#they never veer from the script

[whileyoureinschoolidothisallday]

hey buddy if you're gonna turn the country into a reality show could you get less predictable writers

[countdown-til-sanders-take-over]

thomas sanders looooooves fucking. doing shit doesn't he

I’d honestly rather him just bluntly say he does not care anymore than continue whatever this pantomime is

[delugyu]

pining with a hundred hearts

summary: Confessing to you should be easy. Kai’s got his whole speech prepared, having gone over it about a million times in his head now. All he has to do now is say it exactly as rehearsed. As long as he keeps his cool and doesn’t veer off script, or say something stupid and thoughtless like—“Do you wanna hook up?” he blurts out, wide-eyed and shaking.

…Yeah. Like that.

pairings: huening kai x fem!reader

word count: 11.3k

tags: fluff, smut (mdni), friends to lovers, best friend!kai, yeonjun being a mediocre wingman and the biggest dudebro on earth, kai is a ball of anxiety, a couple religious metaphors, incredible amounts of pining

smut tags: multiple smut scenes… this is only like one step above pwp okay, switch!kai, switch!reader, dry humping, choking (m rec.), unprotected sex, oral (f rec.), car sex, sooo muchhh kissinggg, praise, spit kink kinda, handjob for a second, multiple orgasms

notes: thanks again to this anon for the idea! yes this is another best friend fic i’m sorry i can’t help that this is what calls to me. anyway i hope u luv thisssss!

Kai’s staring at himself in the bathroom mirror, wondering if he should go run and buy flowers or if that would be too corny. He examines his appearance with a critical eye, not wanting to look the slightest bit unattractive when he sees you. A small strand of hair falls into his face, and he pushes it back until he looks perfect again. He tries to imagine how he’d look with a bouquet in his hand.

“Dude, the harder you try, the worse you look.” Kai turns to Yeonjun with a frown, putting his hand back to his side and releasing the imaginary flowers. He deflates when he sees Yeonjun’s unamused expression.

“I’m not good at this stuff like you, though. I don’t know how to ask girls out,” Kai says, moving to sit beside Yeonjun on the edge of the bathtub. He brought Yeonjun here to cheer him on, not to make him feel worse about himself. Kai’s confidence is dwindling the longer he spends in Yeonjun’s presence.

Yeonjun ruffles Kai’s hair, and Kai immediately swats his hand away, scolding him for ruining the hair he had perfectly in place. Kai stretches his neck out to look at himself in the mirror again. He pouts when he sees the mess Yeonjun made.

“Just be normal. She’s your best friend, she’s not gonna bite your head off,” Yeonjun reasons.

“That’s not what I’m worried about,” Kai says. “Her biting my head off might actually be better. I’m scared of her rejecting me.”

Yeonjun smiles at Kai, making Kai scrunch his brows. It feels like there’s some joke he’s not in on. Before he can ask, Yeonjun’s pushing himself up and off the bathtub, stretching out his legs. Kai looks up at him, wondering how to be even half as carefree as him.

“I’m exhausted,” Yeonjun sighs, looking out the window. Kai doesn’t know what for—only twenty minutes have passed, it definitely wouldn’t be dark out yet. “Let’s just go to her place now.”

Kai’s eyes bug out. “Now?! I’m not ready!”

Yeonjun laughs, “I can promise you that she doesn’t care how you look.” He leaves the bathroom then, and Kai feels like he has no choice but to follow.

He’s so worried, he can’t stop thinking about how you might react to his confession. What if you don’t feel the same? That would crush Kai, but he would never make you feel like you have to say yes to him. He just really, really wants the feeling to be mutual.

Suddenly he’s walking outside with Yeonjun, and he knows exactly where Yeonjun plans on taking him. He recites his confession under his breath, making sure he remembers it all still. I’ve been in love with you for years, I can’t imagine my life spent beside anyone but you, and I really hope you’ll be my girlfriend. Whew, he’s still got it.

“Stop freaking out so much,” Yeonjun says from beside him, snapping Kai back to reality. He blinks at his friend, processing what he said for a few seconds.

“I’m not freaking out.”

“Yes you are, dude. You’re, like, hyperventilating next to me.”

“Oh god, I’m hyperventilating?!” There’s no way he can confess to you like this! He imagines how gross it would be for you to hear him declare his love for you through jagged breaths. He turns around abruptly, ready to walk back home.

Yeonjun stops him with a hand gripping his shirt. “No backing out,” he says, pulling Kai back to him.

“I don’t think I can do this,” Kai says, shaking his head with panicked eyes.

Yeonjun grounds Kai with his hands on his shoulders, making sure he’s looking him in the eyes. “If you don’t do this today, you never will. I’m not letting you walk away now.”

Kai sighs and drops his head in defeat. “Okay, you’re right. Let’s just go.”

Time passes way too quickly, and Kai finds himself standing at your door much too soon. Yeonjun abandons him as soon as your apartment is in sight, telling Kai he’ll be waiting for his success story when he comes back. Kai’s heart is pounding. He really hopes there ends up being a success story to tell.

He’s scrambling around for the words in his brain, making sure he doesn’t choke on them as soon as you open the door. I love you, I don’t want anyone but you, please be my girlfriend—something like that. He’s in the midst of a breathing exercise to calm himself down when the door swings open. He flinches, straightening his posture and sending you a smile.

“Hi Kai,” you say, backing up so he’ll come inside. Is he shaking? It feels like he’s shaking.

“Hi. I have something to tell you.” He wants to slap himself. Why'd he say it like that?! Does he think he’s the grim reaper or something, delivering some message of death?! He sounds so ominous, you must be so scared.

“Alright, let’s go to my room then.” You don’t sound shaken at all. You must be really good at hiding that you’re scared.

When he’s sitting across from you on your bed, he can clearly feel the way his body’s shaking. He almost wants to jump off the mattress so you don’t feel the way he trembles. You’ve done this a million times before, sharing your bed and staring at each other, but it feels so different this time.

You look around the room awkwardly in the midst of Kai’s prolonged silence, then start scrolling through your phone. You’re bored—he’s boring you, he needs to get on with it, this is already going wrong.

He clears his throat, and you return your attention to him. He opens his mouth and already starts stuttering on his words. He shuts up immediately, racking his brain for his confession again, and freaking out when he can’t find it.

“Kai? What’d you wanna tell me?” you ask, raising an eyebrow. He just has to spit it out now. He can’t waste your time any longer. He prays the words will just find him if he opens his mouth and starts speaking.

“Do you wanna hook up with me?” he blurts out, wide-eyed and shaking.

Fear crashes upon him so fast. That’s not what he meant to say. He feels the world crumbling around him, and he prays the universe is kind enough to swallow him whole.

Your silence is horrifying him, but he can’t blame you. He should probably see himself out now. You aren’t going to want anything to do with him ever again.

“That’s what you wanted to tell me?” you ask.

Kai gulps. “Um, yes.”

You look him up and down. “You’re shaking so much.” Kai looks down at himself to check. Yep, he sure is.

“Sorry,” he says.

“Are you a virgin?” He can’t be surprised that you asked that; he’s making himself look like the biggest loser ever right now.

“No,” he answers shakily. He’s not super experienced, but he’s definitely not a virgin. He can barely stand looking at you as he waits for your answer, feeling your rejection creeping up on him.

You shrug. “Alright, we can hook up.”

Kai feels his brain start to malfunction all over again. He wasn’t expecting you to agree. You were supposed to scold him and slap him and kick him out of your apartment for asking something so heinous. He’s not sure what to do now. It’s not like he can back out of this—or like he wants to.

“So… can I kiss you?” he asks, fidgeting with the hem of his shirt.

“Yeah.” He wipes the sweat off his palms onto his jeans before he leans in to start closing the gap between you. He lets his face hover a few inches away from yours, taking in your beauty from this close up. You’re so pretty that he already feels himself getting hard just looking at you like this. He stares at your lips, thinking about all the hours he’s spent dreaming of how they’d feel against his.

A voice in his head urges him to run away and hide. What if he’s not good enough for you? What if he doesn’t make you cum? Maybe he should just apologize for saying anything and blame it on being drunk or something.

You push forward before he can pull away, and suddenly your lips are on his and fireworks are going off everywhere. Or at least that’s how it feels, Kai doesn’t know—half of his thinking prowess is in his dick right now.

The poets were right, a kiss with your true love does feel different. This is a high Kai has never felt before, one that leaves him lightheaded and struggling to cling onto reality. God is real, the universe is good, and he’ll devote himself to worshipping you for the rest of his life.

His hands find your face with a feather-light touch, unsure how far he should go just yet. One hand tangles itself in your hair, using gentle force to press your face closer to his. He wants to feel your soul enter his body, to become so intertwined that your beings blend into one.

He grants your tongue access into his mouth as soon as he feels you licking at his lips. He has half a mind to be embarrassed by the whine he emits when you deepen the kiss, mentally scolding himself for being so pathetic. He shivers when your hands fall onto his shoulders, completely weakened by your touch. He’ll let you go as far as you want, he’ll give you the world.

You pull away to catch your breath, staring him down like you’re some hungry wolf. Kai wishes that it didn’t turn him on as much as it did. To see your eyes dark and wanting for him makes blood rush to his cock. This is something Kai’s waited years for, and it does wonders for his confidence, if only for a moment.

He drags you back to him, capturing your lips yet again. There’s more heat in his movements this time, conveying all his attraction to you through tongue and teeth. He licks into your mouth, wanting more, needing more, aching to get you delirious off his touch. His hands start moving down your body, dipping below your shirt to hold onto your bare waist. Your skin is warm and soft, and it feels like territory that Kai needs to explore.

He bites your lip and soothes the sting with a swipe of his tongue, then places another quick kiss to your lips. You look like something out of his wildest dreams, your lips wet and swollen and your eyes blown out with lust. He must not be faring any better. Your eyes dart to the bulge in his pants, and Kai feels a smidge of humiliation that you can see how he’s already fully hard. If a little bit of making out is enough to get him like this, he really has to pull himself together for when you actually touch him.

You push down on Kai’s shoulders until his back meets the mattress. He stares up at you and bites his lip, waiting for your next move. There’s a million different things you could do right now, and he thinks he’d be okay with any of them. You could throw your clothes to the floor and ride his face, you could shove his pants down his legs and tug at his cock, you could sit on his lap and just kiss him some more—hell, you could do nothing but sit there and look pretty and Kai would eventually burst.

“So what made you suddenly decide to hook up with me?” you ask while you situate yourself on his lap. He gasps as you let your hips fall into a slow grind over him. He curses the number of layers separating you two, wanting nothing more than to feel you directly. His hands fall to your thighs, gripping the soft flesh.

“I just…” It’s hard for him to find his words when he’s so focused on the sight of you on top of him. He’s fantasized about this countless times, but none of his imaginations could compare to this.

You laugh and let a hand trail up his chest, stopping at his throat to hold it in a loose grasp. He doesn’t want to be a pervert and beg for you to close your fist, but the idea of you choking him while grinding on top of him has his dick twitching in his jeans. The light pressure isn’t enough, he’d let you go all the way if you wanted.

“You just what?” you coax, smiling at him. He doesn’t know if you meant to be condescending or coddling, but either way it leaves him gripping onto your thighs a little tighter to keep his composure. His tongue is useless, no words find him when you’re toying with him like this. “Tell me, I wanna know,” you press. Kai doesn’t have it in him to create some lie on the spot.

“I-it’s kinda hard to think right now,” Kai says, hands moving up to your hips to try to urge you to move a little faster.

“I can stop, then,” you say, pausing your movements.

“No!” He presses his hips up into you and uses his hands to continue grinding you against him. You squeeze his throat at that, which only makes him whimper and buck into you harder.

“Kai,” you scold, and he finally listens and calms down. It takes a lot of willpower to lay still beneath you. You’re so tempting, he can’t help but try to relieve the strain in his pants.

“It’s just been a while, and… you’re really hot, so,” he explains as he tries to control his breathing.

You give an unsatisfied hum. “So you chose me just cause I’m hot and available?”

Kai squeezes his eyes shut like he’s in pain. He thinks you’re doing this on purpose. “No. You’re my best friend, and I trust you, that’s why. Please move,” he says, trying to urge your hips forward again. He’s a little surprised at how easily he can hide the fact that he was originally planning on asking you out today. Being this horny must grant him superpowers.

You sit there for a moment, pondering his words. Those ten seconds feel like torture, but you’re undoing his pants as soon as you decide his answer was satisfactory, and it makes everything worth it. You push them halfway down his thighs before tugging your own shorts off, and Kai’s hands work quickly to feel up the exposed skin.

You’re back to grinding on him, but this time less clothes separate you. It’s still far too much, though; Kai needs to feel skin on skin. His fingers pry at your panties and try to tug them off, but you swat his hands away. He looks up at you with the most pitiful look he can muster, and it only serves to make you laugh at him like he’s some handsy perv. He blushes a little, letting his hands fall back onto your thighs.

“You just can’t wait, huh?” you taunt, hands sliding up his stomach and chest until his shirt is pulled as far up as it will go. You stare at his body with a bitten lip and dark eyes, and the intensity makes Kai shudder.

“I-I can wait,” he counters, rubbing his thumbs on your skin, keeping his hands right where they are to show that he’s being good. If all you’ll give him is some grinding and heavy petting, then he’ll be happy to just shut up and take it. He needs to prove himself to you, to show you that he can be whatever you want him to be. If you want him to be quiet and lay down like a toy, he’ll be ten steps ahead of you, leaning back on the mattress waiting to be used. If you want him to throw you around and treat you like a whore, he’ll show you strength like no one else has. This is about doing everything exactly how you want.

“How cute,” you coo, letting your nails lightly rake down his torso, stopping once your fingers are at his boxers. You let your finger run over the hem teasingly, just tracing it back and forth with no care as to how much this is torturing Kai. His hips rut up without his permission, body acting on its own accord, and he’s worried for a second that you might scold him.

“Sorry,” he’s quick to apologize, but his body betrays him again. He swears he’s not intent on making himself look so pathetic and horny—this is just what you do to him.

“Do you need me now?” you ask, snapping the waistband of his boxers playfully. He whines and nods, squeezing your hips with need. “How bad?”

“So bad I could cry,” he says. You laugh, and he panics.

“Then cry.” His eyes widen. He knows you’re serious when you still your hips over him once more, crossing your arms and grinning down at him. You’re such a tease, he might just die.

“Please, please use me!” If you want him to beg, he’ll put on a whole damn show. He holds you in place above him so he can roll his hips up into yours, making sure your clit catches on the head of his cock each time. His grip is bruising, and your gasps are like music to his ears. He can’t stop now, he’s insatiable. “Hnng—I’ll cum in my boxers if you don’t let me inside you now,” he whines, giving you a particularly rough thrust.

He’s thankful that you don’t push him away again when his hands scramble to yank your panties off. He pulls them down your legs and throws them hastily somewhere off the bed. He flips the two of you over so you’re lying on the mattress, and you’re giggling at him while he loses his mind above you. He takes off the rest of his clothes as fast as he can, itching to feel your hands all over his skin.

He’s panting by the time he’s finally got his dick in his hands, stroking it and spreading his precum down his shaft. You’re way too beautiful beneath him, and the fear of not lasting long enough to make you cum is making him feel incredibly insecure. You’re way too good for him. Oh god. He has so much to prove, so much to live up to.

He tries to dive down between your legs, figuring he could at least get you to cum on his tongue to ease his worries. He’s stopped by your fist in his hair, pulling him back up before he could even get eye-level with your pussy. His fingers are quick to separate your folds then, rubbing up your slit persistently.

“Let me prepare you,” he says, moving his head down again. He only gets to nibble your thigh before you’re giggling and pulling his head away.

“I’m ready,” you insist, spreading your legs a little wider. His head spins. You’re insane. Now he’s really in danger of cumming too soon—like, before he even sticks it in. He leans his head onto your shoulder, trying to get a hold of himself. His fingers swipe rapidly at your clit, trying to get you as close to the edge as he is. He can’t embarrass himself. He has to be good for you.

Your legs shake and close over his hand, and you try tugging him by the wrist to push him away, but he’s too intent on making you cum to be deterred by that. “Fuck, Kai, stop, you’re gonna..!” Your voice is getting high-pitched and whiny, and your pleas for mercy are really only working against you; if anything, it only motivates Kai further.

“It’s okay, just let go,” he urges, watching your face to see if you’re close. Your eyebrows are upturned, eyes glazed over with lust, and suddenly you look a lot less like a hungry wolf and more like a poor little lamb. He realizes then that the most important thing in the world right now is getting you to fall apart under him.

“Ah—oh, god,” you cry, hips rolling up into his hand as he keeps his relentless pace. He watches arousal drip from your empty cunt, leaking down to the mattress, and it’s the most enticing sight Kai’s ever laid eyes on.

“Come on, cum for me. Promise to stuff you so good when you do,” Kai urges, feeling dizzy at the sight of your twitching body. You must be so close. Every part of him aches for your climax.

“Fuck, cumming..!” you gasp out, grasping onto Kai’s arm for dear life. He loves this feeling, it’s like you need him, like he saved you, like he showed you divinity. It gets too much to his head, and he knows at that moment that he just became addicted. He’ll keep searching for this high for the rest of his life.

He lets up once your body starts convulsing too hard, using his hand to gently hold your waist down instead. He looks at you like you’re something magnificent. A part of him still wonders if this is real or not, but his mind could never make up something this life-changing.

He leans down to kiss you, something deep and hungry, portraying all the need that’s nestled its way into his being. Your hands find his shoulders easily, and it feels like they were meant to be there. Kai thinks your bodies must have been made to touch each other.

