#how to handle being validated

[onionninjasstuff]

carrying each other :з

[lovelylittleshadows]

You wanna know was just as traumatizing as being gaslit?

Having your feelings validated

[laurellala-comics]

Fun fact! This was the real tipping point that made Edgeworth run away after AA1, they just couldn't show it on screen because they didn't have the rights to Chappell Roan's music <3

(A spiritual successor to my "Hot to Go" joke from this post. Image description under the cut below)

[Image ID: a four page black and white comic of characters from ace attorney.

The Judge stands solemnly at his podium holding a gavel "Mr. Miles Edgeworth, you are on trial for the murder of blah blah blah..."

A cheerful Maya Fey leans over to Miles Edgeworth, who is staring straight ahead and looking very concerned

Maya: "Psst! Mr. Edgeworth! If you win your trial, can I show you Chappell Roan?

Miles: "What the hell, sure." Internally he thinks "Oh God I am going to jail"

A box saying "later" in the top corner of the next panel marks the passage of time.

The Judge smiles as he says "I declare you... Not Guilty!"

We see a full body shot of Maya dancing excitedly while Miles looks on, emotionless

Maya: YIPPEE omg you're going to LOVE this

Miles internally thinks "oh no, the consequences of my actions.

We see Miles standing in between Phoenix Wright and Maya looking apprehensive. Maya beams in excitement, while Nick puts a reassuring hand on Miles' shoulder

Miles: Alright, so what is this exactly?

Nick: She's a pop musician Maya really likes

Maya: You promised you'd let me show you, and it's legally binding because you said it in a court room!

Miles: That is not how the law works Ms. Fey

Maya: Shh just listen!

We see a panel of Miles' pensive face concentrating as he listens to "Hot to Go". He thinks to himself "hm".

Another panel zoomed in more. His pensive expression has grown more tense/confused as he listens to "Red Wine Supernova". he again thinks to himself "Hm" in a larger thought bubble.

We zoom out again to see Nick, Miles, and Maya standing together again. Miles stares forward blankly, eyebrows raised. Maya excitedly leans in.

Maya: Ok, that's her whole discography. So! What did you think?

Nick looks at him, waiting for his response

We get a panel of Miles, looking bewildered. He starts to speak "I..."

We cut again to see the three of them standing together.

Miles: I... don't think I like women?

Miles looks shocked and confused. Nick is bent over laughing, using a hand on Miles's shoulder to support himself. Maya looks outraged and appalled!

Maya: MR. EDGEWORTH! Just because you don' like her musi it doesn't give you an excuse to be sexist!

We see a panel of Miles looking stressed and confused. He leans his head on one of his hands, which messes up his hair, showing how he isn't his normal put together self.

Miles: I should rephrase that. What I mean is, Ms. Roan is clearly VERY assured in her feelings towards women. I was... unaware that anyone felt that strongly. I thought we all viewed these things with a vague sense of distaste and unease but collectively ignored it. Like how we do with climate change.

We zoom out again to see the three of them. Miles stands in the middle looking deeply uncomfortable and lost in thought, vibrating with unease. Nick and Maya exchange deeply concerned glances across from him.

With lingering unease, Miles begins to walk away.

Miles: Well, I should be going then. Goodnight.

Nick hesitantly raises a finger to point out an inaccuracy in that statement

Nick: It's four in the afternoon-

he gets interrupted by Miles who repeats firmly: I said Goodnight

Nick looks in the direction Miles walked off in.

Nick: ...He'll be ok, right?

Maya reassures him: Of cours Nick! I mean, what's the worst that can happen?

Jump cut to a closeup of Nick's hand holding Miles' letter which reads Miles Edgeworth chooses death in all caps. Then, below in smaller font, it says Also femininomenon was really good, thanks.

We see a panel of Nick glaring wordlessly at Maya as he holds the letter in his hand. Maya leans against the wall and looks away, whistling, trying to look innocent to avoid blame.

As a bonus, we also have a page that takes place a year later. Miles and Nick stand talking. Miles looks calmer now, and Nick smiles encouragingly.

Miles: In my time in Europe, I've been examining myself and my approach to law. Ultimately, the most important focus must be justice. We owe it to ourselves and to the people we serve

Nick: Wow, that's really inspiring Edgeworth. And, uh, hows the... the other thing going?

We get a zoomed in panel of Miles glaring menacingly at a suddenly nervous Nick

Jumping out again, Miles turns his back to Nick as he continues to talk

Miles: So as I was saying, justice is truly so important...

