#which is a good idea in theory. however i do not know how to use the HPC lol
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ganondoodle · 10 months ago
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(idk if anyone wants to keep hearing my opinions on totk book stuff but-)
apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this
i dont think theres anything they can do or say that wont make be believe they either
are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all
something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)
given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??
are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )
(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)
#ganondoodles talks#zelda#ganondoodles rants#idk if others feel like that too but i cant shake the feeling there was something that either went horribly wrong during development-#-or the entire thing was neglected the whole time which is why its so .. i hesitate to even call it bare bones#...which is WILD given that its the supposed sequel to their best seeling zela game#like wtf where you doing#i get that the pressure can be immense but imo it wasnt that hard to make a sequel to thats better than totk#like i think it was harder to make totk like it is NOW bc it scraps and throws away so many things you could have easily used-#-as sequel material#its all so weird to me#my tin foil hat theory is still that they saw the success of the mario movie and immediately shifted everything to make more movies#bc it made so much money#and a movie is easier to make than a good game#so totk or botw2 at the time got the short end of the stick#which is why everything feels like .. so ... bare bones .. untested .. unfinished .. non sensical...#like an alpha build that got enough visual polish to look like a full game when its still an alpha build at its core#some main ideas like the abilities implemented and the basic map layers#mechanics functioning but untested on how it feels to play#like the sage controls and arrow fusing and ... contradictory game mechanics that dont work together#like the bulding WORKS but its clunky and underused- everything can be cheated so easily you dont even feel good cheating-#-bc it feels like the teacher just allowed you to mark your test with a green circle and you still got an A (or however USA grades work)#despite not even reading the questions- why attempt to solve a puzzle if you can just skip it#and how they tell you to be creative with it yet creativity gets punished and only efficiency is rewarded#which completely undermines the entire thing#...theres so much more you know i have ranted about it all before#ALSO rauru and sonia seemed like a rather newly wed couple to me- not one that had multiple kids that never appear-#since it only mentions rauru ..... if its only his then ... that doesnt explain anything bc zelda needs both sonia and rauru dna#................do sonau leave eggs to incubate somewhere heavenly or sth#watch out the springs where built to hatch rauru eggs bc they need the gods holy blessing bc they are oh so holy to hatch
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javert · 26 days ago
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every time i have to open the top level NX assembly at work, an angel loses its wings
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toxycodone · 1 year ago
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Laios x Beastkin!Reader
an. Senshi, Chilchuck, and Marcille x Reader are mentioned quiiiite a bit in here. Izutsumi x reader is more sparse. split between furry/scaly/feathery beastkin after the more general ones in the beginning. SORRY if the formatting is weird I got "text limited" a lot on this lmfao
this is a lot so. <3 show sum luv
general sfw
when you two first meet...bro is ELATED. He knows Izutsumi, which is fine, but you're an entirely different one. Who also doesn't seem to be super against him getting to know them
He asks SO many questions. What are you mixed with? Are you naturally born or artificial? What's it like having wings? A tail?
He's testing out all your features. He loves them so much.
When there's downtime, he likes to conduct "research". This goes for analyzing your features and making notes, comparing them to his books and other notes, and even more intricate tests like reaction time and stuff.
He'll hold a candle/torch by your face and test your pupil dilation. It's oddly intimate because he's just staring you down and its like. okay. are we gonna kiss orrrr
Loves. Loves. Loves just WATCHING you. Seeing the way you pounce on little bugs for fun or get spooked by certain noises. He just smiles and is all amused.
You'll catch him doodling you pretty often. He makes notes like "y/n caught a treasure bug today. They seem pretty skilled at hunting. Failed to kill it for some reason...just played with it until it scurried off." The doodles are like...surprisingly pretty decent. The monster portions of you are the best looking and most detailed. But it's so cool to see just how much he pays attention to you and your idiosyncrasies.
Your interactions with Izutsumi also interest him. Do you guys get along? Are you prey to her? Or is she to you? If you and Izu are talking or around each other he's watching like a hawk out of pure curiosity.
However...there's a particular page in his journal where he's providing feedback on how he would make you "better" aka cooler. It's basically just his own ramblings. No Laios, an extra set of eyes and the ability to breath fire and ice and everything in between is not. better. you're just salivating over the idea of your monster OC
If you bring this up to him he actually agrees. After a lot of note taking and observation he's really fascinated just on how well suited your entire existence is to...surviving. He has a lot of theories he'd love to share about you.
But he has e x t e n s i v e notes on your body. It's something that fr makes you blush because, why is he theorizing about the base of your tail and how it connects to your spine? and the number of nipples you have? wait...how is his guess right...?
But Laios is so useful. You might as well call him your owner. You don't have to lift a finger when it comes to taking care of yourself. (He misses his dogs so you fill in.)
He takes care of your skin/fur/scales/feathers, cuts your claws, helps you file down your hooves or horns. He's very into taking care of you if you'll let him. (Marcille also hops in on this since its her love language LOL. When she's not busy with Izutsumi she helps when she can.)
If you are like...afraid of water or don't enjoy bathing. You are like the party's pet. They're debating on how to get you clean before Chilchuck is like "if you don't take a bath I am going to kill you and throw you in there myself." Laios then goes all puppy dog eyed bc he thinks Chil is being to hard on you and then he sighs and is like "fine. I'll buy you a treat when we get back to the surface."
Marcille/Laios are really good when it comes to bath time. They aren't weird about it (Laios is checking you out but. In a curious type of way. Marcille is giving him side eye if hes getting too...Laiosy. But he respects your boundaries. Just imagine Laios happily scrubbing you while humming a tune awe.)
And when it comes to sleeping arrangements...you can alternate between anyone in the party. But Laios and Chilchuck are your best bets. Marcille is an excellent sleeping partner if the dreams don't bother you, shes soo happy to have you sleep with her and she's soft and smells nice.
Laios happily lets you sleep with him. He's actually not super cuddly (unless you are he'll reciprocate). But he is very much like, giving you a ton of space. If you fall asleep before him he just relents and sleeps as comfortably as he can around you lol. Literally just like any other pet owner.
Chilchuck....sleeping with him is difficult bc Izutsumi will fight you on it, but she relents if you can fit in without much issue (bonus points if you're warm) so. You guys can both overheat this poor man. Izu may even start cuddling with you more. She finds a lot of comfort in having another beastkin in the party even though she won't say it.
And speaking of Chilchuck...you're likely a bit more cooperative than Izutsumi, so he gets your help when it comes to checking for traps and finding treasure. With your elite hearing and other abilities, he's actually really pleasantly surprised how useful you are. (If you were a half-foot he'd definitely want you in his guild). He gives you pets and treats when the others aren't really paying attention (He doesn't want them to see him doting on you is all LOL).
Okay. So. Your diet. This is an anime about eating so. Let's get down to it.
Whether you're a herbivore, carnivore, or omnivore--Laios is ENSURING your needs are taken care of in the party. It is of upmost importance to him.
He takes notes and asks about how certain foods make you feel. Are you more energized? Less energized? Stomach hurting? Pooping well? (Will ask this with upmost sincerity, he wants to make sure the butter/milk/etc used in their cooking isn't interfering with your tummy. Whether you want to answer this is up to you lol).
Laios and Senshi happily adjust things to your needs. Laios will spend time foraging with you, Senshi will find certain monsters with more nutrients that meet your needs. Senshi is also like, really knowledgeable about nutrients, so sometimes in your food he may grind up shells or bones to meet calcium needs and such. When he cooks he'll give you bones or soften them up in water so you can eat the marrow. :-)
Senshi...is the coolest though. He also lets you perch on him (like Izutsumi) and since he's lived in the dungeon for so long, he knows a lot about monsters firsthand. If it applies, he'll give you tips about yourself or some monsters you should prey on. Senshi and you go on little foraging trips too. He'll have you sniff things out in return for extra food during dinner.
Laios likes to see you hunt prey and eat it raw, though. Everyone else would rather not and it makes them sick but he thinks it is SO cool. He honestly wishes he could do that. He takes hunting lessons from you and will give you tips on being stealthier and such.
Your teeth really fascinate him. He likes testing your bite strength on different types of material (Like wood, stone, bones, etc.). He'll stick his fingers in your mouth and admire them if youd let him. He gives you so much praise in general its so cute.
AND. PETTING YOU. He is so tactile if you let him (i mean look how much he tries and fails to pet izutsumi). When you give him the all clear he is like. jumping for joy. he LOVES to pet you and praise you. He absentmindedly pets you when hes sitting down or standing by you. And when you nuzzle into his touch his heart SOARS. You can see on his face he's blushing and has that like. excited wiggly smile <3
I think when he's just sitting around he just messes with your tail. He likes it.
Lay down beside him and he will happily pet you and be like "do you like this? Is this a good spot?" Present. Your belly to him. and he is over the moon. He pets you wildly and is like "Who's a good boy/girl/monster?" He is so unashamed about doing this too. Chilchuck would put a stop to it if you didn't like it so much.
If you give him kisses or tongue bath's he's eating that shit up (i mean. look at those extra comics w him and dogs he lets dogs just kiss all over his face omfg). He isn't a huge fan of getting his hair wet (sensory issue) but when it's your drool...he can't help but be excited. Laios is all like "they're grooming me?? this means they like me, right??? Can I officially say I befriended a monster???"
It's proof that you care for him and view him as apart of your pack...he is just over the moon at this.
I will say...Laios is way too "has no backbone with you" for a while. You're chewing shoes? You can't help it! Stealing snacks? It's instinctual! Playing too rough with Izutsumi? C'mon guys...
But when he notices his party actually getting upset. You will be surprised how he can put his foot down. Not even max puppy eyes work on him. He will leash and muzzle you if needed.
But you can always get away with messing with his stuff. He thinks its fun to chase you around when you got his shirt in his maw. Then he happily wears the torn up gear and Marcille is like "let me sew it..."
For Scaly Beastkin:
He's so helpful when it comes to shedding season. Laios finds nice rocks all the time and helps scrape off any patches that are drying and crusting and hes not even phased and doesn't think its gross at all. He would keep some skin to test its resilience if you let him.
And going with that, when you need to shed and soak he would help you find a place and will happily assist with the shedding. He's so excited to be there honestly. But he feels bad you are uncomfortable so he lets you cuddle up under the water with him while you wait for your shed to soften up <3
Laios runs his fingers over your scales absentmindedly...just loves feeling how smooth they are, especially after he spent so much time helping them maintain that pristine smoothness.
He gets Marcille's help to make a moisturizing ointment to put on you every now and then so you don't get to dried out in the dungeon!! Marcille starts to fret about that too. You're just kinda chillin and she'll reach over and put ointment on your hands/cheeks/tail. Just areas you may be susceptible to drying out.
Also...he lets you use him as a heating rock. Sunshine is really limited in the dungeon, so...when you need a warm up he's there and waiting and extremely excited to warm you up with a hug.
For Furry Beastkin:
Brushes you. He'd do this EVERY evening (and morning) if you let him. He takes notes, too. Do you have an undercoat? Or is it just one? What does this mean about what environment you originated from?
He probably tries to use your shed fur to embellish his own clothes or put in his pillow/blankets. Reduce, Reuse, Recycle I guess?
