#do not come in here all anon at me

[iamthemess]

You make fandom a space that sparks joy but at the expense of making other fans feel excluded and alienated by perpetuating fanon takes that everyone next to the Batfam is stupid. You're dumbing down characters that are exceedingly brilliant to make bats look more important. You're not sparking joy.

How did you somehow read my post while also not reading it at all. I'm not sure if I even want to engage in whatever this is and if I do in what way. On one hand I'm concerned for your wellbeing, that's a lot of hate I think has been misdirected onto fandom and therefore any attempt to make peace is futile. On the other hand, I like being a petty little shit and enjoy arguing even if futile, also I haven't taken my meds in a few days but that's a whole other thing and I'm now rambling again so ill wrap it up.

I'm going to assume you are all of the anon hate in my inbox rn and at this point in time only respond to this, sorry you put so much effort into being an asshole just for me to ignore it but thats the great thing about free will, if i don't like something I can simply ignore it, I suggest you practice that

(Update: (Note for this topic: Read me ))

[flame-cat]

i love ford getting mad @ stan & accidentally triggering a flashback/bad memory recollection & that startling him enough for him to stop being angry

major wake up call. i love that man getting humbled

hmmmm yes i love it i'll take 20

bonus thing that happens Later

[basket-of-radiants]

Why were you so disappointed by Rhythm of War?

This has been sitting in my askbox for years. I've taken several cracks at answering, only to get frustrated with the subject matter and burn myself out every time. I didn't like Rhythm of War. More than that, I didn't like it in a way that tainted my enjoyment of the entire series. And despite what it may seem, I don't actually enjoy discussing things which I don't like. I always want to talk from a place of good faith. Which is why now that my feelings towards the series are a little more positive, I think I can finally answer this.

I'm going to try to stay away from specific plotpoints and story beats for this post, because my goal isn't to nitpick (if for no other reason than it would take a week to write this post), I'm just looking to talk about my overall impressions. I think that might mean the only spoilers here will be structural? idk, if you haven't read Rhythm of War yourself then you should probably do that before looking for other people's opinions anyway. 

I liked Way of Kings when I first read it. I didn't love it at the time, but I liked it. Certainly enough to keep reading once I'd finished. One thing that made me a bit uncomfy, however, was the war against the Parshendi. They were this unknowable enemy which the book was not interested in knowing. An inhuman army. Their main purpose was to kill Kaladin's friends, or else be killed by Dalinar's armies. And yet the Parshendi, and the parshmen in the form of Shen, did show hints of personhood. And so it bothered me how Dalinar spoke so casually about how the Alethi had decimated their numbers, how the others used the war as a means to amass wealth and power. (It didn't bother me in a "this is a bad book" way but in a "these characters are bad people" way.)

One of my foibles as a reader is that when a book is very clearly treating one side of a conflict with more humanity, I tend to be a bit predisposed towards the other to account for that. And with the Alethi clearly being the invading party and superior military force, there was also some underdog favoritism. I didn't really like how the book treated the Parshendi. This is to say that going forward, the singers would be more important to me than any other through line.

So imagine my delight at reading Words of Radiance and meeting Eshonai, one of the Parshendi, who even gets her own point of view sections! They were no longer being treated as a faceless mass, we were getting to see things from their perspective as well. And it became plain to see the damage the Alethi had done to them. I couldn't really bring myself to root for Dalinar or really any of the humans against the listeners. I couldn't even bring myself to like most of these characters. I still enjoyed the book but once it became clear there wouldn't be a peaceful conclusion, let's just say that I wouldn't have wept for Dalinar and Adolin if Szeth had managed to off them. Like everyone in the book, I assumed that going forward all the parshmen would be turned into evil voidbringers in the everstorm and that the listeners were mostly dead. Except for Rlain, and Eshonai because I'd read or been told that book 4 would be Eshonai's book and thus had assumed she was fine. (Oathbringer spoilers, she was not fine.) So ultimately it was still a bit of a downer way to end the book. 

