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foxtrology · 18 hours ago

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inertia (1)

reed richards x reader

star sailor series | ao3 link

notes: hi. so i’ve been writing this fic over the last three weeks (yes, three entire weeks, i know) and honestly it would not exist in its current form without my best friend, who is a literal physics major and walked me through so many of the equations and techy parts so reed didn’t sound like a fraud. i love her for that.

also, fun fact: reader is neurodivergent (i borrowed some of my own neurodivergent tendencies to shape her), so if you pick up on that... you’re right. thanks for being here!

word count: 12k

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You’ve always preferred rooms with humming machines to those filled with people.

It wasn’t shyness, not really.

Just an overwhelming awareness of your own rhythm, too far removed from the world’s noisy metronome. You knew early on you understood things differently—less about feeling out what someone meant, more about isolating the structure beneath their words, the pattern in their tone, the physics of an interaction.

Most people called it brilliance. You called it survival.

The Baxter Foundation didn’t feel like survival at first.

It felt like exile.

A postdoctoral placement handed to you like a sealed fate—"promising," "potential," "gifted." Euphemisms for "difficult," "obsessive," "odd."

They said Reed Richards might know what to do with you.

You assumed they'd meant “handle.”

But he didn’t handle you. He saw you.

Reed Richards wasn’t what you expected.

The name carried weight: prodigy, theorist, treasured in the scientific community. You imagined arrogance, an aging wunderkind with a room full of accolades and a voice like static.

But the man who stood waiting for you at the base of the Baxter Building's elevator looked almost misplaced—rumpled in a navy button up, absent-mindedly smearing graphite on the sleeve as he scribbled into the margin of a battered notepad.

He had those lines around his mouth—the kind that softened a face rather than hardened it. A sharp nose, brown eyes, and that unmistakable streak of grey curling through otherwise dark hair.

At first, you assumed it was dyed—it looked too perfect. But it was real. Of course it was.

You hadn’t realized you were staring until he tilted his head.

“You're early,” he’d said, voice warm and textured. Then, a smile that lit up his whole face—eyes first. “I like that.”

That was two years ago.

You’ve since learned Reed keeps a second toothbrush for you in his private quarters upstairs, though he’s never pointed it out.

You discovered it one night after a double shift, when he gently steered you towards the bed in his guest room instead of letting you fall asleep under your desk again. He didn’t say, “Stay with me.” He just adjusted the pillow, handed you a glass of water, and made sure the bathroom light stayed on.

It’s quiet love. A sustained frequency. A knowing.

On Tuesdays, you both eat lunch in the server room because it's the only place in the Baxter Building that maintains the kind of white noise you can disappear into.

Reed brings you a sandwich without tomato—he learned after the first week that you can’t stand the texture—and sets it beside your research without interrupting your thought process. You don’t thank him out loud. You just leave the crusts in the pattern he finds funny, concentric squares, always precise.

Sometimes, he laughs at that. Sometimes, he files it away like data.

Today, the two of you are working on a stabilization algorithm for experimental gravitational anchors—Reed's theory, your math. The simulation keeps failing, and Reed mutters something under his breath about quantum decay before turning to you.

“Show me again how you’re quantizing the drift interval,” he says, pushing his chair slightly closer to yours.

You don’t flinch. He always asks to see your work like this—not to correct, but to understand. He thinks your brain is a mystery worth mapping. And maybe it is.

You pull up your calculations, annotated with your usual shorthand that no one else in the lab pretends to follow. Reed doesn’t blink. He reads your annotations like they're a shared language.

“You inverted the modulus,” he says quietly, quite in awe. “God, that’s...elegant.”

You look down. Compliments still stick to you like static. You’ve never known what to do with them.

“It was obvious,” you murmur, tapping the screen once to clear the render.

“Not to me.”

His voice carries something like reverence. Not the kind people fake when they’re talking to someone younger, or different. His is heavier. Sincere. Measured.

You chew the inside of your cheek.

“Can I show you something?” you ask.

That’s how you always start, even though Reed never says no.

The observatory lab is empty when you both arrive.

He unlocks it with his palmprint, but you go in first, navigating in the dark by memory. You’ve had an idea simmering for days—a tweak in boundary calibration using harmonic frequency overlap, something even Reed dismissed initially as too unstable.

But last night, at 2:43 a.m., your model ran clean for the first time. No drift. No bleed. Pure coherence.

You bring it up on the projection wall, fingers moving fast. Words tumble when you’re excited—sharp, fast, too much for most people. Reed doesn’t interrupt. He never has.

When the model stabilizes on the fourth run, you glance over your shoulder.

Reed is watching you.

Not the simulation. Not the math. You.

You freeze.

He steps forward slowly, like if he moves too fast you might vanish.

“You didn’t sleep last night, did you?”

You look back to the projection. “No. But it was worth it.”

He exhales a soft breath, close enough now that you can feel the warmth of it on your temple.

“You can’t burn like this all the time,” he murmurs, but his voice doesn’t hold judgment—only concern.

“I can,” you reply simply. “And I do.”

He lets out a low laugh, almost involuntarily. Then, more gently, “Let me take care of you. A little.”

He says it like a hypothesis. Something untested.

You don’t answer. Not out loud. But you lean into his shoulder—not quite a nod, not quite an invitation—and he stays there. Long enough that the simulation cycles again, quiet and steady in the background.

Later, you’ll find that he’s updated the cafeteria schedule in your calendar to make sure no one disturbs you between 12 and 2 p.m. on Tuesdays. You’ll notice that he’s ordered extra noise-cancelling panels for the lab, without ever saying why. That the lights outside your lab space dim slightly when you stay past midnight.

All Reed’s doing.

He never says it out loud.

But this is how he shows you.

In recalibrated thermostats. In cups of tea left cooling on your desk. In letting you be silent when silence is the only thing that fits.

The world outside moves too fast. New York never sleeps, never softens. There��s always construction in the distance, always an ambulance shrieking down Fifth, always people spilling from cafés and rooftop bars like they’re late for something invisible.

But in the Baxter Building—six floors above the ghost of the old Avengers Tower—the hum of your controlled environment remains undisturbed.

For now.

It’s the kind of phrase that hangs in the air longer than it should, like steam after the kettle's been lifted, like the echo of a chord when your fingers already left the strings.

You don’t hear it, of course. Not consciously. But the sensation trails you anyway, ghost-like, as the day folds open and the building shifts around you.

You return to Lab B-3, where a data stream from the gravitational anchor prototype pulses in pale blue on the screen. You prefer this room to the others—less foot traffic, colder air, fewer variables. The walls are lined with the modular panels you installed yourself, after three months of fighting sensory burnout from the old fluorescents. The air purifier in the corner hums at a frequency you can tolerate.

It smells faintly of dust and ozone, like a server farm on a rainy day.

You’re cataloging the last ten hours of micro-interference logs when the door hisses open behind you.

“Hey.”

You don’t turn. It’s a mistake, maybe, but you assume whoever it is has entered the wrong lab.

You’ve put the sign up: DO NOT DISTURB — QUANTUM MODELING IN PROGRESS. A laminated shield between you and the rest of the building’s noise.

The voice cuts through again, sharper. Louder.

“Hey—don’t ignore me.”

You blink at the screen. Your heart doesn’t race. It clenches, tightens like your ribcage is shrinking inward. You turn slowly.

It’s Dr. Ian Delmont. One of the senior engineers. Jacket unzipped, badge swinging loose around his neck like a noose that can’t make up its mind. His face is already red, already pulled taut around the mouth.

You recognize the body language...shoulders set forward, hands ready to gesture. Angry people always move in patterns. You learned this years ago, the way some people learn fire drills.

