#but its a trait that everyone and everything has...i think

[crustyfloor]

“My amazing daughter” ❌

Too human, not dystopian enough

“my lovable creature” ✅

Unintentionally objectifying, affectionate in a dystopian way, true to the canon “pet and owner” dynamic most aliens have with their pet-humans, “Aliens can never truly understand humans they are two different species”

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[icewindandboringhorror]

examining a seemingly normal image only to slowly realize the clear signs of AI generated art.... i know what you are... you cannot hide your true nature from me... go back where you came from... out of my sight with haste, wretched and vile husk

[pandoratheprocrasticreator]

i think ppl can and should project onto fictional characters. that's kind of what they're for a lot of the time. even if in the story they dont have the exact same experiences the audience can still find similarities with them and it's empowering to headcanon that, because of these similarities, the character has a similar identity to you. a lot of writers purposely give their characters experiences similar to marginalized groups to make those groups feel seen.

that being said, if you project your own experiences onto your blorbos you HAVE to be able to tell when the story is purposely making the character a metaphor for your experiences and when the story is. not doing that. just because you personally relate to a character doesn't mean the character literally is your marginalized identity. and it definitely doesn't mean that the writers hate your marginalized identity, specifically, if they don't do what you want them to do with that character.

[bixiaoshi]

my mom trying to get me to say that i am smart is so funny to me

[waywardsalt]

for the zelda ask game: 🎭😔👊⛩️

🎭 When you play Zelda games, do you imagine being Link yourself, or is Link a separate character to you? Basically, are you Link, or is Link a separate character?

I always consider Link to be his own separate character. There's juuust enough to him most games that he has his own character, and I'm not usually one to go full self-insert with video game characters unless that's what the game is really going for. So I generally consider him to be his own separate character.

😔 Least Favorite Zelda character?

Hhhmmmmmmm normally I would say Jolene (and i think she was my answer for a similar ask game a few years ago) but I'm trying to get myself to at least somewhat appreciate her so it would be kind of counterproductive to say it's her. But it's Jolene.

👊 Favorite Zelda Villain/Boss?

Yeah no Bellum is my favorite Zelda villain... also my favorite boss! I think he's a silly little thing and a lot of fun to think wayyyy to hard about and I really like the variety between the three segments of his extended fight, plus just on a story level his whole fight is really cool. I would normally say I wish more was done with him but I can make do with crumbs so it's fine actually. I kind of want a little plushie of him.

⛩️ Favorite Zelda Dungeon/Location?

Hm... it's hard to decide on just one favorite dungeon, I've always been fond of albw's dungeons and both oot and mm have really good dungeons, but I think I'd have to pick the fire sanctuary from Skyward Sword. I really like sksw's dungeons a lot, and the fire sanctuary especially just... looks really nice and is fun to spend time figuring out. I think it's the one I enjoy the most, while the others are just fine or have some snag to them. With locations, I’m a fan of albw’s Hyrule and Lorule, and Clock Town is probably my favorite town in the entire series.

[autisticlee]

About the label thing. I agree with you. Recently I've read a book where someone argued against labels (and autism diagnosis etc) claiming that labels hold people back. As if someone who would get an autism diagnosis wouldn't act autistic if they're not labelled autistic... That author believes that if you believe in something enough it comes true so if you say you can't do something it's your fault for not believing you can do it... Like of course positivity and trying out things has it's place but some take it too far so that accepting realistic limitations is out of the picture. Like realistically there are things people just have a harder time with compared to someone who isn't autistic. Besides people who say don't make autism your personality, didn't people already have that personality before getting the label that explains the behaviour and personality type...

sounds like toxic positivity to me. which can be just as harmful as being too negative. some people really don't get that and think being realistic or honest = negativity and think toxic positivity is the Right/Only way.

but seriously. the reason I got diagnosed with autism is because I wanted to know the reason why I had autistic traits and was severely struggling in life and couldn't make them go away no matter how hard I tried. i'm not acting autistic because I was told I am lmao it's always been here

[problemswithbooks]

They aren't really comparable.

First off, Himiko was not kicked out by her parents--she ran away after killing an innocent boy at her school. Yes, her parents were cruel to her because they didn't understand her Quirk and that was wrong on their part. But we never get anything that shows anyone else was mean to her because of her Quirk or she was ostracized. In fact, she was apparently pretty popular and well liked, which was why her classmates were shocked when she jammed a straw into a boy's jugular and sucked him dry.

Past that, she continued to kill people and drink their blood after fleeing. She was introduced to Shigaraki as an experienced killer--essentially a serial killer.

She never shows any remorse or guilt for killing her classmate, or the strangers she used to get her next blood fix. It's not even implied she internalized her parents "monster" comments and fell into the trap of thinking she could be nothing else, but deep down feels badly for killing people she clams to 'love' so much.

Also, if it's implied that Enji raped Rei, I think it's important to bring up that Himiko's Quirk being tied to her sexual attraction to others (she sees it as kissing, and the blushing, almost Hentai-like faces she makes, make it clear it's not Platonic) is essentially implying she is sexually assaulting people too--then killing them, making her on par with sexual sadists like Ted Bundy.

This isn't even bringing up all the people Machia kills as they ride him (while upset about how mean Hawks was for killing her one bff). Then doesn't care and goes along with AfO who continues to throw all of Japan and it's millions of citizens into extreme danger, and makes it clear he wants to rule the world as the most evil person who ever existed (seriously that's his entire goal, and he never shuts up about it). She does so after seeing how much he's hurting Shigaraki, someone she claims to care so much for (but not enough to look more than mildly concerned for a second and sit on her hands, as does the rest of the LoV).

The main thing though, and what I think Hori must be talking about when it comes to "had to die to atone for her sins" is actually her stabbing of Ochako. This is the only thing Himiko shows any remorse for, and only after Ochako tells her everything she wants to hear. Himiko dies due to her own choice to try and kill Ochako despite Ochako never doing anything wrong to her, and validating her. If she'd been less willing to go for the kill, or thought about how her actions affect others, perhaps she wouldn't have needed to give her life to save Ochako. She couldn't atone any other way because she did not give a shit about any of the other terrible things she did to get to the point of fatally stabbing a girl who genuinely wanted to help her.

And that's the main difference between Himiko and Endeavor, and why he survived and she didn't. Endeavor, whether it was written well or not, was shown to care about his past wrongs and want to fix them and help those he hurt. He wasn't the same abusive shitbag he was at the start of the story. While Himiko never really got the epiphany that her actions were wrong and harmful--only understanding her stabbing of Ochako as wrong, and only because Ochako was unrealistically nice to her. In fact, she chooses to die because she specifically did not want to pay for her past and current crimes by being locked up (she says this).

And you can still be mad at Hori for writing it this way. He could have had Himiko and the rest of the LoV show remorse, or refuse to side with AfO and helped the Heroes stop him instead. He could have made Shigaraki more moral than AfO and reject him, rather than showing him choose to side with him again and again no matter how bad he's shown to be or how much he personally fucked him over. Likewise, he could have had Touya care more about his siblings, instead of having him nearly get Natsuo killed and not care. There were so many opportunities to make these characters better and therefore give them genuine atonement/redemptions like he gave Endeavor. But he never did, and by the end saving them wouldn't have made any sense because they never showed the capacity or desire, or remorse enough to be better people.

Meanwhile, Enji did, for the vast majority of the story. Yes, it has issues, like Hori having him stall out at times or not showing that he is doing something that he must be doing (like finding Touya post reveal--there is zero way he's not also looking for Touya, when Touya would be a lead to finding AfO), or focusing too much on his pain rather than showing his victims'. But the one thing the story makes clear over and over is that he does feel guilt, and he does work toward changing.

That's why he lives and Himiko dies. One actually was written as remorseful and wanting to change, while the other was not.

I'm sorry Horikoshi what do you mean Himiko "had to die" to "atone for her sins?"

One of the biggest criticisms of MHA for the past few years has been people saying Endeavour shouldn't have a redemption arc and every single time someone makes that critisism someone else responds "it's not a redemption arc its an atonement arc."

Why does the man who spent years abusing his family, is responsible for the creation of the villian Dabi, and is implied to have raped his wife get to live so he can "atone" but the teenage girl who was abused and kicked out of her home by her parents simply for being born with a quirk they didn't understand have to die?

Every day, my patience for Horikoshi grows smaller.

[cursedcola]

Prompt: Couples will evidently begin to mimic their better half after some time. What traits do you steal from him, and vice versa? Fandom: Twisted Wonderland Characters: Everyone - because I want to and I’m amidst fleshing out all my Yuu/Character dynamics + designs Format: Headcannons. Masterlist: LinkedUP Parts: Heartslabyul | Savanaclaw | Octavinelle (Here) | Scarabia | Pomefiore | Ignihyde | Diasomnia A/N: Putting all my brain rot from my notes into something cohesive. Contrary to my love for ripping your hearts out, I've come with some fluff this time around. BTW you may or may not already do things mentioned - I write my works with a specific Yuu in mind for each character so this is based on them. Just a reminder.

Habits You Steal:

Bargaining (Inherited AND Developed): No partner of Azul's is a shmuck. Not because of his standards (a little bit), but because you will learn to negotiate through trial and error. Being his pearl does not exclude you from daily verbal tango. He can and will still come after Ramshackle if given the opportunity. What? Just come stay in Octavinelle. He won't even charge for it, and you can bring Grim. He is always three steps ahead. Buying him a present is like the world's most daunting task, because he somehow already knows what's inside the box. Every. Time. Even if you shop a year in advance. Don't even start with arguments. He has a rebuttal for EVERYTHING. There is never a winner, only a settlement because he is so stubborn (and you equally so. Pride is contagious). As adults you're constantly exposed to business deals and sometimes have to deal with handling negotiations. Not to mention people with grudges against Azul attempting to shmooze their way through you. Only to find that you are just as manipulative.

"Pearl, Jade says that our deal with the Bas triplets for the next semester has been renewed? I hadn't scheduled their extension meeting until the first Saturday of next month. Would you have anything to say on this?" <- Long story short, the triplets tracked you down to beg for help in getting out of their work contract with Azul. He was always fair, and they entered willingly. No corruption on his part...but they were hell bent on not working in the kitchens with Floyd anymore. Solution? You managed to shmooze an extra week on their terms, in exchange for not being put on Floyd's shift anymore. Azul is so proud - but don't do that again. You're the one telling Floyd he doesn't get to play 'spot the difference' with the triplets anymore. Not him.

Smell Sensitivity (Developed): Nothing shanks the nostrils like sea brine. No pun intended. Lingering around Octavinelle equates to constantly smelling fish. Most students there come from the coral sea and don't mind it. Others only stop in for a quick bite to eat, and don't stay a moment more. The Mostro Lounge just has a potent smell that can't be found anywhere else. Like McDonald's french fries...but fish. Grim loves it, you now get nauseated when a scented candle is lit.

"Must you pinch your nose? Think of my- Octavinelle's reputation for a moment" <- Azul is brewing a scent masking potion as we speak. You're really hitting his pride here, even if you can't help it.

Glasses Wipes (Developed): Octopunk heats up when you so much as touch him in public. Then his glasses get foggy. If you wear makeup, its smears on his skin (to which he acts unbothered, but we all know it's a ruse). He obviously carries a hankey but having some wipes on hand is a nice gesture. Unnecessary, but sweet-ish.

Refined Pallet (Inherited): The cup ramen and foraged greens just do not cut it anymore. Not when Azul's made a VIP menu over at the lounge just for you. Sure, the place has a variety of options but he'll always get Floyd to cook up whatever you're in the mood for. At a discount (since Grim can eat him out of pocket). Have you ever had 100% dark, sea-salt chocolate imported from the coral sea? Ever tasted it in a rich devil's cake, baked fresh with only the best ingredients? Betty Crocker, who???

"I must say, your diet could still use some work - do not look at me that way. The twins found your hidden stash of instant noodles during our 'occupation' at Ramshackle. Under the stairs, pearl? Really? When was the last time your sodium was checked?"

Aversion to Sea Food (Developed): You will never understand how the Coral Sea students are okay with the Mostro Lounge. Neither what was running through Azul's head when he decided to open a SEA FOOD restaurant. Honestly? Red flag. One you ignored, but still a red flag. The existence of merpeople and therianthropes is still new and novel to you. To each their own, but you can't eat any sea creatures knowing that it could be - no, it can't be? Floyd's always joking that Azul is tasty but...it's just a joke, right?

"As much as Floyd loves to special make your chicken strips with wedges...why do you never order from the public menu? I assure you, Mostro Lounge is supplied with only the highest quality - h-huh? What crazy thoughts are you having?! Honestly!" <- This explains so much. He always thought you stared at the food with envy, because Grim would eat your pocket out and leave you to sip on lemon water. He had to force the special 'vip' meals down your throat at the start. is this why you're so uncomfortable having lunch with Floyd and his weekly Takoyaki binge?

Appraisal (Developed): Ever see those shows where a professional goes around to antique markets, and can point out forgeries, fake gems, etc. by eye? That is Azul. He's a collector of gadgets and gizmos aplenty - anyway. Strolls through antique marts, coin collecting showcases, and other marketing events will undoubtably train the eye over time. No scammer will ever shmooze ya out of house and home. Sorry Sam.

Habits He Steals:

Jacket (Developed): Mermen run cold. The uniform blazer Azul dons is more-so just for show than anything. Clothes are overall a novel concept, since most in the coral sea dress minimalistic (or not at all). The lounge runs quite chilly as well. Not enough to deter customers, but the perfect temperature to get uncomfortable after a few hours. Now Azul has many jealous bones in his body, and would rather drop dead than see one of the leech twins loan out their blazer so you can nap in the back room (they're doing it on purpose). Azul often offers his coat out to you the moment you walk inside - so often, that all the part-time workers know if you're on lot if he's walking without it.

"I need my jacket back, please. Why? N-no particular reason. Do I need an excuse to wear my own clothes?" <- Ruggie - Mostro Lounge's most reliable and simultaneously difficult part timer, mind you - was the first to pick up the correlation. If the VIP lounge was shut, and Azul was out doing quality rounds? It meant you were in the back, and he was in a better mood. The perfect time to sneak a platter unnoticed. Azul must take precautions.

Snitches Get Stitches (Developed): ONE perk of living with ghosts. Honey you get ALL the tea on campus. You just need to butter them up with a game of pranks and it’s ripe for the taking. Now, who do you think is going to make full use of this? Azul. They won’t give it to him directly because it’s more fun to make him frustrated. Which means he has to go through you. *Which means* he gets very crafty in buttering you up for details.

Midnight Hour (Developed): This mainly applies to his adult years. Wherever he goes - business or otherwise - you come with more often than not. As a youth his dealings were important - yes. Yet he was still getting his swimming legs in business and his primary demographic was students. Contrary to his pride, Azul wasn't someone important. Someone actually worth targeting like the Briar Prince. The real world is much more risky. You can help with negotiations and running facilities. You might 'think' he is tossing you into the end zone with all his ambitions...but no. Any dealings with high-stake confrontations are handled only after midnight.

"Two-o-clock in the am hours. That is the latest I can offer - well, it seems we've reached an impasse. This deal clearly is not worth my effort, if such 'accommodations' are beyond your capabilities. Allow one of my partners to escort you off the premises." <- Let's make one thing clear. No contract is ever worth putting you at risk. One twin (usually Jade) will remain at his side, the other (Floyd...because he's honestly not the best for negotiations. More guard dog material, and has fun hanging out with you) back with at the house/hotel. Azul doesn't trust 'anyone', and the Leech family is obviously in business with him. He takes no chances, screw probability, and can't kill the inner control-nerd in him. He's never out past three-am and would rather you feel a bit left out then dead somewhere in the Stillwater.

Land Legs (Developed): Considering he will be on land more for the foreseeable future, Azul puts more effort to building his land legs. Not that he wasn't trying before, but there wasn't any guarantee that he'd be working the land beyond NRC. So with the reassurance that 'something' (someone) will require his attention on shore, he decides to invest the effort. Azul will not get on one of those flying deathtraps past academy years though. He's getting a license and pulling up in a new Bugatti.

