it and 50/50ing it again! You might not need to get rid of everything if something's borked.

Bulk Rename Utility can be used to remove all spaces and special characters from your mod files, the game doesn't particularly like loading those so it'll thank you.

The Sims 4 Mod Manager is a great way to sort through your mods, you can easily see, move and delete files from here (not great for build/buy, poses etc as thumbnails are usually missing, but great for CAS stuff). An extra hint with this that I've noticed is that if any of my mods get renamed with [D1] at the beginning after looking through them via the mod manager, it means it's a duplicate file so you can get rid.

I also use the Sims 4 Tray Importer to help me sort through mods. Simply save a sim/lot with any cc you don't want and find it in the importer, you can then go through all the cc in the cc tab and delete/sort it (I also use this to sort cc if a bunch has the wrong tags etc, makes it easier to find in my folders by saving em to a lot or w/e - it also spots duplicates which is handy).

It's a ballache, but the 50/50 method is tried and tested if you're having issues.

I like to keep an abandoned cc folder tucked away somewhere, that way you can remove mods willy nilly without stressing about losing them. If you change your mind, you can always grab it back!

[dinogoofymutated]

You asked for some smut suggestions for Logan, and I got one:

So like…I mean…Logan might be on the short side, but he’s still big! I mean, like,,,those hands 🫣 It would be nice to see a fic to do with Logan and a little manhandling. but not like in a BDSM way, more like a “I am very strong, and here’s a little reminder” type way. Might seem kinda silly but I’d enjoy a fic like that lol.

NSFW!Wolverine/AFAB!Reader Ask and you shall receive!! I've spent like the last four days working on this and atp I can't looks at it anymore lol. I'm not super happy with how the beginning is written, but I still think it's alright enough to post lol. It's a lot more tell than show compared to most of my other fics, and I was halfway tempted to reformat it into headcannons, but I didn't feel like it. Anyway, hope you like the way I included the manhandling lol! Hope it turned out okay :) Also, might or might not be tall logan. I'll leave it up to yall to assume, I'm just short af so there's not a single person in marvel who wouldn't have to look down at me lmao.

Edit:FUCK I FORGOT THE READ MORE! TWs: MDNI!!!!!! Seriously, you will be blocked. Masterbation, lil bit of a scent kink. Sexual frustration. Manhandling. Jealous Logan. Creampie. Logan calls you "sunshine" and pretty and shit. I'll add more if I can think of any.

    You had a problem. You’ve had a problem. And it really didn’t seem like it was getting any better. It didn’t help the fact that it was incredibly embarrassing, either.

    You couldn’t get off. It’s not like you ever struggled with it before, but lately, it felt like you were fighting a losing battle. At first, you didn’t realize why. Maybe it was because you moved into the X-Mansion. Nerves because you’re living somewhere new, right? So you change it up a little. You got comfortable, had a glass of wine or two, and picked up a raunchy book. Yet every time you slipped your hand between your thighs… Running circles around your own clit, trying your best to finger yourself to your finish, you just could never quite hit that peak. It was safe to say you were beyond frustrated.

    Lucky for you, most people didn’t notice. You try your best not to be too uptight or mean, but there are just some things that you can’t quite hide from certain people.

    Logan’s noticed that something is up with you. You can tell he has, seeing the looks on his face, nose scrunched up in a way he’s catching into something that he just can't quite place. You’re assuming it’s your own pheromones, but hey, as long as he doesn’t realize what it is you’ll be fine, right?

     Maybe not.

    Eventually, you finally realized why you were having so much trouble getting off. All it took was one training session with Wolverine, and you knew immediately. You weren’t sparring or anything like that, hell, you knew before you even hit the danger room floor. Logan was in a bit of a mood today, although not as grumpy as he can be- and he’s trying to be patient with you. You can tell. But you’re having trouble focusing today- and you have been for a while. He can tell you’re not at 100% just by the way you hold yourself, and spends about 5 minutes watching as you struggle to reset the Danger room panel before he’s finally fed up with it.

    “Jesus fuck. Here, let me do it.” Logan grabs you by the waist, pulling you to his chest with one arm as the other reaches around you to reset the panel. It’s not like you didn’t find him attractive before, but the close contact? The smell of his aftershave and the sound of his voice growling in your ear? 

    oh.

    Oh. 

    You were having trouble getting off because you had a thing for Logan.

    You’re practically stunned when he pulls away, standing there with a flushed face and something rather embarrassing pooling in your underwear for the first time in a while. You had to quickly excuse yourself before you ran the risk of him catching onto anything coming from you. He’s a little confused for a second, but you can hear the sound of his low chuckle as you scramble away.

    First thing you do? Go to the store.

    It's not a random errand. At least, not entirely. You had meant to go out with Storm to grocery shop later this afternoon, but you told her you could really use some time out of the house by yourself, which she completely understood. You had the list and everything, it was only a coincidence that you passed by the cologne section on your way to pick up some toothpaste. The sight made you stop for a minute, the gears grinding in your skull. You spent just a few minutes curiously sampling the bottles until you found one that smelled a bit familiar… Should you? No, that's a bit strange. But really, what was the harm, right? I mean, who would know? 

    So you bought it. You felt a bit embarrassed afterward, knowing what you bought it for, and ended up letting it sit in the drawer of your side table for a good while. Until another desperate attempt at fucking your own brains out, that is. 

    You were sweaty and uncomfortable in your bed, sleep shirt sticking to your skin as you struggled to pump your fingers in and out of your tight cunt. It’s been a while, and it shows. You couldn’t even get your favorite dildo to fit inside of you, only adding to your frustration. Touching your clit hardly helped much, leaving you as unsatisfied as ever. Eventually, you give up, lying there as you sigh to yourself. You turn over in your bed in a huff, halfway temped scream your lungs out into the pillow you bury your face in. Instead, you let out something that sounds more like a whisper than a yell, letting the air in your lungs deflate as you let your feelings out. You roll over onto your side when you’re done, halfway tempted to be done with it entirely and go back to bed when you catch sight of the nightstand drawer, slightly ajar. The amber bottle of liquid stares right at you. 

    You open the drawer some more, picking up the bottle and looking at it as you wonder if you’re actually going to do this. But you’re ridiculously horny, and tired, and you know you’re gonna have trouble falling asleep in the state you’re in- so you end up spraying the smallest amount on your pillow.

    It’s…nice. The pillow is warm from where you had been laying on it, and despite how strong men’s cologne could be, this one isn’t quite so striking. At least, not in the amount that you used. You relax back into your bed, pressing your face into the pillow and laying there for a moment. You start thinking about Logan… His calloused hands running across your skin. How his lips and tongue would feel against your own, trailing down your body to your breast. Your hand trails down to your clit as you imagine it as his own. You imagine him behind you, pressing you to the bed as he growls into your ear. You think about what his happy trail would feel like against you. What his cock would look like, feel like, pressing into you. Your legs twitch and shake as you see stars underneath your eyelids, the scent of Logan hitting all the right parts in your head and going straight to your cunt.

    Holy shit. 

    Your orgasm lasts what feels like forever. Your legs are still shaking as you whimper from oversensitivity and pull your hand away, panting as you try to catch your breath. You haven’t cum that hard since… ever. Maybe the cologne was worth it, after all.

    You felt really good the morning after. You found yourself humming in the shower, more energized at breakfast and morning drills. No one had said anything, but you knew there were a few who were relieved to see you back to your usual self. If anything, the only person you noticed acting very differently around you was Logan. He was more tense than normal. He scowled a lot, spending less time in your presence. You’d strike up a conversation that would only last a few minutes before he would make an excuse and leave. It made you a little disappointed. But you knew him and knew he had good and bad days, so you brushed it off at first. But a week, two weeks- almost a month went by, and still no change. You felt scorned almost, silently rejected by the guy you had finally realized you were practically in love with, and to be honest, the only man who could get you off just by thinking about him- and boy, did you get off while thinking about him. 

    You’ve almost resigned yourself to the fact that Logan wasn’t interested when he corners you one morning. He’s leaning up against the wall of the hallway,  waiting for you when you step out of your room. It makes you jump a little, closing your door quickly behind you, knowing damn well you hadn’t washed your sheets after fucking yourself to the moon and back last night and fully not wanting the smell to hit his nose. All Logan does is narrow his eyes. Shit.

    “Who is he.” He asks you. The question completely derails your train of thought. And you furrow your brow, confused. What was that about?

    “Who is he? Your guy?” He asks again, but it does little to clear up your confusion. You’re halfway wondering if he’s being serious at this point, stepping away from your door as you cross your arms.

    “What?” You ask. Logan huffs when you respond to him, cocking his head at you in a way that's more sarcastic than curious. The way he’s looking at you is doing some things that you don’t think you’d like to admit, eyes narrow and scrutinizing as you struggle to keep eye contact with him.

    “What do you mean? What guy?” You repeat back to him, starting to get a little frustrated. He snorts, rolling his eyes as his scowl lingers. He steps closer, looking down at you from less than a foot away with that angry stare.