So imagine my delight at reading Oathbringer, where for the first time singers were being treated as people, full and real people, and where the human characters could no longer ignore or dismiss them. We met Khen and the others, common singers who were sympathetic and just wanted freedom from bondage. We see Venli grapple with the loss of her home. We see Leshwi and Moash connecting with and understanding one another. We learn of a history where singers were the original inhabitants of the planet. Parallel to this, Dalinar is having a truly excellent character arc about confronting one's past actions and acknowledging them to move forward and do better. I loved Oathbringer, for some years it was my favorite book, and I was excited as hell to see what came next. At the time, it seemed to me that there is a clear direction the story is going. Two books about needless war, and then a third where the main cast is forced to acknowledge the personhood of their enemies. This was so cool, all of my feelings from the previous installments were being validated, the characters were going to have to face what they've done in the past and outgrow their militaristic mindsets, I was so sure of that.

Imagine my disappointment when that does not even remotely resemble the direction the story went in Rhythm of War. RoW presented a clear, straightforward “us vs. them" narrative, where every character was totally fine with killing singers. Characters aligned with the singers were either flattened into wholly evil versions of themselves (Moash) or were expected to turn on their side in favor of the humans (Venli.) Because clearly there was no reason good people would be on the side that's all former slaves trying to stay free. Maybe there's some sort of accord or understanding between Navani and Raboniel that I might have found meaningful if the seeds of mutual understanding weren't already there in Oathbringer and then apparently ignored for a year by all the characters.

I have a lot of issues with how the listeners are handled in these books. (Here's some elaboration.) Following OB, I had thought that all my concerns were going to be addressed. Following RoW, I knew they never would be. 

Which is my main complaint, because that's the thread that matters most to me in this series.

I have a lot of other Things as well. Gonna just talk about a few big ones. 

One outsized source of disappointment that may seem a little petty, and which probably is, is that I felt mislead by the premise of the book. It had been announced that this book would center Venli and Eshonai, and I was unbelievably hyped for that. That did not really turn out to be the case. The purpose for their backstory chapters felt less about exploring them as people and contextualizing their arcs, and more about filling in gaps of world history. In the main plot, Venli was a POV character and she certainly played a role, but honestly not a very important one overall. To me she felt like a side character in her own book. I don't think it's controversial to say that the main character of RoW was Navani. A lot of people really like Navani and are happy about that. Unfortunately I'm not one of those people, and I found it all the more difficult to enjoy her when it felt like it was coming at the expense of some of my favorite characters. 

This particular gripe somewhat comes down to preference, obviously everyone prefers to read about characters they like more than those they don't, and it can go both ways. (For instance, on a craft/technical level RoW is probably the superior book to W&T, but I liked the latter a lot more because of my stupidly outsized attachment to Szeth and Nale.) But I do think there's something of a real criticism in how the book would rather focus on the feelings of a queen rather than those of a genocide survivor, and how the former's are given significantly more weight and import. It ties in with my main criticism, I think. 

And then there's how human/human racism had also been wholly cast aside as a plot point. Jasnah fixed slavery so that's resolved, and the only person who still cares about structural racism is the evil bad bad evil villain Moash/Vyre, who is now wholly irredeemable and who you're allowed to totally write off because he's sold his soul to Odium. I've already talked a lot about this. Other people have already talked about this, probably better than me. The writing was actually on the wall for me in OB, but again, RoW was when I fully accepted that this was never going to be addressed. 

There's something else that probably deserves its own discussion rather than being quickly tacked on at the end here, but here we are. This book changed how the series approaches war. 

