#formatting issue

[netscapenavigator-official]

Am I going crazy, or did someone in charge of Lady Gaga’s Apple Music page mess up the formatting on “ARTPOP” and “ENIGMA,” which are both supposed to be ALL capitals (MANiCURE is correct. Thats just how it is).

I’m assuming what happened is, to enter the metadata into these songs, they hit Caps Lock but used their shift key anyway (accidentally) resulting in this formatting error.

However… if that’s the case… then it’s kinda funny because… Macs don’t behave like that.

The “press shift to temporarily disengage caps lock” behavior is Windows (and Linux) exclusive. MacOS does not behave like that. It just keeps caps lock on, and shift does nothing but toggle special characters.

So like……. Apple hun…. Why are your Apple Music metadata people using Windows machines?

Also, I can't believe this hasn't been caught and fixed????

[sarcasticsciencefictionwriter]

I published this in MARCH and I didn't know it looked like some sort of angsty poem, I'm so embarrassed. 😭😭😭

50 reads and no one told me. (I mean, to be fair, I didn't look, but still)

This was Learning Curve, by the way. I forgot the slash on <center alignment> to end it.

I fixed it.

[heritageposts]

What does life in North Korea look like outside of Pyongyang? 🇰🇵

Hey, I'm back again with a very scary "tankie" post that asks you to think of North Koreans as people, and to consider their country not as a cartoonish dystopia, but as a nation that, like any other place on earth, has culture, traditions, and history.

Below is a collection of pictures from various cities and places in North Korea, along with a brief dive into some of the historical events that informs life in the so-called "hermit kingdom."

Warning: very long post

Kaesong, the historic city

Beginning this post with Kaesong, one of the oldest cities in Korea. It's also one of the few major cities in the DPRK (i.e. "North Korea") that was not completely destroyed during the Korean war.

Every single city you'll see from this point on were victims of intense aerial bombardments from the U.S. and its allies, and had to be either partially or completely rebuilt after the war.

From 1951 to 1953, during what has now become known as the "forgotten war" in the West, the U.S. dropped 635,000 tons of bombs over Korea — most of it in the North, and on civilian population centers. An additional 32,000 tons of napalm was also deployed, engulfing whole cities in fire and inflicting people with horrific burns:

For such a simple thing to make, napalm had horrific human consequences. A bit of liquid fire, a sort of jellied gasoline, napalm clung to human skin on contact and melted off the flesh. Witnesses to napalm's impact described eyelids so burned they could not be shut and flesh that looked like "swollen, raw meat." - PBS

Ever wondered why North Koreans seem to hate the U.S so much? Well...

Keep in mind that only a few years prior to this, the U.S. had, as the first and only country in the world, used the atomic bomb as a weapon of war. Consider, too, the proximity between Japan and Korea — both geographically and as an "Other" in the Western imagination.

As the war dragged on, and it became clear the U.S. and its allies would not "win" in any conventional sense, the fear that the U.S. would resort to nuclear weapons again loomed large, adding another frightening dimension to the war that can probably go a long way in explaining the DPRK's later obsession with acquiring their own nuclear bomb.

But even without the use of nuclear weapons, the indiscriminate attack on civilians, particularly from U.S. saturation bombings, was still horrific:

"The number of Korean dead, injured or missing by war’s end approached three million, ten percent of the overall population. The majority of those killed were in the North, which had half of the population of the South; although the DPRK does not have official figures, possibly twelve to fifteen percent of the population was killed in the war, a figure close to or surpassing the proportion of Soviet citizens killed in World War II" - Charles K. Armstrong

On top of the loss of life, there's also the material damage. By the end of the war, the U.S. Air Force had, by its own estimations, destroyed somewhere around 85% of all buildings in the DPRK, leaving most cities in complete ruin. There are even stories of U.S. bombers dropping their loads into the ocean because they couldn't find any visible targets to bomb.

What you'll see below of Kaesong, then, provides both a rare glimpse of what life in North Korea looked like before the war, and a reminder of what was destroyed.

Kaesong's main street, pictured below.

Due the stifling sanctions imposed on the DPRK—which has, in various forms and intensities, been in effect since the 1950s—car ownership is still low throughout the country, with most people getting around either by walking or biking, or by bus or train for longer distances.

Kaesong, which is regarded as an educational center, is also notable for its many Koryŏ-era monuments. A group of twelve such sites were granted UNESCO world heritage status in 2013.

Included is the Hyonjongnung Royal Tomb, a 14th-century mausoleum located just outside the city of Kaesong.

One of the statues guarding the tomb.