    “Don’t play stupid with me, sunshine. I can smell him on you.” You ignore the way the nickname makes you shiver a little bit, too busy shrinking into yourself when you process the extent of his words. Smell. He could smell someone on you. Something. Oh god, this was embarrassing. 

    “Oh! That- It’s not what you're thinking!” You say, face flushed red. You’re flustered beyond belief, doing your best to convince him to leave it be, and it’s not going so well for you.

    “Sure it’s not.” Logan huffs. He starts to take steps forward, closing in on your personal space.

    “It’s not. I can promise you that.” You’re anxiously fiddling with your fingers now, taking a step back for every step he takes. He looked predatory, unlike any time you’ve seen him before. You haven’t even seen him like this in the danger room, even less so on the battlefield. 

    “Just tell me who he is.” Logan is adamant about it, his scowl beginning to turn into a frown. Your back hits your door, kickstarting your heart in surprise. You hadn’t realized he had backed you up so far.

    “I can’t!” You say, in the beginning stages of becoming absolutely exasperated, and already incredibly embarrassed. 

    “Why not!?” Logan Snaps, stopping just inches away from you. You cover your heated face, pressing your palms into your eyes until you see shapes, wanting nothing more than to curl up and die right then and there.

    “Would you just leave it!” You shout, but Logan’s having none of it. 

    “No, I won't!” Logan grabs your wrists and moves them away from your face, holding them in front of your chest with a grip lighter than you might have thought. You groan in utter frustration and mortification, looking him dead in the eyes as your angry mouth starts speaking before your reasonable brain can fully catch up.

    “Jesus Christ Logan! Do you expect me to just whip out the silicone and show you?!” Your eyes widen as soon as you say it, slamming your mouth shut as you finally catch up with yourself. Logan is staring at you in absolute shock, jaw almost slack at the confession. 

    “...What?” He asks, slowly. You wince, looking off to the side before deciding it's a bit too late to get the cat back into the bag.

    “Its… Cologne. What you’re smelling. I use it to uh, help me…” You make a sort of gesture with your head, praying that you won’t actually have to spell it out for him. He’s still in shock as he looks at you, hands frozen with his fingers wrapped around your wrists. He clears his throat when he comes to, an unreadable expression on his face as he slowly steps forward again, close enough to press his forehead against your own as he presses you against your door.

    “You’re that pent up, you need cologne to help you get off?” He asks, and you don’t know what to say, cat catching your tongue as he leans forward. The side of his face brushes against your cheek as he leans down a little, the action making your skin prickle. One of his hands releases a wrist to slide up and across the back of your neck, tilting your head to the side as he takes a big sniff of your skin. He’s practically nuzzling you, angling his head so that he can smell the scent on the back of your head where you rest against your pillow at night. 

    He’d noticed it before, at night when most of his anger had worn off, sometime after he started to pick up the scent on you. The undertones, the top notes. But now with you this close, he can tell that it wasn’t another man he was smelling. No. It was just you. Your scent being drowned out by the smell of something that he could finally tell smelled rather suspiciously like his very own aftershave.

    “...Don’t tell me that you wanted it to smell like me.” He asks after a moment. You almost flinch at the sound of his deep rumble, turning your red face away from him. You swallow, feeling like you are absolutely burning up as you nod- right as Logan catches the unmistakable scent of arousal.

    “Fuck”

    You’re sure the sound was more animal than man as he cups your cheek rather aggressively, pressing his lips against your own in a rather desperate kiss. It takes you a second to return it, eyes wide as you process just what was happening. It didn't take long for you to melt into his desperate kisses though, every nip and brush of his teeth just like you imagined it would be. He presses his knee in between your thighs, finally releasing your other wrist to grab ahold of your hip instead. You accidentally let out a whine when he grinds your hips against him, your heart beating so fast you were sure it was going to explode. He curses again at the sound, both hands sliding around you to lift you against the door.

    You practically squeak in surprise, the noise caught by Logan’s mouth on your own one more time before he trails down to your neck, nipping and sucking at your skin. You gasp as he presses against you, his hips beginning to grind against your own. You’re having a hard time thinking, biting your lip as you do your best to stifle your sounds.

    “Logan-ah, can we… head inside, please?” He only grunts in response, shifting your weight as you both begin to fumble for the doorknob. He gets it before you do, hardly stumbling as the door behind you swings open. He’s kissing you again before the door is even closed, kicking it behind him. As preoccupied as you are, you at least have the common sense to reach over and try to lock the door before he carries you over to the bed. 

    He plops you down onto the mattress before he crawls over you, eyes half-lidded and just as lustful as your own. He pushes you down as you try to sit up. His breathing a little hard, pupils dilated to a size you had never seen.

    “Now I know why you closed the door so fast,” Logan smirks, having picked up the lingering scent of your sex on the sheets right away. You open your mouth to reply, but he cuts you off. His tongue snakes into your mouth, and you find that you can’t really remember what you were going to say anyway. He kisses you again and again, distracting you as he reaches above your head. He pulls away when he has the pillow in hand, and you know just by the look on his face that he knows exactly what he is holding.

    “Hate to break it to you, but this doesn’t exactly compare to the real thing.” He snarks. It makes you laugh, and for the first time in a while, you see a genuine smile spread across his face. 

    “Yeah.” You respond, taking the pillow from his hands and tossing it to a far-off corner. “I know.” You could revel in his smile for as long as he’d let you. Logan’s kisses start off sweeter this time, at least for a moment they did. They begin to become more and more rough as hands start to wander and clothes start to come off. His shirt is first to go, your hands running up and down the hair that spans his torso. Logan is quick to remove your shirt and bra in one go, one very small step away from cutting off your clothes entirely. He gives himself a minute to appreciate your breasts, pinching and teasing you by sliding a hand up the middle of your sternum, the back of his hand brushing the side of a tit as he watches you squirm underneath him, arching your back to push your chest out, practically begging him to finally touch you.

    “Patience is a virtue, Sunshine.” Logan says, causing you to scoff. You glare at him a little and all it does is make him chuckle a bit. 

    “Don’t be mean.” You whine. He laughs a bit harder as he finally lowers himself to your chest. He keeps his eyes locked on your own as he brushes the blunt ends of his teeth across the soft skin, but he’s never been the most patient man. It doesn't take him long to give in to you, sucking on each breast individually, massaging the soft skin of the opposite as he does so. 

    “Careful.” He growls when your own hands begin to wander, touching him over the fabric of his jeans. He releases your nipple with a pop, bearing his teeth as he presses his face back into your neck. You don't pay much mind to that, rather enjoying the grunts and sounds he makes as you slowly stroke his covered hardness from base to tip. You can't imagine how restrained he must be feeling. You can’t help but smirk a little as your hands drift up and down, before oh So slowly unbuckling his belt. Logan is agitated, practically bucking his hips into your hands to get you to just get over with it. 

    “Patience is a virtue.” You quote, only earning a restraining hold on your hands once again.

    “Fuck that.” Logan growls. He holds you by your wrists, pushing them above your head as he uses his free hand to remove his belt and frantically unbuckle his pants. You'd be complaining if it weren't for the view of his straining cock, slapping against his abdomen as he pulls his pants down. 

    You don't get to stare for too long before he flips you on your stomach like you weigh nothing. He lets your wrists go to pull down your shorts and underwear, a sticky string of your slick thinning as he pulls the items down.

    “Fuck. You're this wet from just that?” Logan asks you, taking two fingers and sliding them through your lips from behind, spreading his fingers to let himself see the mess you've made of yourself already.

    “...shut up.” You mumble, more focused on the feeling of those very same fingers sliding back and forth across your cunt, the tips just barely brushing against your clit every time. Logan chuckles, sliding one hand under your lower stomach to lift your hips with ease. Your hips buck as he slides a thick finger inside of you without warning, slowly sinking down to his knuckle with ease.

    “Might not even need foreplay at this rate.” Logan rumbles behind you, eyes set squarely on the sight of your pretty pussy spread wide open for him. You can only moan in response as he pulls it back out again, plunging a second finger into you this time. Your hands clutch the sheets as Logan begins to finger fuck you to his content, curling those thick digits to hit that one spot juuust right. You try not to buck or squirm too bad, halfway wondering if this is all just some wet dream. 

    “Logan-” You call out for him through your moans. He only hums in reply, preoccupied at the moment.

    “I- god- I need your cock, please.” You're not sure if it was the phrase or the begging, but it makes Logan groan. You feel embarrassingly empty as he pulls his fingers out. You hear the sound of him stroking his hard cock with your slick, groaning and humming to himself before he picks you up. He leans over you, adjusting to you your hands and knees as you finally feel that thick, thick cock grinding against you. You gasp at the way it feels, feeling Logan smirk against your back.

    “Having second thoughts?” The tone of his voice is teasing, but you know there's more than that behind the words. You vehemently shake your head, grinding back against him a little as you protest. Logan swears under his breath, holding onto your hips to keep them still as he sits up.