You pull away from the kiss, smiling up at him like a little devil. “I thought you said you were gonna fill me up now?”

Something about you saying that makes everything seem much more real all of a sudden. Anxiety strikes its way back into Kai’s stomach, and he doesn’t know if he is greater parts fear or lust when his hand finds his dick again.

“I will,” he promises, and he prays you don’t hear the shake in his voice. He holds back a gasp when he brings his tip to your entrance. You’re soaked, and he feels the way your hole flutters pathetically for him. You need him. He almost feels possessed at the thought.

He bites his lip hard as he starts to push in. He’s trying not to get ahead of himself, but you’re so easy to get drunk in. You’re so tight, he would have stuffed you with his fingers if he’d known you’d be squeezing him like a vice.

He bottoms out with a gruff moan, holding onto your waist for dear life. He can’t believe this. He’s inside you. He’s in love with you. He’s as close to you as he could possibly be. The physical world constrains him from tying your souls together infinitely, but the intimacy of this is almost good enough.

How does he prove himself worthy for you? He feels himself getting lost more and more in a fantastical world in which you love him too, and the two of you are making love. But that’s not what this is. You just want him to fuck you.

His hands trail down to your hips, holding you still as he starts to pull out a bit. He’ll give you what you want. He’ll prove himself capable, make sure you know how well he can satisfy you. He’d spend a lifetime making you believe him if he could.

Your breath catches when Kai bottoms out again in a hard thrust. “You’re big,” you say with a little giggle, hands coming up to rest on Kai’s shoulders.

“T-thanks.” He doesn’t know if you’re laughing at his stutter or at his response, but either way it makes his face flush. He fucks into you at a steady pace now, slow enough to keep himself from cumming.

Your hand trails up to the nape of his neck to grip his hair, and it makes Kai whine. You roll your hips up into him, meeting his thrusts deliciously, tugging harder at his hair when he speeds up a little. You’re making things really hard for Kai right now. He wants to give you the best time of your life, but you keep hypnotizing him with how sexy you are.

He can’t be selfish. He brings a thumb to your clit and relishes in the way you groan out at the stimulation. “Just like that,” you praise, clutching onto him a little more desperately.

“Wanna be good for you,” he says, letting his hips buck harder against you. He’s never felt so brainless in his life; he only acts on instinct as he chases his orgasm and your own. There’s a primal urge to claim you, to paint your walls with his seed.

Your back arches up into him, like you’re presenting yourself fully to him. His free hand snakes up your shirt to find your tits, playing with them as he pleases, watching your reactions to everything. You look so overwhelmed. Your mouth hangs open with broken whines as Kai keeps stimulating you, and the sight has his stomach clenching in threat of climaxing soon.

“Kai,” you moan, accompanied by some garble of words that he can’t quite decipher. He doesn’t know if that’s because you’re unintelligible from how good you feel, or if it’s because he’s so far off in his own need to make you cum that everything else is blurred out.

Your walls start tightening around him now, and he knows you’re cumming when you throw your head back with a cry. He almost bursts inside you at that moment. He feels like something more than human, like only the most divine of beings should be able to see things like this. He burns the image in his mind.

“Where can I cum?” he asks, jackhammering into you as he chases his high. You’re whimpering from the overstimulation, but Kai thinks you can take it for just a few more moments.

“A-anywhere,” you stutter out. For the first time, Kai thinks you look breakable. He has a scary thought of wanting to ruin you.

“Inside you?” he asks, coming down to mouth at your neck. You whimper when he bottoms out again and grinds against you.

“Wherever you want,” you say.

Fuck. It’s that same second he spills inside you, almost as if your words were what allowed him to cum. He groans into your shoulder, hands squeezing at your flesh while your cunt milks him dry. He will never get closer to heaven than this.

He’s not sure how many minutes have passed by the time he’s picking himself back up, hovering over you, still sheathed inside your walls. All he knows is that you look even more beautiful now than you have before, and the urge to confess his love to you falls over him once again.

“Is this gonna change things?” Kai asks. He hopes you say yes. He hopes he made you see him in a new light, that you suddenly realized he’s the man of your dreams and you need him to be with you forever.

“No,” you answer, running your fingers through his hair. “But we probably will fuck again. That was mind-blowing.”

Kai’s still a little too hazy to process that. “Alright,” he says. He collapses back down on you, figuring he would take advantage of the moment and hold you like this a little longer.

──── ──── ──── ──── ────

Admittedly, Kai didn’t think this through very well. He’s pacing around his bedroom, going on and on to Yeonjun about how much he messed up and how scared he is to see you again. Yeonjun lays on Kai’s bed, much more relaxed than Kai is.

“I don’t think it’s that big of a deal,” Yeonjun says. Kai can’t believe how he can be so casual about this. “You can still tell her how you feel.”

“No I can’t! I should have told her before we had sex, this is a nightmare!” Kai holds his head in his hands, trying to keep it from exploding. The amount of stress he feels right now is probably enough to guarantee him heart problems later in life.

“She won’t care, dude. Just tell her you choked,” Yeonjun reassures. It does very little to comfort Kai, though.

“I’m not gonna tell her. I don’t think I can.”

“Yes you can. If you don’t tell her, I’ll ask her out myself.” Kai’s not sure if Yeonjun’s threat is legit, but it strikes a bit of fear in his heart anyway.

“I’ll tell her in, like, a month. That’s enough time, right?”

“Why not tomorrow?” Yeonjun counters.

“Are you crazy?! We had sex two days ago! If I tell her tomorrow, I’m gonna look pussy-whipped!”

Yeonjun laughs, “Well…”

Kai rolls his eyes. “Shut up. I’m not telling her until next month.”

“You’re just gonna push that date back over and over again. Get it over with sooner, that way you don’t have to worry about it all the time,” Yeonjun explains.

“You don’t get it. This is hard for me. Have you even been in love before?” Kai asks, pausing in front of the bed so he can look Yeonjun in the eye when he answers.

“I guess not,” Yeonjun says, shrugging like he doesn’t see how that would matter. “You know I give good advice about dating, though. I can look at it objectively because I’ve never been in love.”

Kai doesn’t have a response to that—not because Yeonjun’s right, but because he thinks Yeonjun’s reasoning is so ridiculous. Yeonjun doesn’t understand what it’s like to feel even a quarter of the yearning Kai holds for you. He doesn’t know a fraction of the fear of losing you.

Yeonjun starts up again, “You’re seeing her tomorrow anyway, so you might as well.”

Kai shakes his head. “I can’t. I can barely handle seeing her tomorrow as is.”

Yeonjun sits up, clearly taking the conversation more seriously now. “Why though? You act like you’re so doomed, but I guarantee you that hooking up once isn’t something to cry about.”

“That’s the problem, it wasn’t just a hook up for me. I will never be the fucking same again. I literally can’t move on.” Mild irritation laces all of Kai’s words.

“Then take a step back and chill out. The more you stress about this, the worse you’re going to make things,” Yeonjun says. He still sounds so unphased about it all. Kai wishes he could make him see how pressing this really is, how this actually feels like life or death for him.

“How am I gonna take a step back when I see her and talk to her all the time?” Kai asks. That’s just scratching the surface; he doesn’t even mention how his every thought goes back to you, how everything in the world reminds him of you one way or another. His devotion toward you feels like it’s embedded in his bones, like it’s part of his wiring. There is no him without an undying love for you—the two cannot be separated.

“I don’t know, dude. I don’t wanna sound like a dick, but if you don’t want my help, figure it out on your own,” Yeonjun says, exhausted.

Equally exhausted, Kai sinks down the wall until he’s sat on the floor. “Let’s just stop talking about this for now,” Kai sighs out.

It’s quiet in the room for a minute as the tension slowly dissipates. Then, Yeonjun chimes in again with a five-star idea: “Wanna get drinks?”

──── ──── ──── ──── ────

Kai thought he’d be too scared to see you today, but he proves himself to be horribly wrong. As soon as you call him telling him to come over, the only anxiety he feels is in the form of antsiness to see you again. He doesn’t waste a second before driving to your apartment. He could walk, but that would just be more time lost.

He realizes the moment he walks into your bedroom that maybe he shouldn’t have been so careless before coming here.

Your eyes fall to his shirt. “Is that One Direction?”

“No.” He looks down at his shirt only to see the five boy band members staring back at him. He looks back at you, hopefully concealing the fear he feels from his face. “Yes.”

You laugh. Oh god, do you think he’s a loser?

“It’s my sister’s shirt,” he explains quickly. “It was too big for her, so she gave it to me.”

“Please go out in public wearing that,” you say. “I’ll literally treat you to lunch right now.”

Kai feels his face flushing in embarrassment. “I don’t even like One Direction!”

“You do now! I think I’m in the mood for a discography dive, actually,” you laugh. Kai hides his face in his hands as he trudges his way over to you, falling backward onto your bed. He feels your hand run through his hair as your laughter dies down.

“Do you have any of my sweatshirts here?” Kai asks, even though he knows you do.

“Nooooo, I don’t want you taking those from me,” you whine.

“You’ll get it back, I just don’t want to go out like this.” You pout at him before getting up and rummaging through your closet. You throw a sweatshirt at him when you find one, and Kai is quick to throw it on once it lands in his lap.

“It feels like a crime for you to be covering them up,” you say, brushing your hand over where One Direction’s faces once were.

“It would feel like more of a crime letting people think I’m a modern-day Directioner.” Kai relishes in the way you laugh at that.

“You’d be such a Niall girl,” you say with an amused glint in your eye.

“I don’t even know which one Niall is.”

“He’s”—

“And I’d like to keep it that way,” he cuts you off.

“Fine. No one ever wants to talk One Direction with me anyway.”

Kai laughs, and he’s a little starstruck by how pretty you look when you smile at him like this. “Where do you wanna go today?” he asks, changing the conversation.

You shrug. “We can just drive to the city and see what’s around,” you offer.

“Do you wanna just head out now then?”

“Let me get ready and then we can,” you say, getting off the bed.

It’s a miracle how normal Kai’s been able to act so far. He still looks away when you change your clothes, wanting to be respectful, but he wonders if there’s even a point to it anymore. His face heats up when he thinks about how you said you’ll probably have sex with him again.

Yeonjun’s words from yesterday come back to Kai, how he seemed so confident that Kai should confess to you today. For a second, he considers it. Yeonjun’s so much better with girls than Kai is, it would probably be stupid to not take his advice. But then Kai remembers that there’s no stakes when Yeonjun talks to girls; he doesn’t go after his best friend like Kai does, he goes after random girls at random parties that he’ll never see again.

For Kai’s own good, and for the sake of your friendship, he can’t tell you today. Even if it means swallowing down his compliments when you come to him all ready to go. Even if it means staying silent while being at risk of going into cardiac arrest, heart beating rapidly from how pretty you look in the passenger seat of his car.

Kai makes the mistake of letting you control the music on the ride there. He conveys his disappointment with a single glance to you when he hears you play What Makes You Beautiful. You’re grinning so hard that your cheeks must hurt, but your joy is contagious, and Kai finds himself smiling against his will.

“What? It’s your favorite band!” you tease. You turn up the volume as the chorus hits, singing the lyrics to him. Kai can’t help but laugh. He might have to buy a hundred more stupid t-shirts if this is what he’ll get every time.

Once you arrive downtown, Kai walks with you as you look for an intriguing store. He usually lets you pick out what shops you enter, but he catches sight of a building that calls out to him. “Let’s go here,” Kai suggests, motioning toward the sign on the store.

“Palm reading? Since when did you get so spiritual?” you ask.

Kai looks at you for a second, admiring your smile. “I just think it might be fun,” he says. “You don’t like it?”

You shrug. “I’m just not super into it. I’m down to watch you get your palm read, though.”

The shop is typical for a spirituality store—there’s crystals, tarot cards, incense, and everything else Kai usually sees at these places. He walks to the woman managing the register at the back, eyeing the board behind her that displays their services.

“Oh wow, they do mediumship here,” you say quietly as you follow behind Kai. “What the hell is an aura reading?” There’s a bit of amusement in your voice, and Kai hopes the worker doesn’t hear you.

“I don’t know, I’ve never done those,” he whispers back to you. He smiles when the woman behind the counter comes up to him, greeting her quietly.

“How can I help you?” she asks.

“Could we do one of those palm readings?” Kai says, pointing up at the text on the board describing the palm reading service.

“Just that? Would you like me to look at anything else?”

“Just the palm reading,” Kai answers. The woman calls out another worker to watch the store, then directs you and Kai to a room at the back.

“Oh, this room is tiny. It’s like a closet,” you say with a laugh, and Kai hopes the woman knows that you say this with no malice. She motions for the two of you to take a seat at the small table in the room. The chairs aren’t very comfortable—they’re pretty hard, and they squeak when you both sit in them, but Kai thinks of it as another charm to the place.

There’s a lot of unlit candles in the room, and the light instead comes from a lamp that stands in the corner of the room, casting the room in a yellowish glow. Spiritual posters line the walls, as well as shelves that hold huge crystals and other trinkets Kai doesn’t quite recognize. He looks to you for a second, to which you return his glance with a smile and a raise of your brows. His heart races a little, sickly sweet feelings for you rising in his stomach.

“Would you hold out your hands?” the woman says, and Kai immediately places his hands palm-up on top of the table. He suddenly feels nervous, as if he’s baring something as sacred as his soul rather than just his skin.

He’s not sure what he wants to hear today. He hasn’t done anything like this before, but the worker seems nice enough. Kai doesn’t know how to tell if someone is the real deal or not when it comes to spiritual stuff, but he trusts this woman’s vibes. She’s funky, in a good way.

He wonders if palm readings can say anything about love. With you right here, perhaps it’s better if he doesn’t ask.

The worker hums as she assesses Kai’s hands. He can feel them starting to get clammy from the nerves, antsy to just hear whatever she has to say. He hopes he doesn’t have bad fortunes.

The woman rests her thumb over a deep line that runs across Kai’s palm. “Your life line is very pronounced.”

Kai blinks at her. “What does that mean?”

She runs her finger over the full line. “It’s a long, deep line. Usually that means you’re energetic, and you’ll have a successful life. You might be good at sports too.”

You laugh beside him, and if his hands weren’t busy getting read by this lady he would’ve used them to shove you. “Please don’t mind her,” he says, feeling his face heat up.

“There’s just the capacity for you to be good at sports. And it doesn’t have to be a very physical sport,” she continues. Great—your laughter made the palm reader start scrambling for an explanation. She thinks he’s unathletic now.

“I am good at sports,” Kai says, feeling like he has to prove himself. “I like working out.”

“Yesss, and he loves bowling,” you add.

“What? She just made that up,” Kai defends. “I don’t like bowling.”

“He was a pro bowler in high school.”

“No. You’re a pro liar.” Kai is also failing to see why you find it important to sell this lie to the palm reader. He’s lucky enough that the reader doesn’t seem to pay any mind to your antics.

“You seem to have a lot of emotions,” she says, finger lying on one of the other prominent lines in Kai’s palm. He sees you smirking in his peripheral, and he tries his very best to ignore it. “Do you usually repress what you feel?”

Oh gosh. He makes a point to not look at you, but the first thing he thinks of is how he’s been holding in his feelings for you for years. He’s been bottling that up for a while—a lot of other emotions, too, but namely that one.

“Sometimes, yeah,” he answers with a nod, hoping his voice didn’t sound as nervous as he felt.

“All the time,” you correct. “He rarely opens up.”

The palm reader hums in acknowledgement. “I can see that. You might want to work on expressing your emotions more. It’s not good to let everything sit in your body.” She looks him dead in the eye to make her point. Kai nods and gulps, feeling a little intimidated.

The reader releases Kai’s hands and turns her face to you. “Would you like a reading?” she asks. You wave your hand in denial.

“I’m alright, thank you. Hey, you got him dead on, though. Congrats,” you say, smiling at the lady and getting out of your chair.

“Thank you,” Kai says, fishing his wallet from his pants. “How much is this?”

“Ten dollars,” the woman answers, taking the cash from Kai when he hands it to her. He runs over to where you stand at the door, waiting for him with a smile. The moment the two of you step foot out of the building, you’re already going on about how fake and scammy this gig is.

“That lady was so full of shit. I could probably do this job. It was actually meant for me cause I love to lie,” you say. You stop walking and turn to face Kai. “Here, give me your hand.”

He hesitates for a second and braces himself for whatever insane story you’re about to come up with.

“Oh yeah, fingertips of a bowler,” you start. You cackle when Kai immediately tries yanking his hand from yours at that, but you keep a solid grip on his wrist. You trace over a line in his palm. “This one means you like long walks on the beach. And this one means you want to go back to the car and give me head.”

His interest is piqued. “For real?”

You drop his hand. “Yeah, says exactly that. That’ll be ten bucks.”

“I can think of a better way to pay you,” he says, unable to contain his grin. He takes your hand and speeds to his car. He doesn’t really care how desperate it makes him look. You’re giggling the whole way there, and the noise just goes straight to his cock. Maybe he is pussy-whipped.

He urges you into the backseat as soon as you make it to the car, getting in behind you and slamming the door shut, too eager to get his hands on you. Your smile doesn’t leave your face when he leans in to kiss you, but that doesn’t stop him at all. He cradles your jaw in his hand, keeping your face connected to his as he works his lips against yours.

“Hope no one catches us,” you giggle, only pulling away long enough to say that before being taken by Kai’s kiss again. Kai doesn’t let your words get to him; he’s too horny to think about anything besides boning you anyway.

Kai hovers over you, and there’s not much space in the backseat of his car, but he’ll sure as hell make it work if it means getting his face between your thighs. He wastes no time pulling down your jeans and your panties, yanking off your top and bra too so that you lay fully nude beneath him.