Pictures (Inherited): Much to Azul's chagrin, you love photos. Maybe it's because you have little to recall from your own world. Maybe it's because you're in the photography club. Maybe it's because you love his misery - but you are always taking photos. At first he insisted that you never get him in the frame. He hates them. Still does, do not misunderstand...and the idea of someone having so many with him included eats him up. Yet his insistent denials do lessen, and he tolerates them. You cannot post them anywhere. Yet...he will only 'mildly' grimace when looking at them around your house. Only because who the heck is coming over that he hasn't approved of?

"This picture? Ah...that is my dear pearl. They are breathtaking, are they not? I truly am the most fortunate man alive. Ah. My apologies, let's return to discussing the contract terms. May I see your completed punch-card?" <- And because you're in them too. As a youth, he kept your photo on his desk in the lounge. Sometimes a client would ask about you, and he'd lapse for a moment before folding the frame down and out of their view. He'd tuck it away whenever you came around, but would talk to it when alone. About his day, his work, whatever first year came crying because Floyd used them as a dart board - and dare I say that he'd keep a family photo in your later years together. Azul hates pictures of himself, but not as much as he loves ones of you. Look at him. Big softie.

—

"Of course. I have remarkable potential as an instructor, do I not? Is it not a great fortune to have me as one's partner? Take this as a lesson that your boss can influence even the most lost souls." == Azul shows no reservation. The moment he caught two part-timers gossiping about your 'conversion' to the 'dark side'. Why, he was positively beaming. His grin wide with a touch of something sinister. Gossip is fine, but they should know better than to do so in his den. Anything noteworthy would undoubtably reach his ears with time, but oh was it a joy to watch them squirm. Honestly. They're fortunate that he's in such a good mood - what was intended to be slandering has just made his day. They're still getting put on shift with Floyd though. He's merciful, yet no martyr.

Habits you steal:

Foraging (Inherited): You are always looking around for plants to propagandize. It's like stealing but not - because Crowley doesn't have any 'rules' about it so...heh. Free food. Jade's a living encyclopedia when it comes to botany and agriculture. He's the whole reason you've got a mini apothecary going in the kitchen and that instant-noodle stash got amped up in flavor. What? you ever add some fresh mushrooms and green onions to that instant chicken yakisoba? Mwah. The mountain lover's club needs to look out, 'cause the Ramshackle Prefect is about to bleed campus dry for every last specimen.

Yapping (Developed): Spinning off the above 'route'. Many people think Floyd's the talkative twin. Nah. This motherf*cker does NOT shut up. He treats you like his second conscience, asking questions he doesn't expect to be answered and giving commentary like your own personal narrator. Who needs thoughts when he literally says everything before you can think it? Floyd salutes you - 'cause finally. Finally, it isn't him subjected to Jade's inner spiels. Sorry Shrimpy, you are a sacrifice he's willing to make. If you ever break up or fight with Jade - Floyd's going to hunt you down - he can never go back. Never.

On a side note, you're an excellent listener now.

Tea (Inherited): Do you hate tea? No you don't. Not Jade's tea. There isn't much to comment on here, other than you will develop a taste for his Atlantic Twice-Seeped Water-Lily brew. You'll be craving it every night if ever sent back to our world (as if that'll happen). Mixed with honey from the Afterglow Savannah and served in a baby-blue ceramic cup that has a shimmer handle. That's your mug, by the way. He has other brews...some improvised and caution is indeed extended. They're tasty for the most part though.

“Ah, just smell that aroma. I developed this blend made just for you, my dear. I’m not one to seek out sweet floral notes for my tea, yet this flavor is an acquired taste that pulls you in for more. I finish the cup without realizing each time” -> Jade can be sweet himself, when he wants to be.

Wearing gloves (Developed): Jade makes you touch weird shit. All the time. Unprompted. He also makes you eat weird shit, but more often than not you can escape by shoveling his experiments onto someone he can get a more interesting reaction out of. Classically condition him not to feed you the weird shit by being unresponsive - off topic. Point is that with his obscene collection of terrariums? Plus being pulled along for foraging quests? You will be touching unknown and possibly poisonous plants, bugs, dirt, maybe some aquatic creatures like toads and fish. For all that is good, keep a pack of rubber gloves in your schoolbag. Keep a pair of insulated leather gloves in your breast pocket at all times too. Hand Sanitizer as well. Who knows when you’ll be elbow deep in murky water riddled with mysterious rainbow moss. What makes it rainbow? You don’t know and Jade won’t say. He does quip that it changes colors with emotions. Screw Twisted Wonderland and it’s freakish botany.

“Oh my, would you look at that vibrant shade of purple. Why are you so frightened? These are meant to be happy ‘bonding’ times for us as a couple, isn’t that what you said? Fufu - oh. Hurry up and put it in this jar. You’ll ruin the sample at this pace,” <- In truth, Jade saw red blooming at the edges of the moss and called quits before your nerves turned to anger. Fear? Amusing. Especially since you have more harmful ‘house plants’ growing on the mantle back at your dorm. Curtesy of Jade himself, of course. Azul doesn’t let him store his more precarious collection in Octavinelle and what you don’t know won’t hurt you. Yet he won’t push the jokes too far, since so few ever come out foraging with him. No no. He needs you to continue as a willing participant. Don’t get angry at him just yet, there are still so many places to explore and the day is young!

Doppelgänger Paranoia (Developed): The Leech twins tried to pull that shit where they swapped places for a day. Therefore you are now freakishly paranoid of Floyd trying to take Jade’s place to pull a prank. It is no help that Floyd is insanely good at mimicking his brother and vice versa. Sure, you could make a keyword or ask Jade to wear something special as a give away. Mark him. Maybe make an excuse of it being a thing human couples do and stick a pin on his lapel. Yet there isn’t a guarantee that he won’t just let Floyd in on it to see what happens. He’s a jerk like that, but your jerk nonetheless.

“Your caution is entertaining, and I do find all this extra attention flattering. Yet there are more taxing worries to mull over, wouldn’t you agree? Surely I’ve earned enough trust to circumvent any doubts in that mind of yours?” -> Do you know that the twin-swap was just a one time trick? Probably not. Doing it again would be boring with no novel results, but Jade does love watching you squirm with suspicion. He’ll offer an assurance eventually, and it will be your call to believe him or not. Until then? He has no problem being under your watchful eye. It’s quite cute, after all.

Habits he steals:

Grammar Control (Developed): Purely to piss you off. Coming from another world - your dialect isn't exactly the same as everyone in Twisted Wonderland. There are region specific languages, and then there is the common tongue. For simplicities sake, let's just say that everyone in TWST can speak common tongue and transferring over gave you this ability. Except (like Epel) you carry a heavy accent - and Jade loves to play grammar police. Your irritation never ceases to amuse him. That's right. He's the train kid from the 'Polar Express'. Just less nasal.

“Let’s try to capture that illusive letter ‘R’, shall we? You don’t want to give onlookers any more ammunition as a respectable prefect.”-> Says the only person using this as ammunition, except for Ace when he gets really snappy and Riddle’s mild cringe when your accent butchers a toast at the Unbirthday party. At this point you’re hearing ‘red leather, yellow leather’ and ‘mark went on a lark after dark’ in your sleep.

Routes (Developed): Another one with the need to have a bit of control. Just a bit. Get ready to roll out of bed at the ass-crack of dawn, because he will be there at five-am sharp to haul you back to Octavinelle (or on a hike. Saturday's only). Isn't it a human custom to stick close to your partner? He's just making sure you're cared for. Which is why you exist attached to his hip most days

Symbiosis 1 (Developed): Only a mild-note for Jade. His brother, noted below, takes this concept more to heart. Jade uses it as an enhancing factor to an already “well-rounded” relationship. The law of the sea dictates that those stronger will enter a ‘pact’ with weaker creatures - protection in exchange for care. You are not in need of protection with that frosh posse and stubborn head of yours. Jade mostly uses this ‘symbiotic relationship’ as a way to get you to do things for him, and to talk down your impulsive behaviors from time to time. Aka you won’t create excessive trouble if it means he feels ‘bound’ to go with (as if he wouldn’t be overjoyed to get in some chaos)

Observation (Developed?): Jade...knows everything about you. It's infuriating (to you, not him), but you are still a potential client regardless of his personal interest. Hobbies, tastes, your worst and best subject, weaknesses -all categorized. Azul and his business come first. Yet you're the only student on campus that has a 'doctored' file. Why?

“I never realized you are adverse to crowds. Yet you handle navigating Night Raven with no difficulties? Is this a mere preference, or would you prefer to find somewhere quiet while I accompany the others? What do you need?” -> (During Playful Land Event) He can't get the finer details without asking questions. There is no source for information about your world or your person other than your word of mouth. His unique magic would be easy - but it's just one question. One, and you might be too resilient for a response. Where's the fun? What makes this a habit is that Jade's keen eye becomes sharper.

Ramshackle (Developed): Bro just moved in. I’m serious. He got permission by pulling a favor. Azul doesn’t let him keep the more precarious plants in Octavinelle, so Jade has overtaken the kitchen with potted flora and fungi. Floyd is enthusiastic that he doesn't have to share a room - what? Twins don't always stick together. Those two probably fight more than they get along. Plus with Jade at Ramshackle it's an excuse to go see what's up with Shrimpy and maybe play with torture the little freshies you hang around with. It’s chapter three but you aren't booted out and have to deal with both Leeches every day. Seven preserve you.

—

“I let my excitement get the better of me for a moment…please, continue as if I am not here. My apologies.” == How rare for Jade’s mask to slip in front of his underclassmen. He was able to brush it off - giving a fib about his clubs upcoming excursion (not entirely untrue. He is excited to go for a hike with you this weekend). Yet the normally dull gossip of his dorm-mates was too much to bare. Not because your changes are becoming more pronounced, but because these little fish are foolish enough to think it’s making him soft. Enough to gossip so blatantly in his earshot? Gods, they make his job much too easy.

Habits you steal:

Leering (Inherited): Floyd...oh dear. He has this habit of staring holes into the back of your head. Anyone's head, really. His presence is intimidating, and it's hard not to pick up what’s going on in his head. There's a catch to this though. You only leer at other people when he isn't around. Too busy with the man in question to bother 'people-watching' (unless you're actually pissed). Riddle is constantly on edge now because he has TWO people giving him the heebee-jeebies. Prefect, it was bad enough you were taking influence from ADeuce. Now the Leech brothers? Well, he'd still take you over Floyd any day. At least you won't try to act on that unsettling aura...yet.

“Somethin’ on my face?…why’re you staring at me like that? Unless you want my attention? Hehe, ya shoulda just said so!” <- Floyd can do it to you, but you can’t to him. Not unless you want to be suplexed and squished tightly for hours on end.

Impulse actions (Inherited): Chaotic energy anyone? Floyd needs a partner who is one of two things - can kick his ass on occasion so he'll play nice, or who will match his freak. Since matching the strength of a Moray Eel isn't something most humans can do? Well, maybe a bitch slap here or there but be aware he is letting it happen. Just know. Better be playful too, not no actual challenge. Point being- you need to match his freak. No buzz-kills.

“Ne Ne~ Yanno, I’ve never seen those super fancy fireworks you land people like to set off. Wanna go get some and rig the - eh? You already got them?….Hahaha Shrimpy’s getting gutsy. I’m so happy” -> His eyes are practically glowing with anticipation. You’re now Azul's third headache 1000%, someone get that man an Asprin.

Snacks (Developed): Floyd can EAT. The only one with a stronger appetite is Jade, but he has a better control over his hunger. While their bodies changed to look human, their appetites did not decrease. Going with ‘symbiosis,’ Floyd gets a bit needy and talks like you’re his internal clock. Jade’s the yapper but Floyd just expects you to know what he needs. So you will always be carrying a selection of snacks (Grim gets in on this) in your bag/purse. Also fidget toys. Not for eating, but to give him when you’re stuck anywhere particularly boring. Props if you can somehow get a two-in-one with the twisted wonderland equivalent of those Air Heads Pull-Aparts.

Lullaby and Goodnight (Developed) : Instant calming effect. Merfolk are very particular with music and are sensitive to vocals. Floyd in particular is super picky. You could be the worst singer on the planet (Floyd will give you half-assed lip for it if you are, in all fairness) but the easiest way to calm him down is with music. It’s cringey and unrealistic to us land-folk but there’s plenty of singing in Atlantica. So humming a soft lullaby for him while sitting together won’t earn any looks in Octavinelle. Unless you sound awful, to which he will punt anyone that speaks out. Not that they would, since a calm Floyd is a godsend no matter the means achieved.

“Did I say you could listen in, hah? Sounds to me like someone’s in the mood for ‘my’ kinda song….don’t move, Shrimpy. This’ll be quick.” <- Good or bad - doesn’t matter. Getting to hear you is Floyd’s privilege. He’s a bit possessive of it, to be frank. So if someone butts in when he’s in the middle of calming down, Floyd’s going to be pissed to the max.

The Little Mermaid (Inherited): Drags you down to the sea at every opportunity. Don’t fight him, just guzzle the vomit-inducing potion and get a move on. Floyd doesn’t care how much a mer-transfiguration potion costs, Azul can take care of it. Floyd hates being restrained to dry land, and hey. He’s up here, so it’s only fair you go down into the sea trenches too. Don’t worry, he won’t take you anywhere too dangerous. He’ll even teach you how to get your sea legs - fish legs? Look. He teaches you how to swim in your mer-form, which he is severely disappointed does not resemble a shrimp.

Habits he steals:

Phone Privileges (Developed) : Floyd’s cellphone is normally in DND mode at all times. The only exceptions are Azul and his Momma - Jade was one too up until they came to dry land. There’s only so many mushroom photos and long voicemails about random crap that Floyd can take. Oh - and you’re an exception now. He saves all your voicemails - some for callbacks to win arguments and others to play when he’s about to sleep. You just better be careful when you call him and what for, also always pick up if he calls you. Otherwise there’s going to be one angry eel lurking by your bedroom window. With ‘first-contact’ privileges, all the unflattering candid pics he has of you are just a click away from being shared if he feels like it (teases but wouldn’t do it. Well, unless you really are ignoring him. Be warned)

Using F*cking Doors(Inherited) : Yes. Yes, you read that right. Floyd loves to parkour across campus. The amount of times he’s snuck into Ramshackle through that tiny circle window in the attic is frustrating. You’re seriously considering bolting the thing shut if it keeps him off the roof and on the ground. Y’know, for someone who can’t fly a broom? He sure has no problem climbing brick walls with his bare hands like some kinda cockroach. A Leech cockroach. Jamil’s worst nightmare good god. After the sixth-or-so heart attack, Floyd’s not allowed anywhere near Ramshackle if it’s not through the front door. The ghosts have strict instructions to punt him…to which he took as a challenge (because of course he did). Until a window was smashed, and you sent hellfire down upon him.

“I said it was an’ accident! What more do you want from me, huh? It’s your fault anyway for sicking those ghost fish on me - Urk…fiiine. I’m sorry or whatever” <- Always will back down the moment you come across as genuinely pissed. Usually with a grunt and hiss under his breath, kicking his foot before stalking off to cool down for a bit. Always fixes whatever he broke or tries to make amends once his mood is less sour.

Symbiosis II (Developed): Paired with the above 'match his freak' and second rendition of Jade's. Except Floyd is 100% serious. Floyd's going to do right by you, but you've got to do right by him. People are going to wonder why the small-pint prefect is sitting here covering one of bro's shifts (they feared for your life when you basically told him to 'fuck off', knowing he was angry after getting scolded by Azul) but that's how it is. Floyd's symbiosis is different than Jade's. He's more impulsive, yet also more predictable with what he needs. The definition of "no one can tell me to do shit except my spouse" 'cause symbiosis is a mutual respect and trade. No one can pick on you except for him. No one can help you the way he does. He is not going anywhere. Ever. Bonded for life - that kind of ‘sappy shit’.

"I already said I don't wanna... ughhh, babysitting those frosh fishies is so booooring. Can't we just ask Azul to lock 'em in a tank or somethin'?.... ALRIGHT, Little Shrimpy. I get it already so stop yammering in my ear...." <- Floyd's the softer brother, if you can believe that. Acts of service are what get him and he thrives on being needed. So you'll be doing it a lot to earn that compliance from him. Be the iron fist that gets him to back down, and simultaneously the one slipping him a few party poppers to set off at one of Heartslabyul's tea-parties as a reward.