In WoK, war was very clearly portrayed as a bad and inglorious thing. It was brutal, it was painful, those at the bottom died cruelly and unceremoniously and pointlessly while those at the top turned a profit. Every day was a new horror. The enemy were never evil, they were always just more people forced to go through the same thing. Through the next couple books, it felt to me that even if the characters had accepted war as necessary, there was still a tragedy to it. Conversely, in RoW (and W&T) war is basically a series of boss battles, in between which our protagonists can kill dozens of footsoldiers with barely a thought in the same way WoK had criticized.

Final note on all this, it sucks how we have no perspectives from the former-slaves-singers demographic. Those guys are really thrown under the bus, and seemingly get no self-determination now or ever. It was a glaring problem to me in RoW. Conscripted and enslaved humans and singers probably have just as much ground to form mutual understanding as a fused and a queen. (In fact they already had. In Oathbringer.)

In essence, RoW disappointed me because it left me with the distinct impression that none of the series's most important through lines (well, most important to me) were going to be resolved well. I liked W&T, but I haven't revised my opinion very much about the overall handling of these topics across the series. Maybe one of the reasons I was able to enjoy W&T so much more was because I no longer had such high expectations.

[burningcheese-merchant]

Hey Merchant! Brand new to the blog and I love it, but I was wondering your opinion on something. I’ve been noticing recently (especially on TikTok) people coming to a compromise in defending ShadowVanilla but/by antagonizing BurningCheese. They’ll say stuff like “SV has nuance but BC is just toxic” and while I can see that in a way, it doesn’t sit right with me. Again, just wondering how you feel about that (No hate to those people from me though).

Hypocrites. They're stupid, annoying hypocrites. Plain and simple. There's nothing to see except for that. It doesn't sit right because the chair is fucking busted dude, it's got 3 legs and two of them got mauled by termites and the rest got cobbled together by Patrick Star

If Golden Cheese was a man, BurningCheese would be just as popular as ShadowVanilla. It would have mountains of fanart on this dumb website and it would have a million fics on AO3 (400 and counting vs 40, yes I am bitter and disappointed, I'm only one person and there are only so many hours in a day I can't bridge that gap alone) and it would have hordes of dumb, horny fujos running interference for it 24/7 just like ShadowVanilla does. (And I specify GC being a man and not BS being a woman because let's all be real. Nobody cares about f/f ships. M/f and f/f are and will always be overshadowed by m/m whether any of us like it or not.) If they actually bothered to pay attention to the game, and to GC's and BS's characters and how they intertwine/compare/contrast, then they would see that their dynamic has equal weight and value. But they don't. And you know what? At least half of them didn't recognize the weight and value of ShadowVanilla, either, until episode 7 and 8 came out and the concept was directly spoonfed to them by the narrative. The OG ShadowVanilla fans went from rarepair hell to having their ship borderline gentrified, that's a whole separate tragedy honestly

You know what's blinding those people to BurningCheese? You know the truth? I'm going to explain better.

Burning Spice is a man and Golden Cheese is a woman. That automatically sets it back in the eyes of a lot of morons online. Hetero pairs bad. Also, BS hurt GC in the story, which is his literal job as a villain and all the Beasts do this, therefore misogyny abuse toxic blah blah blah. GC fought back and kicked his ass and never once tolerated any of his behavior but that doesn't matter I guess. Shadow Milk psychologically tortured Pure Vanilla and essentially mutilated him mentally/spiritually and turned him into a husk (Truthless Recluse). But that doesn't matter because gay = get out of jail free, also there's probably a dose of "lol men can't be abused or mistreated and anything bad that happens to a man is hot and/or deserved" underlining some people's thoughts let's not kid ourselves

