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alinathinkstoomuch · 5 months ago

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1-800-CALL ME, FAKE FIANCÉ

pairing: aaron hotchner x reader (part of my fake!fiancee series, but can be read as a standalone) summary: the fbi agent you met at the bar helped you out of a jam so you decide to pay him a visit at work. warnings | a/n: unhinged reader, rossi being a lil instigator, reader has no shame in her game at ALL & makes the first move, the usual banter & chem, channelling all the rom-com feels word count: 3.3k

✧ masterlist

It had been a week since your little fake fiancé fiasco, and while it had been enough to satisfy your mob group of fake friends and stop them from asking questions, it wasn’t enough to satisfy your questions.

Because now, you were curious – dangerously so.

You couldn’t concentrate on much else. It was ridiculous. Absurd. Completely unnecessary. And yet…

You had googled him.

You had googled Aaron Hotchner.

And oh boy did you find things.

FBI Unit Chief Aaron Hotchner. Head of some ultra-serious-sounding department in behavioural analysis. There were articles. Court cases. Mentions of serial killers – plural. You even found a grainy news clip of him giving a statement outside a police station, looking all important and broody.

And as if that wasn’t enough, there were forums. Entire internet threads dedicated to the man. Debates on how often he smiled. Speculation on his past. A truly unhinged corner of the internet where a small but passionate group of people seemed convinced he had once been a male model.

You may or may not have spent a questionable amount of time scrolling through that last one.

But none of this answered the real question: why did an FBI Unit Chief go along with your ridiculous fake fiancé charade without hesitation? That was not normal federal agent behaviour. You were pretty sure actual government employees had policies against indulging unhinged strangers.

Which led you here. More specifically in the FBI headquarters parking lot.

Okay, you were actually insane. But you had good intentions. Intentions of thanking him properly for the night of madness he had endured.

So, you had baked him cookies. Because, according to your mother, the way to a man’s heart is through his stomach – which was a wildly inappropriate saying to be applying to an FBI agent, but here you were.

You took a deep breath, staring up at the intimidating glass doors, clutching your box of cookies like it was a ticking time bomb. This was fine. Completely normal. People brought cookies to law enforcement all the time… right?

Swallowing your nerves, you marched inside, heels clicking against the polished floor as you approached the receptionist’s desk. The woman behind the counter barely glanced up as she typed away at her computer.

“Hi! Uh, could you do me a favour and give these to an Aaron Hotchner?” you asked, setting the box down with a nervous smile. “He’s, um, Unit Chief of something very official and serious, which I’m sure you already know, but I just wanted to thank him because he helped me out of a situation – not like a legal situation, nothing weird, I’m not a criminal or anything – oh my God, that sounded suspicious –”

The receptionist finally looked up, blinking slowly. “Ma’am?”

You let out an awkward laugh, waving a hand. “I mean, technically, everyone is a criminal in some way, right? Like, who hasn’t jaywalked or taken a pen from a bank? Oh my God, I’m not confessing to anything, I just –”

“Ma’am,” the receptionist interrupted, her voice flat. “Are you delivering something, or…?”

“Wow, you guys are really strict on the whole professionalism thing, huh?” You huffed, then quickly corrected yourself. “Not that I’m not professional. I can be professional. I wore a blazer once.” You paused, glancing at her name badge. “Clarissa! I am delivering cookies. They are divine, you can have one if you’d like?”

Clarissa squinted at you, clearly debating whether or not to press a panic button – one that, realistically, would probably result in you being swarmed by tactical agents in full riot gear.

Was that even the FBI? Or was that, like… SWAT? Was SWAT part of the FBI? Were you about to go down for cookie-related crimes?

“Are you cleared to be here?” she asked.

“Depends on your definition of cleared –”

“Alright, sweetheart, let’s take a breath before you actually incriminate yourself.”

You spun around to find none other than David – if you recalled correctly – standing behind you, looking just as entertained as he did back at the jazz bar, his eyes bouncing between the cookies and you. “Well, well. If it isn’t Hotch’s fiancée.”

“Not his fiancée anymore!”

“Sure. And I’m not Italian.”

You shook your head, exhaling dramatically. “I just made him some cookies as a thank you. Do you mind passing them on to him, please? And then I can get out of yours and Clarissa’s hair. You have fabulous hair, both of you, by the way.”

Clarissa stared at you like you were personally responsible for every inconvenience that had ever befallen her. Rossi, on the other hand, grinned like you had just made his entire day.

“You know what? No,” he said, shaking his head. “You should give them to him yourself.”

Your stomach dropped. “Oh, no, that’s not necessary –”

“I insist.”

Clarissa folded her arms. “She’s not authorised to be here.”

Rossi rolled his eyes. “Clarissa, I’ve worked in this building longer than some agents have been alive. If I say she’s authorised, she’s authorised.”

Clarissa let out a long-suffering sigh but didn’t argue further.

“Come on, sweetheart. Let’s go surprise Hotch.”

You let out a weak laugh. “Oh. Yay.”

Rossi led you through security and about four different hallways before you found yourself in an elevator. You barely had time to process what was happening before you were stepping into a bullpen that made your brain go fuzzy. There were far too many people in suits, all looking intimidatingly competent.

A woman with blonde hair and a bright cardigan – finally someone who understood the power of colour – shot you an intrigued glance over the top of her glasses.

“I really don’t think this is necessary, David,” you whispered. “You guys look like busy, busy people, and I just wanted to bring some cookies. I don’t think Hotch will appreciate being called out of his very legitimate FBI career just for me.”

“Oh, I know he won’t.”

“Okay, now you’re making me panic, and I have a habit of jumping to conclusions when I’m under a lot of stress. Please, really, it’s no big deal –”

“Yeah, Hotch mentioned something along those lines,” Rossi hummed as the two of you came to a halt in front of a door, to which he knocked before stepping inside.

You followed hesitantly, barely making it over the threshold before you locked eyes with Hotch, who was standing behind his desk, looking very confused.

Rossi gestured at you grandly. “Look who I found wandering the FBI headquarters.”

“Okay, that makes me sound like a stalker and – wow, okay, I guess maybe I am a stalker, but the good kind, I promise! I come in peace. And with cookies… as a thank you.”

“I’ll leave you two lovebirds to it,” Rossi grinned, giving you a nudge as he sauntered out, shutting the door behind him with far too much enthusiasm.

Hotch, still staring at you like you had just crash-landed into his office from another dimension, slowly folded his arms. “Should I be concerned?”

“Not until you try one of these,” you said, flipping open the lid of the cookie box, only for your smile to falter the second you actually registered what was inside.

Heart-shaped cookies. Pink frosting. Extra sprinkles.

Oh no.

You stared at them. Then at Hotch. Then back at them.

He was still staring too, looking at the cookies like they were an active FBI case file he wasn’t quite sure how to classify.

You let out half a laugh. “Oh. Oh, boy.”

Hotch raised a brow, arms still crossed, looking every bit the intimidating federal agent he was.

“Okay, I know what this looks like,” you groaned, snapping the box shut like that would somehow undo the visual catastrophe. “I got slightly carried away – as I tend to – and my mind just kind of… took its own course when I was making them. I wasn’t thinking about you – well, I was thinking about you, but not like that, I swear. I just – ugh – I put a little bit myself into them.”

Hotch tilted his head. “Yourself?”

You nodded, slowly reopening the box as if the cookies might suddenly jump out and throw up edible glitter all over his office. “You know… they’re kind of chaotic but well-intentioned, possibly too much but ultimately harmless –”

“How did you find me here?”

“Oh. That.”

He just stared at you.

You cleared your throat, suddenly very interested in the cookie box. “Well, it’s not that hard, you know? I have a great memory, and I did get a pretty solid look at your badge – after I thought you were going to murder me, of course – so I just… searched you up.”

His brows lifted.

You panicked. “But only to figure out where you work so I could bring you cookies! That’s it! I had every intention of leaving them with Clarissa but your friend David saw me and said I should bring them up myself. And well… now I’m here.”

Hotch’s hand pinched the bridge of his nose. “Of course he did.”

You rocked on your heels, watching him carefully. “Sooo… does this mean I’m officially on an FBI watchlist, or is that, like, a separate process?”

Hotch exhaled, lowering his hand. “You’re not on a watchlist.”

“Oh.”

His brows furrowed. “Would you like to be?”

“I feel like I shouldn’t answer that without a lawyer present,” you mumbled, setting the cookies down on his desk.

“So, let me get this straight. You looked me up, managed to talk your way into a federal building without authorisation all just to bring me heart-shaped cookies?”

You lifted a finger. “Okay, first of all, let’s not make this sound like an obsession – I googled you. That’s a normal thing people do! It’s called being informed. And second, the hearts were an accident. I only had one cookie cutter. You think I wanted to show up here looking like some lovesick lunatic?”

Hotch glanced at the cookies, then back at you. “…Yes.”

“Okay, well, this has been fun,” you said, dusting your hands before adjusting your jacket. “Enjoy the cookies, and thanks again for the other night,” you continued, already backing toward the door. “I have not had my name mentioned once in the Veronica Posse group chat since, and for the first time in years, I have actually known peace.”

“Wait,” he called just as you reached for the door handle. You spun around to face him. “Why did you really come here?”

You paused before speaking.

“I need a fiancé again,” you blurted out before you could stop yourself. “Yup. Need one again, preferably the same one, but this time it’s my parents hounding me, and they’ve already arranged a dinner and everything.”

Hotch opened his mouth, then closed it. A second passed. Then another. Finally – “You’re joking, aren’t you?”

“I am,” you beamed, completely unbothered by the scowl on his face. Hotch looked like he was about to reply, but his phone began ringing. He glanced down at it on the desk.

“Alright, really leaving now. I’ll let you get back to all this serious business,” you said, but then a realization dawned, making you pause.

Hotch looked back up, brows raising slightly. “What is it?”

You shifted, glancing toward the door, then back at him. “So, funny thing… I don’t actually know how to get out of here.”

Hotch sighed, shaking his head as he pressed a button to silence his phone before slipping it into his suit jacket. “I’ll walk you out.”

“Oh, no need,” you replied quickly, waving him off. “I’ll just ask David – he loves helping me.”

Hotch gave you a flat look. “Absolutely not.”

You blinked innocently. “Why? He was so excited to see me earlier. You should have heard him, all like Oh, if it isn’t Hotch’s fiancée! He really sells it.”

“That’s exactly why,” Hotch muttered, already moving toward the door.

You followed Hotch out of his office, barely managing to keep up with his long strides. “Wow, you walk fast,” you huffed, adjusting your purse on your shoulder. “Is this an FBI thing? Do you all just power walk everywhere?”

He slowed his pace ever so slightly so you could catch up. As you glanced around, you noticed several pairs of eyes discreetly watching the two of you – one of them being David who had zero shame in making his interest known. You offered him a small wave to which he responded with a not-so-subtle wink. When your eyes landed on Hotch he was watching the exchange.

“Keep walking.”

“I am,” you whispered back, trying not to laugh. “I just happen to also be social.”

“That’s unfortunate.”

You gasped, doing a light two step jog to catch up. “Gosh, what happened to ‘Marry me, sweetheart?’”

“You called it nonsense, remember?”

“I did,” you admitted. “But that was after you said something that was incredibly true about me.”

Hotch threw you a curious glance. “And what was that?”

“That I’m too good to consider that group of women my friends, especially ones I feel the need to impress.”

Hotch didn’t say anything right away, just reached for the door, pushing it open and holding it for you. As you stepped past him, you caught the smallest trace of something in his expression, something very close to approval.

Stepping into the hallway, you glanced around, already feeling disoriented. “This place is like a maze,” you muttered, spinning in a small circle before looking back at him. “How do you manage to not get lost here?”

“Spatial awareness.”

Before you could question him further, you felt his hands on your arms, gently guiding you to the left just as you were about to head right.

“Oh. Wow. Okay.”

His lips twitched. “You were about to walk into a closet.”

You glanced back at the door you had almost pushed open. “That’s not a closet. That’s –” You squinted at the sign. “Okay, that’s definitely a closet.” You sighed dramatically, walking ahead this time – making sure to pretend like you totally knew where you were going. “See? This is why I need a fake fiancé. Navigation assistance.”

His voice followed you, dry as ever. “That’s what Google Maps is for.”

You turned, walking backwards now, arms crossed. “Yeah, well, Google Maps doesn’t have your spatial awareness, does it?”

“You’d rather rely on me for directions?”

You stopped walking, tilting your head. “Huh. Good point. Maybe I should just take my chances with the closet.”

Hotch sighed, stepping past you. “Come on. I’ll make sure you get out of here without accidentally locking yourself in a supply room.”

You grinned, following him. “See? Fake fiancé duties are still active.”

This time, you definitely didn’t miss the half-smile he tried to hide.

After what felt like literal hours of navigating the endless, identical floors and hallways of the FBI, the two of you finally stepped outside. Freedom at last, you thought, basking in the sight of the actual sun – something you’d only glimpsed through windows you were convinced had some kind of tint designed to make the inside of the building feel even duller.

“Do you know where you parked?”

You scoffed, waving a dismissive hand. “Uh, duh. What do you take me for?”

Hotch just looked at you.

You blinked.

Then, very slowly, you turned your head, scanning the parking lot.

Oh, no.

Where did you park?

You wracked your brain, desperately trying to retrace your steps, but the problem was… you hadn’t exactly been focused when you arrived. You had just parked somewhere and hoped for the best. But now, with Hotch watching you like a disapproving parent, the pressure was on.

You pointed vaguely toward a random row of cars. “It’s… that way.”

Hotch didn’t even bother looking. “No, it’s not.”

You spun back to him. “Excuse me?”

“You’re guessing.”

“I am not.”

“You’re stalling.”

“I am not!”

Hotch arched a single, knowing brow.

You huffed. “Fine. I may be stalling. But in my defence, I had a lot on my mind when I got here!”

Hotch inhaled, glancing at his watch. “Just describe what your car looks like and what you remember seeing when you got here.”

You frowned, thinking. “Okay, so, my car is… car-shaped.”

His stare was unmoving.

You cleared your throat. “It’s, uh… blue. Or, like, bluish. Depends on the lighting.”

“Anything else?”

You squinted at the parking lot, hoping for divine intervention. “I think I was near… a pole?”

“There are multiple poles.”

“A very specific pole.”

“Right.”

You groaned, rubbing your temples. “Ugh, this is so unfair. I have many talents, okay? Parking lot navigation is just not one of them.”

“Shocking,” he muttered before moving toward one section of the parking lot. “Let’s start from here.”

You followed, chewing the inside of your cheek.

A few minutes later – after much grumbling, a completely unnecessary debate about why all parking lots look the same, and one slightly humiliating moment where you tried to unlock someone else’s car – Hotch finally spotted your actual vehicle.

“Would you look at that! There she is, in all her glory!” you sang and this time, when you hit the unlock button, the lights actually flashed. Progress.

You pulled open the driver’s side door and tossed your purse inside before turning back to Hotch. “Thank you… again.” You let out a laugh. “It feels like that’s all I ever say to you.”

Hotch gave a small shrug, hands finding his pockets. “You do seem to require a lot of rescuing.”

“Alright, alright.” You pointed a manicured finger at him. “Despite what you might think, I am perfectly capable of taking care of myself. I just happen to have a mild navigational deficiency and… questionable taste in men. And friends, apparently – according to my ex fake fiancé.”

“Sounds like you’re finally learning.”

You rolled your eyes, sliding into your seat. “I hate that you’re good at this.”

“Good at what?”

“Reading people.” You gestured vaguely in his direction. “It’s very annoying.”

He smiled at you, one hand slipping from his pocket to rest against the edge of your car door. “I’ll try to be worse at my job next time.”

You leaned forward, placing your arms on the steering wheel with a playful spark in your eye. “Listen, Hotch, Hotchner, Aaron – I have a slight confession to make before I go.”

“That sentence doesn’t exactly inspire confidence.”

“This one’s harmless. Promise.”

Hotch stood there, shaking his head like he could not believe he was still standing there entertaining this conversation.

You tapped a finger against the wheel. “So, if mid-cookie bite you accidentally choke on a piece of paper, do not be alarmed – well, actually do be alarmed. I don’t want you to die before you’ve asked me out on a date.” You flashed him a pointed look. “But it’s my number – since apparently, having my address isn’t enough.”