His eyes scan your body hungrily, taking in your skin at its most vulnerable. “You’re pretty,” he says as his hands find your tits, squeezing them and listening to you sigh at the feeling.

“J-just pretty?” you tease.

“And sexy,” Kai says, lowering his mouth to your nipple, sucking it until he hears you whimper. “And so gorgeous,” he adds before moving to your other nipple. He’s greedy—he wants all your pleasure to be his own, for you to only associate sex and satisfaction with him.

You gasp and arch into him. Kai catches your movement, holding your back to keep you pressed close to him as he continues showing you how beautiful he thinks you are. He could spend lifetimes doing this. He was made to worship you.

Your hand curls in his hair, and Kai wonders if you could cum like this, just from some nipple stimulation. With the way you’re panting and moaning into the air, he thinks you might. He’ll have to try that someday. Today, it’s not enough. Today, he craves you more carnally. He starts dragging his lips down your body, trying not to smile in satisfaction when your breath hitches.

He brings his head between your legs, staring at you with intensity blazing in his eyes. He wonders if your skin is buzzing too. He wonders if you’ve never felt more alive than now, just like him.

“Can I?” he asks, gently maneuvering your legs to rest over his shoulders.

You lean up on your elbows to watch. “Mhm,” you hum with a small smile.

He can’t be bothered to tease you—it would probably be more torturous for him than you, anyway. He dives in right away, bringing his tongue to your folds and tightening his hold on your thighs. He can’t count how many times he’s jerked off to the thought of this. He doesn’t even care that he’s cramped in the tight space of his car, all he cares about is that he finally knows how you taste.

His tongue swirls at your clit, gliding along the bud with determination. He’s dying to feel your legs clamp around his head. He wants to be suffocating, to feel the air slowly leave him as he laps at your pussy. He grunts against you, moving down to tongue at your entrance.

He presses his face further into you, aching to get closer than what’s physically possible. He curls his tongue up inside you, huffing out a laugh when your thighs jolt at the sensation. He repeats the motion until he hears your moans get high-pitched and breathy, and he feels like he’s on top of the world. Nothing could be better than this.

Your hands grab at his hair, desperate and shaking and so needy, and he can’t help but feel the urge to take care of you. “Fuck, how are you so good at this?” you ask, sounding all worked up. Kai thinks it’s very cute. He doesn’t answer, of course—he’s a little preoccupied.

Your words motivate him to go further, lapping at you with more fervor. His brain turns to mush, reduced to primal instinct that begs you to cum all over his tongue. He grips onto you tighter when your hips start running away, not letting you escape him. You whine out as he mouths at your pussy; it’s filthy and messy, but Kai couldn’t imagine a more perfect way to have you.

“Kai—Kai! Like that, shit, you’re so fucking good.” Your legs start closing around his head, and Kai thanks the universe for putting him in this position. You twitch and gasp as you get closer and closer to your climax, hands tightening in Kai’s hair.

He’s feral now, and his vision might be blacking out, but he fucking loves this. He doesn’t stop or slow down, and the payoff comes in the form of his name tumbling from your lips as you finally cum. He can’t get enough, continuing to lap at you even as you try to tug him away.

“I’m sensitive!” you yelp when he comes up to your clit, taking it between his lips and sucking until you cry. He doesn’t do it to be mean, he’s just so crazy about you. He wants you to cum over and over again, but you keep trying to pull him away, so he finally lets up.

He comes up to you for a kiss, taking your hand to hold it as he pants into your mouth. He doesn’t care about catching his breath. He doesn’t want to waste time on insignificant things like taking in air. He only wants to breathe you in, to be overwhelmed with the way you take over his senses.

Your free hand clumsily tries to push his pants down, and he resorts to helping you out after a few failed attempts. He doesn’t separate from the kiss for a second as he gets his cock out, lining it up to your entrance needily. He pumps his shaft in his hand as he sticks his tip in, eating up your moans as they pass from your mouth into his.

Maybe he’s too in his head, but this feels like more than sex between two friends. This feels too transformative to be anything casual. He pushes in further, breaking from the kiss to watch your face as he bottoms out. He brushes your hair back, then lets his hand rest on your cheek. His thumb rests over your bottom lip, pulling it down slightly. You have beautiful lips.

He pushes his thumb into your mouth the same moment he starts thrusting inside you. He feels the vibrations of your moans as he fucks into you, groaning at the way you clench around him.

“You take me so well,” Kai grunts out, pushing his thumb down on your tongue so your mouth opens up. You look like a wet dream. He brings his other hand to your breasts, playing with your nipples. You mewl, and he finally takes his thumb from your mouth so he can kiss you again.

It doesn’t take long for him to feel ready to burst. He pinches your clit, trying to bring you to the edge with him. You tug his hair, pulling his face away so you can stare into his eyes as you get closer to cumming.

“Cum inside me,” you urge, sliding your hand down from his hair to his neck. You hold his throat in a possessive grasp, and Kai almost sees God in that moment. His hips buck into you faster, motivated by your fingers slowly tightening around him.

Kai bottoms out and bursts inside you with a moan, letting your walls squeeze around him and milk his cock. He moves his fingers over your clit rapidly until he feels you convulsing around his shaft; his head spins from both the noises you make as you orgasm and your hand around his neck.

You finally let go, and Kai gasps for air, leaning his head down into your shoulder as he rides out the last of your highs. He runs his hands all over your body, cherishing the feel of your bare flesh. He licks the skin at your neck and shoulder mindlessly, still foggy from how turned on he is.

He pulls out after a minute, pulling his head from your shoulder so he can watch the way his cum drips out of you. He grins at the sight, and he knows it’s perverted and gross, but he loves the way it spills out. He can’t have his cum dripping onto his car seats, though, so he has to put your panties back on and make sure your cunt keeps it all in.

“How you feeling?” you ask, still laying down and catching your breath.

“Good. That was so good,” Kai breathes out, staring at your lips, then your eyes.

You smile at him. “Is that all you want to say?” you ask.

No, it’s not. He wants to say he loves you. He wants to say that this means more to him than you know. He wants your lips beyond these slivers of moments, he wants your body beyond these hookups. Do you know that? Do you know he wants to say all that?

He grabs your hand and laces his fingers between yours. The lines embedded in his palms spell out a path that was fated for loving you. He’s more sure of this now than ever before. There’s his answer.

“That’s all,” Kai says.

──── ──── ──── ──── ────

“I don’t get it,” Yeonjun says. “Why’d you hook up with her again if it fucked you up so bad last time?”

Kai sighs, “Cause I’m stupid. I don’t know.”

Kai’s not sure how debriefing with Yeonjun after hanging out with you became such common practice, but it at least offers him some sort of reprieve from suffering alone. Now he doesn’t have to mope around crying about his lost chances with you. They’re sitting in Yeonjun’s car in the corner of some parking lot, since Yeonjun didn’t want to just hang out at Kai’s place again.

“Are you ever gonna confess?” Yeonjun asks. He sounds like he lost hope in Kai.

“Yes, I am,” Kai says, not knowing how to bare himself to Yeonjun like this. “Just not yet.”

“Mhm,” he gives an unconvincing hum.

“I am,” Kai insists.

“When? Ten years from now, when she’s already settled down without you?” That pisses Kai off a little, but he doesn’t let it show. Yeonjun continues, “Listen, dude. For your own sake—and for mine, at this point—just tell her you love her. And not in a month. Tell her today.”

“I’m not seeing her today,” Kai reasons.

Yeonjun puts the car in drive. “Yes you are.”

“Oh my god, you’re not taking me to her place,” Kai says, but Yeonjun’s already pulling out of the parking lot and heading out. Kai’s eyes go wide. “You’re not.”

“I am.” What the hell?! Kai’s not ready for this! You don’t even know he’s coming over!

“I don’t know what to say!” he exclaims, starting to panic.

“Don’t worry about it,” Yeonjun says.

“I just saw her yesterday! You’re making me look desperate!”

“You are desperate,” Yeonjun laughs. Kai doesn’t find it funny. Kai can’t really find anything funny right now.

“I can’t do it. I’m not doing it.”

Yeonjun doesn’t even respond; he just keeps his eyes on the road and continues on the route to your apartment. Kai’s getting flashbacks to when he first tried confessing to you. That was around a week ago now, and look where that attempt got him. He's more pathetic than he was before.

Of course he wants to tell you how he feels. It’s not like Kai wants to be such a coward about this, but the fear of you rejecting him and scaring you off forever is mortifying. Yeonjun doesn’t understand how paralyzing that idea is. There would be no kind of hurt stronger than the one of you turning Kai away. He knows he can’t make you love him, and while he would simply die to have his feelings be reciprocated, he can’t force it onto you.

Yeonjun’s approaching your street now, and Kai has never felt closer to death in his life. There’s no chance he’s getting out of Yeonjun’s car. He’ll rot away here in the passenger seat before he confesses to you.

Yeonjun turns to Kai when he parks by your apartment complex. He raises an eyebrow when Kai doesn’t make a move to get out of the car.

“I’m too scared. I can’t,” Kai says, sounding completely sure of this.

Yeonjun’s quiet for a few seconds, pursing his lips in thought as he decides on what to say. “How much do you love her?” he asks.

This is a stupid question. “You know how much. It kills me how much.”

“So act like it. Pick yourself up and go to her like a man. Quit ruining your own life—she’s not gonna want some bum who can’t even work up enough courage to say he loves her,” Yeonjun says, and his words are harsh, but they strike some kind of determination in Kai. “Dude, I don’t know any guy who deserves her more than you. You’re the best. I mean it. You gotta go get her.”

Kai’s palms are sweating and his heart is racing, but there’s a fire lit beneath him now. Yeonjun’s right. Even if it’s the end of all things, Kai has to tell you his feelings.

Yeonjun continues, “Do it. It’s not as bad as you think. You have to do it.”

Kai finally opens the car door, and he can feel the adrenaline rushing through his body. “I’m gonna call you later,” Kai says before shutting the door. He hears Yeonjun cheer him on as he walks off, letting his feet lead him to your door.

It all feels too familiar when Kai’s standing at your doorstep. He has no script this time. He couldn’t begin to try and conjure one up—his nerves are making him jittery and scatterbrained. There’s no backing out this time. Yeonjun’s words ring in Kai’s mind. He has to do it.

“Oh, hey,” you say when you open the door. Kai steps inside and gathers his breath. “Did something happen?” you ask.

You stare at him with concern, and he figures it must be because he’s visibly anxious. He tries to get himself together, straightening his posture and breathing slower.

“No, not really,” he answers.

“You look like you’re ready to pass out.” You glance at your living room. “Did you want to sit down?”

“No,” he says, then musters up whatever courage he has to grab your hands. He clutches onto them desperately, as if you ground him, as if you remind him to be brave. “I just want to tell you something.”

Your eyes dart between his like you’re trying to find his words before he can say them. “What is it?” you ask.

Kai’s whole world has been building up to this moment. It’s finally time. He breaks the dam open, letting his vulnerability loose.

“I love you.” His heart hammers against his chest.

“I know,” you say.

“No, like—I love you,” he emphasizes, squeezing your hands.

You smile. It’s breathtaking. “I know. Yeonjun told me.”

Yeonjun—what?!

“Are you kidding me?!” Kai forgets everything else he wanted to say in his horror. That fucking asshole, he’s dead! Kai can’t believe this! He doesn’t even know why he’s surprised; this is such a Yeonjun thing to do. “When did he tell you?!”

You laugh like this is all so funny, meanwhile Kai’s world is crumbling down. “The day before we first hooked up,” you answer.

No fucking way.

“You knew this whole time?” Kai asks.

“Yup,” you confirm.

“Why did he tell you?”

“In case you pussied out. Which you did,” you answer. “And because he knew I’m in love with you too.”

Kai doesn’t quite process what he heard. “Huh?”

You grin and roll your eyes, and then you’re pulling Kai’s face in so you can kiss him. His head spins. He’ll wake up any second now. Your lips feel very real, though, and far beyond what his dreams could conjure up. They’re soft and sweet and just as delicious as he remembers.

You pull away. “I love you too,” you say. “You should be my boyfriend.”

Kai’s in disbelief. You love him—the words echo in his mind on a constant loop. He can’t think about anything else; all he can do is pull you back in for another kiss and make it count. This is your first kiss officially together, after all.

“You should’ve asked me before,” Kai breathes out, holding your face dearly. “You knew I would’ve said yes.”

You giggle, “I like the chase.”

The world around him fades away as Kai devotes his full attention to you. Nothing else in the universe could mean more than this moment. You drag him to your bedroom, and he follows eagerly, grinning victoriously the whole time.

“I can’t believe it took you so long to finally say it,” you tease as you push him onto your bed, straddling him and resting your hands on his chest. “Or that I had to hear it from Yeonjun first, a week before I heard it from you.”

“He fucking sucks for that,” Kai says with a little laugh. He holds no real malice toward Yeonjun, but he will definitely be having a word with him later. Honestly, Kai couldn’t even be mad if he tried right now. With you smiling like this on top of him and Kai finally being able to call you his, nothing could bring him down.

You bring Kai’s face to yours for a quick kiss, then you pull away to throw off your shirt. “Let’s make it feel like the first time,” you say, lifting off of him to take off your bottoms.

“It always does with you,” Kai says sweetly as he pulls his own pants and boxers down. You spit in your hand and bring it to his cock, pumping him quickly to get him fully hard. You bite your lip as you twist your hand over him, earning a choked out moan from Kai. He brings his hand to your folds, rubbing at your slit with just as much fervor.

“Do you want me to ride you?” you ask, a little out of breath from Kai’s hands on you. His head nearly explodes at the thought of you riding him. He wants you to do whatever you want. He wants you to use his dick to make yourself cum ten times over, if that’s what you’d like.

“Yeah, fuck, come fuck me,” Kai begs just as breathlessly. He places his hands on your hips while you position his tip to your entrance. You have fun with it, sliding the head of his cock through your folds until Kai starts whining.

You grab his face so he’ll look at you when you start sinking down on him, and the eye contact is so intense, but Kai doesn’t dare look away. He lets you dip two fingers past his lips, and he sucks them diligently, moaning around them when you sink down on his cock all the way.

You grind against him, slow and sensual, while Kai swirls his tongue around your digits. He wants you to feel his devotion. He wants his love to be so apparent that you could never doubt it. His insides are lit aflame with desire, a need to be claimed by you. You don’t know it, but you’ve carved your name into his soul. He’s eternally yours.

“I love you,” you whisper. You put your body to work, keeping all the passion and sensuality in the moment as you start riding him. Kai gasps, and you pull your fingers from his mouth, bringing them to your own to suck his saliva off of them. The act is so dirty, but it makes Kai’s dick twitch inside you.

“I love you too,” he whimpers. You take your saliva-coated fingers to your clit and rub it as you hasten the pace of your hips. His hands find your tits, squeezing the flesh and thumbing at your nipples. Your mouth drops open, and your eyes fall to Kai’s lips. He smiles as he leans in, kissing you and capturing all your moans.

He holds onto your hip so he can buck up into you, trying to get you both to your orgasms. “Cum with me,” you breathe into his mouth. You don’t have to tell him twice.

He bottoms out and releases inside you, cock twitching as his seed spurts out. You’re cumming right along with him, legs trembling and hands clutching onto Kai to keep yourself up. He watches your stomach tense up as you ride out your high. You’re the hottest sight to be seen.

Kai feels euphoric, like the world has blessed him to be the luckiest man on earth. The happiness bubbling inside him makes him feel like he could explode. He’s all giggles and stupid little smiles, peppering your face with kisses.

“I can’t believe this is real. Tell me I’m not dreaming,” he says, staring at you like you’re something precious.

“This didn’t feel real to you?” you ask, rolling your hips over him. He’s sensitive, and the motion makes him jolt. You laugh and pull yourself off of him.

“I’m ridiculously in love with you. I wish I had the words to tell you how much,” Kai professes.

“What a shame. I would’ve loved to hear it.” You peck the tip of his nose.

If that’s a challenge to get Kai to try, he gladly accepts. “I never believed in destiny until I fell in love with you. I don’t think a love this strong existed anywhere else, I think I’m the first person to love someone this hard.”

Kai will dedicate his every next breath to you. He’s yearned and longed for years, with a force much stronger than a human heart has. Feelings like this are bigger than life itself; they’re bigger than celestial bodies, bigger than metaphysical concepts. Feelings like this haven’t yet been given words to describe them.

He feels like a winner when he sees you fluster at his words—getting you to blush is not an easy feat. You look away shyly, but your lips are tilted up in a cute smile.

“Well, I love you too,” you say. Kai doesn’t need the fancy words from you; this much is more than enough. He steals a kiss from you once more.

Kai doesn’t forget to call Yeonjun when he gets the chance, figuring he should still have a word with him. It goes to voicemail. That’s fine. He leaves a very kind message for his friend to find when he decides to check his phone.

“You’re seriously the worst. You’re unbelievable. Call me back when you can, you’re gonna want to hear this.”

notes: ahhhhhh what do we think?? 🙈🙈 i’m issuing a formal apology to the one direction fans and haters who had to sit through the 1d bit. extra apology to niall girls. i also apologize to the bowling community. contrary to what this fic may imply i really do respect you guys. lmfao i hope you enjoyed this! always happy to hear ur thoughts :)

taglist: @dawngyu @fancypeacepersona @hyukarma @kveclair @mental-hollows @moaadiry 🤍

© delugyu 2025, do not translate or reupload

[mezzo-morte]

Being a Mulder/Scully shipper (aka everyone except Chris Carter) is such a profoundly confusing experience.