Burning Spice is not a Tumblr Sexyman and Shadow Milk is. Shadow Milk is thin and nerdy and has multicolored hair and dresses like a literal and figurative clown and is kind of effeminate and is basically the final boss of all theater kids and is dramatic and charmingly evil and is confirmed to be about as physically tough as cooked pasta. Burning Spice is built like a brick shithouse and has to bend down to fit through a doorway and speaks in a rumbling baritone and is the "wrong" kind of evil (he is not suave or charming, he is all out bloodthirsty with zero dramatics or window dressing of any kind). Burning Spice is a traditionally masculine man and Shadow Milk is not. And the Tumblr I always thought I knew never liked men like BS, they like men like SM, and so far no one has done anything to prove me wrong. Tumblr Sexymen can do whatever they want and always be praised, regular sexy men can do the exact same shit and be condemned as toxic and abusive because they're perceived as threatening while Tumblr Sexymen are not

Burning Spice and Golden Cheese are not white/based on non-white cultures. They're both very dark-skinned, at that. Yes they are cookies not humans, but come the fuck on Burning Spice is literally Shiva but red instead of blue, certain cookies are obviously supposed to be certain races/ethnicities deal with it!! Skinny white boys have always been what Tumblr and TikTok girlies want, it's always been this way and always will be. Go look at the top pairings on AO3, 99% is yaoi with white dudes. (No you are not racist if you don't like BurningCheese, not liking a ship is not racist good Lord. Racism is a little bigger than that. I'm just pointing out a pattern)

I will say it until I'm as blue in the face as Shadow Milk is, I LOVE ShadowVanilla. I really do. I love them individually as characters and together as a pair, I love all the beautiful fanart, I love everyone's analyses of them, I love all the fantastic fics written by fantastic authors I will never in my fucking life measure up to I don't even know why I bother at this point, I do I do I do. But I am SICK of the hypocrisy. SICK OF IT. I am SICK of BurningCheese getting maligned while ShadowVanilla is celebrated in the same fucking breath. Look me in the eye and tell me SM is any fucking better than BS. Look me in the eye and tell me you'd still like ShadowVanilla if PV was a woman, instead of screeching about misogyny and abuse. I accept and love both ships for what they are and what they can be. If someone can't do that for whatever reason then fine, that's nobody's problem but theirs, it's shipping it doesn't actually matter do what you want, but don't try looking down your nose at others because "Fallen Hero/Heinous Villain Being Canonically Attracted To/Obsessed With Their Heroic Counterpart/Narrative Foil, Whom They Cannot Live Without Because They Are Actual, Literal Soulmates" is better than "Fallen Hero/Heinous Villain Being Canonically Attracted To/Obsessed With Their Heroic Counterpart/Narrative Foil, Whom They Cannot Live Without Because They Are Actual, Literal Soulmates" because ❓❓❓❓❓❓❓

I'm sorry Anon, I'm not mad at you. I'm happy to hear from you, I'm happy you took the time to reach out to me, I'm happy you like my blog and I hope you stay. I'll just be honest, I'm dealing with something genuinely awful in real life right now and I am not ok. I'm really not ok. I needed to yell at something stupid and ridiculous so I could pretend I'm not the utterly powerless creature I actually am, if only for a moment. I saw a punching bag in the shape of your ask and I started swinging. Worst part is I don't even feel any better, but I already typed all of this out so I might as well keep it

TL;DR: TikTok -> OPINION DISCARDED

[defiledtomb]

WE'RE GONNA BE OKAY!!!!

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[anemonet]

hey rememberthe reverse iterators au. are you ever going to post about that again because i think it was pretty cool!

pebbles when he didnt even get to try

[More of my reverse iterator au if anyone is wondering what is going on!]

[summer-oil]

I’ve never felt quite as vindicated as I do whenever you tear a strip of off fanon Gojo. It’s so bizarre to watch an already tragic character be purposefully misconstrued because he’s not tragic in the way they’d like him to be.