“You hid your number in food?”

“Listen, it was either that or carve it into your desk with a knife, and I figured that would raise some concerns with your co-workers.”

Hotch pinched the bridge of his nose again, muttering something under his breath that sounded suspiciously like why me?

“But, you do have my number now, so really, the ball is in your court, Hotchner.”

“Is it?”

You nodded, sitting up straighter. “Mhm. And just so we’re clear – I expect a dramatic, over-the-top use of it. Maybe a cryptic, we need to talk text. Or a mysterious meet me at midnight type of situation.”

Hotch’s lips twitched. “You’d rather I text you about urgent matters than, say… just a normal conversation?”

“Aaron Hotchner, are you saying you want to have a normal conversation with me?”

He sighed, stepping back from your car. “Drive home, before I change my mind about letting you leave.”

You smirked, finally turning on the ignition. “Oh, so you let me leave now? That is so controlling of you.”

Hotch shook his head as he shut your door—just in time for you to lift a hand, making a finger phone gesture and mouthing Call me.

tags - @fandomscombine @dohmeti

dividers by cafekitsune

#aaron hotch x reader #aaron hotchner #aaron hotchner fanfiction #aaron hotchner one shot #criminal minds #hotch #ssa aaron hotchner #Spotify #aaron hotchner x reader #mine🌟

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hellooldshame · 1 month ago

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Empirical Analysis

Mark Grayson x Reader smut 🔞

Synopsis: You're absolutely fascinated by how fast Mark Grayson heals. Mark is more than happy to indulge you in your science experiment. AKA You both get horny while realizing you might have some sadomasochistic tendencies.

Word count: 2.8k words

CW: MDNI 🔞 NSFW, barely any porn to warrant all that plot, biting, (attempted) marking, scratching, bottom!-ish Mark that is technically more switchy, Reader on top, lots of grinding now that I think about it, outercourse, masochist!Mark, y/n's awakening sadism. Not beta read, never beta read.

Idea taken from @clairewritesfanfics and their smart atoms talk. I think I got carried away.

A/N: This made me rewatch Invincible so I can write bouncing on him

Bullets, bombs, and most explosives barely leave scuff marks. A knife gets bent and most weapons break on impact. Punches work though. Bludgeoning damage makes him bleed out his mouth or break his nose. Which absolutely baffles you to no end. Granted, the people hitting him were strong. Like, really really strong, but it wasn't like he was hurt when a reinforced boot smacked him square on the jaw.

Mark Grayson and the limits of his invulnerability were an enigma to you. As one of the many many scientists working in the GDA, you were tasked with understanding Viltrumite physiology. How they heal, what could hurt them, if they could be hurt at all. Admittedly, the job was fun when Cecil wasn't hounding you for the reports that you barely did.

Despite your job, you didn't like exploiting the poor guy. This was purely... curiosity to be honest. A very morbid part of yourself would have loved to dissect that pretty face and see how he ticked. The reasonable part of you reminded yourself how a scalpel would sooner turn to dust before it pierced his skin.

Once, you had slapped him across the face—the moment was heated and sometimes he just said things that would really piss you off. Regardless, his shoulders had jerked and his face turned in the direction your hand swung. Despite his parted lips from the shock and the stinging on your palm, there was barely any warmth on his cheek. Of course, regular human strength could only do so much to a guy who was safe from a stabbing. But the look on his face and the rising heat on his cheek only after the moment had registered made you want to test things further.

For Science! You had claimed all too enthusiastically when you tried to persuade him. Emphasizing even that everything would be "off the record" and "never to be used against him." You meant that promise too. And maybe Mark believed the conviction in your voice because he seemed just as excited when he agreed. For the sake of science.

Now, the scientific method would tell you that empirical evidence was important. Which is why you had to take a very hands-on approach in this experiment. Yes, science never said anything about taking Mark to your bed and straddling him—a notebook by his head and your butt pressed comfortably on his pelvis—while you collected data but this was necessary!

Firstly, you needed a private place so it was off-record. Ergo, why you did this at your place. Second, it was only polite to have your test subject comfortable as you measured his pain tolerance. Obviously, the most comfortable place that would fit him lying down would be your bed. And lastly, you were straddled because you needed to observe every detail and walking around a queen sized bed took too much time.

It was all very rational.

And besides, Mark was way too pretty for you to not at least get a bit of a good look at him. You had the best seat in the house. Mark Grayson, under you, body sunken slightly into your plush sheets, chest rising and falling nervously in an uneven stutter. Inhaling deep to even his breath, the release too quick and shuddering to calm himself down. It was understandable that he was nervous, being scrutinized so intently.

Big brown eyes stared up at you through his lashes and the light from your window hit his eyes just right to see the pattern of his iris. The swirls and webbing that made up the varying shades of mahogany and maple. If you stared long enough, you could see the tremble of it, how his pupils dilate. You might have stared at it for a moment too long.

"Uhm- I'm ready," a shaky voice spoke up, those same eyes blinking, unsure now if this was a good idea. Granted, he had his own ulterior motives, but the long silence had him thinking too hard. His initial motivations clouded by doubt and worry. What if you lied about keeping this a secret? Was he sure you weren't planning to dissect him? What if you realized he also had intentions beyond helping in your experiment? That maybe he wanted to feel the way your hands snap against his skin aga-

"Alright," you nodded, reaching down. You could've sworn Mark held his breath when your hand hovered near his face to grab the notebook. Pages flutter across until you settled on an empty sheet, scribbling the time and date of the experiment. "You sure I'm not too heavy? I can adjust."

The question was more out of courtesy than concern, knowing he could bench entire icebergs. A part of you also hoped to stay seated, the warmth beneath you quite cozy. The quick nod and mumbled 'mhm mhm' was all you needed before beginning your experiment.

"Mind if you," you gestured to his shirt, wanting to have as much skin to work with.

Mark looks down, eyes wide as if he was surprised he wasn't already undressed. "Oh- yeah, hold on," hands that were unconsciously gripping the sheets moved to tug his shirt off in one motion. Hurried movements turn clumsy and a rip is heard before you see the hole between the collar and the rest of his shirt. His head was still trapped, indents on his face pressed on the fabric as he fumbled to get free. "Shit, wait just-"

Your hands were quick and careful in helping him take off his shirt. It was hard to bite back a laugh and you were certain you were making a face when you tried to hold back the smirk and snicker. A quick tug , the shirt was off, and your hands felt warm against his chest. You had always been heavy handed and even now you exerted more than the necessary effort to push him back to lie down. As expected, there was resistance when you pressed down but he had fallen back so quickly someone would have thought you knocked him down.

"Try to relax," you whisper, trying to come off as soothing but the husk in your voice makes it sound sultry. Not that you noticed. Mark did though, felt his stomach flip and his muscles did the opposite of what you instructed. "I won't be using tools since the running theory right now is that physical contact seems to work better."

The lump in his throat bobbed when your hand touched his chest and fingers spread to try and get a feel. Trying to decide where to start. Your hands were cold compared to how warm he felt. And they would not stop roaming. The tips of your fingers pressed and prodded, pushing down as hard as you can and leaving the faintest red mark as blood rushes to where you'd applied pressure. So it wasn't like his skin was hard steel. You pinch the skin at his sides and he flinches.

"Ow- hey," the yelp came out automatically, the feeling reminiscent of being tickled or poked at the side. He figured he should let you know lest you mistake that for damage dealt. "That tickled more than hurt."

A nod and quick "noted" was your only response before continuing. The process was slow but you needed to cover all your bases. One hand moved to write notes, your body leaning forward and closer to him. The view was nice and the boy in him couldn't help but glance, ogle really, at the gap between your shirt pulled by gravity and the torso hiding underneath. Nice.

Your other hand began dragging nails across his bare chest and that brought his attention back to you. Normally, for some people at least, scratching just hard enough would leave white or raised lines. You definitely feel skin dragging against your nails but see no indication that you'd done anything. Somehow, you don't notice how his diaphragm contracts and stays there when he holds his breath. Eyes too trained on the contact between your nails and his skin to see his lips trembling. You inform him that you were going to apply more pressure.

Nothing hurt, not right now at least. But the sensation of your cold hands on his skin felt refreshing. Especially against his warm skin. Then your nails scratched his skin just right that he'd nearly hummed in satisfaction. He started wondering if you could break skin when he felt you dig into him. He could almost convince himself that you were strong enough to do it.

There was just something so disarming about you on top of him. Watching him with such fascination that he felt completely exposed. Like he had no choice but to surrender under you. Your eyes wide with curiosity, your nails dragging against him heavily. Sharp, steady, trying so hard to cut-

A stuttered gasp choked in his throat, breaking his thoughts as the stinging registered in his mind. You looked equally surprised to see the scratch on his pec, like red dotted lines outlined in white. A thumb tentatively pressed on the slash and Mark couldn't stop his lips from parting for the broken whine to escape.

Now, you were never one to bask in other people's pain, so you decided to blame his squirming hip jerks. The way the firm bulge in his pants rubbed up between your legs, the pleasure it shot straight up your spine coupled with that little cry was almost pavlovian. A professional would have gotten up and saved him the discomfort of having something so sensitive be put under pressure. A certain someone doing this out of the lab had decided it felt really nice when you sat yourself down firmly.

Mark was strong, you wouldn't be able to hold him down on your weight alone and by that breathless whimper, it seemed like he was okay with the way you readjusted and slid yourself against the hill on his pelvis. It was especially nice when he'd squirm underneath you, clumsy friction rubbing between you as your finger pressed harder on the wound. Your eyes nearly rolled back as you got lost in the slow carousel ride before he sighed out and finally relaxed.

Close. So close. Beneath your thumb was smooth skin, pristine and unblemished. Wide eyes stared at the newly formed skin and he swore he saw your gaze twinkle. He had healed. So fast, yet you couldn't help but miss the choked whines as he struggled to cope with the pain. You had expected him to have better tolerance than that but perhaps having tiny cuts compared to gashes and bruises felt different.

Mark inhaled lightly, breath finally steady as the stinging pain subsided and he wasn't forced to focus between his chest and the rubbing on his erection. "A-ah..." his voice cracked as you dug your nails in again and left three pretty scratches in your wake. Your eye twitched as you struggled to keep your gaze trained on him when his hips bucked again. Seeing the red flesh peek out had you holding back from leaning down and dragging your tongue over it. You needed to see it yourself.

A part of you was impatient, needing to observe every detail of his healing abilities. The other part was impatient for other things as you fidgeted. Hips rocking slowly only to incite tight-lipped grunts when you pressed on the open wound again. You don't know when his hands made their way to your sides, just that you were now pressed firmly enough that you couldn't lift up.

Then his hands grip and direct your lower half, moving you back and forth in his pace. You feel that ticklish sensation between your legs again as you watch skin merge back together, too fast to leave even a scab. Lips that had curled into an enthralled grin trembled when your eyes fluttered and the body below you lifted up slightly, pushing up as you were pressed down.

You looked good. Like, really good when you were watching him. Something almost manic in your eyes when you saw his body heal in real time. It made him go crazy thinking about what you probably wanted to do to him. The ill intent in your gaze as the corner of your lips twitched upwards in morbid interest, showing your teeth. It looked just as good when your eyes lost focus as he had you hump him, mouth hanging open to let out a surprisingly pleased moan.

The pleasure seemed to cloud any logic or reasoning left in you because you had forgotten to explain the next steps. No, you wanted to get straight to it apparently as you leaned down. Wordlessly, your chest pressed against his and if he wasn't holding onto you, you might have slipped off. Lips inched closer to his neck and your warm breath wafted against his already heated skin.

His eyes fluttered closed, expecting lips or a tongue to touch his neck. Instead, he felt pointed canines before you took a hard bite. His hips stuttered mid grind, once again caught off guard by your actions. His groans matched yours as you found yourself enjoying the sounds and sensations of grinding your teeth against his collarbone. You knew he was sturdy and the fact he got off on your teeth rather than recoil only spurred you to clamp down harder.

Nails dug into his shoulders as you held onto him. Hips gyrated and bucked against each other, your clothed sexes edging closer and closer to what you both needed. Mark couldn't take much more as he sat up, dipping you onto your mattress as he held onto your thighs and had you wrap your legs around him.

You didn't seem to relent either as your jaw refused to unclench. Not that it mattered to him. Moans muffled behind your teeth, hot air hitting his neck in quick puffs from your breathing. That and the faint ache on his skin had him rutting harder against you.

Strong hands moved up, stopping at your waist as a careful yet firm grip held you in place. Then he thrusted forward again, the movement quick and desperate and needy. He needed it, really really bad. Wanted it as much as you, whose attention was being taken away by the growing intensity of the body dry humping you. Jaw and abdomen equally as tight.

A stuttering slam against your pelvis has you seeing stars and you finally unclench your jaw to cry out. The crash of pleasure has you bucking back up into him and if that didn't do him in, the long scratches down his back and your legs locking him sungly into you does.

Mark collapses on top of you, spent and breathless and you both have most likely needed a change of clothes. Vision hazy, you try to crane your neck and see the damage you should have dealt on his collarbone. The disappointment on your face could be seen a mile away.

Despite your best efforts and rattling you'd felt in your teeth, all you had to show for it was indents from your canines. Already raising back up as if it had never happened.

"I nearly lost a tooth for nothing," you mutter, saving the fact you wanted to leave a mark at all to unpack for another day. A breathy laugh came from beside your head, feeling the vibrations against your chest. His hair tickled your cheek as her turned to look at you, eyes twinkling in the afterglow of climax.

"I mean, it's not bullshit that I'm called-"

A/N: yeah ofc I'd make that fuckass joke.

I haven't written in a good 2 years or so and have drafts before the pandemic for other fics (they're on Wattpad do you understand what type of person I am now). I didn't mean to make reader a lil biology freak but that was fun.

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thepencilnerd · 3 months ago

Text

A Lesson In Fear Extinction | part I

pairing: professor!Jack Abbot x f!psych phd student reader summary: You’re a senior doctoral student in the clinical department, burned out and emotionally barricaded, just trying to finish your final few years when Jack Abbot—trauma researcher, new committee member, and unexpectedly perceptive—starts seeing through you in ways you didn’t anticipate wc: 11.9k content/warnings: academic!AU, slow burn (takes places over 3 years lbffr), frat boys being gross + depictions of unwanted male attention/verbal harassment, academic power dynamics, emotional repression, discussions of mental health, mutual pining, hurt/comfort, angst, so much yearning, canon divergence, no explicit smut (yet/tbd but still 18+ MDNI, i will fight u) a/n: this started as a slow-burn AU and spiraled into a study in mutual repression, avoidant-attachment, and me trying to resolve my personal baggage through writing ~yet again~ p.s. indubitably inspired by @hotelraleigh and their incredible mohan x abbot fic (and all of their fics that live in my head rent free, tyvm) i hope you stay tuned for part II (coming soon, pinky promise) ^-^

The first thing you learn about Dr. Jack Abbot is that he hates small talk. That, and that he has a death glare potent enough to silence even the most self-important faculty members in the psych department.

The second thing you learn is that he runs his office like a bunker—door usually half-shut, always a little too cold, shelves lined with books no one's touched in decades. You step inside for your first meeting, and it feels like entering a war room.

"You’re early," he says, without looking up from the annotated manuscript he’s scribbling on.

"It's the first day of the school year."

"Same difference."

You take a seat, balancing your laptop on your knees. Your fingers hover over the keyboard, unsure if you should even bother.

Dr. Abbot finally glances up. Hazel eyes, sharp behind silver-framed glasses. "Let’s make this easy. Tell me what you’re working on and what you want from me."

You hesitate. Not because you don’t know. You’ve been rehearsing this on the walk over. You just hadn’t planned on him cutting through the pleasantries quite so fast.

"I’m running a mixed methods study on affective forecasting errors in anxiety and depression. Lab-based mood induction, longitudinal survey follow-up, and semi-structured interviews. I'm trying to map discrepancies between predicted and experienced affect and how that mismatch contributes to maladaptive emotion regulation patterns over time."

A beat.

"So you're testing whether people with anxiety and depression are bad at predicting their own feelings."

You blink. "Yes."