You get gaslit by the showrunner himself because for the first 6(?) seasons the characters are platonic. You get six years of them glancing at the other's lips, standing and walking so closely they're always touching, you get tender touches and warm embraces, you get forehead kisses, you get displays of jealousy and one of them even admitting to being territorial. You get this as soon as the damn pilot.

You get Mulder speaking into Scully's hair, you get Scully cradling and singing to him, you get Mulder making a scene threatening to fight anyone in sight when Scully is returned to the hospital, you get Scully wanting to have his child of all people.

You get that the connection is so profound they only trust the other and would (and have) gone to hell and back for their partner.

You have all of these feelings culminating in the intense way in which they gaze at each other, both directly and when the other isn't looking.

Then you have the actors, who were so horned up and fed up with the tension they went off script and made out like that, the same actors who did photoshoots in bed and kissed at award shows and interviews despite never being together, despite the characters never being canonically a couple. You get David, who when asked if he played it like he wanted Scully, he said he simply played it like he cares about her input and you get Gillian, who kissed David in the mouth before turning to kiss her husband when she won an emmy in 1997.

It's clearly love and although the absence of romance and sex don't make a connection any less legitimate or meaningful, I just don't buy it that there was never supposed to be an attraction from the beginning. That they remained friends for that long.

And still you're left questioning if it isn't all just projection because the two actors are so insanely attractive you can't help but want to see them in a sexual setting. If it's all just two good friends having so much chemistry that it makes it easy to come off as romantic. You're left to wonder if you have just been so blind in your own personal life that you have never so much as seen that kind of connection in marriages, let alone with coworkers. That perhaps you've just never had the fortune of having such a special connection with your platonic friend that you make out just for fun. You're made to believe that what you're seeing isn't desire but a deep understanding and care for the other's well being and happiness.

What is the truth. It's out there and at this point I have to believe it's all a ploy from the shadow government and Old Smokey himself to cover up what everyone already knows. The evidence is right in front of us and they keep trying to veer towards a specific answer and call bias if you don't agree.

[elysian-fawn]

hai fawn!! is there anything you would recommend scripting for genshin shifters? i very recently got sucked back into the game (thank you 5.6) and idk where to start😣

  . ۫ ꣑ৎ   . haaaaaaai nonnie ヾ(＾∇＾) ooooooo this is such a fun question omgie !!! let’s get into it (˶˃ ᵕ ˂˶) !

          ꒰ 𝓯𝙖𝙬𝙣'𝙨 𝙜𝙪𝙞𝙙𝙚 𝙩𝙤 𝙜𝙚𝙣𝙨𝙝𝙞𝙣 𝙨𝙘𝙧𝙞𝙥𝙩𝙞𝙣𝙜 ₊ᐟ ꒱

this is going to be a very basic , almost common knowledge scripting guide just so you can start to build the foundation of your script ,, if you still want more ideas as to what to script i'd be more than happy to make an actual in-depth post <3

          ⊹ . ݁ ⟡ ݁ . ⊹

⋮ 𝑦𝑜𝑢𝑟 𝑏𝑎𝑐𝑘𝑔𝑟𝑜𝑢𝑛𝑑

for starters , it’s probably best to get your backstory ironed out first and foremost so the rest of your scripting experience goes more fluidly . are you just like me and have an awful case of needing to be a princess syndrome ? if so , zoom in on the fine details of that ! are you a descendant of a line of nobility from fontaine or mondstadt ? do you want to create an entirely separate and new region that functions on a monarchy and your born into the current ruling family ?

or do you want to go the complete opposite ? be something like the traveler , a free roaming adventurer that isn’t tied down to one nation , constantly going with the flow like a dandelion fluttering in the wind . if so , what’s your income source ? do you regularly visit the adventurers' guild to get info on bounties ? do you occasionally help local businesses by doing fun little tasks across the town for them in return for mora ?

once that's done and dusted , you could veer more into your personality and how you are n whatnot . do you tend to get along with lots people easily and leave behind a trail of friends every nation you step foot in ? or are you typically reserved , sticking to your close knit group of a few very trusted friends ? does anything about you , be it your appearance or prowess or clothing or status , tend to draw in attention from those around you ? or do you pass by like a shadow , blending into the background like a chameleon ꒰ which could come in very handy if you were a member of the fatui LOLLL ꒱

          ⊹ . ݁ ⟡ ݁ . ⊹

⋮ 𝑓𝑢𝑛 𝑠𝑡𝑢𝑓𝑓

this is my favourite form of scripting bc it's a rly easy way to visualize and immerse yourself into what your dr would look like . lucky for us genshin shifters , there’s a loooooooot of game visuals found on the genshin fan wiki page , things ranging from fashion worn in each nation to what the foods look like . you can either add those pics to your script , or like i do , just script via adding pics to a dedicated pinterest board for your dr and call it a day LOLLLLLLLLLLLLL . things like what clothing is in your closet , the hairstyle you’re most often found in , jewellery pieces that catch your eye , so on and so forth . the possibilities are endless over on pinterest bahahajdfhsdhgj 

also !!! for more cosmetic / vanity purposes , hone in on the specifics of your closet in your script !!!! are you constantly draped in lavish fabrics ? do you just stick to an ol’ reliable outfit that miraculously never ever tears or stains despite the arduous weather or conditions it’s seen ? 

          ⊹ . ݁ ⟡ ݁ . ⊹

⋮ 𝑟𝑢𝑑𝑖𝑚𝑒𝑛𝑡𝑎𝑟𝑦 𝑤𝑜𝑟𝑙𝑑 𝑏𝑢𝑖𝑙𝑑𝑖𝑛𝑔

as mentioned above , if you’re anything like aether/lumine you’ll probably come face to face with hilichurls more often than not , do you want it to go with canon where they effectively perish once slain or do you wanna go the batman route where you don’t kill them but knock them out ? Also do you have a vision ? Are you able to travel freely between nations via the teleport waypoints or are you a regular citizen that has to travel through horseback or sea T^T ?

also foooood !!!!! this is a very biased take hehe but i'd rec. scripting in that all the food tastes as good ꒰ if not better ꒱ as it looks ! you could also add in that youo’re always served with really great customer service and always leave with nothing but good things to say abt the dining establishment you were just in 

suuuuuuuuuuuuper optional, but for more world building you can script in what weather is prone to what nation . is fontaine rainier than natlan ? does mondstadt experience more windy seasons than inazuma ? etc. etc. you could even go as far as to script in if / what natural disasters could occur , bc as far as the game goes i'm not sure it’s ever mentioned apart from like the whole wind storm thing with dvalin in mondstadt T^T i just find it fun to think of what sort of specific weather patterns would look like in teyvat that aren't in-game LOLLL

          ⊹ . ݁ ⟡ ݁ . ⊹

⋮ 𝑠𝑎𝑓𝑒𝑡𝑦 𝑝𝑟𝑒𝑐𝑎𝑢𝑡𝑖𝑜𝑛𝑠

And to end it off with basic safety things , yk the usual if you’re constantly in combat you’re never injured to a debilitating point , you’re never constantly in any true perilous danger ( and if you find yourself in a tight spot , you can’t die T T ) , your combat skills are better than stellar , you know how to wing glide LOLLLL 

[theshiftingwitch]

"We're limited beings"

Disclaimer: this post is about the law of assumption. If you do not practice / believe in the law, then this post is not for you.

If you know anything about the law of assumption, then you should know by now that its first and only rule is that your thoughts create your reality. You hear that sentence all the time, and most of you understand it to a certain point.

So allow me to be as clear as I possibly can:

• If you believe that there's a certain higher power out there holding your manifestations from you because you don't deserve it or it's not the right time or it's not meant for you... That is a limiting belief.

• If you believe that astrology is anything other than a map you chose for yourself before you came into this reality, and it is dictating how your life will go and if you veer off the path or do anything outside of your chart limitations then the energies of the planets will punish you, that is a limiting belief.

• If you believe that the rules of this reality are the only ones that exist and that they are the reason you are not getting your manifestations, or that you are a limited being in any way, that is a limiting belief.

• If you believe that anything or anyone outside of yourself is the operant power in your own reality, rendering yourself a victim in a reality you chose, that is a limiting belief.

• If you believe that your guardian angels, guardian demons, spirit guides, or anything of the sort are withholding what you want from you because they know better and they are protecting you, that is a limiting belief.

• If you believe that the universe is not giving you what you want despite how many times you have affirmed or visualized or scripted, that is a limiting belief.

I do not claim to know everything about the universe because like most of you I am also here to learn, to grow, and to love. But this is coming from a practicing witch, astrologer, and shifter. Hear me when I say, the only limits that exist in this reality are the limits you put on yourself.

At the end of the day, the only law that matters is the law of oneness. You can practice the law of assumption, you can practice the law of attraction, you can practice the law of detachment... the only thing that matters is truly understanding that you are one with everything. You are one with the universe, you are one with spirit, you are one with God, you are one with your guardian angels and demons and spirit guides... you are the beginning and you are the end.

If you read this post, and you got this terrible lump in your throat or this aching feeling in your chest or this train of thoughts in your mind telling you that this is wrong and this is blasphemy and this is pure bullshit, you have a lot of limiting beliefs to work through. Do your Shadow work. Stop procrastinating, stop waiting for someone to come and hand you your manifestations, stop waiting for someone to come and save you. The only one who's going to save you is yourself because you are the only ONE.

Everything always works out in your favor because you said so.

PS: I'm sorry if this post or others before it sound like I am in a shitty mood or I'm being a bitch, Mars is in retrograde and I'm feeling confrontational and I never back out of a fight. (See what I did there? 😉 ) However I truly apologize if I did come off as anything other than kind and understanding throughout my previous posts including this one. I'm truly, sincerely only trying to help but some people keep pushing my buttons and I hate to see new shifters and new manifesters being exposed to wrong information and losing hope and motivation instead of learning their true power. The retrograde ends in February and I can't promise that I won't be confrontational ever again, I do have a Mars in Aries after all and that bitch is my chart ruler, (or pluto if you're a modern astrologer) but I do promise to take a deep breath before I engage in any sort of conversation whether here or on tiktok. I would hate to give you the assumption that I'm not here for you, or that you can't ask me anything, but truly understand that as long as you are being respectful I will answer whatever question you have and I will debate whatever matter you have on your mind. Thank you for being here, I love you guys so much and I hope you get everything you've ever wanted and more.

[mareastrorum]

I have never enjoyed a D&D series more than Misfits & Magic and it's entirely because of Brennan Lee Mulligan. I am fully aware that most viewers thought Evan Kelmp was ridiculously over the top and played up for laughs. I'm sure so many people thought it was for comedy.

I have never seen a poverty-stricken and violence-afflicted character portrayed so well.

People who have not experienced that level of desperation rarely ever comprehend the constant level of fear, but Brennan was locked in on it wonderfully.

Every moment is fixated on food, safety, and shelter. It takes so much effort and emotional vulnerability to shift attention from it. Free food? Gotta gently press to get more and more and more and more, but you can't ask too quick or people might kick you out. Someone's a threat? Gotta make it 100% clear that you will not be fucked with, and it does not matter what it costs you socially. Need to do something long term? Gotta figure out where and how you're going to sleep without anyone to watch your back; can you lock yourself in somewhere? Can it be somewhere alone? Where can you hide?

What will this cost?

The strained politeness and immediate switch to a fight response was excellent. People who want to help you do not trigger violent responses. People that do not want to help you and are in your business need to be dealt with. Brennan knew exactly how to demonstrate the tension of usually being treated as a dangerous animal rather than a person. It instills a script to be as perfect a person as possible, and as soon as anyone veers off the social script, be exactly what they're afraid of: a monster. Better to be a monster than a victim.

The one mistake was during the holiday special that he said credit cards instead of (stolen) gift cards for making a shank with razor blades. You'd get a secured one at 18, but not before then. Otherwise would have been perfect. (Duct tape's expensive, but not too hard to steal. I carried a bag with my laundry coins as an impromptu weapon. As soon as he ordered any drink with a glass bottle, I yelled, "Make a shank!" AND HE FUCKING DELIVERED.)

I often get so annoyed at terrible portrayals of children that grew up in impoverished, violent circumstances, but this is the first time I legitimately enjoyed myself.

Well done.

[coffeegnomee]

Devotions though, I'm back thinking about Spoke's video. When Spoke told them he was scripting the dupe war with parrot: Zam's devastating "it's scripted" filled with all the disappointment, sorrow, betrayal, devastation that those two words could be filled with.

Mapicc's "I'd rather be banned than this be scripted".

This is why they're them. This is why everyone looks at them with a healthy little bit of fear, unsure what move they will make. (Zy's post about mapicc got me thinking about this.)

Bc imo it's this. This pure and purified distain for scripting.

Mapicc will exploit/cheat/go too far/murder before questions to stop a scripted story: to stop someone from dominating a story with their own plan without getting the input from the team. He will do that sporadic shit if it makes sense to him. And it really only has to make sense to him. Your script be damned.

Zam's incessant figure-it-out-as-he-goes mentality towards the story. Staying consistent with the character but always reassessing, always rethinking, always being moved by the narrative that others present.

It makes both of them incredibly consistent but also incredibly erratic for the other members.

And especially with like mawn, mapicc just going for the plan with no plan just an outline maybe. taking the conversations, making assumptions, doing things and seeing what happens. And then he gets blindsided by this mentality from zam as well where he thought zam would join or oppose but zam just chose.. sitting out. And for reasons that made perfect sense to himself.

fuck it, i'll write it in this post: both have this very particular way of making videos on lifesteal.

There's two general categories of lifesteal videos:

get the idea to happen on the server and the video is about making it happen, culminating in the success. Generally they go until they make it happen no matter how long it takes.

have an idea at the start the video, and see where it goes, ending wherever makes sense.

Devotions hit that second category more often than not. Mapicc still does the first occasionally, but mawn is a great example of it. The oath is another. The joker, abyss, castle (from both sides), even dupe war from their pov. The dupe was already a sure thing when they started the video, what progressed was what they did with it.

They both so fully embrace the wildness that is unscripted mcrp in a way that goes beyond a lot of the members, even as, obv, unscripted is the law of lifesteal.

Cause like, wormhole is a fantastic example of the first. And the "problem" (difficulty) with it is you don't really have a video if it never happens. So you veer closer and closer to making it happen at any cost.

It's also interesting to think of Leo's trapping Flame video as the first, especially as, for that type of video, his first traps had to fail for the video's progression, but then it got out of hand and he went for the void and an end crystal used in dubiously illegal ways. But the video could not end until Flame died.

Flame's 10v1 is another example of the first. And mapicc went *nope* and objected to Flame thinking it would be that easy to force the server around when it got a little difficult (planning is difficult).

I love both categories fr. but its so interesting to look at the videos and the server because on so many levels, the narrative that bounces around the members is "if I can figure out the video idea, i get what they're doing", which works perfectly for the first, but with the second, and we've literally seen this so much with s5, with the second it's like, okay I get the video idea; why are you still doing it. And the reasoning is so much more hidden and not understood from the outside even though from the inside it's the most logical and obvious series of events.

And what is most fun is how the death star was 1 and then became 2. And the second it shifted from "i will make a death star" into "we made a death star and it didn't work: what next?" was precisely the moment Mane could not understand why Minute would take the 1v1. Because this type of video is not about the results, it's about the journey. It's about standing up for what you believe in. It's about seeing how people react.

And all of that leads to a player who is confusing and unknown and a little bit scary. Who might just end the world, or maybe just your world.

[ladykailitha]

Everything I Ever Wanted Part 3/4

Hello! We're almost done with this lovely story just one more to go.

It's chapters like this that make me wish I was a better artist so I could draw Steve's wedding clothes. But alas, I'm not so I can only hope I described it well enough.

The wedding/bonding ceremony of the century. Steve and Eddie being absolutely gooey for each other and their shared rut/heat. And with the heat comes sexy times so mature fun ahead.

Part 1 Part 2

****

Steve and Eddie’s bonding and wedding ceremony was the event of the decade everyone from royalty to who’s who in film, music, and sports all wanted an invite.

A world famous rockstar bonding to a wealthy and glamorous former escort?

Yeah, everyone wanted a piece of that action, but sadly they were all out of luck. It was an intimate affair where only their closest friends and in Eddie’s case family were invited to attend.

Jim and Joyce Hopper stood in for Steve’s parents (he didn’t even bother to invite the Harringtons) and Wayne stood in for Eddie’s.

All of Steve’s friends were there. Nancy and Jonathan’s younger brothers, Mike and Will. Lucas and Max were there, of course. With Erica in tow. Dustin, too. Nikita was there, too. Steve insisting on it after their lunch together. She had brought her boyfriend, a beta actor who looked at her like she was the sun.

Steve was happy for her.

Robin was his maid of honor with Jeff as Eddie’s best man. Chrissy and Elinor rounding out Steve’s side of the aisle and Gareth and Brian rounding out Eddie’s.

Everyone had been expecting Steve to wear a dress being an omega. But Steve surprised them all. He wore white, skin tight pants that had a poofy train attached at the waist, a white lace bodice with a sweetheart neckline. It was daring and provocative. Steve loved it.

Eddie was standing at the end of the aisle in a leather jacket over a white button up that was only buttoned up halfway. His skin tight pants were tucked into leather boots. He had on all his chains and leather bands and bracelets.

His groomsmen were all dressed similarly, but Steve’s bridesmaids were all in silver sheath gowns. Well except Robin. She was a grey suit that was like Steve’s white suit but without the train, and with a black bodice instead of grey.

The fashion mags would have been scandalized for sure, but Steve refused to conform for anyone. He had spent too long under societal pressures and wasn’t going to let society dictate what he wore to his ceremony.