Before moving on the other cities, I also wanted to showcase one more of the DPRK's historical sites: Pohyonsa, a thousand-year-old Buddhist temple complex located in the Myohyang Mountains.

Like many of DPRK's historic sites, the temple complex suffered extensive damage during the Korean war, with the U.S. led bombings destroying over half of its 24 pre-war buildings.

The complex has since been restored and is in use today both as a residence for Buddhist monks, and as a historic site open to visitors.

Hamhung, the second largest city in the DPRK.

A coastal city located in the South Hamgyŏng Province. It has long served as a major industrial hub in the DPRK, and has one of the largest and busiest ports in the country.

Hamhung, like most of the coastal cities in the DPRK, was hit particularly hard during the war. Through relentless aerial bombardments, the US and its allies destroyed somewhere around 80-90% percent of all buildings, roads, and other infrastructure in the city.

Now, more than seventy years later, unexploded bombs, mortars and pieces of live ammunition are still being unearthed by the thousands in the area. As recently as 2016, one of North Korea's bomb squads—there's one in every province, faced with the same cleanup task—retrieved 370 unexploded mortar rounds... from an elementary school playground.

Experts in the DPRK estimate it will probably take over a hundred years to clean up all the unexploded ordnance—and that's just in and around Hamhung.

Hamhung's fertilizer plant, the biggest in North Korea.

When the war broke out, Hamhung was home to the largest nitrogen fertilizer plant in Asia. Since its product could be used in the creation of explosives, the existence of the plant is considered to have made Hamhung a target for U.S. aggression (though it's worth repeating that the U.S. carried out saturation bombings of most population centers in the country, irrespective of any so-called 'military value').

The plant was immediately rebuilt after the war, and—beyond its practical use—serves now as a monument of resistance to U.S. imperialism, and as a functional and symbolic site of self-reliance.

Chongjin, the third largest city in the DPRK.

Another coastal city and industrial hub. It underwent a massive development prior to the Korean war, housing around 300,000 people by the time the war broke out.

By 1953, the U.S. had destroyed most of Chongjin's industry, bombed its harbors, and killed one third of the population.

Wonsan, a rebuilt seaside city.

The city of Wonsan is a vital link between the DPRK's east and west coasts, and acts today as both a popular holiday destination for North Koreans, and as a central location for the country's growing tourism industry.

Considered a strategically important location during the war, Wonsan is notable for having endured one of the longest naval blockades in modern history, lasting a total of 861 days.

By the end of the war, the U.S. estimated that they had destroyed around 80% of the city.

Masikryong Ski Resort, located close to Wonsan. It opened to the public in 2014 and is the first, I believe, that was built with foreign tourists in mind.

Sariwon, another rebuilt city

One of the worst hit cities during the Korean War, with an estimated destruction level of 95%.

I've written about its Wikipedia page here before, which used to mockingly describe its 'folk customs street'—a project built to preserve old Korean traditions and customs—as an "inaccurate romanticized recreation of an ancient Korean street."

No mention, of course, of the destruction caused by the US-led aerial bombings, or any historical context at all that could possibly even hint at why the preservation of old traditions might be particularly important for the city.

Life outside of the towns and cities

In the rural parts of the DPRK, life primarily revolves around agriculture. As the sanctions they're under make it difficult to acquire fuel, farming in the DPRK relies heavily on manual labour, which again, to avoid food shortages, requires that a large portion of the labour force resides in the countryside.

Unlike what many may think, the reliance on manual labour in farming is a relatively "new" development. Up until the crisis of the 1990s, the DPRK was a highly industrialized nation, with a modernized agricultural system and a high urbanization rate. But, as the access to cheap fuel from the USSR and China disappeared, and the sanctions placed upon them by Western nations heavily restricted their ability to import fuel from other sources, having a fuel-dependent agricultural industry became a recipe for disaster, and required an immediate and brutal restructuring.

For a more detailed breakdown of what lead to the crisis in the 90s, and how it reshaped the DPRKs approach to agriculture, check out this article by Zhun Xu.

Some typical newly built rural housing, surrounded by farmland.

Tumblr only allows 20 pictures per post, but if you want to see more pictures of life outside Pyongyang, check out this imgur album.

[bagelcollie]

[poorly-drawn-mdzs]

Cite your sources.

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[hamsterdads]

johndavekat nonsense. someone help them please good lord.

[eowynstwin]

peristalsis - vii

selkie!soap x reader. depression. strangers to “lovers.” suicidal resolve. major character death. violent drowning. a reckoning. . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.

previous

When you’re sure that Johnny’s friends have left, you return to the beach. The wind has died down in the late afternoon; the clouds sit heavy and motionless in the sky.