The ✨Fashion✨ (Developed) : Surface-world fashion is one of Floyd’s special interests. Oddly enough? You’re a perfectly-sized dress up doll. It’s cute how large his shoes are in comparison to your feet. Hah! You look like a clown clobbering around in those things. He 100% gives you a pair of light up sneakers that sparkle when you walk - makes it easier to find you in crowds. Not that he needs to. Mostly it’s just for fun. He’ll even get a matching pair so you don’t feel zeroed out.

VIP Menu (Developed) : Floyd has a ‘secret’ menu over at the Mostro Lounge. He’s the head cook, don’t ya know? Makes real tasty dishes. C’mon, praise him. He’ll add a few dishes just for you since you’re so picky - that’s a bad trait to have for a broke Shrimp by the way. Good thing he’s around to make sure you’re eating.

“Oi! I told ya that was for you. If the lil’ seal’s hungry he can get somethin’ off the menu on his own…unless he’s lookin’ for a squeeze?” <- One major gripe Floyd has with Grim is how he’s always mooching off your plate. It’s fine if Azul’s picky with his food, cause that’s Azul. You’re different ‘cause in Floyd’s mind responsible for you. Again. He takes the symbiosis thing more seriously than Jade, and will poke your cheek relentlessly and comment if it’s lost it’s squish. He always serves you something to eat, even if you don’t order. Doesn’t let anyone else prepare it either.

Protective (Developed) : At the risk of sounding like a broken record, Floyd is very attentive. He’s clingy as hell and always looking for an excuse to have a good tussle - you’re his favorite person to screw with. Yet only himself, Azul, and Jade get the green card to look at you with anything other than respect. Cause he knows they don’t mean it - and even your little freshman buddies don’t get a pass. Maybe the seal since Floyd could squish Grim like a grape and he knows it. Leona’s almost gotten many challenges for the whole ‘herbivore’ thing.

—

“ ‘s nice, right? What’s better than one of me? Two, hah! Jade might have my face but now Shrimpy’s got my personality” == Finds the situation funny for like, an hour? Maybe two? Doesn’t matter because ‘Shrimpy is Shrimpy’ - plain as that, really. He gets more joy out of teasing people when they find out you’re with him. As if Floyd gives two sh*ts what other people think? Nah.

[notjustjavierpena]

Applied Physics pt. i

Main Masterpost | Support a disabled creator

A/N: Long awaited smutty piece with a planned sequel. I hope you enjoy, ya filthy animal 💅🎀💖

Summary: It’s the 60s, you’re three weeks behind on a deadline, and your professor, Doctor Reed Richards, makes you face the consequences. 

Pairing: Reed Richards x f!reader/you (no y/n)

Tags: College student/teacher relationship, science talk, Reed has powers, dub con, spanking, dom/sub dynamics, implied dacryphilia, dirty talking, sub drop, aftercare, stern Reed 🥵

Word count: 5.7k

Link to this work on AO3: https://archiveofourown.org/works/62948440/chapters/161199763

Applied Physics

Dr. Reed N. Richards always wears a tweed jacket with elbow patches that show off his broad shoulders and give him an irresistible swagger. He teaches physics at your college part-time - when he is not out saving the world - and he is equally terrifying as he is warm, a combination of traits that you have learned can actually coexist but only after meeting him. 

You have been wanting him since he walked into the classroom that morning many months ago, carrying a black leather binder seemingly filled with little to nothing since everything appears to be stored in his brain. 

He has standards, you find, and traditional ways of doing things that somehow emphasize his love for the delicacy of science. For instance, he only grades papers with a fountain pen and therefore expects every assignment to be handwritten instead of done on a typewriter which is tedious and difficult for those who don’t possess a steady hand. The scary part of him comes out when he says he simply won’t grade the papers that aren’t turned in as he wants them to be. The warm part shows itself when he later makes a self-deprecating joke about knocking over whiskey during his grading. 

The idea of the paper smelling like his cologne or even, if you are lucky, has a stain of his favorite liquor, makes you hand in each assignment whilst the ink is still drying on the paper. Perhaps you will be the first one to receive notes and feedback from him if you turn in your work before its deadline.

You imagine him hunched over a desk, pen barely able to fit in his rough hand. He wears something casual, maybe even has taken off that jacket, scratching his beard and sipping his drink whilst smiling to himself as he reads words that come from your mind. Your mind makes him smile to himself, makes him single you out from the rest of your class because you are special and he knows this. It’s the image you imagine the first time you come whilst thinking about him, shower head between your thighs and legs against the tiled wall in the shared bathroom at the boarding house you reside in. 

When you do finally get your first essay back from him, you read all the comments in the margins during your lunch. You lick a drop of juice from an apple away from your lower lip as your eyes skim over a scribbled good or well done, trying to find an excuse to read more into the way he looks at you when you talk during class. You made him laugh once, that must mean something, right? He clearly has your sense of humor, the same ways of applying theory and reasoning. 

You know that it is hardly rational what you are doing, projecting all these things onto him when, in reality, you only know of him what you have seen during his lectures and office hours. Yet you have found yourself noticing the way he smiles faintly when you correct one of your fellow students during group work, and it has spurred you on to become even more insufferable to your classmates only to get his attention. His approval too, if you are lucky. 

Yet despite all this, here you are with an assignment running three weeks late, your procrastination having reached its limits and your excuses to your professor wearing thin. It’s a challenging state to be in when you’re so used to ranking your popularity with Dr. Richards higher than everyone else on this course. Sure, his attention is nice when it is rooted in praise but you don’t know if the kind that will follow this lecture, the deadline you’d agreed upon for your paper being yesterday, is the kind that will satisfy something in you like the small smiles have. 

You keep bouncing your leg beneath your desk as you wait for Dr. Richards to enter the lecture hall with that cool aura about him and let the fast-paced lecture begin. If anyone sees you, they will recognize it as an itching to suck up to him once more but in reality, it is the first time you’ve been in the room with a nervous tic. 

“Good afternoon, everyone,” he greets as he finally arrives and you find yourself jolting with nerves at the fact that he is finally here and inevitable doom is just around the corner. It doesn’t make it better that his brown eyes sweep over the crowd in a hurry until he spots you, his gaze full of concentration until he gains eye contact with you for less than a second. You sit up straighter at the way he measures you and the subconscious movement of your leg stills completely. Frustratingly, the man keeps talking as if nothing happened. 

After several attempts to regain your composure, you realize that you have completely missed his introduction to today’s lecture and while trying to ignore the thrill that is simmering beneath your anxiety, you scramble to start taking notes. It’s not to show him that you can go back to being his favorite student but rather a necessity to keep yourself from being three weeks further behind.

You power through the lecture even with your fuzzy mind, scribbling things down and making sure to appreciate the privilege it is to be taught by one of the greatest minds to ever live. This is even if he, multiple times, falls into the usual pattern of diving headfirst into multi-layered explanations of different phenomena and concepts, droning on as if none of you and the rest of your classmates exist to him anymore. 

You pretend to keep up when he does this but even you must admit that he loses you. However, you know for a fact that it is not out of disinterest that you stop listening but rather your mind focusing on something else when his words become too difficult to follow. Instead, you end up mapping out the length of his gorgeous neck, the beauty spot where his collar ends. It is enough to leave your mouth dry, but not enough to drag your mind off the scolding you’ll get soon.

When the lecture comes to an end, you have psyched yourself enough to stupidly get up and try to follow the rest of the students out. They trickle out hurriedly though and you find yourself at the back of the school of people heading for the door. 

“Hold it right there,” Reed’s voice travels through the room and hits you right in the back, making you falter in your step. Your last name rolls off his tongue with the same kind of confidence and composure that you’d tried to conjure up just an hour ago. 

“Sir, I was just—“ you rest your hand on the doorknob to signal that you are leaving but you know already that you have lost the fight to exit the room. 

You hear it before you see it; the faint and strange rustling of fabric as something wooshes closer. Suddenly, your teacher’s stretched-out arm moves past you like you have seen it do on television and then his hand attached to said arm splays flat on the door. He closes it with a soft click while you hold your breath. 

Slowly, it retracts back to normal and you follow it with your eyes by glancing over your shoulder. Time stands still for a moment at the sight because while Reed Richards has stretched his body multiple times in the past, without much thought behind it and much to his students' shock, he never puts anyone in the position to experience it firsthand. 

“Sir, I—“

“Come here,” he says quietly. 

You grab the strap of your bag tightly and make your way to the desk where he sits. You decide to beat him to his reprimand, talking even if your voice shakes at his disapproving stare, “I’m sorry I missed this week’s deadline.”

“This week? Try the last three,” he calmly corrects you, “You have done your research on force, impact, and energy transfer in non-elastic collisions, have you not?”

“Yes, of course.”

“And you’ve still not turned anything in? Why?”

“I've been overwhelmed with coursework and–” You trail off when he raises a brow. He is still sitting down but even so, you feel like you are shrinking underneath his authority. You find it hard to believe that anything out your mouth right now will be taken seriously when you have let him down three times already but you try to reassure him anyway, “It won’t happen again, I promise,”

“No, it won’t,” he agrees as he pushes himself to stand. He drags the chair away from the table as if he thinks it is in his way, “You’re brighter than most, so I don’t believe I need to remind you what happens if you keep slacking.”

“No, sir, I’m aware.”

“I mean, we’ve already moved way past force dynamics and energy exchange on this year’s curriculum, so you’re wasting my time,” he goes on with an annoyed sigh that tells you he has better things to do, “What am I supposed to do with you?”

“I don’t know, sir,” you stare at the flooring.

“Come closer,” he orders calmly. He lets his gaze flick down to your hand clutching your bag of books, “Take out your book on core concepts.”

You follow his eyes and pull out the right book before gently letting the strap of your bag slide off your shoulder until the bag hits the floor with a soft thud. Something tells you that you’re not leaving anytime soon.

“Place it on the desk and find the pages on Newton’s Laws,” he continues and your heart slams against your ribs at the thought of an impromptu pop quiz instead of a handed-in paper. Yes, you know these pages but in the presence of him, you’re not so sure. 

Behind you, Reed has shrugged off his jacket while you were flipping through the book. He folds it neatly and hangs it over the back of the chair he was displeased with a moment ago, making sure not to crease the fabric. Then he reaches for the sleeves of the white shirt that he is wearing and rolls them up to his elbows, revealing the slightly visible veins of his forearms. Your head swims and you subtly press your thighs together, images of what you’d like him to do to you flooding your mind.

“Bend over,” he says suddenly, murmuring it almost as if he knows he shouldn’t have said it. 

Your eyes widen and you glance in the door’s direction. There are so many people on the outside of this room right now but the chances of someone walking in are slim since lectures are rarely started at this hour of the afternoon, “I don’t understand?”

“You don’t have to understand anything. I want you to put your palms on either side of the book and bend over,” he elaborates and clearly notices your hesitation, the direction of your eyes. His arm stretches out in front of you again, snaking its way past the rows of chairs until it reaches the door once more. He locks it, the soft click of it mixing with your unsteady breathing, and then he pulls down the curtain in the window at the top. 

When the arm smoothly retracts once more, you naturally think it will stop at his side but instead, you feel his palm on the back of your neck. His other hand joins to lay on the small of your back and then he pushes down gently to maneuver you into the position that he wants. 

You exhale shakily as you place your hands on the desk, feeling the smooth wood underneath your fingertips as a way to ground yourself in a moment so electric. Your body is way ahead of you, reacting to the anticipation of his next move by making a dull ache settle right between your legs. Your clit throbs, your walls flutter. 

“Your paper was supposed to use Newton’s Laws as a foundation, let me make sure you know them properly,” Reed says simply while removing his hand from your lower back. His other hand, the one on the back of your neck, slips down your spine to take the previous one’s spot, leaving fire in its wake, “Recite them.”

You swallow thickly, “Newton’s First Law states that a body at rest—”

Smack. 

A loud gasp leaves you at the surprise of Reed’s free hand coming down on your backside, heat spreading out underneath the fabric of your skirt where it has struck you. Your head whips around to stare at him in disbelief at what he has just done, your mouth hanging open in shock.

“Eyes on the book,” he commands sternly, curling his fingers slightly into the hem of your shirt, “Go on. Newton’s First Law.”

You count three whole breaths before you will yourself to face forward again, looking down at the text in front of you and trying to regain your ability to read. You swallow the lump in your throat, the letters jumbled on the page, “Uhh…”

“Concentrate,” he adds and gives you another blow, one that makes you jolt forward on the desk and send the book almost over the edge. You frantically reach for it, noticing the way your heart leaps into your throat when you consider what would have happened if it had fallen off. 

You drag the book back down and try to act cool but your voice tells on you as you start to read out loud, “A-a body at rest stays at rest, and a body in motion stays in motion—”

He spanks you again and elicits another gasp but you seem to have expected it since you don’t go flying forward. This is even if his palm leaves behind a much more painful sting this time and makes your toes curl in your shoes. 

“Until…” He sounds impatient. 

You act immediately like a dog who is learning about action and consequences, “Until acted upon by an external force.”

“Good girl,” he praises and you don’t know why the softness of his voice makes you tear up. His broad palm traces over the spot that is warming up already and you make a show out of sighing with content. 

However, the soothing touch is short-lived and you start struggling just slightly as Reed’s hand descends until he can grab the hem of your pencil skirt and roughly tug it up. He settles it just above the plumpness of your ass, swatting you to make you focus and stop squirming. 

“I’m not going to fuck you so stop moving around,” he scolds and surprises you with yet another smack. It feels different now that each slap is skin-on-skin contact, sounds different too as the noise echoes through the empty lecture hall. You whine in slight disappointment, even if you have inappropriately imagined his cock in you during circumstances so different so many times. 

“Second Law,” he murmurs, occupied briefly by the bruise forming on your cheek and scraping his nails across it. 

“W-what?” You let out a whimper, your thighs pressing together to soothe your pulsing clit. In theory, you know what he has said but it just isn’t registering since your mind is occupied by you knowing exactly what you will be doing back home if he won’t touch you. In fact, a thrill goes through you at the thought of another blow to recall in your bed with your hand stuffed into your underwear.

“Newton’s Second Law,” he repeats with a smaller swat following. You suck in a breath to calm yourself. 

“Newton’s Second Law states that the net force on an object is equal to its mass times its acceleration,” you say somewhat confidently, a sense of calm settling over you as you finally feel like you are getting a handle on the situation. 

“Apply it to the situation you’re in right now,” he tests you. You feel your face grow hot and hesitation seizes you for a second. It takes a moment too long for him and a much sharper smack lands right on the jiggliest part of your ass, the sharpness of the pain making you moan for the first time and the noise of the blow bouncing off the walls. You almost even swear in your professor’s presence, and you would have if it weren’t for the way tears in your eyes take off the edge.

“You’ll get one more if you don’t open your mouth soon,” he adds. You’re just about to speak, about to follow orders, when he takes a step closer and presses his cock into your hip. You freeze at the size of him, a sound that can only be described as pathetic leaving you. Reed huffs out a chuckle and smacks you once more albeit slightly less maliciously.

“Y–you’re applying a force to me. Your hand is the mass and the acceleration is essentially the swing of your arm. The shorter the time and the greater the velocity of the impact, the bigger the force I feel,” you try not to hiccup through the whole explanation but the words take a longer time to come to you and your backside is hypersensitive, warm, and sore. Your pulse rings in your ears too, and you swear you can almost taste the adrenaline in your mouth from how it is coursing through your body. It might just be salt from your tears though which you realize will simply give you an excuse as to why you stayed behind after class. If you really try, you might be able to conjure up an act of a student who got some terrible feedback.

“Still with me?” You hear him ask, feel him soothe your burning flesh. You wonder if his palm is imprinted on your cheek.

“Yes, sir,” you mumble with a sniffle, your palms sticking to the desk from how clammy they have become. 

“Speak up,” he corrects you and his palm leaves you long enough for you to start anticipating another strike. No hands on your body makes it harder to abstain from feeling his hard cock resting against your hip, the heaviness of it making you even wetter and oh God, aching to be filled.

“Yes, sir,” you enunciate without coming off as bratty. The next strike doesn’t come and relief washes over you, allowing you to relish in the cool air brushing your tingling and bruised skin.

“Last but not least. Newton’s Third Law?” 