Jim walked Steve down the aisle and handed him off to Eddie.

The officiant gave the usual spiel on the importance of the bond and how like marriage it is a commitment not to be taken lightly, then he veered off script a little as spoke of Eddie and Steve.

“Never before have I seen a couple so deeply and categorically in love with each other as these two people,” he said. “In their case the bond isn’t just a next step. It’s the next step. The only step left in their journey together.”

Steve and Eddie looked at each other so fondly that the crowd all cooed.

A single tear slipped down Eddie’s cheek and Steve gently wiped it away.

“Do you, Edward Nicholas Munson take Steven Aaron Harrington to have and to hold through bond and matrimony, sickness and health, hardship and success?”

Eddie squeezed Steve’s hands. “I do.”

“And do you Steve Aaron Harrington take Edward Nicholas Munson,” he said turning to the omega, “to support and sustain through all that life may take you both?”

“I do.”

“Then I now pronounce you as husbands and bondmates. You may kiss each other.”

Steve and Eddie leaned in for a chaste but deep kiss.

A cheer went up and Steve and Eddie parted with great reluctance.

White and black confetti went up as they walked back down the aisle arm in arm, their groomsmen and bridesmaids falling in behind them.

****

Once they got to the reception Robin helped Steve remove the train from the back of his suit so that he could move around more freely and put on a tuxedo jacket over the top of the bodice to match Robin’s suit.

Everyone came up and congratulated them. They cut the cake, they had their first dance.

The one thing they didn’t do was the tossing of bouquet and garter. Steve’s outfit precluded a garter and he didn’t want to lose his bouquet that way.

The food was good, the alcohol flowed freely, and everyone had a good time.

It wouldn’t be until after their honeymoon that Steve would learn that his parents had tried to crash the reception, but security had handled it so well, that no one had known until after the event.

Steve and Eddie had planned everything down to the minutest detail. Including having their wedding and honeymoon before their shared heat and rut.

They had actually wanted to enjoy themselves and not be mindless fuck machines.

They opted to spend three days at a lovely castle nestled in the Scottish Highlands and then two days on Welsh beaches.

When they came home, they had found that Robin and Jeff had made sure they had everything they needed for their fuck fest as Jeff kept calling it. Robin called it their reat. An unholy combination of rut and heat.

Steve hated it.

So of course Robin refused to call it anything else.

Steve’s nest had been painstakingly been put in Eddie’s bedroom, new items being added from Elinor, Chrissy, and Jim and Joyce Hopper. Eddie’s comfort items had already been integrated before the wedding.

Steve collapsed happily into the folds of his nest without even so much as taking off his shoes.

Eddie snorted and swatted playfully at Steve’s ass. “At least take off your shoes, you brat.”

Steve chuckled and rolled over to do just that. Then he removed all of his clothes. Just shucked everything off.

Eddie was about to say something snarky when Steve’s scent reached his nose.

His spicy chocolate scent had become sweeter and spicier then it normally was.

He reached between Steve’s legs and found that, yup, his husband was slick and open.

Steve threw his head back and moaned. Eddie licked his lips and manhandled his omega further up onto the bed.

“You already starting without me, sweetheart?” he growled into Steve’s ear.

“Hit the lights, baby,” Steve groaned in response. If his heat had come early then Eddie’s rut would no doubt be right behind.

Eddie lowered the lights and closed the drapes, then got undressed. As soon as he crawled onto the bed, he could feel his skin tighten and heat up. A sure sign his body was reacting to the omega in front of him.

“I need you so bad, Eddie...” Steve groaned, his back arching off the bed.

Eddie spread Steve’s legs and settled between them. He rubbed his hands soothingly over Steve’s sides and thighs until his body relaxed enough for Eddie to line up and pressed in.

The omega cried out in utter bliss as his alpha’s cock slid all the way in. Steve jack knifed off the bed as pleasure hit him.

Eddie rubbed his hands over Steve’s abs and stomach. “Is it too much, baby?”

Steve wanted to immediately answer no, to shake his head, to demand Eddie to just fucking move! But he forced himself to actually take stock of what his body needed in that moment. Just like he would force an alpha in their rut to do the same.

He let out a shuddering breath and then another.

“I never knew it could feel like this,” he huffed, more than a little breathless. “I know why us escorts aren’t allowed to spend our heats with alphas, but holy fuck I was not prepared by how intense it actually is.”

Eddie continued to brush his fingers lightly over Steve’s overheated skin in soothing circles. He was glad his rut hadn’t hit yet, so that he could be present for his omega’s first heat with him, instead being overtaken by lust.

“I’m going to start slow, Stevie,” Eddie murmured. “I promise it’ll get better once I get moving.”

Steve gulped but nodded.

“Uh-uh,” Eddie said wagging his finger. “Words, baby.”

“Yes, honey. Please move. I need it. I need you!” he blurted, before he arched his back again as pleasure hit him with another wave.

“I’ve got you.”

Eddie started with small, easy movements because while Steve was used to normal and rut sex, heat sex was not in his wheelhouse as it were. Once Steve got used to the smaller movements, Eddie ramped it up to longer and faster thrusts.

“Oh, Eds...” Steve moaned as the friction began to build up heat in his lower abdomen.

“You feeling good?” Eddie asked, reaching out to cup his cheek gently.

All Steve could answer in response was to turn his head and kiss Eddie’s palm.

Eddie melted from the sheer tenderness of it all. He had a lot of sex. Had even done so with a couple of alphas in his early days when he was experimenting with his sexuality before he decided it was men first gender and omega second gender for him. Betas, too, he supposed. But definitely not alphas.

But in all those encounters, he had never felt this warmth between his partner and him.

It was something he didn’t realize he craved before Steve. That love and connection. And holy fuck did he get it from Steve in spades. Even when Steve was still working as an escort, he never let Eddie think for a moment that he wasn’t completely and totally in love him.

Flowers waiting from him in his dressing room after a concert. Food delivered to his hotel room when he was just too tired to go out. Little text messages with just heart or a kiss.

Eddie devoured the attention like a man, starving.

And now with this beautiful creature below him, soaking up his touch and reveling in the pleasure Eddie was giving him?

He was in paradise. Heaven. Nirvana. Elysium. Didn’t matter what you called it, Eddie was there with this ethereal being who was begging for his knot.

Just pleasure bubbling out of those perfect lips.

And who was Eddie to deny this man anything? He buried himself deep into Steve, his knot blooming just past the opening, locking them together. Suddenly he was coming and coming. It felt like it wasn’t going to stop.

But it did and Eddie was spent. Not just sexually, but physically exhausted too. He laid down on Steve and just murmured inanities into his omega’s ear.

Steve wrapped his arms around him and caressed his back and hair, telling him what a good strong alpha he was. Eddie’s inner alpha purred. It rumbled deep and happy.

Steve’s omega chirped back, sated and serene.

****

It would be several days before they were both aware at the same time. It was then when Eddie decided to do the bite.

They both had about a day left in their cycles and there was no better time for it.

Steve got down on all fours, presenting his ass to Eddie in the most delicious way imaginable. Eddie lined himself up and gently slid in as he had the first time, but now Steve was ready for the wave of pleasure that took over him the second Eddie entered his body.

Despite all the sex they had had over the week, Eddie knew he wasn’t going to last long. He gingerly pulled Steve up so their bodies were flush against each other.

“You ready, Stevie?” he asked into the crook of Steve’s neck.

Steve nodded, all ready breathless from the pleasure sending wave after wave through his skin.

“Okay, baby,” Eddie murmured. “It might sting for the first little bit, but your endorphins will quickly override the pain and it’ll feel like you’re high.”

“Oh god,” Steve huffed. “Okay. Yeah. Let’s–”

He was stopped short by Eddie starting his thrusting. He had one hand on Steve’s hip and the other arm draped over his shoulders to keep them as close to each other as possible.

The knot formed quickly and too soon Eddie was filling up his pretty, little omega’s cunt. Steve’s head dropped from the sheer instinct and Eddie bit down on Steve’s soul patch as the area was called. It would send the bonding chemical right to Steve’s brain, and his blood mingling with the saliva in Eddie’s mouth would when swallowed would bind Eddie to Steve. It takes longer for the alpha to bond to omega as it has farther to go, but it would be as strong for either one of them.

Some alphas had tried to cheat the system so that omega would be bonded to them, but they could fool around with other omegas by not being bonded to the one they bit, by trying not to swallow. There were even some sketchy products that came out in the early 1960s that claimed to prevent the blood and saliva from being swallowed. But the claims were bogus because there would always be some remnant left on the teeth or under the tongue and all it would take would a swipe of the tongue and a swallow and they were bonded anyway.

Eddie licked up the blood on the back of Steve’s neck, his saliva during knotting producing a healing component to close the wound. As the process neared the end, Steve gasped and suddenly he was coming too.

“That’s it, sweetheart,” Eddie cooed. “You did so well. I love you so much.”

Steve came again, his body shaking with the strength of his bond to Eddie. He could feel it alter his brain chemicals. Eddie lowered him onto the other side of the bed so as to not have him face plant into his own cum.

Eddie cleaned Steve up and then when he was able to stand, cleared off the bed and put down clean sheets. One of the few times they’d been able to do that over the course of their cycle.

Once done they laid down on the bed and cuddled.

“How do you feel, baby?” Eddie asked, running his fingers through Steve’s hair.

“Those faux bonds are fucking liars, love,” Steve growled. “I thought this would be just more intense versions of that. But no. This is real in every way I never thought possible. Everything is brighter and clearer. I feel like I’m floating and I don’t want to ever come down.”

Eddie chuckled and pressed a kiss to his cheek. “So good then?”

“Fucking fantastic!” Steve chirped.

Suddenly Eddie had a lap full of horny omega and he couldn’t be happier.

“Hey, babe,” he murmured sweetly. “You ready to go again?”

Steve responded by grounding their cocks together. Eddie threw back his head with a high pitched whine.

“Yeah, Stevie,” he gasped. “Just like that.”

****

The next morning they woke up both heads clear of their cycle and wrapped up in each other’s arms.

They showered and ate and puttered around their kitchen, cleaning up after themselves.

“How are you feeling, sweetheart?” Eddie asked as Steve made a list of food they would need to replenish.

Steve rubbed the back of his neck where there would be a bond mark showing the world that he was taken if he ever wanted to cut his hair. The mark was warm to the touch and he traced each indent of Eddie’s teeth.

“I feel good,” he murmured. “Safe. Contented.”

Eddie smiled up at him with that closed lip smile he only ever bestowed on his omega.

“Everything you ever hoped for?”

“Everything and more.”

****

Part 4

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[wordsandrobots]

IBO reference notes on . . . queerness

How has it taken me this long to write about this aspect of the show? (He asked rhetorically, staring at the enormous amount of fanfic that basically stands as a thesis statement on how very queer this part of the Gundam franchise is [as opposed to all the other terribly straight parts, he added, sarcastically].)

Anyway, let's do it. Full spoilers up to the end of the show will follow, together with discussion of child abuse and exploitation, since that is what IBO is all about.

Special thanks to @lilenui and @prezaki for their invaluable assistance in locating sources.

Statement of caveats: this work is an amateur analysis of the English-language localisations (subtitled and dubbed) of a piece of Japanese media. I do not speak or read Japanese. I am myself bi, which qualifies me to be attracted to more of the cast than the average viewer, and have a working knowledge of LGBTQ+ history in the UK and USA, which tells me nothing about the cultural and historical context in which this anime was made. As such, I will not be addressing the behind-the-scenes production or the corporate mandates surrounding it but will focus narrowly on what I perceive to be present in the text (hereafter meaning both the script and animation, and any additional fictional details provided elsewhere).

Queerness in Gundam

Some background before we dive in. To my knowledge, the first character in the Gundam franchise to be intentionally depicted as LGBTQ+ is Guin Sard Lineford from Turn A Gundam (1999). An ambitious young aristocrat who spends the series on the line between hero and villain, he is infatuated with protagonist Loran Cehack and the show makes little attempt to play this as anything other than one man falling in love with another.

This is entirely one-sided and not appreciated on Loran's part, although that seems to have less to do with it being homosexual attraction than with Guin's high-handed and entitled attitude to life, filtered through heavily gendered social norms. For plot reasons, Loran spends several episodes cross-dressing as 'Laura Rolla', corsets and all, and Guin continues referring to him as 'Laura' long after the deception is no longer required, saying it 'suits him better'. Guin is eventually called out on this by a third character, who accuses him of forcing an idea of feminity on the other man rather than stoop to place himself in the position of a 'wife'. Objectifying Loran is presented as of a piece with Guin's overall flaws as a person, to whit, putting his own views about how things should be above the material reality and desires of those around him.

Guin is also the only explicitly gay character in the show (I'm honestly not sure how to classify whatever Dianna Soreil and Kihel Heim have going on, but it's certainly not labelled in the text). Therefore no counterpoint is provided to demonstrate healthy queer relationships. I don't state this to dismiss his inclusion: he forms part of a smart, nuanced plot thread, and Gundam creator Yoshiyuki Tomino had to fight to get Guin's homosexuality clearly included. But even so, Guin is a palpable step forward rather than a watershed moment, and the end result veers close to some nasty stereotypes about queer people imposing their desires on others.

There are other examples of characters transgressing gender norms in Turn A, most especially Loran's aforementioned cross-dressing. He is comfortable playing the part of 'Laura', in ways that mitigate viewing this situation as the extended joke it might be in another production. Funny moments do come up – particularly in the lead-in to his 'debut' as he acclimatises to the female attire of the show's pseudo-Edwardian setting and takes posture lesson – but he and the concept of a man in ladies' clothes are never made a subject of mockery. The same cannot be said for the character of Sochie Heim, whose attempts as a young woman to fulfil a gung-ho masculine role often turn comedic. This is part and parcel of her assaying militaristic modes of action, which are soundly mocked across the board. It nevertheless stands out next to Loran/Laura.

Further, Loran's status as a literal moon-child carries implications for his attitudes. His dismissal of existing social standards on Earth is very much presented as correct, and in keeping with what I know of Tomino's other writing and stated beliefs, but it dovetails unfortunately with a treatment of queerness as otherworldly, not something that may be found among an average population. We get another example of cross-dressing in the next-but-one series, Gundam 00 (2007, not a work Tomino helmed), where the usually male-presenting artificial lifeform Tieria Erde switches to a female presentation (in a ball-gown, no less) during a covert mission. This sufficiently parallels Loran's case, I assume it was a deliberate call-back, being as it is a disguise enacted by someone even less typical than a boy from the moon.

What I am driving at is that while Guin, Loran and Tieria may be characters who are queer or perform queerness in some manner, they do not necessarily represent an outright embracing of queerness as a mundane facet of everyday life.

Fast-forward to 2024 and the latest mainline Gundam show is a lesbian romance.

If you have been following my blog for a while, you will know I do not hold The Witch From Mercury in especially high regard. I think it is annoyingly messy, frequently half-baked, and, broadly-speaking, exactly as frustrating as I'd expect from the guy who wrote Code:Geass. It's still an explicit love story that opens with a clangingly blunt statement about the acceptance same-sex relationships and ends with the two female leads happily married to one other. For all its flaws, I genuinely think the central relationship between Suletta Mercury and Miorine Rembran is a nice piece of story-telling, not to mention admirably open about what it is doing. Like it or lump it, Gundam is gay now, properly, with a protagonist and co-protagonist who can be definitively labelled queer and whose romance appears entirely unremarkable for the setting (in terms of being same-sex; clearly there is a lot to remark upon otherwise).

I would be remiss if I did not mention that the conclusion of the series was accompanied by a certain amount of corporate arse-showing, with hollow attempts to walk back the ending seemingly for the sake of appeasing homophobic elements within and without the companies that produce Gundam. The frankly laughable nature of these actions stands testament to how unequivocal G-Witch is. It is flatly impossible in my opinion to interpret as anything other than flagrantly homosexual, and that's great.

Between this interesting but limited start and the full-throated present lies Iron-Blooded Orphans (2015), my absolute favourite and the show that got me writing slash fic after years of… not doing that. So: what is the deal with queerness in IBO?

Natural for a human

By my count, including all present spin-offs, there are three characters stated in-text as being attracted to people of the same gender (Yamagi Gilmerton, Iznario Fareed, Deira Nadira), two who are at the least open to the idea (Norba Shino, Mina Zalmfort), two whose mutual attraction is stated within the context of polyamory with a third person of the opposite gender (Atra Mixta, Kudelia Aina Bernstein), one whose sexuality is briefly hinted at (Chad Chaden), and one male character who is possibly not attracted to women (Orga Itsuka).

Let's get Iznario out of the way first, because the less time we spend on the actual paedophile, the better.

Lord Iznario Fareed is a rich, powerful aristocrat who sexually abuses young blonde boys and inadvertently sets large parts of the plot in motion as part of quasi-villain McGillis' backstory. In a lesser show, Iznario would be the embodiment of the 'predatory queer' stereotype Guin skirts the edge of. Here, however, he is very much not the only 'gay' character present and his proclivities demonstrate one of the many ways the world exploits vulnerable children, a core theme of the series. Early on, we see fleeting glimpses of young girls being pimped out on the streets of Mars. Iznario shows this social failing extends to the much richer Earth and although he is portrayed as the worst among the Gjallarhorn elite, they all abuse their power for personal gain. Thus, as much as the reveal of what he has done carries a certain shock value, it is not present purely for cheap impact. (This isn't the essay to discuss it, but the flashbacks to McGillis being abused as a child are a masterclass in how to frame such things around the victim, clearly communicating what's happening while avoiding gross voyeurism.)

