#john and jim

[tavolgisvist]

This Is Not Here exhibition in Syracuse, October 1971

The whole story in a nutshell is that we were having a meeting in 1969, and John showed up and said he’d met this guy Allen Klein, who had promised Yoko an exhibition in Syracuse, and then matter-of-factly John told us he was leaving the band. That’s basically how it happened. It was three to one because the other two went with John, so it was looking like Allen Klein was going to own our entire Beatles empire. I was not too keen on that idea.

(Paul McCartney, The Lyrics, 2021, about Too Many People)

Ram (piss off cake, that was your first mistake and whatever John heard) released 17 May 1971 Imagine (with HDYS?) released 9 September 1971 (US) and 8 October in UK

This Is Not Here Press Conference at Everson Museum in Syracuse, NY (October 8, 1971)

Q: What do you think of Paul, John? A: I’ve changed, you know, he’s still the closest friend I’ve ever had except for Yoko. So I mean I’m still close to him whatever goes on.

On 9 October 1971, John Lennon’s 31st birthday, a retrospective exhibition of artworks by Yoko Ono opened at the Everson Museum of Art in Syracuse, New York.

The show looked back over 10 years of her career, and was billed as “A show of unfinished paintings and sculpture”. It ran until 27 October 1971.

The exhibition catalogue took the form of a collage in the shape of a newspaper, and was compiled by Lennon and Peter Bendry. The back cover featured a sequence of photographs of Lennon and Ono which morphed their faces from one to another. The sequence was later used on the labels for ‘Happy Xmas (War Is Over)’ and Some Time In New York City.

Guests for the opening night included Ringo Starr and his wife Maureen Starkey, Allen Klein, Phil Spector, Bob Dylan, Andy Warhol, Frank Zappa, Spike Milligan, Jack Nicholson, Dick Cavett, John Cage and Dennis Hopper. Lennon gave all visitors a silver necklace to mark the occasion. (x)

This Is Not Here

The main title “This is Not Here” recalls an experience during a gallery show in 1961, at which an ugly cabinet that was interfering with the exhibition space was tagged “this is not here,” in the spirit of Magritte’s famous painted image “Ceci n’est pas une pipe.” <…> The ground floor of the museum housed pieces like Painting to Shake Hands Through, Painting to Let the Evening Light Go Through, and a clear plexiglass labyrinth called Amaze, whose central cubicle was a two-way mirror-walled chamber containing a toilet! Although it is not a very difficult puzzle, the structure forces you to take part in a Conceptual event by making you arrive at something as familiar as a toilet. <…> A number of pieces in the show reiterate the theme of small, diverse parts in relation to a larger, cumulative unity. <…> Sizes (1964), a transparent box with mirrors and lenses embedded in its sides, converts the same needle into six different sizes; while Shadows encloses objects with different silhouettes, all casting shadows of the same size and shape. It is intended that Broken Vase Piece will be reassembled in ten years by those who gathered its shattered fragments.8 Film No. 4 (365 naked British bottoms, recorded as peace petition signatures in London, in 1968) is a bizarrely hypnotic and fixed-camera view of that number of moving buttocks. Of course, 365 units of anything could have been employed just as easily—days in a year, degrees of rotation around one’s head, stars, leaves, etc.—to demonstrate that although everything is an individual entity, sheer accumulation has the effect of dissolving the unique into the universal. <…> The second floor contained imaginary pieces such as those in the Weight Room, in which objects defied their normal density or gravity factors when lifted; indications like “imagine flowers in the (empty) museum planters”; and some cooperative pieces where John Lennon responded to older works of Yoko’s like an amiable Zen dialogue. Water Room was a collection of projects contributed by guests, to which the artist had promised to add only the water. (In its final stages, it turned out to be Conceptual, rather than actual water.) <…> During the month that the Everson show was in progress, WNET, Channel 13, aired an hour of Yoko Ono’s work on its Free Time series, October 14th. The program was largely excerpts from past pieces: Grapefruit in the World of Park (mind music), film shorts, Think/Feel/And/Do/Tank, Bag Piece, or Fly performed by John Lennon and others, and several events and paintings.

(“This Is Not Here” - A Report on the Yoko Ono Retrospective at Syracuse by Emily Wasserman, January 1972)

Much of the show consisted of Miss Ono's ephemeral concepts and word ‐ plays given slightly less fragile embodiment, A huge letter “T” made of ice melted in an outdoor courtyard„ for instance (“Iced Tea”), and indoors there were such objects as “Painting to Let the Evening Light Go Through,” a clear Plexigiass sheet that Mr. Lennon said was his favorite work; “Imagine the Flowers,” a row of empty flower pots, and “Cloud Piece,” a water bed on which the viewer could “lie down and watch until a cloud passes from right to left.” “Total communication can mean peace,” declared Miss Ono, clad in a black velvet hotpants suit, at a preview of the show on Friday. “The artist can change the world and values in the world.” Stressing the importance of viewer participation in her work, she said, “We're all audience and we're all artists. You're all involved.” (Before the press preview was over, there was a good deal of participation: the apple was eaten to its core, a Venetian vase sent by Peggy Guggenheim as a “watercontainer” was smashed, and an antique eyeglas case and a set of false teeth were missing from their vitrines.) Modestly insisting that his role in the show was subordinate to Miss Ono's, Mr. Lennon, whose 31st birthday was marked by the show's opening, explained, “She thinks up beautiful pure concept things, and I come up with a gimmicky reaction.” For his guest stint, he contributed such works as a wardrobe of edible clothes, and a number of films and pieces “in dialogue” with Miss Ono, among them a huge “Baby Grand Guitar” next to which she had placed only the neck of another guitar and the legend, “Imagine the body.”