LITERALLLYYYYYYYY thank you anon …… i’m very happy that we’re in this together. it’s insufferable!!!!!! frankly!!!!!!!!!!!!! gojo is already plenty tragic without them forcing feelings onto him that he simply doesn’t carry -_- ……. and then they use that misconception as a leeway into criticizing other characters, calling them ooc, and acting like gojo’s ending was just so terribly sad for him when it very much wasn’t in his own eyes. the kids are okay, their society is improving slowly but surely and the burden is no longer falling on the youth — he gets to be with his best friend again, the one he’s longed for. not only that, but he was recognized as a human being and dismantled of his title as the strongest by sukuna before he passed on. and yuji, in some sense of the word, taught sukuna about love in his place. (he surpassed him, some might say <3 ……… which is what he wished for more than Anything.)

gojo is a very tragic character but his tragedy mainly lies in the fact that he accepts the conditions of his own life and deals with it all quietly, without complaint. from his isolation, to his sleep schedule, to his body being violated. he makes the best of it. he rolls with the punches. it’s sad because he doesn’t find it sad. it’s tragic because he wouldn’t call his life a tragedy, he’d go ”well, i managed to make megumi laugh at the end there, so isn’t it fine?” and smile.

[croquettish]

Further kicking the hornets’ nest but I’ve seen such wild takes re: Hans being bisexual. Such as he has to be or he’s not “choosing” Henry because he could be happy with a woman but chooses not to. ????? Do people even know how attraction works? How incredibly disrespectful to bi people to say Hans would be happy with any woman thrown at him because sexual compatibility. I can’t believe we’re arguing about headcanons about characters’ sexualities from a very high horses in 2025. This is so old.

I think you and I may have seen some very similar takes on this exact topic! I read this shit and just end up frothing at the mouth. Somehow this manages to be disrespectful to both bisexual and gay people in one fell swoop.

Apparently bi love is more special than gay love because you have the option of choosing from a larger sample group but only picked one person. Because you are at all times interested in everyone around you. Consequently, if you're a gay man, you must by default be interested in all men around you at all times as well, right? Don't be fooled, however! That's not nearly enough people to make your love special!

If Jitka is heterosexual, this argument would suggest that she should be jumping for joy at the idea of being married because no matter who her husband is, she'll automatically love him because she's into men. Which is absurd.

Let's say Hans is bisexual. Are these people saying that he could just choose to ignore his feelings for Henry to go waltz off into the sunset with Jitka? Because maybe it's just me, but as far as I'm aware, even if you are alloromantic/allosexual, you're not going to want to be with just anyone off the street. Even if these people are arguing that this is about risk, Hans could still choose not to be with Henry either way, even if he is comphet gay. He's choosing that risk regardless of his sexuality.

Fandom should be a space that we peacefully co-inhabit, where we do our best to be kind while we share together in something that brings us all joy. We're all playing with our toys on this shared playground. I don't think it's our place to go around shouting that one person or another is playing with those toys wrong, I really don't.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[pocketramblr]

Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom

you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....

1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)

2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.

3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.

4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.

5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)

+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.

[statementlou]

https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share

did he or did he not lose fans then?

I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:

There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.

Anyway to address the specific question- (con't......)

NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.

[nebulations]

Fish, 7 (For your prompts! ❤️)

Hi, anon!! Thank you for the prompt, you were the very first one to send one in! 7 was, again, the wildcard, so I randomly generated a different number to land on Yue Qingyuan (from Scum Villain)! I have no choice but to dedicate this to @bytedykes, because I told her about this prompt and she said “yqy pet fish mental health speedrun” and we went, uh, a little insane about it. Enjoy some yuefang, folks!!!!

“Mu-xiong,” Yue Qingyuan says. “I’m sorry to bother you. Are you available?”

“Yue-xiong is never a bother,” Mu Qingfang says warmly. “And I am, actually, yes. Is everything okay, Yue-xiong?”

“I think I need help.” A bit dramatic, perhaps, and Yue Qingyuan hates to trouble Mu Qingfang on a rare day off, but Yue Qingyuan and impulse have never been the best combination, and he would appreciate a second opinion.

Mu Qingfang’s voice turns hard. “Where are you? I'll come right away.”