Night is coming, and it promises to be cold. It hangs in the wary stillness of the air, in the waiting quiet. The seabirds’ calling is absent; the dune crickets’ singing has ended.

He’s there on the sand. Somehow, you knew he would be. Felt it, even before he came into view. He stands by the kayak, almost as if he’s been waiting there for you.

You hold the folded pelt with both hands against your stomach as you approach. The fur is so soft against your palms, your fingers. Cool from having spent a night in the ground.

He looks at it with sharp eyes. Then, up to you, expectantly.

His eyes on you in the cottage bedroom, moonlight shifting in them. Teeth in your neck. The taste of brine in your mouth.

Pearls in your memory. Parting gifts to enjoy, as you come to the close.

“Missed you at the end there, bonnie,” he says, even and purposefully steady. “The boys were glad to meet you.”

He’s known—the whole time. He always has. You don’t know how you know this, but you do.

“I’ve had a nice time with you, Johnny,” you say, when you’re only a few paces away from him. “But I think it’s time for me to go.”

Three days. That’s all it’s been. Nothing much, objectively, to say goodbye to. A good way to end things, truthfully, with the aftertaste of good food still on your tongue, the heat and girth of him still lingering inside you. The etchings of his calluses still fresh on your skin.

A kind ending. A gentle one. Better than you and he deserve.

You hold out the pelt.

He looks at it. Mouth a tight line. Brows low and flat. Then his gaze moves to you.

“Where will you go?” he asks, still steady.

“I’m not sure,” you say. “Maybe—Amsterdam. Does it matter? I don’t know.”

“Just like that,” he says flatly. “After everything.”

You frown. “I was always going to leave, Johnny. Remember? I only booked the place for a month. This is just…earlier.”

Something frenetic buzzes in his posture. The slight lean forward in the way he stands. The angles of his face seem harsher, more pronounced. Eyes dark as wet stone.

“Johnny, just—” you shake the pelt at him, still holding it out. “Just take it, okay?”

He looks at the pelt again, and then back at you.

At it, then you.

It—you—

Johnny lunges.

In one swift surge forward he snaps the pelt from your hands and flings it aside. As it flutters to the ground his hands whip at you, seizing fistfuls of your shirt a half-thought before you realize it, wrenching you forward.

“What the fuck?!” you cry, but then you’re off your feet, falling toward him, arms flailing as you lose your center of balance. You topple into him, and he hooks you beneath the shoulders with the iron bands of his arms, stepping away from the kayak, and only for a moment do you think that maybe he’s going to bring you back to the cottage before he starts dragging you in the opposite direction—

“Johnny, no,” you breathe, as you hear a wave break on the sand,“Johnny, no!”

You start to kick and thrash. You throw yourself against his grasp, dig your heels into the sand, try to find the meat of his forearm with your teeth, but he is resolute. Unstoppable.

You start to scream.

The waves eddy around your feet, rise up to engulf your ankles, your calves, as Johnny roils the water with wide, unfaltering steps, deeper in—

The water closes around your thighs. Your waist.

This is happening. This is really happening—

“Had a month to get to this, bonnie,” says Johnny, over your screaming, rough and harsh and completely unrecognizable. He slings you around to face him, jaw set hard, the muscles in his temples flexing as he clenches his teeth. “But I guess we’re doin’ it now.”

“Johnny,” you plead, “please don’t, Johnny, please—Johnny, no, no, no, no—!”

He clamps his hands on your shoulders and shoves you downward. You claw at him, push against the seabed, but your lover is too strong, immune to your fighting, and you are barely able to inhale before he forces your head below the water.

Frigid cold—it rushes into your ears, through your hair, knife-sharp and paralyzing. Salt flooding the open canals of your nose—

You close your throat. The surface swirls above you, distorting him, rippling and folding in on itself as a wave recedes. Hope waits for the retreating water to expose you, but he has dragged you out too deep, far enough that even the lowest point of the backwash still submerges you.

Seawater, eroding cilia, ramming against the rolled stone of your epiglottis. Burning the film of your corneas.

You reach up, swinging your hands at his face, but the distance of his straightened arms, muscles flexing to hold you down, is too great; you beat at empty air, or collide with the rock-hardness of his shoulders.

Another wave comes in, deepening the surf around you. You kick out, knee upward, wrench against him—you just need him to loosen his grip once, for just one moment, and then you can get away. You try to pry his fingers up, but they may as well have rooted in you.