And to add to that...remember how Marcille made a cute little cat head from Izutsumi's fur? He does that too. He and Marcille make cute little shapes outta your shed and giggle together about it.
If you get fleas...he is the party member you should tell. He'll help you get rid of them and won't rat you out to the other members LOL. He'd probably blame himself if it spread and the rest of the party is like "you expect us to beleive. you got fleas. Laios you would be excited if you got them."
For Feathered Beastkin:
Preening....<3. When you have pin feathers he is so sweet and gentle. gently picks them out. It kinda tickles bc he's just gliding his fingers over your wings. You'll catch him sighing in content and burying his face in the softness. It's so sweet.
He collects your feathers and shows them off to Marcille (who also really likes them.) Your down is SO useful too. The party has the softest blankets and pillows thanks to you. When you're molting everyone is calling dibs on the feathers to stuff in their bedding.
Laios examines your wingspan and is really interested on stuff like weather you can fly or not. If you can, he's in awe. He wants to see it. Maybe even fly with you if he can. Its always been a dream of his to do that.
nsfw
tw (for nsfw). monsterfucking? if that counts. mentions of vent/cloaca/knot
This man. It is so easy to tell overtime just how fucking horny he gets over monster stuff. He is addicted to just how much you differ from him. Your scales, fur, feathers, wings, etc....he thinks they're all extremely sexy.
He just loves the primal aspect of it? Like you act on instinct. Do what makes you happy. Like of course you have human reasoning and such but STILL. You're so non human and otherworldly it makes his stomach knot up and his dick hard as a rock. He wants to know EVERYTHING about you.
If you have a heat/rut cycle...he is. fucking. begging you come to him for help. jfc you don't even have to let him stick his dick in you. He just slowly probes your hole with his fingers and legit GASPS when he feels it clench around him. Not only is he learning so much about you and monster anatomy but hes also having his monster fucking dreams come true.
I mean it is a given with Laios but his fucking face is always in your hole. He loves eating pussy/ass so fucking much. And having your dick, clit, or knot down his throat drives him wild. He eats your slick and cum like he's starving. He's so sloppy with it too--there's spit and slick and cum all over his face and he's just slurping it all up like its his last meal.
He definitely "examines" you. He'll stick his fingers in you and stretch out your hole just to get a better look at what's inside. (imagine his thumbs sliding in and prying you open.) The muscles pulsating and the color and the smell...god he's drooling. You feel all vulnerable and exposed but he's just constantly praising how amazing your body and its functions are.
He busts so quick with a beastkin it....wow. Like. You are seriously all he has ever dreamed of and shit. I can't imagine he'd be able to contain himself. He cums and just still wants more, he fucks you through the overstimulation until he cries
Oh he wants to know whats in your pants so bad its ridiculous. Like. I cannot explain just how much he is vibrating with excitement
If you have a cloaca...he's very gentle with your hole at first. You explain to him what to look for, what feels good. He'll gently explore with his fingers until he finds the right hole and then he's going at it. He's shoving his tongue in there happily too. He knows what a cloaca is. He knows it's a singular vent for waste and sexual functions. Doesn't matter. His tongue is going in there. Laios is beyond excited to taste everything and see what makes you squirm.
If you have a knot...it's a given he wants you to knot him. It takes him a few tries (he can't take your knot at first because he's too tight) but when he finally is able to its like. euphoric for him. He loves feeling your warm cum in his ass and your desperate pants against his throat as your overstimulated self gets adjusted to being stuck to him. Gods.
Plus...I've discussed this on my blog in more detail but with a beastkin reader he's definitely into
You biting/scratching him up. He lovvveess being marked. Use him as a chew toy PLEASE
Predator/Prey rp: He's a trained hunter but he wouldn't mind being hunted...He loves how strong you are and how you can turn the tables on him if you wanted.
Just?? You being feral?? He likes it when you act more like your monster side and just treat him like a toy.
Breeding Kink: Even if you aren't able to get pregnant or breed (either due to sex or incompatible genetics due to being part monster), he's still really into it. You can fill him up vice versa...He loves the feeling of having you last inside him and he loves knowing you're still filled up from him. Plus, it adds to the more animalistic part of sex which is what he likes
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ironunderstands · 1 month ago
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DR. RATIO IS GONNA RETRACE PATAVIA’s FOOTSTEPS, AND IN DOING SO HE MIGHT ACTUALLY BE THE KEY TO SAVING AMPHOREUS!!!!
Spoilers for 3.3 + some leaks (I think) ANYWAYS IVE BEEN INSANE ABOUT THIS FOR ~A Whole YEAR~ so yeah I’m making a tumblr post on it (cause even if TikTok users have no attention span, I know some people on here can read at least lmao)
For starters- who the fuck is Patavia?? (The love of my life/hj)
Well, she’s an NPC from the Council of Mundanites (which she helped form) that was alive during the Scholars Strife- which was essentially a fight that almost destroyed the Intellgencia Guild due to his members arguing and even battling eachother over how the remaining Scepters from Rubert II’s empire should be divided up and used.
Now, if you played the Amphoreus quest, you’d know that the game revealed that Amphoreus itself is made by one of these scepters- one that somehow managed to escape detection by the rest of the universe, concealing itself in the fabric of space time.
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Back to Patavia, the situation of the Scholar’s strife eventually leads to her discovery of “solitary waves” aka literal manifestations of Nous’s calculations. By following them throughout the universe, Patavia eventually finds something incredibly important- the heart of the Scepter system.
Inside is the throne which Rubert II crowned himself on, and is also the center of the “brain” of the scepter system- basically the main control panel. Anyways, under the watchful eye of Polka Kakamond (who’s presence Patavia is aware of), she gains the opportunity to use THE WHOLE SCEPTER SYSTEM AT ONCE.
…And potentially to no longer be a Mundanite, and to become a Genius (Rubert III).
However, Patavia doesn’t believe she’s worthy of it, and although I haven’t mentioned it; the Mundanite’s core philosophy is the idea that knowledge should be used to benefit and uplift everyone before being used for selfish purposes (like many scholars in the scholars strife did).
Therefore, instead of asking for something new, Patavia wants to understand Nous’s calculations that they’ve already made (which unknowingly saves her life, as Polka Kakamond tries to kill anyone who pushes the boundaries of the Circle of Knowledge in a way that denies Nous’s calculations + advances the Finality).
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She can’t comprehend it, but she does manage to propose the Solitary Waves theory, which Herta solves + causes her rise as a Genius.
This supposed “failure” is something the IG is so ashamed of, they used the History Fictionologists to cover it up, as they believe it proved that the mundane can never become Geniuses, due to how Patavia couldn’t ascend to becoming one despite the full power of the Scepter
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Ironically, this actually saves her life, as the sense of doubt Polka creates prevents her from killing Patavia in the end since she stays within the circle of knowledge. While doing this, Patavia also fries the system in the process (good for her).
Now this is imperative to Amphoreus, as Polka, famous Rubert killer- would probably not approve of Lygus’s actions and how he’s suspiciously Rubert-ing too close to the sun.
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In fact, that might actually be the reason why Amphoreus is hidden- as Lygus knows if Polka finds him, she’ll most likely kill him.
I think Screwllum and Herta are aware of this, as Polka is a firm believer in the Butterfly Effect, as depicted in the “Kill that Butterfly” curio, where even a small action can change everything (and if it relates to Nous, Polka’s gonna stop it).
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When referring to Amphoreus, Screwllum says this:
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-Meaning it’s probably not long before Polka comes knocking. GET HIS ASS QUEEN. KILL THAT FRAUDDD.
TLDR for this section: Lygus is probably gonna get slimed by Polka, Amphoreus is a Scepter and Patavia is a Mundanite that found the heart of the Scepter system, and “failed” to become a Genius while attempting to understand all the knowledge in the universe for the better of everyone.
So, as you’re probably asking: What the hell does this have to do with Dr. Ratio??
And I’ll answer: a lot actually.
_________________
PART TWO MY DOCTOR IS THE BUS DRIVER.
You probably noticed the me mentioning the Mundanites a lot, and that’s for a very important reason; Dr. Ratio is currently the leader of them RIGHT NOW.
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(Aventurine also calls him the “Genius” of them in the 2.1 quest too hehe)
Meaning, if anyone’s going to be retracing her steps/mirroring her arc- it’s gonna be him, especially since they also share the same philosophy. We’ve gotten the other pieces from the Unknowable Domain like the Scepters + a hint at Polka’s involvement + a mention of the solitary waves theory, so it’s only a matter of time before the last part becomes relevant, especially considering that she’s the means where we learn about a lot of these things.
However, this doesn’t exactly point to Ratio saving everyone, even if I believe he will succeed where Patavia “failed” that doesn’t necessarily mean he’s gonna be the key piece in fixing this shit.
Butttt, the 2.1 Cosmodyssey event (which I’ve been tweaking out about for over a year) suggests otherwise 👀
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This is the first mention of Amphoreus ever.
And as you can probably tell- the character Sparkle is playing of the “Divine Mecha” is 1000% Lygus or whatever his “real” identity is.
He invites the Trailblazer to participate in the “show” of Amphoreus, and saying “yes” is when things get interesting.
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He sends a very Ratio-coded woman to help, and if we “win” we get to destroy Amphoreus.
Therefore, freeing everyone from the simulation, and thus saving them? Also, only be improvising well and being true to ourselves does he let us succeed, which is both a very HSR and a very Ratio thing for him to do.
Now, this raises the question- how the hell does Ratio know Lygus?? Sparkle (Lygus) and Lady Greenday (Ratio) are fellow masked fools and presumably friends or at least coworkers, considering Lady Greenday agrees to help Sparkle out with this.
However, based of off everything we know about Ratio and Patavia, he’d probably want to set that motherfucker on fire the moment he steps on screen.
What happens next will only be apparent as time goes on, however I do feel confident in saying Ratio will play a significant role in helping Amphoreus break away from the simulation, even if he may seem like a villain in the process.
I have a few running ideas for what might happen.
Ratio learns of Amphoreus via Screwllum and checking in on the DU again (since we shoved a bunch of Amphoreus’s data in there) + using the power of the scepter, takes that data and finds a way to make it a real place, perhaps by asking the scepter system (like Patavia once did) something new this time- a question like “how do I fix this?” which may or may not end really bad for him depending on how you interpret the “Destruction” part of this
He’s known Lygus all along- in-fact Lygus might have made up based off the Titankin and then ejected him from Amphoreus like March was, except he remembers and is coming back to fix things. I don’t see a possibility where he is friendly with Lygus, but maybe there’s some mind control/coercion going on, who knows?
He shows up but only as a support for Screwllum and Herta, which I’m fine w but damn it would be boring (at least we might get Screwtio crumbs).
Or, a secret 4th thing which is probably what’s really gonna happen.
Anyways thanks for reading, and let me know what you think. I’ve been losing my mind over this for so long and 3.3 is literally making my delusions come true YEAAHHHHH. I can and will elaborate on this I just wanted to get the basic idea out of the way. Amphoreus will get a happy ending.