I don't know how deliberate it is the canonical gay character who is shown in an entirely positive light fits the profile of Iznario's victims to a T, but it does underscore we're looking at a case of power allowing people to get away with hideous things, not a stand-in for queerness in general. To an extent I resent having to spell this out, since it seems so obvious Iznario is not fulfilling the role of a homophobic cliché. Sadly, the cliché exists and the point is worth discussion.

Moving swiftly on: Yamagi and Shino.

Yamagi Gilmerton is a small, quiet teenage boy with a somewhat withdrawn and acerbic personality, who spends much of Iron-Blooded Orphans nursing a hopeless crush on mobile suit pilot Norba Shino. Like the majority of the cast, Yamagi is a child soldier, but a mechanic rather than a combatant. Additional backstory commentary reveals that he struggled on joining CGS mercenary group due to his physique. Indeed, while this detail is not directly referenced in the anime itself, he is indeed drawn noticeably thinner than the other boys.

Again, we veer towards stereotypes, where a queer character is portrayed as weaker and more effeminate. Yet in spite of leaning this way in looks, Yamagi is an eminently capable person, never treated as lesser for fulfilling a support role rather than being a fighter. If anything, IBO goes out of its way to highlight how vital good mechanics are to mechanised warfare, and we see multiple examples of Yamagi being both assertive and kind of badass. At one point, he scales, unaided, an 18 metre tall mobile suit that's collapsed to its knees. When he and Shino are revisited in spin-off game Urdr Hunt (soon to be some form of animated production), he pilots a spaceship within an active battle-zone, flying escort for a damaged freighter as it retreats. In Season 2, he's comfortable ordering Tekkadan's new recruits around and is the first person to properly chew Orga out for his failings as a leader. Far from being an outlier among the protagonists, Yamagi is equally brave and dedicated to the cause, irrespective of his sexuality.

To be fair, he does tend to clam up and grow more awkward around the object of his affections. To be equally fair, he has the misfortune of having fallen for the most oblivious himbo on God's red Mars.

Shino is a big, boisterous warrior, the polar opposite of Yamagi in personality and physicality. He embodies Tekkadan's machismo, eagerly anticipating the chance to prove their strength and generally being a standard bearer for becoming the biggest, baddest group around. Things are not as straightforward as they seem on the surface, however. He shows a good awareness of when the group is in over their heads – going so far as to suggest retreat in the face of bad odds several times – and he is not nearly as sure of himself as he might first appear. He displays a wide streak of insecurity about his abilities as a soldier, reacting badly to people questioning his dedication or competency. And he crumbles completely when some of his comrades are killed as the result of a split-second mistake on his part, stating a wish to have died in their place. Thereafter, he acts in ways that read as choosing to take all the risks on himself rather than go through more loss. It makes him an interesting mix, someone who acts as a cheerleader, boosting everyone else's morale, while swallowing his own doubts and personal fatalism.

He is also presented as one of the most sexually active members of Tekkadan, using his wages to visit brothels to sleep with women. Indeed, he is frequently found extolling the virtues of the opposite sex, referencing collections of pornography (at least in the English dub), and generally being a very typical teenage boy about such matters.

Given this, you might assume Yamagi is longing hopelessly for a straight man. That is indeed the idea the show teases us with for much of its run (can something be straight-baiting? I feel if anything ever earned that title, it's this). OK, Shino's fond of Yamagi as a friend and frequently relies on his assistance in improving his fighting ability, and per ancillary material, is the one who got Yamagi transferred to the mechanics corps in the first place, rescuing him from struggling in the infantry. And sure, Shino spends an awful lot of time in very close proximity to Yamagi, including literally pulling him into the cockpit to assist with a mission. And yes, Shino is absolutely a flamboyant creature, sporting gold ear studs and an attraction to the colour pink, ensuring his mobile suits are painted all over magenta in order to stand out on the battlefield. And certainly, Shino is extremely empathetic, adjusting his attitude depending on his impressions of other people, such that he dials his boisterousness down in Yamagi's presence, displaying a far more gentle affection than he does with his other friends.

But clearly he hasn't noticed Yamagi is head over heels for him.

Right?

Well, towards the end of Season 2, during another moment where Yamagi is literally sitting on Shino's knee, Shino proposes the two of them drink together all night long once the fighting is over. Not only is this an unambiguously romantic overture (he's asking while pushing aside the fringe that normally covers half of Yamagi's face, in order to look into his eyes properly), it comes after a joke several episodes earlier in which Shino has to explain to a less worldly comrade that a girl inviting you for a drink is not a request to go out with the whole gang but a far more intimate gesture (I say explain, it's more expressing incredulity Akihiro didn't realise Lafter was asking him on a date). Later, it is revealed Shino did indeed work out that Yamagi 'likes' him (to his friend Eugene's exasperation that it took him so long to notice), and he reacted with amazed delight to discover there was someone in Tekkadan who'd fall in love with 'a guy like me'.

He'd assumed because Tekkadan is a family (a description provided by their ally Naze, which everyone just kind of runs with), romantic love wasn't possible between them. Having worked through this mental block and finally realised the blindingly obvious, he renews his desire to protect Tekkadan as long as he lives, refuting his previous view of himself as an expendable human shield and heading out with every intention of surviving all the way to the end.

And because IBO is an exquisitely-written tragedy, he is promptly killed while attempting a futile one-man attack against their enemies, his advances on Yamagi forming part of a long build-up whereby the boy who loves him provides the tools he needs to charge into a suicide run.

Right then. *drags out the reading comprehension soap-box* I have seen some people refer to this as an example of the 'bury your gays' trope, and there is nothing more likely to get me manifesting behind you in the form of an irate shoebill than to do likewise. 'Bury your gays' refers to a tendency for queer characters in fiction to disproportionately suffer tragic fates. This is a writing choice usually rooted in the idea queer relationships are inherently tragic, either because they are viewed as a perversion of 'correct' forms of love, or because of some misguided idea the prevalence of homophobia means queer joy is impossible. I am going to be charitable and concede this is indeed a case where one half of a budding homosexual relationship dies horribly. But, as always, the context matters.

All but one of the romantic relationships established prior to the epilogue of Iron-Blooded Orphans end in death. Of the two that survive in some capacity, one is a heterosexual background romance between two older characters and the other is a pair of women I shall be covering later. IBO is a story about child soldiers that does not shy away from the fact these are teenagers being fed into a meat-grinder. That the director's original intention of killing every named character was toned down (to the series immeasurable benefit, in my opinion) dos not change a narrative arc towards doom.

Within this, Yamagi and Shino aren't singled out for being queer. The coyness around Shino's eventually-evident bisexuality serves to generate an instant of hope and relief right before the rug is pulled from under everyone's feet. Where Shino's death does differ from those of other characters is in presentation: he dies alone and does not get any form of farewell or the passing-on moment afforded to others. But that is only to be expected, since we're talking about the point where it becomes clear there is no saving the situation. It's a cruel, abrupt moment of bad luck, puncturing the heroic idea of scraping victory at the last second. Shino flew out intending to live and he died anyway. A queer relationship forming part of what he was fighting for is an almost incidental detail.

(As an aside, I am aware of two other examples in Gundam fiction where a pilot and a mechanic have a doomed love affair. One is in Char's Counterattack, where a male engineer's romance with a female pilot ends with them both being abruptly killed, and the other is from Gundam AGE, where a female mechanic sacrifices herself for the greater good, leaving a male pilot to mourn her loss for the rest of the series. Shino and Yamagi reiterate this same concept.)

Stepping back from the tragedy, Yamagi's love for Shino is as delightfully underplayed as the other relationships in the show, with little emotional melodrama being wrung from the romance itself. Yamagi can't bring himself to declare his feelings, frequently turning cold instead and perpetuating Shino's misunderstanding of where they stand. Yet Shino ultimately proves enthusiastic for the idea, rendering moot any concerns Yamagi had over getting turned down (going beyond the text, a Q&A with the series' director confirmed Shino was written as bi). Equally, in the aftermath of Shino's death, Eugene comforts Yamagi by relating the truth of Shino's earlier realisation and even going so far as to rebuff Yamagi for implying there's something wrong with him for grieving. This and other interactions in the same episode imply those nearest to the pair were well aware of Yamagi's desires and had absolutely no problem with them. The prevailing attitude within Tekkadan is one of complete acceptance for its members and this is no different.

Indeed, for me, the most important part of how queerness is represented in IBO is that it is treated as just another aspect of the diversity of the cast. I've seen it stated that viewing homosexuality as a natural part of human existence was Tomino's motivation in making Guin gay. IBO presents us with the same idea, far more seamlessly and far more positively.

Now, let's leave the anime proper and look at the same-sex pairing from spin-off manga Iron-Blooded Orphans: Moon Steel.

Deira Nadira and Mina Zalmfort are part of the Gjallarhorn nobility and their marriage was arranged to strengthen relations between their two families. We see an example of a similar political match in the main show, where the heir to the Fareed family, McGillis, is betrothed to the second child of the Bauduins, the much, much younger Almiria. That this can take place regardless of the gender of the participants has big implications for the functioning of a bloodline-focused aristocracy. Presumably it indicates they are happy to use medical technology to ensure the Nadira family continues into the next generation, and if same-sex marriages are thus permitted, that means fewer factors to worry about when it comes to perpetuation. Whether male-male weddings are allowed too remains an open question; given the existence of real-world double-standards, it is possible Deira and Mina represent the only acceptable form of homosexuality. Nevertheless, that it is accepted speaks volumes. Gjallarhorn is not an especially progressive organisation, built as it is on rigid class structures and notions of human purity. Yet here we are.

Perhaps we should have expected that the norms around gender in this system don't correspond to strictly patriarchal patterns from the real world. Carta Issue, a key player in Season 1 of the anime, is the only child of the Issue Family's current leader and positioned as his sole heir, irrespective of the fact she's a woman. The logical inference is that any children of hers would count as Issues, rather than belonging to a potential husband's family. Deira is similarly the heir to her father's position, although intriguingly, it's not outright confirmed if she is his only child or simply the oldest. The possibility exists that gender is a non-factor in determining inheritance.

With respect to sexuality, Deira seems pretty obviously intended to be a lesbian. Her relationship with Mina is presented as one they are both happy with, despite it being an arranged by their parents, and Deira is depicted in the manual for Gundam Gremory's model kit as favouring the clothes of 'a handsome man'. She doesn't present that way within the manga' story, first showing up wearing the standard unisex Gjallarhorn pilot-suit, then wearing a formal gown for a meeting while in an official capacity. But she is depicted wearing masculine clothes in silhouette when initially mentioned and in a post-story panel at the back of the final volume.

(Another aside: the fan translations I use for this part of the manga refer to Deira using male pronouns when she's introduced. However, that could simply be down to the poor quality of said translation; she's consistently referred to using female pronouns in official materials and the game adaptation of this scene has her named as simply 'Lord Nadira', the standard appellation for Gjallarhorn family heads.)

Whether Deira's code-switching is the result of institutional expectations around her role or personal preference, it adds extra texture to her depiction. While civilian garb was designed for the adult version of Carta and closely matches conservative gender expectations for a woman, she's never shown wearing it, so we don't have a point of comparison to judge what's required of a character in Deira's position.

Regarding Mina, you'll notice I grouped her with Shino rather than the characters whose sexuality I consider to be stated outright. With Shino, the nature of his sexuality is not put absolutely beyond question in the text. This is splitting hairs due to the overt nature of what's on screen but the fact remains, the anime doesn't clarify if his being open to Yamagi's love means he already thinks of himself as bisexual, or if this is something he hadn't considered before. With Mina, it's more a case that I'm unwilling to label her one way or the other based on the available information. Deira carries sufficient signifiers, I find little room for doubt over the intention. We also have an outright statement that she holds great affection for Mina regardless of being obliged to consider her an eventual romantic partner. Indeed, she becomes so upset by believing her fiance dead, she runs off to Antarctica in a Gundam. But the exact depth of Mina's feelings in return is not discussed.

In addition, Mina is considerably younger than Deira. McGillis and Almiria's match takes place when he is (probably) somewhere in his late twenties and she is nine, with plans for the union made four years prior. This is not great, to put it mildly, albeit fairly typical of how such things have historically worked for nobility. Based on appearances and how they are treated by the rest of the cast, I would assume Mina to be in her mid-teens, and Deira to be in her early twenties (annoyingly, exact ages are provided for several characters in Moon Steel, just not these two). A less dramatic gap (and I don't believe Mina is meant to be quite as young as her appearance perhaps suggests), yet still significant when one of the people involved is below what we'd consider adulthood.

There is no indication of anything untoward going on, within the confines of the situation, similar to how we're given no indication McGillis is abusive towards Almiria. Any comparisons with Lord Iznario's activities lie purely along the axis of how children are exploited by adults even without suffering directly. All indications are that Deira and Mina have made the most of something they have little choice in. Regardless, I still feel more comfortable describing Mina as open to being in a relationship with another woman, rather than pinning her to a specific preference.

Continuing the theme of things where doubt or ambiguity exist, let's discuss some characters were there shouldn't be any: Atra and Kudelia.

I don't know about you, but I find it extraordinarily hard to read this as anything other than a three-way love-confession. Still, in the interests of fair play, let's review the wriggle room for declaring this something else.

Kudelia Aina Bernstein and Atra Mixta are love interests of nominal protagonist Mikazuki Augus, in an iteration of another tried-and-true trope, that of a male lead inexplicably being attractive to the female characters in his orbit. Or rather, it would be if the show didn't take such pains to demonstrate why these girls fall for him, setting up a long-established crush on Atra's part (rooted in him being the first person in the world to be nice to her) and a mutual respect on Kudelia's that gets spurred to more when Mikazuki randomly decides to kiss her because she 'looked cute' (Mikazuki has the manners of a feral stray raised on the streets, because that's precisely what he is).

Justification aside, this has the makings of a traditional triangle, that is, one without a connecting base, which we might expect to be resolved by either Kudelia or Atra 'losing out'. For a few episodes, this does indeed seem where we are headed. Then Atra discovers the concept of polyamory via the polygamous Turbines group and all bets are off.

Having realised it is perfectly possible for a family to consist of multiple romantic partners, Atra proceeds to work towards ensuring everyone gets everything they want. Strictly speaking, this doesn't mean she is attracted to Kudelia as well – even if she clearly recognises Kudelia as an attractive person from the start and…

You know what? Acknowledging that the information about their eventual marital status was only stated in interviews at live events with no official record and seems to have been framed around raising the son Atra has with Mika, I'm going to abandon the pretence of both-sided objectivity and go straight for the throat. Turns out my patience for soft-footing this lasts about as long as it takes to say 'bi-erasure'.

Over the course of Season 1, Atra not only decides the end-game is some form of three-person wedding, she also:

Shows no jealousy over Mikazuki and instead chides him for not providing the correct emotional support to the girl he kissed.

Spends a great deal of time with Kudelia and enthusiastically throws herself into furthering Kudelia's goals, without necessarily understanding the technicalities.

Covers for Kudelia by pretending to be her during a confrontation with Gjallarhorn soldiers, getting herself soundly beaten up in order to prevent them from chasing after the real deal.

Drives an armoured car through a battlefield for Kudelia's sake, safely delivering her to a vital rendezvous.

Leaps in front of a massive mobile suit to push Kudelia out of its path, physically shielding the other girl with her body.

As much as it pains me to resort to the 'if this were a man and a woman, would it read as romantic' crudity – yes! Yes it would! Especially since in Season 2, Atra presents Kudelia with a good-luck charm bracelet she has woven, something she previously did for Mikazuki explicitly out of having a crush on him. I'm all for embracing platonic love (which is why Takaki and Aston are not featuring in this rundown) and there's nothing in the above list necessarily entailing attraction beyond deep friendship. But when Atra consciously repeats her actions towards Mikazuki (someone she goes on to definitely have sex with) with Kudelia and it leads to the scene between them where they declare how they feel about each other and Mikauki, looking for non-romantic angles takes more effort.

After all, if we are to read Shino's openness to Yamagi's affection from the things he says and how he looks saying them, we can certainly do the same for Atra and Kudelia's use of the word 'like' in reference to one another and their reactions to hearing it said of them. (Obligatory note that if there is some nuance in the original Japanese the translation doesn't capture, I'd love to hear about it. The English scripts, however, leave little to the imagination.)

It is indisputable that Atra feels a strong affection towards Kudelia and while I have been focusing on her a lot (she is by far the most proactive member of the triad), Kudelia reciprocates at every opportunity she is presented with. Even if there truly wasn't an intention to portray this as exactly equivalent to Atra and Mikazuki, the end result manages to be on par with Yamagi and Shino. Consider Kudelia and Mikazuki, for example. In terms of portrayal and the two-girls-one-guy trope being explored here, they have the same level of chemistry and the same absence of overt consummation as Kudelia and Atra, and it would hardly be a serious position to claim the show does not place the two of them in romantic conjunction, now would it?

You may at this point be wondering why I am getting so defensive of reading Kudelia and Atra as romantic partners. Honestly, I am too. On reflection, I think it's because IBO is playing around with such a worn-out and insipid means of wringing drama from characters who should know better, I keep searching for the catch. And yet there isn't one. This show really did respond to a nascent love chevron by having the mousy, homely girl tell the governor's beautiful daughter to shut up and get in the polycule, and turned it into a true triangle.

That's wonderful. I cannot properly express the wave of joy and relief that came over me when I realised this was the direction they were taking. It ends in tragedy, of course, Mikazuki giving up any chance of a peaceful life to die in battle, far away from the women who love him. But their lives continue because of his sacrifice and by all appearances they remain together. In some ways, for the overarching message of hope persisting on the back of heartbreak, the precise details of that arrangement don't particularly matter. So why not take the gayest reading possible?