“Why the hell did you rewrite my core schematic without logging the revision?”

You stare at him.

“I didn’t rewrite anything. I optimized the redundancy logic. It was bottlenecking the chain reaction model.”

“That’s rewriting.”

Your voice stays steady, your mouth forming the words in the exact order they should go. “No, it's not. It’s a correction. The existing code couldn’t handle parallel iteration under dual-load conditions.”

“You didn’t clear it with me.”

“It was a bottleneck,” you repeat.

Ian’s voice raises. “I don’t care if it was a goddamn chokehold, you don’t get to touch my work without authorization.”

He says it loud enough that it ricochets off the walls. Too loud.

Your neck goes hot. You feel it in your jaw, down your arms. Your hands twitch just enough to knock your stylus from the table and you bend down to retrieve it—too fast. You bump the corner of the desk, hard. The pain doesn’t register, but the sound does.

Too loud. Too loud.

Ian takes a step forward.

“Every time I turn around, you’re sticking your nose where it doesn’t belong—”

“I was fixing it.”

“You were showing off.”

That does it. You freeze.

This isn’t about the code.

You blink. You don’t blink. You can’t remember. You try to open your mouth, but your tongue sits wrong in it. The sound you try to make stalls halfway up your throat. Your hands curl into themselves like you could fold out of sight.

The lights feel wrong. The texture of your sleeves is wrong. The hum of the purifier is gone, replaced by the jagged, ugly timbre of yelling.

“I don’t care what Richards says about you,” Ian mutters. “You don’t run this place.”

“Hey.”

The sound comes from the door. Not a shout. Not sharp. But it cuts through everything like glass through butter.

You both turn.

Reed Richards steps into the room like he’s always belonged there, like his presence is not new or sudden or charged with a heat you’ve only ever felt in gamma pulses and untested energy chambers.

His mouth is tight, drawn. There’s nothing soft about his expression now.

“I suggest,” he says slowly, like each word has been smoothed against the edge of a scalpel, “you take your tone down. Immediately.”

Ian hesitates. Then his jaw sets. “With all due respect, Dr. Richards—”

“No,” Reed interrupts, walking further into the room, voice calm and sharp all at once. “Don’t. Don’t try to play seniority. This isn’t about protocol. This is about how you just cornered one of my lead researchers and yelled at her while she was running live code on a multivariable anchor model.”

“I was confronting—”

“You were posturing,” Reed cuts in. “And you were wrong.”

Ian blinks. Reed’s voice doesn’t rise. It doesn’t need to.

“She didn’t rewrite your schematic. She corrected a critical flaw that should have been caught weeks ago.” He stops beside you. Not in front of you, not shielding—beside. “The only reason that anchor hasn’t destabilized is because she stepped in.”

Reed turns his head slightly, glancing down at you. His eyes soften, fractionally. He doesn’t touch you, but he lets the silence hang, as if waiting for you to reclaim your voice if you want to.

You don’t. Not yet.

“Ian,” he says without looking away, “I want you out of this lab. Now.”

Ian’s mouth opens, then shuts again.

Then he leaves.

You’re still breathing too fast. You know you are. You can feel the microtremors in your fingers, the irregular skip of your pulse. But the room feels real again. Your body is slowly remembering where it ends.

Reed waits until the door hisses shut.

Then, “Can I sit?”

You nod, once. He pulls a chair close—closer than he usually would in a shared lab space—and sits beside you with the kind of silence that doesn’t ask anything from you. His knees are angled toward yours. His forearms rest loosely on his thighs. His whole posture is a quiet question you don’t have to answer.

You stare at the screen.

“I wasn’t showing off.”

Reed lets out a sound between a sigh and a laugh. Not at you. With you. “I know,” he says gently.

“I just…saw the error. It was obvious.”

“I know.”

He pauses.

“You don’t need to explain yourself to anyone in this building. Least of all him.”

You press your thumbnail into the meat of your palm, grounding.

“I’m not good at…tone.”

“That’s not a flaw.”

“I always think I can just fix it quietly and not deal with the…other part. The confrontation.”

He nods once, his eyes still fixed on you. “The way the world expects communication isn’t the only valid way to exist in it.”

Something in your chest cracks open at that. Quietly. Invisibly.

You lean back against the chair, your breath finally settling into a rhythm.

Reed stays where he is. His presence doesn’t press against you—it anchors. He’s always been like that. Dense and still, like a planet with just enough gravity to make sense of things.

You glance over at him.

“Thank you,” you say finally.

He shrugs. “I don’t like mean people.”

You look down at the table. You trace a line in the condensation ring your tea left behind earlier.

“Are you going to fire him?”

“I don’t know,” he says honestly. “But I’m going to make it very, very clear who’s indispensable here.”

You don’t ask who he means.

You already know.

Later that night, you’re still in the lab, long after the rest of the building has gone dim.

Reed comes back with a takeout container—your favorite, though you don’t remember ever saying it aloud. He doesn’t mention the incident again. Just passes you the food, leans back in the corner chair, and starts updating his lab journal aloud, knowing you like to listen to the way he thinks.

Outside, New York glitters like a malfunctioning galaxy. Inside, the lights are low, the air quiet, the world small and manageable.

Just you, your notes, and the man with the grey streak in his hair who watches you like you built the constellations from scratch.

A quiet love, not yet named.

But it’s there.

Always has been.

It’s late now, nearly eleven, but the labs on the upper floors of the Baxter Building don’t abide by clocks. Here, time stretches. Pools. Slows down when the work is good. Speeds up when the math gets too beautiful to let go of.

You and Reed are the only ones left.

Everyone else has long since clocked out, their departure announced by the usual symphony of zipping backpacks and elevator chimes. The security team downstairs knows better than to check on you. You’re a known variable—an equation that balances best in silence, after dark, with only the man beside you and a cooling takeout container between you and the void.

Reed is sketching something in his notebook—a systems flowchart annotated with arrows that curve and overlap like a child’s drawing of a galaxy.

He’s humming, under his breath. Just a few bars of something he’s probably not even aware of. It’s familiar, not because you recognize the tune, but because you’ve heard him do it before, under the same kind of fluorescent moonlight and the same clean, ticking quiet.

You finish logging the day’s simulation data, close the terminal, and pull up your schedule for the upcoming weeks. The glowing display casts faint shadows over your face, which you don't notice but Reed glances at, once, over the edge of his notebook.

Monday. Field trip.

You hadn’t forgotten. Not exactly. It had just sat at the bottom of the week like a pebble in your shoe—felt but not seen.

You stare at the words for a beat too long.

VISITOR OUTREACH: 9:30–11:15 — RICHARDS / YOU

Group: PS 22 — Grade 2

Your fingers twitch at your side, a muscle memory of anxiety without the adrenaline to match. You don’t say anything, but your mind is already running the old loop, quiet and tight, like rewinding a tape you didn’t want to play in the first place.

You’d been paired with high school seniors last time.

They came in loud, late, and bored. One of them had a vape pen tucked into their hoodie drawstring.

You remember the boy in the back who asked if you “did anything real” or if you just “sat in rooms with graphs all day.” Another mimed falling asleep when you began explaining atmospheric coding inputs for small-scale gravitational fields.

You hadn’t raised your voice. You hadn’t snapped. You just shut down the projection early and handed the rest of the presentation off to the intern whose voice sounded like she smiled even when she didn’t mean it.

Afterward, you’d sat on the roof of the Baxter Building and stared at the clouds. Told yourself they were just kids. Told yourself they didn’t know.

But it stuck. The way they laughed when you said you worked on electromagnetic resonance feedback models. The way one of the girls whispered “so basically nothing” to the boy next to her like you weren’t even there.

They didn’t know.