“F-for every action, there is an equal and opposite reaction,” you say and rest your forehead on the book that has absorbed a few teardrops, He doesn't give you praise or a soothing touch. It bewilders you, makes you question if your scatterbrained state has accidentally made you say something that is wrong. You go quiet except for your rapid breathing as you go over your answer in your head but nothing comes to mi–

The sudden smack instantly makes you realize where you went wrong, landing across the exact spot that’s already stinging and causing you to hiss and whine through your teeth. Quickly, you scramble to relate Newton to what Reed is doing to you, “If… if you strike me, my body exerts a force back on your hand.”

“Mhm, good,” he hums while your head swims, “And I bet you’re feeling that force right now.”

“It hurts,” you whimper feebly and turn your head to the side. Yes, it’s the truth but your body can’t tell if it’s supposed to register this as pain or pleasure, the sensations overlapping intensely.

“That’s part of the lesson,” Reed’s hand returns in a gentle touch, his large palm settling carefully over the same spot he has just mercilessly spanked, “Why does it hurt?”

You wish he’d move his hand down between your legs and make you come when he realizes how soaked-through your panties are, “B-because when you spank me your hand transfers kinetic energy into my skin. The force and the friction cause heat to build. The tissues and blood vessels react, and it—”

“Gives you that glow. Precisely,” he finishes your sentence and curls his hand around your hip firmly. He sounds enthralled by his work, “And I respond with arousal, meaning it makes me so goddamn hard. Now, hold still. These last three are for the three missed deadlines.”

You know he means business when his finger slips underneath the waistband of your panties. He pulls them down just enough to settle them underneath the globes of your ass without exposing your needy cunt, the elastic of them digging slightly into sore skin. His other hand lifts and you brace yourself even if you know that any human can suffer through even uncontrollable pain if they know there’s an end to it. 

The first of three strikes lands right on the curve of your backside, harder than any of the several ones before it and making your entire body seize up. He isn’t playing around this time, your skin immediately blooming with newfound heat and fiery pain. It makes you moan out loud and squeeze your eyes shut until fireworks go off behind your eyelids.

“Count,” he says calmly. 

“O-one,” you manage to say in a voice that makes it sound like an apology instead. 

The second one makes it feel like there’s a clap of thunder going through your bones. You jolt forward on the desk enough to finally send the damn book flying off the edge to the floor. Reed tightens his grip on your hip to steady you, dragging you back to him again as if to remind you that despite everything he’s got you. 

“Two,” you say shakily, “I’m sorry, Professor Richards.”

He rubs the spot to soothe your burning flesh and by now, a part of you wants to crawl into his lap and be held. He coos softly at you and gently squeezes the roundness of your ass, making you bite down on your bottom lip and exhale a needy whine through your nose. 

“No need to bring me apologies,” he tells you, “We’ll see if you’ve learned your lesson. Last one.”

He lets you wait for the final smack, but when his hand lands on your skin, a sharp cry rips from your throat. Tears start flowing freely from your eyes now - even if you’re still not fully crying as emotions have not caught up with you yet - but it’s not solely from the pain, but also from the swirl of adrenaline and arousal that tightens below your belly button. You wonder if you should reach up to wipe your eyes but you can’t make yourself let go of the desk underneath you, clutching it in an iron grip because of how wobbly your legs are.

“Three,” you hiccup as Reed loosens his grip on you. You feel the ache of your behind with every heartbeat and want to sob now that it is over. You’re hyper-aware of what is happening in your body which is the adrenaline starting to crash, and the emotions, coming in like a wave, are just about to overwhelm you when—

“Sit up on the desk for me,” Reed says gently. 

“But the book,” you glance toward the textbook that you sent flying not long ago. It is a silly thing to cling onto but there’s an emotional wavering in your voice as you say it which Reed seems to catch onto. 

“Leave it,” he murmurs, an order but not like the previous ones, “Sit. I need to make sure you’re alright.”

The task seems impossible. You barely manage to push yourself fully upright, your shaking legs nearly not able to hold you up, and when you turn around to lift yourself onto the desk, you feel the edge dig into your sore behind in a way that forces a hiss out of you. A tear that you have no control over rolls slowly down your cheek.

“Easy,” Reed is beside you, catching onto your motive when you get ready to jump up onto the surface in a hurry due to his earlier lack of patience. He has previously had a hovering hand nearby but now, he grabs a hold of you to still you, “Do it carefully.”

When you’re finally perched on the desk, you’re not sure if the calming cool sensation of the wood beneath your thighs outweighs the pressure against your smarting skin. What you are sure of though is the storm of emotions inside your chest, a raging one made up of an overwhelming mix of new pain, embarrassment, and vulnerability, all of which makes your heart feel too big for your rib cage. 

“I’m okay,” you lie but you hear yourself and know it isn’t very convincing. He gives you a raised eyebrow. 

“Seems like you’re experiencing what is known as a drop. Come on, deep breaths,” he guides you gently when he spots the way your bottom lip wobbles, “If you have to cry, let it out. No one’s going to see you.”

From his words, you realize that your breathing has become unsteady and hitched in very little time. Your shoulders shake and your chest has a ball of unleashed feelings in it that nearly makes you feel sick. It unravels when the tears that you hoped would subside resurface at the permission to let them flow. You feel them brimming at the corners of your eyes. 

“I’m sorry, this is so embarrassing,” you say shakily when they finally spill over even if the tension in your torso slowly ebbs away as you let go. 

“You’re alright. Just breathe for me,” he says softly. He brings his hands to your thighs and rubs them in an attempt to soothe and ground you, “Slow and steady in through the nose and out the mouth. Right now, you don’t have to do anything but calm down, and then I can take a look at you.”

The room around you seems distant as you try to breathe more steadily but you’re lightheaded, feeling almost as if you’re wrapped in a woolen, fuzzy blanket that blocks everything out besides him. You aren’t sure if it is the adrenaline crash anymore or the way that your whole body is so tightly wound for pleasure that won’t come but you crave his touch, crave him taking care of you.

“You’re okay,” he says over and over, drowning out the static in your ears, “No more crying, sweet angel. I’d rather not see you leave here like this.”

The nickname makes you snap out of it. Angel? Did he just call you an angel? Your tears go on hold when you continuously blink up at him from your seat on the desk, pawing at his chest without knowing what to do with all your longing. He makes you feel all the things you have felt since you met him all at once now, a dizzying flurry of thoughts and feelings. 

“That’s better,” he smiles genuinely for the first time and you melt right then and there. He looks so damn handsome when he does it that you go ridiculously doe-eyed at the sight. 

“Thank you,” you mumble while playing with the buttons on his white shirt. The butterflies in your belly have nearly made the pulsing ache of your backside disappear. 

“Stand up,” he says and removes your hands from his chest which you probably make a much bigger deal out of than him, “I need to take a look at you.” 

You stand on wobbly legs. Slowly and carefully, he skims his fingers over the inflamed skin and notes out loud that it is warm. It’s not a soothing caress for the sake of tenderness, but rather a deliberate check-in to take note of how much damage he’s done. He works methodically, like a man who daily works with scientific research and experiments, going over each part of you while humming at his discoveries. 

“Right. Cool compress when you get home for the swelling, ten-fifteen minutes on and off. Frozen peas will do,” he instructs in the exact same tone as when he gives out science homework, “The skin is still intact but you’ll be sore if you don’t treat yourself with a little kindness. Lotion if it is too much to bear and loose clothing. Not a pencil skirt like this one, we clear?” 

You nod with the hint of a pout.

“And,” he adds and grabs lightly at your chin, his tone suddenly playful, “Try not to miss any more deadlines.”

It’s a joke, you realize, something to lighten the atmosphere in the lecture hall and you barely register it from the way his fingers hold your head in place. Despite your watery eyes and racing heartbeat, you huff out a little laugh.

“There we go,” he coos at the sound of your chuckle, “Not so gloomy anymore.”

With gentle hands, he reaches just below your hips to pull your underwear up over the curve of your ass again, careful not to let the waistband tug at the sensitive skin. He does the same with your skirt, tugging the hem down over your thighs until you look decent once more. 

Your lips part slightly as your eyes slide up to look at his face, feeling dumbstruck by his brown intelligent eyes and his aquiline nose straight out of the statues from Ancient Rome. You admire the column of his neck, the mentioned beauty mark just above his collar, and the dip that you want to kiss. 

After a moment, you realize that you have gone quiet and when you look back at his eyes, you are dizzyingly meeting his suddenly intense gaze. It is as if he has calculated that you are back with him, lingering with desire albeit still a little shaken by your tears. His eyes are burning into yours and you can feel the restraint behind them. It is as if you can sense the electricity in the air, the warmth that prickles in your cheeks, and the heat that radiates from him. 

Without a word, he reaches to tuck your shirt into your skirt until it hugs your figure tightly, a fashion choice different from how you had arrived in his classroom earlier. The dominance of styling your clothes as he prefers it makes you press your thighs together, the dull ache returning between your legs. 

“I’ve noticed, seen it all. That’s why I did it,” he says cryptically as he stuffs your shirt down at the back, fingertips brushing the dip of your spine until heat racks up it. 

“Noticed what?” You ask foolishly but had you stopped to think, you would have figured it out already. 

“All the energy you’ve put into getting me to notice you and getting my undivided attention. Congratulations, you’ve finally got it,” he clarifies and lets both his hands rest on the small of your back for the briefest of moments. When he lets go of you, you follow his touch by leaning in to close the distance with a kiss. 

He places a hand on your chest, holding you back just when you are pressing the ghost of a kiss to his lips. He has given you so much by now. Why not this? A ball of frustration settles in your chest and comes out as a little whine of impatience, “Why can’t we?”

He doesn’t pull away, simply speaks less than an inch from your face so you can feel his breath on your mouth, “Because you need to learn restraint, sweet angel. I can’t have you missing your deadlines three weeks in a row - or at all really - due to some little crush.”

You want to defend yourself, say that it has nothing to do with him but deep down, you know it would be a lie straight to his face. So instead, you swallow thickly, “I want you. I’ve wanted you since I saw you.”

“And you will have me,” he kisses you so softly that you want to sink to your knees, “Just not until I say so, and certainly not before you’ve been a good girl and turned in that paper.”

“Sir,” you try one last time.

“I’ll teach you to be patient, to have restraint,” he tells you and makes you realize your attempt was to no avail, “Whether you like it or not.”

You give in, buzzing with the need for more, “I can turn my paper in on Monday. Would that suffice?” 

“I’ll hold you to that, but no late nights and last-minute scrambling. If I find you’ve rushed through it…” he lets the sentence drift off, letting your imagination figure out the consequence, “And it best be your best work yet.”

“Yes, sir,” you reluctantly pull back when nothing seems to work, “Whatever you want.”

“Hand it to me during office hours before class,” he instructs to which you nod.

“But what now?” You ask with a tiny impatient noise, letting him know just how much you’ve got against his reluctance to touch you. 

His hand flexes by his side, “Now you go home. You lock your door and you touch that pretty thing between your thighs just how you like it most. I want you to come for me until you’re hoarse. Three times for three weeks but no more than that, not until we see each other again.”

It is Wednesday and you won’t see him until Monday. How on Earth are you going to survive on only three orgasms after this? Your mind races with protests but you don’t get to voice your concern about the limit he has set because he has already stepped back to pick up his jacket from his desk chair. 

You decide to circle the table to pick up your book and stuff it into your bag. Behind you, Reed’s eyes are definitely on you as you lean forward with a hand on the desk. He is fixing the cuffs of his sleeves and putting on his tweed jacket, trying to come off as if letting you have a private moment to compose yourself.

“Monday,” he reminds you when you stand upright again. His arm stretches out between the rows of chairs and tables once more so he can unlock the door for you. 

“Yes, sir,” you answer obediently. 

You swing your bag over your shoulder and then you leave.

.

.

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[doorp]

the third house is so silly its the fucking ‘I eat hot chip and lie but you’ll like it because my lies are sexy’ house. It’s the ‘every time I show up i am noticeably out of place in the narrative i find myself in because ive sucker punched my way into being relevant’ house. a fundamental trait of the third house is just believing that you’re the main character when you’re absolutely not. They’re a house of tragically genre and role confused characters. Even down to their literature, (Abella Trine, the heroine of palamedes’ terrible river bubble novel he’s stuck with) the third house always acts in a way that implies that they all think they’re the main character of a trashy novel. And its so funny because they succeed! 90 percent of the time in any story, the main character randomly appears in the narrative with no warning to any of the other characters, and out of nowhere begins to affect the plot in ways unthinkable to the supporting cast.

In tlt we as the readers get to see that dynamic from the *other perspective* corona and ianthe and naberius and valency and cyrus are NOT the main characters, but any time they appear theres this sense of bewilderment you get when you think about them for like 2 seconds. Like where the hell did you come from man?? By all accounts you should not be doing this well. Who ARE YOU. Who do you *think* you are??? Throughout Gideon the ninth, ianthe is just like fucking stalking everyone and ignoring the entire plot to skulk around who knows where, and the only times she gets a spotlight or opens her mouth, the vibes are deplorable! delightfully nasty! befuddling! Every 80 pages ianthe pops out of her hole for 2 pages to say something weirdly ominous or offensive, and you’re like. Okay weird nasty c plot character you’re pretty funky and I kinda forgot you were here. AND THEN. NINETY PERCENT OF THE WAY THROUGH THE BOOK. SHE COMES OUT OF NOWHERE TO GIVE A DRAMATIZED VILLAINOUS SPEECH ABOUT HOW SHE KILLED AND ATE A DUDE. AND SHE WASNT EVEN THE ONE DOING ALL THE OTHER MURDERS. This is a completely unrelated murder she has committed, for completely unrelated reasons. everyone should now realize that they underestimated her and rue the day they assumed lesser of her necromantic capabilities! She even admits she had a whole speech planned out thats going Not Well bc the guy she ate is trying to come back up.

Babs is tragically in the wrong genre, stretching his fabulous abs for no one who cares, i mean, he is a guy who- in any book not filled with toxic lesbian drama- would be a star player, but he’s not! He gets eaten and all anyone there who knew him had to say about it was “babs? Who even cares about babs!” In line with the thirds rule of tropious misplaced leads with main character syndrome, he is a trope that is subverted tragically in that he has everything that should set him up for success narratively, yet any time he is mentioned or does anything ever, he’s humiliated! all his lovers cheat on him, even when he wins a duel he gets shat on by everyone there bc his personality sucks, no one cares about his abs, he’s stuck in a toxic power dynamic with bad twin and worse twin, he gets fucking EATEN. Babs by all accounts would be the successful male lead but gets ZERO WINS over the course of the entire series. You’re confused about how and why this kind of character is in this kind of book, and it makes perfect sense that he does not do well! He has you thinking “what is this hetero romance lead doing in this book of ravenous lesbians. I hate him. I hope they eat him.” And then they DO. Hes not supposed to be in this book but he insists he is and it gets him killed.

Cyrus and Valency never actually appear in the story, yet still manage this bewildering insistence of their own importance. Who else but 2 people eternally convinced that they are the main characters would paint dozens of their own nudes and give them out at birthday parties? I rest my case.

Corona is the most subtle out of all of these, the confident, charismatic and beautiful leader is present in any book no matter the genre. So what makes corona out of place? What makes her the genre switcher? Her relative mundanity. Her supreme insistence of making everything she does a hot girl summer, no matter the horrors. In as yet unset she is notably *not* the main character, yet she is able to turn the whole of Judith’s attempt at a gritty torturous prisoner of war log into a messy and petty sapphic drama. In nona the ninth she uses this power to become a key figure amongst characters such as: 10,000 year old woman stuck in her dead best friends body, A girl so obsessed with her QPR that shes dying bc she lets his ghost take over her body several times a day, the resurrected soul of the planet earth stuck inside the body of a malnourished 19 year old girl, a commando rebel nepo baby with 2 machetes and a gas mask, a 14 year old girl named hot sauce who keeps a gun in her pants. This is not to say Corona isn’t an outlandish or weird character. She’s MESSED up. this is to say that she has no magical powers or outlandish talent, yet still manages to come out of the woodwork performing deeds entirely unexpected. At some point in nona the ninth she is literally the only perfectly mortal person in a room of powerful superhumans and demigods. it has you thinking HOW AND WHY DID YOU GET HERE. and the answer is that shes third. This is what the third does. When you’re challenging a fascist demigod to a duel, the third comes in, grabs your gun, and goes “IM GOING TO KILL MYSELF IF YOU DONT FIGHT RIGHT NOW!” And because the fascist demigod is her sister and also third, it works somehow.