Lungs pulsing. Throat already fighting to open. Chest heaving, diaphragm beating upward to pull in air. Pain lancing up your chest, unimaginably sharp, head so heavy it might burst—

You throw yourself to one side, kicking against the sand, and physiology subsumes your control. The cost of fighting is breathing. The floodways open—the ocean rushes into your throat—

Salt abrades the walls of your esophagus, claw-slashing downward. Acid bypasses the filters of your alveoli, honeycomb structures collapsing to the pressure, to the spasming of your lungs desperate to send oxygen to the rest of your body. Your diaphragm contracts—your chest convulses to cough, to force water out, only to welcome more of the sea in.

You beat at Johnny’s arms again. All you manage is to throw water against him. He is a sea stack above you. A pillar. Unmovable.

Holding your body against his in the bedroom, frighteningly strong, moving against you like the ocean itself—

The water churns above you with your struggle. You cannot see his face. All you see is the unstable shape of his silhouette, wavering lines distorting the edges as the corners of your vision darken.

More seawater, expanding your chest. Heart stuttering between your lungs, yanking in the last of your oxygenated blood, with nothing to send back out. The weight of your body swells, arms too heavy to hold up. They crash into the water before you force them back up again, searching and unwieldy.

Perception narrows. Him, and you. That’s all.

Sunlight through the window the next morning, rimming him in gold. The heat of his shoulder pressed to yours.

The seawater steals the tears from your eyes, throat convulsing on a sob you cannot make.

Grinning as you shared oysters.

You slap your hands against his arms, clapping your palms to whatever they can find, begging, praying—

Him moving inside you, his warmth, his smell, the weight of his tongue in your mouth. The tug of his hand on your arm.

His smile, his voice, his hand in yours—

Fists like weights holding you down. Fire in your chest. Too full.

Upward—something in you tugging upward.

You want to live. You want to live. You want to live—

It’s done.

Johnny lifts your body from the surf and carries it back to the beach. You fit in his arms as if they were the mold you were cast from.

He knew you would the moment he saw you in the airport. Perfect. You were perfect for him. He saw it in the angles of your body, the way you stood, the emotions moving behind the mask of your face.

He tried to explain it to Price once—the seeing. The knowing.

How he could look straight at his old captain, for instance, and know, without ever hearing the man say a word, that he felt responsible. For everything. For the gunshot. For the months afterword. Even though he hadn’t chosen to discharge Johnny himself, Price saw the mold of his hands in the shape his sergeant’s life had taken.

It’s how he knows Gaz couldn’t see the change in him, because he saw what he wanted to see—his best mate whole and healthy, thriving in a new stage of his life.

It’s how he knows Ghost doesn’t even recognize him anymore. Not really.

And it’s how he knows you’re just like him.

He lays you down on the sand, cradling the back of your head so it settles lightly down. Stretches your legs to rest straight out. He aligns your limp arms with the length of your torso, turning your hands upward so the sand will not cling to your palms.

Beautiful. Even with your face slack. Eyes half-open, unseeing. Mouth parted; seawater dripping from the corners.

Your feet touched the island the same way his did, years ago. Running away. Looking for the end, without really trying to find it. It was in the set of your brows, the tight pull of your mouth against your teeth.

Life had gone in every direction opposite of your intention. And it had left you alone.

Johnny smooths a few stray hairs away from your forehead, and kisses the place between your brows. The little line that has sat between them this whole time is gone, smoothed away. He kisses the bridge of your nose, and then your mouth, and then stands.

It took him a while, back then, to make the decision. It was hours before he woke to find Price watching him, sitting despondent on the sand, tears tracking salty down the older man’s face.

He goes to the place he threw his pelt away and retrieves it, shaking it out. Holding it in his hands assuages the anxiety that has wriggled in the back of his mind since the day he shoved it into the lintel of the croft. He’d known where it was, but survival instinct prevails over logic—for the rest of his life, he will always fear its loss.

It’s a consequence, but not one he’d been unfamiliar with.

And, in the end, preferable to the alternative.

He lowers himself to the sand a little ways away from you, propping his knees up and spreading the pelt across them.

When he had done this—he’d done it alone. It had been close. He almost hadn’t made it.

If he takes up this vigil—if he stays, the whole time, watching you—you’ll make it. It’s not a matter of hope or belief. It’s a matter of knowing.

He knows every time he looks into your eyes. Every time he’s been inside you. Every time your body has risen to meet his touch.

You want to live.

So he sits back. He keeps his eyes on you.

And he waits.

The sky claps you between its palms and hurls you back down the gravity well—

You vomit up the ocean.

Panting, with burning lungs. Closer—everything is much, much closer, loud and bright, and suddenly, individually distinct.