That your work stabilized quantum harmonics in the kinds of silicon they tap on all day, every day.

That your programming makes the screen light up when their crush texts them back.

That the interface delay they complain about in video games used to be twenty seconds instead of two, and you helped design the equation that closed that gap.

They didn’t know you once pulled Reed out of a theoretical blind alley and into a breakthrough he’d later call elegant, a word he doesn’t use lightly.

They didn’t know how much you cared. That the caring was the point.

So after that, you asked to be reassigned.

“Elementary school kids,” you’d told Reed in his office one morning, already chewing at the inside of your cheek. “They’re too small to be cruel yet.”

He didn’t laugh, but you remember his eyes. How they softened. How he nodded and said simply, “Okay.”

And now here it was. Monday. Second graders. A classroom full of kids with juice boxes and velcro shoes and hands that still shoot up when they’re curious.

You can handle that. Probably.

You close the schedule tab. The screen goes dark.

Reed looks up from his notebook. “Everything okay?”

You nod once.

He doesn’t press. But he waits.

You speak without looking at him. “Monday's outreach.”

He leans back in his chair, notebook on his lap. “Right. You’re with me.”

You nod again.

“I asked for the younger group this time,” you add quietly, almost like you’re confessing something. “The older ones were…”

You trail off.

You don’t finish the sentence, but Reed catches the thread anyway. Of course he does.

He doesn’t say they were cruel. He doesn’t say you didn’t deserve that. He doesn’t fill the silence with anything easy.

Instead, he says, “You’ll be good with them.”

“Because they’re not old enough to be bored yet?”

“Because you care,” he says, looking directly at you. “And kids remember that. Even if they can’t say it.”

You pick at the corner of your sleeve. You’re still thinking about Monday. About the fear that your voice will tremble again. That the wrong word will come out. That your quiet will make them fidget and giggle and whisper.

But then you think about the last time a kid visited the Baxter—seven years old, wandered away from the main tour. Found his way into your lab by accident. You showed him how magnets repel in zero gravity fields and he tried to high five you with both hands at once.

You’d smiled for hours after that.

Maybe Reed is right.

Maybe caring is enough.

By the time you both shut down your stations and gather your coats, it’s nearly midnight. Reed holds the elevator for you without asking. It’s just the two of you, the soft gold of the lights reflecting off the brushed metal doors as they slide shut behind you.

You watch the numbers tick down.

Reed stands beside you, shoulder not quite brushing yours. Quiet, like always. Present, like always.

“Do you want me there?” he asks suddenly, softly, as the elevator hums downward. “Monday. With the kids.”

You blink. “You’re already scheduled for it.”

“I know,” he says. “But do you want me there?”

It feels like a trick question. But it’s not. It’s just Reed, offering steadiness in the places you don’t always know you need it.

You nod.

He nods too.

Outside, the city glows like it’s forgotten how to sleep. Yellow cabs streak past in lazy arcs. Rain clings to the pavement like it’s not ready to let go.

You stand under the awning of the Baxter Building, both of you half-heartedly pretending to check your phones, neither of you quite moving to go. It’s a ritual now—this lingering. Like the day doesn’t want to end, so you don’t let it.

Reed finally speaks, his voice low and near your ear.

“You know…you do more than keep this place running. You are this place.”

You glance at him. He’s looking at the sky like it might answer back.

“And if some bored teenager can’t see that, it’s only because they’re too young to understand the shape of things.”

You swallow. The city smells like damp concrete and neon and early summer.

You don’t reply. But the words lodge somewhere behind your ribs.

And they stay.

In the space between you and Reed, that sentence hums like background radiation—silent, but measurable.

He doesn’t look at you, not directly, but the softness in his posture says enough. The kind of softness he reserves only for you. For late nights and unsaid things. For quiet field trip fears and tired bones after thirty-seven straight hours in the lab.

You shift your weight from foot to foot under the awning, fingers fidgeting at the edge of your sleeve. The city is wet and warm and humming in that uniquely New York way—trash trucks groaning down Sixth Avenue, a taxi horn blaring three blocks over, the subway beneath your feet thrumming like some subterranean heartbeat.

Reed checks the time on his phone, but it’s performative. He’s not really looking at it.

“You can stay upstairs if you want,” he offers. Voice neutral, like he’s suggesting you borrow a pencil.

You know what he means.

His quarters above the Baxter labs—spare and quiet and clean, like an extension of his brain. You've stayed there before. Once after a storm knocked out the subway, once when you got a migraine so bad you couldn’t walk home without throwing up. The guest room is always ready, with a weighted blanket you know he ordered just for you. The lights dim at 30% automatically, and the fridge always has tea.

Still, you shake your head.

“I don’t want to bother you.”

“You wouldn’t.”

You shrug one shoulder.

“But I’d feel like I was bothering you.”

There’s no irritation in your voice. It’s just a fact. A line drawn lightly in pencil, not ink.

He doesn’t argue. Reed knows better than anyone that pushing you when you’re already overstimulated only drives you deeper into the quiet.

“I’ll walk you,” he says.

You almost tell him it’s not necessary.

That you’ve done the walk a hundred times alone. That it’s late and he must be exhausted too. But something in the way he says it—low, certain, without any edge—stills your protest before it can take shape.

You nod once.

The streets are emptier than usual, rain thinning to a mist that catches in your hair and softens the world around the edges. You button your coat up to your chin. Reed tucks his hands into his pockets, his long strides slowing instinctively to match yours.

You don’t speak for the first few blocks. You don’t need to. It’s not awkward—it’s companionable. Your silences have always been functional. Built like scaffolding. Structural.

You pass a late-night falafel cart and the warm, oily scent of fried chickpeas folds around you. Someone’s playing Miles Davis through a cracked open window above a bodega. A cab splashes through a puddle without slowing down.

You glance at Reed. His hair is slightly damp from the rain, curling a little at the edges. The grey streak catches in the streetlamp glow and glints like metal. He looks tired, but the good kind—brain-tired. Soul-deep contentment worn like a worn-in coat.

There’s something in the way he carries himself now that feels looser than it used to. Since you.

You think about that sometimes. The before of him.

You’ve seen the photos.

You’ve read the papers.

The man with ideas too big for gravity, with headlines like The Modern Da Vinci and Richards' Law stapled to his name before he was even out of his twenties.

You used to resent those profiles.

How they smoothed over the things that mattered.

How they all insisted on brilliance and ignored what he really was...careful. Constant. Gentle in ways that science rarely rewards.

He wasn’t always like this. He told you, once, in a rare moment of openness, that he used to believe love would only slow him down. That affection dulled the edge of genius.

He doesn’t say things like that anymore.

But he doesn’t say the other thing either.

You know what you are to him—friend, confidant, collaborator.

His mind matches yours, nearly. But not quite.

You run faster. Not always more elegantly. But faster.

You see the equations before he does.

You make intuitive leaps he can only reconstruct in hindsight.

He admires that. You see it in the way he watches you work, the way he lets you lead without hesitation.

And still, he hasn’t said the thing.

Because once it’s said, it can’t be unsaid. And Reed Richards has never risked a variable he couldn’t account for.

“You know,” he says softly as you cross Park, “when you rewrote that module today… I think that was the first time I felt—” He pauses. “Old.”

You glance at him. “You’re not old.”

He chuckles. “My knees would disagree.”

“That’s not science.”

He smiles. “No. But it is gravity.”

You snort.

He watches you carefully. Then says, “You don’t realize how good you are, do you?”

You look down at the sidewalk. The rain has turned the concrete slick and mottled.

“I do. I just don’t know how to be proud of it.”

He nods like he understands. “Because pride implies…audience.”

You don’t answer. But your silence agrees with him.

