#classic map
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brooklynbutterflyarts · 10 months ago
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Framed Old World Map Cartography By Willem Blaeu Theatrum Orbis Terrarum framed:Professional solid Wood Ornate Moulding Dry mounted, will never fold or fade Molding:Professional Mahogany Finish with Gold Trim (solid-wood) Print: Full Color dry mounted glossy print Glass is included, Comes Fully Assembled Ready For Your Wall This is a fantastic glass framed print of a uniquely colorful old world map. This map was originally published by the famed cartographer William Blaeu (1571-1638)."Upon the death of the publisher of Gerhard Mercator's maps, Willem Blaeu seized his opportunity to release the most ambitious atlas of his day, the Theatrum Orbis Terrarum, also known simply as Atlas Novus, or the New Atlas. This six-volume set contained the most up-to-date maps of the entire world.".(USC Library dept.).Measurements are 16"X12",40cm x 30cm including its all wood high quaility finished frame.This classic map adds beauty and class to any room office or study. At this price this is a spectacular deal. THIS IS A DECORATIVE REPRODUCTION OF AN ANTIQUE MAP NOT AN ANTIQUE IN ITSELF.BUY WITH CONFIDENCE. ALL OF MY DELICATE ITEMS ARE SHIPPED WITH A SPECIAL 3 LAYER PROTECTION SYSTEM.
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domi091 · 2 months ago
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And now, the nations of the world!! Brought to you by miles "tails" prower!!
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swiggityswooter · 2 months ago
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Ah yes. Another day, another ~Path Of The Logic~ doodle. And experience. I don't know if it's just me, but I can't move around the goddamn map without checking it like a hundred times to see where I'm going- Yes, it is very infuriating. Shlove it.
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kathysvart · 2 months ago
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I FINISHED THE MAP!
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AAAAAAAAAA
I loved working on it.
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ginormouscobe · 1 year ago
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A little map of Fallout 1 and Fallout 2 New Vegas would be visible on the right side, but this is only including areas from the classic games.
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fadedrrainbow · 2 months ago
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trail down the hill
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moonllhi · 2 months ago
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close ups below
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strifesolution · 6 months ago
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Convince me that I'm better, I'm standing in your mirror.
fanart for in the fast lane by @flarez with designs by @a-complete-catalogue because this fic has me by the throat. go read it.
bonus playlist i threw together to listen to while drawing this:
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oscarwildin · 2 days ago
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kill your darlings (2013)
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vintagecamping · 11 months ago
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Road trip through the Swiss Alps
Switzerland
1960
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filmap · 11 months ago
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Frankenstein James Whale. 1931
Malibou Lake, Agoura Hills, California 91301, USA See in map
See in imdb
Bonus: also in this location
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edwardian-girl-next-door · 5 months ago
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Murder Maps S1Ep3 "Finding Dr Crippen"
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kathysvart · 14 days ago
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Sooo I tested my crochet map and it turned out well.
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Had much fun with that terrible terrain that really fits a duel. Shoot or die, no other option.
Note my pink Warhammer lol
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christiangeistdorfer · 1 year ago
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AYRTON SENNA looking at pictures of himself at the 1990 BRAZILIAN GRAND PRIX
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fadedrrainbow · 29 days ago
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jungle falls
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lambda-core · 4 months ago
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I am way too tired/jetlagged to make this post right now, but the reason Armada Starscream is so specifically well done to me actually isn't just the way he's got more depth than just wanting to take over Megatron. It's the way he falls back on this image he has of himself as someone who is solely focused on Megatron. And he is obsessed with Megatron, but the disconnect between Starscream and his image of himself is what gives him actual depth.
The reason this is so cool to me is like, that self-image--that he is single-mindedly obsessed with Megatron and will sacrifice everything else for that goal, no matter who gets hurt--is pretty close to what every other Starscream is. (The selfishness you associate with Starscream is a little more subtle, but it's there in the "no matter who gets hurt" clause imo.)
So if you go into this as a Transformers fan, you're already expecting Starscream to betray Megatron and try to best him and rule the Decepticons. But so does Starscream, even when he's demonstrably proven to both his peers and the audience that he's more than that. It's almost like his past incarnations--or the audience's expectation of him--haunt him. It turns his own internal man-versus-self conflict into this really cool man-versus-narrative conflict.
And what's crazy about this is, through the last moments of this arc, Starscream does grow beyond the narrative we'd expect from other Starscreams! But he never admits that to himself, because it's easier for him to cling to the idea that he's laser-focused on his hatred of Megatron. Every time he helps the minicons--every time he helps the humans--even in his last words, he LIES to himself and everyone around him that everything he did was always about Megatron. Because it's easier to simplify himself than to grasp that he might be a complex character. Because he's a person and he has all the messy conflicts that come with that. He falls back on the same ideas every single other Starscream did, and THAT is his undoing. Not that he is self-centered because he's Starscream. Not that he is obsessed with Megatron because he's Starscream. That he THINKS he is all of those things and he will not LET himself be anything else.
I would argue that that's a bigger theme in Armada, as well. Optimus and Megatron more or less spend their final fight coming to terms with their story roles in Transformers. I really feel like if you sneezed on them, they would realize they do this in every universe and in every timeline. Starscream's is the most interesting example to me, though, because he's such a departure from other versions of Starscream; hell, he acts (and looks, lol) a lot more like some incarnations of Thundercracker. But he's still got classic Starscream in him in this roundabout meta reference. He's like an homage to his namesake. It's so cool! And it works perfectly with the story he's a part of.
#transformers armada#armada starscream#so. this part goes in the tags but. if you know me or recognize my url you may be going ''half life fan take''#especially given that this is by far my favorite starscream that i have ever seen#I am beating zero half life/valve gaming allegations with this one#but imo this is a reminder to me that like. the best meta media is always the kind that doesnt shout it out#i mean. generally the more you have to handhold your audience on what the media is about. the more it is bad#unless it's specifically really dialectal media aimed at young children and the directness is like. The Point#(wild robot being a good example of very obvious media meant for kids that is still clearly like. fantastic)#but in general i think meta media (metagames and the like) kinda lose their impact when you have to explain them#people forget that half life doesn't really hold your hand about this#because valve games are so entrenched in internet culture#it goes beyond ''the one free man'' as an icon - the game is about the horror of being a video game player character#and especially of being a silent protagonist#gordon's helplessness in the plot and the way he's ''the one free man'' but not free is a commentary on how games funnel you through their#stories while acting like the player character has any agency#gman's ability to teleport players around various environments and even to/from stasis is similar to how gamedevs load/unload characters#and teleport them around cutscenes and environments when the player cant see them#he gives them just enough freedom to feel natural while keeping tight control over their purpose in the story he is telling. like an author#SIMILARLY. this is why you can't do myhouse.wad again#part of the horror of myhouse.wad is the familiarity of it and the subtle offputting changes from standard doom mapping FOR DOOM PLAYERS#even down to how it was released#it isnt just a silly meta internet horror game everything about it was purpose-built to send goosebumps specifically to doom modders and#classic doom enthusiasts#ANYWAYS. ARMADA IS LIKE THIS TO ME#behind all the anime nonsense and the like 20 filler episodes in the start there's a genuinely clever commentary on like#transformers as a franchise and as a story that keeps getting retold#THERE'S MORE TO IT THAN THAT BUT YOU GET MY POINT.
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