Speaking of that particular fascist third demigod: even when pal is fighting her in her mindscape, shes not the main character. Ianthe literally builds an entire pocket dimension where she is the center of attention of a stage play, and PAL is the main character. The third fundamentally cannot be main characters, bc their whole thing is being so self possessed that they feel like characters that are EXTREMELY genre confused.

The funny thing is, i think ianthe is the only one of these who realizes shes fundamentally misunderstood the role shes meant to play. In harrow the ninth she acts the roguish bad boy love interest who is mean and angsty to the female lead. She’s soooooo cynical, so quirky, referencing many times different tropes from trashy romance novels shes read. She directly parallels john in the belief that she is the main character. Its not until she spends her time babysitting and covering for john that she realizes she isnt like him, or realizes theyre both not what she thinks they are. She sees gods pathetic wallowing and is like “fuck. He thinks he’s the main character. Hes a pathetic villain. I think im the main character. Im a pathetic villain!” her experiences in the time between the end of harrow the ninth and when she shows up in nona have caused her to realize shes a full hog villain. She goes from “heh.. im the ill ignored female lead that no one expected…” in Gideon the ninth, to “heh… im the cynical bad boy romancer that the priggish female lead needs….” In harrow the ninth, to her nona the ninth mindset of “LMAO IM THE NARCISSISTIC VILLAIN!i am the fascist white girl this galaxy needs. The emperor is having a midlife crisis orgy and i am the shadow government. I literally don’t care anymore the zombie apocalypse is upon us and im best friends with a corpse who won’t stop moping over her ex” Whatever fucked up shit has happened to ianthe in that gap of time has caused her to completely reevaluate her role in the story.

anyway i love the third house. i love their freaky gimmicks and infiltrating the narrative and warping it to their own agenda bc they’re fundamentally genre confused. I love how it fucks them over in the stupidest ways.

[sorryitsmyfirstdayonearth]

I don't know why I bite

(Dean Winchester x female reader)

Summary You and Dean can’t stop fighting, so Sam locks you in a room together, literally, to hash it out. CWs Violence. Rough sex. Everyone's pretty dysfunctional. General hurt. Biting. Dean + dog metaphors because it just makes sense. 18+. 6.9k words. AN I don't really know how I feel about posting long fics like this here - it seems a little awkward to read, but I'm gonna let y'all decide whether you like this format.

Dean Winchester masterlist ⏐ SPN masterlist

My friends think I like to fight, but it's just not true. Sometimes I lose my temper and blow off a little steam, but I've never enjoyed it.

I'm not a violent dog.

I don't know why I bite.

- Isle of Dogs

Dean Winchester is driving you crazy.

From the first moment you mouth off to him when you first meet you know you found a good sparring partner.

He’s quick, you’re quicker. You’re clever, he’s more clever. He grins at your teasing and you laugh at some of the jabs he gets in.

It works, because you’re both intensely aware of your own roles, your own pitfalls – you can’t hurt him by making fun of something that’s part of the character he’s created, because it’s not really him you’re making fun of. It’s the same the other way around.

You make fun of how much sex he has with strangers, because it’s part of his bad boy glamour, just another coping mechanism.

He makes fun of your excessive violence towards the less humanoid monsters you fight, because he knows you don’t actually enjoy it, that you do it to look tough in this boy’s club that is hunting, that your hands shake when you wash them later.

You make fun of his love for his car, but never of the fact that it’s one of the few kindnesses his father’s ever given him, because the first is fair game but the second would be like pushing a knife between his ribs.

He makes fun of how jumpy and irritable you are sometimes, but never of how often you wake up screaming, because one has been weaved as a silly trait into your personality and the other he knows too well himself.

How well you have to know each other, how intimate the understanding of that line you don’t cross is, is something neither of you is willing to look at. It’s like surgery, sometimes, how close you have to cut to the line, to give the other one that thrill of being known, of being seen, but never of being known too well, of being watched. That would go too far.

If Dean or you were able to take that, you wouldn’t need those intrinsic personas to shield you from everything that could be painful.

You’ve known each other for about a year when it takes a turn. It doesn’t happen on purpose and, looking back, it’s no one’s fault.

You’re attracted to Dean because, well, you have two eyes and a sex drive. You know he is attracted to you because he checks you out, which, well, Dean would probably check out a wall if it had a nice pair, but he does it with a look in his eyes that’s different, that’s not the mask he uses to bang waitresses and co-eds and unhappy wives, all non-descript shadow people passing through his life.

Potentially something could have come of it. Maybe, if one of you would have been lonely enough or horny enough, you could have let your personas, your life-long starring roles, play with each other. It probably would have been hot, but performative, both of you too busy to prove how much you don’t need to be there.

It doesn’t happen that way, though, because this happens:

Dean and you are hurt, which isn’t unusual. You can’t open your right eye so well and you hear a whistle every time you exhale. Dean’s got blood running down his face from a cut somewhere in his hair and the thing you were hunting speared him with a pen, a pen, because that’s what was in reach when Dean was standing over it, getting ready to beat its head in. It wanted to live, and you can’t think about that too much because if you do you think you’ll be sick.

Essentially, you both look like you’re on death’s door, so you don’t go back to Sam, because you know it will terrify him. Instead, you stop at a gas station, get everything you need to imitate a visit to the emergency room. The guy working at the gas station looks at you two and you must look like Natural Born Killers but neither of you cares. You get a bottle of shitty whiskey as well.

Then you hunker down, in the cheapest pay-by-the-hour motel you’ve ever seen. There’s red neon everywhere and you don’t even want to know what the room would look like under a black light.

“You first,” you say to Dean, and he complains, but you push him down on the chair you’ve moved to the middle of the room. “Stabbed beats carved-in lung,” you say, and Dean scoffs, which makes him cough.

“Anything to get to put your hands on me, huh?” he jokes when he’s recovered. You sort of chuckle, trying to find the cut on his head first. “Been a long time, has it?” he asks, flinching when you find it.

“Winchester,” you say, laying a cotton bud soaked in alcohol against the cut, making Dean buck under you, a deep groan leaving him. “You could be the last man on earth and I’d still prefer celibacy.” Dean chuckles.

“Don’t know what you’re missing out on,” he says. The cut’s mostly stopped bleeding, so you decide to leave it for now.

“Yeah, a bunch of STDs,” you mumble as you kneel down, suppressing a whine at something hurting, you don’t even know what.

The stab wound is next. Dean, in his infinite wisdom, pulled out the pen. It’s a natural instinct, to want something that is hurting you out of your body, but he still should know better.

You push up his shirt, look at the wound, ignore all that skin around it.

Cotton bud. Alcohol.

Dean hisses. “Whiskey?” he says, and you stop what you’re doing for a second to grab the bottle off the table near you, pass it to him. He opens it, takes a deep gulp, while you watch his throat work, swallowing. He drops his head, the bottle leaving his mouth, some of it running down his chin. It shouldn’t make you feel what it makes you feel. He’s a mess, and so are you, but getting to watch him like this is a privilege you know not many are afforded.

Stripped down, broken, fresh off a kill. It’s him at his best, in a way.

He passes the bottle to you, and you don’t wipe the rim. You set it down when you’re done.

“This is gonna need stitches,” you say, motioning to the wound. He nods. “What are you waiting for then?”

He barely makes any sounds while you do it, while you sew him back together. It’s over soon, since you’re quick and practiced and it’s not a huge wound. He sighs when he’s done.

“Good?” you ask.

“Magnificent,” he says, panting a little. You give him a second to recover, then push his arm for him to move. He gets up, and you take his place.

You’re not sure how much he can do for you but you’re not going to skip the chance to have him touch you, to have him try to fix you. He looks at your eye first, cleans it but it’s just a shiner, there’s not much to do. While he does it, his thumb rests on your cheek. You’re intensely aware of it, but you just look ahead.

“Saw you miss that one shot,” he says, when he’s done, and his hands leave your face. “The first one? At the big guy?” He shakes his head as he takes the whiskey and drinks again. “I’ve seen some bad shooting from you, but that was sad. Such a big target, too.”

You chuckle, but something pulls in you. No, you think, but you don’t know why. This should be save terrain.

You flinch when Dean lays his hand on your chest, above your breasts but the inside of his wrist is brushing against you. You think for a second that you can feel his heartbeat through it but then you’re not sure.

“Breathe in”, he says, and you do, while he concentrates on where the wheezing sound you make is coming from. “Throat?” he asks, then frowns. “You got choked? When?”

No, you think again, and this time you know why. You swallow, and it hurts.

“While you were hiding out downstairs,” you say, but your voice is missing the apathy required to deliver the jab, so it falls extra flat. Dean picks it up, though, but he misunderstands.

“Oh, you mean when the big guy decided to chase you after you didn’t shoot him?” He chuckles, his hand not leaving you, but then he stops, thinking. “No, no, he was already dead.”

You need him to stop. You need him to stop trying to figure this out. He’s doing it so he can make fun of you. If he knows which of the freaks hurt you, he can pick out specifically why that one getting to you is embarrassing. It’s fine, normally, but you don’t want him to know.

“Let’s see,” he says, his hand slipping off you. “There was the big guy, the squirrely asshole that stabbed me, and those two in the basement,” he counts off while he reaches for the whiskey again. He shakes his head, concentrating. “Who was upstairs?” he wonders.

He can never shut up. It’s like he was born without the skill, without the knowledge of how to ever just shut the fuck up.

He lowers the bottle, then holds it out for you but you don’t grab it. “Be honest,” he says. “Did you just run into a door at a funny angle and now you’re pretending there was a fifth?” He shakes the bottle a little, because he thinks you didn’t notice it.

You can’t reach for it. You don’t feel your hands.

“It was a child,” you say.

It wasn’t a child, of course, at least not a human one, for whatever that’s worth. It was something that was wearing a child, the kid itself burned out long ago. But it looked like one. It sounded like one. Not when it launched itself at you across the room or when it gave that godawful screech. But later, when it was lying there. That’s when.

You swallow again, and your throat hurts. Little chubby hands did that, the ones with the dimples. You feel a tear roll down your cheek. No no no. This isn’t supposed to happen.

You wipe at it, immediately, but you know Dean’s seen it. Seen you.

He lowers the bottle, slowly, like the strength is going out of his arm. He says your name, and you say: “Don’t.”

He says it again and before you know it you are standing up so quickly that the chair goes flying.

“I said fucking don’t!” you snap at him, because you just need him to stop. You need him to stop sounding like that and you need him to stop looking at you like that, his eyes all soft and his mouth in a straight line. This is worse than anything.

No, you need to get out. Your chest is constricting and you just need to not be here.

You stride towards the door and Dean is stupid enough to come after you, and he’s grabbing you, his hand like a vice around your upper arm. You turn so suddenly that he has to let go, the turning making pain flash through you, and you think good.

“Don’t ever touch me,” you grunt and Dean takes a step back. Then you’re out the door, no idea where you’re going.

You don’t come back for three days.

You left your phone at the motel with Dean so there’s no way for him to contact you. You barely remember the days. You have your wallet on you, so there’s that.

You drink, you know that. You drink and you don’t stop drinking because it’s the only way you can sleep.

You pick someone up, at some point, hoping you can be fucked senseless but it’s disappointing, doesn’t get you anywhere, so you leave. You don’t dare touch yourself, your body and what it can do horrifying and disgusting to you.

It doesn’t feel like three days, but apparently that’s what it is.

When you return to the motel, the one you were originally staying at, not the one you and Dean went to, you expect the brothers to be gone.

You get a room, get cleaned up, sitting in the bath water while it goes from boiling hot to lukewarm. You walked past a second hand shop earlier, picked out some clothes, just jeans and a shirt, carrying them with you in a plastic bag. You also bought some other essentials, and you clean yourself as much as you can, make yourself as presentable as possible.

Not to look good. Just to look not broken. Just so you can pretend nothing happened.

Then you go to the room you shared with Sam and Dean. You knock. They’re probably long gone, but then you hear foot steps behind the door, familiar murmuring and the door opens and Sam’s there, all puppy dog eyes and awkward posture.

He looks immensely relieved when he sees you, and you think for a second that he’s about to pull you in for a hug but something on your face stops him.

“Jesus”, he says, as the door swings open to reveal Dean, farther back in the room, his phone in his hands. “We called every hospital around, we thought you were—”

“I’m fine,” you say, tearing your eyes from Dean. “Your brother didn’t tell you I was going out?”

“Going out?” Sam says, unbelieving and a little bit angry as you push your way past him into the room. “You were gone for three days!”

You ignore him, look at Dean, your eyes daring him. He’s looking at you like he’s expecting your head to explode, but then he says: “She said she was going out, Sammy, leave it alone.” Sam looks bewildered as you turn to him.

“But you said—” Sam starts, but Dean must throw him a look that shuts him up. You don’t turn back in time to see it.

That is how the balance is thrown off. Once it is gone, you cannot reestablish it, no matter how hard you try.

The jokes you make at Dean’s expanse are all missed shots. They don’t cross that invisible line, but they’re… they’re mean. They’re nasty. They’re no fun. They come out of you that way and it makes you cringe at yourself, but you can’t stop.

Dean, on the other hand, overcompensates the other way. His jokes are soft, way too soft, and every single one of them makes your blood almost boil over. Reminds you that he thinks you’re something that needs to be spared, needs to be put in bubble wrap.

That you’re something he can look at the way he looked at you that night.

You two become unbearable to be around, so you don’t really blame Sam for putting his foot down.

It’s another no-name town in another no-name county and you know, and Dean knows and Sam knows that the evening will drag on the way every other evening has dragged on in the last weeks – with tension in the air so thick you could cut it with a knife. With you being mean to Dean and Dean barely defending himself, barely hitting back.

You get to the room, put your bags down and Sam is already by the door again. You and Dean both look at him, wondering where he’s going.

“I’m getting another room,” he says, face serious. “And you two,” he continues, “you two will stay here and figure out what the hell it is that’s going on, because I’m not dealing with it anymore.”

You open your mouth to speak but Sam turns to you and says: “No, figure it out.” Your mouth closes. Who knew. The little guy could actually be imposing.

“Sammy, this is stupid,” Dean says, because of course Dean’s allowed to say something. “You’re grounding us?” Sam nods. “Yeah.”

“Or what?” you ask, before Sam can stop you. He looks at you both, then shrugs, and then he’s pulling the door closed behind him.

There’s silence, and then Dean says: “Well, that was ominous.” He looks at you, maybe hoping you’ll laugh or agree, maybe you can dogpile on Sam for a little while, but you don’t.

You feel terror sitting in your jaw and in your hands. You don’t want to talk to Dean. You don’t want to figure anything out. You want to shed your skin and start your life over and go to sleep and never wake up, but none of these seem to be realistic options.

So you sigh, instead, sitting on the bed nearest to you. There’s not even any alcohol in the room, since you’re in a dry county, and of course Dean’s thinking the same thing.

“He couldn’t have done this when we were in Vegas?” he mumbles. Still no reaction from you as you hear him sit down on the other bed behind you. You hate this. You feel like an animal in a cage. You feel itchy.

“Okay, should we do this?” you hear Dean behind you, and you think you hear him slap his thighs.

You finally turn around to him, slowly, your face unbelieving. He’s sitting there, looking prettier than ever.

“What?” he says.

“Just... you,” you reply. “I can’t believe you’re being so gung-ho about this.” Dean inclines his head. “If Sam thinks—”

“No offense,” you say, fully intending offense, “but screw your brother, okay? I’m not a child. I’m not getting sent to my room without dinner.”

And of course, at that you see it, that child, that child-thing, sprawled out, little eyes looking at the ceiling but seeing nothing. You almost shake yourself.

Unsure if Dean notices, you stand up, but instead of walking outside, you pace.

“He’s not wrong, you know?” Dean finally says, but you don’t stop moving.

“About what?” you ask, without looking at him.

“You’ve been a real asshole the last couple of weeks,” Dean answers.

And God, why does it feel so good that he calls you that?

You stop pacing, turn to him, a grin that’s probably a little psychotic-looking forming on your face.

“Now was that so hard?” you ask.

“What?” Dean asks.

“Not treating me like a little porcelain figure?” you say. “Calling me an asshole?” Dean shrugs. “Well, don’t act like one if you don’t wanna be called it.”