A block later, you say, “You’ve taught me how to be better without making me feel small.”

It slips out before you realize it. The kind of truth that rarely finds a voice.

Reed stops walking.

You look back at him. He’s staring at you like he’s memorizing the moment.

“You’ve done that for me too,” he says quietly.

It should be more than that.

But it isn’t. Not yet.

Your building is a brick structure tucked on a quieter side street. Sixth floor, walk-up. Rent-high, because New York is cruel and physics has been paying you back a lot recently.

Reed’s been here before—once when you locked yourself out, once when you were sick with a stomach bug and couldn’t get out of bed to pick up your prescription.

He always waits at the foot of the stairs.

Tonight is no different.

You fish out your keys and glance back at him.

“I’m okay,” you say.

He nods. “Text me when you’re in.”

You hesitate. Then, a beat later, “Thank you for walking with me.”

“Always.”

You step inside. The door swings shut behind you with a soft click.

Reed watches the rectangle of light shrink until it’s gone.

Only then does he turn.

He walks back slowly, hands deep in his coat pockets, rain heavier now. The city is hushed, its noise folded in on itself. His shoes splash through puddles he doesn’t try to avoid.

He thinks about you.

The way your voice tightens when you talk about the things you care about.

The way you never apologize for being brilliant, just for being visible.

The way you notice every small thing—every decimal, every gesture, every change in temperature—and store it away like evidence that the world can be read if only you learn its language.

Reed Richards has spent his life searching for patterns. For the math behind miracles. He’s found some. Lost others.

But you?

You remain his favorite unsolved equation.

He doesn’t say the thing. Not yet.

But it lives just under his tongue, waiting.

The next morning you wake up earlier than you meant to.

Not by choice. Not by discipline.

But because your upstairs neighbors, despite living in an apartment complex with allegedly soundproof walls, have spent the last six and a half hours making the most expressive use of their vocal cords.

Moans.

Laughter.

Something you’re fairly certain was a vase being knocked over around 3:12 a.m.

You’d counted.

You’d logged the minute it started—12:49 p.m.—and the moment it finally slowed to quiet again, or at least to something muffled enough that you could hear yourself think.

There was nothing logical about it, and therefore nothing you could fix. No formula to solve thin drywall. No algorithm to isolate human behavior into something quiet, contained, reasonable.

So you’d stared at the ceiling. Then at your wall. Then at your ceiling again.

And now it’s 5:47 a.m., and your alarm hasn’t even gone off yet.

You sit up.

The air in your apartment is slightly too warm—residual heat from the radiator you can’t adjust. Your mouth is dry. The muscles in your back ache in the specific way they do when your sleep’s been interrupted just enough to confuse your circadian rhythm but not enough to explain it to anyone else.

You don’t bother lying back down.

Your morning routine is exact. Not out of compulsion, but out of necessity. A lattice structure of steps that keep the rest of the day from collapsing.

Boil water. Black tea, no milk.

Brush teeth—no mint toothpaste, only the kind with baking soda, because you hate the artificial sweetness.

Shower. Warm, not hot. You step out and wrap the towel tightly around you like armor.

Dressing is harder. The shirt you wanted to wear feels off today—too scratchy, too bright. You change into the navy knit Reed once said brought out your eyes.

That memory shouldn’t matter, but it does. You feel steadier when you put it on.

Bag. Notebook. ID. Keycard. Noise-canceling headphones, just in case.

You skip breakfast.

You always do when you’ve been overstimulated. It makes your stomach feel like wires have been crossed.

The subway is half-empty this early. The kind of silence particular to Friday mornings—the city not quite buzzing yet, just flickering. You stand near the doors and stare at your reflection in the opposite window, your face hovering over the tunnel blur outside like a ghost.

You think about the model you left open in Lab B-3. About the field trip on Monday. About whether or not you remembered to reroute the final data loop in the harmonic anchor sequence.

You think about Reed, and then try not to.

By the time you arrive at the Baxter Building, it’s just before seven.

You enter through the side entrance, swiping your badge through the sensor and waiting for the familiar mechanical click. The lobby is dark except for the ambient lighting that glows along the baseboards. The city hasn’t reached in yet.

And then you see him.

Reed.

Sitting on the bench just inside the front hallway like someone who forgot what time it is—or didn’t care.

He’s wearing the same navy coat from the night before, his hair still slightly damp from whatever morning shower he took before stepping into the day. His notepad is on his lap, open, but untouched.

He looks up at the sound of the door.

“Hey.”

You blink.

“You’re early,” you say.

“So are you.”

“I didn’t sleep.”

He stands slowly. “Your neighbors again?”

You nod, already tugging your bag strap higher on your shoulder.

“I’m thinking of writing them a formal request to conduct their mating rituals at a lower decibel range.”

That makes you snort, despite yourself.

“They’d probably just find that hot.”

Reed’s laugh is soft. “You’re probably right.”

He falls into step beside you without needing to be asked. You head toward the elevators together.

“I wasn’t expecting to see you here,” you say as you press the button. “You're never this early unless there’s a test run.”

“I was hoping you’d show up early,” he admits, sheepish but not apologetic. “You didn’t text last night.”

You look down. “I forgot.”

“Neighbors really did a run on you, huh?”

You ket out a breathy laugh meeting his eyes.

Soon the elevator arrives. You both step in.

He doesn’t say anything else, but the quiet settles around you like a blanket. You don’t have the words for it, but you know he does this often—positions himself near you, close but not invasive, like a planet finding the right orbit. Something about it always makes you feel tethered.

The elevator stops on your floor.

As you exit, he doesn’t turn toward his own lab. He follows you.

“I figured I’d sit with you for a bit,” he says simply, “if that’s okay.”

You nod. You don’t say thank you, but your body does—shoulders uncoiling, pace slowing, your breath evening out.

Your lab still smells faintly of ozone and the synthetic lemon Reed always insists on using in the electronics-safe cleaning spray. You flick on the under-lighting instead of the fluorescents. It’s quieter that way.

He watches you unpack, the same way he always does when he’s not pretending to be distracted by his own work. You can feel his gaze—clinical, affectionate, reverent.

You settle at your station and glance over.

“Did you get any sleep?”

“Some.”

He sits across from you at the small corner table, flipping open his notebook. “I kept thinking about the field trip Monday.”

You groan softly.

Reed smiles. “You’ll be fine.”

“They’re going to ask me if I built Fortnite.”

“Just say yes.”

You narrow your eyes. “That’s unethical.”

He shrugs. “You do kind of power their world.”

You chew the inside of your cheek.

“I know you’re dreading it,” he adds, more gently. “But you’re going to surprise yourself. I’ve seen you explain quantum turbulence to a twelve year old. You used two chairs, a glass of water, and a slinky. It was borderline performance art.”

You allow yourself the smallest smile.

He studies you for a beat.

“I waited this morning,” he says, voice lower now. “Because I wanted to see you before the day started. I figured if you didn’t sleep, you’d need a buffer.”

You look up at him.

“A buffer?”

“For the noise. The world. Everything.”

You don’t answer for a long moment.

Then, “You’re good at buffering.”

Reed closes his notebook. His eyes don’t leave yours.

“Only for you.”

You look away too quickly. Your stomach flips, your thoughts scatter like dropped dice.

This happens sometimes.

The intimacy of Reed. The nearness of what he doesn’t say.

The feeling that he’s handing you something fragile and invisible, and asking you to decide whether to name it or leave it untouched.

You pull up your simulation model and begin reviewing last night’s logs.

He watches you for another minute, then opens his notebook again and starts annotating something beside you, close enough that your knees brush once, and neither of you moves.

The morning settles.

Quiet.

Unspoken.

Waiting.