"Good. Start with that next time."

You bite the tip of your tongue. Roll the flesh between your teeth to ground yourself. There is no next time, you want to say. You’re only meeting with him once, to get sign-off on your committee. He wasn’t your first choice. Wasn't even your second. But your advisor's on sabbatical, and the other quantitative faculty are already overbooked.

Dr. Abbot leans back in his chair, examining you. "You’re primary is Robby, right?"

"Technically, yes."

He hums, not bothering to hide the skepticism. "And you want me on your committee because...?"

"Because you published that meta-analysis on PTSD and chronic stress. Your work on cumulative trauma exposure and dysregulated affect dovetails with mine on stress-related trajectories for internalizing disorders and comorbidity. I thought you might actually get what I’m trying to do."

His brow lifts, just slightly. "You did your homework."

"Well, I’m asking you for feedback on a dissertation that will probably make me break down countless times before it's done. Figured I should know what I was getting into."

Dr. Abbot's mouth twitches. You wouldn’t call it a smile, exactly. But it’s something.

"Alright," he says, flipping open a calendar. "Let’s see if we can find a time next week to go over your proposal draft."

You arch a brow. "You’ll do it?"

"You came in prepared. And you didn’t waste my time—as much as the other fourth years. That gets you further than you’d think around here."

You nod, heart thudding. Not because you’re nervous.

Because you have the weirdest feeling that Jack Abbot just became your biggest academic problem—and your most unexpected ally.

You see him again the next day. Robby was enjoying his last remaining few weeks of paternity leave and graciously asked Jack to sub for his foundations of clinical psychology course. Jack preferred the word coerced but was silenced by a text message with a photo of a child attached. The baby was cute enough to warrant blackmail.

He barely got through the door intact: balancing a coffee cup between his teeth, cradling a half-closed laptop under one arm, and wrangling the straps of a clearly ancient backpack. His limp is more pronounced today. The small cohort watches him with a mix of curiosity and vague alarm.

You’re in the front row, laptop open before he even gets to the podium.

Jack drops everything onto the lectern with a heavy exhale, then glances around. His eyes catch on you and pause—not recognition yet, just flicker. Then he turns back to plug in his laptop.

You don’t expect to see him again two days later, striding into the 200-level general psych class you TA. The room’s already three-quarters of the way full when he walks in, and it takes him a moment before he does a brief double-take in your direction.

You return your attention to your notes. Jack stares.

"Small world."

"Nice to see you too, Dr. Abbot."

He sighs. "Why am I not surprised."

"Because the annual stipend increase doesn't adjust for inflation, I'm desperate, and there aren't enough grants given the current state of events?"

Jack mutters something under his breath about cosmic punishment and unfolds the syllabus from his coat pocket like it personally betrayed him.

When he finally settles at the front—coffee in one hand, laptop balancing precariously on the desk—you catch him bending and straightening his knee just under the edge of the table, jaw set tight. It’s subtle. Anyone else might miss it. But you’ve been watching.

You say nothing.

A few students linger with questions—mostly undergrads eager to impress, notebooks clutched to their chests, rattling off textbook jargon in shaky voices. Jack humors them, mostly. Nods here, clarification there. But his eyes flick to you more than once.

You take your time with the stack of late enrollment passes. He’s still watching when you sling your tote over one shoulder and head for the door.

Probably off to the lab. Or your cubicle in the main psych building. Wherever fourth years disappear to when they aren’t shadowing faculty or training underqualified and overzealous research assistants on data collection procedures.

Jack shifts his weight onto his good leg and half-listens to the sophomore with the over-highlighted textbook.

His eyes stay on you when you walk out.

You make it three steps past the stairwell before the sound of your name stops you. It’s not loud—more like a clipped murmur through the general noise of backpacks zipping and chairs scraping—but it cuts straight through.

You turn back.

Jack’s still at the front, the stragglers now filtering out behind him. He doesn’t wave. Doesn’t beckon. Just meets your gaze like he already knows you’ll wait. You do.

He makes his way toward you slowly, favoring one leg. The closer he gets, the more you notice—the way his hand tightens on the strap of his backpack, the exhausted pull at his brow. He’s not masking as well today.

"Thanks for not saying anything," he says when he stops beside you.

You shrug. "Didn’t seem like you needed an audience."

Jack huffs a laugh, dry and faintly surprised. "Most people mean well, but—"

"They hover," you finish. "Or overcompensate. Or say something weird and then try to walk it back."

"Exactly."

You both stand there for a beat too long, campus noise shifting around you like a slow tide.

"I was heading to the coffee shop," you say finally. "Did you want anything?"

Jack tilts his head. "Bribery?"

"Positive reinforcement." The words trail behind a small grin.

He shakes his head, mouth twitching. "Probably had enough caffeine for the day."

The corner of your lip curls higher. "As if there's such a thing."

That earns you a half-huff, half-scoff—just enough to let you believe you might have amused him.

"Well," you say, taking a step backward, "I’ve got three more RAs to train and one very stubborn loop to fix. See you around, Dr. Abbot."

"Good luck," he says, voice low but steady. "Don’t let the building eat you alive."

The next time he sees you, it’s after 10 p.m. on a Thursday.

You hadn’t planned on staying that late. But the dinosaur of a computer kept crashing, two of your participants no-showed, and by the time you’d salvaged the afternoon’s data to pull, it was easier to crash on the grad lounge couch than face the lone commute back to your apartment.

You must’ve fallen asleep halfway through reading feedback from your committee—curled up with your legs splayed over the edge of the couch and laptop perched on the cheap coffee table. The hall is mostly dark when Jack walks past. He’s heading toward the parking lot when he stops, mid-step.

For a moment, he just stands there, taking in the sight of you tucked awkwardly into yourself. You look comfortable in your oversized hoodie, if not for the highlighter cap still tucked between your fingers and mouth parted in a silent snore.

He doesn’t say anything. Just watches you breathe for a few seconds longer than necessary.

Then, maybe with more curiosity than concern, he raps his knuckles gently against the doorframe. Once. Twice. Three times for good measure.

No response.

Jack steps inside and calls out, voice pitched low but insistent. "This is not a sustainable sleep schedule, you know."

You stir—just barely. A vague groan escapes your lips as you shift and swat clumsily in the direction of the noise. "Just five more minutes... need to run reliability analyses..."

Jack chuckles, genuine and surprised.

He leans against the wall, watching you with no urgency to leave. "Dreaming about data cleaning. Impressive."

You make a small, unintelligible noise and swat again, this time with a little more conviction. Jack snorts.

After a moment, he sighs. Then carefully crosses the room, picks up the crumpled throw blanket from the floor, and drapes it over you without ceremony.

He flicks off the overheads and closes the door behind him with a quiet click. The hallway hums with fluorescent buzz as he limps toward the parking lot, shoulders tucked in against the chill.

A few weeks into the semester, the rhythm settles—lecture, discussion, grading, rinse and repeat. But today, something shifts.

You’re stacking quizzes at the front of the general psych lecture hall when Jack catches movement out of the corner of his eye. Two male students—frat-adjacent, all oversized hoodies and entitled swagger—approach your desk.

Jack looks up from his laptop. His expression doesn’t shift, but something in his posture does—a subtle, perceptible freeze. He watches from where he’s still packing up—hand paused on his laptop case, jaw tight, eyes narrowing just slightly as he takes in the dynamic. There’s a flicker of tension behind his glasses, a pause that says: if you needed him, he’d step in.

They swagger up with the kind of smirks you’ve seen too many times before—overconfident, under-read, and powered by too many YouTube clips of alpha male podcasts.

"Yo, TA—what’s up?" one says, leaning far too close to your desk. "Was gonna ask something about the exam, but figured I’d shoot my shot first. You free later? Coffee on me."

His friend elbows him like he’s a comedic genius. "Yeah, like maybe we could pick your brain about, like, how to get into grad school. You probably have all the insider tricks, right?"

You don’t even blink.

"Sure," you say sweetly. "I’d love to review your application materials. Bring your CV, your transcript, three letters of rec, and proof that you’ve read the Title IX policy in full. Bonus points if you can make it through a meeting without quoting Andrew Tate—or I’ll assume you’re trying to get yourself suspended."

They stare. You smile.

One laughs uncertainly. The other mutters something about how "damn, okay," and both slink away.

Jack’s jaw works once. Then relaxes.

You glance up, like you knew he’d been watching.

"Well handled," he says, voice low as he steps beside you.

You offer a nonchalant shrug. "First years are getting bolder."

"Bold is one word for it."

You hand him a stack of leftover forms. "Relax, Dr. Abbot. I’ve survived undergrads before. I’ll survive again."

Jack gives a small, amused grunt. Then, after a beat: "You can call me Jack."

You glance up, brow raised.

"Feels a little formal to keep pretending we’re strangers.

You don’t say anything right away. Just nod once, almost imperceptibly, then go back to gathering your things.

He doesn’t push it.

It’s raining hard enough to rattle the windows.

You’re having what your cohort half-jokingly calls a "good brain day"—sentences coming easy, theory clicking into place, citations at your fingertips. You barely notice the weather.

Jack glances up from your chapter draft as you launch into a point about predictive error and affective flattening. He doesn't interrupt. His eyes follow how you pace—one hand gesturing, the other holding your annotated copy, words sharp and certain.

Eventually, you pause mid-thought and glance at him.

He's already looking at you.

Your hand flies up to cover your mouth. "Shit. I'm sorry—"

Jack shakes his head, lips twitching at the corners. "Don’t apologize. That was… brilliant."

You blink at him, the compliment stalling your momentum. The automatic response bubbles up fast—some joke to deflect, to downplay. You don't say it. Not this time.

Still, your fingers tighten slightly on the edge of the desk. "I don't know about brilliant..."

Jack doesn’t look away. "I do."

The silence stretches—not awkward, exactly, but thick. His gaze doesn’t waver, and it holds something steady and burning behind it.

You glance down at your annotated draft. The silence stays between you like a taut wire.

Jack doesn’t fill it. Just waits—gaze unwavering, as if giving you time to come to your own conclusion. No pressure, no indulgent smile. Just a quiet, grounded certainty that settles between you like weight.

Eventually, you exhale. The tension loosens—not completely, but enough to keep going.

"Okay," you murmur, almost to yourself.

Jack nods once, slowly. Then gestures at your printed draft. "Let’s talk about your integration of mindfulness in the discussion section. I’ve got a few thoughts."

Ethics is the last class of the week. The room's heating is inconsistent, the lights too bright, and Jack doesn’t know how the hell he ended up covering for Frank Langdon. Probably the same way he got stuck with Foundations and General Psych: Robby. The department’s too damn small and apparently everyone with a baby gets to vanish into thin air.

He steps into the room ten minutes early, coffee already lukewarm, and makes a half-hearted attempt to adjust the podium screen. The first few students trickle in, then more. He flips through the lecture slides, barely registering them.

And then he sees you.

You’re near the back, chatting with someone Jack doesn’t recognize. Another grad student by the look of him—slouched posture, soft jaw, navy sweater. The guy’s grinning like he thinks he’s charming. He leans in a little too close to your chair. Says something Jack can’t hear.

Jack tells himself he’s only looking because the guy seems familiar. Maybe someone from Walsh’s lab. Or Garcia’s.

You laugh at something—light, genuine.

Jack tries not to react.

Navy Sweater says something else, more animated now. He gestures to your laptop. Points to something. You nudge his hand away with a grin and say something back that makes him blush.

Jack flips the page on his lecture notes without reading a word.

You’re still smiling when you finally glance up toward the podium.

Your eyes meet.

Jack doesn’t look away. But he doesn’t smile either.

The guy beside you says something else. You nod politely.

But you’re not looking at him anymore.

The next time you're in Jack’s office, the air feels different—autumn sharp outside, but warm in here.

He notices things. Not all at once, but cumulatively.

Your hair’s longer now. It’s subtle, but the ends graze your jaw in a way they hadn’t before. You’ve started wearing darker shades—amber, forest green, burgundy—instead of the lighter neutrals from early fall. Small changes. Seasonal shifts.

He doesn’t say anything about any of that.

But then he sees it.

A faint smudge of something high on your neck, near the curve of your jaw.

"Rough night?" he asks, lightly. The tone’s casual, but his eyes stay there a second too long.

You look up, blinking. Then seem to realize. "Oh. No, it’s—nothing."

He raises an eyebrow, just once. Doesn’t press.

What you don’t say: you went on a date last night. Your first real date since your second year. Navy Sweater—Isaac—had been sweet. Patient. Social psych, so he talked about group dynamics and interdependence theory instead of clinical cases. A refreshing change from your usual context. He’d been pining for you since orientation. You finally gave him a chance.

You’re not sure yet if it was a mistake.

Jack doesn’t ask again. He just shifts his attention back to your printed draft, flipping a page without comment.

But you can feel it—that subtle change in the room. Like something under the surface has started to stir.

Jack doesn’t speak again for the rest of the meeting, at least not about anything that isn’t your manuscript. But the temperature between you has shifted, unmistakable even in silence.

His feedback is sharp, incisive, and you take it all in—but your focus tugs sideways more than once.

You start to notice little things. The way his hands move when he talks—precise, economical, almost always with a pen twirling between his fingers. The way he reads with his whole posture—leaned in slightly, brows furrowed, lips moving just barely like he’s tasting the cadence of each sentence. How he always wears button-downs, sleeves pushed up to the elbows, like he’s never quite comfortable in them.

You catch the faint scruff at his jawline, the flecks of gray you hadn’t seen before in the fluorescent classroom light. The quiet groan of his office chair as he shifts to get more comfortable—though he never quite does. The occasional tap of his fingers against the desk when he’s thinking. The way his eyes track you when you pace, like he’s cataloging your rhythm.

When he leans in to gesture at a line in your text, you’re aware of his proximity in a way you hadn’t been before. The warmth that radiates off him. The way his breath hitches just slightly before he speaks.

When you ask a clarifying question, he meets your eyes and holds the gaze a fraction too long.

It shouldn’t mean anything. It probably doesn’t.

Still, when you pack up to leave, you don’t rush. Neither does he.

He walks you to the door, stops just short of it.

"Good luck with the coding," he says.

You nod. "Thanks. See you next week."

He hesitates, then nods once more. "Yeah. Next week."

And when you leave his office, the echo of that pause follows you down the hall.

At home, Jack goes through the same routine he always does. He hangs up his coat. Places his keys in the ceramic dish by the door. Fills the kettle. Rinses a clean mug from the rack without thinking—habit, even if it’s just for himself.

Then he sits down on the edge of the couch and unbuckles the prosthetic from his leg with practiced efficiency. He leans forward, slow and deliberate, and cleans the area with a soft cloth, checking the skin for signs of irritation before applying a thin layer of ointment. Only then does he begin to massage the tender spot where his leg ends, pressing the heel of his palm just enough to release tension. The ache is dull tonight, but persistent. It always is when the weather shifts.

He doesn’t turn on the TV. When he buckles it back on and gets up again, he moves around his apartment quietly, the limp less noticeable this time around.

While the water heats, he scrolls through emails on his phone—most from admin, flagged with false urgency. A few unread messages from students, one from a journal editor asking for another reviewer on a manuscript that costs too much to publish open access. He deletes half, archives another third. Wonders when it became so easy to ignore what used to feel so important.

The kettle whistles. He pours the water over the tea bag and sets it down, not bothering with the stack of essays he meant to look at hours ago.

He doesn’t touch them.

Not yet.

Tonight, his rhythm is off.

Instead, he looks over your latest draft after dinner, meaning only to skim. He finds himself rereading the same paragraph three times, mind somewhere else entirely. Your words, your phrasing, your comments in the margins—he's memorizing them. Not intentionally. It just happens.

Later, brushing his teeth, Jack thinks of how you’d looked that afternoon: eyes sharp, expression animated, tucked into a wool sweater the color of cinnamon. Hair falling forward when you tilted your head to listen, then swept back with one distracted hand. A little ink smudged on your finger. The edge of a smile you didn’t know you were wearing.

He wonders if you know how often you pace when you’re deep in thought. How your whole posture changes when something clicks—like your bones remember before your voice does. How you gesture with the same hand you write with, sometimes forgetting you’re holding a pen at all.