What an excellent segue into a blink-and-you'll-miss-it, probably-stretching-too-far, nonetheless-compelling potential bit of queerness: Chad in the series epilogue.

One of the many tertiary characters in Tekkadan, Chad Chaden has minor speaking parts throughout Season 1 and a larger role in Season 2. He initially appears during a particularly dire early moment when it looks like everyone is about to be killed by attacking mobile suits. His obvious resignation to this fate sets the tone for a rather dour personality, at least while on the clock. Chad starts out as human debris, a person enslaved after a space battle and sold to the CGS military group as free labour. This gives him a very matter-of-fact attitude towards fighting and the kill-or-be-killed nature of being forced into it – he voices the sentiment that even when facing other human debris, they can't afford to show mercy.

Off the clock, Chad displays a more sensitive personality. He seems studious, learning about interplanetary communications from Kudelia's maid Fumitan and later being promoted to leader of Tekkadan's Earth branch. He has some difficulty acclimatising to being treated as a free person, proving unsure about the concept of wearing a smart suit instead of his normal fatigues. And he grows anxious when he returns to Mars to discover nobody told him two of the few adults in the group (Yukinojo and Merribit) had started dating, worrying that he's no longer 'one of the guys'.

The most we learn about his relationship preferences prior to the series epilogue comes in a comedic sequence about a third of the way into Season 2, when Shino suggests a trip to a local brothel. Eugene responds by proclaiming that he's realised money will not buy him true love. This prompts Chad to ask Merribit if this is true and, on her saying she supposes so, opts out of the trip as well. Judging by his body-language in the next frame where he appears, this is possibly a decision he regrets – perhaps owing to his anxieties, since he just passed up the chance for some team-bonding.

None of this is directly relevant to the topic of this essay. If anything, the scene I just described suggests that, like Eugene, Chad has previously gone along with Shino in paying for sex with women, only to discover he wanted more than just physical intimacy. But then we get the exchange in Kudelia's office during the last episode, following a time-skip after Tekkadan's defeat and dissolution. Now working for Kudelia as an assistant of some kind, Chad notes that Merribit is shortly to give birth to her and Yukinojo's second child, saying he and Yamagi intend to meet up later to plan a celebration. Eugene reacts with amused disbelief, accusing them of just wanting an excuse to go out drinking, to which Chad retorts, 'what's wrong with that?'

And the thing is he's blushing when he does. Which may simply be because Eugene is accusing him of slacking off – IBO characters blush all the time and their embarrassment is frequently to do with being caught acting immature or otherwise against how they want people to see them. But given the weight that 'drinking the night away' carries in regards to Yamagi following Shino's actions shortly prior to his death, it is easy to speculate this represents something more specific.

As far as I can recall, Chad and Yamagi do not interact at all over the course of the show's two seasons, meaning these lines present a rather unexpected combination of characters. Eugene would have seemed a more likely candidate to associate with Yamagi. He's positioned as Shino's closest friend, he comforts Yamagi over his grief, and they are together for much of the climax to the series' plot. So what has happened in the years since, that Eugene's teasing should elicit a blush from Chad instead?

If we put on our shipping goggles, it's far from a nonsensical pairing. Chad goes through an arc not too dissimilar to Shino's. He is knocked into a coma while protecting an ally from a bomb blast and subsequently the Earth branch gets swept into a war orchestrated by one of the factions within Gjallarhorn. On recovering, he blames himself for the many deaths that result, echoing Shino's line about thinking it better if he'd died in place of his comrades. On returning to Mars, he jumps head-first into mobile suit training, determined to make up for his perceived failure as a leader and cheering himself up through rigorous activity. Different though their personalities appear on the surface, there are clear commonalities here. Further, Chad's responses to his traumatic experiences have a more measured quality to them than Shino's. He is not nearly as reckless and provides clear directions to his comrades even while acting as a decoy against a dangerous enemy, rather than abandon any attempt to be an effective leader. Taken together, and coupled to a more long-term view of romance, these qualities might make him a 'safer' version of things Yamagi loved about Shino, creating space for them to be drawn together.

Or perhaps they're simply the most logical points of contact between the ex-Tekkadan survivors at the Admoss Company and Kassapa Factory and intend to make that an excuse to get companionably plastered for no greater reason than it being a nice time. I am speculating over a couple of lines and an animation choice. Nevertheless, it does not feel like unreasonable speculation. When we already have a veritable gaggle of characters who are queer or may trivially be read as such, it's hardly a stretch to assume one more.

Chad/Yamagi doesn't appear to be a thread the fandom at large has pulled on much, likely because the pairing of Shino and Yamagi is so prominent, it eclipses a mere throwaway possibility. But I'm glad it exists within easy reach. And even if we take off our goggles, these lines demonstrate life for the characters has not stopped. The ex-slave and the gay kid are not stuck, trapped by the tragedies of their past. They have instead grown in both confidence and happiness and now have peaceful, stable lives where they're on going-out-drinking terms. That above all is why I wanted to explore this exchange: it reinforces Iron-Blooded Orphans' rejection of the idea the suffering people like Chad and Yamagi go through is perpetual or inevitable.

OK, one more character to look at. Let's talk about Orga and asexuality.

Orga Itsuka, leader of Tekkadan and instigator of the series' events, is notable for his charisma, his drive to provide a safe home for his comrades, and his complete unsuitability for the grown-up activities he attempts. Trying to party all night leaves him puking up his dinner. He forces himself into a suit and tie to handle the administration of a break-out paramilitary company, despite finding it stultifying and bewildering. His goals spin like a weather-cock, as he's surrounded by older characters possessing strong convictions while unable to stick to his own. And he is ultimately undone by an unwillingness to ask for help, having assumed that, as leader, he must decide everything alone.

I suspect his expressed lack of interest in women is intended to help convey overall immaturity. Orga is a good soldier and tactician, but he plainly isn't prepared for adulthood, lacking the grasp on the complexities of life that implies. Making him uncomfortable about sex serves to heighten the impression of a teenager trying to navigate circumstances for which he's not yet ready.

Relatedly, it should be stressed Orga stating he 'doesn't care' about woman is a response to Eugene asking if he agrees love and kindness are what's important, as opposed to Shino's endorsement of boobs. On hearing this response, Eugene proceeds to mock his commander for inexperience. That he himself has only just had his first sexual experience with another person and previously said much the same about not caring about sex simply proves hypocrisy is a fundamental aspect of Eugene's characterisation. The whole scene is very teenage.

Matters have not improved much when Orga and Eugene's dynamic is revisited in one of the side-stories released via the Iron-Blooded Orphans G mobile game. A year and change later, Eugene continues to act superior about having 'experience' where Orga doesn't.

Orga takes this rather poorly.

(Subtitles by @trafalgarlog)

Eventually Merribit has to shout at them to stop being brats, shaming them for behaving like argumentative children. It's funny – and then you remember they basically still are children and this is headed towards more carnage that will not spare them for being young. Such it is to engage with Iron-Blooded Orphans.

What does any of this tell us about Orga's sexuality? In principle, taking it as a device to convey immaturity, nothing. Orga's persisting virginity could simply mean he's not worked out this aspect of himself yet. He is a busy young man who likely hasn't had the time to try.

Alternatively it could mean he is gay. Mikazuki/Orga is an extremely popular ship in the fandom and we might take Orga's professed lack of interest in women as 'evidence' of him swinging the other way.

Or we could take my view, that Orga is asexual and his embarrassment is rooted in just not getting what the big deal is.

To immediately clarify, I don't think he is ace because he 'hasn't worked out what he wants', I think he's ace because he blushes on admitting he doesn't care about women and does not try to prove otherwise once he's in a position where he could easily do so. In circling back to the same joke for the side-story, the writers portray Orga as continuing to be uninterested in sex and sensitive over being needled about it. Again, a feasible interpretation is that he's into guys. Yet this is an argument with Eugene, whose response to the idea of Yamagi being in love with Shino is basically 'you mean you didn't notice?' Eugene is a dork and jerk; he isn't bigoted. None of the Tekkadan guys are. It's unclear if homophobia is even a factor in the setting. Sexism is, but when someone as superficially macho as Shino is comfortable with male/male attraction, and there are same-sex weddings inside Gjallarhorn, we cannot assume stigma exists around being gay. So why should Orga be worried, unless it goes beyond a question of who you're attracted to and into the answer being 'nobody at all'?

When you're surrounded by people who happily wax lyrical about how the joys of sex make you a real man, the absence of a libido might easily become a sore point.

Again, I'm supposing. Again, there is room to do so. As I touched on with Chad, it is easy to read queerness into the text when the assumption of straightness has been taken away, which is something this show does wholeheartedly and deliberately.

Orga Itsuka is one of the first characters I looked at and realised, not only shouldn't I assume heterosexuality, I shouldn't assume sexual attraction at all. I cannot credit Iron-Blooded Orphans alone with this. I do credit it with being a piece of media that applies itself to inclusiveness in ways quite remarkable for a show about giant robot fights, produced to market toys.

The word we want here is 'normalisation'. IBO has a lot to say about what constitutes 'normal' and a lot of it accords well with my own views, particularly those that have me twitching whenever anybody demands we 'be normal' about something. Normality is horrible. It is cruel and it is callous. 'Normal' is a world run on exploitation, on slave labour and on police savagery. Normal is children forced to risk their lives to earn the money required to feed themselves, because it is normal for their parents be gone, or incapable of supporting them. War is normal. Corruption of political systems is normal. Death coming more rapidly for those deemed expendable by society is very, very normal.

But so is protest. The drive to do something, to change things. The capacity for caring about each other. Love. 'Normal' is just a statement about what surrounds us every day, for worse and for better. In too many pieces of fiction, normality is narrowed, rendered a neater, cleaner picture, often excluding the kinds of people we might run into on the street, or walk past, or see on the news, distant and dehumanised.

Queerness is normal, yet for a long time it has been one of the first things to be cut out of fictional worlds. And when it is present, it's a big deal. An object lesson or a cry of triumph over breaking free of unfair strictures. I love stories about queer joy and victory. Heck, I'm a sucker for a good, soppy gay romance. But these aren't the only kinds of stories we tell. Sometimes we need to reflect the worst aspects of the world and what it does to normal people.

In attempting this, Iron-Blooded Orphans commits to an idea of 'normal people' that includes those who are gay or bisexual, those of colour and those we'd call white, the polyamorous, the illiterate, the desperate, the powerful, those who throw themselves into the fight with everything they have, and those who are simply kind. Those who are accepting, understanding and compassionate. Those who need to be accepted, who struggle to be understood, who suffer for a lack of compassion.

There are all sorts of people in IBO and – as a certain cheery, violent dumbass once said – man do I love it. I don't believe it is reading against the spirit of the thing to imagine more diversity than gets outright stated, to interpret one of the leads as ace or suppose another side character is bi or pansexual. It would seem entirely natural if they were.

Everyone's welcome here, down among the debris and the bloodshed, where hope is precious and fleeting and still somehow endures. So why shouldn't we raise a few extra pride flags?

Queer as in 'fuck you'

This all said, taken as a whole, Iron-Blooded Orphans is not a story about queerness or queer romance. Nowhere is this clearer than in its ending.

I skipped over the framing of the final scenes of the anime when I discussed Kudelia and Atra. They form a striking contrast with the ending of The Witch from Mercury, where the conclusion is directly focused around Suletta and Miorine's love for one another, their bonds of wedlock, and the happiness they have found together. This follows from the show being primarily about their relationship. In Iron-Blooded Orphans, the ending focuses not on Kudelia's feelings toward Atra, but those she has for Akatsuki, Mikazuki's son, with Eugene even saying she's eager to go see 'the man she loves', setting up a brief moment of uncertainty over who the character with Mikazuki's outline actually is.

The nature of Kudelia and Atra's relationship post-time-skip is implied rather than stated: in the English versions of the script, they do not refer to each other using terms suggesting they are married, although Atra has dropped her habitual 'Miss' from the front of Kudelia's name. They do not have wedding rings (redundant as those would be alongside the charm bracelets) and Akatsuki does not call Kudelia 'mom'. That they are raising him together is suggested very strongly, in line with Mikazuki asking Kudelia to be guardian of his child if he died. There are non-romantic ways of taking this idea, though, and none of these are closed off as viable interpretations.

But why should we expect some definite statement about romantic status when the point being conveyed is how Tekkadan's legacy continues to shape the world? This is a story concerned with the exploitation underpinning the world and the effort required to make even the smallest wide-scale change. It is about how people trapped at the bottom of the pecking order are still people, still human, messy and complex. It is about their pointless deaths, they ways they struggle on until those deaths come for them, and why they matter, even if the world forgets them.

Mikazuki, the living weapon, the human sacrifice for Orga Itsuka's reckless ambitions, leaves behind a child who will grow up in a more peaceful time, in a society slightly better off than when he and Orga were starving on Chyrse's streets. He doesn't live to see it; Akatsuki does. For all the failures, the attempt wasn't a waste. Don't you dare disrespect the people who died by saying it was.

This is where the epilogue centres, on Akatsuki and on Kudelia's cherishing of the world Mikazuki and everyone else built. Atra and Kudelia's relationship is there, a part of the gentler life they now have (Atra's desires were always towards the version of her existence where Mikazuki retires to a farm; here she fulfils the dream with Kudelia alone). It just doesn't need to take up space for the ending to land.

Yet, as I pour over how queerness is incorporated into Iron-Blooded Orphans, I find myself considering the struggles queer people face in reality. The victims of the AIDS crisis, dehumanised by indifferent institutions. Section 28 and the attempted destruction of knowledge around non-heterosexual forms of love. Riots and campaigns, voices raised loud and proud. How we are equated with dirt and corruption, reduced down to facts others find disgusting. The name-calling. The petty, pathetic posturing that makes everyday existence pointlessly harder.

So it goes for space-rats and degenerates alike.

I am lucky. My life is about as far from that of a child soldier as it is possible to get. My sexuality has been largely invisible. My gender matches the one most favoured by my society. I still have more common cause with those born in poverty on the other side of the world than I will ever have with the aristocrats and billionaires who shape the direction of my country. Because we hold many causes of misery in common. Because we share the same capacities for joy and suffering. Because our humanity is so easily cast aside by those we will never be able to touch.

There is always a place for stories uncomplicatedly about queer love conquering all. Equally, it is important to recognise the places queerness overlaps with stories about the many other ways the world casts people out. It is vital to be able to explore loss, futility and heartbreak. It is essential to capture why we strive onwards despite how heavily tragedy might weight us down.

We may be doomed. Our lives still matter. To ourselves, to each other and, whether they remember or not, to those who come after us.

So, no: for all the queer characters it contains and the many more we might trivially imagine queerness into, Iron-Blooded Orphans is not gay in the vein of The Witch From Mercury. It is not a happy story.

But it is a tenaciously hopeful one and, from certain angles, that alone looks queer as hell.

---------

Happy UK/US Pride Month – in honour and memory of Marsha P Johnson and everyone else who refused to go quietly.

I shall leave you with one of the least straight things ever to be included in any Gundam show.

[Index for further writing]

[catras-breakup-song]

how do you feel about the whole "you always wanted more" line that got cut? at first i was wondering why they did that because adora didn't want more until it made me think "huh, what if prime was just running on catra's memories and didn't actually know adora?" but i'm curious as to what you think

OH MY GOD I AM SO GLAD YOU ASKED THIS. i am such a sucker for the cut STC script. back in late 2020 & early 2021 i had a twitter layout based on “that little spot on the roof that only they knew about” because S3 is my favorite:

even better, i have another old twitter fancam saved from around that time too that used that screenshot of the script in the beginning. it was by the username yoosene but is now long gone, so i reuploaded it to imgur here (the hands part, i’m going insane…)!

anyway, as for interpretations, it was absolutely to manipulate & guilt-trip adora. i recently saw someone say (i don’t remember where though, sorry) that he was torturing both of them by setting up that nasty fight against both of their wills and had planned to kill catra all along — despite saying he wouldn’t right after she rescued glimmer and was imprisoned for it, in my opinion there was an unspoken “yet” even though he did technically say that word but you know what i mean; “you will be of use to me, and then everyone from your blighted planet, including yourself, will be destroyed.”

that’s the thing about what the show was trying to convey through her stay on prime’s ship via glimmer’s desperate pleas, isn’t it? her illusion of power was only ever temporary. once she no longer had anything of value to serve, what would she be worth? how could she have genuinely believed that he wanted to save her, of all living beings, from the curse of humanity & will of consciousness? what makes one individual different to an omnipotent god compared to countless others across the universe throughout space and time? i truly believe that he was subtly mocking her when he talked of her being “exalted, raised up above the other wretched creatures of [her] home world.”

i was actually trying to find another five by five takes quote about this, because mentioning them is always an obligation for me, but surprisingly i didn't really find anything about how catra had worked her way up to prime's recognized single subordinate (only that moment of reflection afterward, which is just this entire short video), and was under the false impression with a cocky & confident attitude that her position meant something for her safety & survival; i'm mostly referring to this moment:

the horde's the horde...even in space. as long as i'm of value to horde prime, i've got a place in this world. i can work my way up here, just like i did before.

actually y’know what… i’m going to tag @horde-princess because this is starting to dive into religious meta which is like… her whole gimmick thingy. we would be blessed (pun intended) to see your take on this writing that never made it to the show, if you haven’t given it already!

now this is veering too far off from the original point after getting sidetracked. the tone of those quotes in the alternate script is (fake) pity, and horde prime was entertained by the struggles of mere mortals. to make adora a failure of what she represented would surely force her to give up she-ra to him, because what would even be the point anymore of living up to expectations if she couldn’t save catra first & foremost (that’s something that she struggled with since initially leaving the horde over three years ago due to how catra made her feel about supposedly breaking their childhood promise… but it’s a story for another post)?

i don’t doubt that your thought process is at least partially right too though, anon. prime didn’t read adora’s mind thoroughly at any point, so it’s entirely possible that he just read off catra’s intense feelings of abandonment & betrayal. that being said, if he really did see all as he claimed, maybe he was able to recreate an objectively accurate collection of events and knows what really happened and what the intentions behind certain actions were. i also wonder if catra secretly knew deep down that adora’s defection wasn’t directly about her but just couldn’t admit it until she had time to deeply reflect on it during “corridors.”

i’ll leave this messy, unorganized post with an amazingly relevant gif set made by an editor whose work on here i really enjoy:

as i said a long time ago, you just had to be there on november 19th 2020 when that excerpt was released because the hype was crazy!