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maplesyrupsainz · 2 years ago
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˖⁺。˚⋆˙do-over | MV1˖⁺。˚⋆˙
pairing: max verstappen x fashion designer!reader y/n (she/her)
genre: social media au, "enemies" (exes) to lovers
warnings: i just be making shit up fr
summary: in which they meet again and rekindle their relationship much to the delight of their fans
a/n: tbh i got no idea how to do enemies to lovers so i went for like a past messy breakup nd rekindle of the relationship now they're older nd more mature or wtvr let me know what u think!!! this was a req but it was super duper vague so i jus pulled this together nd pls fr bare in mind tht im not a max verstappen fan by any stretch lol
request!!!: Enemies to lovers with Max please
fc: maggie lindemann
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maxverstappen1 life lately ⏰
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user11 Y/N IN THE LIKES I REPEAT Y/N IN THE LIKES
user12 no freaking way
user13 i need to know what's going on have they spoken since the podcast ?!!
user14 exes to lovers arc incoming🥹
user15 he's so cute
landonorris why is your comment section so full up of drama max
maxverstappen1 i didnt ask for this
user16 max is so tired of us LOL
user17 not sorry
user18 i love drama
user19 max acting dumb like he didnt post this to get her attention
ynupdates
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ynupdates y/n y/l/n spotted today outside a cafe with ex beau max verstappen, following the release of a podcast episode on which y/n discussed her feelings on how the relationship played out. the meet up has come after they were seen liking each other's instagram stories & posts, however the discussion they were having reportedly seemed heated and as though they were having a disagreement. rumours/theories of them rekindling their romance were rife but what is the consensus now? we are sending our love to y/n as always!
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user20 omg what is happening
user21 im so surprised she even met with him
user22 he wants her back & she cant deny him bc every girl has a soft spot for their first love
user23 agree but tbh it's probs good tht they argued or wtvr coz she isnt giving in to him she's making sure he fights for her 🤷
user24 some of u guys are delulu af
user25 what i would give to be a fly on the wall in that convo
user26 i hope he's changed or at least fr lets her move on
yourusername
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yourusername never lonely 🖤
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user27 omg first time we've seen y/n with her guitar in ages
user28 the guitar omg
yourbff best girl in the world
yourusername i love u 🫀🫀
yoursister hard at work or hardly working?
yourusername shut up you
danielricciardo you better not be drinking tequila without me!
yourbff we wouldn't dream of it
user29 omg daniel publicly being friends with y/n !!?
user30 something is changing here
user31 there's something in the air 🤔
yourusername posted a story
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liked by yourbff, danielricciardo, and 88,294 others
danielricciardo hang tight
yourusername lol thanks??
user32 send locaysh 🤟🤟
user33 we miss u y/n
user34 omgggggg i cant wait for more designs from u
maxverstappen1 posted a story
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liked by danielricciardo, landonorris, and 213,293 others
yourbff MAX WHAT ARE YOU DOING
maxverstappen1 getting coffee what does it look like
yourbff i know you're not taking that to y/n
danielricciardo if y/bff/n msgs u ignore her
maxverstappen1 👍
user35 SOMETHING IS HAPPENING HERE
user36 is this for y/n
user37 this plus y/n's story .... the maths is mathing
user38 No freaking way
yourusername posted a story
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charles_leclerc im on the edge of my seat!!
yourusername 😭 hi charles
yourbff I KNOW WHAT'S HAPPENING Y/N U GUYS ARE NOT SLICK
danielricciardo ignore y/bff/n
yourusername done & done
user39 im spinning around
user40 i've connected the dots
twitter ->
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instagram ->
yourbff posted a story
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liked by maxverstappen1, danielricciardo, and 22,293 others
danielricciardo have you forgiven me yet
yourbff i'll forgive max before i forgive you
maxverstappen1 have you forgiven me?
yourbff what do you think max emilian
yourusername you are not mad at all
yourbff of course not. i always loved max
yourusername 😜
ynupdates posted a story
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user45 oh my god it's real
user46 NO WAY IS SHE BACK IN THE PADDOCK
user47 & she said she couldn't ever be just friends with her first love...
ynupdates NO YOU'RE RIGHT
user48 they are soulmates for real
user49 i can't believe all it took was a podcast episode
yourusername posted a story
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liked by maxverstappen1, danielricciardo, and 548,293 others
charles_leclerc i will say i am shocked but happy beyond words to have you back!
yourusername ❤️❤️ catch up soon!
danielricciardo she's back for goood
yourusername don't speak too soon
yourbff can i come
yourusername max said only if you forgive him in writing
yourbff 😑
user50 shameless 🥹🥹🥹
user51 YOU GOT THAT GLOW OF A NEW OLD RELATIONSHIP
ynupdates not you trying to pretend you aren't ecstatic
user52 i want whatever max verstappen has
ynupdates posted a story
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liked by maxverstappen1, user44, and 128,103 others
user53 the lol
ynupdates trying to pretend i care about racing😕😕😕
user54 he's down bad for her always has been always will be
twitter ->
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instagram ->
yourusername
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liked by maxverstappen1, charles_leclerc, and 828,045 others
yourusername weekend off
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user55 they're just friends they're just friends they're just friends
user56 i dont believe it for a second
yourbff get back to work
yourusername im busy right now
yourbff oh i wonder what with
user57 max max max max
user58 she gets prettier everytime i see her
maxverstappen1 so glad to have you back on the paddock y/n ❤️
yourusername glad to be back !
user59 they r so stiff
user60 trying to trick us into thinking they arent in love
twitter ->
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instagram ->
yourusername
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liked by maxverstappen1, yourbff, and 982,193 others
yourusername all the good in my life
tagged: maxverstappen1, yourbff
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user64 SHE LOOKS SOOO HAPPY
ynupdates her smile😭😭😭
yourbff the way you're glowing
liked by yourusername
maxverstappen1 i love you ❤️
yourusername i love u too 🥹🫶
user65 i'll never recover
user66 the new (old) f1 it couple
user67 best wag of all time
user68 cant wait to buy all of y/n's new collection
user69 literally same it looks soo cool
maxverstappen1
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liked by yourusername, yourbff, and 1,284,083 others
maxverstappen1 i won
tagged: yourusername
view all 34,838 comments
ynupdates omg she is so hot what the hell
maxverstappen1 you're telling me
user70 OH MY GODDD
user71 her in max's car oh myyyy
yourusername wow
yourusername i love u fr
maxverstappen1 ❤️
danielricciardo you're welcome everyone
yourbff you do not get credit for this
danielricciardo have you forgiven me yet
maxverstappen1 and me?
yourbff no never
yourusername tell the truth y/bff/n
yourbff ok fine i was never mad
THE END 🤍
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mesetacadre · 8 months ago
Note
Hey do you think you could watch and give your throughts on youtuber Jonas Čeika video "marx was not a statist"?
Thank you
Quite honestly, the title alone already betrays some amount of anarchist metaphysics, the concept of stateism is a purely idealist notion which only works if you are a liberal about authority. But regardless, I still watched the full thing.
The video starts with a very semantic-focused discourse on how marx never used "socialism" to mean the lower phase of communism, and way too much time on the terms transitionary period/DotP as if they weren't two terms that refer to the same thing. In the case of socialism/lower phase of communism, I think he's obfuscating. He focuses the discussion on whether Marx used a certain term in the same way we do now. This would be like spending a good 5 minutes of a video presenting, with an almost accusatory disposition against modern communists, how the bolsheviks called themselves social-democrats, pretending like the terms haven't simply evolved. He promises an "active engagement with marxist theory" and he starts by arguing semantics. He even acknowledges this possible criticism, but you also then have to defend why that criticism is not valid, instead he acts like merely acknowledging it will make that criticism invalid. I'm also spending this time on this specific point because, later, he also forgets how Marx used the word "socialism".
When he does define the lower stage of communism, he engages in a very mechanic and economicist view, with the simple train of thought: No money (replaced with vouchers) > no capital to accumulate > no classes > no state. I think that just by asking how these vouchers will be regulated and how access to wealth restricted to the use of those vouchers, the conclusion that the substitution of money necessarily leads through that chain to the disappearance of the state becomes, very transparently, downright infantile.
In his point about how the Paris Commune changed Marx's view on the state, he cites excerpts in a very misleading way. The whole point starts by pointing out that, in the preface to the 1872 edition, the experience of the Paris Commune led Marx and Engels to the following analysis: "...the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes". This, along with a disregard of the importance of the specific policy points they outlined in the manifesto, and the importance of absolute centralization, means to him that Marx and Engels, actually, completely disregarded the use of the state on the road to communism. To quote Lenin: "Listen, comrade from Tiflis, one may prevaricate, but one should know the limit...."
What the video doesn't directly address (and although he talks about the text extensively, It's important to cite ideas where they actually come from), is that this quote, although it appeared in the 1872 edition of the manifesto, comes from Civil War in France, a longer text on the Paris Commune. This is a more complete context of that quote that the video never gives [ID in alt text]
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That quote is the beginning of a chapter in which Marx describes how the Paris Commune governed itself, and how it broke with the series of revolts that happened throughout the period of feudalism, how the class character of the Commune marked it as the significant event that it is. It is true that the Commune's aspirations for the entire world was for its form to be replicated even in the smallest hamlet, and it may even be true that this influenced Marx to generally reject centralization of the state. However, what the breadtuber obviates throughout the entire video, is that a small state is still a state, and furthermore, that revolutionary strategy is not dictated by what is right or wrong, but by what can be done to advance the cause of the emancipation of the working class. It is one thing to reject the state outright, and another very different thing to acknowledge that it is necessary to take control of the state to emancipate the working class, even if you abstractly oppose the concept of a state. Not only to take control of the state, which is the point of the original quote, it is necessary to create our own worker's state, in whichever form it best suits the concrete reality: "the working class cannot simply lay hold of the ready-made state machinery, and wield it for its own purposes". Jonas says that the proletariat should, instead, create "radically democratic working class institutions". These gentlemen think that when they have changed the names of things they have changed the things themselves.
Instead of understanding that point, he goes even further. Jonas has understood that, by praising the measures taken by the Paris Commune (which, let's remember, failed after two months!), Marx and Engels began to believe that "[the state] is by nature bourgeois". Maybe Jonas started reading Bakunin instead of Marx without realizing, this is perhaps the most liberal and historically illiterate portion of the 30+ minute video essay. Again, comrade from breadtube, one may prevaricate, but one should know the limit. In fact, Marx even says in the same text being discussed: "It is generally the fate of completely new historical creations to be mistaken for the counterparts of older, and even defunct, forms of social life, to which they may bear a certain likeness". The irony needn't be explained.
As if Jonas hadn't misconstrued the text and Marx enough, he shows the quote: "... although there is nothing socialist in them except their tendency...". At first I was unable to find this specific quote in Civil War in France, not in any chapter nor in the footnotes. As it turns out, this quote is not from Civil War in France, as Jonas so succinctly cites it, but from the draft of the text. First, it's simply dishonest to cite such a cherrypicked line from a draft and passing it off as something Marx published.