He tells himself it’s just professional attentiveness. That he’s tuned into all his students this way. That noticing you in detail is part of his job.

But it’s a lie. And the truth has started to settle into his bones.

He closes his laptop, shuts off the light.

He dreams in fragments—lecture notes and old conference halls, the scent of rain-soaked leaves, the sound of your voice mid-sentence. The ghost of a laugh.

He doesn’t remember the shape of the dream when he wakes.

Only the warmth that lingers in its place.

Across town, you’re on another date with Isaac.

He’s funny tonight—quick with dry quips, gentler than you'd expected. He walks you to a small café far from campus, one you’ve driven by a dozen times but never tried. He orders chai with oat milk. You get the pumpkin spice out of spite.

"Pumpkin spice, really?" he teases. "Living the stereotype."

"It’s autumn," you shoot back. "Let me have one basic pleasure."

You talk about everything but your dissertation—TV shows, childhood pets, the worst advice you’ve ever received from an advisor. Inevitably, you steer the conversation into something about work. It's a habit you seem to remember having since your earliest academic days, and one you don't see yourself breaking free from anytime soon.

"My undergrad advisor once told me I’d never get into grad school unless I stopped sounding ‘so West Coast.’ Still not sure what that means."

Isaac laughs. "Mine told me to pick a research topic ‘I wouldn’t mind reading about for the rest of my life.’ As if anyone wants to read their own lit review twice."

You laugh—genuine, belly-deep. Isaac flushes with pride and takes a long sip of his chai, eyes bright.

It's easy with him, you think. Talking, breathing, being. You lean back in your chair, cup warm between your palms, and realize you should feel more present than you do.

He’s exactly what you thought you needed. Different. Outside your orbit. Not tangled up in diagnoses or a department that feels more like a pressure cooker every day.

But still, your mind drifts. Not far. Just enough.

Back to the way Jack had looked at you earlier that day. The pause before he spoke. The silence that wasn’t quite silence.

You can’t put your finger on it. You don’t want to.

Isaac reaches across the table to brush his fingers against yours. You let him.

And yet.

You catch yourself glancing toward the door as he brushes your fingers. Just once. Barely perceptible. A flicker of something unformed tugging at the edge of your attention.

Not for any reason you can name. Not because anything happened. But because something did—quiet and slow and not easily undone.

You remember the way his brow furrowed as he read your chapter, the steadiness in his voice when he called your argument brilliant, the way he looked at you like the room had narrowed down to a single point.

Isaac is sweet. Funny. Steady. You should be here.

But your mind keeps slipping sideways.

And Jack Abbot—stubborn, sharp, unreadable Jack—is suddenly everywhere. In the cadence of a sentence you revise, where you hear his voice in your head asking, 'Why this framework? Why now?' In the questions you don’t ask Isaac because you already know how Jack would answer them—precise, cutting, but never unkind. In the sudden, irritating way you want someone to challenge you just a little more. To push back, to poke holes, to see if your argument still stands.

You find yourself wondering what he’s doing tonight. If he’s at home, pacing through a quiet, single-family home too large for his own company. If he’s reading someone else’s manuscript with the same intensity. If he ever thinks about the way you looked that afternoon, how you paced his office with fire in your voice and a red pen tucked behind your ear.

You think about the hitch in his breath when you leaned in. The way he’d watched you leave, that pause at the door.

And then Isaac says something—soft, thoughtful—and it takes you a second too long to register it. You nod, distracted, and reach for your drink again.

But your mind is already elsewhere.

Still with someone else.

You take another sip of your drink. Smile at Isaac. Let the moment pass.

But even then, even here—Jack is in the room.

You don’t see Jack again until the following Thursday. It’s raining hard again—something about mid-semester always seems to come with the weather—and the psych building smells like wet paper and overworked radiators.

You’re in the hallway, hunched over a Tupperware of leftover lentils and trying to catch up on grading, when his door creaks open across the hall. You glance up reflexively.

He’s standing there, brow furrowed, papers in hand. He spots you. Freezes.

For a moment, neither of you says anything. The hallway is quiet, just the hum of fluorescents and the distant murmur of a class in session. Then:

"Grading?" he asks, voice lower than usual—quiet, but unmistakably curious.

You lift your fork, deadpan. "Don’t sound so jealous."

Jack’s mouth twitches—almost a smile. A pause, then: "You’re in Langdon’s office hours slot, right?"

"Only if I bring snacks," you quip, referring to the way Frank Langdon always lets the TA with snacks cut the line—a running joke in the department.

Jack raises his coffee like a toast. "Then I’ll keep walking." A dry little truce. An unspoken I’ll stay out of your way—unless you want me to stay.

You watch him disappear down the hallway, his limp slightly more pronounced than usual. And you find yourself thinking—about how many times you’ve noticed that, and how many times he’s never once drawn attention to it.

Your spoon scrapes the bottom of the container. You try to return to grading.

You don’t get much done.

Later that afternoon, you’re back in the general psych lecture hall, perched on the side of the desk with your TA notes while Jack clicks through the day’s slides. It’s the second time he’s teaching this unit and he’s not even pretending to follow the script. You know him well enough now to catch the subtle shifts—when he goes off-book, lets the theory breathe.

He doesn’t look at you while he lectures, but you can tell when he’s aware of you. The slight change in cadence, the way his eyes flick toward the front row where you sometimes sit, sometimes stand.

Today’s lecture is on conditioning. Classical, operant, extinction.

At one point, Jack pauses at the podium. He’s talking about fear responses—conditioned reactions, the body’s anticipatory wiring, what it takes to unlearn a threat. You’ve heard this part a dozen times in college and a dozen more in grad school. You’ve written about it. You've published on it.

But when he says, "Fear isn’t erased. It’s overwritten," his eyes flick toward you—just for a second.

And your heart trips a little. Not in a dramatic, cinematic way—more like a misstep in rhythm, a skipped beat in a song you thought you knew by heart. Your breath catches for half a second, and you feel the heat rush to the tips of your ears.

It’s absurd, maybe. Definitely. But the tone of his voice when he said it—that measured, worn certainty—lands somewhere deep inside you. Not clinical. Not abstract. It feels like he’s speaking to something unspoken, to a part of you you've tried to keep quiet.

You shift your weight, pretending to re-stack a paper that doesn’t need re-stacking, pulse louder than it should be in your ears.

From your seat on the edge of the desk, you can see the way he gestures with his hand, slow and spare, like every movement costs something. The way he leans on his good leg. The way the muscles in his forearm flex as he flips to the next slide, still speaking, still teaching—none of this showing on his face.

Your eyes keep drifting back.

And he doesn’t look at you again. Not for the rest of the lecture.

But you feel the weight of that glance long after the class ends.

You stay after class, mostly to gather the quiz sheets and handouts. A few students linger, asking Jack questions about the exam. You hear him shift into that firm-but-generous tone he uses with undergrads, the kind that makes them think he’s colder than he is. Efficient. Clear.

When the last student finally packs up and leaves the room, Jack straightens. His eyes find you, soft but unreadable.

"Good lecture," you say.

He hums. "Not bad for a recycled deck."

You hand him the stack of forms. "You made it your own."

His thumb brushes over the edge of the papers. "So did you."

You don’t ask what he means. But the quiet between you feels different than it did at the start of the semester.

The room is mostly empty. Just the two of you. You're caught somewhere between impulse and caution. Approach and avoidance. There's a pull in your chest, low and slow, that makes you want to linger a second longer. To say something else. To ask about the lecture, or the line he looked at you during, or the kind of day he's had. But your voice sticks.

Instead, you shift again, adjust your grip on the papers in your hands, and let it all stay unsaid. But Jack’s already turned back toward the podium, gathering his things.

He doesn’t look up right away. Just slides his laptop into its case with more force than necessary, his jaw set tight. He’s annoyed with himself. The kind of annoyance that comes from knowing he missed something—not a moment, exactly, but the shadow of one. An opening. And he let it pass.

There was a question in your eyes. Or maybe not a question—maybe a dare. Maybe just the start of one. And he didn’t rise to meet it.

He tells himself that’s good. That’s safe. That’s professional.

But it doesn’t feel like a win.

His hand pauses on the zipper. He breathes out through his nose, not quite a sigh. Then glances toward the door.

You’re already gone.

You let the moment pass.

But you feel it. Like something just under the surface, waiting for another breach in the routine.

It happens late one evening, entirely by accident.

You’re in your office, door mostly closed, light still on. You meant to leave hours ago—meant to finish your email and call it—but the combination of caffeine and a dataset that refused to make sense kept you tethered to your desk.

Jack’s on his way out of the building when he hears it: a muffled sound from behind a half-open door just across the hallway from his own. He pauses, backtracks, and realizes for the first time exactly where your office is.

He hears it again—a quiet sniffle, then a low, barely-there laugh like you’re trying to brush it off.

He knocks.

You don’t answer.

"Hey," he says, voice just loud enough to carry but still gentle. "You alright?"

The sound of your chair creaking. A breath caught in your throat.

"Shit—Jack." You swipe at your face automatically, the name out before you think about it.

He steps just inside, not crossing the threshold. "Didn’t mean to scare you."

You shake your head, still blinking fast. "No, I just—burned out. Hit a wall. It’s fine. Nothing serious. Just… one of those days." You try for a joke.

Jack’s eyes sweep the room. The state of your desk. The way your sweater sleeves are pulled down over your hands. He shifts his weight.

There’s a long pause. Then he says, softer, "Can I—?"

You furrow your brows for a moment before nodding.

He steps in and leaves the door slightly cracked open behind him. He remains by the edge of your desk, a respectful distance between you. His presence is quiet but steady, and he doesn't pry with questions.

You exhale slowly, suddenly aware of the sting behind your eyes and how tight your shoulders have been all day. You look down, embarrassed, and when you reach for a tissue, your hand grazes his by accident.

You both freeze.

It’s nothing, really. A brush of skin. But it lands like something else. Not unwelcome. Not forgotten.

Jack doesn’t pull away. But he doesn’t linger, either.

Jack doesn’t move at first. He watches you for a moment longer, the quiet in the room settling unevenly.

"You sure you’re alright?" he asks, voice low, unreadable.

You nod, quick. "Yeah. I’m fine."

It comes too fast. Reflexive. But it lands the way you want it to—firm, closed.

Jack nods slowly. He doesn’t push. "Okay."

He steps back, finally. "Just—don’t stay too late, alright?"

You offer a smaller nod.

He hesitates again. Then turns and slips out without another word.

Your office feels warmer once he’s gone.

And your breath feels just a little easier.

Jack makes his way down the hallway toward the faculty lounge with the intention of grabbing a fresh coffee before his office hours. He passes a few students loitering in the corridor—chatter, laughter, the usual.

But then he hears your voice. Quiet, edged. Just outside the lecture hall.

"Isaac, I’m not having this conversation again. Not here."

Jack slows. Doesn’t stop, but slows and finds a small nook just shy of the corner.

"I just don’t get why you won’t answer a simple question," Isaac says. "Are you seeing someone else or not?"

There’s a pause. Jack glances down at the coffee in his hand and debates turning around.

But then he hears your exhale—sharp, frustrated. "No. I’m not."

Isaac huffs. "Then what is this? You’re always somewhere else—even when we’re out, even on weekends. It’s like your head’s in another fucking dimension."

Jack feels the hairs on his neck stand up. He sees you standing with your back half-turned to Isaac, arms crossed tightly over your chest. Isaac’s face is flushed, his voice a little too loud for the setting. Your posture is still—too still.

Jack doesn’t step in. Not yet. He stays just out of sight, near the hallway alcove. Close enough to hear. Close enough to watch.

You draw in a long breath. When you speak, your voice is level, cold. "I just don’t think I’m in the right place to be in a relationship right now."

Isaac’s expression shifts—confused, hurt.

Jack watches the edge of your profile. How your shoulders lock into place. How your eyes go distant, like you’re powering down every soft part of yourself.

He doesn’t breathe.

Then someone laughs down the hallway, and the moment breaks. Isaac looks over his shoulder, distracted for half a beat, then turns back to you with something sharp in his eyes.

"You’re not even trying," he says, voice low but biting. "I’m giving you everything I’ve got, and you’re... somewhere else. Always."

You stiffen. Jack stays hidden, tension rippling down his spine.

"I know..." you say, voice tight. "I'm sorry. I really am. But this isn’t working."

Isaac’s face contorts. "Seriously? That’s it?"

You shake your head. "You deserve someone who’s fully here. Who wants the same things you do. I’m not that person right now."

He opens his mouth to say something, but your eyes have already gone cold. Guarded. Clinical.

"I don't want to whip out the 'it's not you it's me bullshit'," you continue, each word deliberate. "But this isn’t about you doing something wrong. It’s me. I can’t give more than I’ve already given."

Jack watches the shift in your posture—how you shut it all down, protect the last open pieces of yourself. He recognizes it because he’s done the same.

"I'm sorry." The words are genuine. "You deserve better." Your eyes don't betray you. For a moment, though, your expression softens. You look at Isaac like a kicked dog, like you wish you could offer something kinder. But then it’s gone. Your eyes go cold again, your voice a blade dulled only by exhaustion.

Then someone laughs again down the hallway, closer this time, and the moment scatters. Jack moves past without a word. Doesn’t look at you directly.

But he sees you.

And he doesn’t forget what he saw.

As he passes, you glance up. Your eyes meet.

Only for a second.

Then he’s gone.

Isaac doesn’t notice.

Time passes. You're back in Jack's office for your regular one-on-one—but something is different.

You sit a little straighter. Speak a little quieter. The bright curiosity you usually carry in your voice has hardened, now precise ,restrained. Not icy, but guarded. Pulled taut.

You’re not trying to be unreadable, but you can feel yourself defaulting. Drawing the boundaries back up.

Jack notices.

He doesn’t say anything, but you catch the slight narrowing of his gaze as he listens.

You’d gone all in on this program, this career—your research, your ambitions, your carefully calculated goals. Isaac was the first time you'd tried letting something else in. A possibility. A softness.

And it crashed. Of course it did.

Because that’s what you do. That’s the pattern. You’re excellent at control, planning, systems, at hypothesis testing and case management. But when it comes to anything outside the academic orbit—connection, trust, letting someone see the jagged pieces under the polish—you flinch. You fail.

And you’ve learned not to let that show. Not anymore.

At one point, you trail off mid-sentence. Jack doesn’t fill the silence.

You clear your throat. Try again.

There’s something steadier in his quiet today. You finally finish your point and glance up. His expression is neutral, but his gaze is… undivided.

"Are you okay?"

It catches you off guard. You blink once, not expecting the question, not from him, not here.

You start to nod. Then pause. Your throat feels tight for a second.

"Yeah," you say. "I’m fine."

Jack doesn’t look away. He holds your gaze a moment longer. Not pressing. Not interrogating. Just there.

"You should know better than to lie to a psychologist."

It’s almost a joke. Almost. Just enough curve at the corner of your mouth to soften it. You let out a breath—half a laugh, half a sigh. "Guess I need to reassess my baseline."

Jack leans forward slightly. Then, without saying anything, reaches over and closes your laptop. Slides it just out of reach on the desk.

You open your mouth to protest.

Jack cuts in, quiet but firm. "You need to turn your brain off before it short circuits."

You blink. He continues, gentler this time. "Just for a few minutes. You don’t have to push through every wall. Sometimes it’s okay to sit still. Breathe. Be a human being."

You look down at your hands, fingers curled around a pen you hadn’t realized you were still holding. There’s a long pause before you speak.

"I don’t know how to do that," you admit, voice barely above a whisper.

Jack doesn’t say anything at first. He lets the silence settle. "Start small," he says. "We’re not built to stay in fight-or-flight forever."

The words land heavier than you expect. You stare down at your hands, your knuckles paling against the pressure of your grip. Your breath stutters on the way out.

Jack doesn’t move, but his presence feels closer somehow—like the room has contracted around the two of you, warm and steady.

You set the pen down slowly. Swallow. Your eyes burn, but nothing falls.

Your jaw shifts. Just a fraction.

You don’t say anything at first.

Jack doesn’t either. But he doesn’t look away.

After a beat, he says—careful, quiet—"You want to talk about it?"

You hesitate, eyes fixed on a crease in your jeans. "No."

