#rob write going down

[djbadthaproblem]

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[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[mouse-fantoms]

If ya’ll think I’m not crying like a baby about this then let me inform you 😭😅

[mariyekos]

Crack fic idea: POV of a police officer chasing a robbery suspect who ends up running into DMC to escape/grab a hostage. When the officer opens the door, he finds the suspect standing frozen in the middle of the room, because on the opposite end by the desk, an angry Vergil's standing there stabbing a surprised Dante. This stabbing pretty obviously happened before the robber showed up. It's only through the hand, but the one guy is holding a whole giant samurai sword, the guy getting stabbed has a gun in his free hand, and there's kind of a lot of blood.

The other officer comes in after POV guy. Officer 2 looks over the scene, then starts to arrest the suspect who's still so shocked he doesn't really fight the handcuffs. Once the suspect is cuffed, Officer 2 starts to walk him through the door and tells POV Officer it's time to go. POV Officer is confused, because uh, sir, there's some pretty severe domestic violence going on and he doesn't know if that gun's registered, and even if they ignore all the normal police/violence/safety issues shouldn't they call some EMTs??? Or at least ask the guy getting stabbed if he's okay???? (To which Dante calls out "oh yeah I'm good!" confusing poor POV officer further)

Officer 2 just frowns and shakes his head. "No, they've got this. Right Dante?" To which Dante cheerfully replies with some small talk that makes it obvious he and Officer 2 are acquainted. Vergil gets tired of the small talk and rips the Yamato out of Dante's hand, walking upstairs. And when POV Officer starts to ask something else, Dante basically just waves him off with some sort of comment about how Vergil's just grumpy, honestly Dante kind of deserved that one, he'll admit he was being a bit pushy. And then waves goodbye when Officer 2 says they really need to get back go the station and book the suspect.

As they leave, POV Officer asks what's going on. Officer 2 basically just tells him not to worry, and not to write it in the report. That's just Dante. Dante tries to keep clear of the police, the police try to keep clear of Dante, and everyone's happy. He's helped out on a handful of cases when he just so happened to be in the area, he's gotten accused of some property damage a few times, it all evens out. You just don't mention Dante. City Police actually have a code for it, if they ever absolutely have to. But today they don't, so they won't. They caught the suspect. That's that. The suspect ran into one of the many abandoned buildings in the area and they caught him. Nothing else of note.

Oh, and if POV Officer is worried about the hand, he shouldn't be. The police here have known demons were real for years before Redgrave, and they're pretty sure Dante's one of the nice ones. When he says he'll be fine, hell be fine. Officer 2 has some good stories about him getting shot in the chest and getting tight bacm up, actually...

...

And so a crazy day comes to an end. The suspect's been caught, the streets are safe, and that's that. Nothing else happened. Nothing at all.

If POV Officer starts sprinting in the opposite direction when he sees a certain tall, white haired, blue eyed, blue wearing man when he's walking down the street later that week, it's for no reason at all.

[team5ds]

the worst part is i can't even say he's wrong. they certainly did figure out how to contribute the city by joining the wrgp. but like. this is one of those things where it literally does not make sense. this is insane levels of logic. "we're not sure how to contribute to the city. we think entering a magic the gathering tournament will help." like. imagine saying that fr when your parents ask what you're going to do after you graduate college. "idk. thought i'd play card games and figure it out, man"

[clumsypuppy]

i think the reason why im so drawn to spirit tracks and pkmn scarvi is that having the legendary/princess as a companion rather than a goal that marks the games completion makes me feel satisfied the way i would after helping a friend

my brother always teases me about how I still havent finished botw after almost 7 years bc "id rather be out picking flowers" which i wont say is untrue. and yes i know Zeldas been holding off ganon for 100 years, yes i can get some sort of idea what her relationship with link was like by recalling memories and going through her diary. ive always loved botw for its unique storytelling and setting which makes it stand out, because it lets you get to know who you're saving.

but because theyre memories, it only works if theres something for the player to investigate that already happened. its retroactive (but effective nonetheless)

on the other hand, spirit tracks does something similar but instead of having the player try to piece together memories and interpret them as a spectator, you actually have an opportunity to get to know zelda yourself by talking to her and working together. besides making it a gameplay mechanic, giving the player control over how they interact with zelda makes it so much more personable.

and I find that making the goal feel personal instead of an obligation gives me more of a reason to work towards it. I know what kind of person botw zelda was but as the player, shes still very much a stranger to me. but spirit tracks zelda? thats my friend!!!! she invited me to go to the beach after we get her body back!!! i dont want to whip her to make her move faster thats mean :(

you know how hostage negotiators are trained to introduce themselves and get to know the person theyre negotiating with because its harder to hurt someone when you know what their favorite food is? its kinda like that, because it feels like im helping a friend than being told or led to do smth

and although i havent played scarvi myself, i feel an attachment to koraidon and miraidon even just watching playthrough clips because its like!! thats my weird scaly dog!! it loves sandwiches and we're friends!!! you know!!!!!!