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There might be a myriad of possible reasons why this idea did not make it into the final text, but in order for the audience to correctly follow along, it's necessary for them to know where an idea comes from. Beyond this, which I find misleading enough, the video makes the point that with this line, Marx is clearly differentiating between a dictatorship of the proletariat and socialism. But hang on, didn't Jonas spend the first 5 minutes of the video explaining that, in the times of Marx, socialism was understood to be a reformist and petit-bourgeois stance? So, then, how could this out of context, unpublished line be Marx making a distinction between lower-phase communism and the dictatorship of the proletariat? This is the phrase's context [ID in alt text]:
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The actual point of this portion is not even related to what Jonas makes it out to be. Here, using "socialist" as another name for utopians, Marx makes the distinction between previous movements of utopians, those socialist sects, and the Paris Commune, because even though their goals, the emancipation of labor, may appear similar, there is nothing socialist [utopian] in them because their means are not utopian, but the beginnings of scientific communism. So, then, not only did Jonas go back on the first point of the video to dunk on the evil stalinists, and not only did he completely remove the context of a phrase by failing to cite properly, but he also failed to even understand the points made in the text he's cherrypicking. Is this what passes for "active engaging with marxist texts" in breadtube?
After this portion, which I still consider the better half of the video, he veers into talking about socialism in one country, first by, again, very blatantly removing important parts of the texts he talks about. The quote he shows, from Principles of Communism, is as follows: "Will it be possible for this revolution to take place in one country alone? No. By creating the world market, big industry has already brought all the peoples of the Earth [...] into such close relation with one another that none is independent of what happens to the others [...] It follows that the communist revolution will not merely be a national phenomenon but must take place simultaneously in all civilized countries [...] It is a universal revolution and will, accordingly, have a universal range." It is true that Engels states that communist revolutions cannot be confined to the national scale, but those ommissions hide a lot of nuance that is very relevant to discussing Marx and Engels' positions on the national/international question. This is the full quote [ID in alt text]:
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Marx and Engels were unable to completely and correctly analyze the imperialist form of capitalism, which hadn't yet fully crystallized, economically speaking. According to them, since capitalism was the most developed in places like England or France, the proletariat was also more developed, and the socialist revolution would happen first in these places, and propagate outwards. This notion was proved false by both theory (Lenin's imperialism) and by practice. Lenin identified that, as imperialism settled down as the highest stage of capitalism, the imperialist chain could only be broken at the weakest link, which was Russia at the time. I'm insisting on Lenin's theories because Jonas also claims Lenin to the "not statist" camp, and the video very quickly loses any originality by defaulting to the narrative of Stalin betraying Marx and Lenin by rejecting the world-wide revolution in the short-medium term as a pre-requisite for the establishment of a dictatorship of the proletariat. I think that going more in depth into this will only make this response unnecessary longer, but to end it, I think it's apt to end with a Lenin quote which directly refutes this anti-Lenin betrayal notion:
A United States of the World (not of Europe alone) is the state form of the unification and freedom of nations which we associate with socialism—about the total disappearance of the state, including the democratic. As a separate slogan, however, the slogan of a United States of the World would hardly be a correct one, first, because it merges with socialism; second, because it may be wrongly interpreted to mean that the victory of socialism in a single country is impossible, and it may also create misconceptions as to the relations of such a country to the others.
Uneven economic and political development is an absolute law of capitalism. Hence, the victory of socialism is possible first in several or even in one capitalist country alone. After expropriating the capitalists and organising their own socialist production, the victorious proletariat of that country will arise against the rest of the world—the capitalist world—attracting to its cause the oppressed classes of other countries, stirring uprisings in those countries against the capitalists, and in case of need using even armed force against the exploiting classes and their states. The political form of a society wherein the proletariat is victorious in overthrowing the bourgeoisie will be a democratic republic, which will more and more concentrate the forces of the proletariat of a given nation or nations, in the struggle against states that have not yet gone over to socialism. The abolition of classes is impossible without a dictatorship of the oppressed class, of the proletariat. A free union of nations in socialism is impossible without a more or less prolonged and stubborn  struggle of the socialist republics against the backward states.
On the Slogan for a United States of Europe, V. I. Lenin (1915)
Overall, I think this video lacks any kind of rigor or respect for the texts discussed. Citations are pretty predominantly misleading or incomplete in some way, he extrapolates fantastical ideas from texts he doesn't appear to understand, and more in general, the way the video is concienved reeks of dogmatism, the arguments overwhelmingly boil down to "Marx said this (according to me), so it must be true". There is no actual engagement with texts, but there isn't even a will to engage with history. Marxism does not end with Marx and Engels, it's a philosophical and political framework that extends beyond the gospel of incomplete quotes. Even if Marx and Engels really did believe such anti-materialist ideas as "the state is bourgeois by nature", it would not change the facts that the history and experiences after the Paris Commune should also have weight in order to reach conclusions.
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doin-just-fine · 1 year ago
Text
MAJOR UPDATE: Questioning systems or systems in a doubt spiral pls read.
I recently told my therapist about potentially being a system. This was a scary move because she has previously had some iffy takes about systemhood. But I told her because I trusted that she would meet me where I was at and help me navigate , at the least, the general idea of not understanding my own brain if nothing else which I was ok with. I told her and it went as expected. I explained why I thought I might be a system but also the doubts I had about it and how it was distressing me to not understand myself. She agreed to use the language I was using for it and was happy to help me through (as is her job) and also because whether it was systemhood or not it was something in me that was trying to be seen and we would work on figuring out what it was.
Fast forward a few session, and I was going through another bout of "what the fuck even is my brain". I was starting to realize that my "systemhood" is very different from the things I've been seeing online. In the ways that it's different to other systems is: - I'm always in the front, always in the captains chair - I have no amnesia because I never switch out - My hyper-vigilance never lets me dissociate fully though i definitely "check out" in my own way - Head mates just feel like vague ideas or emotions
But the ways that are similar are: - These vague ideas or emotions have opinions and feelings that are different from my own. - Though they are vague, I can definitely tell they are separate from what I have come to understand as "me" - I become "a different person" in the sense of my attitude, vibe, behavior, and opinions change from where they were 5 mins ago, but I am still me, just a different me.
Anyway, I was already trying to make sense of all of this and was not planning on talking about it with my therapist because nervous... However, my therapist ask me about it first. She asked some clarifying questions about my partners system vs my own and how they are different. When I explained what I just wrote above to my therapist she said "Thats what I thought and I owe you an apology."
Basically, my therapist, like any good therapist should when confronted by something they don't know a lot about, had been doing research on complex forms of trauma and coping. Things in the same vain as CPTSD and Plurality including those two topics. She had specifically been reading a book called "The Body Keeps The Score" (TW it is a book about trauma and studies of trauma so it has details of case studies that some people may find incredibly triggering). I did some research on what exactly the book was talking about in regards to "systemhood" and from what I've found, chapter 14 at the end of a section called "Writing to yourself" and the first parts of chapter 17 have interesting information regarding systemhood and how its not entirely limited to things that are diagnosable like DID or OSDD. It seems to talk about how we all have several selves and trauma can get in the way of those selves communicating effectively. My therapist told me about this book and what she learned from it and apologized to me because the book made her realize that she was wrong and that I was in fact a system....
The session ended and I just kind of sat there... not sure how to feel but definitely feeling relief and validation.
After doing research on the book to write this I have some words of wisdom. If you are a questioning system or are doubting your validity remember this: The human brain is so incredibly complex and no one actually understands how it does anything beyond its basic physical functionality... the conceptual abilities of our mind are a mystery. How we define self is just theory. If you don't fit into boxes, labels, identities, or diagnoses that does not mean your experiences aren't real. You are going to be ok. Understand YOUR mind and how it works for YOU, not through a label or diagnosis. If those things come later, great! Do not let them destroy you just because you don’t fit perfectly. I am a system. Simply. No types, labels, or diagnosis. I am a system. I have a unique experience because my brain is no one elses. I am a system. I may not have people in my head in the traditional sense but I'm also not alone up here either. I am a system. I am a system. I am a system. Nobody has the right to deny me this for they do not live behind my eyes.
As I understand myself: I am a system.
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cellarspider · 3 months ago
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Star Wars: The Old Republic and the virtues of hiding under a rock
After all the fun I had writing a deep dive on the delightfully unhinged decision-making process that gave everyone in the Sith Empire equal opportunity to shoot lightning out of their fingertips, I decided hey, why not do another post on Sith-side stuff? Why not focus on another aspect of how The Old Republic's backstory set up for the players to run around being special little guys?
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Welcome to the Chiss Ascendancy, which really would rather not be here, thank you.
Spoilers for the Imperial Agent plotline, Act 2 of the Bounty Hunter plotline, Act 1 and 3 of the Jedi Knight plotline, and for the expansions up through the Traitor Among The Chiss flashpoint storyline, set just after the Knights of the Eternal Throne expansion. Also, spoilers for a 30 year old novel series, and bits of current canon. Assume all links to Wookieepedia may include unmarked spoilers for anything and everything under the sun.
Also, many, many side rambles in the picture descriptions. As soon as I realized they were a place I could hide secret bits of brain fluff, I could not be contained.
So, for a little out-of-setting backstory first: The Ascendancy is in SWTOR for one reason. If you're a Star Wars fan, you probably know his name by now. You might even be able to pronounce all of it: Grand Admiral Thrawn, known to his own people as Mitth'raw'nuruodo.
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Thrawn was a breakout character from the early Star Wars tie-in Heir to the Empire trilogy by Timothy Zahn, which you can see reflected in the increasing amount of cover space he takes up on each re-release. Zahn may not have totally intended for Thrawn to be the character everybody latched onto so hard—I mean, it was originally the Heir to the Empire trilogy, but it's officially the Thrawn Trilogy now. Which makes it confusing, because Zahn has since written two other trilogies that actually star Thrawn as a main character rather than having him as the main antagonist.
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Credit really has to go to Zahn for his work on those books, because despite his occasional insistence to the contrary, they revitalized Star Wars as a fandom. It had been seven years since Return of the Jedi came out, and there'd been nothing since then. George Lucas had been pretty burnt out after RoTJ, and the idea of a multimedia franchise wasn't all that common at the time. There'd been Marvel-produced comics, the West End Games RPG sourcebooks, a few tie-in novels, and a boatload of action figures, but all of those save for the West End Games books were produced to market the movies themselves, or directly profit off of their recent release.
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All of these were of variable quality and "Star Wars-y" feel. The Marvel comics brought us such incredible things as a carnivorous green rabbit fighting alongside the main cast, and a couple wild comics by Alan Moore where Leia gets her heart turned to diamond by omnipotent Force spirits. The Splinter of the Mind's Eye novel was written while A New Hope was still in production before George Lucas had decided Luke and Leia were siblings, and you can really tell. Zahn, however, helped by the the West End Games books as a worldbuilding reference, did some stellar work integrating his writing into the Star Wars setting, while simultaneously shaping what fans would think of as a good Star Wars outing for years to come. Hell, some of his inventions made their way back into the movies: the name Coruscant is his. But Thrawn is what most people think of as his big contribution.