The building wakes slowly, like a body stretching into motion. The light outside the lab windows tilts, warmer now, brushing across your workstation and catching on the rim of your teacup. You don’t drink it, but it’s there—heat fading, a symbol of routine more than comfort.

One by one, the others begin to arrive.

Keycards beep. Footsteps echo off tile. The rhythmic click of heels and the soft, buzzing shuffle of rubber soles on linoleum fill the air in the way only a scientific institution ever sounds. Conversations start up in clipped, caffeinated tones. Someone’s talking about a failed simulation in Lab A-2. Someone else is complaining about the elevator skipping floors again.

You don’t look up.

You’ve already built a wall of focus, exact and methodical—three simulations running in parallel, an error log cycling in your periphery, two graphs comparing harmonic distortion levels under varying environmental noise inputs.

Reed hasn’t moved far from you since you sat down.

Every now and then, he leans slightly over to ask a question—never invasive, always curious. He taps the edge of your screen to point out something and waits for you to explain it in full before speaking again. His voice stays low. His body language remains small.

He is very, very careful with your space.

At some point, you adjust the variables in one of the testing loops. Reed notices before you explain why.

“You brought down the feedback tolerance?”

You nod. “I think it’s overcompensating for impulse drift. If we calibrate to a slightly lower resilience threshold, we might expose the weak nodes in the structural harmonics.”

He lets out a low hum of appreciation.

“I wouldn’t have caught that.”

You glance at him.

“That’s because you were trained to trust the tolerances.”

Reed raises an eyebrow, amused. “And you weren’t?”

“I was trained to notice what doesn’t belong. Even if it doesn’t make sense yet.”

He leans back in his chair, studying you with something just shy of awe.

That’s when the others start to notice.

There’s no whispering. No gossip. That’s not the culture here. Baxter doesn’t reward spectacle.

But still, people look.

It’s subtle—an extra second of eye contact, a glance exchanged between postdocs in the corridor. Even in a building dedicated to research and theoretical physics, attention has a shape. You feel it.

You’re used to being watched when you speak, but this is different. They’re watching him.

They’re watching how Reed stays near.

How he lowers his voice when he speaks to you.

How he doesn’t interrupt when you’re mid-thought.

How he laughs at things you don’t mean to be funny.

How he tracks your gestures with the full, unguarded focus of a man trying to memorize not just the content of what you’re saying, but the rhythm of it, too.

You register the attention. You don’t engage with it. You would get too flustered.

Instead, you pull up a different dataset.

Across the room, someone’s looking at you over their glasses. You minimize the screen and adjust your chair slightly so your back is to the rest of the lab.

Ben Grimm arrives around 9:15, coffee in hand, hoodie pulled up like armor against the morning.

You like Ben.

You liked him even before you knew him—when all you had was a list of his mechanical engineering contributions and the curious note in his file that simply read “Reed’s oldest friend. Trustworthy. Not academically inclined. Smarter than he lets on.”

He sees you before you see him.

“Hey, Doc,” he calls out, his voice gravelly but warm.

You glance up and, for the first time since the building really began to fill, smile openly.

“Hi, Ben.”

He walks over slowly, avoiding the edge of the test rig you have set up. His eyes sweep the table, reading the mess of wires and calibration notes without actually processing them, which is part of his charm—he doesn’t pretend to understand your work. He respects it anyway.

“You eat today?”

You blink. “Not yet.”

“You want half my bagel?”

“No.”

“You sure?”

“It’s everything seasoning.”

He grins. “You’re too sharp for your own good.”

You raise an eyebrow. “I’m just observant.”

Reed, still beside you, chimes in dryly, “She’s also allergic to sesame.”

Ben winces. “Oh, right. My bad.”

You wave it off. “It’s not lethal.”

Ben hands you a sealed granola bar from his pocket instead. “From Alicia. She said you looked pale last week and told me to keep snacks on me in case I ran into you.”

Your mouth twitches.

“Tell her I said thank you.”

“Tell her yourself. She’s coming by Monday.”

You nod, then return to your screen, not rudely, just efficiently. Ben doesn’t take offense. He pats the table lightly and leaves you to your work.

Once he’s gone, Reed glances at you sidelong.

“You like Ben.”

“He doesn’t talk to hear himself speak,” you reply.

Reed smirks, folding his arms across his chest. “So I guess I should be worried.”

You don’t answer. But something in your cheek lifts. A small, unspoken response. Reed ntoices it. Files it away like he does everything about you.

By late morning, you’re too deep in the math to notice anything else.

Three out of five anchor simulations fail—but not catastrophically. The new feedback threshold is revealing the pattern you hoped it would. Reed asks if he can run his own version of the loop. You nod without turning, already exporting the baseline parameters to his terminal.

You hear someone outside the glass wall whisper, “Is Richards still in Lab B-3?”

And then, “I think he’s shadowing her today.”

“He shadows her every damn day.”

You pretend not to hear. You shrink slightly into your collar. Not from shame. Just to stay small.

Reed doesn’t respond to the comment. But you notice that he reaches over and very quietly pushes the door shut.

Not to hide.

But to give you quiet.

The rest of the morning passes like this—like a film spooling out in perfect rhythm. Reed occasionally types beside you. Sometimes you work in parallel, other times in sync. You don’t speak unless necessary, but the air between you is charged in a way you can’t name. Not love, not yet. But a proximity to it.

And even though others look—at him, at you, at the space between—you don’t notice anymore.

You’re too busy trying to catch the shape of something hidden in the data. Something just out of reach.

Like truth.

Or a confession.

Or gravity.

Fridays at the Baxter Building settle into their own kind of orbit.

Every lab has its rhythm—Lab A-2 always wraps their protein sequencing early, because Dr. Lyman likes to jog at 1:15 on the dot. Tech Ops syncs their systems for overnight updates before noon. Environmental Engineering runs its daily dehumidifier diagnostic with exaggerated ritual, a kind of inside joke no one explains to the interns.

It’s been that way since you arrived. It wasn’t written anywhere, but you learned it all the same.

And the unspoken tradition...Reed Richards forgets about time.

By now, everyone has made peace with it.

On Fridays, he’ll get caught chasing some quantum trajectory through a dozen notepads and open tabs, muttering to himself about temporal flux interactions or pattern resonance mismatches. If someone reminds him what time it is, he’ll blink, check his watch as though it’s betraying him, and then wave his hand vaguely in the air—“Take two hours, go. Ben, order something greasy.”

And everyone will. With relief. With a kind of reverent affection for their slightly scattered, brilliant leader.

Except you.

You stay.

Always.

It’s nearing 12:45 when the lab thins out. Ben claps his hands once, loudly, to announce, “Twenty-four-inch from Mario’s. I got half with olives, don’t fight me about it.” Someone cheers from the hallway.

You don’t look up.

The simulation in front of you is finally stabilizing under increased pressure loads, and Reed’s scribbling new hypotheses across his tablet at a manic pace—“If we compensate for decay acceleration by adjusting the sequence resolution window down to 10 seconds, the cross-bridging might resolve on its own—”

You hum without meaning to, fingers typing out the updated code.

“I’m serious,” he says, pushing his chair closer to yours, legs brushing under the desk. “We’re so close. This could finally solve the vibration decay issues in the dynamic anchor builds.”

“It won’t,” you reply calmly, running the next set. “Not unless you account for the spectral density shift around the 170 Hz mark. It’s going to collapse again.”

Reed pauses.

“You already ran this model.”

You nod.

“When?”

“Last weekend.”

He looks at you like you’ve handed him a paradox.

You let the silence stretch, then: “Try adjusting the constraint to reflect a Gaussian distribution, not linear. The peaks are too soft, and the algorithm’s compensating for noise that isn’t actually noise.”

