#hyperfixation needs

[scificrows]

Me: *always getting the The Murderbot Diaries titles mixed up and not being able to remember which one is which* Also Me: Well, Artificial Condition is obviously the one with ART in it!! 😌😌😌

[kaogens]

happy autistic girl summer to those who celebrate

[proxycrit]

Day 26- Lanayru Mountain

Perhaps dragon song sounds familiar. No matter; it’s time to get to business.

On that note, magnesis is reacquired! Purah’s still working on the other glyphs.

(“We’ll find a cure by the end of this year, I promise.”

“I hope we do, Mimi. I really, really hope we do.”)

((This is a totk au called familiar familiar! Zelda doesn’t go back in time, history is forever changed, and link is beset by ghost memories from his magic arm as per usual.))

(Want to throw a coin to an exhausted art hermit? Check out my patreon!)

[styxthecaracal]

"Why do you like Date Everything so much?"

OG by @averagefandomenjoyer

[xpurplepiex]

after finishing Lost Light i needed to treat myself with some cygates

[voidpies]

I NEED HIM I NEED HIM I NEED HIM I NEED HIM

[serials1nner]

finally found you again

[ghosted-jazz]

I am not immune to this car salesman fairy and his traumaised iPad kid

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[pixlokita]

(｀ω´)👌

[cammiii]

practice doodles of mac ! my beloved !

[niechys]

I was today years old when I learn that I can only do manga or anime...

I have that line in my head for days.

I had to.

He can't talk except for in the cockpit with First Aid, right? Soooooooooooo

[lozzamation]

Some Cherri and False in the mines from the other day🫶

[abd-illustrates]

Sorry to bother you. I wanted to ask if you were willing to give advice on how to avoid the 'Friends Who Never Hang' tropes? Because I'm hesitant to make more main characters because I'm not sure if I can make their bond close between all of them and you seem to have a grip on the Heartless gang's relationship. Thanks.

I had to google what that trope meant haha - but that's a rlly interesting question!

At least for me and my storytelling preferences, I think my stance would be that there's actually no need to worry about making a close bond between *all* of your main characters at all!

It's a bit hard to articulate, and I'm definitely thinking from more of a manga mindset so bear with me lol -- but trying to make sure that everyone on your main cast all get along with everyone else on the main cast, and feeling the need to give a 'proper' spotlight to every possible combination of characters to convince your audience that 'they really are all friends with a close bond, see how they all hang out!?' Can run the risk of looking like this:

and leave your story feeling bland/stagnant as you kinda slog through unnecessary scenes between characters just for the sake of proving that they do all interact an adequate amount.

Whereas - (again, at least in my experience) - building a group primarily around their ties to your Main-main character(s) like this:

is a method that leaves much more room for you as a writer to both focus on the character that's specifically meant to be at the forefront, while also making it easier to explore which other combos could then actually be fun to give more screen time to in order to *build up* those close bonds, rather than worrying about the end result and just trying to make everybody get along right from the get-go!

(Also! Don't feel like if you start out with a bunch of varied colorful connections that they all have to be turned into bright green friendly bonds by story's end! Making some characters a bit closer over time but still not besties is a-ok! They can unite for a common goal but still get on each others nerves forever! There are no rules! Be cringe, be free!)

[remxedmoon]

yeah i don’t really know how we got here either.

hey uh. something occurred???? so yesterday i decided to try and resprite ralsei for funsies and i got really carried away. there’s 16 of these now. my friends are actively on their way to grab and shake me like orange juice. i have no self control.

this was partially a style test? i’ve got to get to the isat redraw sprites at some point (i promise i haven’t completely dropped the project) and i didn’t really like how Derivative the old mockups were? i wanted to figure out my pixel art style! and i think these helped! so that’s a win in my books. anyways go my sprites. there’s two because i didn’t have room for chara.

[majoralynx]

Heyyy guyss…. I’m back 😋😋 didja miss me 😜😜