He doesn’t get it, doesn’t get that this is exactly what you want, but it doesn’t matter because even that little bit of disrespect makes the itch in your flesh feel a little less overwhelming.

“I know I have,” you say. You nod at him. “And you’ve been acting like a wuss.” Distantly you realize that you are actually doing what Sam told you to do. You’re talking about it, or at least you’re acknowledging that there is something to talk about, which is more than you’ve done in this whole time. So, good for Sam, you think. And you keep going.

“What happened, Dean?” you ask, your arms going wide. “You saw me upset once and now you’re too much of a bitch to joke around?” You feel yourself teetering at the edge. This could go so horribly wrong but you can’t stop tap-dancing at the edge of that volcano.

“You’re gonna protect my feelings?” you ask in a mocking tone, and you think your voice sounds shrill. “Dean Winchester always saving everyone but himself, huh?”

Dean’s looking down, his face tense and you can’t help but keep pushing.

“I’m an asshole?” you say, and for some reason there are tears burning in your eyes and you don’t know why. “Well, you’re a pussy,” you spit.

“That’s enough,” Dean says, and his voice is cold as steel. He looks up at you, still sitting on he bed, and he terrifies you for a second. But the terror is a thrill.

You scoff at him. “Fuck you if you think you can tell me what to do.”

He gets up faster than you can react. You gasp in fear when he’s suddenly in front of you and then he’s pushing you against the wall behind you. It’s only a foot or two, but the impact hurts beautifully, making clearness and focus rush through you for a second, but it’s over before you can even really enjoy it.

You want to whine at the loss of it, at the sudden lack, everything turmoil again, like a family of rats has nested in your chest. You need it back, that focus.

“Fuck you, Dean,” you say, too joyous by half about your words. “Gonna show me what a man you are? You’re pathetic.”

You see his hand raise and form a fist out of the corner of your eye, and something goes through you, something horrible and you think he’s going to hit you.

You look at his hand and something like a yes comes out of you. It sounds almost sexual, and maybe it is.

Dean’s threatening demeanor drops immediately. It takes him a second to understand what caused your outburst, and he looks at his own hand and then he looks at you.

He wasn’t going to hit you, you suddenly realize. He’s balling his fist because he’s mad, and you see it from the angle he’s holding it. You’ve seen Dean throw a million punches, and this isn’t how he would do it, even if he was mad with anger.

But Dean understands, understands that that’s what you thought he was doing and that that’s what you wanted him to do.

He takes a step away from you immediately and your stomach drops. His face is as open as it’s ever been. He finds your gaze and you’re not sure what he sees in yours but you know what you see in his.

You’ve gone too far, you can feel it in your blood. You can see it on his pretty features. This is his weak spot. The holy part you’re not allowed to touch just like there’s parts of you he’s not supposed to touch. His own fear of himself, of his clever and precise violence. The one that’s been cultivated in him from the time he was four to however old he is now. The one he keeps at bay, no matter what, for those he loves and wreaks on those he doesn’t.

There’s that clear line that neither you and Dean are supposed to cross, and everything beyond that is below the belt. And you just went for it.

He’s fought so hard to bury that part of himself, so that the people he cares about never need to be scared of him like he was scared of the people that were supposed to care about him. It’s cost him everything.  And you just came for his throat.

This is so far beyond your usual arguing. This just hurts.

“I’m—” you start, but Dean’s never been good at listening, so you falter immediately. You feel tears burning in your eyes. God, he looks so sad. You blink, run the back of your hand over your nose. It’s deadly silent in the room.

Dean looks, and you don’t know how else to describe it, like a dog whose owner is holding a news paper. He knows what’s coming and he can’t stop it. He’s fear and shame and disgust in himself. You don’t want to give a shit. He’s not your mess to clean up.

But you do. Of course you do. Just like he did. He cared enough to let you verbally pummel him for weeks, barely keeping his fists up to deflect.

You say his name, or you think you do, and then suddenly he’s moving. He’s walking towards the door and you don’t know why and you don’t know how but you know you need to stop him. If he walks out that door you don’t think you’ll ever see him again.

So you rush forward, manage to get yourself between him and the door.

“Dean, don’t,” you say and he says: “Get out of my way.” His voice is deep and he's not yelling and in a way that is way scarier. But you can’t move. You can’t let him leave.

“Please don’t go,” you say, hoping you can simply convince him. You lean your back against the door, and you’re pretty sure he won’t grab you and simply pull you out of the way, because you can see his hands are trembling.

“I’m sorry,” you say, because your stupid pride has been stopping you, but now it’s the least important thing in the world. “I shouldn’t have pushed you,” you say, but you’re not sure he can hear you. “I shouldn’t have said those things. I just wanted to make you mad.” His head shoots up.

“Why?” he pushes out through gritted teeth.

“Because I couldn’t stand that you pitied me,” you say. God, Sam would love this. A real heart-to-heart. How precious.

Dean frowns. “I don’t pity you,” he says, disdain in his voice.

“Yes, you do,” you insist. “You’ve been pulling your punches for weeks. And it made me… it just made me so angry.” Dean shakes his head.

“You’re insane,” he says, and then he goes for the door, reaching around you to open it.

“No!” you say, and you push him back. He stumbles, just a little bit, but it makes him look so angry that you press yourself harder against the door. Just like you thought, he’s not going to move you out of the way, but that doesn’t mean he won’t try to get around you.

“Move,” he says, and then: “Get out of the fucking way.”

“Make me,” you bark back. Dean stands there for a second, and you think he will. You think you have completely misjudged the situation and he will make you move. But he just goes for the door knob again, reaching around you. You push your arms against him. Now that he knows you’ll try to shove him, he plants his feet and there is no way you can move him.

He’s so close to you and so angry and you don’t know what to do, you don’t know how to get yourself back and you don’t know how to get him back.

Your mouth lands on his before you even know you’re going to do it. Dean flinches and immediately moves back. He looks shocked, and you try to congratulate yourself because it worked. Even though that wasn’t what you were doing. You weren’t trying to stop him, you were just trying to kiss him.

It’s fucked up to do it like this, in the situation you’re in. But then you’re both pretty fucked up.

Dean swallows, and looks unsure. Both of you are breathing hard and for a second he seems to just listen to that, so you do too. It’s erotic, and you don’t know how but you feel it do something to you. Dean’s gaze meets yours. He’s either about to kill you or fuck you.

He moves forward and presses you against the door. You think for a second that he’ll try for the door again, but he doesn’t. His lips find yours, but what you do can barely be called kissing. It’s a battle, like everything between you is, but you manage to get your hands into his hair, grabbing it, making him grunt. He pushes you harder against the door and you find it difficult to breathe and it’s perfect.

You lean your head back at the feeling of containment, and Dean goes for your throat. He runs his teeth over a sensitive spot, making you buck and then he’s sucking against the skin so much it hurts. Your grip tightens in his hair and he makes a noise.

Before you know it you’re pushing his jacket off his shoulders, his hands barely leaving you to let you, and then his flannel goes next. When he’s free of it, he grabs your wrists and pins them over your head, attacking your neck again. You moan, you can’t help it and he ruts himself against you.

You move your head to catch something of him, anything, and you manage to get at his jaw, nipping at him. Dean flinches, but he lets you do it. Then his hands let go of your wrists and travel down your arms, down and down, until they are at your chest and he roughly squeezes your breasts. Another moan escapes you and then you’re dropping your hands and he’s dropping your tits, moving on to your hips instead.

You find his crotch first, press your hand against it, agitating what you find there. Dean hisses, and his mouth slams against yours again, but this time you force your tongue past his lips, keeping him there as you battle again, open-mouthed and breathing hard.

Dean’s hands wander from your hips to your ass, squeezing and then he’s pushing one of his legs between yours. You grind yourself down on him, but it’s not enough, it’s not nearly enough to dispel any of the energy you need to dispel. He’s pushing you against his leg by grabbing your ass but again, it’s not enough.

You tear one of his hands from your ass and maneuver it to your front, push it between the waistband of your jeans and your skin, shove him down. Dean doesn’t stop mouthing at you when you do it, except to groan into your mouth when he fingers make contact with your underwear.

He takes control, shoving his hand deeper until he finds you there. Both you and him are surprised by how wet you are. You’re not sure when that started but neither of you cares for much longer, when you feel Dean push two fingers into you.

You almost sob and with just enough wherewithal you unbutton your jeans to give him room to move, before you grab his hair again and lean your head back against the door. He feels good, and even though his thrusts are rough, they hit the right spots within you, forcing you to close your eyes at what feels like electricity running through your body.

“Fuck, yes, just like that,” you pant and feel Dean’s plush lips against your jaw. He’s not kissing you, not exactly, just making contact, just getting as close to you as he can. You pull his hair a little and feel the air come out of him when he moans.

You don’t know how it’s possible, but he's getting you to the edge fast, and you have high-pitched, desperate moans leaving you soon. Then you’re pushing him away.

His head snaps up, and he looks worried for a second, but all you want is more of him. His hands leaves you, and you’re pulling at his t-shirt, trying to get it off him. You manage, and then he’s tugging at your shirt.

“Get that off,” he says, and his voice is rough and deep, the timber of it running through you. You do, pull it over your head and he goes for your bra before you have even pulled it off your arms. He nearly tears it off you, and then he reaches around you, bringing you close, as he pushes his hands into the back of your pants to push them down.

You use the closeness to open his jeans but then you have to step out of your pants and underwear and shoes as Dean makes them fall to the ground, to avoid stumbling.

Dean manages to turn the two of you, so that you are with your back to the bed and he pushes you towards it. When you get close you let go of him and crawl onto the bed, but you kneel on it, facing Dean. The two seconds it takes you are enough for him to unbuckle his jeans the rest of the way and drop them, along with his underwear, step out of them and his shoes and socks and kick them to the side.

He’s there in front of you, all glorious nakedness, but neither of you wants to lose a second to thinking, to wondering what it is you’re doing, so instead you collect some spit in your mouth, then run your hand along your tongue to collect the moisture and a moment later you have him in your hand.

Dean inhales sharply but you don’t hurt him, only stroke him until he’s fully standing. He’s beautiful, all of him, and if you took a second to admire him, you would see just how beautiful, but you can’t. You don’t want to break the spell.

He grabs you by the ass again, pulls you close to him, and you can hear him breathing hard, grunting at what you’re doing to him. One hand goes to the back of your head and he kisses you, really kisses you this time, roughly, yes, desperately, yes, but it’s still a kiss.

You stroke him faster until he grabs your shoulders and shoves you down on the bed. You land on your back, hair flying into your face and an insane chuckle leaves you. Maybe you’re losing your mind. Or maybe this is what you’ve been craving all along.

Then Dean’s over you, and he’s kissing you again, his hand running from your breast to your neck where he holds you tight, pulls you roughly against him. His erection is pressing against your stomach and you want him.

You get your mouth off his, and then you’re turning around under him. Dean barely leaves you room to do it, but you manage, and then you’re pushing your ass against him. He grabs your hip, strokes it.

And then he kisses your back and you freeze. He does it again, leaning over you, kisses, and then bites you there, but gently.

You gasp and you need him suddenly, need him so bad. Need him to make you feel anything else.

You push your ass up again and this time he does it, does what you want him to do. He lines himself up and then he’s pushing into you. A whine leaves you as you work yourself down on him and his hands are grabbing you everywhere, touching you everywhere and it makes you almost believe that you can be free of all this anger if only Dean keeps touching you.

He starts driving into you and for a second it’s overwhelming, so much, too much and too fast. Your breathing stutters and you need to concentrate on regulating it. But then Dean finds a rhythm and suddenly you can breathe. One hand of yours wanders back, grabs his underarm where he’s holding you and he grabs your elbow, holding onto you.

“Dean—” is all you can say, and his thumb strokes your arm.

“It’s okay,” he says and he’s driving into you, making you gasp again, which quickly turns into a moan.

“Yes,” you pant, “yes, don’t stop.” He doesn’t. He keeps up the pace, his thighs meeting the backs of yours with loud slaps until you think you're going to pass out.

“Fuck,” he mutters, and then suddenly he’s pulling out of you. You turn around to see what’s wrong but then he’s turning you around and your back meets the mattress again. Dean leans over you, pushing your leg higher.

“I want to see you,” he says, and your next inhale lets you feel the spiral again, brings tears into your eyes. Don’t be kind to me, you think, but at the same time you crave it. You want to see him gentle, want him to see his own gentleness.

He kisses you again, and you return it, wrap your arms around him and pull him close. He sighs against you, and then he’s pushing into you again. Your head falls back, you almost whimper and as Dean enters you, pushing your leg up against your torso, his hand cupping your cheek and his thumb running over your lips, you wonder when this turned from a hate fuck into whatever it is now. You find his thumb with your mouth, kiss it.

Dean leans closer to you and your hands go into his hair again. You still pull it, still make him grunt, but in response he lays his face against yours. What is this? you just have time to wonder when the movement of his hips makes you see starts.

He keeps going and going and going and you whimper and come and he holds you through it while tears run down the side of your face from the intensity, but still he keeps going.

“Fuck, I—” he mutters and you feel him throb inside of you, so you pull him close, bring your mouth to his shoulder and bite. Dean grunts, and then you kiss the place you just bit and he comes inside of you.

For a second you’re terrified he’ll roll off you immediately, so you wrap your arms around him. Dean moves into you once or twice more, but it’s just a reflex. His forehead is against your shoulder.

You find you’re stroking his back and just as you wonder if you should stop, Dean flexes his back, his shoulder blades moving under your fingers and he says: “Keep doing that.” So you do. Because you’re not ready to look at his face yet. You don’t know if you ever will be. But eventually you have to.

Eventually Dean needs to move, pulls out of you and rolls himself to the side. Your breathing has quieted down. For a moment, he’s not looking at you, but staring up at the ceiling.

Little eyes staring up at the ceiling.

A sob goes through you and Dean turns to you. He rolls himself towards you and then, after a moment of hesitation, pets your cheek.

“Did I hurt you?” he asks. You shake your head.

“No,” you say, your voice quiet. “You made it not hurt for a while though.”

He nods, and you’re pretty sure he understands exactly what you mean.

“I’m sorry,” you say then.

“You don’t have to—” Dean starts, but you interrupt him.

“I know what I made you feel. What I made you think. I’m sorry.” He opens his mouth to say something, then closes it. “I will never do it again,” you add. He runs his thumb over your chin.

“I’m sorry I made you feel like you needed to be pitied,” he says. “I’m sorry I…” he sighs. “I didn’t want to scare you.”

You nod. “I know,” and then: “I knew you weren’t going to hurt me. I knew but I wanted you to.” He nods again.

“Why? I mean why did you want me to?” You shake your head. “You know, Dean.”

And you see it in his eyes, because of course he knows. It’s the reason he sometimes drinks until he passes out. The reason he takes more punches than he needs to. Because it’s better than feeling the other thing.

He tugs some hair behind your ear and you lean into the touch. Suddenly the gentleness doesn’t hurt. Suddenly it’s everything you want.

You both lie like that for a while, just touching, just looking at each other.

“So what now?” you say. “We just go back to how it was before?” Dean thinks for a second.

“I don’t think that would work,” he says finally, and you have to agree. “Maybe,” he says, “we can both turn it down a few notches?”

You nod. “Probably a good idea.”

“And this,” he says motioning to nothing, but you know he’s talking about what you just did. “We can see where this leads?”

That one you have to think about for a moment. You feel that old thing roar its head in you, the one that wants to destroy any possibility of anything good possibly coming out of something gentle, something sweet. You fight it, and nod.

“That sounds good,” you say. Then you take a deep breath. “Do you think this is what Sam imagined when he told us to sort things out”

Dean huffs. “I really hope not.”

You smile a little, and then you do something daring.

Moving your shoulders, you scoot closer to Dean. He wraps his arm around you, holds you close.

You still look at each other, like two skittish animals but eventually, the warmth and comfort of another body so close overtakes you.

You can’t fight the need to be close so you stop, stop fighting it.

Dean’s hand rests on your chest and this time you’re sure you can feel his heartbeat. You listen to it, try to focus on it.

Ba-dum-dum, ba-dum-dum.

You’re too tired to fight. You always thought you’d need to be strong to stop, but it turns out tired works too.

Ba-dum-dum, ba-dum-dum.