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And it's for good reason! Thrawn is a memorable antagonist. He's smarter than the imperial officers depicted in the movies. He's able to outmaneuver the heroes on multiple occasions. He's got a unique gimmick that dovetails with the Imperial mindset—while the rest of the Empire utterly disdains foreign cultures, Thrawn takes an Orientalist interest in others' art, using it to build theories of a person or culture's psychology to use against them in war. In fact, as we will see repeated in SWTOR, his original role and his people are often used to represent a less obnoxious, more outwardly reasonable sort of imperial behavior.
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He's also a cool-looking blue-skinned, red-eyed alien, later revealed to be from a culture of subterranean xenophobes with complex noble house dramas, among whom he's considered to be an outlier. Through all of this, he overshadowed other characters who may have been intended as the center of attention.
What's really funny is that the very next year, D&D would get Drizzt Do'Urden, a character who unexpectedly overshadowed the others in his series who'd been the intended center of attention, who was a cool-looking gray-skinned, red-eyed drow, from a culture of subterranean xenophobes with complex noble house dramas, among whom he's considered an outlier.
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I don't know what precisely was in the zeitgeist in the early 90s, but apparently it was just a time for cool guys who grew up in caves.
It's probably similar fandom tendencies that have made both the Chiss and Drow big players in people's imaginations. Anecdotally, I'm one of those fans. You grow up liking elves, but you also became kind of a goth about it, maybe had a bit of an edgelord phase. You wanted cool elves. Possibly cool elves in space.
Apparently there was a critical mass of folks at Bioware who also were on board with cool elves in space, so they made their way into SWTOR, originally only playable for a couple of Sith-aligned classes. If you were to summarize their narrative role in a single sentence: they collectively act much as Thrawn did, providing a calmer, more collected, largely amoral presence that's peripheral to the overall setting narrative, but provides more substance to the villains.
If one were to take it less seriously, the Chiss end up as the serious side of an evil comedy duo. They are the deadpan comedic foil to the lightning-shooting madmen and their minions, the most obnoxiously british military to ever sail the stars.
So, let's dig into the Chiss a little. You kind of have to, given the "underground city" thing. Details around Chiss history and even biology have not remained fixed as canon has undergone its various convolutions, but it's generally theorized that they were the result of a genetically isolated human colony established on Csilla many thousands of years ago, which has since evolved into a near-human species, often with higher physical fitness than human average, but lower chance of spawning somebody with a Force-y destiny for whatever reason. When hyperspace travel became common, their region of space was discovered to be nigh-impenetrable due to a high concentration of wandering gravitational anomalies, which could turn your ship into an interesting collection of relativistic scrap metal.
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This means that the "Unknown Regions" in the galactic west remained largely unexplored by the Galactic Republic, and local powers had to develop their own means of navigating the region. This suited the Chiss just fine, because they really, really don't like hanging out with other people.
The Chiss Ascendancy is a major power in the Unknown Regions, and it's highly isolationist, xenophobic, and authoritarian. A Secret Police force helps maintain internal adherence to the Chiss power structure. The average Chiss citizen in the Star Wars setting will never meet a non-Chiss in their entire life. That is, unless, they're stationed in the Chiss Expansionary Defense Force.
That's a hell of a name right there.
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The CEDF takes an imperial pattern of national defense and turns it into doctrine: they never attack first. But if someone pokes the Ascendancy, the Defense Fleet will respond, and they'll make sure the poker can never poke again. But the Expansionary Fleet will scout out areas on their frontier, so, y'know, good luck to anybody who happens to be living there.
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Within the Ascendancy, a rotating cast of Ruling Families run the government, noble houses that generally specialize in specific industries, space sectors, or resources. Most of the best positions go to those born into one of these houses, but a common Chiss can theoretically become a "merit adoptive", basically a probationary house member that can eventually become "trial-born" into the house proper, possibly achieving a status of "ranking distant". That is, unless you're found to be Force-sensitive, which during the SWTOR time period would either get you exiled, or you'd spend your life on Force-suppressing drugs.
This culture is, it should be noted again, not presented as nice or right by Timothy Zahn or SWTOR, though getting into the heads of Chiss characters can make it seem very sympathetic from their perspective.
Especially when SWTOR's backstory rolls around, and the Ascendancy had the misfortune of being "discovered" by the Sith Empire.
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This led to a rather surprising pivot in Ascendancy policy: upon getting a whiff of what the Sith were about, their response was "Fantastic! Let's be friends," and swiftly negotiated a treaty to become a vassal state to the Empire, in exchange for the Empire leaving them the fuck alone.
Zahn's novels in the current Star Wars canon allude to this as a time that the movie-era Chiss are not exactly fans of, but it has an undeniable logic. The Sith are, frankly, out of their collective minds. They're also really focused on beating the snot out of the Jedi and the Republic, and they'll roll over anyone who gets in their way. Or might seem to be in their way. Or might, given the right paranoid squinting, one day maybe get in their way.
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And given the Chiss and Sith tendencies toward similar, albeit factually incompatible politics around somebody being the most special thing in the universe, the two factions had enough in common to make the deal work. At least, up until the inevitable day when the Sith would presumably try and take a swat at the Chiss. This was a delaying tactic to defend the Ascendancy against an invasion from "Lesser Space", nothing more.
One might ask, if they're worried about the Sith, why not ally with the Republic? Well, there's two issues. One, the Republic doesn't have a damn clue where the Chiss are, and the Chiss want to keep it that way. The Empire has some clue where the Chiss are. That's more clues than the Chiss want anyone but themselves to have, really.
And furthermore, the Republic isn't really a better option from the Chiss perspective. It's an alien government, largely run by more of those weird Humans that are all over the Empire as well. Its history shows periods of aggressive colonization and expansion, and, the Sith would be very quick to tell anybody, the Republic sometimes decides to just completely obliterate their foes. Do the Chiss also do that? Yes, but they're Chiss, dammit, they're allowed.
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So really, the ideal outcome for the Chiss would be that the Empire and the Republic beat each other senseless, with the Empire eventually imploding and the Republic never finding out where the Ascendancy is at all.
As Star Wars will eventually bear out, that's what happened. The Sith Empire falls apart at some point past SWTOR's time period. And in fact, the Republic would eventually go on to implode twice before anyone in the wider galaxy remembered that Chiss existed, when that funny little guy named Thrawn showed up. So, the Chiss might be the only ones who technically achieved their goals with this whole fiasco. How did they pull that off? And how funny is it to watch someone turn imperial chauvinism on the Sith Empire? The answers are: improbably, and extremely.
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Throughout the initial war between the Empire and the Republic, the Chiss served as an unseen aid to the Sith. They provided resources and covert services, but they were utterly unknown to the Republic. They were also making moves unbeknownst to the Empire—if they were going to be breaking their usual isolationism, well, why not take up some territory that nobody else wanted while nobody else was looking? And even when they did let the Empire know they were on a planet, they didn't actually tell them where, or how many. Because really, the Empire wasn't too jazzed about somewhere like Hoth. But the Chiss? With a frozen homeworld, their cities dug deep into the glaciers and bedrock? Perfect! Just like home, but with more wampas. They built a sizeable forward base there, and kept that to themselves for decades.
In fact, if confronted about the existence of the base by an Imperial agent, the man in charge of the base will respond "Our presence here is legal, based on all existing treaties. The fact that you never noticed us is immaterial."
Lol. lmao, even.
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By the time we get to Hoth in SWTOR, that base is still secret, but there's a sizeable CEDF detachment that are embedded with the Imperial forces on Hoth. And it's a decent little slice of folks, at least within the EDF. You get a whole range of people, from utter jerks like Warden Khel who tries to detain precious Jawa angel Blizz, to well-liked and respected commanders like Captains Yunaali and Yudrass, the later of whom has to patiently deal with the dumbest white man in existence.
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Yudrass is also interesting for a further reason: his voice actor Tony Armatrading was from a British Afro-Caribbean background, and his accent comes through in his performance. In the context where the Empire is firmly Evil Space Wizard Britain, the accents of the Chiss stand out. They're a much more heterogenous mix. Yudrass speaks fluent Basic, but some of the others don't. One speaks Huttese, because he was originally assigned to the Outer Rim and hasn't had the chance to pick up a further language since then. A few speak limited Basic, best illustrated by the guy who gives a delightfully unenthusiastic response to finding out a non-Chiss player character has survived an attack by Imperial traitors: "You're still alive. Huh."
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Hoth is also a fantastic place for turning around the chauvinism back on the Imperials, if you're playing as a Chiss. You can summarily ignore human officers in favor of engaging with their Chiss subordinates. You can work to have Yudrass promoted, both because of his competence and because you transparently don't like the other guy's face. You can privilege information gathered by the CEDF, because obviously they don't deal in bad intel. If you're playing an Imperial Agent, you can end up siding with the Chiss so comprehensively that you become a merit-adoptive of a Ruling Family. You can even reveal that you were never earnestly working for the Empire at all.
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On the other side of the war, It's unclear when the Republic learns about the Chiss. Probably at some point during the quagmire over Hoth, but they're never thought of as a major player. Nobody in the Republic off Hoth really mentions them. They're treated with extreme suspicion, with a couple lines that are pretty eyebrow-raising. A Chiss defector dies while trying to trade information for asylum, and a Republic major responds to the news with "It's just as well. I'm not sure the men really wanted a Chiss hanging around here." Yikes, my dude.
Still, with their presence revealed, the Chiss seem to have slowly started taking more active roles liaising with the Imperial military, working in Imperial space, or even joining Imperial organizations. This begins as projects by the Ruling Families and other prominent Houses, but individual Chiss also started taking swings at making it in Lesser Space. Some of them may have been average Chiss trying to get ahead outside of the traditional Ascendancy power structure, and some of them might never have fit in well back home in the first place.
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This is, for the record, why Chiss are a playable option for the Bounty Hunter class. It's not often remarked on though, and Bounty Hunters don't get much Chiss-specific dialog options.
And it's not like bounty hunters or Chiss are exactly welcomed in Imperial space, though. After all, the Empire has their blood purity laws and all that, if you're a non-human or non-Pureblood, you're constantly subjected to microaggressions and, frankly, macroaggressions. Possibly even megaaggressions. They'd never let Chiss near positions of power, or access to their secrets.
People who've played already know where this is going. And any curious souls who read my last post may recall a really odd evil space wizard gimp who decided he did not give one single fuck about those blood purity laws.
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Darth Jadus, blessed maniac that he is, opened Imperial Intelligence to alien recruitment with all the political grace he was known for, which was none, with a side order of self-aware cultic rambling: Everyone should have equal opportunity to access the misery that is the Empire, because the Dark Side likes it when you do that.
And in so doing, he created a very interesting proposition for motivated Chiss willing to take the risk, and an even more interesting proposition for the Ascendancy's Secret Police: they could now embed sleeper agents within an enemy security force by submitting job applications.
And this is why new players can chose to be Chiss when they play as Imperial Agents. You get a lot of Chiss-specific dialog as an Agent. The game supports player choices to explicitly say you reject the Ascendancy, or that you're secretly working for it. Or, hell, you could play a Chiss who says they're in it for themselves, and then secretly confides later that they're actually an Ascendancy spy!
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I am so, so tempted to describe the Agent plot in its absolutely bonkers entirety, but let's stick to the Ascendancy view… for now, at any rate. I probably have another of these essays in me somewhere.