    Both of you groan each time the head of his cock catches on your clit, Logan thrusting through your lips again and again as he lubes himself with the wetness you provide for him. You gasp when his head catches on your slot, notching just right. 

    Logan pushes into you so slowly, and you feel like he's thicker than you ever imagined he would be. You're impatient, desperate. You push back onto him in an attempt to take him in more, but his hands on your hips stop you.

    “Believe me sweetheart, you don't want that yet.” Logan tells you, straining himself with how tight you feel around him. He soothingly rubs his thumbs against your skin, pressing into you until you have him completely, balls deep inside you. 

    “Please, please. Logan, Please, I need you to move.” Your begging starts to sound like nonsense to your own ears, but it makes Logan gasp all the same, his cock twitching from where it's buried inside of you. You practically cry in relief when he finally begins to thrust Inside of you.

    His hip smack against your ass with every thrust, the sound of the slap mixed with the sounds of your love and the headboard hitting the wall a lewd and filthy symphony. Even better than your own moans were Logan's himself. Each and every groan and growl above you gave you a whole new array of things to imagine while fucking yourself- if you ever had to do so again. 

    You whine and whimper with every strong thrust, Logan slow and forceful with every movement. It felt like he wanted your insides to memorize exactly how his cock feels inside of you, and you doubt you'd ever mind it. He filled you perfectly, hitting every sweet spot inside of you.

    Your arms are shaking. Struggling to hold yourself up with each and every rock of the bed. You barely start to buckle when He catches hold of you, an arm snacking under your chest and pulling you towards him. His hand spans your collarbone as he holds your back against his chest, holding you up as he continues to fuck you like no one before. You're closing in on that sweet release when his hips stutter a moment. His teeth dig into your shoulder with a sharp bite, holding you there close to him without breaking the skin.

    “Are… are you -ah- close?” You ask. Logan only responds with a short and simple - “Fuck!” - before he pulls out of you.

    You don't have time to whine about the emptiness before he's flipping you around, kissing you again as he pushes your back to the bed rather aggressively. He's quick to sling your legs over his arms, folding you in half as he sides fully into you in a single thrust. He's hitting you so much deeper in this position, chest pressed against your own as his thrusts continue to stutter. 

    Logan kisses you again, a bit differently than the last ones have been. These kisses are tender, sweet. A stark difference between his needy, frantic thrusts. There's a line of spit between you two as he pulls away, half-lidded eyes meeting your own. You’re closing in on your peak, and you can tell he is too. The pleasure is too much for you to handle at once, and you can't help but squeeze your eyes shut.

    “Look at me.” Logan grabs a hold of your chin, your eyes flying open as he thumbs at your lip and holds your head still. “Don't look away.” His hips stutter some more, the both of you groaning as you clench around him, desperately trying to keep your eyes open as you finally cum around his cock. The fluttering of your walls are more than enough to send Logan over the edge, his cum warming your insides in thick spurts. Logan buries his face into your neck, groaning as you ride out both of your orgasms.

    The two of you lay there for a moment, trying to catch your breath. Logan lets go of your sore legs, massaging your thighs as he presses sweet, comforting kisses to your cheek and temple. His hands wander up and down your sides, doing his best to soothe your aches without you even having to ask. -not that he would ever admit to having a soft side. Who would believe you if you told them that The Wolverine was a cuddler after sex anyway?

    “Why didn't you just tell me?” You ask after a long moment. Logan hums, his Face tucked into the crook of your neck.

    “Tell you what?”

    “That you were jealous.” Logan only snorts at that, playfully pinching your side.

    “Jealous of what? Your cologne?” He returns. You slap him on the shoulder as he chuckles at you, unable to stop the playful smile on your face.

    “You mean the cologne that you thought was a whole-ass guy?” Logan stops at that, instead choosing to cover your mouth with his palm as he tucks his head closer.

    “You're a lot prettier when you're quiet. You know that?”

[anim-ttrpgs]

If any of y'all had tips for aspiring TTRPG creators, what would they be? I'm hosting a "How to Make your own TTRPG" panel at a con this weekend, and anything to show folks from a fellow indie studio would be great!

Yeah a bunch. Each one of these could basically be its own post, but here are the condensed versions.

Social Media

You need social media. No one will ever hear of your game without a strong social media presence. And as much as it sucks, your best bet is probably tumblr. It’s the only populated social media site that allows your posts to be widely circulated without you having to pay, and also long form enough to actually include information. I dedicate one day a week entirely to social media and that’s just about the only reason we make any money at all.

Also, when using tumblr, the first five tags you put on a post are the most important, those are the tags that make it show up on people’s dashboards. The first twenty tags are the ones that make it show up in search results. Don’t put the name of your game in the first five tags generally, because if no one has heard of it yet, no one is following those tags.

Don’t Paywall Your Game

You deserve to be paid for your work if you indeed did any work at all (we’ll get to that), but that just isn’t the world we live in. Unless you have an advertising budget to essentially trick people into buying a game that might end up being crap, you need something to prove that your game is worth spending money on. Without an advertising budget, that proof has to be your game. Setting your game to pay-what-you-want, or providing “community copies,” lets people try your game before they buy. Plenty of people will buy up-front when given the option, and others who can’t afford it at that moment will download it for free then come back and pay later. Some people will never pay, but what that means for you is that they either never experience your game, or they pirate it. People experiencing your game, showing it to their friends, and talking about it is one of the most valuable pieces of advertisement you can ever have. It will ultimately lead to more people who are willing and able to pay learning about your game.

Start Small but Not Too Small

Do not make a one-page game for your first game. Do not be like us and make a 700-page game for your first game. Try to aim for something between 20 and 200 pages, especially if you’re one person or a small team.

Play and Read a lot of RPGs or Your Game Will Suck

Would you watch a movie by a director who had only ever watched one movie? Would you read a book by an author who had only ever read one book? Hell no, those would suck.

Read many rpg rulebooks, from many different genres and decades, play as many of them as you can (by the rules) to understand how the rules work and why they’re there. This will give you the creative tools you need to make something that isn’t just a weaker version of the last RPG you played. No, listening to "actual plays" does not count.

Most actual plays stray significantly from presenting a regular gameplay experience in favor of an experience that is entertaining for an audience. If you want to learn martial arts, you should be watching martial arts tournaments, not WWE.

If you want an actual play podcast that has my “actually mostly presents a real gameplay experience” approval, try Tiny Table.

If you say you don’t have time to read rulebooks, then you don’t have time to design a good game. Studying is part of the process of creating. If you don't, you won't even know about gleeblor.

This will let you know whether your "innovation" is more like "Cars don't need to run on gasoline!" or "Cars don't need crumple zones and airbags!"

The Rules Matter, So Design with Intent

The rules matter the rules fucking matter holy shit what you actually write down on the page matters I can’t believe this is actually the seemingly most needed piece of advice on this list. The. rules. matter.

Design your game to be played in the way you designed it. The rules affect the tone and genre of your game, they affect the type of people PCs can be and the kind of stories that will result from gameplay. Bonuses encourage PC behaviors, penalties discourage PC behaviors.

Do not fall for the trap of “oh well people will just play it their own way based on vibes anyway so it doesn’t matter what I write the rules to be.” Write that you wrote this game to be played by the rules and that significant changes to the rules mean that players are no-longer playing the game you made. Write like you deserve for your art to be acknowledged by its audience. If you don’t, then there is no point in anyone playing the game you made, because if the person who wrote it doesn’t even care what the rules say, why should anyone? The people whose “playing” of TTRPGs consists of never opening the rulebook and improving based on “vibes” will still do that no matter what, but the people who would have actually tried to engage with your game will find that it sucks if you don’t even care what the rules are yourself.

Playtest

You need to playtest your game if you want it to work as intended. You need multiple sets of eyes on it. If you don’t have the opportunity personally to do so, just release your game anyway with the acknowledgement that it’s unfinished. Call it an alpha or a beta version, and ask for people that do play it to give feedback, then update and fix the game based on that feedback.

Ignore Feedback

Most people do not have any game design credibility, perhaps least of all TTRPG players. You do not, in fact, have to listen to everything people say about your game. Once you ask for feedback, people will come to you with the most deranged, asinine, bad-faith “feedback” you can imagine, and then get really mad at you when you don’t fall to your knees and kiss their feet about it. You do not need to take this feedback at face value, instead you need to learn to read between the lines and find out which parts of the rules text are being misinterpreted by players, and which incorrect assumptions players are making about your game. Then, you update and improve the game by clearing those up. Only like 30% of “feedback” you receive will actually be a directly helpful suggestion in its own right at face value.

You can’t please everyone, and shouldn’t, so appeal to the people who actually like your game for being what it is, not the people who don’t.

Read Eureka: Investigative Urban Fantasy

Yeah this one sounds self-serving but hear me out. Eureka: Investigative Urban Fantasy is as much a treatise on TTRPG game design as it is a game itself. When it presents mechanics and rules, it tells you what they are, why they are, how they are, and what you’re intended to do with them. This makes it an excellent example to read for anyone wanting to get serious about game design and learn how TTRPGs tick under the hood, and an excellent example of a TTRPG that expects players to play it the way it was written to be played, and why that is a good thing. Also you can download it for free.