[jjksugurugeto]

howl's moving castle jujutsu kaisen au (satosugu)

suguru is the sorcerer that swallows a falling star/curse (satoru)

satoru as calcifer/sophie (curse/demon/love interest)

[justworthlessreblogs]

scattered thoughts on kirapika

this has taken me way longer than it should've tbh, i have 4 different essay drafts in my docs but none of them felt satisfactory. in the end it's probably better to make a list anyways, because there isn't really an overarching through line to any of these

putting this under a read more because it's Long. there's going to be a (much shorter, hopefully) part 2 because i hit the character limit oops

fair warning that there's going to be a lot of complaining about ciel (i don't hate her i swear i just have beef with how her character's framed in the show)

i think the most frustrating thing about their arc is the wasted potential. like they're both really great characters, there's some really great setup, and the series initially takes the angle that the conflict isn't completely black and white. and then 23 happens and rio gets kicked out of the narrative and the writers decide that actually no, ciel can't do anything wrong in her life ever because she's their precious golden child

i've said it before and i'll say it again: the coma was literally the worst decision the show could've made, because it robbed rio of basically all of his character development and it left ciel floundering around without anything to do. like genuinely when watching her episodes during the coma era i was sometimes like "...what is her arc here supposed to be again? because it really just kinda feels like she's fucking around" and it doesn't help that the writers were still on their Ciel is Morally Right in All Situations kick so any conflicts she got into were kinda boring, tbh? this usually isn't an issue for me in precure except this is a season where characters *do* fuck up (aoi, himari, yukari all had episodes where they fucked up/weren't totally in the right/did some morally gray [for precure] things in this same stretch!) so it makes ciel stick out like a sore thumb (i am still salty about 34 robbing me of an actual disagreement between ciel and yukari)

i think i mentioned it in wv 7's author's notes but episode 41 is kind of a disappointment for me. i thought the premise sounded fun (rio gets framed because of an evil clone! there's so much fun you can have with that!) but the actual execution kinda flops. we barely get any evil clone shenanigans, first of all, but my bigger issue is with the kirapika dynamic and conflict in the episode. i think it drags both of their characters down.

in 41, ciel suddenly regresses and starts being kind of an ass to her brother again, but the problem is that... she doesn't really start doing this until *after* the emotional conflict is supposedly resolved? at some point she goes "and i nearly messed it all up again" and i was like Girl. What Have You Done Up To This Point. like she's literally done *nothing*, hasn't said anything hurtful - the "worst" she's done is telling her brother that she'll go with him if he leaves, and then backtracking in private (the backtracking does feed into another issue i have, but in isolation there's nothing wrong with it! i do think it's perfectly reasonable to not want to uproot your entire life!). the actual regression comes when they're on the bridge, when ciel tells rio that they both made cure parfait

the cure parfait line is genuinely cruel. pov you are rio kuroki, you just got out of a 4 month coma 3 days ago, you got cool powers for 15 minutes but then got beat up super badly and lost them almost immediately after *and* were told you'd never be a precure (a dream that you've tried and tried to achieve but nothing ever seems to work) and then here's your sister on the bridge telling you that you both made *her* a precure and it was a super cool and awesome event when all you got out of it was that four month coma. if i was rio i would've lost my shit then and there

the line just feels so ooc for ciel to be saying at the EMOTIONAL CLIMAX??? THIS IS THE EMOTIONAL CRUX OF THE EPISODE. if it was a line that had happened early on and caused the conflict i'd be more forgiving but it *isn't* and that's why it fails! at this point she's supposed to have learned that disregarding others' feelings and thinking only about what's good for herself hurts others!