So! Sleeper agents. If the Empire won't ever fuck off by itself, then the Ascendancy wanted to make sure that they had options to give it a push. That would allow them to go back to their usual isolationism, if they still wanted it—You hear at least one Aristocra intimate that the Ascendancy might go all British Empire on the rest of the galaxy, if they see the opportunity. Some Chiss now rather like the idea of being the tiny little backwater kingdom that suddenly owns literally everything, as great powers around it weaken.
Complicating their ambitions, things did not turn out that way. Well, not the way they expected. The Ascendancy was out there playing spy chess, while the Emperor was gearing up to eat the entire chess tournament.
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Honestly, there was no way the Ascendancy could've predicted the crazy shit that was going to go down in the Empire. Like, really, nobody saw that coming, not even in the Empire. Except for Darth Jadus, if you're weird enough to let him take a swing at running the entire government. Hell, if you're an Ascendancy sleeper agent, maybe he's precisely the sort of destabilizing force you want in the Empire.
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So, when it turns out you accidentally allied yourself with an eldritch monster that wants to Pac-Man all life in the galaxy, what do you do? Well, fortunately for the Ascendancy, the Jedi took care of that one for them! Unfortunately, the Jedi didn't count on the MMO having expansions. Turns out, the Emperor was not entirely dead, just a little dead. And also he had a spare Empire hiding elsewhere, just in case the first one didn't work out.
No, I'm not joking, this really happened.
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Meet the Eternal Empire, the Sith Emperor's side project where he put all its points toward a cultural victory and military automation, so when he lost control of that empire as well, his usurper was able to just kind of fling remote-controlled fleets at the rest of the galaxy.
With the Republic and Empire all war'd out, they were pretty emphatically steamrolled by the Eternal Fleet. And because the Emperor had known where the Ascendancy was, they were also in the line of fire.
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And so the Ascendancy said "Wow! We hate it! Kindly take some planets and fuck off."
And it worked! They had to pay some exorbitant taxes to the Eternal Empire, but not as crippling as what the other powers suffered—because invading them hadn't been as expensive and they made early moves to placate this new empire and its alien human madness, they mostly flew under the radar, and weren't targeted for reprisals.
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After that, there was a whole song-and-dance that included a suspiciously protagonist-shaped person uniting the rest of the galaxy against the Eternal Empire, overthrowing two or three usurpers who'd taken over (depending on whether you count the evil mastermind droid who was just kind of there to vibe), and killing the Emperor again for almost the last time, the galaxy could finally stop with that whole nonsense and come to a realization: Everyone was flat broke.
The concessions to the Eternal Empire had crippled the major powers. The Republic was reeling once again, and the Empire had lost most of its leadership and was currently in a very funny series of events that canonically end up with an 87 year old who loves shenanigans assuming the title of Emperor. the Hutt Cartel was probably still having its own problems because it was only a few years since their Supreme Mogul decided to become a raid boss and got killed, then the next one was a violent Hutt supremacist who threw a tantrum that ultimately dropped his own palace on him, and we have no clear successor after that.
The Ascendancy responded to Imperial inquiries with something along the lines of "Oh, yeah, sorry, we'd really like to help, but the Eternal Empire, wow! They really did a number on us. We can't spare any resources right now. We totally would if we could, though."
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Literally no one believes them, but because no Imperial ships have ever landed on Csilla, nobody could call them on their bullshit.
And that's about where things stand! There was a kerfuffle where one of the Ruling Families put their drama on display to foreigners, which was a big faux pas. The result is a brief series of missions that actually take place on an Ascendancy world.
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But otherwise, the Chiss have maintained their isolationism up to the present day of SWTOR's story. Are they right to do so? I mean, the game remains pretty consistent with the rest of Legends on the Ascendancy: they're a bunch of very pretty jerks who only look better in comparison to their competition, who are grand champions of jerkassitude, and because we're not in a position to see the Ascendancy inflict itself on other people. If they were a major power on the level of the Sith Empire, we'd probably see a lot more of their ugly side.
And what about playing the part of being one of these people? It's not good, certainly. Turnabout may feel like fair play, but it's not great at actually improving the situation overall.
…But it can be fun to indulge in a bit, in the fantasy of an MMO. Especially when the Empire is just so, so dunkable. It's like a less dangerous version of when the English cricket team of 1932-1933 decided it was entirely sporting to give Australians skull fractures, right up until the West Indies cricket team said "Now hear us out—what if we attacked you with the ball as well?"
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And beyond that, this is the game where you can get the chance to shoot lightning at people while your eight foot tall cannibal thrall-maybe-turned-husband approves on the sidelines. If anything, the Ascendancy might suffer from being less goofy than that. But taken in full context of the MMO, they're often standing in as the reserved or reluctant bunch who got collectively dragged into this whole mess and are just trying to ride out the chaos with all clothes, dignity, and eyebrows intact. When subjected to the galaxy's shenanigans, the Ascendancy would rather take the advice of the skeleton meme:
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And that can be deeply funny to play around with.
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killertoons · 8 months ago
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I've got ideas and a theory for the recent welcome home updates (10/18/2024)
Walk with me-
So that short story alone already showed pulling ideas from Edgar Allen Poe with the tell-tale heart and the cast of amontillado
(I wouldnt be shocked if they reference other Edgar Allen poes works like the raven soon but that's me cheating to peek at clowns kofi and I won't speak further on that-)
Basically Sally is doing a rendition of the tell-tale heart and poppy got cast....only she doesn't want to be involved. It's a scary tale, and for those who didn't take advanced English
The story of the tell-tale hearts about a man so absolutely freaked out by this old man's eyes to quote
'I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture- a pale blue eye, with a film over it.'
So the man sets out to kill him, does so by lurking in the dark for 7 straight nights till finally the 8th night he finally does so, dismembered him and hide the pieces under the floorboards!
But when police came to investigate...he could hear both but a beating heart under the floors and from his guilt he admitted to the murder and ended the tale with
'"Villains!" I shrieked, "dissemble no more! I admit the deed!- tear up the planks!-here, here!- it is the beating of his hideous heart!"
So already Sally doing a rendition of this tale is wild already as I imagine it's been changed to be more family friendly for the neighborhood, but poppy isn't up for it.
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And Sally's sad about it! And of course the neighbors all know why poppy actually didn't wanna do it. And Sally trying to be a good friend realized the play scares her so they gotta do something to let poppy have her cozy state of mind away from anxiety
So they form their plan-
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To cask of amontillado her into her house, brick by brick.
Another famous story by Edgar Allen Poe, that one is about a guy luring someone he had a dispute over into a cellar and bricking him up down there to rot.
It's a revenge story, one we have no details other than a man was wronged (we never learn the reason) his anger and vengeance taking center stage.
Through the entire story time, the neighbors are supposed to be following a book along as a read aloud story but they keep breaking into separate lil conversations or making quips to each other... Till the end where audio is lost on the rest of the story after poppy was bricked away.
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However...
Because we have the secret website we can check there and what's found was....worse
Poppy in the dark of her barn and something is lurking with her in the dark.
By the end someone gets her out but the sounds of the people aren't named... although they sound familiar to us
I could say what we were all thinking and state the obvious "oh those must be the puppeteers! That was poppy's puppeteer having a freak out moment-"
Which I personally agree but there's more to it.
Do y'all know how big birds puppet works?
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It's one person in there, with a screen to tell you where to go and a script taped inside while they maneuver around like this!
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I imagine poppy is the same way since she's based design wise off big bird
Now with this in mind, add how hard it is to move or see or perceive where you are in general in that suit. How clasterphobic your gonna be if you can't get out!
I get clasterphobic trying to get out of a dress that fits too tight at the store, I can't imagine how scary this would be especially if your on your own in the dark room as well!
with only your lantern to read your lines and something to occupy yourself- maybe knitting as it's a hobby you picked up-
When you hear breathing that's not yours. From within the suit. A suit that's JUST big enough for you, mind you.
So it be impossible for anyone else to be breathing...only you forgot someone.
The puppet suit itself...is breathing.
And there's scratching at the door, something else is lurking in the dark with you but you can't see it. You can't get out, the suit can't leave but your mind is stuck the doors open but in another world it's closed and sealed-
But I'm getting ahead of myself
What is said is...what if that IS poppy reacting in the dark to something...but also it's the puppeteers reaction to poppy as well. They share a mind and A space for a moment in the dark where their fear matches them and it doesn't break till the door opens and the puppeteers talk..
I think the horror is going higher as both sides are gonna start interacting more and more with each other..
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blueteller · 9 months ago
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Do you know how smart Cale actually is? Like- what extent his intelligence can reach?
That's an interesting question! Let's take a look.
From what I know of IQ scores, anything above 120 puts you in top 10% of the population. So I easily see Kim Rok Soo!Cale belonging in that category; of >120 IQ. However, IQ had always felt a little vague to me. It's nice to have a number to put on a scale and all, but what does it actually mean in reality? Let's try this from a different angle.
Gardner's Multiple Intelligences model of divides talent into eight categories, plus one additional one:
Visual-spatial
Linguistic-verbal
Logical-mathematical
Body-kinesthetic
Musical
Interpersonal
Intrapersonal
Naturalistic
Existential
Why not try to measure him up against each one, as no person is actually intelligent in every way and not even a fictional character can excel in all of them (unless they're a Mary Sue or something lol).
Visual and spatial judgment stands for easy reading, writing, puzzles solving, recognizing patterns and analyzing charts well. I think Cale is definitely a pro in this category; he does loves reading and he's fantastic at analyzing data.
Linguistic-verbal is for remember written and spoken information, debates, giving persuasive speeches, ability to explain things and skilled at verbal humor. And while I constantly make fun of Cale for not being able to explain himself, he IS good at using the "glib tongue" and being persuasive, so I think he is very skilled in this category as well.
Logical-mathematical means having excellent problem-solving skills, the ability to come up with abstract ideas and conduct scientific experiments, as well as computing complex issues. Cale is an incredible strategist able to change his plans in an instant, so he is definitely a genius in this field.
Bodily-Kinesthetic Intelligence is a fun one, because I think it's the hardest one to judge, considering that he literally changed bodies. It of course stands for sports, dancing, craftmanship, physical coordination, and remembering better by practice rather than learning theory. Cale... does not like that. However, it doesn't mean he's BAD at it. If he was a genius in this field, however, I believe he would like it a bit more. Thus – I suspect he was average. In the past he was forced to exercise for the sake of survival, but once he was given the option of taking it easy, he quit instantly. He is capable, but does not have any particular predisposition for it.
Musical Intelligence drives me nuts, because we literally do not know, and I dearly wish I did. There was not a single mention of it in the whole series. As much as I want to believe in a cool headcanon of KRS being an unrealized musical genius... I think he was probably average or below average in this.
Interpersonal Intelligence stands for communication, conflict-solving, perception and the ability to forge connections with others. And while you might have some doubts about Cale, I say he IS a total pro in this. Those are all leadership skills, and Cale is one HELL of a great leader.
However...
Intrapersonal Intelligence is where Cale is severely lacking. It could be partially due to trauma, but I think at least some of it comes through his natural personality. It stands for introspection, self-reflection, the ability to understand one's motivation and general self-awareness; and that is Cale's biggest weakness, one that might actually cost him his slacker life dream in the end, due to all the misunderstandings he causes.
