how do you kill a feeling: a blair/dan playlist (x)
Tracklist and commentary under the cut:
This is also entirely country music, because, uh… I wanted to? And at least one person (hi Liz) seemed into the idea? Generally when it comes to GG, we skew more towards pop than anything else, so it was a fun experiment!
1. “Easy Silence,” The Chicks. And I come to find a refuge in the/Easy silence that you make for me/It’s okay when there’s nothing more to say to me
2. “Walkin’ After Midnight,” Patsy Cline. [dan voice] I’ve been walking around the city all night with one paralyzing, all-consuming thought
3. “Found It In You,” Tiera Kennedy. The confidence to know that I can be happy/Just ‘cause you tell me that you got me.
4. “Friends Don’t,” Maddie & Tae. [Insert obligatory aromantic disclaimer that Friends Do, Thanks, here.] That aside, this is just… so stupid best friends in pining denial dair-coded
5. “I Try to Think About Elvis,” Patty Loveless. When you’re ass backwards crushing on Blair Waldorf and you would like to not be, please
6. “Hey, Good Lookin’,” Hank Williams. This one was one that just clicked as a dair song at random somewhere—something about the I’m gonna throw my date book over the fence bit especially—and sparked this playlist into being
7. “Lay It On Me,” Mickey Guyton. I want the truth and all your lies/I want your perfectly imperfect
8. “I’ll Be,” Reba McEntire. And mayhaps Dan has a white knight complex. I’ll be the rock that will be strong for you/The one that will hold on to you
9. “Marigold,” Paisley Fields. Marigold, bold and bright/Marigold, through spring and summer/You brighten up my night, marigold
10. “After I Fall,” Lee Ann Womack. And mayhaps Blair is a bit traumatized. After I fall, where do I stand/After my heart is in your hands/And you’ve got it all
11. “cowboy take me away,” Brittney Spencer. This one is in the Vibe—because God knows neither of them want to get out of the city and get dirt on their hands—it’s more something wild and unruly
12. “I Can’t Help It (If I’m Still in Love with You),” Johnny Cash. Dan pining moments
13. “This Kiss,” Faith Hill. I always love story imagery with Blair, so of course we’ve got Cinderella said to Snow White/“How does love get so off course/Oh, all I wanted was a white knight/With a good heart/Soft touch, fast horse.”
14. “Wrecking Ball,” Emmylou Harris. This song’s got the narrator offering a first date if the other person is in, in spite of the lack of privacy she’s got/the things the other person might know, which is very Gossip Girl, but there’s also something about the Meet me at the wrecking ball (wrecking ball)/I’ll wear something pretty and white that feels very Blair
15. “Death Of Me,” Reyna Roberts. Took this barely beating heart and brought it back to life/But this love might be the death of me.
16. “Starting Over,” Chris Stapleton. Gotta give them something good. And, honey, for once in our life/Let’s take our chances and roll the dice
17. “Grow Old with Me,” Sunny Sweeney. They all said we’d never fit so well together/Grow old with me, I’ll keep you young forever
18. “Jolene,” Dolly Parton. I’ve used this as a Blair’s Serena complex song before, way back on the blairena playlist and uh… I was right ¯\_ (ツ)_/¯
19. “Milwaukee,” Wyatt Flores. Okay, yeah, wrong city, but—You can hate my eyes for watching you leave/You can hate my should have chased you down feet/…/Please don’t hate my heart
20. “What Brings Life Also Kills,” Kolton Moore & the Clever Few. Dear, I’m writing this for you/As I contemplate tomorrow/Why did it end so soon?
21. “Buddy,” Willie Nelson. S6 dangina hours!!!!
22. “Why’d You Come in Here Lookin’ Like That,” Dolly Parton. Exists in the theoretical Dan slut era of my dreams. He’s out slow dancing with every girl around/I’m a soft-hearted woman, he’s a hardheaded man/And he’s gonna make me feel just as bad as he can
23. “Foolin’ Ourselves,” Evan Honer. Welcome to the dairfair! We get a little chronologically blurry here for the sake of the Sound being right, but I trust y’all to follow along
24. “On the Other Hand,” Randy Travis. On one hand, I could stay and be your lovin’ man/But the reason I must go is on the other hand.
25. “Summertime,” Orville Peck. You and I/Bide our time/And I miss summertime
26. “Satin Sheets,” Tammy Wynette. If Serena gets “Jolene” (or even, sort of, the pseudo-honorable “On the Other Hand”), Chip gets this. Blair canonically sings Wynette’s “Stand By Your Man” about him (which really fucks me up), so I knew she had to be on here somewhere, but I wasn’t expecting something quite so suitable to jump right out. But your money can’t hold me tight/Like he does on a long, long night
27. “Your Someone,” May Erlewine. I thought that I was stronger/I willed myself to be/But love can be so tender/I feel a tenderness in me
28. “To June This Morning,” Ruston Kelly, Kacey Musgraves.
29. “Love is Alive,” The Judds. Love is a man and he’s mine/Love is alive/And at our breakfast table
30. “Love Is A Wild Thing,” Kacey Musgraves. There’s no way to stop it, so don’t try to
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No but it’s like. Her daughter is effortless. Always has been, never seems to understand how much work she puts in. Her daughter is effortless, and she loves her, just as she is, but fuck, if Lily didn’t wish Serena would maybe try a little more.
Jenny Humphrey has clever eyes and something a little sad about her already, and Lily knows there’s a reason why Eric is best friends with this girl. Jenny bleaches her hair and tears her life to pieces and gets back up out of the ashes and she admires her for it, she’s proud of her for it, she can’t help but think of glaring down her mother as she took her to get that first tattoo removed.
Dan reminds Lily of his father, sometimes, of blinking awake and squinting at the dim yellow light to find Rufus hunched over the guitar in his lap and scribbling in a notebook because he woke up at two in the morning with lyrics in his mouth. Jenny makes her think about—
Lily doesn’t ever go down that road.
She has Alison’s smile, Rufus tells her once, and he knows that she’s always been jealous and even if she’s older now, doesn’t dig her nails into the back of his neck as she tugs him into a kiss right now immediately, he smirks like he can see her squirming to do just that.
Jenny has her own notebooks, scribbled designs and sharply crossed out ones. She tells Lily she doesn’t mind people looking in them and seems surprised when she actually does, when she asks her about one that she’d scratched out that she thinks had promise. She talks like she’s never had someone listen before.
Jenny never takes to calling her Mom and Lily doesn’t mind it at all, but something in her, secret and quiet and animal, feels that she’s always had two daughters.
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