also rio once again takes the blame for everything, just like he did in 23. why is rio constantly always the bad guy in the conflict (even though the show pushed a "they both did things wrong" angle at the start) it makes their relationship feel really lopsided

their relationship just feels really lopsided overall, tbh. i think part of the problem is that we never really get any positive interactions between them in the series - we get the flashback with the waffles, and then there's that brief moment when rio comes back in 40, and ciel complimenting rio in the christmas episode but that's barely enough to go on when most of their major interactions in the present timeline are them fighting with one another. the show wants me to think that kirapika are the Best Siblings Ever but doesn't really do the work to actually *show* it, which makes it feel hollow. where are the sibling shenanigans, toei. where are the moments where they share a single brain cell. i just want kirapika sibling fluff, dammit!

part of this lopsided feeling also comes from how it feels like rio would move heaven and earth for ciel (he outright sacrifices his life. if it wasn't for luimere he'd be dead, and he had no way of knowing lumiere would intervene) but i don't get that same vibe from ciel even though the show tries acting like she would. shit happens and she's like "oh no! anyways". even a large part of her angstfest in 23 is more about her thinking that she's thrown away her chance of being a precure (it's literally one of the first things she says after julio's purified. not really a great look tbh).

lopsided 3: ciel's feelings are always seen as more valid over rio's. it's especially frustrating when rio actually does have a point (see 22-23)

honestly overall it just feels like the writers had something against rio. genuinely what the fuck did he do to them to make them toss him around like that

ciel's angstfest in 23 is really funny to me it's literally the equivalent of when you slightly mess up so you turn your discord pfp and banner all black and change your username to "gone" and claim you're never going to log on again but you're back 2 days later. i would love it if she was the one who actually broke herself out of it instead of rio and ichika having to do all the emotional labor

just... let ciel have flaws! we're shown a ciel with flaws in her introductory arc! and it's amazing! but then after 23 they all disappear and on the rare occasions where they come back they're never treated as something for her to work on, they're just there, or they're unintentional on the part of the writers. and a character without flaws obviously isn't unheard of for precure but in a season that takes great pains to remind you that its main cures are all very flawed people it feels a little jarring to have ciel never learning anything because she was in the right all along

i don't think rio becoming ciel's satellite post-coma would've annoyed me as much if we hadn't been given a taste of rio as an actual defined character during the julio arc. like once he comes back he only exists around ciel and it's a bummer because i really liked his dynamics with ichika, yukari, bibury, etc and i wanted to see more (we do get that one riobib scene in 41 but it's like 30 seconds). pretty much all of his dreams and aspirations evaporate, too, most notably The Precure One

rio's dream to become a precure never being brought up after 23 (except to be mocked by grave) is so, so jarring when it was originally a huge part of his character. 41 tries to act like he only became julio because he wasn't as good at sweets as ciel and it's like... no? wanting to become a precure was a big part of that too? sometimes i feel like 41 is an episode from some alternate universe where rio's precure dream was never part of the plot and it somehow wormed its way into ours. it'd make the cure parfait line a lot less worse if that was the case tbh

see you all in part 2 i guess

[try-set-me-on-fire]

Trapped buck and chris is so close to being done i literally just have to do the hospital confrontation. But also i have to remember how to play dungeons and dragons by 6 pm tomorrow because i got sort of accidentally hired to run a game at a local comic book store so uh

[waywardsalt]

Have you ever thought about how Linebeck describes Jolene as "crazier than a rabid squid"- only to then be possessed by a literal rabid squid later in the game?

Cause I sure have- especially after seeing a lot of your BellumxLinebeck stuff

mmmmghmm im gonna be honest i haven't thought about it much at all

linking it to my bellum x linebeck thoughts, im not too sure what to make of it in context with my other linebeck notes and w/e

there's also my idea that linebeck has a special interested in shellfish and by extension squids, and the idea of him having a weird thing for bellum, and just... enjoying sealife, and it's kinda of...

he compares her to a rabid squid to link in order to i think... offer a shorthand explanation of what she's like, and i think it (with some other stuff) is kinda just another little peek into how he might feel abt her?

i mean he also compares link to a dog in that one letter? i'm not sure where im going with that one. i dont think linebeck particularly likes dogs

i'm not sure abt the link between that and him getting possessed, jolene is kind of just... there a lot of the time and doesn't really do anything except 1) show that linebeck has enemies and 2) show that people know about link's quest by the end, linebeck generally references sea creatures a few times in ph

relating to bellum x linebeck, i dont see him comparing jolene to a squid an indicator of anything in relation to that, with linebeck having a thing for bellum its more of like. there's a lot of complicated ideas i have with what goes on between them during bellumbeck and bellum being a squid thing is more linebeck having a bit of a monsterfucker streak and having a bit of a thing for like. being tied up. as for literal squids he kinda just likes them as food and to dissect and learn about

like i think 'rabid squid' is more like linebeck just tossing out some derogatory shorthand to explain how he thinks of jolene as some fucking. violent annoyance he has to deal with that he doesn't fully understand

tbh i see the comparison but imo it comes down to a difference in characters and interactions and histories, there is the rabid squid thing (and i think in the manga too theres a vague parallel drawn ig) but im not. sure. what there is there just beyond. linebeck talks about sea creatures and wants to get the fuck away from jolene

i'm not entirely certain what you've been thinking about with that comparison, but i haven't been thinking much about it and it's kinda. eh ig???? its something

