#and work to find the answer

[bixels]

I'm not getting into The Giving Tree discourse...

[icewindandboringhorror]

(also feel free in the tags to clarify Why you made the choice you made!! :0c)

[librarydilf]

drift compatibility continues to be one of my favorite ways to analyze a relationship. yes this ship is good but could they pilot a jaeger together LET'S DISCUSS

[fisheito]

When all your housepets are biters

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬

[flowersforthemachines]

the "Lucanis approves" after the pantry scene is so hilarious.

thank you for insisting that I deserve your affection, it means a lot to me. for personal reasons, I'll be walking away without explaining anything. I'd appreciate if we never talked about this again until we absolutely had to.

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[aimer-arts]

Is everyone talking about how cool you and your stuff is? Cause it's true. Your stuff is incredible and every time I see Piper and clementine I smile. You're super cool and I hope you keep making more stuff!

WAHHHHH THANK YOU 💖💖💖

[fox-guardian]

hii i hope this is ok to ask but i love how fucking HUGE you make curly look, do you have any advice on how to draw muscular frames? :o

thankies!! i love drawing him Robust-Looking <3

as far as advice goes, when it comes to anatomy i always recommend the channel proko on youtube, they have all kinds of videos about how to draw anatomy with each area of the body broken down. basically, if you're trying for anatomical accuracy with muscles and stuff, their vids are a great way to grasp how muscles work!

as far as general shapes and vibes though, i have a couple quick tips of my own <3

the biggest part, if you can imagine, is proportions. typically tutorials will tell you the average shoulder width for a person is about 2-3 heads wide, so if you're making someone Bigger and Beefier, you'll wanna go past that a bit. (and making a character's head smaller is gonna make their body look bigger by comparison, so if you wanna go crazy, shrank that thang)

For example, Daisuke (who i draw as lean, but still with some muscle, especially in his arms) is 4 heads wide at his shoulders, while beefcake curly over here is 5 (sometimes more depending on the drawing lol). something as simple as broadening the shoulders already gives a character a beefier-looking silhouette.

[ID: Simple rough sketches of Daisuke and Curly from Mouthwashing with colored circles showing how many heads wide their shoulder width is. Daisuke is four, Curly is five. end ID]

~~~~

"but what if i don't know how to draw the muscles and am not going for realism/don't feel confident enough in that yet? how do i give a muscular vibe without as much detail?" FEAR NOT it's super easy. here we use the power of SHAPES!!

i draw jimmy and curly with the same "skeleton" or base frame, so i think they're a good example of this next bit. despite having the same bones, i broaden the fleshy parts on curly's limbs (focusing on his shoulders cuz he has big ass shoulders) and keep his upper arms wide before tapering down into his hands (muscles tend to be largest at the base of the limb and get smaller up to the hands/feet but there's plenty of design exceptions). i carry that shape language down into his legs (which i emphasize with his fitted calf-height boots). meanwhile jimmy stays fairly squared, especially when fully clothed

[ID: Simple sketches of Jimmy and Curly from Mouthwashing with notes describing their shapes. Jimmy has a rectangle over his body and is noted as being "relatively rectangular" and the shapes of his limbs are mostly straight. Curly has a trapezoid over his body and has a "top heavy shape" with limb shapes that taper down and in. end ID]

~~~~

and honestly, a good hack to make a character read as more muscular or robust is to give them a buddy that contrasts that. once again, jimmy will assist.

even in a simple drawing like this, giving jimmy the opposite tapering to his limbs just emphasizes curly's hugelargeness by comparison. it also shows that you don't need a lot of detail or realism to convey Beefiness