Reed exhales slowly, reverent. “How does your brain do that?”

You don’t answer. You don’t have the words for how you see things. You just do.

He smiles like he’s in the presence of something sacred.

He leans in again, close enough that his shoulder presses lightly into yours. You shift slightly to give him access to your terminal, and he doesn’t pull away.

He’s always been tactile like this—with you, at least.

Hands brushing yours when you pass equipment.

A palm steadying your wrist when you’re assembling small, sensitive components.

Once, you found yourself gripping his forearm without realizing it during a particularly volatile magnetic resonance test. He didn’t mention it. Just let you hold.

But today, it’s different.

Today, something lingers.

You're both staring at the screen. The simulation is stabilizing now, running longer than it has all week. Your throat tightens with something like triumph, or relief, or maybe just fatigue disguised as euphoria.

Then, softly—soft enough that it catches you off guard—Reed reaches up and brushes his thumb across your cheek.

You freeze.

Out of disbelief. Out of awe.

His hand is warm. The pad of his thumb gentle.

The touch isn’t performative. It’s not even decisive.

It’s hesitant. Like he needed to check that you’re real.

That this moment isn’t just one of his half-formed ideas scrawled into the margins of a late-night notebook.

Your eyes flick toward him.

He’s already looking at you.

Something unspoken and heavy passes between you. It hums underneath the fluorescent buzz of the lab lights, underneath the whirring fans of the machinery, underneath the working theory you’ve spent days fine-tuning.

You don’t lean in.

But you don’t lean away.

He doesn’t move his hand.

You don’t say a word.

Ben opens the door a few feet down the hall, holding a pizza box in one hand, a Coke in the other.

He sees you.

Sees Reed.

The hand. The closeness. The moment.

And just as quietly as he entered, he steps back. Sets the pizza down on the nearest desk. Walks away without a word.

You and Reed don’t notice.

The simulation pings complete. For the first time in eleven models, it doesn’t fail.

You blink.

Then breathe.

Reed drops his hand, slowly, like it doesn’t want to leave but knows it has to.

You don’t say anything. Neither does he.

But something has shifted.

In the lab’s stale, climate-controlled air. In the simulation still pulsing faintly on your screen. In the trajectory of two minds moving dangerously close to each other’s center of gravity.

You get up first, walking to the sink in the corner to splash water on your face. The cold helps. Reed stays in his chair, scribbling, though you can tell his mind isn’t entirely on the notes.

You find the pizza box. It’s already cold. You bring two slices back to the workstation.

You don’t mention the moment. Neither does he.

But all through the second hour of your “break,” you work with that electric tension still threaded between you.

You pass him a slice. He accepts it.

He says your name, once, softly, like an answer to a question you haven’t asked yet.

And you don’t look up. Not yet.

You’re afraid that if you do, everything will change.

Or maybe—it already has.

“Hey,” Reed says again, this time your name folded into it, spoken low and careful, like he’s afraid of breaking it. Like he’s afraid of breaking you.

You don’t answer right away.

Because you know what he’s asking without asking.

And you know that if you answer—if you meet his gaze now, if you name the thing humming between you—it won’t go back in the box. It will take shape. It will have mass. It will alter the gravitational field between you forever.

You chew the edge of your lip and keep your eyes on the simulation results, blinking too fast.

He doesn’t push. Reed Richards never pushes.

But he stays there, watching you like a question he’s been trying to answer for years. Like a proof that’s always been just outside the edge of comprehension.

He wants you.

You can feel it in the heat of his gaze, in the way his hands twitch with unspent energy, in the way he shifts closer every time he speaks. He wants you the way he wants knowledge, reverently. With hunger and hesitation in equal parts.

But more than that—he respects you. And that respect builds a boundary he’s too careful to cross without your invitation.

So he doesn’t speak again. Not yet.

Instead, he clears his throat gently and leans back into the moment he knows how to inhabit best—the work.

“You were right about the Gaussian window,” he murmurs, eyes returning to the data on your screen. “The mean deviation narrowed just enough to stabilize the micro-vibrational bleed. Look.”

He tilts his tablet toward you.

You peer at it, grateful for the anchor. “The variance dropped below 0.0003. That’s lower than the threshold for secondary echo.”

Reed nods. “It’s still not perfect. But it’s holding. For now.”

You echo it before you can stop yourself. “For now.”

He smiles at that—soft, and only for you.

The tension doesn’t break. But it shifts. Warms.

You pull up the residual energy pattern charts and begin comparing them to your older models. Reed swivels his chair to face you fully, chin resting lightly on his knuckles as he watches you work.

Your voice steadies.

“I think we can reduce the decay rate even more by using a layered harmonic buffer. Not just a single envelope. Something like... like a tri-modal stabilization frame.”

He raises an eyebrow. “Using phase-offset looping?”

“Yes,” you say, eyes lighting up. “But slightly desynchronized. So each frequency compensates for the loss in another—like an algorithmic relay. Less like a barrier, more like... a conversation.”

You feel him watching you, not the charts.

There’s a kind of electricity in your blood now, not from caffeine or adrenaline but from being understood, seen at the level you need to be.

And for once, the way you talk—fast, disorganized, precise, too much—feels like the exact shape of something he’s been waiting to hear.

You meet his gaze finally.

He’s smiling.

That soft, quiet, wrecked smile of his. The one he only wears around you.

“You know,” he murmurs, “you say I taught you how to be better without making you feel small. But you make me feel like I don’t have to be better all the time. Like just being...with you is enough.”

You don’t know what to do with that sentence.

It sits too heavy in your chest. It rearranges your molecules.

Reed notices your hands twitch—how your fingers twitch at your sleeves when the air gets too loud inside you. He leans forward just slightly.

“I didn’t mean to make you uncomfortable.”

“You didn’t,” you say too quickly. “You didn’t.”

Then, after a breath, “It’s just... I don’t know what to do when people say things like that.”

“Okay,” he says. “Then we don’t have to do anything. We can just stay here. With the work.”

But there’s softness in the offer. No withdrawal. No hurt.

Just the way he always gives you room.

It’s quiet again.

The others are still gone. Outside the lab, Friday spills forward in lazy arcs—someone arguing about where to eat next week, a song playing faintly from someone’s portable speaker. You can hear Ben laugh somewhere near the stairwell.

Inside, Reed starts sketching again. You realize, after a while, that it’s not a schematic. He’s drawing the harmonic layering you suggested, but not in code—in lines and waves, almost like music. It’s abstract and a little chaotic and not how he normally works.

It’s your method. Translated.

You watch him for a moment. Then you reach over and pick up a stylus of your own.

You add to it without asking. Adjust one arc. Shade one line.

He doesn’t flinch.

This is your intimacy. Shared language in waveform. A courtship of the mind.

The pizza gets cold. No one bothers you. Not even Ben, who peeks through the glass once more and then nods to himself like he's witnessing a rare solar event—better not to interfere.

And Reed…

Reed reaches over again at one point, softly, thumb brushing your cheek once more. This time he doesn’t look away when he does it. And you don’t freeze.

He doesn’t kiss you.

Not yet.

But you both feel it coming.

Not like a crash.

Like a calculation converging.

Like an inevitable, elegant solution.

Friday settles into its soft descent.

Outside, the city shifts into its end-of-week hum. That specific kind of tonal change—less frantic, more languid. Like the buildings are exhaling.

But in the lab, the world is still quiet, contained in the steady blinking of data streams and the near-inaudible whir of cooled processors.

You sit on the floor now, legs crossed beneath you, a cluster of components spread around you like offerings. The modeling station sits nearby, quietly compiling your last run.