Channels of sound and aroma dance on the wind—sea salt, the smoke of someone’s grill from the village, burning meat, the rolling crash of the incoming tide, birdcall and the gust of beating wings and—and—

And you can sense them all.

A gap in the clouds lets the sunlight touch the earth.

You move on the sand. Turn onto your belly, chest heaving, empty and light. The cove—you’re still in the cove. There’s the path back up to the cottage. There’s the kayak. There’s—

Johnny, riotous, waiting in the crashing waves.

He calls to you: loud, long, triumphant, teeth bared in jubilation.

You cry out. Wordless. If you’d had any words to say, your lips could not shape them.

You’re alive.

It crashes into you. Alive.

You lift your head into the wind coming off the ocean. It caresses your face softly, tenderly, like a mother’s kiss on your cheek.

Johnny suddenly turns from you and darts into the water.

You wail with surprise. A wave rushes up to where you lay, water licking up the fibers of your body. You’re not ready. It’s too soon. Why did he leave you? What’s happening? Why isn’t the water cold?

You clutch at the sand. You can’t find your legs—you can’t stand up. All you can do is crawl, shuffle your ungainly body forward with the clumsiness of a newborn child. You cry out again, trying to convince him to return, to come help you, but if he hears it, he does not come to your aid.

Another wave surges forward; salt water crashes across your face. You flinch away from it, but something nictates over your eyes, shielding them from the burn.

Once you reach the surf, the water cradles your body, buoyancy easing your way. You submerge, finding something to kick with—

And then you’re gliding.

Murky, and blue. Sand clouding in the tide. But comfortable—cool, without being cold. You remember frigidity cutting into your skin only hours earlier, rending you at the seams, unmaking you.

Now, it receives you like an old friend.

Ahead of you, Johnny moves further out. You can feel him, far out in the distance, tiny eddies of water rippling against your cheeks.

He’s not the only thing you can feel. The radius of your awareness vibrates with blips of movement, darting, swaying, dancing, below and above and all around. It shocks you to realize, and you go still, hovering in place, momentarily stunned by how much there is living around you.

Johnny pauses too, ahead of you. Waiting. A lone distinct figure, patient for you to follow.

You shiver with startled wonder, and resume your way toward him.

The coastal shelf slopes downward, falling away. The water gradually clears as overhead, past the surface, the sun sinks in the sky. Warm golden light dyes the sea around you. He leads you on, further and further, until a forest of kelp grows up around you.

In the turquoise, ribbons of twisting green undulate and twirl, feathery and dancing in the windy current. Silvery bubbles trail toward the sunlight, intermingling with tiny schools of glimmering fish that dart and jump between the fronds. Down below you, red and green algae fur valleys of rock, swaying lazily like prairie grass.

It’s beautiful.

Johnny drifts to a stop in the middle of it all, wheeling around to face you. You approach him, coming in close—and it’s almost like approaching the sun, so much that he radiates across your senses.

His dark eyes hold yours the same way they had that day on the beach, and the pendulum swings balanced now between you.

He brushes the side of his face along yours, and with his touch he leads you downward, following the stipes of kelp toward the stone to which their holdfasts grip. The heat of his huge body warms the water that flows in the narrow spaces between your bodies, even as the coolness intensifies the further you dive.

The two of you draw up along the forest floor—and find the myriad little denizens of the sea. You’d known they were there, at the very edge of your senses, and now they bloom into fullness in your attention.

Shrimp perambulate beneath rocky ledges. Crabs walks along the ridge of a huge boulder, like climbing a mountain. And there, further down, snails in their spiral shells, pulling themselves across the sandy grain. Starfish, in shades of red and blue and orange. Anemones, translucent hair streaming.

Tiny lives—insignificant to you, before. Hardly worth your notice. Now, you marvel at them, reeling. You want to cup them all in your palms and bring them up to clutch against your chest.

Something brushes against you.

You look up—Johnny, sliding along your side, curving back in toward you, then looping underneath. He nudges at you, then darts away; you gaze at him, confused, so he comes back in, shunting you with his body, and once again retreats.

Behind him, you catch a turtle fluttering in between the green leaves. Atlantic salmon chasing capelin. An eel peeking out from its cave. Undisturbed by Johnny’s—and your—antics.

He nudges you again, then backs off, looking at you expectantly. Realizing his intentions, you follow—he makes a low clicking sound in his throat, pleased, and jets into the flowing leaves, buffeting you with the wave he leaves in his wake.

You’re shocked only for a moment before the kelp parts for you in your pursuit. Johnny quickly disappears ahead of you, dipping down below the canopy. You feel him rapidly shrink in your awareness, and you propel forward, scanning for telltale splashes of gray and white, arms of green caressing you as you pass.

