#apprentice of magic

[wizardbusinesscomic]

[incorrect-km-shea-quotes]

Evariste: Instead of asking someone why they’re so dressed up, ask yourself why you didn’t wear a better outfit

[hinge]

Hinge presents an anthology of love stories almost never told. Read more on https://no-ordinary-love.co

[zuzuzolsstuff]

The strongest sorcerers

[faceeeeee]

Does your Sprout smile at all? And if he does, who or what normally causes it?

He is capable of smiling and experiencing the concept of fun, but he only shows it with people he trusts and just general moments of peace

[mtg-cards-hourly]

Daring Apprentice

In front of every great wizard is a doomed apprentice.

Artist: Kaja Foglio TCG Player Link Scryfall Link EDHREC Link

[madcat-world]

MtG: Accident-Prone Apprentice (1 of 3) - Alexander Mokhov

[hinge]

Hinge presents an anthology of love stories almost never told. Read more on https://no-ordinary-love.co

[lucksea]

havent decided how i want the introduction to go yet but i imagine it would roughly be one of these two

[whump-galaxy]

Y’know, I really love when magic physically changes the person using it. Damage from overuse is great, but what about runes burning into their skin every time they use a new spell? Or their body physically morphing to match the kind of magic they’re using, like unicorn magic causing a horn to grow from their head. Even better if it’s permanent.

[oldschoolfrp]

Flying Buffalo's Sorcerer's Apprentice featured more well-known authors than most gaming magazines. The special double issue #9/10, Winter/Spring 1981, included fiction by Roger Zelazny, non-fiction by C J Cherryh and L Sprague de Camp, a T&T dungeon by Larry DiTillio, and a feature by Michael Stackpole. This issue also would have premiered a new story by Manly Wade Wellman but the editor postponed it when Lee Brown Coye's illustrations were temporarily lost in the mail. (Richard Becker cover art)

[wizardbusinesscomic]

[hinge]

Hinge presents an anthology of love stories almost never told. Read more on https://no-ordinary-love.co

[incorrect-km-shea-quotes]

Evariste: Who hurt you?

Angel: What do you want, a list?

Evar: …Actually yes.

Evar: Names and addresses.

[clumsypuppy]

im so predictable

[darlingzelda]

˚₊· ͟͟͞͞➳❥. 𝐉𝐮𝐥𝐢𝐚𝐧 𝐃𝐞𝐯𝐨𝐫𝐚𝐤 - 𝐌𝐨𝐨𝐝𝐛𝐨𝐚𝐫𝐝 ˚₊· ͟͟͞͞➳❥

𝐓𝐡𝐞 𝐀𝐫𝐜𝐚𝐧𝐚: 𝐀 𝐌𝐲𝐬𝐭𝐢𝐜𝐚𝐥 𝐑𝐨𝐦𝐚𝐧𝐜𝐞

[dennysedai]

stages of grief via my Rote goodreads reviews

i ran out of words towards the end of the series was just processing in shock

[hinge]

Hinge presents an anthology of love stories almost never told. Read more on https://no-ordinary-love.co

[ryuki-draws]

I miss my son, Tails

[nadiajustbe]

When it comes to HMC trilogy, I take almost no criticism, as it just a wonderful written-story with alive and relatable characters. However, If I had to name a part I'd found reasonable to criticise and may critises myself, I'd say it's Lettie Hatter's arc.

Not because it was entirely bad, but because it could be so much better If it wasn't written in the 80s and had a different mindset attached to it. And because the way it starts and the way it progress has little to no connection to how it ends.

Because the whole thing of the Hatter sisters, all of them, was breaking social norms and expectations.

Sophie firmly believed that she would stay in the Hatter Shop for the rest of her life with the most boring existence possible — and yet she married the most chaotic, whiny and slither-outing wizard in all of Ingary, with whom everyday is a full-blown fantasy adventure.

Martha, as the youngest, was expected to have the above mentioned fantasy adventures, be a mighty witch, even a hero, maybe — but she decided to chose a happy, steady basic life with a husband and ten kids, and she didn't want to listen to anyone who said otherwise.

Lettie's arc, just as the whole stories of her sisters, were tied on what people wanted from her. She was the most beautiful out of all girls, If we believe Sophie's words, and people almost wished she would marry and find a life spouse, as she had one million proposals a day even before switching with Martha. But that wasn't what she wanted — I'm sure she would reject all of them as often as her sister did, because she wasn't a big fan of it, just as working in the bakery. Lettie wanted to be a witch, and she practically became one, switching with Martha, working with ms. Fairfax.

But while Sophie's arc of expecting to be plane and ordinary ended on being gifted and adventurous, Martha's arc of avoiding busy life ended on finding a person she loves and planning to build a big family, Lettie's arc of searching for greatest achievement and avoiding marriages ended on...a marriage.

A marriage that, as stated by herself — "Ben doesn't like people to know I'm a witch" — kinda disregards her initial want to show that she has intelligence outside of her beauty, the one that he can show and that she can use.

(This line has absolutely no context whatsoever and we can only guess why Ben wants so, because it's actually so out of his character, even all the bits that were described before. But nope, no context, no explanations. It may be because she was pregnant at the time, but, again nothing like this was ever said and it's a pretty lame excuse anyway. Magical mirrors in their house also do not obey Lettie, at all)

And, as much as I absolutely love Ben and as much as I absolutely love Lettie, I don't think pairing them was a good choice. Mostly because Lettie was seventeen (one year younger than Sophie) in the end of HMC when their "pairing" started, and Ben is described to be noticeably older that Howl in CITA, which brings us to the conclusion he's at least in his thirties. And that's...a bit uncomfortable of an age gap, especially If we take into the account they canonically had a kid about a year later. And also Ben was supposed to be her mentor.

...And If he stayed her mentor and nothing more, it would be actually great. Because I believe Lettie deserves the same development her sister had, to get was she initially wanted and what she was fighting for. To be an apprentice of the Royal Wizard, to be a powerful a well-known witch, to show the world who told her that she has to marry to succeed in life that she in fact, doesn't, to show all this guys that tried to propose to her that she didn't need them, at all. But definitely not a wife, or a mother.

Not because being a mother or/and a wife is a bad character development. It worked perfectly with Sophie, because it represents her chaotic happily ever after better than anything else, it worked with Martha because she wanted to had ten kids and marry. It's just not for Lettie's character in particular precisely because everything in her concept of "beatiful middle sister" showed that was she's supposed to be.

Because Mrs. Pentstemmon said Lettie awaits a great, good fate, that she'll be as powerful as the Witch of the Waste — and I want to see it. Because I didn't.