He waits. "I think you do."

You laugh under your breath. It’s not funny. "This how you talk to all of your clients?"

He doesn't bite.

"You don’t let up, do you?" You're only half-serious.

"I do," he pauses. "When it matters. Just not when my mentee is sitting in front of me looking like the world’s pressing down on their ribcage."

That makes you flinch. Not visibly, not to most. But he sees it. Of course he does. He’s trained to.

You look at your hands. He's not going to let this go so you might as well bite the bullet. "I'm not great at the whole... letting people in thing."

Jack doesn’t respond. Just shifts his weight slightly in his chair—almost imperceptibly. A silent invitation.

Your voice stays quiet. Measured. "I usually just throw myself into work. It’s easier. It’s something I can control."

Still, he says nothing.

You pick at the seam of your sleeve. "Other stuff... it gets messy. Too unpredictable. People are unpredictable."

Jack’s gaze never wavers. He doesn’t push. But the absence of interruption is its own kind of presence—steady, open.

Your lips twitch in a faint, humorless smile. "I know that’s ironic coming from someone studying emotion regulation."

He finally says, softly, "Sometimes the people who study it hardest are the ones trying to figure it out for themselves."

That makes your eyes flick up. His expression is calm. Receptive. No judgment. No smile, either. Just… presence.

You look down again. Your voice even softer now. "I don’t know how to do it. Not really."

Jack doesn’t interrupt. Just shifts, barely, like bracing.

And somehow, that makes you keep going.

"Grad school’s easier. Career’s easier. I can plan. I can control. Everything else just…" You trail off. Shrug, a flicker of helplessness.

He’s still watching you. The way he does when he’s listening hard, like there’s a string between you and he’s waiting to see if you’ll keep tugging it.

"I thought maybe..." You press your lips together. "I thought I could do it. Let someone in. Be a person. A twenty-nine year old, for fuck's sake." Your hands come up to your face. "But it just reminded me why I don’t."

You draw a slow breath. Something in your chest cracks. Not a collapse—just a fault line giving way.

Jack just stares.

Then, slowly, he leans back—not away, but into the quiet. He folds his hands in his lap, thumb tracing a familiar line over his knuckle. A practitioner’s stillness. A kind of careful permission.

"You know," he says, voice low, "when I first started in trauma research, I thought if I understood it well enough, I could outsmart it. Like if I had the right frameworks, if I mapped the pathways right, it wouldn’t touch me."

You glance up.

He exhales through his nose—dry, but not bitter. "Turns out, knowing the symptoms doesn’t stop you from living them. Doesn’t stop the body from remembering."

He doesn’t specify. Doesn’t have to.

His eyes flick to yours. "But you don’t have to be fluent in trust to start learning it. You don’t have to be good at it yet. You just have to let someone sit with you in the silence."

You study him. The sharpness of his jaw, the quiet behind his glasses, the wear in his voice that doesn’t make it weaker.

Your throat tightens, but you don’t speak.

He doesn’t need you to.

He just stays there—anchored. Steady. Unmoving.

Like he's not waiting for you to come undone.

He's waiting for you to believe you don’t have to.

It's Friday night. You’re walking a participant through the start of a lab assessment—part of the longitudinal stress and memory protocol you’ve spent the last year fine-tuning. The task itself is simple enough: a series of conditioned images, paired with soft tones. But you watch the participant's pulse rise on the screen. Notice the minute shift in posture, the tension in their jaw.

You pause. Slow things down.

"Remember," you say gently, "we’re looking at how your body responds when it doesn’t need to anymore. The point isn’t to trick you—it’s to see what happens when the threat isn’t real. When it’s safe."

The participant nods, still uneasy.

You don’t blame them.

Later, the metaphor clings to you like static from laundry fresh out of the dryer. Fear extinction: the process of unlearning what once kept you alive. Or something close to it.

You think of what Jack said. What he didn’t say. The silence he offered like a landing strip.

It replays in your head more than you'd like to admit—the dim warmth of his office, the soft click of your laptop closing, the unexpected steadiness in his voice. No clinical jargon. No agenda. Just space. Permission.

You remember the way he folded his hands. The faint scuff on the corner of his desk. The way he didn’t fill the air with reassurances or advice. Just stayed quiet until the quiet felt less like drowning and more like floating.

And it had made something in your chest stutter—because you'd spent years studying fear responses, coding reactivity curves and salience windows, mapping out prediction error pathways and understanding affect labeling.

But none of your models accounted for the way someone simply sitting with you could ease the grip of it.

Maybe, you think now, as you log the participant's final response, this is what fear extinction looks like outside of a lab setting. Not just reducing reactivity to a blue square or a sharp tone.

But learning—relearning—how it feels to let another person in and survive it.

Maybe Jack wasn’t offering a solution.

Maybe he was offering proof.

Is this what it looked like in practice? Not just in a scanner or a skin conductance chart—but in the quiet, everyday choice of showing up? Staying?

Perhaps the data is secondary and this is the experiment.

And maybe, just maybe, you’re already in the middle of it.

The new semester begins in a blur of syllabi updates and shuffled office assignments. It's your final year before internship—a fact that looms and hums in the background like a lamp you can't turn off. You’re no longer the quiet, watchful second-year—you’ve published, you've taught, you've survived.

But you’re also exhausted. You’ve become adept at wearing competence like armor.

Jack is teaching an elective course this semester—Epigenetics of Trauma. You're enrolled in it—a course you didn’t technically need, but couldn’t resist for reasons you cared not to admit.

When you pass him in the hallway—coffee in one hand, a paper balanced on his clipboard—he stops.

"Did you hear the department finally updated the HVAC?" he asks, and it’s not really about the HVAC.

You nod, a wry smile tugging at your mouth. "Barely. Still feels like a sauna most days."

Jack gestures to your cardigan. "And yet you persist."

You grin. It’s a tiny thing. But it stays.

Later that week, he pokes his head into your office between student meetings.

"You’re on the panel for the trauma symposium, right?"

The one you were flying to at the end of October—thanks to Robby, who had playfully threatened to submit your name himself if you didn’t volunteer. He’d needed someone to piggyback off of, he’d said, and who better than his best grad student—who was also swamped with grant deadlines, dissertation chapters, and a growing list of internship applications. You’d rolled your eyes and said yes, of course, because that’s what you did. And maybe because a part of you liked the challenge, academic mascochism and validation and all.

You nod. "Talk and discussion."

He steps farther in. "If you’re open to it—I’d like to sit in."

You glance up. "You’ve already read the draft."

Jack smiles. "Doesn’t mean I wouldn’t like to hear it out loud."

You lean back slightly, watching him. "You going to grill me from the audience and be that one guy?"

Jack raises an eyebrow, amused. "Wouldn’t dream of it."

You hum. "Mmhm."

But you’re smiling now. Just a little.

It’s not quite vulnerability. Not yet. But it’s a beginning. A reset. The next slow iteration in a long series of exposures. New responses. New learning. Acceptance in the face of uncertainty.

The only way fear ever learns to quiet down.

Robby’s already three beers in and trying to argue that Good Will Hunting is actually a terrible representation of therapy while Mel King—your cohort-mate in the developmental area, always mindful and reserved—defends its emotional core like it’s a thesis chapter she’s still revising in her head.

Mentored by John Shen, Mel studies peer rejection and emotional socialization in early childhood, and she talks about toddlers with the same reverence some people reserve for philosophers. Her dissertation focuses on how early experiences of exclusion and inclusion shape later prosocial behavior, and she can recite every milestone in the Denver Developmental Screening Test like scripture.

She’s known for respectful debates, non-caffeinated bursts of energy, and an uncanny ability to babysit and code data at the same time. The kind of person who shows up with a snack bag labeled for every child at a study visit—and still finds time to coordinate the department's annual "bring your child to work" day. She even makes time to join you and Samira on your Sunday morning farmers market walks, reusable tote slung over one shoulder, ready to talk about plum varieties and which stand has the best sourdough.

Samira Mohan, meanwhile, sits with her signature whiskey sour and a stack of color-coded notecards she pretends not to be working on. She’s in the clinical area too—mentored by Collins—and her work focuses on how minority stress intersects with emotion regulation in underserved populations. Her analyses are razor sharp and sometimes terrifying. Samira rarely speaks unless she knows her words will land precisely—measured, deliberate, the kind of sharp that cuts clean.

Although still in her early prospectus phase, choosing to propose in her fifth year rather than fourth, her dissertation is shaping into a cross-sectional and mixed-methods exploration of how racial and gender minority stressors compound across contexts—academic, familial, and romantic—and the specific emotion regulation repertoires that emerge as survival strategies.

Samira doesn’t stir the pot for fun; she does it when she sees complacency and feels compelled to light a fire under it. That’s the Samira everyone knows and you love—the one who will quietly dismantle your entire line of argument with one clinical observation and a deadpan stare. She does exactly that now, throwing in a quote from bell hooks with the sly smile of someone who knows she’s lit a fuse just to watch it burn.

It’s a blur of overlapping conversations, familiar inside jokes, cheap spirits, and the particular cadence of a group that knows each other’s pressure points and proposal deadlines down to the day. For a moment you let yourself exist in it—in the din, in the messy affection of your academic family, in the safety you didn’t know you’d built, much less deserved. Samira’s halfway through a story about a disastrous clinical interview when she turns to you, parts her mouth to speak, and looks up behind you—

"So is this where all the cool kids hang out?"

You feel him before you see him—Jack’s presence like a low hum behind you, the soft waft of his cologne cutting through the ambient chatter. The light buzz of conversation has your senses dialed up, awareness prickling at the back of your neck. You don’t turn. You don’t have to.

Robby lets out a loud "whoohoo" as Jack joins the table, hauling him into a bro hug with the miraculously coordinated enthusiasm of someone riding high off departmental gossip. Jack rolls his eyes but doesn’t resist, letting Robby thump his back twice before extracting himself but instead of settling there, he leans down slightly, voice pitched just for you. “Is this seat taken?”

Robby at 12 o'clock, Heather to his left, then Samira, Mel, you, and John. The large circular table meant for twelve suddenly feels exponentially smaller. The tablecloth brushes your knees, heavy and starchy against your lap. You feel warmth creep up your cheeks—probably from the alcohol (definitely not from anything else)—and scoot over slightly closer to Mel, giving him room to squeeze in between you and John. You can feel the shift in the air, the proximity of his sleeve against yours, the silent knowledge that he's there now—anchored in your orbit.

He slides in beside you with a quiet murmur of thanks, the space between your arms barely more than a breath. The conversation continues, but the air feels a little different now.

He nods politely to Shen on his left, mutters something about being tricked into another committee, then glances your way—dry, amused, measured.

Always measured.

You feel Jack beside you—not just his sleeve brushing yours, but his presence, calm and dense as gravity. His knee bumps yours beneath the table once, lightly, maybe unintentional. Maybe not. The cologne still lingers faintly and you try to focus on what Samira is saying about peer-reviewed journals versus reviewer roulette, but it’s impossible to ignore the warmth radiating from his side, the way your skin registers it before your brain does. He's like a human crucible. You keep your gaze trained forward, sipping your drink a little too casually, pretending you don’t notice the way your heartbeat’s caught in your throat.

The charged air gives you a spike of bravery—fleeting, foolish, and just enough. Before you let the doubt creep into your veins, you nudge your knee toward Jack’s beneath the table, thankful for the tablecloth concealing the movement. You feel him exhale beside you—quiet, but unmistakable—and something inside you hums in response.

You feel Jack’s thigh tense against yours. The contact lingers, neither of you moving. Moments pass. Nothing happens.

So you cross your legs slowly, right over left, deliberately, letting the heel of your shoe graze his calf.

He stills.

The conversation around the table doesn’t pause, but you’re aware of every breath, every shift in weight beside you. The air between you tightens, stretched across the tension of everything unsaid.

Everyone else is occupied—Robby and Shen deep in conversation about conference logistics, Heather and Samira bickering over which of them was the worse TA, Mel nodding along and adding commentary between sips of cider. Jack sees the opening and seizes it.

He leans in, just slightly, until his shoulder brushes yours again—barely perceptible. "Subtle," he murmurs, voice pitched low, teasing.

You arch a brow, still facing forward. “I have no idea what you're talking.”

"Of course not," he says, dry. "Just sudden interest in the hem of the tablecloth, is it?"

You swirl your drink, letting the glass tilt in your fingers. "I’m a tactile learner. You know this."

He huffs a quiet breath—could almost be a laugh. "Must make data cleaning a thrilling experience."

"Only when R crashes mid-run." You angle your knee back toward his under the table, a soft bump like punctuation.

Jack tilts his head slightly, eyes flicking to yours. "Dangerous territory."

"Afraid of a little ambiguity, professor?"

His mouth twitches at the title.

You sip slowly, buying time, letting the quiet between you stretch like a drawn breath. His thigh is still pressed against yours. Still unmoving. Still deliberate.

"You always like to push your luck this much?" you murmur, keeping your eyes trained on your drink.

Jack hums low. "Only when the risk feels... calculated."

You glance at him, the corner of your mouth twitching. "Bit of a reward sensitivity bias tonight, Dr. Abbot?"

He shrugs. "You’ve been unintentionally reinforcing bad behavior."

You smirk, but say nothing, letting the conversation around you swell again. Robby starts ranting about departmental politics, Heather counters with a story about a grant mix-up that almost ended in flames. You sip your drink, Samira taps her notecards absently against her palm.

The rest of the evening hums on, warm and loose around the edges. When it finally winds down—people slowly gathering coats, hugging their goodbyes—you rise with the group, still a little buzzed, still aware of Jack’s presence beside you like heat that never quite left your side.

Under the soft yellow glow of the dim lobby chandelier, everyone says their goodnights—laughing, tipsy, hugging, good vibes all around. Jack is the last to leave the circle, and as you turn toward the elevator, you glance over your shoulder at him. "See you tomorrow," you say. "Last day of the conference—only the most boring panels left."

Jack lifts a brow. "You wound me."

You grin. "I’m just saying—if you show up in sweats and a baseball cap for your presentation, I’ll pretend not to know you."

The elevator dings. The doors slide open. You step inside, leaning against the railing. Jack stays behind.

"Goodnight," he says, eyes lingering. You nod, then turn, pressing the button for your floor. Just as the doors begin to glide shut, a hand slides into the narrow threshold—the border between hesitation and something else.

Palm flat against the seam. That sliver of metal and air.

He steps in slowly. Quiet. And presses the button for the same floor.

The doors slide shut behind him with a soft hiss.

Silence hums between you.

You don’t speak. Neither does he. But your awareness of each other sharpens—your breath shallow, his jaw tense. The elevator jolts into motion.

Jack shifts slightly, turning his body just enough to lean back against the railing—mirroring you. His arm grazes yours. Then the back of his hand brushes against your knuckles.

A spark—not metaphorical, not imagined—zips down your arm.

Neither of you pulls away.

You glance sideways.

He’s already looking at you.

Your eyes meet—held, quiet.

Not a word is exchanged. But something breaks—clean and sharp, like a snapped circuit. Long-simmering, unvoiced tension rising to the surface, clinging to the pause between heartbeats and motion-sensor lighting.

Jack leans in—not tentative, not teasing. Just close enough that his breath grazes your cheek. Your breath catches. His proximity feels like a fuse. He’s watching you—steady, unreadable. But you feel the pressure in the air shift, charged and thick.

"I don’t know what this is," you finally whisper. Your throat feels incredibly dry. A sharp juxtaposition to the state of your undergarments.

Jack’s voice dips low. "I think we’ve both been trying not to look too closely."

Your chest tightens. His hand twitches by his side. Flexing. Gripping. Restraint unraveling. His breath shallows, matching yours—fast, hungry, starved of oxygen and logic. And then, like a spark to dry kindling, you thread your fingers through his.

Heat erupts between your palms, a jolt that hits your spine. You don’t flinch. You don’t pull away. You tighten your grip.

He exhales—shaky, like it’s cost him everything not to close the distance between your mouths. The electricity is unbearable, like a dam on the edge of collapse.

And still, neither of you move. Not quite yet.

But the air is thick with the promise: the next breach will not be small.

The elevator dings.

You both flinch—just barely.

The doors slide open.