You close in on him, but suddenly he evades. You follow again, only to find he’s nowhere in view. Then the chase is on: he stays in one place only long enough for you to catch sight of him before he bolts, or wheels around and backtracks to confuse you every time you approach. Teasing, taunting, flaunting the dexterity he has underwater which you have yet to acquire.

Golden shafts of dancing sunlight begin to dim and shorten as he leads you on. Frustration rapidly builds in your chest, buoyed as your lungs press against your ribcage. You need to breathe, even as Johnny becomes no more than a dot of movement in your senses, confounding you at every turn.

Why is he doing this? Why won’t he stay with you? If you surface, you’ll lose him, but the sudden memory of saltwater flooding your chest has you kicking toward the fading daylight. Self-preservation taking its place at the head of your priorities, and you follow it with no longer any second thought.

Above you shifts a mirror of silk.

You rise. Faster as the weight of the sea lessens, your reflection blooming as you approach, closer and closer to the wedge-shaped face, the large, dark eyes—

You swim into yourself and breach the air. Your nostrils open, and you inhale the wind.

You see the twilight bleeding into the day. Clouds moving quickly off as the sun sinks into the horizon.

Where is Johnny?

You can’t sense him anymore—as you knew would happen—and your chest contracts with fear and longing, suddenly believing you’ve seen him for the last time—that he’s left you all alone, to figure out what to do next, with no idea how to live in the skin of this new self you’ve become.

You give a mournful howl. You don’t want to do this alone, you can’t, you thought you wouldn’t have to—

But in the distance, back the long way you came, you hear an answer.

You whirl around, facing the shore, and almost too far away to see, a dark shape rests on the sand.

Your throat convulses with a clumsy breath, and then you dive. The water parts for your body, sliding around you, streaming through your hair. Faster than you expect, the slope of the shelf draws close, and you jet upward, belly meeting the sand, and when the water recedes and you drag yourself back onto the beach, your own weight settling heavy on your bones, you cry out again.

You shake the water from your head, wailing at the top of your lungs, desolate and blind as you blink the salt away, and then there’s a warm body up against yours, weight melding against you, heat reaching out to drive away a coldness you hadn’t felt until you’d surfaced.

You continue crying as Johnny closes his teeth around a hank of your neck and drags himself on top of you, pressing you down into the sand. You shift to let him settle over you, and all of his weight compresses your body—sandwiching you between himself and the earth, pinning you down in one place.

Something in you still wants to fight. To shake him off—to escape. But all you can do is cry. He enters you with no resistance, and you cry more, harder, until your lungs deflate, and then you take a deep breath and start wailing again.

Saltwater streaming down your face, dripping into your own mouth. Your voice hits the cliff walls, rebounds off the stone until the air fills with your weeping. Johnny shifts on top of you, pressing your head down to the sand.

The vessel you have contained yourself within overturns. You cry.

You cry for yourself. You cry for him. You cry for what you’ve done, what you haven’t, and for what you can never undo. Your lament fills your own ears and spills out again, all across the beach, catching in the wind to fly off into the ether, raised to the birds, to the passing clouds overhead.

You cry with despair of never going back. You cry with the terror of Johnny finally rolling off of you, to dart back into the waves, to leave you here alone again. You cry until your throat hurts, stinging and raw—

And Johnny’s hands, strong and warm, edge beneath your pelt and pull you out, still bawling with every drop of shame you’ve carried in your body since the day you realized you hated yourself.

“Shh, shh,” he murmurs, drawing you up into his chest, arms steady and strong around you. “It’s alright now, bonnie, it’s alright. I’m here.”

You cannot respond to him. Your mouth hangs open only to wail your grief. Your body wracks against him, convulsing, involuntary, as you scream with despair and relief and horror and resolve, too much to contain, too overwhelming now to ever split yourself away from.

You find his arms with your shaking hands and grip on tight. He slips the pads of his thumbs beneath your eyes every so often to clear away your tears, and you feel his mouth press against your forehead. You wait for him to drop you. Wait for him to see the mess you’re making and wash his hands of it.

He doesn’t. Every time another sob wracks you, he grips you tighter.

Eventually—when you begin to wonder if it ever could, if this is all you are now, a squalling bundle of fragile skin pebbling in the cold—it passes.

The next time you pause to draw breath, you find nothing more inside you to disgorge. You begin to shake in Johnny’s arms, trembling with exhaustion, whimpering with clenched eyes.