Reed is at the console, sleeves rolled up, hair curling faintly at the temples from the humidity that’s crept in through the vents. He’s biting the corner of his thumbnail absently—thinking.

You watch him.

And then you remember.

“Did you finish the sensory-feedback demo for the field trip?” you ask, voice soft but cutting clean through the air between you.

He blinks up from the console, eyes going immediately bright.

“I did. Mostly. I was going to test it tonight.”

You tilt your head. “Can I see it?”

He smiles—a real one, unguarded and boyish. The kind he only wears with you.

“You can help me run it.”

He gets up, walking to the supply cabinet in the corner, pulling down a heavy black case the size of a carry-on. You follow, standing now, hands folding in the sleeves of your sweater as you watch him unlock the case with the smooth familiarity of a man who designs entire universes and still finds joy in the click of good mechanics.

Inside, a scatter of wires, motion sensors, a series of spherical objects that look like oversized ping pong balls, each one patterned with conductive filament and dotted with touch points. You recognize the layout—a modular, reprogrammable interface system with haptic feedback, originally built for mobility therapy.

“You modified the base algorithm,” you say, eyes narrowing with appreciation.

“For kids,” he replies. “It runs a simplified tactile-reward loop. Kind of like a visual puzzle—kinetic memory reinforcement. Color-coded neural feedback.”

“Accessible interface?”

He nods. “Built for neurodivergent learners. Adaptive texture mapping. It reacts to the user’s input in real time. No static pathways. No performance grading.”

Your chest tightens a little. Not painfully. Just precisely.

“You built a toy.”

Reed shrugs. “It teaches basic physics concepts. Friction, acceleration, force vectors. Just…disguised as fun.”

“That’s not just a toy,” you murmur.

He watches you closely.

“No,” he says. “It’s not.”

You set it up together on the floor of Lab B-3, moving the tables back, laying the tiles out in careful rows. The modular touch-nodes blink softly as they come to life—first red, then green, then a low, pulsing blue.

The algorithm kicks in after calibration. Reed holds the interface tablet, flipping through the menus. You hover close behind him, watching how he reprograms the environmental variables on the fly.

“Want to try it?” he asks.

You nod.

He sets it to manual mode. The first node lights up in your periphery. You move toward it, tap it lightly with your finger. It flashes yellow, then blue, and vibrates beneath your touch.

You laugh, just once—quick, surprised.

“Positive reinforcement,” Reed says softly. “Each node has a different tactile response depending on approach angle, velocity, and touch pressure.”

“So they learn physics by playing.”

He nods. “Exactly.”

You test the next one. And then another. As the nodes light up, the floor becomes a low-lit constellation, flickering gently around your movements. It’s beautiful. You crouch down near one, tracing your fingers across the filaments, letting the haptic buzz hum beneath your fingertips.

“Reed,” you say quietly. “This is... really, really good.”

He kneels down beside you.

“I just wanted to build something that made them feel like science was listening back.”

You look over at him.

That sentence hangs there, too delicate to touch.

Your hand moves before your brain registers the decision—slowly, instinctively—and you reach for him.

You had reached for his hand but landed on his thumb.

Just his thumb.

You wrap your small hand around it gently, like it’s the only part of him you can hold without consequence.

Reed freezes.

Not from discomfort. From something else.

He turns his head toward you, slowly, like he’s afraid you’ll disappear if he moves too quickly. His smile is soft, stunned. As if he can’t believe you’re doing this. As if he’s afraid that if he acknowledges it too directly, it might stop.

You don’t look at him. You just hold his thumb in both your hands, watching the floor blink beneath you.

It’s a strange gesture, almost childlike in its simplicity. But to you, it’s everything. It’s grounding. Permission. Trust.

Reed lets out a breath like he’s been holding it for years.

He doesn’t move his hand away.

Instead, he uses the other to reach forward and adjust a setting on the control interface without looking. The lights shift. The nodes pulse in a new pattern. You follow them without letting go of his thumb.

He’s smiling now, wide and quiet.

Completely and utterly gone for you.

You test every mode together—gravity simulation, frictionless slide, kinetic echo. Reed talks softly through each setting, explaining how he rewrote the original code to simulate Newton’s Laws in modular intervals, adjusting for sensor latency so kids could trigger reactions with slower or less precise movement.

You ask questions. Not because you don’t understand. But because you do. You want to understand it his way.

He answers everything.

By the time you’re done, the lights in the lab have dimmed into their evening cycle. Reed packs up the demo system slowly, like he’s folding something sacred.

You’re still holding his thumb.

Finally, gently, he uses it to tap the back of your hand.

“You know,” he says quietly, “you don’t have to hold back around me.”

You look at him, expression unreadable. You squeeze his thumb once, then let go.

“I’m not,” you say.

And you aren’t.

Not anymore.

The lab is dark when you both leave.

Outside, the city has begun to cool. You walk beside him in silence, shoulders brushing once, then again. Not by accident.

You don’t talk about the moment on the lab floor.

You don’t have to.

It happened.

It exists.

Like an inevitable, elegant solution.

The sky has turned the color of television static. Not black, not gray, just faded. Soft enough to feel unreal. Streetlights flicker on in stuttering intervals. A breeze curls up the avenue and catches at the hem of your coat.

You and Reed stand just outside the Baxter Building entrance, neither of you moving to leave, as if there’s some invisible membrane between the lab and the world you’re not quite ready to pierce.

You should go home.

That’s the next step, isn’t it?

That’s what people do when the day ends. They go back to the place with their name on the lease and try to remember who they are when no one’s asking them questions.

Except your place has neighbors.

And thin walls.

And you're too tired to pretend your own exhaustion doesn’t vibrate at the same frequency as their pleasure.

You shift your weight from foot to foot, knuckles tucked deep into your sleeves. You can feel the buzz of the day behind your eyes—not anxiety, not anymore. Just too many thoughts stacking on top of each other like tetris blocks, and you don’t have the energy to make them fit.

Reed stands beside you, hands in his coat pockets, quiet as ever. The edge of his sleeve brushes yours every so often, an unspoken rhythm that makes you feel here.

Not tolerated. Not managed.

Just here.

Ben soon exits the building. Hoodie zipped to his throat, a half-eaten brownie in one hand. He slows when he sees you both.

“Well, well,” Ben says, raising an eyebrow. “You two finally gonna leave the building or should we start paying you rent inside the lab?”

You glance at Reed.

He shrugs, noncommittal.

Ben smirks. “Alright. Don’t do anything I wouldn’t do.” Then he gives Reed a look. “Which ain’t much.”

Reed doesn’t respond, but his smile is quiet. Affectionate.

“Goodnight, Ben,” you say softly.

“Night, genius.”

He walks off into the dark.

You stay.

Reed doesn’t ask if you’re going home.

You don’t say anything for a while. You just look at the sidewalk. The cracks in it. The faint smudge of oil near the curb. The headlights of a cab bending light across Reed’s cheekbone, catching on the streak of gray in his hair.

Finally, you say, “Can I stay?”

You don’t explain. You don’t need to.

He doesn’t ask why.

He just turns to you, and for a split second, something in his expression softens so completely it’s almost painful. His eyes widen like he’s been caught off guard, but then his entire face warms, lips parting slightly, like you’ve just handed him something fragile and beautiful and unexpected.

“Yes,” he says immediately. “Yes, of course.”

You nod once, eyes down, and he opens the glass doors for you with his keycard.

Reed’s private quarters are located on the top floor, built into the architecture like a quiet secret.

The space is sparse but intentional. One long wall is lined with windows that overlook the city—lights shimmering like data points, static and alive at once.

You’ve been here before. The air smells like him. The surfaces are all smooth, clean, designed for function rather than comfort—except the guest bed, which he quietly upgraded after the second time you stayed, replacing the stiff mattress with something memory foam, orthopedic, weighted blankets in navy and grey.