You release his hand slowly, fingers slipping apart like sand through mesh, reluctant and slow but inevitable. Jack's hands stay in a slightly open grip.

"I should..." you begin, breath catching. You clear your throat. "Goodnight, Jack."

Your voice is soft. Almost too soft.

Jack nods once. Doesn’t reach again. Doesn’t follow.

"Goodnight," he says. Low, warm. Weighted.

You step out. Don’t look back.

The doors begin to close.

You glance over your shoulder, once—just once.

Your eyes meet through the narrowing gap.

Then the doors seal shut, quiet as breath.

For now.

Contrary to Samira's reappraisal of you joining her for Friday night drinks, you begrudgingly allow her to drag you out of your cave. Just the two of you—girls’ night, no work talk allowed, and no saying "I need to work on my script" more than once. She makes you wear lip gloss and a top that could almost be considered reckless, and you down two tequila sodas before you even start to loosen your shoulders.

You’re halfway through your third drink when a pair of guys approaches—normal-looking, vaguely grad-school adjacent, maybe from public health or law school. Samira gives you a look that says seems safe enough, and you need this, and so you nod. You dance.

The one paired off with you is tall, not unpleasant. He asks before he touches you—his hand at your waist, then your hip, then lightly over your ribs. You nod, give consent. He smells like good cologne and something sugary, and he’s saying all the right things.

But something feels wrong.

You realize it halfway through the song, when his hand brushes the curve of your waist again, gentle and careful and... wrong. Too polite. Too other.

You think of the way Jack’s fingers had curled between yours. The heat of his palm against yours for a single minute in the elevator. The way he hadn’t touched you anywhere else—but it had felt like everything.

You close your eyes, trying to ground yourself. But you can’t stop comparing.

You’ve danced with this stranger for five whole minutes, and it hasn’t come close to the electricity of the sixty seconds you spent not speaking, not kissing, not touching anything else in the elevator with Jack.

It shouldn’t mean anything but it means everything.

You step back, thanking the guy politely, claiming a bathroom break. He nods, not pushy, already scanning the room.

Samira follows a song change later. "You okay?"

You nod. Then shake your head. Then say, "I think I might be fucked."

Samira just hands you a tissue, already knowing. She looks understanding. Like she sees it, too—and she's not going to mock you for it.

"Yep," she says gently while fixing a stray baby hair by your ear. "Saw it the second Jack joined us for drinks that night."

The night air feels cooler after the club, like the city is exhaling with you. You and Samira walk back toward the rideshare pickup, her arm looped loosely through yours.

You don’t say anything for a long moment. She doesn’t push.

"I don’t even know what it is," you murmur eventually. "I just know when that guy touched me, it felt like wearing someone else’s coat. Warm, sure, but not mine."

Samira hums in agreement. "Jack feels like your coat?"

"No," you sigh. Then, after a beat, quieter, "He feels like the one thing I forgot I was cold without."

She doesn’t say anything. Not right away. Just squeezes your hand. "So what’re you gonna do about it?"

"Scream. Cry. Have a pre-doctoral crisis," you say flatly.

Samira snorts. "So… Tuesday." You bite back a smile, shoving her shoulder lightly but appreciating the comedic diffusion nonetheless.

She exhales through her nose, gentler now. "If it’s any consolation, I see the way he looks at you."

Your eyes flick toward her. She continues, tone still soft, sincere. "Not just that night during drinks, but during your flash talk. I’ve never seen him that… emotive. It was like he was mesmerized. And even back during seminar last year, when he was filling in for Robby? Same thing. I remember thinking, damn, he listens to her like she’s rewriting gravity."

You should feel elated. Giddy. Instead, you bury your face in your hands and emit a sound that can only be described as a dying pterodactyl emitting its final screech. "I hate my fucking life."

"It's going to be okay!" Samira tries to hide her laughter but it comes through anyway, making you laugh through teary eyes. "You will be okay."

You shake your head back and forth, trying to make yourself dizzy in hopes that this was all a dream.

"Who was it that said 'boys are temporary, education is forever?'" Samira all-but-sang.

"Do not quote me right now, Mira," you groan, dragging the syllables like they physically pain you. "I am but a husk with a degree-in-progress."

The week that follows is both everything and nothing. You go to class. You show up to lab meetings. You present clean analyses and nod through questions from the new cohort of freshmen. You even draft two paragraphs of your discussion section. One of three discussion sections. It looks like functioning.

Since submitting the last batch of internship applications, your dissertation committee meetings have gone from once a week with each member to once every three. You'd already run all of your main studies, had all the data cleaned and collated, and even coded all of the analyses you intended on running. Now all that was left was the actual writing and compiling of it all for a neat, hundred-or-so-page manuscript that no one would read.

It’s your first meeting with Jack since flying back from the conference.

In all honesty, you hadn’t given it much thought. Compartmentalization had become a survival strategy, not a skill. It helped you meet deadlines, finish your talk, submit your final batch of internship applications—all while pretending nothing in that elevator happened. At least not in any way that mattered.

Now, seated outside his office with your laptop open and your third coffee in hand, you realize too late: you never really prepared for this part. The after.

You hear the door open behind you. A familiar cadence of steps—steady but slightly uneven. You know that gait.

"Hey," Jack says, as calm and neutral as ever. Like you didn’t almost combust into each other two weeks ago.

You glance up. Smile tight. "Hey."

"Come in?"

You nod. Stand. Follow him inside.

The office is the same as it’s always been—overcrowded with books, one stack threatening to collapse near the filing cabinet. You sit in your usual chair. He sits in his. The silence is comfortable. Professional.

It shouldn’t feel like a loss.

Jack taps a few keys on his laptop. "You sent your methods revisions?"

"Yesterday," you say. "Just a few small clarifications."

He hums. Nods. Clicks something open.

You sip your coffee. Pretend the sting behind your ribs is just caffeine.

The moment stretches.

He finally speaks. "You look… tired."

You smile, faint and crooked. “It’s November.”

Jack lets out a quiet laugh. Then scrolls through the document, silent again.

But the air between you feels thinner now. Like something’s missing. Or maybe like something’s waiting.

He reads.

You watch him.

Not just glance. Not just notice. Watch.

Your coffee cools in your hands, untouched.

He doesn't ask why you weren't at the symposium he moderated. Or if you were running on caffeine and nerves from recent deadlines. And definitely not why you booked an earlier flight home from the conference.

You search his face like it might hold an answer—though you’re not entirely sure what the question is. Something about the last two weeks. The way he hasn’t said anything. The way you haven’t either. The way both of you pretended, remarkably well, that everything was the same.

But Jack’s expression doesn’t change. Not noticeably. He just skims the screen, fingers occasionally tapping his trackpad. The glow from his monitor traces the line of his jaw.

Still, you keep looking. Like maybe if you study him hard enough, you’ll find a hint of something there.

A crack. A tell. A memory.

But he stays unreadable.

Professional.

And you hate that it hurts.

It eats at you.

Why does it hurt?

You knew better than to let this happen. To let it get this far. This was never supposed to be anything other than professional, clinical, tidy. But somewhere between all the late-night edits and long silences, the boundaries started to blur like ink in water.

You tell yourself to turn it off. That part in your brain responsible for—this—whatever it was. Romantic projection, limerence, foolishness. You’d diagnose it in a heartbeat if it weren’t your own.

You just need to get through this meeting. This last academic year. Then you'd be somewhere far away for internship, and then graduated. That’s all.

Then you could go back to pretending you’re fine. That everything was okay.

The entire time you’d been staring—not at Jack, not directly—but just past his shoulder, toward the bookshelves. Not really seeing them. Just trying to breathe.

Jack had already finished reading through your edits. He read them last night, actually—when your email came through far too late. He’d learned to stay up past his usual bedtime about two weeks into joining your committee.

But he wasn’t just reading. Not now.

He was watching. Noticing the subtle shifts in your brow, the tension at the corners of your mouth. You didn’t look at him, but he didn’t need you to.

Jack studied people for a living. He’d made a career out of it.

And right now, he was studying you.

You snap yourself out of it. A light head bobble. A few quick blinks. A swallow. "All done?" you ask, voice dry. Almost nonchalant, like you hadn’t been staring through him trying to excavate meaning.

Jack lifts an eyebrow, subtle, but nods. "Yeah. Looks solid."

You nod back. Like it’s just another meeting. Like that’s all it ever was.

Then you close your laptop a little too quickly. "I think I’m gonna head out early, I don’t feel great," you offer, keeping your tone breezy, eyes still somewhere over his shoulder.

Jack doesn’t call you on it. Not outright.

But he watches you too long. Like he’s flipping through every frame of this scene in real time, and none of it quite adds up.

"Alright," he says finally. Even. Quiet. "Feel better."

You nod again, already halfway to the door.

You don’t look back.

"Hey—" Jack’s voice catches, right as the door swings shut.

Your hand freezes on the handle.

You hesitate.

But you don’t turn around.

Just one breath.

Then you keep walking.

You make it halfway down the hall before you realize your hands are shaking.

Not much. Barely. Just enough that when you fish your phone out of your coat pocket to check the time, your thumb slips twice before you unlock the screen.

He’d called your name.

And maybe that wouldn’t mean anything—shouldn’t mean anything—except Jack Abbot isn’t the type to call out without a reason. You’ve worked with him long enough to know that. Observed him enough in clinical and classroom settings. Hell, you’ve studied men like him—hyper-controlled, slow to show their hand. You’d written an entire paper on the paradox of behavioral inhibition in high-functioning trauma survivors and then realized, two weeks into seminar, that the paragraph on defensive withdrawal could’ve been subtitled See: Jack Abbot, Case Study #1.

You’d meant to file that away and forget it.

You haven’t forgotten it.

And now you're walking fast, maybe too fast, through the undergrad psych wing like the answer might be waiting for you in your lab inbox or the fluorescence of your office.

You don’t stop until you’re behind a locked door with your laptop powered off and your hands braced on either side of your desk.

You breathe.

In through your nose. Out through your mouth.

Again.

Still—when you close your eyes, you see the look on his face.

That same unreadable stillness.

Like he wanted to say something else.

Like he knew something else. And maybe—maybe—you did too.

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stockmarketinstittute · 5 days ago

Text

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queers-gambit · 2 years ago

Text

God's Plan

prompt: your boyfriend carries the worst parts of his job home, bringing to life one of your deepest-seeded insecurities. or when Carmy calls you clingy.

pairing: Carmen 'Carmy' Berzatto x female!reader -> pairing: Carmy x Peach

fandom masterlist: FX's The Bear

collection masterlist: Clingy Baby

word count: 3.3k+

note: she's short. she's to the point. author doesn't want to hear a GODDAMN THING about "glorifying" toxic relationships. shut the fuck up, eat your cereal, read the fic or just scroll away.

warnings: cursing, small angst, short fic, author mildly gave up, hurt with no real comfort, allusion to toxic family relationship, insecurity, not edited.

part two: Two to Tango

"Hey, what're you still doin' here?"

You glanced up from your computer, smiling at your coworker, "Just trying to get the study notes finished so they can be used for the analysis."

"Okay...? But you realize what time it is, right?"

You hummed, glancing at the analog clock, "Just about 7?"

"Yeah, so, go home," she chuckled. "Work's still gonna be here tomorrow."

"I'll see you then," you dismissed softly, watching her smile and turn away from your desk. You tried to get back into work, but the truth was, you felt overly burned out, but still wanted to work because it'd make you feel better being "good" at your job.

So, in reality, you didn't get home until 10:56 pm, yet still beat Carmy. You ate something simple, cleaned up, got a shower, and crashed into bed. You didn't know the time, but Carmy eventually came home; his arm heavy around you when settling for sleep.

You were the first up and out the door the next morning, just barely seeing Carmy when he got up for coffee. You managed a single kiss before rushing away, needing to get to work on time. When you got there, your entire morning was blocked for client meetings, then you took lunch, later, team meetings, and then the last hour or so of work was meant for individual recreation.

Another day of staying late, trying to finish work you thought was important. Another day of getting home late, missing your man, going to bed, and only seeing him the following morning.

However, this time at work, your boss told you that the analysis meetings were pushed back by a week... So, technically, you stayed late and busted your ass for no literal reason! And your coworker's entire cup of coffee spilled on you. And your Outlook email was under maintenance, so, you couldn't really work. And then, to top off a really shitty week, your car was hit in the parking lot and now had a huge fucking dent.

You were beat.

You were overwhelmed.

You were miserable, stressed, righteously confused.

You didn't stay late that night. Instead, you left at a normal hour and texted Carmy:

what time do you think you'll be off?

He replied when you got to your car:

maybe around 8?

You sniffled, nodding, answering:

okay, see you when you get home.

As you exited the parking lot, he replied:

what? you're off?

And you answered:

yeah, couldn't stand being there much longer. think you could get off a little early?

When you made three turns, he sent back:

i'll try, peach 💙

When you got home, you felt utterly defeated. Life felt like a never ending shitshow that refused to alleviate most of the stress you forced to endure. You were in tears by the time you got in the door, angrily stripping and getting a long, hot shower. You cried a little longer. When you got out, you got dressed in cozy shorts and one of Carmy's sweatshirts; going about a few household chores when you realized it was already past 9.

You didn't really want to, but you texted Carmy again,

hey, are you gonna be much later?

You made a simple meal, eating it in silence. When you were doing dishes, Carmy answered,

i don't know, going over menu items with syd. text you on my way home

You just went to bed, exhaustion from the week catching up to you.

Sometime later, you felt Carmy crawl into bed beside you. You were only half awake, but still turned over and nestled into his chest, hearing him sigh. "You're home late," you mumbled.

"Sorry f'wakin' you, Peach," he whispered, pecking your forehead. "You good, baby?"

"S'been a long fuckin' week," you squeezed him.

He sighed, "Sorry it was rough, Peach, but hey, hey, back up a little, 's kinda warm."

"But I haven't seen you."

"I know, but it's just warm. We'll cuddle in the morning, okay?" You only sighed and turned back over to face away from him. You resettled with your pillow, just settling when he asked in a hardened tone, "You mad?"

"No, Carmen, go to sleep."

"You sound mad."

"I'm not."

"I don't mean to piss you off, it's just been a long night f'me and I don't want to cuddle right now," he said in a sharp tone that made your stomach coil and churn.

"Shut up, I'm not mad, Carmen, go to sleep."

He scoffed, your irritation spiking. "You're really fucking mad 'cause I don't want you laying on me right now?"

"No, Carmen, Jesus - "

"Callin' me fuckin' Carmen doesn't help," he snapped.

You sat up and turned to him, "You want me to be mad? Maybe I'm a little pissed off that I've barely seen my boyfriend this week! Not like you've made an effort to speak to me, but I've had a pretty shitty time at work, too - so, excuse the fuck outta me for feeling disappointed!"

"Disappointed in fucking what, Peach? In not wanting t'cuddle right now?"

"Maybe, yeah! I'm upset, stressed out, maybe I just wanted some comfort, God! Now you're all up in arms, I just wanted to go to sleep - but no, you want to pick at me!"

"Oh, Jesus, fucking Christ! You couldn't just talk to me about you having a shitty week, you gotta be laid up on me? When the fuck did you get so Goddamn clingy and desperate for fucking attention? Huh? So fucking desperate for love? Sorry you had a shitty week, darling, but you're not alone in that. Sorry if it's fucking hot and I just want to sleep."

Feeling yourself fighting a losing battle because he wasn't listening, you just sighed, "Okay, Carmen."

He scoffed again, turning over to face away from you, "Know what? Fuck you, sweetheart."

You stared at his back for a long minute, feeling shocked by his words. "You can be such a fucking dick, you know that?" You snapped, standing from bed.

"And you can be a dramatic bitch."

"Yeah, that's me, the bitch you chose, huh!?" You rolled your eyes and nodded sarcastically; taking the blanket from the end of the bed, figuring he wouldn't miss it since he was so fucking hot. With only your phone and charger, you went out to the living room and crashed on the couch; covering up and crying quietly into a pillow from the overwhelming stress built in your chest. You felt guilt plunging your stomach, tearing it apart; feeling as if it were your fault for having physical touch as a love language.

Sleep evaded you that night. About an hour before your alarm, you called in sick and shut your phone off, resettling in misery as Carmy left the bedroom for work. You didn't move, never opened your eyes. However, they popped open in surprise when Carmen shoved your shoulder, "Hey."