[ID: Another, more simplified doodle of Jimmy and Curly, pointing out that Jim's limbs taper outwards while Curly's taper in. end ID]

~~~~

another final quick tip i have is: the neck makes a difference!

people with more muscle tend to have thicker necks (it's because of the muscles there, if you can believe it) and it's kinda become one of my fav bits of drawing curly lol. idk why <3 necks fun to draw <3 for him, i draw his neck starting at the very edges of his face and widening out at the bottom to match the shape of his head and to flow a bit more into his trap muscles, but you could go Even Further Beyond if you so Choose. i've found this is a surprisingly good way to convey Beefy Person Beefy even if you don't have as much anatomical knowledge.

[ID: Four bust sketches of Daisuke and Curly comparing their necks. The first two show them both facing forwards. Daisuke's neck is slimmer and straight, while Curly's neck meets the edges of his jaw and has a wider base with higher trap muscles. The second two shows them in profile, with the back of Daisuke's cranium sticking out past his neck, while Curly's is even with his neck, showing how thick is is from the side. end ID]

~~~~

in review we got:

widen shoulders relative to the head to convey a Broad silhouette

taper limbs inwards from base to extremities to emphasize the shape/size of the muscles

give em a less muscular buddy for contrast

thick necks help a lot in conveying a muscular build

and of course, i know i only used men in these examples, but these tips will work just fine regardless of a character's gender. please draw more beefy women ily <3

i hope this made sense and helps you and whoever else might see this uwu

if anyone has any questions about it i will. Try. to answer them. making these posts is oddly difficult lol

[thesophistiicate]

maybe an unpopular opinion but despite my passion for self development, i honestly dislike most typical 'self development' books and really believe you get a lot more self-expansion out of reading creative non-fiction, essays, philosophy, and literature. engagement with these types of works will expand your intellect and teach you how to grapple with big ideas for yourself, rather than following the rules set out by some girl boss or hustle bro in their glorified marketing pamphlet 'book'.

[trans-jon-rights]

Honestly at this point I'd really like to know the fucking salary at the O.I.A.R.

Because while in Archives, it is stated at some point that there was a pay upgrade to work in the Archives, which incitated people to take the position to later be stuck unable to quit, on the Protocol side we have the O.I.A.R, which is civil service.

It doesn't pay well. Even though the Institute in TMA is technically a non-profit organisation, I'm still pretty sure any position there pays better than a civil service job. So why did Alice stay ?

She isn't stupid, and maybe has a degree -- and even if she didn't, there are still jobs that doesn't need a degree out there. And she knows that working there is dangerous, which is why she turns a blind eye and pretend not to care.

But here's the thing : many of her lines suggest that at some point she did care. She probably was exactly like Jon, looking for answers and trying to know what was behind those cases, why were there recurring names, places, everything !

But she stopped, she decided to shut it down and turn a blind eye. My question is : why ? Why not quit ? She knows it's dangerous, she knows there are things that could get her killed, so why stay when the safest option is to quit and leave it behind ? And why tell Sam to come work there ? I mean, I get that he needed help, but if I knew my job was dangerous and that my friend was overly curious, I wouldn't recommend them to come here.

So I'm really asking how my the government pays her to stay.

[frostgnawdraws]

failure and futility

for day 2 of campfire fest! prompt: third eye (and i guess could also count for explosion, or a lack thereof lol) @outerwilds-events

[vaguely-concerned]

obsessed with the fact that if you choose the last purple option in lucanis' romance chat before going off to tearstone island ("they MOVED the MOON!!!" still in the running for the best delivery in the whole game btw it's so ineffably hilarious to me), it's rook who flinches away just a little bit (if still warmly <3) and tries to change the topic and lucanis who's steady even though he's clearly still so afraid. 'don't tempt fate'/'*the softest fucking voice you've ever heard in your entire life* I don't intend to'. pain and suffering

lucanis looking at rook and helplessly, with a wonder that verges on despair, saying 'what would I do without you?' is soooo. especially at that point in the relationship and with what's about to happen. and for whatever reason rook can't quite stay with the fact that they do mean that much to someone, that they are so reverently and so groundingly 'I want to know what your favourite food is so I can make it for you any time you want it' everyday loved, it's too much and they have to deflect from it or the fear of losing it. can say some very interesting things about them, too.