“What—?” Yue Qingyuan stares at his phone like the blank call screen will tell him why Mu Qingfang suddenly sounds so serious. “I'm at home, but—”

“I'll be right there,” Mu Qingfang says, and hangs up.

Yue Qingyuan stares at his phone for another second, then lifts his gaze to his sparkling new aquarium. His new betta, white and black and resplendent of fin, stares back. Was his crisis of faith about his viability as a fish owner really so deserving of such urgency…?

—

“So,” Mu Qingfang says. “This was your emergency?” He looks about as unimpressed by the betta as it does by the two of them.

Yue Qingyuan feels obscurely like he’s being scolded. Mu Qingfang is one of the nicest men he knows, but that just means that his censure takes the form of a blunt instrument of mass disappointment.

“In my defense,” he points out meekly, “I didn’t say there was an emergency. Mu-xiong just assumed.”

“That’ll teach me,” Mu Qingfang huffs, but at least he looks amused. “Yue-xiong should get used to asking for help more so this gege doesn’t have to panic every time he does ask.”

Yue Qingyuan’s mouth almost drops open. He can only hope his cheeks aren’t as red as they feel. “Er—well, I asked this time, didn’t I?”

“You did,” Mu Qingfang allows, looking something horribly close to fond. Yue Qingyuan swallows and tries to hurry on.

“So—not an emergency, but I do want your opinion,” he coughs out. “I’m having… doubts. About the fish.” Mu Qingfang’s eyebrows contract. Yue Qingyuan rushes it out. “Do you think I should keep it?”

“Yue-xiong…” Mu Qingfang looks politely incredulous. “Why does my opinion matter? The fish is already yours, isn’t it? If you don’t think maintaining its upkeep will be feasible, that’s one thing, but… Surely Yue-xiong did the research before getting it?”

He doesn’t sound judgemental, but Yue Qingyuan feels his cheeks warm. “I did, but I wasn’t planning on getting a fish; I was only admiring the tanks. There was a salesperson who was… very insistent.”

Mu Qingfang regards him doubtfully, which is fair. Yue Qingyuan towers over most people he meets, and his bulk only further adds to the impression of immovability. It’s only when he opens his mouth that it becomes clear how spineless he actually is.

Yue Qingyuan falters. “I had thought… I thought it might be nice.” The bettas had seemed so majestic in their tanks, iridescent monarchs of false grass and plastic coves, and Yue Qingyuan had thought, wildly, that one might be rewarding to keep, might breathe a touch of life into his immaculately sleek living room. The whole affair hadn’t even been expensive by his shiny new standards, forget difficult to physically arrange. It was only when installation and set-up for his new aquarium had finished and he was left to watch that jewel-bright being swim disaffectedly through its new home that doubt had seized him, all-consuming and black. He had, admittedly, panicked a little after that.

(Yue Qingyuan’s apartment is very large, and very clean, and very empty. It holds the barest amount of decoration and muss to qualify as lived-in rather than a snapshot from a magazine ad. The fish may, in fact, be the only thing in the entire place which really qualifies as his. No wonder Yue Qingyuan wanted to jettison it from his life as soon as he got it.)

Mu Qingfang’s expression hovers between concern and simple confusion. “I’m sure Yue-xiong will be a more than adequate caretaker,” he says, more gently than Yue Qingyuan and all his neuroses probably deserve. “What’s this really about, Yue-xiong?”

Ah. There it is. Being the mildest person of Yue Qingyuan’s admittedly sharp-tongued social circle doesn’t preclude Mu Qingfang’s wit from being as keen as the scalpels he works with.

“I don’t…” Yue Qingyuan falters. How to express to Mu Qingfang how manifestly unfit Yue Qingyuan is to care for any living creature at all? He changes tack. “I think he hates me,” he admits dolefully.