"What?" You muttered.

"You're late for work."

"Called in."

He snorted, "Yeah, must be nice."

You didn't say anything else, feeling utterly defeated by his sharp words. The lack of response made Carmy pause and glance over at you from the kitchen, honest surprise coloring his system because he usually knew you to bite back. But you were quiet and still, the only indication you were even alive being the slow drag of your shoulders.

He let the door slam after he left for work, and you instantly sobbed. What you didn't know was that Carmy had come back, forgetting something mundane, and came to a halt outside the door when he heard you crying. He felt guilty, but Carmy wasn't usually one to confront problems; he instead ran away, like always.

After a night of exhaustion, you finally cry yourself to sleep.

When Carmy got home that night after work, he found you still huddled on the couch. After a look around, he realized you hadn't moved all day; nothing to eat, nothing to drink... He wanted to wake you but still felt so fucking irritated from his job that the idea of reconciling with you felt far fetched. So, he did what he did best and isolated himself by going to the gym for a few hours.

You still hadn't woken up when he got back.

So, he just went to bed; hating sleeping alone but hating his pride more because it refused to let him get up and go get you. Carry you to bed. Smother you in apologies. Beg for forgiveness. He was cold that night.

You were awake around 4 am.

The entire apartment felt as cold and aloof as your boyfriend. You felt so silly for still being there, knowing you paid for an apartment of your own, but liking that Carmy's place was closer to your work. And he never asked you to leave, in fact, the times you went home, he was calling you within hours to beg you to come back because he hated sleeping alone.

Whatever happened to that lad? The one who was so in-love with you that he would desperately ask you to come "home" to him? Who was this man now? Who called you clingy, desperate... A bitch.

You could only stand to make coffee, feeling powerless in this tension. You didn't want him to ignore you any longer, feeling like you'd drop to your knees for his forgiveness if it would end this feud; but you weren't so naïve. You spent several long minutes mentally prepping yourself for more anxiety, telling yourself you could handle the day if you just powered through it. Everything should be fine so long as you didn't do anything else to upset him, as long as you didn't do anything to warrant him yelling at you - again.

You finally decided on an emotion, since you could feel so many at any given point in time, and since this situation was one you've never encountered before. Carmy had brought forth one of your biggest insecurities and then smashed it in your face like punk-ass siblings did to your birthday cake. You decided you were hurt by his words, tone, and actions; you were hurt by the man you loved unconditionally, and that was a terrifying thought on its own. He was once a man you thought couldn't do any wrong, to now being a man you were unsure of how to even speak to; fearful, as you once were as a child, to upset him and create hostility directed at you.

Carmy often forgot he didn't have a monopoly on toxic, complicated family dynamics, but being that Mikey was still so fresh for him, you kept quiet about your own issues in an effort to be a loving, supportive girlfriend. Yet even while trying not to upset anyone, to create tension, you somehow managed to. You felt your heart and soul shrivel into a withered raisin when you remembered your family and how they constantly put you down; saying that nobody wanted a girl like you who tried, tried, and tried again only to fail. They thought you were damaged goods, treated you as such and always smeared your name in the mud whenever you thought you had found someone to love you and be loved by you.

All that trauma was rearing its ugly head now, making doubt sink into the cracks of your relationship. No matter how hard he tried, Carmy couldn't ever take those words back once they've been said, and he had to understand that going forward, this would strain your relationship. Taking anger and frustration out on you was inappropriate, putting a bad taste in your mouth; making you wonder how the hell you'd ever move past this when his words circled your head like water draining from the sink.

Sometime around 9 am, you were curled up on the couch with your coffee and a book; Saturday dragging by slowly to allow you the reprieve of being off work. The bedroom door opened and you held your breath; sweat breaking out on your brow; heart stammering in your chest. When he came out, Carmy didn't look at you, which allowed you to watch him. He made a to-go cup of coffee, then shouldered his backpack before heading for the door.

"Carmy?" You asked softly in confusion, "I thought you were off today?"

"I am," he replied stiffly, "but I gotta run errands."

You didn't have time to respond before he was storming out of the apartment, slamming the door behind him. You blinked in shock, confusion plunging your heart to your feet as you realized he didn't ask you to join him, in fact, he didn't appear to want to tell you his plans until you had to ask directly when he was walking out the door. You felt terrible, more tears swelling in your eyes at the discord your boyfriend prolonged.

Something in your heart snapped and you stood from your seat. With anger coursing through your veins, you turned into a miniature tornado and quickly started gathering whatever you could get your hands on that belonged to you. You had enough, you felt hurt, yes, we established this, but then the disrespect started to overflow out of your heart to color your blood. Never linger where you're not wanted, you should never tear yourself down to that level. Never should have to second guess yourself, either - especially in a space where you're supposed to be safe.

You started to wonder: is it clingy if you made dinner and saved him a plate? Is it clingy if you did his laundry? What about cuddling? Is that clingy? Well, apparently! What else are you wrong about? If you texted him? Asked his opinion? What about if you held his hand - is that clingy, too? Probably!

Physical touch and quality time were your love languages, but after this reaction, you wondered if everything you'd do from now on would be judged? Would you be crucified for showing your love? For trying to participate in your relationship?

All day, you moved your stuff back to your apartment. All shoes, clothes, purses, make-up, haircare and skincare products - any and all period products, too. You left fucking nothing; going as far as to lay face-down the photo of your two on his bedside stand. You'd of taken it, too, but you felt sick at the thought so you left it for him. Sunday night, you didn't return to his apartment, and Carmy didn't call to say goodnight; both figuring the other was still pissed off. Your Monday was long and annoying, but once it was over, you had to admit, it was strange returning to an empty apartment, heat up leftovers, eat while watching some Netflix show, and then crashing into bed - moving mechanically.

Days passed uneventfully, albeit, a bit sluggishly. And then, Thursday arrived, and with it, the shit that would hit the fan.

You were enraptured in this book by Anne Tyler called "Dinner At The Homesick Restaurant," and couldn't stop reading it. You nursed a mug of tea, the outside darkening with an approaching thunderstorm that would talk to you in the silence and send bolts of lightning to illuminate the city. A shrill ringtone then played, making you jump slightly and glance at your phone only to see Carmy's contact name and photo.

You stare at your phone for a long moment, and then, after convincing yourself that ignoring him would only add fuel to the fire, answered quietly, "Hello?"

"Peach? Hey, uh... Are you, um, still at work?"

"No?"

"Where are you, then?"

"I'm home."

"No, you're not."

"Yes, I am."

"I'm standing right here and you're not, baby, unless you got superpowers or something?" He chuckled nervously, hearing nothing on your end. "In fact, I, uh... I don't see any of your things. You move 'em?"

He'd never admit it, but your personal touch in his living space transformed it into a home; and now that they were all gone, he hated how cold, dreary, and grey the apartment felt.

"Carmy, I mean my home. You know? The apartment I still pay for?"

"Oh, well... Why're you there?"

"Why wouldn't I be? I had to bring my stuff back and leave it somewhere safe."

"It was safe here, Peach," he argued.

"Yeah, but it's your space and last thing I need is to be yelled at and insulted again for being clingy 'cause I left clothes at your apartment."

"Fuc'k's sake," You heard him hiss under his breath, bringing tears to your eyes. "You know I don't mind, I want you to leave shit here so it's easier on you to commute. Look, you know it's Thursday, right? Does our standing date night ring any bells?"

"Okay, but we haven't honored that in weeks? You know, 'cause you've been really busy."

"I thought we could get back into it tonight."

You sighed, turning the page in your book, "No, I don't think so, but thanks anyway."

He took a long pause, asking nervously, "What's wrong, Peach?"

"Nothing. Is there anything else, Carmen? I'm in the middle of shit."

"Oh, uh, n-no, I guess that's it. You comin' over tomorrow?"

"No. I told my brother I'd help him this weekend."

"But tomorrow's... Friday?"

"Yeah, that's how a calendar works. I have to travel to get to him," you scoffed.

"You didn't think to tell me?"

"Why would I?"

"You tell me everything! You don't think that's something I should know? That my girl's not even gonna be here this weekend?"

"Well, you're the one who said I was fucking clingy, remember!?" You finally snapped. "So, I'm giving you all that space you wanted!"

"Baby - "

"No, it's a great idea. We need space, Carmen; this isn't fair to either of us anymore," you spoke seriously, the line going quiet.

"What?"

"We need space from this relationship."

"I don't. I don't need space, Peach, baby, no, just listen, okay? I'm so sorry, I came home stressed out and I took it out on you. I'm sorry, I really am, this isn't what I want. Okay? I'm sorry. Just - come back home and we can - "

"No, you know what? I think I'm the one who needs this space," you snapped. "You said some pretty fucked up things, Carmen, that you can't ever take back, and now that I know, I can't un-know what you think about me. So, I need time to sort myself out."

"What're you saying? A-Are you breaking up with me?"

"Not yet, no."

"Baby, don't do this. C'mon, okay? I'm sorry, baby, I-I-I was wrong for what I said, I didn't - I didn't mean it! None of it, okay? Know I love you, baby, please, just come home, okay? I'm so sorry, I love that you wanna be close to me, I shouldn't've pushed you away. I'm sorry, okay? Please, baby, I'm so sorry. I need you, Peach, please. Just come home, we'll talk it through, I promise, no yelling - "

"I think you already said it all. Your words were 'clingy' and 'desperate'. Oh, and you also called me a 'bitch', so, I'd hate to be the bitch that makes your already stressful life all the harder."

"I didn't mean that - "

"I gotta go, Carmen, we'll talk later, okay? Goodnight."

He froze when he listened to those three distinct beeps that indicated you hung up on him. Confusion and hurt now seeped into the cracks of Carmy's heart; wondering when the hell he'd become so Goddamn self destructive to ruin the best thing he's ever had - you. The apartment might as well turned into ice with the way the light left, your departure suddenly haunting him.

When will these boys learn? The love of a good woman is rare, they'd only ever be so lucky as to think they deserve a woman like you. Nobody ever gets to guilt you for your love language(s) and then grovel for forgiveness. You deserve better, you deserve more; whether you could see that right now or not, you deserved to be loved in the best way for you. And sometimes, that means walking away from something you once thought was exactly what you wanted, but perhaps, never what you needed - call that God's Plan.

[ part two: ] Two to Tango

requesting rules and masterlist

The Bear masterlist

Clingy Baby collection masterlist

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tangents-within-tangents · 11 months ago

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Ooh! Okay, I love all of that! Thank you for sharing lol you just gave me some epiphanies!

I hadn't quite been able to figure out the significance of Crosshair killing Nolan, like that action specifically, and I think what you said makes a lot of sense! Because it totally wouldn't have worked (narratively or like for the character) if he had just quietly defected after the fact.

Crosshair is really complicated, and since I was focusing more on the comparisons to Emerie I didn't get into all the aspects of his full arc (but at this point why not make the post even longer lolll). But I also noticed how often Crosshair identifies himself as a soldier, I actually originally had this exchange in my analysis:

Rampart: All that time, left for dead and yet you still came back. Why? Crosshair: I’m a soldier of the Empire. Rampart: I see. Your loyalty and determination are commendable.

(which side note, I realize that further shows the difference between those two! Crosshair is there to be a soldier whereas Rampart is just there for himself, like he can't even fathom Crosshair's loyalty after being abandoned like that)

Those recurring ideas of loyalty and purpose are directly tied to Crosshair's identity as a soldier, like that is where he finds his purpose and that's why this is what changes his mind:

Nolan: He served his purpose as a soldier of the Empire.

So the idea that killing Nolan isn't a desperate act of vengeance but Crosshair deliberately giving up his identity as a soldier just really clicks for me and makes that arc feel more complete in a way.

If it was purely self-preservation he could have just defected and run away. That would have been just cutting his losses and leaving the Empire solely because it no longer serves him. But unlike with Cody it's not enough for him to just stop serving the Empire. Instead by killing Nolan he actively rejects the Empire and "seals it in blood" by choosing treason and its consequences. It's like in that act he is 'killing' the soldier that he was for the Empire. (And if we bring the context of Mayday into it, it means that he would rather die defying the Empire than die for them.)

This also ties to my other favorite bit of the vulture symbolism! Which is this moment:

When Crosshair collapses and the stormtroopers close in to take him away, what would appear as his lowest point, the vulture soars upward. To me it shows that even in this dire moment Crosshair truly is finally free. It ensures that this is an internal triumph even if it looks like an external defeat. (And after this turning point he never does go back, even when he could have saved himself by giving Hemlock what he wanted in Tantiss)

So yeah thanks, I didn't quite realize that in killing Nolan he was choosing to be imprisoned or killed as traitor. I think that's a death 'redemption' I could get behind! Because it's not a sudden single sacrifice that supposedly absolves them of all wrongs without ever facing the repercussions (look at that you drew the rant for another time out of me lol), it's him 'killing' the version of himself that did those wrongs, rejecting that identity. It's not 'redeemed' through heroic death, it's like by the death itself (if that makes sense). And since he didn't actually die like he thought he would, he still has to live with the aftermath and implications of that change. Viewing it like that, it makes way more sense that the after-arc in S3 is about rebuilding his identity and finding new purpose with his family: "Omega needs all of us". (which also fits with the hand tremors thing (losing his identifying skill), and more possible parallels with the CX troopers since their "identities were erased" (though that plotline was pretty rushed so I don't even know) but I really like what you said about Ventress and Omega helping him realize things!)

But! He's still only facing the aftermath implications for himself, not for those he hurt with his actions, which is why to me his arc still isn't a 'redemption' in that sense. And @laughhardrunfastbekindsblog (sorry I don't want to keep reblogging my own beast of post lol) yeah it is 100% a valid arc/ change, I guess it depends on your definition of redemption, because to me the amends/accountability part is really important (something this posts (@antianakin) touches on, though I clearly disagree with the purpose of those characters' arcs). And to clarify, I'm not talking about the character himself, or what he's been through or deserves or whatever, it's about how it's written and what the story we are actually given is saying. That's what I'm critiquing.

With the above context I see how the change itself is really vital. I can get what you're saying that it "convinced Howzer that Crosshair had changed for the better, and that was good enough for him." And it is in-character honestly (Crosshair's not much for words) and it works for what it is.

What bothers me with those episodes (I guess we can do this rant now too lol might as well) is how the show/writing treats Howzer. Because it really feels like they are saying Howzer is in the wrong for not immediately accepting Crosshair, even though he has completely legitimate reasons to dislike and distrust Crosshair because of his actions. Even Hunter calls Howzer out when in the last episode he was just as rightfully distrusting of Crosshair's change until they talked it out. Crosshair doesn't show any remorse in those episodes, he comes off as pretty smug and dismissive instead, but Howzer still has to accept it anyway, mostly on his own by just observing Crosshair's behavior.

Like I said, Crosshair has changed and that's great, but he still did those things. The show had the perfect opportunity for him to face that here! To show that he regrets his past actions instead of just telling Hunter, and to act on those regrets by making amends with someone who was affected.

Like I think of this scene from Atla for comparison:

Suki: You kinda burned down my village. Zuko: Oh… sorry about that.

It's simple, it doesn't undo the wrong (reparations) but it still does the bare minimum of amends (and more is done with his reconciliation with the main characters). Yeah Suki can see that Zuko has changed by his actions (and he is actively fighting against the Fire Nation to help others) but they don't expect her to just accept that in and of itself, Zuko still shows and expresses remorse, and doesn't shame Suki for being upset about what happened. But with a very similar scene of 'changed person is confronted by a past wrong' we instead get this:

Howzer: Most of my squad from Ryloth is dead because of you! Crosshair: *blinks* Rex: Easy, Howzer!

Crosshair is confronted with someone who he directly harmed, but instead of exploring his accountability in the aftermath of his change they made it about his victim's acceptance and unearned forgiveness.

Crosshair's arc as it is (described at length above) works for me, but this does not. Like if they had done just this differently I think I honestly would be fine if everything else stays the same and Crosshair never actively goes against the Empire. Because it's not even about screen time, the opportunity was right there to tip the scales into an better-written actual redemption but they just didn't use it!