[lej222]

Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot. The list contains spoilers for the newest KR episodes and it keeps being updated.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. That day Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

While Miae leaves for school, their phone suddenly rings and her mom answers it. Miae sees posters about love on her way to school. For the first time, Jisu arives early for cleaning duty.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence.

The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world (so you have to notice and acknowledge the deeper meaning of these coincidences in order to experience synchronicity). Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....One has to be open to the possibility of the connection between our inner world and the outside world, only then they can start to notice the signs the universe is sending them. Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

a little bit of strange wording here:

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Every time Cheol is flustered, he accidentally drinks his sister's coffee and he cannot sleep at night..in a story where dreams are relevant I'm sure this is just a coincidence, right???🧐🙃😏

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. He remarks it's almost like as if some higher power is involved (!!). Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae thinks that for a while she's had a feeling as if something wants to get between her and Cheol, but brushes it off

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

Episode 150

For the first time, Miae says she and Jisu will see each other again sometime. Before this, it was always Jisu who said it and Miae would reply that she didn't want to meet him again.

Miae remembers Jisu transferring, but doesn't know why he singled her out (so she will probably recall more memories later)

As Miae leaves Jisu's house, the car ads are flying in the air around her

Jisu enrolls at the academy and for the first time he says it's not a coincidence

Episode 155

Hwani tells her mother it would be great if they could keep being neighbours with Miae because she's fun. After a pause, Cheol's mother agrees.

Jisu keeps telling Miae she's a "traitor" or "bat" (depending on the translation, meaning she keeps secrets from others like the Yonghui Yunhui situation and the fact that she went to Jisu's house) and she might get into trouble because of that

Episode 156

The narrator directly communicates with Miae again, and informs us about Miae's thoughts. It makes heart-thumping sounds when she's with Jisu just like in previous episodes, but Miae ignores them.

Jisu again says how the coincidences are so fun. He counts to three until the teacher interrupts Miae and Cheol's bickering (similarly to Taekwang in ep 158)

When Jisu tells Miae he'll go out of the room to let her talk with Cheol, Miae thinks she'll talk to him regardless of anyone's interference and we get a close-up of an academy notebook saying 'NO' and a plane flying in the sky.

Episode 158

Flashforward in the episode to a scene with Cheol leaving Miae at the academy while a storm is coming and Miae looks like she's about to cry

An hour earlier in the story the dark clouds are already gathering (I mentioned how rainy weather is always connected to the change in Miae and Cheol's relationship, and how it's usually an ominous sign). After seeing Jisu's flustered face, Cheol tells Miae that he wants to change the lightbulb in her house before she gets hurt. The lights at the academy are highlighted as they keep vibrating. (I also noted how the lights are signs of the supposed higher power, they get their own panels in Miae's room, and they went out 2 times when Miae and Cheol's relationship changed)

After Jisu reveals that Miae was in his house and Cheol gets angry, Miae's pager starts buzzing (again, the pager messages always appear when the higher power wants to communicate with Miae).

Taekwang is an interesting character because the things he says are sometimes connected to the greater theme of the story. Like when he listened to his music and said how Miae cannot choose two things at the same time (come on, it was the foreshadowing for the current conflicts!), he smelled Jisu on Miae (???), Jisu even said he's the one he cannot deal with, and now he was counting the seconds until Miae got another sign. Is he used as a medium? (who knows lol)

Miae wants to check the pager message but the fluorescent lamp(?) breaks. Jisu shields Miae from the shards while they fall on the ground, making it his first successful attempt to save Miae in the story. The pager lands in the corner of the room.

Episode 159

Miae goes to a phone booth to check her messages and it's filled with the car ads so she kicks them away

The first message is a loud noise of a song recording. I personally think if there's a higher power in the story, this message came from it. The other is about Miae's friends telling her they'll visit her at her academy which gives Miae a sense of panic knowing Yonghui and Yunhui might meet.

Miae sees an airplane in the sky and the narration says Miae has a feeling that something is interfering with her and the panels get fuzzy with flashbacks to phone calls earlier in the story (omg this is actually crazy)

It starts raining and we get a glimpse of the last countryside memory we haven't seen yet about Miae running after Cheol at night. In the present, Miae trips just as she did as a kid, but instead of Cheol she meets Tae Uk.

[lordcrumps]

The Sims 2 For Rent - CC EXPANSION PACK

Sul Sul!

~ More photos under the under the cut ~

Last week the Sims 4 got a new pack, this week Sims 2 players get that same pack! In a collaboration with @platinumaspiration and @tvickiesims and a HUGE assist from @episims, we bring you "The Sims 2 For Rent CC Expansion Pack!"

This is a large set, and advisable that it does not get merged even further than it already is! - I ran into some issues when trying to do this!

When you explore this pack, please take a look at the marble ring rug, it has some surprisingly cute rug swatches! I put a swatch in it to remove the marbles themselves, so you have a cute small rug! - I only mention this as I was going to bin the rug off once uploaded, but then I found it had some lovely swatches!

FUNCTIONALITY

So most of the items will function as they should and intended as. Its just not just deco items.

There is two collection files included, separated into build buy! Please note that fences and stairs and spandrels cant be but into a collection!

The squatty toilet that took me over 12 hours to make, yeah they squat, animation can be a bit bouncy but such is life. This toilet also can be flushed, get dirty and is cleanable!

Outdoor plants are seasonal!

Counters are animated with insides built, there is no drawer on the counter, I did not want to change the shape of the unit, and saw EA did the same - ignore the fact they grab something from a non existent drawer

Wardrobes have interiors elements, and have working doors!

Each Kettle have two versions, choose only one, one for the colour traits mod / one 'normal'. They function as Tea makers! Huazzah!

Spandrels in build mode are classified as fences. I made a variant with fence / no fence.

Several of the larger deco pieces such as the Arch Gate, or umbrella are actually lights!

Radiators act like radiators!

The Aircon Unit is completely functional, doesn't lower bills, but it does lower sims temperatures!

"Water Heaters" act like solar panels, they get money off your bills!

The Electrical Fuse box has 2 versions, I kept them both in, one wall deco and one functions as a burglar alarm - I wanted more alarms.

Most Sofas / Chairs have morphs!

Slots added to the Vanity and Bathroom Cabinet!

FENCES / SPANDRELS / STAIRS OH MY!

I have included swatch images of each of the spandrels, fences and stairs and labelled them to match, this is so that you can go in and take out any of the swatches you do not want. This is because there are lot of new fences and the menu can feel cluttered with them in for some people.

DOWNLOAD

ALT - SFS

~ Credits / Thanks / List of items not converted under the cut ~

MORE PHOTOS

CREDITS

Mini fridge is cloned from Targa over at MTS - so now it works just like a regular fridge barring a few animations (get baby bottle and juggle)

Kettles were cloned from @pforestsims's kettle, link here.

@jacky93sims for the base of the squat toilet! Epi for the code edits!

THANKS

@tvickiesims, @platinumaspiration thank you soo much for helping with the objects, really couldn't do it myself!! Your amazing, awesome, and some of the best creators out there! Thank you again!

@episims - YOU ARE DA BOMB! Thank you for all your help in getting those toilets working with me, and everything else you do when you answer my little annoying questions! Appreciated like you wouldn't believe!

LIST OF ITEMS NOT CONVERTED - @sims4t2bb

Due to the sizing / functionality of these objects, they will not be included in this pack!

All Yer Fixins Untenable Food Stand

Mali's Moonlight Market Craft Stall

Vegan Vittles Night Market

Late Night Snack Dessert Stall

Rice to Meet You Night Market

The Unrestroom

Fisherman's Slats Window - Tall

The Secret Maze Window - Very Tall

The Secret Maze Window - Super Duper Tall

Stained Glass Tomarani Shutters - Tall

Stained Glass Tomarani Shutters - Tall and Open Wide

The Save Us From Ruin Tallest Cinched Wall Curtain

The How Many Times Do We Need To Tell You It's Not Silk Taller Wall Curtain

The We Are Going To Jail< Tallest Wall Curtain So You Know the Truth Curtain

[incognit0slut]

Lose Control

Part 1 | Part 2 | Part 3

Spencer finds himself locked in a room with his rival. Based on:

warning: 18+ explicit content including oral (both), hair-pulling, chocking, and unprotected, semi-public, hate sex

words: 6.8k (I'm a smut-with-a-plot kind of person)

a/n: this is not enemies to lovers. This is, quite frankly, enemies to (fuckable) enemies. Also, we hit 1.2k followers!! Tysm!! I legit made this blog 2 months ago that’s crazyyy😳

MASTERLIST

“…mind games until you lose control…”

CHANGE WAS INEVITABLE WHEN IT CAME TO HIS WORK. Spencer encountered many great people walking through the door of the bureau throughout the years he worked as a profiler. Most of them he genuinely liked, and most of them he considered more than mere colleagues. But from all the people he had to work with, there was one person he really couldn't stand.