Nick nervously rubs the back of his neck wearing an awkward expression as he sweats nervously. He thinks to himself internally "Ooookay then, clearly still working through some things there"

/.End ID]

[rookflower]

there are definitely some flaws worth criticising in the tpb graphic novels but to be fair i cant and dont want to put the majority of them on the artists because they are adapting by far the densest arc in an incredibly flawed book series from the early 2000s and they have three graphic novels in which to visually and narratively adapt 6 books. i think to smooth over all of tpb's issues while removing the majority of the nuance from them for time while keeping it at a coherent pace in a coherent structure, consistently, while also being hugely faithful to the originals, in a very narrow timeframe for release schedule, is quite literally an impossible task to be given. i think they're genuinely doing a really good job all that considered. and for what it's worth i think the art is really nice

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[so-sick-of-17]

I disliked Holden Caulfield when I read The Catcher In the Rye because he held up a mirror to the parts of me I didn’t like and I hated how I related to him, you dislike Holden Caulfield because he is a whiny hypocrite and you have no empathy and no media literacy. We are not the same.

[theadhddimsenion]

A time for me to vent.

I find it fascinating just how much and how Many people their are who are determined to slander, insult and otherwise shit on vivi and her work. Like ok if it was just a few people making a fuss then yeah ok every piece of media has it's fair share of critics but every time I try and open up YouTube I am met with dozens upon dozens of videos endlessly regurgitating the same empty and bland criticisms about vivis work and calling her a bad person and I'm like 'huh?'

At first I though she had genuinely done something wrong but no she was really wanted to keep her passion project alive and needed to shift money around and people where getting unreasonably upset at her for it.

And every year I just saw more and more videos declaring that vivi was an awful person and a racist and a sexist and basically every bad thing under the sun!! And it got me thinking what on earth could possibly inspire so much hate towards someone whose greatest flaw is being a bit sensitive and not always the best at exploring her ideas and have people creating entire communities dedicated to bashing her!?!?!

I think that the part of the issue is that vivi is what every young artist wanted to be. Able to have an entire animation studio of her own and having a whole team dedicated to bringing her silly little demon ocs to life. And that's another thing!

[shikai-the-storyteller]

It's taking me ages to write this chapter because every time I look through old VODs / notes to check something, I come across moments like this that make me want to lie down face-first on the floor:

[Context: Pac commits to the idea of taking the Happy Pills so he can create a cure. He's about to write a note to Cellbit to explain his plan.]

Pac: If Cellbit puts himself in this position, it's worse for everyone, because Cellbit is smarter when it comes to coming up with strategic plans, so he is the thinking mind of the Favela Five group, so if he no longer has the mind, he’s not capable of solving this whole problem, you know? But if I put myself in this position to help Cellbit so he can get the cure... You understand? It's better if I'm the bait. Right? I can't- I can't carry things alone guys, I've already lost Mike [...] if I lose Cellbit and I alone had to carry things, I won't be able to. But I think Cellbit can manage better. He is more independent, and he has Roier. He has a husband. I'm trying to– to be lucid here, understand? That's all.

Date: September 11, 2023 || Timestamp: 03:10:10

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[milfygerard]

what do you think stops taylor from being conventionally "cool"? love your takes!

nice thing about not having a taylor URL or icon is that i can say its probably because she's noticeably autistic and wont get burned at the stake bc swifties dont care about me and only have to deal w me when a post goes viral once in a blue moon

[cosmics-beings]

I wanted to make a post like this for a while, but since i was asked the question i can make it here!

i'm also speaking as an actual black person....so if you don't like these conversations where black people speak on black issues and how we feel, then just ignore this.

So in the past, yeah I agreed with this but my opinion has kinda changed with TF One.

However, I am still extremely uncomfortable seeing depictions of Black human formers Megatron because most of it, especially in ship art is extremely racist and relies on racist stereotypes of black men being abusive, violent, and problematic when his partners are drawn white or lightskinned (i see this all the time in megastar and megaop art. megatron is portrayed as the huge brutal black man and starscream/optimus are the small white twinks who are being beaten by him - it's gross and racist but for some reason it's common).

In general, I think it can be harmful to make a slave character, who inevtibly turns into a genocidal war lord and a generally awful person, a black person (even with his redemption arcs). it also racializes slavery, when we know that slavery doesn't have a race, and Megatron himself is a gladiator. Gladiators are slaves, and one of the most famous gladiators was from Thracia. This again is mostly a fan issue, because I at least have always seen Megatron coded as white in the comics and in the shows. In many depictions, he has a European accent, voiced by white European people (posh english lmao, or in ES Scottish).

That said, in TF One, I'm willing to let it slide. That's because Megatron isn't the only slave. Optimus, who is voiced by a white man, is also a slave, as is Elita, and Bumblebee. I think you know, not racializing slavery and having this notion that slave = black by default, is what makes it okay.

I still wouldn't feel super comfortable seeing Black megatron fanart because again, none of the depictions have been good in my opinion, as a Black person. And i mean none of them, and I do wonder where the thought in this fandom came from that making a person who canonically is violent and aggressive, was okay, just because he happened to be a slave. It is a far too common trope that I see in fanfic and fanfart, especially again...in a shipping sphere.