You’ve never enjoyed it anyway.

[seneon]

Hey hey🩷

Could you maybe write a headcannon with blue block boys when they lash out on reader bc they have a bad day and call them annoying or disrespect them? Reader (female) is not sure abt forgiving them. I love angst. Could you maybe pls do it for Isagi,Nagi,Bachira,Reo,Barou Yukimiya,Rin,Sae or actually for whoever you like want to write for. If its to much Im really sorry 🥺🩷. I really enjoy your writings and I hope you are alright.

WILL YOU LOVE ME WHEN I'M DEAD ──── bllk various.

notes. featuring yoichi, seishiro, yukimiya, and the itoshi brothers only. and angst. for everyone, i'll have the same scenario of them coming home angry after football practice, then we'll escalate from there onwards. not my best work since my blue lock knowledge has gone rusty butttt ya :v

𖥔 ݁ ˖ ISAGI YOICHI

he's so so stressed after football practice that he can't keep his cool. yoichi didn't mean to raise his voice at you, vulgarity spilling down his tongue like ancient curses. you're terrified in disbelief, and he doesn't notice it. not until you slowly nodded and pursed your lips in a tight line that makes him regain some senses of himself. you then walked away, and he follows you the second you moved your muscles. "my love wait, i'm so sorry," he calls out softly, voice almost breaking and you tell him to give you time, locking him out of your shared room so he could think upon his actions. yoichi will stay outside your door, even sleeping by the wall just waiting for you to come out from your room so he could apologise.

𖥔 ݁ ˖ NAGI SEISHIRO

silent treatment creeps into the air even hours after he tells you that you're annoying and pestering, always nagging him all around. he appears to not care by occupying his attention in his games. but truly on the inside, he's so bothered that you're not beside him doing your own thing as he played his game. he feels empty beside him, so used to having you by his side all the time. he could tell you were in no absolute mood to see him right now, and his inexperienced self has no idea how to apologise or make it up to you. maybe he'll try some other time when you come home from your late night drive to cool off from a brief argument with seishiro.

𖥔 ݁ ˖ YUKIMIYA KENYU

he's an expressive young man, thus when he comes into your room with your favourite snacks in a basket properly and you're ignoring him, his lips is all turned downwards into a guilty frown. kenyu knows he's in every wrong that he called you annoying for simply wanting to check up on him after practice. he didn't mean any of it, just an 'in the heat of moment' occurrence. kenyu yearns for you as he kneels by your bed and holds your hands just to get your attention. then he apologises. he knows he's hurt your heart and soul. he'll have to keep trying because he's going to earn it.

𖥔 ݁ ˖ ITOSHI RIN

in an absolute crisis mixed upon the events that happened at practice along with a million of thoughts and possibilities swimming in his mind that you will leave him. when his strings break at how you forgot not to touch a jersey of his that he has hanging by his drawer, rin leaves you first— to his room. a heavy pessimistic, even if it looks like he's fine with simply cleaning his football shoes. you've shut him out, as he did to you when he came back home and refused to speak to you like he usually would. tonight will be long if neither wants to see each other eye to eye.

𖥔 ݁ ˖ ITOSHI SAE

does not take no for an answer when he apologises. that is a bad trait of his— sae thinks everything will go his way. so when you flat out said you wouldn't forgive him this time for even disrespecting you in the first place, his anger heightens. when you want to walk away, he will simply pull you back, heartfelt apologies he muttered in hopes of you forgiving him. but you're so hurt by him that he could see it in your eyes. it held the fading reflection of the last chance. and maybe, just maybe... you've lost the spark with him. he died a little on the inside at that surfacing realisation.

© SENEON 2025 ♱ do not repost, alter, or translate.

[fuckyeahisawthat]

What is Mage Viktor doing?

So it turns out I do have a take on what's going on with Mage Viktor, why he's messing with timelines in the way he is, and what he hoped to achieve by bringing Jayce to the torment nexus dimension and then sending him back to his own timeline armed with facial hair, trauma, and the ruthless determination to somehow stop his own Viktor.

Of course this is just my own reading; there are many ways you can interpret the reveals of the final episode. But it's become my preferred reading because it makes Mage Viktor come off as absolutely BATSHIT. The apotheosis of all Viktor's best and worst qualities. As he would be.

First we gotta lay out some fundamental principles about how I understand Viktor that will inform this reading.

Viktor was never being controlled by the Hexcore. This deserves its own whole meta, but tl;dr, I think it is directly antithetical to the core themes of the show to think that Viktor wasn't making his own decisions all through s2.

Over and over again in Arcane, we see characters become "monsters" and do monstrous things, and every time the thematic point is that this is still the person you love. When Vi says that her sister is dead because she is Jinx now and when Jayce says "my partner died in this room" THEY ARE BOTH WRONG. The person they love is different now but they're still in there and they can still be reached.

Viktor is transformed by something terrible happening to him (like many characters in the show!) but all his decisions are still his own and to me they seem like perfectly consistent--if extreme--extensions of what we know about him as a character before he gets a Hexcore heart.

So my analysis starts with the premise that Mage Viktor is not trying to free his past self from an outside influence. He's trying to hack his own character traits to make a different version of himself do what he wants.

Viktor is BOTH genuinely altruistic and compassionate AND deeply arrogant. This is such a banger combination and I think turning down the dial on either trait makes Viktor less interesting. I think Mage Viktor has genuine remorse about what he did in his timeline and he is, fundamentally, trying to find a way he could have stopped himself from killing everyone (within certain constraints; we'll get to that). When Jayce is able to show main timeline Herald Viktor his memories of what Viktor is about to do to their world, the first thing Viktor sees is not dead Jayce, or himself left alone in an empty world. It's all the ordinary people who are going to die terrified because of him.

I do not think any version of Viktor wanted this result. But Viktor is so convinced he is always right that his arrogance carries him right past the point of no return before he realizes oh actually I haven't freed everybody I have killed them.

So I do think Mage Viktor is trying to find a timeline where this doesn't happen, but he is not timeline-hopping in order to preemptively stop other versions of himself from making the same mistake. If he wanted to do that, he would just leave all the many many timelines where Jayce dies in a blizzard as a child alone. No Jayce who grows up obsessed with magic, goes around Academy rules to get the hex crystals, invents Hextech and gives Viktor the power to fuck everything up. Easy peasy.

But no. Instead, Viktor is actively going into other timelines and changing them at the point where Jayce would have died.

He is doing things that appear to make the sequence of events that leads to his world-ending magic blast WAY MORE LIKELY. And that's because...

Viktor is obsessively selfish when it comes to Jayce.

Mage Viktor wants to find a timeline where he doesn't doom the world but not at the expense of meeting Jayce and spending years doing science with him.

If the goal was only to prevent Jayce from dying in the blizzard, he could have done it quietly, waiting for Jayce to collapse in the snow and then transporting him to the base of the mountain, leaving before Jayce had any idea who saved him. Instead he makes SUCH A DRAMATIC PRODUCTION of it that Jayce remembers and can repeat the steps of the action years later, well enough that he actually produces a working spell from a barely-tested Hextech prototype. Mage Viktor wants that shit burned into baby Jayce's brain. He wants to make sure he fundamentally alters the arc of Jayce's life, bending it into a trajectory that collides with his own.

Viktor also (as far as we see) doesn't go the route of going back in time and killing his younger self, or steering the course of his own life along a path where he never meets Jayce. He doesn't even go for a timeline where he and Jayce meet each other but they don't invent Hextech. Now maybe it's the case that some time before our Jayce arrives in his timeline, Mage Viktor tried all that, and has figured out that none of those options work. (Maybe in some of those timelines Jayce is the one who goes Machine Herald, and there's no partner there to talk him off the ledge of ending the world.) But I think it's also possible that, now that he's gotten the experience in one timeline of spending years with Jayce making once-in-a-generation scientific breakthroughs together (which I truly believe is just as important a part of their relationship to Viktor as any romantic or sexual element might be)...he can't bear to deny any version of himself the chance of having that--even if the price is the rest of the world. Because a world where Jayce isn't his partner isn't a world worth saving.

So what I think Mage Viktor is doing is sitting there with his stubborn engineer brain and the husk of his dead soulmate, fiddling with the timelines like a Rubik's cube, going Not meeting Jayce CANNOT be the only option. There MUST be a timeline where Jayce and I meet each other and entangle our lives in an alarmingly codependent way AND we dodge the apocalypse at the last minute, I don't end up killing him, and we do not doom the world together. And I'm going to fucking find it.

So he's been hitting timeline after timeline, trying to find the combination of factors where everything works. He is not trying to preemptively save every timeline from himself, he is trying to prove to himself that meeting the love of his life doesn't doom the entire fucking world. It's devotion that is SO PROFOUNDLY SELFISH that he is willing to doom timeline after timeline, but driven by someone with enough compassion and pride that he doesn't want the guilt and shame of knowing he can only have this one life-changing thing if he ruins everything else for everyone, and enough arrogance to still look at this as a problem he must be smart enough to solve.

At some point in this process, I think he also figures out that Jayce is the only person who has any chance of reasoning with any version of himself. I think it's worth paying attention to the exact wording of his "in all timelines, in all possibilities" speech, because it's not just a love confession (although it is that).

"I thought I could bring an end to the world's suffering. But when every equation was solved, all that remained were fields of dreamless solitude. There is no prize to perfection. Only an end to pursuit. In all timelines, in all possibilities, only you can show me this."

And while this is some hella romantic cosmic soulmate level shit, it is also Viktor saying I need you, because you are the only person I have ever trusted enough to save me from myself.

It's the Hexcore promise all over again. Viktor knew he couldn't destroy his own creation. I read this not as Viktor being physically unable to destroy it because the Hexcore had some power over him, but not having the will to destroy it. Because this huge leap in Hextech technology was his big breakthrough and not (as I think he saw it) him supporting Jayce's dream. He knew he couldn't do it. So he asked Jayce to do it for him. Please, save me from my own pride, my desire to leave a legacy. I can't do it on my own.

It's a huge extension of trust, for Viktor to admit such a need. And now he's doing it again when the stakes are MUCH MUCH higher. I need you, because you are the only person who can show me the horror of what I am about to do and have me believe it.

Of course, the deep irony is that really the only person Viktor trusts to tell him he is wrong is HIMSELF FROM THE FUTURE. Astral plane Machine Herald Viktor is standing right behind Jayce, watching Jayce's memory of Mage Viktor telling him what the consequences of his actions will be, and that is the moment the horror sinks in and cracks him fully out of his machine shell.

But of course Jayce is the only person he would ever trust enough to carry such a message (from himself!!) to somewhere close enough to reach him.

It's not clear exactly how much of a detailed plan Mage Viktor has when he sends Jayce back to the main timeline, or how much of that plan he shares with Jayce. But I think he has figured out some broad strokes which affect how Jayce behaves.

(1) Jayce has to immediately go and kill commune Viktor. Squishing Salo is maybe a bonus side quest, but Jayce doesn't even take time to fucking shower before he heads for the commune. (I would love to see the part of the conversation where Mage Viktor is like yeah you know that pit you just climbed out of? Yeah the first thing you gotta do is go right back in there, all the way to the bottom, and find me looking like ethereal cyborg Jesus and blast a fucking hole through my chest.) Maybe this is because if Jayce waits around at all, commune Viktor finds a way to get to him and he folds and joins the cult. Maybe this is because there are just fewer variables involved in forcing Viktor to speedrun his own villain arc by Jayce repeatedly turning him down in one "perfect" form after another. Maybe Mage Viktor knows himself well enough to realize "yeah if you say no to me even ONE TIME but ESPECIALLY when you are HOT and SUFFERING I will go fucking apeshit and we can use that to our advantage."

(2) I think Mage Viktor has realized that he can only be stopped at the very very VERY last minute. He has to be able to see the direct line between what he is about to do right now and the arcane-blasted hell world he's about to create. Otherwise his ego will get in the way and tell him he is smart enough to figure out a way to somehow not kill everybody. Yeah Mage Viktor fucked that one up obviously, but I, main timeline Viktor, will be smart enough and well-intentioned enough when the time comes to simply not do that. I think this is why, for example, Jayce doesn't go to the commune trying to get Viktor to see the error of his ways. It won't work until it is allllmost too late.

Main timeline Viktor stops literally seconds before the point of no return. The arcane corruption spikes that we see everywhere in Mage Viktor's world are already starting to appear.

I think Mage Viktor knows that Jayce has to let him get right up to the edge, close enough to be looking over into the abyss, before he'll be able to pull him back.

But he knows Jayce can do that. That's what they do for each other, right?

This is why I think it was always the plan for Jayce to fight him all the way to the top of the Hexgate, and then surrender. Jayce has to survive until the end of the fight, and maybe for magical physics reasons he has to wait until Viktor sends the anomaly into the sky above the Hexgate. But once they get to the top of the Hexgate tower he stops trying to fight Viktor altogether. Maybe Mage Viktor told him exactly when it had to happen or maybe he just realizes this is the exact same place where he died in Mage Viktor's world; this is his last chance. But in any case, Jayce lands on the top of the Hexgate on his knees and he doesn't try to get up.

He waits, and when he senses Viktor behind him he doesn't try to fight or run away.

I think he knows, either because Mage Viktor told him or through his own intuition, that he has to let Viktor pull him into the astral plane if he wants a chance at reaching him.

How exactly he was going to get through to him and/or get close enough to share the memories before Viktor assimilated him...ehhhh I don't know if either of them had that figured out. The "you were never broken" part of Jayce's speech, while important from a character perspective...very crucially DOES NOT WORK. IT DOES NOT WORK AT ALL. Viktor is assimilating Jayce the whole time. You can see Jayce's astral body changing from the unique version that's still him (like his hands on the left, when he first enters the astral plane--which still look more or less human even though Viktor has already erased "imperfections" like the scrapes and cuts from his time in the pit and the arcane corruption that's spreading up and down his arm from where the rune is embedded) into a featureless gold blob like the other assimilated people.

You can watch the gold light creeping up his body steadily during those lines until it reaches his eyes.

The ONLY thing that stops this timeline from ending the same way Mage Viktor's does...is EKKO.

I think you can make the case that Mage Viktor sent Ekko to the no-Hextech timeline intentionally. But it is such a complex chain of causality for Ekko to get to the point where he's chucking a time machine at Herald Viktor's face that there is no way anyone--even a remorseful demigod with lots of time on his hands--could control every possible factor.

However elaborate Mage Viktor's plan was, and however determined Jayce was to keep his promise to him, it all would have failed if not for factors outside their control and random fucking chance.

Arcane is FULL of near-misses and what-could-have-beens and characters who are trying their best to do something getting knocked off course by consequences they never could have foreseen. Season 2 in particular introduces a persistent thread of chaos and the sense that even events that have understandable root causes are now spiraling out of characters' control. So it feels fitting that such a moment factors into the show's ending.

This is Jayce right before Ekko blasts through spacetime right above Viktor's head.

Yeah that guy was cooked.

The only thing that stops Jayce from being assimilated is Ekko breaking time to throw the Z drive at Viktor's face.

Which startles Viktor enough that he takes his hand off Jayce's head in the physical realm (ETA at first I thought it looked like he did, but upon closer rewatch I don't think their physical connection ever breaks; the assimilation link in the astral plane does though), and also breaks a piece of his machine mask off in the astral realm.

As he always does when one of his "perfect" bodies gets damaged, Viktor withdraws and tried to hide, enough that he lets go of the assimilation connection with Jayce.

Jayce starts to regain his own identity/autonomy.

And he gets a do-over. Exactly the same way Ekko used the Z drive to get a do-over with Jinx when he was trying to talk her out of suicide. Jayce gets another chance, and that's when he goes for "all I want is my partner back" and "because I promised you." Which works.

Mage Viktor's plan, I think, was for Jayce to help main timeline Viktor realize what he was doing before it was too late, and then give him the runestone, which allows him to release all the minds/souls that are connected to him before this becomes some runaway chain reaction of arcane power that swallows everything around him. (How the runestone does this exactly, and how the anomalies play into it, is stuff I am still thinking about. But tbh I am less concerned with the details of made-up magic physics than I am with the character beats.) Mage Viktor had accepted that main timeline Viktor was probably going to die in this process and he'd made peace with it. That's what "should" have happened anyway, if Viktor never found a way to forestall his illness, right? As long as this Viktor got to spend the best years of his life with his Jayce, it was okay.