And I think that is why TBB as a whole has been frustrating me lately lol. The writing was honestly so good at times, so I can never dismiss it out right. But there are also so many ways it could have been SO MUCH better. And it was really close too which almost makes it worse! Because then we see these glimpses of what the show could have been to compare it to. The potential was there they just missed it, or often times actively avoided it. (But that truly is a discussion of another time, I've got a LOT of draft posts in the works lol)

Hot take:

Crosshair does not have the Imperial disillusionment and redemption arc of The Bad Batch

Emerie does.

Crosshair has an arc for sure yes but it's not that.

I was thinking about this scene:

and how it got right what this scene kinda didn't:

(It was so close but then bad writing decided to undercut the moment with a joke rip)

And I think it's really interesting that these characters who were more or less raised into the Empire/First Order and chose to leave it are all directly asked why.

But take a look at Crosshair's answers in comparison:

Different context for the asking, yes, but still, compare that to clones like Howzer, Cody, Slip and Cade who left or turned against the Empire because they knew what the Empire is doing is wrong and they weren't just going to blindly follow orders:

Crosshair - Loyalty, Purpose, and Survival

Crosshair didn't choose to join the Empire (though the show isn't very clear or consistent about how much control the inhibitor chips have) but he did, for whatever reason, choose to stay. By the end of S1 we know his chip has been removed and as he definitively says "This is who I am." There were likely still other influences on his decision, but listen to how he talks about the Empire in the S1 finale:

Hunter: Crosshair, I've seen what the Empire is doing. Occupying planets and silencing anyone who stands against them. You know it's not right. Crosshair: You still don’t see the bigger picture, but you will. Hunter: Can't you see they're using you?

Crosshair: We’re not like the regs, we never have been. We’re superior. The Empire can’t protect the galaxy without strength, this is what we were made for. Think of all we could do, together!

Crosshair: You all are meant for more than drifting through the galaxy. It’s time to stop running. Join the Empire, and you will have purpose again.

Hunter: They destroyed an entire city! Crosshair: They did what needed to be done. Kamino, regs, the Republic, that time is over. The Empire will control the entire galaxy, and I am going to be a part of it. Hunter: Don't fool yourself. All you'll ever be to them is a number.

He undeniably knows what the Empire is doing, but he does not care. In fact it sure sounds like he actually supports it and finds self-meaning in it. Hunter spends those episodes trying to convince him it's wrong, he doesn't change his mind. In the end they offer him an out and he doesn't take it.

Wrecker: You coming with us? Crosshair: None of this changes anything. Hunter: You offered us a chance, Crosshair. This is yours. Crosshair: I made my decision.

The next we see Crosshair in "The Solitary Clone" (S2:E3) he follows orders and shoots the Desix governor, right after Cody heartbreakingly tries to do what's right and find a peaceful solution.

Cody: Tell me something, Crosshair. This new Empire, are we making the galaxy better? Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

After this (glorious!) conversation, Crosshair stays. Maybe this began to seed some doubts, but he actually smiles a few scenes later when Rampart assigns him another mission. It seems like for him it truly is as he said in S1:E1 (chip not enhanced yet but still influencing him enough for his brothers to notice he's acting strange):

Crosshair: Republic, Empire... what's the difference.

Crosshair: Orders are orders.

This unethical mission that finally pushed Cody over the edge does not change Crosshair's mind about the Empire, at least not enough for him to take action.

But what does?

Mayday: And here we are, the survivors. Combat troopers stuck babysitting cargo shipments. Crosshair: Mission’s a mission. Mayday: Yeah, I used to say the same thing.

Mayday: After all the clones have done, all we’ve sacrificed. We’re good soldiers, we followed orders. And for what?

This mission has nothing to do with how the fascist Empire treats the galaxy, it's about how they treat their soldiers. It's about how Mayday loyally fought and served his whole life and Lieutenant Nolan let him die

Lt Nolan: He served his purpose as a soldier of the Empire. Crosshair: You could have saved him! Lt Nolan: Perhaps you didn’t hear me, he is expendable, as are you.

Crosshair thought he could find purpose within the Empire, and Nolan shows him exactly what that will be.

His turning point is accompanied with this powerful visual of the ice vulture, a symbol (and threat) of death, and also set up within the episode a symbol of survival:

Mayday: Vicious creatures, but you have to admire ‘em. They find a way to survive.

This critical moment (that gives me chills, oof this episode is a masterpiece!) comes right after Nolan calls him expendable and directly threatens him:

Lt Nolan: And if you speak to me again with such disrespect I'll see to it you meet a similar fate, clone.

then Crosshair sees the vulture's shadow and turns to Mayday's dead body (ahh visual storytelling my beloved) then makes his decision:

Crosshair turns against the Empire not because he believes Hunter was right about this:

Hunter: I've seen what the Empire is doing ... You know it's not right.

but because he was right about this:

Hunter: All you'll ever be to them is a number.

Redemption (both in fiction and irl in my humble opinion) comes with making amends and reparations (which is why death 'redemptions' bother me so much but that's a rant for another time). Unlike Emerie, Crosshair never explicitly denounces the Empire or his own actions within it. He never says anything to specifically show if and how his views have changed from what he said on Kamino. He makes amends with his family (sending the warning message, helping Omega escape, making up with Hunter) but that's about it. The most we get in terms of acknowledgement is this:

Crosshair: I thought I knew what I was getting into with the Empire. I thought I was being a good soldier. Hunter: Nobody really understood what was happening back then. Crosshair: I’ve... done things. I’ve made mistakes. Hunter: I have regrets too, Crosshair. All we can do is keep trying to be better, and who knows there just might be hope for us yet.

Which is nice and all but it's more about them making up as brothers so it's way too excusing tbh ("no one knew what was happening back then" ummm? "The Empire will control the entire galaxy, and I am going to be a part of it" remember? And even if at first Crosshair was being controlled by the chip, the fact that he chose to stay after it was removed* means he condones and is therefore still accountable for those actions).

There's also a bit of self-destructive guilt:

Crosshair: Omega, don't risk anything for me. I belong in here.

Crosshair: Omega needs you both. So I’m doing this alone, it’s what I deserve. Hunter: Don’t even think about plan 99, Crosshair. Omega needs all of us.

(which thank you Hunter for pushing back on the death redemption bs and oh look is that a wrap up for the purpose thing?)

But there's no action taken on his part to make up for what he's done or to stand against the Empire (aside from the bare minimum of help with Tantiss, only after it became personally relevant, which like yeah he had trauma to deal with but still).

While I do think the implications/follow-up of Crosshair's turn should have been handled better in S3 (like rip Howzer! he deserved an apology, but that's a rant for another time), I don't necessarily** think this arc is a bad writing choice. It's just saying different things than we expect:

Maybe Crosshair's story is not about standing up against an unjust system, like we see with many other characters (who deserved more screen time but that's a rant for another timeeee). Maybe his story is about how even those who are loyal to the Empire, who actually believe in it, still suffer under and within it's rule. Not to garner sympathy, but to show that there is no winning.

Crosshair has another 'so what changed' convo in S3:E14 with Rampart, in which they draw parallels to each other:

Rampart: You used to believe good soldiers followed orders. Crosshair: Depends on who's giving them. The Empire betrayed us both. Rampart: And you think you can fight them? That's not you. You're like me, loyal to no one but yourself. Crosshair: I've changed.

(note how he says who's giving the orders, not what the orders are)

"Loyal to no one but yourself" describes Rampart much more than Crosshair, since we often saw Crosshair pride himself as a loyal soldier of the Empire whereas we saw Rampart abuse power to be self-serving within the Empire (like when he killed Wilco to save face). But they were both betrayed either way. Vice Admiral Rampart, snively Imperial opportunist through-and-through, shouts "I was following orders!" as he is arrested for the Empire's purposes.

Even Hemlock, the final boss immoral Imperial scientist, who has to be benefiting the most from this system, echoes the expendability idea:

Hemlock: What I am working on is beyond your understanding. Something so vital to the Empire it makes me indispensable.

Then there's CX-2, also set up as a parallel/foil to Crosshair (fight me), who in the end is discarded as no more than a weapon, a tool that served it's purpose, showing us what would have become of Crosshair if he had stayed.

There is no winning in the Empire. Loyalty is not rewarded, it "doesn't go both ways." Everyone has to fight for their value. Even high ranking individuals** who for a time benefit from the injustice, in the end are just pawns to be used up and cast aside at a whim for the Emperor's gain. Even people who are motivated by self-interest alone cannot survive within this system, the only viable option in this galaxy is to fight the Empire and dismantle that system. (unless you conveniently find a magically safe island to hide away on but that's a rAnT fOr AnOtHeR tImE)

Which brings us back to...

Emerie - Cooperation, Compassion, and Choice

(Okay this post has already gotten away from me but I still want to talk about her to show the contrasts.)

Emerie may not have been given a lot of screen time to really flesh out her development, but there is a lot that is pretty clearly implied with her:

Crosshair: They’ll never turn her [Omega] over. Hemlock: They don’t have a choice. She is a clone, and therefore Imperial property. *Camera cuts to an angle more centered on Emerie’s face*

Crosshair: Give me your access card! Emerie: It won’t get you outside!

Emerie: I tried to warn him what would happen if he did not cooperate with the Doctor.

Emerie: Prisoner? Omega, you are no such thing. It will take time to adjust, but you will acclimate. It is far safer in here than out there.

Emerie: You should go back to your room. Crosshair: You mean her cell?

Emerie: Why children? Hemlock: Children are easier to attain and more agreeable to the subjugations. They are unaware of why they are here and what they possess.

Emerie: They're children. Like I was... Was your plan to discard them too? Nala Se: The Empire will keep them in order to control them.

We don't know a lot about Emerie's background, but it's clear that she had a lot less choice than Crosshair and less opportunity or ability to leave. Unlike Crosshair, we never directly hear Emerie's views of the Empire (and she was most likely 'taken under Hemlock's wing' before the Empire even came to power), but lets look at how she talks about the Tantiss:

"Remain calm. Cooperate and you might survive."

"Don't make this worse, Crosshair! There is no escape!"

"All of us serve a purpose here."

"The Doctor will inform me, if it's necessary."

"It's best not to ask questions."

"Escape is not possible, Omega. This is for your own good."

She honestly does the best she can within the system she is also trapped in. She tries to help Crosshair, Omega, and the vault kids in the only way she knows how (warns Crosshair about the hounds and security, tries to protect Omega from Hemlock, tells Scorch his "actions were extreme" with Jax, insists on overseeing Bayrn's retrieval, double checks his m-count (to give him an out), and tries to find out where he came from). When she gives Omega, and later Eva, the doll, I think it shows just how little she really is able to do here (and it's kinda heartbreaking imo).

The framing of this shot especially (after Jax's escape attempt) visually shows how Emerie herself is trapped/imprisoned:

Despite the fact that very little of this is Emerie's fault, she has very little power and she is doing all she can, the narrative does not excuse her role in the Empire:

Nala Se: What will you do, Emerie? Emerie: There is nothing I can do. I don't have that kind of power. Nala Se: Don't you?

Emerie: I- I was doing my job. Echo: Yeah, I’ve heard that before. You’re a clone. How can you be part of this?

These fighting-the-Bystander-Effect conversations parallel these exchanges:

Hunter: We made a choice, and so did you. Crosshair: Soldiers follow orders. Hunter: Blind allegiance makes you a pawn.

Crosshair: We’re soldiers, we do what needs to be done. Cody: You know what makes us different from battle droids? We make our own decisions, our own choices. And we have to live with them too.

which did not change Crosshair's mind. And honestly, all respect to Echo's disappointed mom glare™ but I think it's clear Emerie had already made her decision, she just needed help to actually be able to do anything about it. When she stopped Echo, with her voice wavering on the verge of tears (ahhh v good voice acting), she clearly had no intention of turning him in. She's on her own in the Empire's most secure facility with very little resources, if she had tried anything on her own she most likely would have failed and been killed

Omega: Emerie, you don't have to do this. Emerie: (sigh) I’m sorry, but I do.

but as soon as she is enabled by an ally, she immediately turns around to help: giving information and getting Echo through security, helping the kids escape, and giving Omega the tablet that allows them to free the other clone prisoners.

Where Crosshair's turn is accompanied by the symbolic imagery of the ice vulture, Emerie's is the removal of her (literally rose-tinted!) glasses:

Symbolizing how she has shed her previous views/indoctrination that altered her perception of the Empire and blinded her to it's wrongs. It's disillusionment.

Emerie's story shows us that even those who are raised and indoctrinated into this system can, should, and will escape (with needed help). Even those who did not choose to be apart of the Empire and are not making the decisions still have the responsibility and ability to act on what they know is right.

Emerie, whose name means 'Home strength' 'Brave' and 'Powerful', and "reflects the importance of leadership and authority in the workplace".***

While Emerie is only in one more scene after her turn, so the wrap up is a bit rushed, she still very simply does what Crosshair does not:

Emerie: Because I was wrong about this place. And I'm trying to do the right thing.

Echo: I’m sure Senator Chuchi would find what you have to say very helpful for our cause. Emerie: I have a lot to make up for. I’d like to help out however I can.

She admits wrong, takes accountability, commits to making amends, and leaves with Echo to go take on the Empire (which hopefully we will get to actually see more of some day).

So, in short, she's showing us how redemption is done right!

---

Notes:

*Whether this writing choice was good/logical/in-character or not is another discussion entirely, but I'm going off of what we were given, what the show is presenting in the canon text and (reasonably inferred/intentional) subtext. Crosshair is pretty multifaceted and I could only touch on so much here. There's a lot of ways to interpret his character/choices, but I tried to avoid the realm of speculation or fanon explanations (even if they sometimes make more sense lol).

**History and political theory are not my area of expertise at all, so I have NO idea how well this aligns with real-world fascism stuff and therefore what implications this storytelling choice could have. I think the message of like 'if you think you could survive or gain power by doing what the Empire/fascist system wants you are wrong' could be good (like how everyone is actually harmed by the patriarchy type of a thing), but I hesitate bc maybe there are those who would benefit, since it's a hierarchal system, right? If anyone more knowledgeable than me has incite to share, by all means

Either way, I do think it works in-story and in-universe though. It's just in the execution. The main problem (even from a strictly theme/character arc stand point) is the lacking follow-up/consequences for Crosshair in S3. Like you gave your character accountability by removing the chip and I think that's great setup for an arc but you gotta follow through with that and actually hold him accountable!

***I'm always curious when clones have 'normal' names, like why did they chose the name Emerie of all things? So I looked it up. Idk how reliable sources are for name meanings so take it with a grain of salt but it's still fun. Fits pretty well, and clones names have definitely had significant meanings in the past (like how Rex and Jesse both mean 'king') so I'm pretty sure it was intentional.

Anyway, thanks for coming to my tedtalk

#sometimes i feel like i'm reading too much into this show and giving the writers more thematic credit than is due #the pieces are defo there but there's a difference between finding it through analysis and reaching through OVER analysis #i think there's ways they could've solidified these things within the actual text and subtext if it's what they were really going for #and they could still have executed them better too #the cx troopers are a good example of that #they clearly were doing parallel stuff but the plotline didn't resolve well enough for that to actually work or really mean anything #also why is this one character SO complex while wrecker (who technically has more total screen time) has like no development whatsoever?#like don't do an ensemble show if you can't balance all the characters #additional tangent on this already long af post that just got longer lol:#i believe that characters arcs in general should be ARCS #often times a story ends at the PEAK of an arc so we don't get to see the results of that change #and that exploration and aftermath is MOST important for redemption arcs ESP when people have been harmed #thats why the death redemptions bother me bc the character completely cheats out of ever dealing with the consquences #change is good and important and so are good deeds #but one ultimate sacrifice doesn't make up for everything they did and does nothing to help the people who are still affected #darth vader's death redemption works for me bc it was actually about Luke being right about seeing good in him and trusting their connectio #kylo ren's does NOT (though nothing worked in that film lol)#i was so mad when he died for this very reason bc i knew it was gonna happen and that's not REDEMPTION ugh #also why did they kiss ew #ANYWAY #redemption arcs #character arcs #tbb crosshair #tbb analysis #tbb critical #tbb's subpar writing #writing #writing pet peeves #atla #atla zuko

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