(The New York Times, October 11, 1971)

John and the guests of his birthday party drunkly sang many old and new songs including What’d I Say, Yellow Submarine, Goodnight Irene, Take This Hammer, He’s Got The Whole World In His Hands, Bring It On Home To Me, Yesterday, Maybe Baby, Peggy Sue, My Baby Left Me, Heartbreak Hotel, Blue Suede Shoes, Crippled Inside and Uncle Albert/Admiral Halsey

Also during the party, a Japanese reporter interviewed Lennon and Ono. The recording, which featured a high degree of tension between the couple, became known as The Argument Interview, and was later aired on the US radio series The Lost Lennon Tapes. (x)

In the fall of 1971 Connolly travelled to the US to cover Yoko’s show in Syracuse. During this trip, John pulled Ray aside and asked him to do him a favor. He asked Ray to get in touch with Paul when he was back in London — with a message to call him. Apparently John wanted to talk to Paul and he believed if he called Paul himself it would devolve into a screaming match.  Ray did as requested when he returned to London. He went to Paul’s home and though he wasn’t able to connect with Paul, he did leave him a message in his letterbox. When he followed up a few days later, it was Jim McCartney that answered the phone and he shut Ray down, telling Ray not to get involved, that things had moved on. 

(onesweetdreampodcast about interview with Ray Connolly) (x)

[ultrakillblast]

THE BLUES BROTHERS (1980)

[eternallyniah]

Every time I see a big tall guy I just think damn I need that

[cliopadra]

Can’t believe it’s been a whole year since the crew secretly saved Izzy and sailed off with him into the sunset! What a lovely ending that was!

[theknucklehead]

I love the promotion for Sonic 3 where they took a bunch of classic Christmas movie posters and parodied them with the Sonic characters.

[scurviesdisneyblog]

Jim Hawkins by John Ripa from Treasure Planet: A Voyage of Discovery

[donniesdorm]

it is finally finished and I can rest! WLW version coming soon!

[folsaeure]

HOMOEROTIC VIOLENCE. media featuring male pairings that are coded to be, or canonically are queer, who's feelings for one another can on screen only climax through brutality. song: red sex by vessel / media featured: the Passenger (2023), Hannibal NBC, Ravenous (1999), the Hitcher (1986), the Terror S1, Fight Club (1999), quote by Wolfgang Tillmans for Interview Magazine, the Frontier (2016)

[fatalisticme]

bbc sherlock hyperfixation in 2025 😔

[rustic-space-fiddle]

Treasure Planet feelin’ 22 this year ✨

l'm a day late because we were traveling for thanksgiving yesterday, but HAPPY 22ND BIRTHDAY TREASURE PLANET!!!

I know nothing about Taylor Swift except that 22 is the anthem for 22nd birthdays and I wanted to do something fun and memey for the birthday since I missed last year and burned myself out the two years before. And im pleased w the result

[nessa007]

LMAOOOOOO

[warmrevolver]

Paul Mccartney in an interview with Charlie Rose talking about meeting John Lennon for the first time, October, 1991

PAUL: Who is this person? But then I met him a little later that day and uh, I was surprised at how drunk and horrible he was. Cause I was younger then, he was just sixteen-

CHARLIE: He was a bad influence on you, was he?

PAUL: -Well he was getting a six pack down him y’know, he was sat there and he was getting going. I was later to learn those tricks but I was a little bit innocent at the time. Yeah, I remember this guy sort of smelly breath over my shoulder, sort of thinking, “Oh dear me, hoodlum, y’know hello.”

There’s soooo many things I love about this particular telling of the story of John and Paul first meeting:

- His description seeming like such a caricature of a Liverpudlian teenage boy but knowing John was JUST LIKE THAT

- ‘I was a little bit innocent at the time.’ as if John corrupted him with his ‘hoodlum’ shenanigans

- It’s so clear that John was this image of older boy coolness to Paul when they were younger; the way he talks about his initial aversion to John’s antics while smiling, knowing that John’s influence would shape the rest of his life.

The comparison of younger Paul to a teenage girl with a crush on an older boy is so true- I mean, just look at him giggling about drunk John peering over his shoulder, defiling his ‘innocence’

[pierppasolini]

Trick (1999) // dir. Jim Fall

[bushy-tailed-menace]

the "hey this kid is pretty annoying (i will protect them at all costs)" squad

[cliopadra]

Apparently it’s #IzzyIsThriving day, so excuse me while I pause my mental health break to throw a tipsy doodle of a crew cuddle pile at you guys

[certainlyathrill]

is this anything beatle people?