"Move out of the way, Reid, you're blocking the way."

He turned to see the last person he wanted to indulge in standing close to him, a hand on her hip and a frown on her face. "There is literally enough space for you to pass through."

"And jeopardize myself by touching you?" She wrinkled her nose. "I think I'll pass."

His gaze, usually warm and welcoming, hardened into a steely resolve. It pierced through her like an icy dagger, radiating an unmistakable contempt. He then backed away, walking further into the room that held rows of shelving units lining up the space. "What are you even doing here?"

"Well, ever since we found the victim's body surrounded by those cryptic signs, it reminded me of the cult massacre which happened in—"

"St. Joseph, 1947," he finished.

"Yeah, although this isn't mass murder, I thought the nature of the death was very similar to that old case." He could practically hear the smugness in her voice as she continued, "I also knew you'd be here and wanted to beat you to it."

His gaze settled on her standing by the door. "I don't think that's going according to plan considering I was here before you arrived."

"Please, you just got here. I bet I can find the files before you do."

His brows furrowed. How could he not feel some kind of disdain when she was acting the way she was? One might say he was acting too immature for his age, for a man who was close to pushing forty he did consider himself too old for petty fights. But it was hard to keep his composure when she was often the one taunting him, ridiculing him with that haughty mouth of hers.

It was better to ignore her presence completely, so he did just that, focusing his attention on the files in front of him as she stepped into the room.

She frowned, feeling her throat clenching before coughing out loud as dust particles greeted her entrance. She was busy trying to swat the specks of dust away from her face when something solid suddenly nudged her feet. Her eyes swept towards the floor.

"Why is this massive book laying here?" She picked up the thick paperback and read its title. "The Anatomy of Motive?"

Spencer's head snapped in an alert. "Wait! Don't—"

But it was too late. The old wooden door hanging loosely on its rusted hinges creaked without any support to keep it ajar, and with a resounding thud, it closed, the sound echoing through the stagnant air. "I put that there for a reason," he grumbled. "And now we're stuck here."

She leaned forward and wrapped her hand around the handle, trying to yank the door open. The panic on her face was evident when it didn't budge. "Shit."

"You can only open it from the other side."

She turned towards him. "Do you have your phone with you?"

"No."

She groaned because her own device was also securely tucked in her bag. Not wanting to be locked in a room with the last person she wanted to be with, she started pounding on the door frantically. "Help! Penelope! Luke!" Bang. Bang. "Anyone!"

"Nobody's going to hear you."

She tuned him out.

"Emily! JJ!" She pressed herself against the door, drawing her mouth close towards the tiny gap between the wooden panel and the wall. "Help! We're locked in!" She suddenly caught his movement from the corner of her eyes and turned to him, noticing the way he was already studying a file.

"What are you doing?"

He slipped back the document into the cabinet and went through the other folders. "Might as well work until they realize we're gone."

She straightened herself and glanced at the watch around her wrist. "But it's late. What if everyone's gone home and we're stuck here for the night?" A thought struck her and she looked up in horror. "Or for days?"

"Then you have yourself to blame."

She glared at him. "You're not helping."

Spencer looked up to see her jaw clenching, accentuating the sharp angles of her face. Her normally composed features, so delicately balanced, now seemed to unravel in a heat of fury. It was the only expression she held every time she had to deal with him.

He glanced away and focused back on his task. "Don't worry, we have a team of competent profilers. If they can find dangerous criminals throughout the country, they can also find their two missing agents."

She considered his words and acknowledged the truth behind them, so she reluctantly moved to the other side of the room, going through the shelves opposite of him. The space went completely still as they both went through the stack of folders shelved between the old cabinets. It wasn't until curiosity got the better of him that he finally looked up, his eyes falling onto her form.

Her back was facing him, giving him a view of her tousled hair falling down over her shoulders. His eyes involuntarily trailed the contours of her body, betraying a mixture of intrigue and curiosity. His gaze lingered upon the gentle curve of her shoulder, the graceful line of her spine, and the sway of her hips as she moved onto the next shelf, her steps echoing through the silence and it was then he realized she was wearing heels.

Again.

This wasn't the first time she decided to wear shoes that looked very uncomfortable to wear. Who even wore heels in this line of work? Being an FBI agent meant you had to be quick on your feet because anything could happen unexpectedly. He once voiced out his opinion on this matter, which she only answered with, "My choice of clothing won't reduce the capability of my brain, Reid. You and I are still doctors even if I wear a bathing suit to work."

"It's not about your choice of clothing, it's about being practical."

"That's why I keep a pair of sneakers in my drawers,” she had haughtily replied, then narrowed her eyes at him. "And don't comment on my shoes when I've held myself from judging on your ugly cardigans."

His cardigans were not ugly.

He shook the memory away as eyes roamed over her again, noticing her very exposed legs. She was also wearing a skirt today, something she often did and something he never dared to have an opinion on, knowing she would probably bite his head off if he did.

"Stop staring at me."

Spencer cleared his throat at being caught. "I wasn't."

"I could practically feel your eyes on me." She looked over her shoulder. "I have great spidey senses."

There was a sudden pause. "Spidey senses?"

"Yeah, like Spiderman." When he didn't respond, she turned around and faced him. "Please tell me you know who Spiderman is?"

When he returned her gaze with a frown, she couldn't help but laugh, turning her back towards him again. "You know this is why people like me better than you. We both may be smart, but you got to admit, my knowledge doesn't simply stop on academics."

He should've been offended by her words, he should've countered back a vile reply, but her voice became white noise to him as he watched her body leaning down, picking up a document that slipped from her grasp. His eyes caught the way the tight skirt clung to her form like a second skin. The fabric, stretched taut against her curves, highlighted the alluring lines of her figure. The skirt's snug fit caressed her thighs, tracing their slender form and hinting at the softness beneath.

This wasn't the first time he noticed her beauty in this type of way, beneath all that glare she often carried whenever he was around her, he knew she was an attractive woman. It was her personality that often stopped him from marveling this insight. But being in this closed, tight space, Spencer was forced to study her, and with the way his body was reacting, he knew his lingering stare was more than simple admiration.

He could feel his blood pulsing down south, tightening underneath the confinement of his pants.

As she straightened herself, she felt a sudden shift in the atmosphere. She turned her head and noticed his eyes training on her body.

"You're still staring." She then caught a glimpse of something unguarded in his gaze, something that was definitely far from hatred. Her mind whirled with questions, trying to decipher the meaning behind it. "Stop looking at me like that."

A hint of a smile played on his lips. "Like what?"

"Like you either want to strangle me or—"

"Or?" He prompted.

Like you want to eat me alive.

It was the only way she could describe it. She was aware of how his eyes usually pierced her, how every movement she made or word she uttered could trigger this immense disdain radiating from him. But now the weight of his gaze bore down upon her, casting a palpable heat that danced across her skin. Something had changed, and she felt it in the intensity of his eyes, so different from the usual hostility she had come to expect.

They held a predatory gleam as if he could pounce on her at any moment.

“If I hadn't known you better," she carefully spoke, watching as he took a step towards her, and she took one back, bumping into the wall. "I'd say you're trying to flirt with me with those eyes."

"Me? Flirt with you?" He cocked an eyebrow. "Don't flatter yourself."

She scoffed, squaring her shoulders as he closed the distance between them. "You're right. What was I thinking? You can't even flirt to live."

"You don't even know how I flirt."

"Reid, I've seen you flirt," she said between fits of laughter. "Remember you tried getting that cop's number? You were stuttering and suddenly giving her facts about oil paintings. Paintings."

"She had an interest in fine art," he stated. "And if you must know, after giving those informative facts, I told that no amount of art could ever compare to her beauty as a compliment.”

She snorted, shaking her head in disbelief. "And that actually worked? She gave you her number?"

"No." Then a smirk curled on his lips. "But she did come home with me."

She frowned. That was new information. She never really thought about what went on in his love life, but hearing him implying his active sex life had her feeling strange. "She did?"

He took another step forward. "If I hadn't known you better," he carefully spoke, mimicking her words before. "I'd say you're jealous."

She tilted her head up and scowled at him. "Even if you were the last person on this planet I wouldn't consider breathing in the same air with you."

She waited for his response, but he didn't even seem to be bothered by her words. And as they stood there, holding each other's gaze, she became acutely aware of everything; their close proximity, the warmth radiating from his body, and the rise and fall of his chest. His unfamiliar scent lingered in the air, a distinct combination of earthy musk and a hint of something indefinable. She had never allowed herself to notice it before, but now it was impossible to ignore.

Her eyes then traced the lines on his face, sharp jaw, high cheekbones, and finally settled on his eyes. At first, she thought her eyes was deceiving her, but she knew exactly what held behind his gaze. It was the same expression she saw in all her past lovers. It wouldn’t have surprised her to see the same intensity on other men, but to see it on him? The guy who had always hated her guts the moment she corrected his statistic rants the first time they met?