He breathes slowly against you. Calm and even. He strokes your face with gentle fingers, even and patient, as if there’s nothing more in the world he’d rather do.

You find the courage to meet his gaze when your heartbeat steadies, finding the rhythm in Johnny’s chest to match. You see again what you saw that first day, that next night; you know now what you’ve always known, somewhere inside you. Your face is familiar in the reflections of it in his eyes.

His mouth curls gently as he gazes down at you. His eyes dance in yours, corners creasing as he traces the curve of your cheek. Light catches in his pupils.

You see him clearly, as the sun gives way to the evening, and the moon rises over a cloudless night of stars.

epilogue

a/n: shoutout to @/gildui for suggesting screenshots for that one section of text. Thank you to @/bi-writes for trying to figure out how i could keep the formatting with tumblr's coding. Please let me know if alt text is necessary. God forbid a text-based website allow for formatting said text.

[oleworm]

“But this is not that king, nor is this his song.”

Aegon, inspired by this portrait of Stephen of Blois. Drawing by my friend. They also wrote some meta about it, under the cut. The quote is from The Green Knight (2021).

“His name should be “the Unfortunate.” Or, perhaps, “the Unready.”

In his behaviours, crimes and heroics, he feels like a quintessential local king. I have too little care for the ethics of feudalism to pretend that one bleached flea is more moral than another, I am not going to justify this fictional fool or any of his fellow ticks on the bodies of kingdoms.

I like his story though. The way he viciously rejects his heritage and embraces it at the same time, more Andal than Valyrian who still holds the strongest bond with the physical manifestation of Valyrian ideas, something that both upholds and discredits their predatory traditions. A king doomed by others to become a king, the one who doesn’t want to rule but grows into it to the point of giving his all. He’s ready to fight and burn among his people when they show him loyalty but turns cruel and unstable when they defy him. His future is bleak, his past is disgusting. Remember those lines in The Green Knight film? “Is this all there is?” - ���What else ought there to be?” He’s not Gawain, of course. Please give me Plato’s number, I’m going to telephone him to hear his hot take on this shit.

But I find a pleasant fatalism in that he’s not only chosen by his family to play a role of a contender, those who then wash their hands of it, but also in how his story comes from a faux chronicle of events long gone, done and decided, a story that might be tweaked here and there, but will not be rewritten. It’s almost like he is aware in a fun way that he is long doomed—and tries to flee unsuccessfully, cowardly, violently even, only to be brought back into the cycle that must continue like the chains on his neck. They imply Rhaenyra is one of the prophecies, but him fleeing his destiny and fitting it so well resembles one of the many doomed kings from the old tales, the crowned blaze in the shape of a man doomed to face his grim fate no matter how far he has gone to escape it. But he is not that king. His song seems of a different breed. The unwilling and unworthy man cursed with the scourge of greatness. I think he should die in a public mass cannibalism incident.”

[solarsyrup]

hey, wow! check out this cool retro game guide I dug up on some godforsaken corner of the internet!

[stars-obsession-pit]

A strange new religious organization has started to show up in Gotham City, and some of the Bats are concerned.

It might be just paranoia. No crimes have been tied back to the group, nor has there been an uptick in crime that might potentially lead back to them. By all accounts, they seem like a relatively normal group gaining traction among the city’s disenfranchised.

But even if some of the vigilantes think it’s not anything worth worrying about it, some of the others are suspicious of it. And so, they’re going to get to the bottom of things.

What the hell is going on with the Church of the Ghost King?

[generic-sonic-fan]

I like to headcanon that Rouge has daddy issues but she very deliberately hangs around the two dudes in the universe that have even bigger daddy issues than she does so nobody ever notices.

[yandere-romanticaa]

🎀 ANONYMOUS asked:

It’s been a while since I saw you write a fem x fem reader…so I had an idea if you were comfortable with it. I’m obsessed with Arleccino right now and was hoping for a story about her! One where the reader is kind of the polar opposite of her. Reader is open with her feelings and bubbly, maybe ventures with Lumine/Aether sometimes and that’s how they met. Reader isn’t in the least intimidated by Arleccino, and shakes her hand with a smile. Maybe even showing how yandere Arleccino will go for her, if anyone even dared look in her direction. Thank you Ana!!!

Fontaine was well known for its natural landscape, cultural escapades and the occasional dabbling in the various sciences. By stepping foot in the nation of Hydro, there was always a plethora of things one could do and never be bored.

The intimidating Fatui Harbinger did not feel like indulging in any of those activities on this fine spring day.