[incoherent-orca]

💭

🐳

[goldentigerfestival]

if there is one thing i will never recover from with crestoria's crossover being gone for good, it's that we'll never ever know the story behind transgressor yuri.

if there are two things i will never recover from with crestoria's crossover being gone for good, it's that leon and aegis' loyal friendship will never ever return.

[doodleodds]

hi i sent u a comm req for my oc ship but like..... please let me know if that's not in your wheelhouse!!!!! i can either switch it to smth else or like. tbh u can just keep the money. ur art is v good nad i still think abt the comic u drew for my fic that one time still so!!

No no, no worries!! It's absolutely fine! The refs you provided are fantastic, I should be able to do it for ya no prob :) I will probably still run how they look by you before I animate anything, though, so that I'm sure they're correct before going further! :)

[doberbutts]

hmm. Well if it doesn't count as part of your job (Kevin Bacon, Meryl Streep) or if it doesn't count at like "meet the celeb" events or signings or whatever (Laurie Halse Anderson, Stephen King, the SPN crew) then no. But I *have* gone up to and spoken with celebrities due to both of those things.

OK I saw a poll about something similar and now I am curious

-Assume it's a celebrity you like and that they haven't made a statement about this sort of thing.

-The celebrity in question is just casually out and about, they are not part of an event or panel.

-By "go up to them" I mean saying hello or asking for a picture

-If you have to talk to them as part of your job it doesn't count unless you also ask for something similar to the above.

-This is a judgement free zone, there is no correct answer I am just curious.

Inspired by this poll

[welcometogrouchland]

mm. Fear

[unboundprompts]

Pirate Terms and Phrases

-> Pirate Lingo

-> A Pirate's Glossary

Batten Down The Hatches - tie everything down and put stuff away for a coming storm.

Brig - a prison on a ship.

Bring a Spring Upon 'er - turn the ship in a different direction

Broadside - the most vulnerable angle of a ship that runs the length of the boat.

Cutlass - a thick, heavy and rather short sword blade.

Dance with Jack Ketch - to hang; death at the hands of the law (Jack Ketch was a famed English executioner).

Davy Jones's Locker - a mythical place at the bottom of the ocean where drowned sailors are said to go.

Dead Men Tell No Tales - the reason given for leaving no survivors.

Flogging - severe beating of a person.

Gangplank - removable ramp between the pier and ship.

Give No Quarter - show no mercy.

Jack - flag flown at the front of the ship to show nationality.

Jolly Roger - black pirate flag with a white skull and crossbones.

Keelhaul - a punishment where someone is dragged under the ship. They are cut by the planks and barnacles on the bottom of the ship.

Landlubber - an inexperienced or clumsy person who doesn't have any sailing skills.

Letters of Marque - government-issued letters allowing privateers the right to piracy of another ship during wartime.

Man-O-War - a pirate ship that is decked out and prepared for battle.

Maroon - to leave someone stranded on a. deserted island with no supplies, typically a punishment for any crew members who disrespected the captain.

Mutiny - a situation in which the crew chooses a new captain, sometimes by forcibly removing the old one.

No Prey, No Pay - a common pirate law that meant crew members were not paid, but rather received a share of whatever loot was taken.

Old Salt - experienced pirate or sailor.

Pillage - to steal/rob a place using violence.

Powder Monkeys - men that performed the most dangerous work on the ship. They were treated harshly, rarely paid, and were expendable.

Privateer - government-appointed pirates.

Run A Shot Across the Bow - fire a warning shot at another boat's Captain.

Scurvy - a disease caused by Vitamin C Deficiency.

Sea Legs - when a sailor adjusts his balance from riding on a boat for a long time.

Strike Colors - lower a ship's flag to indicate surrender.

Weigh Anchor and Hoist the Mizzen - an order to the crew to pull up the anchor and get the ship sailing.

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