Spencer fucking Reid?

It was too much for her to handle. She was used to his piercing gaze, his evident disdain. Not this. It became almost overwhelming that she decided to step away.

Just as she turned to retreat from the intensity of his gaze, her body froze as she felt warm fingers gripping her wrist. The contact sent a jolt through her body and her eyes snapped back at him. "What the hell are you doing?"

Ah, there it was, that hatred she was looking for blazing in his eyes again. "You see, I don't like you."

"Good." She held her chin up. "The feeling's mutual."

"You think you're better than everybody else, you think you're better than me."

She was about to retort another response when he suddenly yanked her, a gasp leaving her mouth. "But somehow I can’t help myself from wanting to taste you.”

Then it happened so fast. One moment she was trying to register what was happening, the next thing she knew his lips were on hers, moving frantically in desperate hunger. She couldn't believe he was actually kissing her. It also burned her up inside to find he was good at it. She wanted him to be all teeth and awkward so she could sneer at him and push him away, but he was holding her face in his hands like they hadn't spent months sniping at each other.

A turmoil of thoughts swarmed her mind—What are you doing? Why are you kissing him back? What the hell is wrong with you?—while she gripped onto his arm as a pleased sigh slipped through her mouth before she could catch it.

He slowly pulled away from her, eyes glittering in mischief. "Would you look at that?" he muttered, gripping her jaw and tilting her face like he was appraising her. "All bark and no bite."

She shoved his hands away from her face, ignoring how nice it had felt, wide and warm and firm. "Don't test me."

"Yeah?" His hand settled on her hip, pulling her against him deliberately slow, giving her every opportunity to knock his hand away, to sidestep him, to tell him to stop, but she didn't. He took it as a sign to run his hand behind her. "I think you're bluffing."

Her heart quickened when she felt him gently squeezing her ass. "A-About what?"

"All this bravado of yours," he taunted, his hands now trailing down to her sides. "I bet there's something sweet underneath all this bitterness."

"You don't know me," she hissed breathlessly. It was difficult to keep snapping back at him when his other hand ran up her leg, pushing her skirt up as he went, his grip encompassing the entire width of her thigh.

"Maybe not. But I'm always up for a challenge." His calloused hand brushed at the lacy edge of her underwear and she sucked in a shaky breath. "Let's see how long you can keep up with this attitude."

She opened her mouth to say something snippy, but he ducked down and kissed the words out of her mouth with a low groan. Her brain suddenly froze when his finger curled under the outline of her underwear and tugged it to the side, trailing his slender finger through her bare slit.

A smirk curled at the corner of his lips as pulled away, trailing his mouth along her jawline. His finger brushed along her slickness and it took a lot of self-control for her not to moan. "How are you already so wet?"

Although a small gasp emitted from her as she felt him sliding a finger, and when his thumb pressed against her clit, she closed her eyes, tossing her head to the side at the feeling of him filling her up.

"You're awfully quiet," he murmured against her neck, sucking a bruise against her soft skin as he began to pump his finger. "Who would've thought I had to touch you to keep your mouth shut."

She bit her bottom lip, fighting against the pleasure that surged through her, desperately trying to suppress the enjoyment coursing through her veins. "I hate you."

"No, you don't." His tone was vexingly calm, and all it did was rile her up more. She wished he'd match her frustration because his composure was annoying. Then to make matters worse, he let out an amused laugh. He fucking laughed. "Look at you trying to hold yourself back."

"I'm not—fuck." She gasped as she felt his finger curling inside her.

"Keep telling yourself that." He added another finger and she slumped against the wall, pressing back hard to keep herself upright as he pumped his wrist. "It's okay to admit you're enjoying this."

"I-I'm not," she huffed indignantly.

"Has anyone ever told you you're a bad liar?"

Her breath mingled with the sound of her arousal echoing in the narrowed space as he drove his fingers into her faster. "Shut up, Reid." She then grabbed onto his arm as the pleasure intensified, nails digging into his skin. "You think you're so smart, so full of yourself—"

"You really like picking up a fight, don't you? That's why you always have an attitude with me." His lips brushed her ear. "It gets you worked up. It gets you wet."

She quickly shook her head. "I just don't like you."

"Hmm." He leaned back and watched the way she tensed beneath his touch, her muscles coiling with delicate restraint. It was as if she fought against the pleasure that threatened to consume her, seeking to maintain control even as her body betrayed her desires. "I wonder if you'll like it as much if I put my head between your thighs."

The thought of having his face buried right where her arousal burned drove her over the edge. Her body betrayed her and she knew he could feel it too. "Oh wow, you're clenching around my fingers," he hummed in satisfaction. "Is that what you want? You want me to eat you out?"

"No," she mumbled but he found her hips bucking against his palm.

"Your body is saying otherwise." He withdrew his fingers but kept rubbing tight circles against her clit. Her blood was hammering under her skin and her legs shook as she tried to roll her hips up against his hand again. "Say you want me between your thighs."

She gritted her teeth, her muscles tightening in a valiant effort to hold back the mounting pleasure that begged to be unleashed. "I'm not saying that."

"Are you sure?" His other hand traveled along the back of her head before fisting her hair in his hand, exposing the column of her throat to him. "Don't you want to come all over my face?"

"Reid..." she mumbled hopelessly, her head spinning as his hot breath brushed against her skin. The thought of admitting that infuriated her because him actually getting her off was something she'd never live down. This was Spencer Reid, the man who had always infuriated her with his know-it-all statistics as if she hadn't already known half of the things he said.

But damn it, she really wanted him between her thighs.

"Say it," he repeated, moving his hand away entirely, and she grabbed his wrist desperately, pulling his fingers back to where she wanted them. "Say I want your mouth on me, Spencer, and I'll happily oblige."

"Reid—"

"Spencer," he corrected. "Say it."

Her body quivered, a taut wire stretched to its limit, yearning to snap under the weight of the pleasure that coursed through her. And then his finger suddenly stopped its movement and she knew he wasn't going to touch her again until she gave in. If that's how he wanted it, fine. She was going to consider this as one of their silly mind games, their usual banter whenever they tried to outwit one another. She could figure out a way to get back at him later. She could swallow her pride for now.

"I want your mouth on me," she reluctantly caved in.

"Did you forget my name?"

Unbelievable.

"I fucking hate you," she sneered. Then she pushed him away from the crook of her neck and leveled her gaze on him. "Just put your fucking mouth on me, Spencer."

He clicked his tongue disapprovingly. "You have a very foul mouth."

But true to his words, he eventually dropped to his knees, his hands trailing on either of her sides before he slipped her underwear down her legs. His fingers trailed along her skin as he did it, prickling the depth of her anticipation even when her mind was still trying to comprehend what she was letting herself in.

Because she had never thought of getting eaten out at work, let alone with someone she hated. Sure, hate was a very strong word, but it was what she was used to feeling whenever it came to him. It was easy to engross her hatred every time he treated her differently from the others.

Hate she could do, it came naturally to her. But to desire him, actually wanting him to bury his face between her thighs, was starting to mess her up, and not in a bad way. Not in a way that had her feeling repulsed, but in a way that made her want to grab onto his hair and pull his face right at the center of her heat.

Spencer looked up at her and smiled, as if he knew what she was thinking, and pushed up her skirt around her hips. His eyes bored into her as he hiked one of her legs onto his shoulder. His gaze traveled down her body, taking in her flushed cheeks—out of anger or embarrassment, he didn't know—and continued to sweep over the curve of her breasts before they stopped right in front of him.

"Look at you." He leaned closer, his breath brushed her damp skin. "Aren't you a pretty thing?"

There was something compelling about having Spencer sinking on his knees before her, but having his mouth wrapped around her clit pulled away her senses and her legs started to buckle that she had to grab onto the nearest cabinet for support. She stifled a moan, not expecting the enthusiastic way he devoured her from below with frantic motions of his wandering tongue.

This was so wrong. However, heat continued washing over, traveling up towards her face and burning at the tips of her ears. The more his mouth sucked onto her, lapping his tongue through her slickness, the more her body coursed with pleasure that she couldn't stop herself from sinking her fingers into his hair, holding him in place as she ground her hips over his face.

"For someone who claims to hate me," he whispered, his voice vibrating against her skin, his tongue pushing into her walls. "You sure are enjoying this."

A moan was thick in her throat until she swallowed it down, not wanting to give him the satisfaction of how true his words were. "You're annoying. So fucking annoying," she hissed.

Spencer hummed. "And you taste so good."

She gasped in surprise when she felt him lick a long stripe along her slit, the rough pad of his tongue catching her clit as she jolted. His fingers dipped into her thighs as he held her steady, lewd sounds leaving his lips as he continued to suck her wetness. His movements were suddenly fast, so feral and animalistic as he shamelessly lapped her skin, swallowing every liquid dripping off her body.

The built-up pleasure inside her continued to grow as she rolled her hips into his mouth, trying to focus on the sensation of him pressing his tongue against the same spot each time. Her chest was heaving as she tried to focus on the pleasure that was slowly taking over her rational thoughts, the coil inside her desperately close to breaking.