But I think TF One is able to balance it out, and since this is D-16, he is. a lot calmer, kinder, etc. I think things can get in muddy area when he eventually does turn into Megatron and he becomes the genocidal tyrant we all know and love....especially when you make the black one of the group the one who chooses violence whereas the white voices ones don't.

but who knows? My opinions are ever changing depending on how things are handled.

if you disagree with this, that's fine just do so respectfully and i mean at least be black

[shannonsketches]

I think I wouldn’t be as mad about Toei’s choices for Super if the things they overwrote wouldn’t have translated so beautifully to animation.

I have my beef with the gaps in my sense of humor and Toei’s writers room and our opinions on characterizations, sure, but so many of the cool things that happened in the manga and the movies that Toei reiterated were changed, botched, or removed completely, and that sucks.

Vegeta being so cool and so protective of his family during the Goku Black arc, and Gohan being a total badass during Ressurection F are my biggest “why did you change this??” beefs. But also man. The tournament had so many good moments in the manga that were totally snubbed in the anime.

As a fan it makes me angry but as an artist it makes me sad. Toya is such a cinematic storyteller and his pacing and compositions were just. Thrown away. :(

EDIT: Someone in the notes pointed out that the anime caught up with the manga before the GB arc so I do take back that they threw away Toya’s later work in the GB and Tournament arcs, but I will never understand why they weren’t sharing assets when they were in production at the same time. And I still can’t forgive them for fumbling the retellings of BotG and ResF so hard OTL

[geddy-leesbian]

my weirdest weird brain thing is how I always want responses to my posts and comments on my fics and refresh my email a bunch for them, but then when I see I actually have a response/comment to anything my brain remembers it has social anxiety and is like "don't look at what that person said you'll explode it'll be the end of the world if you click that email/notification"?? like literally I have to fucking psych myself up to look at comments 😭 they always make me so happy once I do (and even before I can actually get myself to read 'em it does lift my mood just seeing if I have any) but getting to that point should not have to be a fucking process like this I would like to return my brain to the brain store and get a new one

we love the anxiety disorder grind of randomly being terrified of things we really enjoy and want to do :/ 😎

[vulturevanity]

I feel like SV girlies haven't seriously considered "codependent mutually obsessive JuliNemo" yet and that's a shame, really. I've seen a lot of wholesome ChampionRank (really cute but a rehash of every wholesome yuri I've ever seen, not much original content here and that's okay) and one-sided obsessive yandere!Nemona ChampionRank (REALLY do not like the villainization of Nemona's neurodivergence but eh, you can do whatever you want forever) but not as much "these two get on like a house on fire. and boy, it's dry season" ChampionRank.

Where is "battle-hungry socially starved trainwrecks who have no one but each other" JuliNemo. Where is "oh god these two exacerbate each others issues into the stratosphere and this can only end in disaster but I can't look away" JuliNemo. Where is "bringing out the worst in each other and scaring the hoes" JuliNemo. Where is "you two are perfect for each other. Never change, just never involve anyone else in any of this" JuliNemo. There's so much potential here. Toxic codependent yuri save me

[starflungwaddledee]

it's awfully refreshing to see a rise in malevolent galas again, and i'm preeet-ty sure your popularity's playing into it. grrrrrrr yes! let that boy kill! let him scheme and conspire! let him wreak havoc like the true planet-destroying fiend he is!

waaahaaa i'm so delighted to hear it! i will be completely honest, i was extremely nervous to post that very first comic with him in (where he was undeniably malicious) because almost every other headcanon i'd seen of him at that point is that he is Just Misunderstood and Actually A Good Guy or, at the very least, perhaps currently acting out but still Redeemable With A Heart Of Gold

and those are amazing too! not a single piece of shade on those characterisations; they are genuinely cathartic tropes and i love to see them- for him or anyone else. but it made me quite scared to have to just be like... 'anyway he is extraordinarily and wilfully cruel in my headcanons and stories!!'

so it really means a lot to me that you enjoy this characterisation!! and that you think possibly it's having an impact on other folks' characterisations in a positive or refreshing way! that's such an honour! i was scared people would loathe my storytelling or characterisation of their favourite blorbo (i still fear it, ngl) or even think that i like... don't like him. but the thing is that i love him. i love him to bits and pieces and because of how much i love him i've done him the ultimate honour of assigning him Irredeemable All-powerful Villain and allowed him free reign to bite and kill

[scalpelsister]

also this isnt really proper shade at larian or anything and the writing of this game is SAURE good so dont take it this way but.

i sure do wish. Minthara was not villain batted as hard as she was. Her being locked to "evil" runs and being mutually exclusive with several party members. Her being nothing more than a miniboss for your average player- who does not even know shes a potential party member! Her being so chronically unloved by the community because... shes the "evil" companion. Hell, even the amount of people saying frankly really edgy shit about killing her or hurting her completely unprompted lmao. Like I genuinely think shes been pretty unfairly demonized both by the community and by the meta of just like... the game itself because she's really actually..... kind of, dare I say, sweet? if you get to know her. ugh.