He never mentioned it. But you noticed.

Now, you step out of your shoes and move instinctively toward the small kitchen alcove, placing your bag on the counter where you always do. You hear Reed behind you, taking off his coat, the soft clink of keys being set in the ceramic dish by the door.

“I didn’t want to go home,” you say, very quietly.

“I know,” he replies.

He fills the kettle without asking. He doesn’t ask if you want tea. He just knows that the ritual helps.

You settle on his couch while he prepares everything. There’s something deeply intimate about watching him move in this space—not as a scientist, but as a man who’s built a life designed for quiet. For stillness. For you.

“Did you finish that secondary circuit loop in the interface?” you ask, voice small.

“I did,” he says, turning toward you with two mugs. “Replaced the original buffer with a superconductive braid. Reduced the thermal variance by thirty percent.”

You take the mug with both hands.

“That’s going to make it more stable in hands-on mode.”

He nods. “Exactly.”

You sip the tea. It’s perfect. Rooibos, no caffeine. Subtle and warm.

You look down at your knees.

He sits beside you, not too close, not too far. Just right.

“I’m still thinking about that tri-modal stabilization relay you suggested,” he says. “It could actually be used in more than just the interface model. If we layer it into the resonance prototype, it could compensate for secondary harmonic bleed without adding mechanical dampeners.”

You glance at him. “It wouldn’t even need a power supply. It would just borrow from the existing vibrational field.”

“That’s what I was thinking.”

You smile faintly. “We should test it this weekend.”

“We should,” he agrees.

But neither of you move.

You sit there in the dark, the city lights flickering behind the glass, the tea cooling slowly between your palms.

And then, Reed shifts slightly closer.

His fingers brush the side of your hand where it rests on the couch cushion.

You don’t pull away.

“I’m glad you asked to stay,” he says, quietly.

“I don’t always know what I need,” you admit.

“You don’t have to,” he says. “Not with me.”

You turn your hand palm-up.

He hesitates—barely a second—and then sets his own hand into yours. Warm. Long fingers. Calloused thumb.

You wrap your hand around his thumb again.

It’s small. Stupidly small. But it feels like precision.

Like the alignment of orbitals in a new chemical bond—unexpected, improbable, but somehow inevitable.

He stares at your hands like they’re a proof he’s just solved.

And you can feel it now, radiating off him.

That Reed Richards is completely, irrevocably in love with you.

It sits in his stillness.

In the way he lets you hold him without needing to be held back.

In the careful cadence of his breath next to yours.

In every half-finished sentence he doesn’t speak because he’s still calibrating the right moment to say it.

You close your eyes.

The lab can wait.

The world can wait.

Because here, in this quiet room on the top floor of the Baxter Building, the noise of the city fades into static, and two brilliant minds sit side by side, slowly, carefully falling into something that even physics doesn’t have language for.

Yet.

You’re still holding his thumb.

The weight of it feels small and ordinary and terrifying, in the way intimacy always is when it sneaks in sideways—quiet, soft, patient.

The tea between you has gone slightly cold, but neither of you moves.

Reed glances at your hand in his again like he’s not sure it’s real. Like he’s afraid any shift in air pressure might break whatever this is.

He doesn’t want to lose it. You can feel that. It lives in the quiet of his body. In the way he breathes more carefully now, like your closeness has changed the atmospheric composition of the room.

You can’t explain it.

Not exactly.

But you know the moment has arrived—like a threshold has been crossed without either of you noticing when.

You lift your eyes.

Reed is already watching you.

And then you kiss him.

There’s no warning. No lead-in. No poetic pause.

You just lurch forward and kiss him like your brain caught fire.

You cup his face with both hands—awkward, determined, imprecise. You feel the stubble on his jaw beneath your palms. You feel the soft surprised puff of his breath as you press your mouth against his with more force than you intended.

Reed makes a startled noise.

You pull back slightly, embarrassed, but he surges forward like a current finding its charge.

His hands find your waist, anchoring—not possessive, not demanding, just present. And then his mouth is on yours, properly this time. He kisses you with a slowness that makes your skin buzz, then deeper, until you forget how to think.

You chase it.

You chase it harder than you meant to.

You end up half in his lap, straddling his thigh on the couch. He grunts softly in surprise as you pull him closer by the collar of his shirt. Your hands roam. One settles in his hair, the other at the base of his neck, grounding yourself in the shape of him. His body is warm and solid and older than yours in a way that feels deeply comforting—experienced, steady.

“Wait—” he whispers into your mouth, breathless but laughing.

You pause.

“I—God, I didn’t think—” he tries to say, and then you kiss him again.

It’s clumsy and desperate and real. Your teeth bump once. Your nose is probably smushed too hard against his.

But Reed groans quietly like it’s the best thing that’s ever happened to him.

Because it is.

Because it’s you.

Eventually, you slow. Not because you want to. Just because you run out of breath. You ease back a little, your forehead resting against his, both of you flushed and dazed.

His fingers trace up your spine, slow, careful, reverent.

You say nothing for a while.

Then, softly, eyes still closed, you murmur, “I need to take a shower.”

He blinks, dazed.

“Oh,” he says, voice rough. “Yeah. Sure. Of course.”

You make no move to get up.

He doesn’t push.

Then, without looking at him, you say, “Will you come with me?”

Reed stills.

It’s not a seductive invitation. Your voice is too quiet. Too vulnerable.

You mean with you. Not to see you.

There’s a difference.

A difference he understands immediately.

He exhales once, very slowly.

“Yes,” he says.

The bathroom in Reed’s quarters is clean and understated. No clutter. Neutral tones. A single towel folded perfectly on the heated rack. The kind of space made by someone who needs things to stay quiet, even in private.

You peel off your clothes with your back to him. You don’t ask him to turn away. You just move, deliberately, like someone trying to stay present in their own body. You don’t rush.

He undresses behind you.

You don’t look.

Not because you’re afraid.

Just because this isn’t about looking.

When you step under the water, he follows. The spray is warm. Steam begins to rise immediately, curling around your shoulders, softening the edges of the room.

You don’t speak for a long time.

He helps you rinse shampoo from your hair.

He rubs a towel gently across your upper back, washing you between passes of the water.

You stand in the quiet, eyes closed, while he reaches for the soap, his hands careful and broad. You’ve never felt so heldin a room without touch. Even when he does touch you, it’s so measured. Like he’s calibrating pressure in real time.

He never touches more than he needs to.

He never looks longer than you let him.

You begin to wash him in return—his arms, his back. Your fingers map the ridges of his shoulders. The plane of his chest.

He smiles at you when you look up at him.

You smile back.

Afterward, you towel off side by side. You slip into the oversized sleep shirt he keeps in the guest drawers—the one you claimed without asking the second time you stayed over. Reed pulls on a soft cotton shirt and gray sweatpants, hair still damp, curls a little unruly.

You both brush your teeth in silence. The kind of silence built on trust, not absence.

You spit and rinse and then, leaning over the sink, you say, “You’re not what I expected.”

Reed glances at you in the mirror.

“I’m not?” he asks, toothbrush in hand.

You shake your head. “You’re a better equation.”

He stares at you for a moment, then leans over, presses a kiss to your temple, and whispers, “So are you.”

You fall asleep in his bed, facing each other.

You don’t touch—not at first. But at some point, your foot slides across the sheet and brushes his calf.

He doesn’t bother to move.

You drift off like that.

And he stays awake for a while longer, just watching you breathe, memorizing the sound of it, calculating the half-life of the moment in real time.

He doesn't think there's a formula for this.

But if there were, he’d already be solving for you.

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