The last two, Naturalistic and Existential Intelligence types, are also not really Cale's forte. The first is for things like botany, biology, and zoology, paired with enjoyment of camping and hiking – none of which Cale actually does for pleasure, only because he has to. And yeah, farming is in that category too, but it's not like Cale is actually a real farmer just yet. And the second is for stuff like philosophy, considering how current actions influence future outcomes, the ability to see situations from an outside perspective and reflections into the meaning of life and death – and Cale is REALLY not interested in this type of self reflection.
Which leaves Cale with 4 types of intelligence he excels at, 2 which he is REALLY BAD at, 1 where he's below average and 1 he's probably average, with 1 left completely unknown.
Does this make Cale a genius? Pretty much, yes. Does it also make him stupid in very specific ways? VERY MUCH, YES.
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cicicolorao · 1 month ago
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Hello! I think today I want to share something I do sometimes, which is studying artstyles, character designs, colors and etc, usually because I wanna draw a character a certain way and I need at least a bit of practice to get it. A good while back, I sat down and studied Rayman’s design in the Sparks of Hope DLC, all so I could possibly render Ales in a similar style one day.
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Aside from the studies (and picking up the one reference to the Magician in the game itself), I also gathered some references, both old and new, to make a sort of moodboard. While the final work would ultimately be my interpretation of the character, I also wanted to try and tweak his design so it COULD, in theory, show up in a game like the Mario + Rabbids series.
That means toning down some aspects that could be read as too scandalous for a Mario spin-off game, but at the same time try to justify other elements as “whimsical” or “classy”. He has high heels because louis heels were worn by men originally, he has an open shirt because that’s how men wore their shirts in the 70s. You know, tie it to his inspirations. I also added The Mad Hatter, not just because of the wonderland inspirations, but also because I like to imagine Ales does the head waggle thing. Even if I have no intentions of animating something like this, I think having in mind the character’s use in animation helps in the design process, like what’s needed from a hypothetical model.
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As for actually drawing Ales, I got. Intimidated. So I decided to break it down into pieces first, which is VERY easy with thingamajigs because they’re already broken down into pieces. Some aspects were done deals first try, like how I’d shape the eyes to mimic my own style while still using the base Rayman eyes. However, a lot of other aspects I had to sit back and consider them, like the shape of his torso. Some ideas I’m also still not completely married to, like the shape of his earrings. At this point I also wasn’t sure if I wanted to give him his bell bottoms or not, because I’d figure the devs would want the floating limbs to be front and center for the thingamajig’s designs, not just Rayman. On the other hand, Rayman HAD worn pants in some games (coincidentally the Rabbid games), so it’s not a far off concept.
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Then I finally sketched out Ales! It’s not a perfect one to one of the SOH artstyle, but that’s ok, since it’s a first pass :))) I figured out how to keep his pants AND show off his floating limbs at the same time, which I’m very proud of. I do think next pass, I’d want to use a different shape for the earrings, since they’re kind of cluttered, as well as a slightly different half-up hairdo, just to give it a more interesting shape. But overall I’m happy how Ales looks!
I also drew him as a teensy for fun, just to shove him inside that bigass prop hat, and you have to get his glamour or he refuses to come out. I didn’t use my usual design for teensies because Giacomo Boni’s glade character designs are soooo funky and weird (positive, go look at his Murfy art I <333), so I made him hunched and made his nose bulbous while pointing down. Makes him look like the old man Teensies are supposed to be :)))
All in all, I’m happy with this study session! I can’t promise I’ll actually render Ales in this style, but if I ever do I have something to come to for reference!
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bravehyde · 5 days ago
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Ant Tenna Mike Anatomy: More Than Fan Theory References
~Deltarune Chapters 3+4 Spoilers~
We're taking a sideline from Tenna anatomy to talk about the Mikes, although the things I say in here may be helpful to Tenna artists anyways, so I'll put it under the tag. The Mike boss fight made me freak out over how these lil guys work. I've been going crazy about how these Mikes look and how they're little references to other stuff going on in audio equipment, so I'm going to go over that.
Before that, I'm going to just say one thing. Obviously, I know that the three Mike designs are based off of fan theories. I'm going to go over their possible inspirations in the world of microphones, though. This is really just me having fun with it.
The Names of the Mikes
This is what I found so cool. So, we have Battat, Pluey, and Jongler. Now, say those out loud, paying attention to how each one makes your mouth move. Did you notice something? Each name has incredibly different phonetics, meaning that their sounds and mouth movements vary wildly. They include sounds that you really want to make sure are good when you're doing a mic check. Or maybe, a Mike Check.
When testing sound, one of many things you have to do is to make sure all ranges of words you can say will come through clearly. You may have heard "check check 1 2 3", which is a good way to start but most people don't find it satisfactory and continue to full on sentences. If you have to go quickly, nonsense words with a variety of sounds will work great. AKA, their names. I don't think you need me to go through each name with their noises, but each name covers every type of vowel sound, and has the potential of spanning any pulmonic consonant, depending on your personal accent. I don't think Toby went through the international phonetic alphabet doing this on purpose or anything, but these are excellent names for sound checks and it's crazy.
Battat (Small Mike)
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There are two different types of microphones he can be, and both are used primarily by people who need to be recorded saying lines in television. One is the dynamic microphone, and one is a lavalier microphone.
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The dynamic microphone is easy to understand. You hold it, you talk into it. That's what he's holding, and it's probably what his head is supposed to be, too. However, I'm sure not everyone want to draw that tedious grid on his head. In that case, I wanted to offer the lavalier as an alternative for his dome.
The lavalier is hidden in someone's clothes, like through a button or under a shirt, and plugs into a pack that the person straps to their belt or in a back pocket to record and get power. These things are like a soft foam because of the windscreen, that black ball there, and don't tell anybody but they're very satisfying to pop in your mouth. So it makes sense, as the supposed "lead" Mike, to be two of the most recognizable microphones for people who work in television. Shows on sets and interviews will use these microphones the most.
Pluey (Cat Mike)
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THIS is the one who is the reason why I wanted to make this post. Now. I know that he's a cat because of the theory he would be a cat. But everyone. GUYS. LISTEN. I need everyone to know that there is a piece of audio equipment that is literally called a deadcat.
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You put the deadcat over a shotgun/boom mic to help it with wind and excess noise filtration. It makes sound better, basically, and if Pluey here is a deadcat, that makes him ANOTHER very important microphone to the broadcasting world. This thing is key to picking up sound effects and foley. If you're doing anything outside, you want a boom with a deadcat on you.
About his hands: again, very well could be a dynamic microphone, and again, that's a bit hard to draw, no? I wanted to offer another idea I had just in case you didn't want to deal with that grid. A deadcat is a type of windshield, much like what I talked about with lavaliers. When you're working in a studio as an alternative to deadcats, you may use a pop filter over a dynamic or condenser microphone. They're flat, easy to render as far as I can tell, and they match the shape of Pluey's hands, so it isn't a stretch of the imagination to say it could be a pop filter. Or maybe if sphere hands is too weird, pop filter paw pads. Just so you have some options.
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Jongler (Motormouth Mike)
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This one's a bit tougher since he could be a lot of types of microphones, but technically he's missing something he'd need to be them. He could be a lavalier but they don't have the texture shown when the windscreen is taken off. He could be a ribbon microphone but they have a strip of metal up the sides that he's missing. He could be a shotgun, but they don't have that silvery base. This guy is the sole reason why this post took so long, because he's such a headscratcher. Ultimately, I had to take the boxing gloves as a visual cue and decide to look for what sports commentators would use. I don't think a lot of people know about lip ribbon mics and he's obviously not that anyway, so we'll go with something more common. If he's supposed to be an allusion to boxing matches, they used ribbon microphones, which later got phased out for condenser microphones. It's not a perfect fit with his head so long, so we'll chalk that up to stylisation.
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The condenser microphone is best for in a recording booth, and if we choose to believe that's what Jongler's supposed to be, that means we've covered the three biggest areas where someone would need a variety of microphones based on how controlled the environment is. A studio with a condenser is the best you can get, hopefully with lots of foam and someone on the other side of some glass controlling the sound. Then we have lavaliers and dynamic microphones on the set, where some interference could happen but it's minimal. Finally, boom and shotgun microphones are for outdoors and large sources of sound, where you have the least amount of say in what gets picked up so you're kind of hoping for the best. Pretty great variety in microphones if this was intentional, and if not...I just want more people to know that their accidental theory of Mike being a cat led to a really funny audio engineering pun to me and only me.
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ukelele-boy · 11 months ago
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I was rereading some of my posts from 2021 and was reminded of how much meta I used to write so imma share my crazy headcanon/ theory which i thought up as plot for a revolution fic:
RR verse is on the "Olympus will fall" timeline and Zeus' actions are speeding it up.
In the recent decade there has been several great prophecies back to back. And people have remarked how weird it is that there have been so many. What if the reason is because of Zeus?
Remember, in greek mythology there is a major theme of how Your Fate Cannot Be Defied. And Zeus, king of Olympus, has a major Fate: being overthrown. However he managed to "defy" it by eating Metis.
My idea is that he has been forcefully clawing out a future where he is still king of Olympus. By doing this, he is literally changing the flow of fate. And obviously fate wants to correct itself, so the harder he fights it, the more counterforce he triggers. All prophecies meant to lead to his overthrowing are suddenly sped up. Olympus begins to lose power. Zeus is aware of this. He is also aware how people are becoming suspicious. And he needs a scapegoat. And who better than the god of prophecy who is also a threat to the throne?
Apollo mentions that Zeus blamed him for his oracle revealing a prophecy "too early" and therefore causing it to happen early. However, everyone knows it's not possible to actually cause a prophecy to happen early...so why would Zeus even have this weird line of thought? everyone probably dismissed it as Zeus being irrational, but there a juicier theory this ties into:
Apollo being the one to overthrow Zeus.
The idea of "fall of the sun, the final verse". What if this is the final prophecy that is meant to happen before Zeus is overthrown? And what if the fall this speaks of is actually when Apollo fell close to chaos? When he pulled himself together there?
What if he reformed different from his original godly form. He was literally almost gone, his body was disintegrating. Maybe he pulled himself together using the energies of chaos. Apollo himself isn't aware of this, due to a suspicious memory gap between him clawing up from the cliff and him waking up next to Artemis.
And this adds to another headcanon of mine, the fates choose Apollo to be the god of prophecy on purpose. At first glance, this is a horrible match. If they wanted a good servant, why would they choose someone so closely tied to his heart and so likely to fight fate? Someone who dares get them drunk just to extend a human's lifespan? UNLESS... they WANT him to eventually try and defy fate??
Imagine if fate was a compass and Zeus had forcefully wrenched the needle point at a bleak dark future where Olympus falls with him. And this river direction has been set so deeply in stone and run on for so long, it has worn a grove and become the mostly likely future.
you need someone willing to fight, someone to wrench the needle out. SOMEONE FAMILAR WITH FATE AND Prophecy. Someone who has the power to fight it and win. Someone who has the will. Perhaps a baby god who was willing to fight Python, and who would have likely died there. But if he successfully did take on the powers of prophecy, one day that same godling would fight Python again, would absorb the powers of chaos to recreate himself.