Mu Qingfang stares at him for a long time, long enough to imply that he’s reevaluating certain opinions about Yue Qingyuan’s intelligence. “Yue-xiong, with all due respect to your new pet—it’s a fish.”

“Fish have emotions!” Yue Qingyuan argues. He flushes at the volume at which it comes out, and at the way Mu Qingfang’s eyes go wide-eyed in startlement. But the salesperson had been very insistent about that, as well. “Bettas are intelligent animals. They dislike certain colors, apparently, and they’re very sensitive—ah, to environmental disruptions, that is. And—”

Mu Qingfang’s eyebrows are still high, but his face has relaxed into a smile. “It sounds to me like you like it quite a bit already. Isn’t that reason enough to keep it?” His tone curls with sudden mischief. “Have heart, Yue-xiong—you’ve hardly known each other for a day! Give it time to adjust to you, and I’m sure you’ll win it over as surely as you do everyone else.” And he grins, sure and easy in his trust that Yue Qingyuan won’t fumble and shatter something so small and monumental as a life that he could cup in his palms.

While Yue Qingyuan is still dazed by that, Mu Qingfang’s eyes alight with interest. “Ah, Yue-xiong—what have you named it?”

“...”

Mu Qingfang’s face falls as devastatingly as it had lit up. “Yue-xiong…”

“Mu-xiong is aware that I was unsure of whether or not I’d keep him!” Yue Qingyuan is terribly aware that his ears are now heating up to match his cheeks. Mu Qingfang’s ensuing laughter does not help with that matter.

Yue Qingyuan is not very good at holding onto things. More often than not, he makes a mess of whatever he’s set his clumsy hands to, lets it fall right through his scarred fingers. But Mu Qingfang’s words ring through his head: Isn’t that reason enough to keep it? And, well, isn’t it? Surely Yue Qingyuan is adult enough to follow through on this. Maybe happiness can be look like his new betta swimming up to the tank to observe the new colorful form moving in front of it, can come as easy as Mu Qingfang quipping that his knowledge about fish is clearly lacking and vowing casually to read up on bettas to be a better fish uncle.

Yue Qingyuan buries a smile and walks over to let Mu Qingfang know that bettas can be trained to follow fingers around. The betta’s clear preference for Mu Qingfang over Yue Qingyuan is as good a marker of intelligence as any fun fact the pet shop worker could have given him. Yes, Yue Qingyuan thinks with a smile—he thinks he’ll be keeping this after all.

[airenyah]

I get you about the hetero vibes of JD. Like there are CPs who act like they have been married for years and I am inclined to believe that and there are CPs who are just happy their job is to flirt with their homies and they lean into it. The latter is JD to me. Like no matter how much they would flirt, I won't believe they are actually together. I can belive they are best friends, even soulmates but not a couple

yep, exactly! i mean, JD also act like they've been married for years in a way, but as i mentioned in my other reply, it just feels like more of an inside joke and feels much more platonic than romantic

and they most definitely have fun flirting with each other. i think it's as entertaining for them as it is for us. especially for joong. i think it's a well known fact that no matter how insane you think you are about JD, you can be sure that joong is more insane about JD than you are. and i fully support him in that <3

[liriostigre]

💭

[katsdynam1ght]

Dabi for the 'give a character's ask please

hi anon!! thanks for your ask :D for anyone reading, the post referenced here is this one! feel free to send any mha character(s) you’re curious about!