I don't think Mage Viktor ever expected Jayce to stay there until the end. His goal was to save the world and spare Jayce from himself. And why would he plan otherwise? We know why Jayce stays, but Mage Viktor never got that part of the story. He schlorped up his own Jayce's consciousness with everyone else and maybe he only understood the depths of what Jayce felt for him in the moment that he was killing him. And main timeline Viktor certainly does not expect Jayce to stay. He's shocked when he realizes Jayce has no intention of leaving. No, that wasn't part of any master plan. That part was all Jayce.

[lazycats-stuff]

What about Batfam x male reader where the reader was actually the first child Bruce adopted and he was the practice child. He hated growing io because Bruce had really no idea what to do and then the other kids came along and now Bruce kinda understood what to do. He hates family time because he never felt like family, he was just some doll the others could practice on so later they wouldn't make mistakes. And i imagine at some point they snap. I feel like what if Damian brought over Jon for dinner and Jon was like "oh I thought Dick's the oldest, you never told me about (reader)" and reader just slams down their fist and goes to their room. At this point the rest of the family try to comfort them but the reader only screams about how they never were a son or bother, they were only a practice doll for them to use and then throw away

This has angst written all over it... Ah. Angst train it seems... Also, I think I changed the end a bit, but that's fine...

Summary: (Y/N) was nothing but a test child for Bruce. He finally lets them have it

Warnings: angst, resentment, author sucks at angst, but hey, I tried, yelling, mentions of anxiety, the fam is trying, (Y/N) is mad beyond belief, implications of child neglect... If you can call it child neglect.

(Y/N) (L/N) was the oldest member of the Wayne family and the first child that Bruce had adopted. (Y/N) didn't have a good life at all before he met Bruce. (Y/N) could also argue that Bruce didn't treat him well as well, since being emotionally unavailable is not a good trait to have when you have children.

As the years went by, he hated growing up in the manor and with Bruce. He had food, a roof over his head and some sort of education. But that wasn't enough. The feeling of resentment that (Y/N) had has only grown as the years went by.

The feeling of being a test to Bruce, to see what he need to improve made his blood boil. He was a test pancake for Bruce and some sort of feedback to Bruce. It made (Y/N) mad beyond. Bruce could have gotten his shit straight when he started to have him as his legal child.

(Y/N) wished that he could forget everything about Bruce. About the family too. Even before Dick came, resentment building up in him nearly exploded. Looking back, he should have exploded on Bruce and Dick... Maybe even punch them. Maybe he should have done it.

When Dick came, (Y/N) saw signs that Bruce was improving, but he didn't show that to (Y/N). Years went by and Damian came. To say that Damian pretended that (Y/N) didn't exist is an understatement. (Y/N) tried to get closer to Damian, but Damian always pushed him away. (Y/N) took the signs and gave up, sadness and anger boiling inside of him. But he did observe Damian and Dick. In matter of a few days, they were close.

Dick did it without even trying.

So, (Y/N) has decided to alienate himself from the family, at least until he gets enough money to leave. Thankfully, the resentment towards Bruce and the rest of the family made him even put everything he had in school, even though no one cared about it. He had straight As and he was on his way to go to college that was far away from here. He knows that he can do it.

Even as Tim and Jason came, (Y/N) tried to be close to them, but none of them cared. None. (Y/N)'s solace became his own room and would avoid the family at all costs until it was time to eat where he had to step out. That only solidified the fact that he was going to leave as soon as possible.

Either way, he just had to alienate himself and move out. Then, everyone in the house would be happy.

However, everything would turn on its head when Damian would bring his boyfriend Jon over to meet the family and by default (Y/N). If only (Y/N) knew what would happen.

Dinner rolled around and came down to eat. He didn't expect to see Jon, but was nice to introduce himself to Jon, trying to be nice and just get this stupid dinner over with. He put some food on his plate and just ate in silence while everyone else talked.

He listened to bits and pieces and just stayed silent. He finished his plate quickly and pushed it away and sipped at his water, just being polite and getting ready to leave back at his room.

" Damian, you didn't tell me anything about (Y/N)... I thought that Dick was oldest of the brothers. " Jon said and (Y/N) froze.

Damian didn't tell Jon about him...

(Y/N)'s anger boiled over and he slammed his fist into the table before standing up quickly, knocking the chair over. Everyone got startled at the actions and watched in silence as (Y/N) left the dining room.

After a few seconds they all jumped into action, trying to stop (Y/N) to comfort him. (Y/N) slammed the door of his room shut, locking to make sure no one could enter, before he broke down on his bed. He hugged his pillow and sobbed into it.

It shouldn't hurt like this. He should have been stronger than this. Not cry over them.

" (Y/N), please open the door. " Bruce said through the door.

" Please, we just want to talk. " Dick added and (Y/N) snapped at that, anger boiling over once again.

" Talk?! TALK?! Stop acting like you care! " (Y/N) yelled at the top of his lungs.

" We do care. " Jason started.

" You don't give a single flying damn about me! I was never a son or a brother to anyone! I was only a test toy to Bruce so he could see what he could fucking improve! I was never a fucking brother either! Damian fucking proved it! " (Y/N) yelled at the top of his lungs, tears streaming down his face.

Everyone stayed silent and (Y/N) sobbed his heart out. Damian swallowed hardly, realizing what he did and how that hurt (Y/N) deeply. Maybe he shouldn't have...

Everyone glanced at each other. They stayed silent as they listened to (Y/N)'s sobs. Just how much pain did they brought up onto him?

" (Y/N), look- " Bruce started and (Y/N) screamed again.

" Don't you dare care right now! I'm moving out in a few days anyway and I don't need your pity or apology! " (Y/N) yelled, trying to wipe the never ending stream of tears.

" Moving out?! " Bruce yelled, eyes wide in shock. He know he has no right to tell (Y/N) what to do, but something flared up in Bruce. " No, you're not moving out! You are going to stay put because we have to solve this problem! "

" Are you shitting me Bruce?! Work things out?! "

" I'm not shitting you! I have to make things right with you! You are my son too! " Bruce yelled through the door.

" I don't give a single damn about any of you! "

Bruce took a deep breath, trying not to explode. He knows he has no right to be angry, but (Y/N) was still his son. " (Y/N), I am your dad and we will solve this problem. "

" We won't solves shit Bruce! "

" (Y/N), please, " Tim started, but (Y/N) cut him off. " Shut up Tim! "

Tim bit the inside of his cheek and stepped back.

" (Y/N), " Jason started, " You need to calm down, you'll give yourself a heart attack. "

(Y/N) wanted to scream even more, but he felt like he was going to die from this situation.

" Shut up, all of you! "

Now Dick started. " (Y/N), we may have been bad brothers- "

" May have?! You were- No, you are the worst brothers! " (Y/N) yelled and clenched his fists as he started facing around the room.

Dick sighed and stepped back. At the moment, everyone knew that (Y/N) talking to them without yelling at them and more importantly, he needed to calm down first.

But with how much anger and resentment there is, it is going to take a while.

" Lets leave (Y/N) alone for a while. He needs to be alone for now. " Bruce said and gently moved everyone away from (Y/N)'s doors, who was inside, trying to breathe more normally. He felt like he was going to jump out of his skin in the next few moments. He calmed down after a while, but he was still anxious beyond belief.

Unfortunately, the threat of moving out is just a threat and not a promise. (Y/N) sighed as he sat down on his bed. It was a stupid move to say that while he didn't have everything secure yet. Stupid.

(Y/N) went to the bathroom and washed his face and drank some water, to soothe his soon to be sore throat. It won't be nice to talk in a few hours.

Either way, it's better than leaving this room in order to face his siblings and dad. No, they are just roommates here, until (Y/N) can move out and just finally cut them out of his life.

[dragonkeeper19600]

The Batter Is One of My Favorite Video Game Protagonists Ever

News of the upcoming remake recently got me back into OFF, and as I played through the game for the first time in years, I was struck anew by just how great a character the Batter is.

Not just for his role in the subversive meta-narrative, which was fairly new in video games at the time, but also for really being just a really nuanced and fascinating character.

Now, even knowing the twist and the way the game ends, it might be tempting to write off the Batter as a one-note character, like, "Oh, he's just an uncaring thug who wants to kill everyone," but no, I think that's a very shallow read. The Batter has a lot of depth if you take the time to really look.

So, because I've been chomping at the bit to gush about my favorite character, let's go down a list of some of the character traits that make the Batter great.

1. Doesn't Give a Fuck...or Does He?

Years ago, there was a post on Tumblr (that I won't even try to find now) that said of the Batter, "Man, this guy just does not give a fuck," featuring a bunch of screenshots of him saying things like this:

Don't get me wrong, his terseness and lack of reaction to some of the game's most outrageous or even harrowing moments is hilarious in a kind of black comedy way, but to imply that the Batter doesn't care about anything is inaccurate.

For one thing, he drops the blunt speaking style and becomes very eloquent and even passionate when confronting those he sees as "impure."

That the game acknowledges him to be a figure controlled by a player by no means necessitates that he's merely an automaton, passionlessly following orders. He's devoted himself to his mission with the zeal of a fanatic. He fervently believes that he is right and just and that anyone who opposes him must be cut down for the greater good.

Confronting what he perceives to be evil is the most surefire way to loosen his tongue and get him fired up, which brings me to my next point:

2. Has a Strong Moral Center...Too Strong

The Batter's main goal may be to wipe out every living thing in this world, including all of the Elsens, but that doesn't mean he's indifferent to the Elsens' suffering. Far from it. He's actually deeply offended by their mistreatment.

In Zone 1, the Batter decides that Dedan is hostile and must be destroyed before Dedan has even had the chance to interact with him, meaning that Dedan being hostile to the Elsen is what made the Batter decide he has to die.

He also conveys a sense of urgency during the timed mission in Zone 2, as though urged by the sight of the Elsens in immediate danger. I don't remember his exact dialogue if you run out of time during this part, but I recall him saying something like, "We're too late..." which (if I'm remembering the line correctly) would show that he's motivated not just by a bloodlust for the Specters but by the need to save the Elsens' lives.

However, what makes this morality disturbing instead of redeeming is its lack of two things: empathy and nuance. While the Batter is able to understand that people being killed or mistreated or abused is bad, he isn't capable of empathizing with the victims. The knowledge that the people he's fighting so hard to save in Zone 2 are going to end up being killed anyway once he purifies Japhet doesn't give him pause for an instant. The inherent dissonance in that is beyond his ability to comprehend. He's so self-righteous that he sees each of his actions as good, even if they result in the same outcome for a particular individual as something he's trying to prevent. In simpler terms: When a Specter kills someone, it's bad and evil. When the Batter kills someone (even if it's the same damn person), it is right and just.

The lack of nuance in the Batter's moral compass manifests as a very simple worldview: Everything that is evil must be destroyed. This philosophy is key to the game's satire of morality in video games, where evil deeds and creatures are swiftly and violently punished by the main character, usually with death. By sticking to this worldview, the Batter is ignoring the nuance of the setting he's actually in. The Elsens whose mistreatment he's so outraged by don't want him to kill their leaders, and they don't want to be killed by the Batter anymore than they want to be killed by the Specters. But the Batter is so set in his worldview that he isn't willing to adjust. If the Zones operate in a way that he deems to be evil, then they too are inherently evil and must be destroyed. This chain of logic is taken to its natural conclusion when the Batter annihilates the whole world because, yeah, that's really the only way to eliminate evil, isn't it?

It may be tempting at this point to say that the Batter doesn't care about anything except his mission and punishing evildoers, but even that is oversimplifying the character.

3. Surprisingly Human

Mortis Ghost has very clearly stated that the Batter is not human, and I believe him. (Why wouldn't I? It's his game.) That being said, some of the ways the Batter reacts to the things he encounters strike me as surprisingly human.

It isn't true that the Batter doesn't care about anything outside of the mission. There is quite a lot that he doesn't care about, but he's also capable of forming opinions that have nothing to do with the mission. If you look out one of the windows in Zone 0, the Batter will say, "I think it's a nice day out," which is a line that really surprised me when I first found out about it because it's the only time I can think of where the Batter makes a positive comment about something.

There's also the way he insists on sitting in the front seat of the rollercoaster and always puts his arms in the air while on the incline. He's not obeying you when he does these things; he refuses to get on the coaster if you try to make him sit anywhere but the front, and there's no button prompt or anything to make him put his arms in the air; he just does it.

I also love his reaction to the "Panic in Ballville!" comic in the Room.

Not only is he decidedly unimpressed with this comic, he also refuses to read it again if you try to make him. Whether he realizes the implications of his own resemblance to the villain in the comic is unclear, but his refusal to even look at it again means that he might. Regardless, moments like these show that the Batter is more than just a single-minded puppet. He does have opinions and won't hesitate to put his foot down if you try to make him do something he doesn't want to do.

He's even capable of being taken aback, as Enoch's dialogue about the Specters being the souls of the dead appears to give him pause.

That brief moment is the only one in the game where the Batter shows any sign of hesitancy or uncertainty in what he's doing. He was very convinced up until this point that the Guardians were controlling the Specters (despite Dedan accusing him of the same thing in Zone 1). Not only that, but he's never taken the time to think about what the Specters actually are. I kind of interpret this as a rare introspective moment from the Batter, where he begins to realize there might be aspects of this situation and what he's doing that he hasn't considered.

However, he quickly recovers from this moment of doubt and hardens his resolve to eliminate Enoch because of his...

4. Unshakeable Faith...But in What?

A lot of the language the Batter uses to describe himself and his mission contains a lot of religious overtones, with adjectives like "holy," "sacred," "righteous," etc. His perception of his himself matches with portrayals in the Old Testament of God as a punisher of evil and a smiter of the wicked.

I don't think I need to list all the references to Christianity throughout the entire game because that would take way, way too long. Needless to say, everyone has noticed the religious motif in this game, and when an Elsen in Zone 1 straight up asks the Batter if he's religious, he doesn't deny it.

However, I don't think it would be quite right to call the Batter a Christian. While he uses a lot of language that's reminiscent of Christianity, his dialogue doesn't contain any references to specifically Christian practices or beliefs, such as Jesus, the Bible, the saints, angels, baptism, the Resurrection, etc., etc. The Batter may have devoted himself to his mission with a religious zeal, but is the mission alone all he worships? The kind of faith he exhibits is usually that associated with a deity.

Identifying the "who" at the center of the Batter's worship is not easy. When the same Elsen from Zone 1 asks who sent him, the Batter straight up says, "Nobody." I've seen it suggested that the deity the Batter "worships" may actually be the player, but I don't think that's right either, since he's pretty quick to turn on you, without any sign of hesitation or angst, if you side with the Judge in the final boss fight.

But I have another theory. If we're still using Christianity as a reference, then the Batter would presumably be worshipping some sort of creator deity. Who is the Batter's creator?

When the Batter meets the Queen, she tells him to go back home. His response?

He outright refers to Hugo as his father. As you may recall, "Father," is one of the aspects of the Trinity (Father, Son, Holy Ghost.) The Father is God the Creator, God the Progenitor, God the Origin of the World. This, I believe, is how the Batter sees Hugo.

Remember how the Queen attacks the Batter by saying, "You don't even know his first name"? Could that be because the Batter only knows Hugo as "Father" and not any other name?

This revelation becomes even more enlightening (and disturbing) when you take these lines into consideration:

What does the Batter see as the Queen's only important role? To care for Hugo. Why does the Batter feel compelled to complete his mission? Because of Hugo. Why did he come all this way? To see Hugo. Where is his home? With Hugo. Everything is for Hugo.

That the main goal of his mission is to kill Hugo fits the mold in a twisted way. After all, Christianity rather famously centers around a God who died. That death is believed to have saved the world.

Regardless of how exactly he came to that conclusion, the Batter truly believes that killing Hugo is what's best. Even his infanticide (patricide?) is driven by his twisted devotion to Hugo, his creator and his God.

All of this is why the Batter is my favorite character in this game and none of the others (as great and memorable as they are) can even come close. He's not just a brute in a baseball costume. Each time you peel back a layer of his motivations, you only see more layers underneath. He's an incredibly rewarding character to analyze, and I never get tired of talking about him. He's a fanatic, a devoted apostle, a self-righteous murderer.

And he always sits up front on the rollercoaster.