(there is also a Pattern in that in my estimation lucanis frequently responds better to inviting humour than to earnest shows of concern -- it seems to help him be more engaged/online to be offered that more neutral space to meet you in and uh 'build' the conversation around something funny together than to be confronted with compassion head-on because that clearly mostly deer-in-the-headlights him, as we also see with some of the early flirt options haha. contrast this especially with bellara, who repeatedly gets genuinely upset if you try to make light of some pressing and painful situation she's dealing with (girl I'm so sorry I'm so jestercore and I canot change this but I'll try :'( for you). I think the times lucanis reacts negatively to the purple options are much more about you siding with other (frequently more charismatic lol) people against him or throwing him under the bus interpersonally -- like seeming to go along with illario's charm offensives, or telling teia lucanis didn't want to come help out with caterina's funeral and he'd just sit alone and brood about it if you didn't force him (???!!! hello??? unprovoked and deeply unkind out of left field???? this option is so fucking MEAN and for what fhdaskjfa you're telling me there's no way for rook to be a bit of a dick in this game?)

when it's one on one conversation he consistently seems to find it quite comforting, though... which makes a lot of sense because in many ways it's how he interacts with illario, just shorn of the resentments and hidden daggers and things they Do Not Talk About but really should beneath the levity that makes it sharp. it's gone ugly between them, but I think the affectionate instinct beneath is real and goes back a long way before all of that festered -- it's a form of play he does with people he loves. and uh. not really caterina huh. notably.)

[thepeacefulgarden]

[canisalbus]

i would like to imagine that after machete dies, vasco starts collecting red things. red, like the soles of machetes shoes and the hems of his cassocks, the front of his nightgowns after a heavy nosebleed. or maybe he collects pink things, like machete's nose and ears and paw pads, or things white like his fur. he never collects anything black, however. red like the hems but never black like the fabric. black is too sad. it's grief, it's unfathomable loss and it means admitting machete is actually gone, stolen from the world. but ludovica is there, and she indulges his collections in little ways on the occasion. it's a small comfort, her love for her husband in their lavender way.

.

[composeregg]

"Yona is being selfish"

have you considered that she has no assurances that any promises being made will be upheld?

from her point of view, the dragon gods have only hurt her friends and threatened everything she loves, she has NO reason to trust them!

The dragon gods are acting like her father did, denying her the agency to make her own choices even when she states what she wants loud and clear. The threats to her country are being made BY THESE DRAGON GODS, these threats are not some immutable fact, they have a place of origin, and she refuses to accept ANY of this.

Because she's not the spoiled selfish princess her father sheltered from everything anymore

She's a woman who has seen the world at its best and its worst, and is determined to forge a path ahead with her own hands, with the people she cares about, for the country she cares about

Yona is choosing to have agency, even when gods are trying to strip her of it. Their threats are threats, and she will see this mess they have made and fix it.

The dragon gods are being selfish.

Why do you want Yona to give in to these demands? To bow her head to the ones proclaiming to know what's best for her and her people? Who keep adding threats to what she loves JUST TO MANIPULATE HER INTO DOING WHAT THEY WANT?

The point of Akatsuki no Yona is not that "Soo-Won has always been right to discard all emotion and focus solely on saving the country" OR that "Good emotions are all you need, you must never face any hardship and it will all work out okay"

The point is Yona's journey into finding a 3rd path, a balance.

She can love her father and think he was not fit to be king. She can still care deeply for Soo-Won, and think he makes a better king, and yet be hurt by his actions.

And she can mend all the pain of the past, and stop the cycle of revenge, and stop the cycle of pain and hurt for EVERYONE. Her country, her dragons, her people, her friends.

It's not being selfish to refuse to give in to these demands. It's simply refusing to play by rules others have made which state there are only two paths, when you can see three.