DABI // TOUYA TODOROKI

how i feel about this character:

well, that’s a complicated question to start off with, isn’t it?

i hate him. i love him. i relate to him. he pisses me off, and he makes me so unbelievably sad. i pity him. envy him, just a little. mostly, i think i just want him to be okay. to be happy. at heart, i think he’s still a child, but i think i’m still a child sometimes, too. i love how he taps his feet. he feels everything dialed up to 200, and i feel things that way, too. i think he’s been doomed from the start. we’d do anything for the attention of the people who hurt us.

but i won’t look away. i forgive him. i know he wanted to say he was sorry. i think he’s sorry, still. i hope he can find peace, and when he does, i’d like to tell him i’m proud.

and i’m sorry—he deserved more. he deserved better.

i try my best to give it to him.

all the people i ship romantically with this character:

keigo. hawks, eventually. (yes, there’s a distinction there.) i know shigaraki is a popular character to put with him, but i’m not too sure what my stance on that is yet. i don’t enjoy it much when other people do it, but i don’t like how other people write vampires, either, so—i guess i’d have to explore it on my own and get back to you on that one. but—primarily keigo. always keigo. in the next life, too, right? and in all the ones after.

my non-romantic OTP for this character:

call me crazy for this, but you will never see me write a well-adjusted touya without some intervention from all might. i think he and keigo are absolutely essential to helping the todoroki family heal. and all might has such insane potential to effect change in touya’s life.

(and i know this says OTP, but c’mon. it’s me. i can’t pick a favorite anything, so—katsuki’s my second. they’re so alike in so many ways. katsuki is who touya could’ve been. their (canonically nonexistent, but omnipresent in my mind) bond means a lot to me. remind me to write about it sometime.)

my unpopular opinion about this character:

oof. this always gets me in trouble, but when has that ever stopped me?

he loves his father. i’m not sure why that’s so unpopular, but you wouldn’t believe the people that want me gone for maintaining that stance. i genuinely don’t think you can write an accurate touya todoroki if you don’t understand his obsession with endeavor. all that anger and ferocity he has is the result of one desperate emotion: love.

maybe my experience with it is different than everyone else’s, but i know how it feels to want nothing more than one person to just look at you and really see you—to give you their time, their attention, their pride. to have that feeling bursting with intensity, and then to have that person treat you with disdain—or worse, indifference. i know how much it makes you want them to die.

i don’t know if the person in question for me actually loves me at all, you know. i don’t know if it’s even possible for them to love anyone. but i know enji loves touya, and i know touya loves him. i’m working on forgiving my person. i think someday, with the right support and care and love (and in some world where things are the tiniest bit different), touya could forgive his, too.

(but forgiveness doesn’t precede love. the love’s always there. it always will be—we don’t know how to stop. that’s why it hurts so much.)

one thing i wish would happen / had happened with this character in canon:

fantasy answer? i want him to go home. i want him to be with his family. i want him to feel loved and like he belongs. i want him to be happy.

but…

realistically, from a narrative standpoint? man… i don’t know. i want him to be at peace. he’s been fighting for so long. i don’t know how the story ends, since i haven’t read the manga, but—i just hope he knows he’s loved. maybe it’s too little, too late. maybe he can’t be saved. but i hope against all hope that he finally understands he isn’t alone.

i hope he gets to say he’s sorry. i hope he knows his dad loves him. i don’t believe in hell, not in the traditional sense, and i’m not sure what the todoroki family’s beliefs entail, but even if this isn’t something that could be canonized, i hope that if he dies, his next life is much kinder.

bonus (this isn’t on the prompt, but i wanted to share regardless) my current song for this character:

“everybody dies” by billie eilish.

—————

thanks again for this ask, anon! if you haven’t read it yet and want a snippet of my characterization for touya, my fic “Sweet Hearts” is a cute little oneshot i wrote as a Valentine’s Day gift to my best friend. it’s katsuki’s POV, mind you—but touya is a central character :)

and yes, i have more in the works for him. you would not believe the amount of drafts in my notes app. it grows every day. it will bury me soon, i’m sure.

in the meantime, feel free to keep interacting! sometimes i’m slow to answer asks, but it’s just because i tend to ramble… a lot… and i try my best to give everyone a thought-out answer. what can i say, i love to yap.

(and one final time) thank you for giving me an excuse to ramble about touya! he’s definitely become one of my favorites over the past year, and i’m excited to write more about him soon :)