"Oh, god," Her voice shook, head tipped back and eyes staring at the ceiling as she felt herself dance on the precipice of release for a few agonizing moments before she finally started to shatter. Then a strangled cry left her lips as she began to buck her hips as he continued to suck her clit through her climax, the pleasure clouding her mind. It wasn't until he finally stood up, looking down at her with a grin that she finally took in what just happened.

"Do you still hate me?"

Yes, yes she did, especially with that smug smile of his taunting her. Yet she found herself hooking her fingers around the belt strap of his pants, pulling him closer as the weight of her resistance began to crumble under the force of his unwavering gaze. "So fucking much." The triumphant smile on his face grew as she started to unbuckle his belt, the sound echoing in the room. "Do you have a condom?"

"Do you really think I'm the type of person to be carrying a condom in my pocket?"

"I think you're the type of person who never gets laid." He threw her an uninterested stare which she decided to ignore. Then she let her hands fall to the side. "I'm not having sex without a condom."

Spencer weighed in her words. If he was smart, he would've stopped himself, pulled away, and accept her admission. But he didn't want to be smart, after depending on his intelligence throughout his life, he didn't want to be rational. It was definitely out of his character, but there was something about her that stirred a dormant part of him, awakening desires and emotions he hadn't known existed within his soul.

He had always prided himself on his restraint and self-discipline, but after finally having a taste of her, he found himself unraveling. He wanted more. So he leaned closer, and pressed a desperate kiss at the hollow of her throat, marveling at the way her body trembled from his touch. "Why not?"

She was going to regret it. She really was. But damn it, how could she restrain herself when he was sucking into her skin like a man starved. She splayed her hands on his chest and pushed him away before giving him the deadliest glare she could muster.

"I swear to god if you finish inside me I will kill you."

Then a smirk pulled at the corner of his lips. "Was planning to come in your mouth anyway."

She was about to retort a haughty response when he suddenly grabbed her by the elbow and turned her around, pushing her against the wall. She was taken aback by the newfound dominance he exuded in his touch. It was a side of him she had never witnessed before, and it sent a thrill of surprise and intrigue coursing through her veins, something she would never admit out loud.

He dragged his tongue across his lips at the sight before him as his hands reached for his belt, unclasping the strap before unbuttoning his pants, the sound of his zipper being pulled down echoing in the narrowed space. He then slightly pulled down his briefs, slipping out his cock before his knee wedged in between her thighs, parting her legs to open.

He slightly shifted, his jaw twitching as he gathered saliva in his mouth, craning his neck down to spit on her pulsing core before the head of his cock gently nudged her clit. Embarrassingly, she clenched around nothing. Her vision went white and she felt herself tremble as he positioned himself at her entrance, pushing in inch by inch.

"Fuck," he sighed, hips twitching as he finally slid into her fully, feeling her walls clenching hard around him. "I can get used to this."

She could get used to this too. She had never felt so full before, never felt herself being stretched like this so deliciously, but she certainly didn't need to feed his ego by moaning about it. "Well don't, this is the only time I'm letting this happen."

He pulled back his hips, leaving only the tip as he watched her slickness coated around him. "We'll see about that."

And then all hell broke loose.

He slammed into her with so much force that she let out a muffled scream as her eyes shot wide open. He relentlessly bucked his hips, his cock filling her over and over without self-control, the tip of him hitting her deepest parts relentlessly. She could barely even think as his hips fell into a rhythm, sending her higher and higher with each thrust.

Her legs tensed up even more at the pressure, his hands gripping her hips so hard his fingers dig into her flesh that she knew she would leave bruises. Behind her, he was grunting and growling through gritted teeth as he repeatedly buried himself into her without remorse. It didn't take long before his vicious thrusts had her eyes rolling back behind closed lids, her mind going entirely blank to everything but this very moment.

One of his hands released her hip before she felt him grabbing a fistful of her hair, just at the base of her skull, and sharply pulling. A high-pitched, breathy noise tore out of her at the feel of it. "Poor baby," he cooed. "Look at you so desperate for my cock."

She couldn't help but be stunned by his words. Who would've thought Spencer Reid was good at dirty talk? Definitely not her. It was as though he had unveiled a secret facet of his personality that had remained hidden until now, and she found herself captivated by this revelation.

Not that she was going to admit this, of course, so instead, she solely focused on the way he addressed her. "I am not your baby."

"You want me to call you something else?" He asked between bated breaths, hips thrusting into her. "How about Angel? Darling? Sweetheart?"

She let out a frustrated groan at his teasing but it was probably impossible to discern it from the rest of the noises she was trying to hold. "Are you always this chatty during sex?"

"No," he hummed as he picked up his pace, sending a helpless spasm through her.

"R-Really?" She mused breathlessly. "I must be special then."

He then tugged on her hair even rougher, causing her to curse loudly in response, her hips beginning to eagerly press backward into him as his hips jutted into her relentlessly like a man possessed. "Don't get too cocky."

"Just admit it," she whispered, pleasure racing down her body in waves. "You like me."

With another sharp tug on her hair, he abruptly plunged his cock so deep inside of her that she couldn't stop herself from arching her back. He held himself there as he used the grip on her hair to haul her backward to him, a surprised yelp falling out of her. "I don't like you."

Her back fell onto his chest and she felt his body vibrating behind her. "Then why is your heart beating so fast?"

"Well, sex is physically exerting so..."

How was it possible to be this aroused and annoyed at the same time? Wasn't sex supposed to be enjoyable? Well, she was clearly enjoying this, but it was hard to fully sink into the pleasure when he was driving her insane. Unless...

It dawned on her, that was her move. That was how she could play his game. Maybe she should be enjoying this to the fullest, maybe she should stroke his ego, get into his head, and have him feel as desperate as she was. A fierce determination ignited within her, fueling a newfound resolve to turn the tables on him. This was how she was going to get him back.

"Harder," she asked, pushing her hips into him.

His pace suddenly slowed down, uncertain whether he was hearing her right. "Yeah?"

She nodded. "Please?" she added before he could prompt her.

A satisfied sound escaped his lips—it was a sound she had never heard coming from him, loud and crude emitting between a growl and something coming close to a whimper, which had her smiling triumphantly. "L-Look at you begging now."

This was easier than she expected. She rolled her head back against his shoulder and let out a moan she had kept so hard on controlling. "I want you to fuck me harder, Spencer."

His sharp intake of breath at that moment was worth it. "I know what you're doing."

"What am I doing, baby?" she asked sweetly, dripping in forced affection that sounded nothing like her at all.

He instantly released the hold on her hair, his hand snaking around to grip her throat as his other hand slid around the front of her. "You're messing with me."

She let out a strained sound as she felt his other hand traveling down where they were connected. "I-I thought you wanted me to admit how good you make me feel? Is that not enough? You want me to cry out how amazing your cock feels inside me?"

Then she couldn't help her next words.

"Should I call you daddy?"

Oh, that got him. He hissed as the hand on her throat tightened. "You're a menace."

"A menace you enjoy fucking?"

His lips curled into a snarl. "I'm going to wipe that smug look off your face."

Only then he began to thrust back into her roughly. A series of breathy, needy gasps fell out of her as she held tight onto his forearm that was holding her by her throat. His other hand on her clit circled around roughly, touching her just right that she entirely lost it, her hips quaked against him as he groaned out in response, her walls clenching his cock.

Then his hand left her clit a few moments later, instead landing hard on her ass with a sharp smack that sounded throughout the room. His fingers dug into the flesh there as his hips began clumsily ramming into her, his cock twitching inside of her. The stimulation was too much for her that she clamped a hand over her mouth, trying to keep quiet as he stretched her harshly, the delicious burn only adding to the pleasure.

"You're still holding back?" He taunted, bringing back his hand before another loud smack rang in her ears, her ass burning from the pain. "Let that voice out, no one's going to hear you."

It was amazing how long she could hold in her pleasure because now her walls were starting to crumble when a particularly deep and brutal thrust had his cock hitting her just right. And then, it happened—the dam of restraint finally burst. A low moan escaped her lips, a primal cry of pleasure that echoed through the room like a song of surrender

"That's it," he grunted. "You sound so pretty."

As the sensations intensified, her breaths came in shallow gasps, her heart pounding in her chest. Once she let herself go, she couldn't stop herself from moaning out his name, to which he responded with his own moan, especially when she clenched around him even tighter.

"You gonna come for me now?" She helplessly nodded, not trusting herself to form any coherent words, squirming her hips against him for more. "Go on then," he demanded, his lips brushing the shell of her ear. "Come for me."

She finally snapped as she gave in to the sensation that had been gradually crawling its way up her spine. Pleasure was soon coating every inch of her and as her eyes closed. She didn't bother to muffle her cries this time as she fell apart around his cock, her body convulsing as he continued to thrust inside her, forcing the pleasure to keep growing stronger and stronger until small black spots started to appear in her vision.