[boggyblazingmood]

Remember when y'all harassed Calam Lynch to the point that he had to delete his Twitter account? Remember when y'all mocked Ruby Barker posing in front of a lake gleefully remarking that y'all can't wait for her character to die for Philoise? Mind you this was during when she had a psychotic episode which definitely made it worse. Because you people with NO BOUNDARIES! And you still are threatening Calam by sending him car videos in Instagram hoping he'd get ran over. HE IS JUST AN ACTOR PLAYING A FICTIONAL ROLE GET OVER YOURSELVES! There are definitely toxic Theloises, I'm not denying that in the slightest. But I have never heard of any Theloise who threatened Chris Fulton with death! And we never photoshopped any of the male leads Claudia worked with for Calam's face. We also didn't engage in this behavior in Miss Austen or Sweetpea replacing Synnove or Ella Purnell with Claudia Jessie. Because that's gross!

Yeah! Claudia aims to do right by Eloise by maintaining her characterization as someone who wants to chance society for the better. NOT! Realizing the error of her ways and suddenly wants to be a sex nanny in the countryside. That is what is meant when Claudia aims to do right with Eloise!

Guys.... Chris Fulton isn't returning... Either the man has the MOST CHILL acting contract on the planet. In which journalists are barred from ever asking him about his return to Bridgerton while also having the privilege to post Bridgerton-related things. Or... He's done with Bridgerton as he was always a minor character who resolved Marina's involvement in Polin. Now Calam? That man is cagey AF whenever asked about Bridgerton plus that deleted script is not canon and that scene he filmed for S3 was deleted. We don't know what that scene was though...

I genuinely think that Claudia Jessie is more afraid of the Philoises than us Theloises. Yeah I'm very invested in Eloise ending up with Theo. But Claudia ≠ Eloise and Theo ≠ Calam. We aren't the unhinged ones coming up with ship names and stalking Claudia and Calam. We aren't the ones creating that gross AI renditions that sometimes veer as crossing the boundaries especially with NSFW ones. Like I previously said, there are definitely toxic Theloises but I've never encountered anyone who created AI Theloise sex scenes, ships Calam and Claudia, or insults either one. Yes, I've seen Philoises insult Claudia's age and working class background. I also think it's an insult to CF whenever they make him over 6' when he's only 5'10 to Claudia's 5'6. I'm not bashing his height, but it clearly shows another place of insecurity amongst the Philoises.

😜

Aww you probably do care if we like you or not if you're talking about it. And of course y'all will get negative comments on that main sub. We don't know who Eloise will end up with in any way, shape, or form. Assuming she'll end up with Phillip will obviously result in downvotes because it's about the SHOW! If you want to talk about Phillip, there's always that couple's sub and the books sub! Chris Fulton most likely won't be back so don't fool yourself. That site is an unsubstantiated film updates site that should be treated like a gossip rag. But of course Philoises will treat it with the utmost respect as it mentions Phillip Crane 🙄

[bird-inacage]

Love Sea the Series: Trailer (Tongrak's Love Story with the Island and it's 'Ocean')

You know me, I'm back with another analysis. This time in response to the Love Sea trailer. As I was writing this, it led me to frame our two central characters' differing outlooks as follows. Let me explain.

Tongrak 'We're not a work of fiction, fairytales don't exist' Mahasamut 'We're not a work of fiction, life doesn't follow a script'

STRONGER THAN FICTION

"Didn't I tell you, I don't believe in love. I don't believe. It's not even real to me. Between us, there's nothing more than sex." What seems to fundamentally scare Tongrak is the very idea of love itself. A belief that prevents him from accepting that anyone could love him, or that he has the capacity to love anyone in return. Because love is a construct. A fantasy. A work of fiction. Love to Tongrak is just a fairytale, it's not rooted in reality. The passages of love in his novels could never truly imitate life.

So understandably he begins to feel shaken when his relationship with Mahasamut challenges everything he thought to be true. That what he's experiencing is in fact inspiring his writing. Because it surpasses fiction.

"Everything is up to you to decide. You can pay me as much as you want. But what you can't decide on paper, is that you can't make me stop loving you. You have no right to do that." Mut seems to insinuate that as an author, Tongrak is used to controlling the narrative. This is where he feels most safe, until Mut came along and threw that into jeopardy. Here, Mut seems to declare that he isn't just some character in Tongrak's story. Nor are his feelings. He has agency. Their feelings for one another aren't just lines on paper. Real life does not operate in this way, it veers off script. That's the beauty of living. Mut's life is one dictated by the elements. One that teaches you to be resilient, to take what life throws at you by embracing the curveballs. And love is no different.

A TRANSACTIONAL AGREEMENT

Tongrak offers to pay Mut initially as a means to get him off his back. "How much do I have to pay you, to stop you bugging me?" This is then used increasingly as 'a convenient excuse' that escalates as the plot ensues. I predict that Tongrak continues the guise of paying Mut as a pretence to spend time with him.

By doing so, Tongrak is creating a false of security that is twofold. One, that he's able to keep Mut by his side as long as he pays him. Two, convincing himself that Mut's motivations are driven by financial benefit. Framing this as a transactional relationship means Tongrak doesn't have to face what is developing beneath the surface. This also instils an illusion that he can procure the outcome he wants, which is to keep Mut by his side.

As Tongrak's feelings grow, this becomes an even flimsier front. "How much do I have to pay, if I want to take you to Bangkok with me?" You can hear how desperate he sounds. Whether it's a matter of pride or otherwise, Tongrak seems inclined to attach his request to an incentive. He may be too afraid to confront the possibility that Mut could willingly leave his life behind for him - because that would be out of love and not monetary gain. So Tongrak gives Mut a reason to do so. A reason he deems fit. One he can live with. I think Mut can see through this too, and plays into the whole charade, but ultimately all Tongrak would have to do is ask. "I'm willing to be your dog." (Just say the word).

"If someone who is not highly educated like me understands, between the two of us, there is nothing more than an agreement, right?" Even if Mut is very emotionally mature, and plays along to make things easier for Tongrak to swallow - Tongrak is still trying to deny feelings they share which have long gone past just an 'agreement'. (You do feel something for me though, right? This is just smoke and mirrors but you do care about me, right?)

THE FEAR OF DEPENDENCE

In the latter segments, Tongrak displays evident dependence on Mut. It's as if Mut's aid in his survival on the island has now imprinted on his life as a whole. Tongrak gradually embraces the guide that Mut is, to lead him on an adventure with no particular destination. There's every possibility that this is what Tongrak was afraid of. Of relinquishing control. Perhaps hesitant to do so in the hands of someone younger, more boisterous and seemingly carefree. Someone he wrote off as a "dumb kid" with little substance.

The diving scene could very well be a metaphor for this. Tongrak agrees to do something that requires trust in Mut's expertise, by putting his own safety in Mut's hands. And when he does run into trouble, Mut is there to literally bring him back to life. He begins to recognise that Mut is a man of responsibility, someone he can rely on.

There have been hints that Mahasamut is also going through his own battle with loneliness or isolation. Fort says "and now Tongrak is by your side, you are not alone." MAME also comments that "Mut is the guy who is as strong as a castle. The wind and waves can't hurt him. But Fort proved that a strong man can cry." I think that as Tongrak starts to realise how much comfort and reassurance Mut provides him, he'll want to return the favour. How can he be that same emotional support for Mut to lean on?

What we're about to see is not just Tongrak's love story with Mahasamut, or 'an island', but a whole other life he may have never lived, had they never met. Mut's interception into his life is rewriting the narrative he had consciously or unconsciously dictated for himself.

Note: As with any of my metas, I am basing my interpretations on what I have seen alone. I haven't heard any spoilers from the novel.

[delugyu]

pining with a hundred hearts (teaser)

find the full fic here! 🤍

summary: Confessing to you should be easy. Kai’s got his whole speech prepared, having gone over it about a million times in his head now. All he has to do now is say it exactly as rehearsed. As long as he keeps his cool and doesn’t veer off script, or say something stupid and thoughtless like—“Do you wanna hook up?” he blurts out, wide-eyed and shaking.

…Yeah. Like that.

pairings: huening kai x fem!reader

word count: ~15k (350 in the teaser)

tags: fluff, smut (mdni), best friend!kai, yeonjun being a mediocre wingman, multiple smut scenes lol, switch!kai, switch!reader, more to be added

notes: thank u to this anon for the idea hehe. i’m thinking this will probably come out in the second week of march but we’ll see. lmk if u wanna be tagged, u just gotta have an age indicator on ur page!

“So… can I kiss you?” he asks, fidgeting with the hem of his shirt.

“Yeah.” He wipes the sweat off his palms onto his jeans before he leans in to start closing the gap between you. He lets his face hover a few inches away from yours, taking in your beauty from this close up. You’re so pretty that he already feels himself getting hard just looking at you like this. He stares at your lips, thinking about all the hours he’s spent dreaming of how they’d feel against his.

A voice in his head urges him to run away and hide. What if he’s not good enough for you? What if he doesn’t make you cum? Maybe he should just apologize for saying anything and blame it on being drunk or something.

You push forward before he can pull away, and suddenly your lips are on his and fireworks are going off everywhere. Or at least that’s how it feels, Kai doesn’t know—half of his thinking prowess is in his dick right now.

The poets were right: a kiss with your true love does feel different. This is a high Kai has never felt before, one that leaves him lightheaded and struggling to cling onto reality. God is real, the universe is good, and he’ll devote himself to worshipping you for the rest of his life.

His hands find your face with a feather-light touch, unsure how far he should go just yet. One hand tangles itself in your hair, using light force to press your face closer to his. He wants to feel your soul enter his body, to become so intertwined that your beings blend into one.

He grants your tongue access into his mouth as soon as he feels you licking at his lips. He has half a mind to be embarrassed by the whine he emits when you deepen the kiss, mentally scolding himself for being so pathetic. He shivers when your hands fall onto his shoulders, completely weakened by your touch. He’ll let you go as far as you want, he’ll give you the world.

[lostsyren]

I’m lowkey still scared for what will happen with Sofia and rafe in season 5 and yk the whole riara thing the people are pushing but after seeing madelyn’s replies to some comments on her TikTok (talking about shipping riara and wanting them to get together in obx5) I feel like it’s not happening so maybe it’s safe to say there’s a chance for rafe and sofia to get back together. I mean you never know with the pates but it would be crazy to just let them go since one of the pates already said in an interview that their story continues in S5.

(Madelyn also shut down the rumors /theories about Sarah losing the baby so they probably got the scripts for S5 already).

I’m scared and excited at the same time ugh

Sameeee! Idk I’m tryna accept the show is gonna go in the direction I don’t want it to (rafe and kie becoming a thing, Sofia being an afterthought, storylines sacrificed just for a ship– like they did with jiara…) because at least then I won’t be disappointed if I expect it.

I’ve seen Madelyn’s comments too, but that doesn’t really instil much confidence, seeing as she’s just an actress and only the writers will know what they’re doing. And from interviews in previous seasons, it seems like a very “make it up as we go along” type of set environment, so I doubt anything is outlined fully. So even if they’ve gotten the scripts, it’s probably just for one ep😭

But I have hope!! Sofia’s “end” felt very rushed and undefined– like they have to have some mention of her. My moots and I were just talking about that today actually. About how they forged a connection between Sofia’s dad and Hollis and completely left it open ended. And now with Hollis’ murder, I wonder if Sofia will get involved in something else? (Idk about her and Rafe’s fate– as long as she’s there in some capacity).

That whole scene with her dad felt odd. The way she greeted him compared to the rest of her family, and the weird, off handed look he has before trying to involve his daughter and her bf in some shady business?? I thought he’d have a bigger part to play in part 2 but ig not😭 Tbf she’s a side character– I wouldn’t blame them for not focusing on her. But to kinda just let her story fizzle out after they’ve set up so much feels stupid.

“the whole riara thing the people are pushing” –This made me laugh because I feel the same way😭. The ship feels very reminiscent of jiara, in the sense that it very much started out as a non-canon, unplanned ship spearheaded by overzealous fans and now is consuming the show for the worse…“the whole riara thing” is literally just a thing because wdym they’ve had a whole ass fling in Kie’s kook year? The writers need to stop reading fan theories and stick to the original plan😭. Fans are again revolving the entire show around two characters and kinda ignoring or understating the rest of the relationships/dynamics the characters have with everyone else. Like the way they interpret their scenes being cold hard fact that Rafe and Kie have something…but really??? Did they? Do they?

Maybe for “Kie’s season” we don’t veer into another romance after her “soulmate” just got murdered. Maybe Rafe and Kie can have scenes and meaningful development and it doesn’t have to be romantic. They don’t even have much chemistry if I’m being honest. If they do end up becoming romantic, the casual watcher, (who isn’t riddled with the chronically online/overly dissected takes of the show), will be left feeling confused. Because all of their so called “development” and “chemistry” is really just headcanon and is unsubstantiated in any real way.

Ig you could say not everything needs to be shoved in your face, what happened to reading between the lines and media literacy…but sometimes you need to just take a step back and consider if it’ll actually make sense and if the show you’re watching is what you’ve made it out to be.

But I digress😭 I’d love for Rafe and Sofia to get more development. Now that they’ve hit the first major pothole in their nearly two years of being together it’ll be interesting to see all the cracks in their relationship they covered up. For Sofia to finally stand up for herself, for Rafe to clock how horrible he was to her, to see how they fight, how they make up.

But again, keeping my hopes at a low level. I’m not delusional, like ik it’s the final season, and ik Sofia is not as important as the other characters. But a girl can dream😭 (and I stand by the fact that they can develop her/rafia in an interesting and meaningful way…Idk if they will, but I can see another storyline intersecting with the main pogues vs Groff one, where the story returns to Kildare…maybe then Sofia will be involved more in tying up loose ends: with Hollis’ murder, the whole pogue vs kook riot plot, Shoupe still investigating Peterkin’s murder…there’s probably more but I can’t remember– there’s many avenues for her to take. They find a way to make Topper relevant every season, I expect the same treatment for Sofia😭)

[fl00mie]

I like to think of Ink as the type to look for beauty in stuff. The type to live in the moment and enjoy everything to its fullest. His weak points may be his inability to not separate himself from happenings that don't involve him, as just as he ends up appreciating the will of people and the stories they tell, he focuses on the "what could be" and "what's supposed to be" of every world which inherently is without his interference, and fails to consider changing their course for a "better" outcome. It's canon he doesn't think of people as real in the same way he is, but I like to hc that he doesn't see himself as real either, not in the same way. All these peoples have canonical stories and world's and he is the outsider who is observing the script. He is not meant to be real or canon to any of the world's he visits. Skfkdkf I'm bad at explaining...

I don't know if he himself gives it all as much thought as I do, but I HC that he thinks of the world and his place in it a bit like ecology. the structure of everything is like an ecosystem, and just as we can't help every single injured deer or stop every predator from hunting it's prey, he doesn't want to intervene in every AU because it's unsustainable stale. The death of the ecosystem is when a story veers off what makes it interesting so much that it becomes uninteresting because of a deus ex machina (which is him).

The other part is I think he thinks of them like art. Everything around him is art and made by an artist. All of these complex scripts are an ecosystem of characters and plots, and interfering is like going to a museum and drawing in the paintings. I HC this is also part of how he observes the ecosystem of universes and that to an extent, he avoids meddling with them because an unfixable ecosystem caused by outside intervention is worse than a bad timeline because a bad timeline continues to exist. An unfixable one that's slowly leading to nowhere gets abandoned. If universes keep getting abandoned he'll die and that's no good!

And he might not remember it but he knows there's no fate worse than being abandoned

(excuse the ramblings of a me. I am unwell ✨💕)

it's interesting to think of him that way considering how he behaves with the rest, honestly i don't feel like anyone knows him well enough to know that kind of things and i love to think about it too x3c the thing about him not feeling the same as everyone else, most likely it's about him not thinking that anyone can reach his capacity for meta-knowledge, in this aspect (forgive me for this) i feel like error might be the one that most resembles him, he's aware of the aus in all their splendor but not of the artists.. xgaster might also fall into this category for obvious reasons

god i love the way you say stuff😭😭 you took the poetic very literally/pos AND IT MAKES SO MUCH SENSE ISTG whatever perspective you try to justify him with, he'll always have valid reasons and be directly involved with the well-being of the creators.... and i'm sure he wouldn't be able to put it into words like you did no matter how hard he tried so other characters as an error, nightmare or anyone who does not understand his ideology will never do it if they don't do their part, for this and a thousand other things i love ink as a character inside the multiverse and metaverse❤️‍🩹 it lends himself to too many interpretations that don't seem to be exhausted with the passage of time, i love him so much like you have no idea