She sat in in a small but cozy cafe, hidden away in the shadows from any prying eyes and curious ears. If by some chance anyone would glance at her direction, that person would be struck with a sort of primal fear, the type of feeling which is etched deep inside of your mind since the day a person is born. That chilling sensation was meant to keep humans alive and any sane one would obey the tiny voice which would scream Run! inside their mind. Throught the years, she had managed to hone that feeling, to use it to her advantage against all of her foes. Be it a fool or someone actually worthy, it was indeed a useful skill to possess.

However, even with such visibly sharp thorns, there would always be individuals who would strive to grasp the head of the pretty red rose. It did not matter to them that their flesh would be marred with deep gashes and painful cuts, for the mere pleasure of enjoying the flower with their own two hands was more than enough to satiate their desires.

This was how the Harbinger Arlecchino viewed a lady she had the pleasure of meeting in Fontaine.

From the corner of her eye, the refined Harbringer caught the swishing of a long poofy skirt, to which she imagined to be a pretty shade of sakura pink. Sipping on her herbal tea, she was pleased to see that her assumptions were proven right. She placed down her dainty cream coloured cup on the table and took in the sight before her - with a radiant smile there stood a sweet lady, covered from head to toe in a fine silk shawl, an adorable dress with a sweetheart neckline. Pretty pearls shine softly on the darling lady's neck, to which the Harbringer smiles.

Her little lady was wearing her gift. How splendid. Truly.

This became a routine for the two women. They would meet up daily, always in a different location but the endgame was always the same.

Her little starling never failed to make her smile.

That was the nicknmae she had picked out for her little lady friend, to which she would always blush so tenderly as she would bashfully hold her cheeks, much to the Harbringer's delight.

The sharp Knave often inquired why someone like this could fathom to be with her. She was no fool, she undertood that even looking into her eye was no easy task for some people, let alone holding an actual conversation. Sweet sterling would do her best to dodge the question or give vague non answers but in due time, the watchful Knave started to pick up on the subtle signs. Laboured breathing, the tight grip on her golden fan, the not so subtle sweat on her forehead, all telltale signs of a bloosoming romance inside a lady's heart.

The Knave had allowed her thorns to make way for the lady, to inch closer to her. Day by day she would become more bold, her lips inching closer and closer towards the icy cheek of the Harbinger, her soft lips just shy of a kiss.

The Knave never made the move to pull away. Never.

For it would have been a sin to do so.

The temptation was saccharine, almost otherworldly. The urge wrap up her lovely starling started to become overwhelimg, much to the Knave's surprise. She was used to keeping her emotions in check, accustomed to being a sturdy rock in hard times. Even the toughest rocks can shatter to bits if hit in the right spot and that bullseye was achieved once the Harbinger felt her starling kiss her.

It was a chaste kiss, one filled with pure emotions, all of which came pouring out in a matter of moments. If she could stay like this for eternity, wrapped in sweet bliss, the Knave would gladly stab her own heart out, gauging out the beating organ and offering it up for her beloved to take and cherish, for it was hers alone. No one in this world would be allowed the privilege of knowing what it felt like to be revered by Arlecchino. Her thorns had subsided for one person and that person but even that came at a cost.

No one else would be allowed to step into their Eden which was so carefully cultivated.

She kept her starlight close, locked away behind a wall of safety and thorns, all of which threatened to prick and stab any outsider who had the nerve to try to step in. All were dealt with swiftly beneath the moonlight. No one would hear them scream, no one would come to their aid and mercy was a far cry away.

The scent of copper stuck to Arlecchino like a perfume of sorts, the stench never quite being able to be washed away no matter how many times she tried to put on a flowery perfume. In due time, she grew to like it.

Dare she say love even.

In this world of darkness, she had managed to secure herself a sliver of hope, a spark of joy which was meant for her only. And she would be damned if she ever let that go.

[tordoise-x3]

Just my drawigs from today cuz I haven’t been finishing anything 😞

[waywardstation]

APOLOGIES FOR DISAPPEARING RIGHT AFTER THE SEXYMAN POLLS POSTS I got very sick once again ^^;

BUT I have stuff to post!! I have a project participation announcement, and I have asks/messages to get to, and art and fics to post too. Thank you for your patience as I start things up again ^^

[darthkote]

Omega [playing around with Crosshair's helmet]: Can I-? Crosshair: don't even think about it. Omega [shoves his helmet over her head and runs away]: you have no authority over me!!

[yazzydream]

New art by Gege Akutami to commemorate the release of volumes 29 & 30 for December 24 morning editions of national newspapers!

Yomiura Newspaper / Gojo Satoru

Asahi Newspaper / Nanami Kento

Mainichi Newspaper / Choso