When her climax had washed over, she was left dizzy and breathless, still leaning against him. His loud panting breaths quickly filled her ears, his chest heaving beneath her head and she could tell by the way his hips were fluctuating in their pace, the feel of his throbbing cock inside of her, that he was very close to his release.

Panic suddenly crept into her daze state and she craned her neck to look back. "Don't you dare finish inside me, I swear to god—"

Very abruptly he slipped his cock out from inside of her, his arms releasing their hold on her just as fast before turning her to face him.

"Get on your knees."

The ground scraped her skin as she quickly sank onto her knees, and just because he looked so damn good tethering in his pleasure as she stared up at him, she gripped his cock in her hands and took him fully in her mouth.

"Fuck," the gravel in his voice was prominent, her lips gliding effortlessly down his shaft until her nose hits his stomach. His hand finds its way into her hair as she kneeled there before him, fisting a bunch of it at the scalp, desperately needing something to tie him down to reality.

She slid back off his cock to take just his head inside her mouth, swirling her tongue around it before flattening it against his tip, licking a fat stripe while looking up at him through her lashes. Spencer sucked in a sharp breath, tightening the grip on her hair.

Maintaining his gaze, she took him completely down her throat again, essentially swallowing him, holding herself there until she gagged around him. She could taste him on her tongue as she continued to repeat the motion, tears welling at her lids and saliva building at her lips, seeping down her chin.

He groaned at the sight.

"I-I'm gonna come—"

And he did. She felt lightheaded as the first shot of liquid filled her mouth, and then he jutted his hips a few more times before another surge of his release spilled down her throat. She swallowed him whole, swallowed every drop of him into her mouth as he continued to look down in wonder. She never thought of ever being in this position, but now she decided there was nothing else more satisfying than to watch her rival come undone from her touch.

Although she couldn't dwell in her contentment for long because as she released him from her mouth, the sound of the door rattling waked her senses. Panic flashed in her eyes as they met his gaze, and they instinctively stepped apart before sprinting into action, Spencer tucking himself back in his pants, while she quickly got to her feet and pulled down her skirt, scurrying to the other side of the room.

It wasn't until she spotted her underwear laying by his feet that she realized she was still naked underneath. Spencer followed her line of sight and just as the door creaked, he bent down and quickly grabbed the fabric, shoving it in his pocket at the same time their friend entered the room.

"There you are," Luke sighed in relief, casting them both a look. "We've been searching everywhere for you guys. Are you both alright? I thought I heard screaming."

In that fleeting moment, they both exchanged a glance laden with unspoken messages, each silently urging the other to maintain composure.

"Yes. I-uh." She cleared her throat, struggling to suppress the heat rising to her cheeks, willing herself not to betray the blush that threatened to expose what went on before this. "I was screaming for help."

Luke watched them with keen eyes, skepticism etched upon his face. A subtle tension crackled in the air, barely noticeable to most but not escaping the scrutiny of his gaze. He watched as Spencer hid his face behind a file he was holding, and she was studying her nails as if they were the most interesting thing in the world.

He narrowed his eyes but didn't say anything, before stepping back towards the door again. "Well, come on, there's a new lead on the case. Everyone's waiting."

When he finally left them alone again, she let out a breath she wasn't aware of holding and quickly held out her hand. Spencer raised his eyebrows at her. "What?"

"My underwear?"

He stared at her empty hand, then at her face, and shrugged nonchalantly, leaving her dumbfounded as he started to leave the room before the door closed on them again.

"Reid," she hissed, following behind him. "Give it back."

He looked over his shoulder and gave her a smile, or something close to it because even after what happened a few minutes ago his smile was far from looking genuine. "Come by my place after work and I might give it to you."

Her steps faltered.

"Might?"

But his back was already facing her as he strode down the hallway. She stood there, feeling extremely exposed wearing nothing but her own skin underneath her skirt, and the only way to get back her missing piece of clothing was to force herself in his presence again.

She closed her eyes and sighed, not sure what she felt right now was either anger or exhaustion. Probably both—no, wait, definitely both.

Because what the fuck did she get herself into?

.

Quick question, if I make a taglist for my one-shots does anyone want to be added?

[desperatelyseekingcannibals]

Telling Hugh Dancy about trans masc Will and more...

As some of you already know by now, I went to Boston Fanexpo this past weekend for another stop on the unofficial Hannibal 2024 Reunion Tour.

I had planned to do autographs on the Friday before the Hannibal panel and had brought some gifts for Hugh which included a copy of Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal, which I compiled and edited last year. I also got him to sign my own copy (above).

It all moved quite quickly, but I did have the chance to explain that it's a volume by and about trans, non-binary, and genderqueer Fannibals that includes art, fics, essays, and personal pieces. He seemed intrigued and I said I hope he'd have the chance to read it and that the art isn't explicit/sexual but some of the fics are - he laughed and said he appreciated the warning.

It was all quite the whirlwind, especially after coming all the way from the UK, so I was absolutely mortified when I remembered the next morning that I had talked with a few trans Fannibals who had specifically asked me to let him know that he/Will is a trans icon. So I went back up to see him again on the Saturday morning when it wasn't too busy (and get more stuff signed) and this is what happened:

[I wrote notes down right after so this is as close an account I can get without having filmed it!].

Me: I saw you yesterday Hugh: I remember (smiley-friendly) Me: I gave you a book Hugh: I remember (smiley-friendly) Me: well, I forgot to tell you. A few trans Fannibals reached out to me to tell you that Will is a trans icon to them and we all love you for it. Hugh was surprised (in a nice way) and I was pretty much going to walk away then - job done and feeling like time for me to stop bothering Hugh lol. But before I could walk away he sort of held out his hand to stop me and said something along the lines of - I don't mean this in a disrespectful way, don't take it the wrong way... I'm genuinely curious- I get that it can be about identity- but what is the connection to Will and being trans? Luckily - my essay in the book is exactly about how Will can be read as trans, so I sort of gave him a summary of that. I explained that (obviously) both Will and Hannibal can be read as queer, and that - especially as both characters have dominant masculine and feminine traits, it's also easy to read them both as trans or in some way genderqueer. He was nodding and agreeing, so I further explained that with Hannibal, he is fully formed - he's already whatever he is - which Hugh also agreed with. But that Will is still becoming, still transitioning and therefore can be more relatable to trans fans who see that journey in themselves. So although it's not necessarily the same journey - there is enough to it that it resonates with trans people. I said that in the show there is also the added bonus of Will being seen and accepted for who he is, just as trans people wish to be. He was nodding along and agreeing with me and then he thanked me for explaining that. It was pretty quiet previously but I'd been there a few minutes so the queue was building up a little but he was so focused on me - so genuinely intent on hearing what I had to say and learning more. SO I CARRIED ON. (lols) I explained to him that it goes further than the show, that we have found a community in the fandom and that many trans people have a catalyst in their life that sparks their journey - like Will had in his friendship with Hannibal. For us it might be a person, an event, or even a TV show. I explained how the fandom are so supportive of trans people - that we are SEEN. That I for one wouldn't have been able to afford top surgery without the kind donations of Fannibals back when I was not in a good place (mentally or financially). That we all help each other and for some of us that has been life-saving. He did the hand on heart thing and said "wow" and was clearly moved. I said to him that so much of this is in the book, that I completely understand if he doesn't want to read the fanfic, but I really hope that he will at least read each of the personal pieces - that each of the fics and art also have a little write up from their creator about what the show and/or fandom has meant to them and their gender journey - how important this has been in our lives. He repeated a couple of times that he would definitely read it. I thanked him and he held out his hand and gave me the most genuine hand shake I've had in my life.

I want to really stress here how much this was instigated by Hugh. That he really wanted to know more and understand and didn't even look at the slowly growing queue but was instead intently focused on knowing more about the trans Fannibals and about why this show and the characters mean so much to us.

I then went off and spoke with a few Fannibal friends in the queue before getting around the corner to another Fannibal friend and having a bit of an emotional moment/breakdown. I can't even explain how grateful I am that he gave me the opportunity to explain all this to him. And I was especially glad I got to tell that Will is a trans icon because I'd have felt terrible if I'd have not done that after people had asked!! Thank you for trusting me to pass that message on for you!

💖

I know for many of you Adapt. Evolve. Become: The Genderqueer Fandom of NBC's Hannibal might have gone a little under the radar. So here is some more about that >>

It was compiled last year for Trans Hanni Day, edited by Max Turner of (and in conjunction with) A Coup of Owls Press - and published under Max's ACoO imprint.

It features essays, personal pieces, fanart and fanfic by and about trans, non-binary, genderqueer and otherwise non-cis Fannibals.

IT IS FREE TO DOWNLOAD, however we ask that if you do that, please consider donating to one of the linked trans orgs if you can afford to (or a similar organisation/charity of your choice).

It can be purchased on Amazon, however, as the proceeds go to charity, and Amazon only gives royalties, more is earned/given if bought directly via Max's shop.

Dearest trans Fannibals, please know that YOU ARE SEEN!