Perhaps not today and maybe not even for the next four thousand years
but one day that godling would stare down at that wretched compass hand and decide to yank the flow out of its place. And maybe, that godling means a chance for Olympus to have a different future.
Anyways that's my crazy theory i hope it wasn't too confusing. It also links up with my other story theme idea about fate, hope and apollo blah blah blah, which i rambled about in a different post.
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Edit: just remembered my other crazy thought, what if ZEUS PURPOSEFULLY TRIED TO GET RID OF APOLLO NOT ONLY CAUSE HE IS A THREAT TO THE THRONE BUT ALSO BECAUSE AS THE GOD OF PROPHECY HE IS MOST LIKELY TO REALIZE SOMETHING IS WRONG AND THAT ZEUS IS MESSING WITH FATE?!???? Basically pulling a imma say you're the murderer before u realise im the murderer. (i cant remember the actual saying Lmaoo)
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stari-hun · 11 months ago
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Isokania
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The biggest issue between Kakania and Isolde is a lack of understanding between the two. Kakania enjoys her close bond with Isolde they consider each other the closest person to them. But they don’t have an understanding of each other. Isolde thinks Kakania is the answer to all of her problems, he golden key, and almost idolifies her at times, and Kakania sees Isolde as a good person going through constant tragedy. The two of them mutually have a false idea of who the other truly is. In 6.17 Kakania talks about Isolde’s art of channeling spirits and how she uses it to be the star of Vienna. However what Kakania doesn’t know is how Isolde doesn’t stop channeling when she’s off stage, the CGs of Book 6 even ellude to how Isolde sees ever place in public view as a stage. Kakania has never once considered that Isolde wasn’t the person she portrays herself to be, and Isolde refuses to consider that Kakania isn’t the one she’s been waiting for.
Isolde and Kakania are also extremely stubborn people. Kakania is stubborn as a job hazard of having to fight for her own credibility, and Isolde’s natural temperament is reserved stubbornness. She decides what she believes in and without consulting others or stating her stance, Isolde sticks to it resolutely. Kakania acts in accordance to what she knows and learns, she's very stubborn about her morals and values of justice. Kakania is headstrong about her way being the correct way while Isolde is the same. Isolde is a reserved person as a job hazard of being a celebrity. Not only has she actively seen what stardom can bring through Playwright, she was raised to expect and ignore it. As such, Isolde is very resolute in who she places her trust in. Once she’s decided to consciously let someone in she waits at her Door for them to come in to her inner world. The tragedy for them is that she decided to let in someone who already thought she had seen Isolde’s inner world. Isolde refuses to believe anyone could ever understand let alone heal her besides Kakania. Isolde doesn’t believe anyone can save her besides Kakania, even when Theopil predicted Isolde’s mental state would deteriorate and sought out a way to help her.
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Another reason they were doomed is the fact Kakania believed too much in Isolde. Kakania sincerely believed in Isolde and chose to believe that the rumors surrounding her following in Evangeline’s footsteps. To her credit, at that time the rumors weren’t true. But I feel like the issue also wrapped around to the fact Kakania was an unprofessional therapist to Isolde. @schneiderenjoyer talks about it at length in their live analysis. She underestimated the depths of Isolde’s mental instability because she didn’t think there was any larger problem than depression from the rapid deaths in her family. As a follower of Freud’s theories and an arcanist, Kakania should’ve been more aware that disrupting a person's ID and SUPEREGO could lead to consequences. She figured Isolde’s tears and initial confession about Theopil coming at her while on fire was the depths of her ID or unconscious instinct without morals. But Kakania is an arcanist, in 1914 no less, she had to face a lot of legal issues concerning people using dirty tactics either to tear her down or get their way. She believed in Isolde too much that her worst would be intrusive thoughts about harming herself due to guilt because of her proximity to Isolde. But Kakania didn’t consider her past in an environment of violence and family disposition.
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Isolde also lacks proper coping mechanisms. There are quite a few arcanists with mental illnesses we see in the game however they all have some kind of coping mechanism to help self-soothe. It's not the same situation but Mesmer Jr. talks about how her anxiety is uncurable, but she has a lot of anxious tics to self soothe which we see her do in the series. Semmelweis who's similar to Isolde, with her condition growing worse with time, shows in [Echoes Into the Mountain] that she consistently reality checks her surroundings and mental state. Isolde however, doesn't have any coping mechanisms outside seeking out Kakania for her comforting presence.
It’s unclear exactly when or if she got acting lessons from Mr. Karl (if she had it be between 13-15), but Isolde uses acting as a defense mechanism. The Star of Vienna is a persona for her and something she’ll always fall back into when panicking instead of actually feeling her emotions. She'll separate herself from her urges and emotions, or tell spirits to possess her “whether willing to or not” so she can have a break. Isolde is unable to be clearly open, as shown in her character event. She acts Kakania if she noticed a door in her house, personifying herself as an unnoticeable within the Dittarsdorf house. Even after Kakania doesn’t give her the answer she wants, Isolde ignores it in a way. Stating Kakania will still be “the golden key to open her door.” Isolde was likely content to wait until Kakania finally “saw her,” or until she manipulated Kakania into being her key.
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rubikswriter · 7 months ago
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Heavy is the crown - a Caitlyn Kiramman character analysis.
(Tumblr really messed the formatting up on this, and it’s like 15k so there’s no way I’m editing it again - check my Twitter RubiksGaming12 to read it in it’s correctly formatted form)
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I’ll preface this by saying that I have no prior knowledge of LoL lore, but I’m a big fan of angsty, nuanced characters, and that’s why I want to talk about Caitlyn Kiramman.
I’m sure this has all been talked to death in the fandom, but from my brief time in it, I can see a lot of varying - although mostly negative - views on Caitlyn. Especially in season 2. Caitlyn, however, is a character who has swiftly made her way onto my favourites list and I feel the overwhelming need to wax poetically about her. 
I love a character that’s been consumed by darkness in some way and attempts to find their way back; from Darth Vader, to Xena, to Villanelle. I love all the shades of grey these characters bring; that not every act of good is seen in absolute glowing white and every negative in pure darkness. To me this teetering on the line in between is what makes for such rich characters to experience, explore, and devour.
I’ll start by saying that one of my favourite things about Arcane is how it doesn’t hold your hand the entire time. It’s not always direct, slammed in your face, explanation. It asks you to pay attention; to look, and listen, and think. It wants you to make the connections, to see the use of lighting, of revisiting environments, of the connection to the music/score. It wants you to question. 
Would we all have liked more episodes? Hell yes. However, I think the show does a wonderful job with Cait’s character arc within time/ep restraints it had. 
With that said, if you hold negative views on Caitlyn, my thoughts on this definitely won’t interest you in the slightest. You’ll keep your opinion, and I’ll keep mine. Art is subjective after all. But if you want to share thoughts and opinions and discuss openly, then please do. I love hearing and delving into all theories.
So with that said, let’s break my thoughts down —
Caitlyn is a Kiramman; a member of an influential house in Piltover. Her family's reputation precedes them, especially with her mother on the council. I think it’s safe to say that with such a privileged upbringing, when we meet Caitlyn in Season 1, it’s obvious that she has been sheltered from the depth and reality of the systemic divide between Piltover and Zaun, and just how oppressed the Zaunites really are. 
But there’s more to Caitlyn than her just being another mere, blindly accepting member of the Piltover elite. In fact the show hints that it's a direct result of her elite heritage, that Caitlyn grows into such an ambitious, confident, woman who has an unwavering, determined, drive to prove herself on her own merits rather than just on the coattails of her family name.
We see her kindness shown in her friendship with Jayce, a man older than her and sponsored by her parents, a person considered below her on the social ladder, and yet he’s her one true friend. She’s interested in his ideas, has concern and fondness for him. It presents Caitlyn as someone who goes against the grain of what’s expected of her, her curiosity of wanting to know and understand more than just the high society she’s part of is evident. It’s something that we see that sets her apart from the majority of her peers who are content with their lives and have no desire to question it.
I believe it’s her ambitious drive and her natural, kind curiosity that sets up the basis for her arc in Season 1. 
We see her commitment to her marksmanship in the flashback, she’s damn good at the skill she’s worked hard to hone, and yet we see Cait questioning her own merit when Grayson appears to let her win. Her first thought is ‘did my parents pay you to let me win?’ which is such a sombre reality. Has this happened before? It appears that even from a young age the weight of the name Kiramman is something that’s been weighing Cait down. A burden of expectation and equally a privileged advantage, even when it’s perhaps not deserved or wanted.
When Grayson says she let Cait win not because her parents paid her, but because she thought Cait deserved it, it validates Caitlyn in a way not many people do. Especially when Grayson is more skilled and less privileged than her. She tells Caitlyn that she doesn’t need to win, that protecting the people is the reward in itself. I think this interaction further unlocks and propels Caitlyn’s desire to earn respect rather than have it given to her because of her name.
So when Grayson asks her ‘what are you shooting for?’ I think Caitlyn is finally able to give herself the luxury and agency to decide to want more for herself than what is simply expected, and to go after that, no matter what people think. Her parents included.
That scene with Grayson, I felt, was vital in seeing, at least partly, why Caitlyn becomes an enforcer. It gives her a sense of purpose outside of the family ties. Something that’s just hers. Something she can achieve and be proud of, and something she can outwardly present amongst the community she lives in. She holds firm in her resolve and assurance that she’s made the right choice for herself even when her mother tries to keep her safe by limiting her work, and when her peers snigger mockingly at her that she should be at the cocktail party rather than guarding it.
After Jinx’s attack and her removal from the enforcers at her mother’s request, we see Caitlyn become even more solidified in her self belief. While she may be a little idealistic and naive to the wider workings of the world, Caitlyn proves she’s an intelligent, kind, empathetic person, and has a fire in her for seeking justice and protecting people. She genuinely seems to want to make a difference, and I think that’s why she fixates on the investigation of corruption in Piltover and how deeply connected that is to Zaun and its underworld. It’s another chance to prove herself to those that don’t truly see her as more than the Kiramman name.
This is obviously driven further when she meets Vi and has her released to help facilitate her investigation. Having Vi be her guide through the Undercity allows Cait to have her eyes opened to a different perspective than her own, and challenges Topside’s preconceptions about bottom. It’s seeing through Vi’s eyes that enlightens Cait to Zaun’s true struggles and drives her desire to want to help and advocate for Zaun further. While realising at the same time that the Piltover Caitlyn thinks she knows is equally corrupt in parts (Marcus’ betrayal highlighting this). 
It’s through Vi’s eyes, through her struggles, through their developing trust and connection that we the viewer can recognise that Caitlyn is meant to represent the moral compass of the show in S1 — She’s the one that gets us, the audience, to also question what Cait thinks she knows, versus the reality of what she’s now learnt (Silco, shimmer, Marcus, Jinx, Ekko and the firelights); that there is no good and bad, only shades of grey between the twin cities.
In understanding Caitlyn as the character we get introduced to in season 1, I think it’s really important to understand that it’s Caitlyn’s privilege that gives her the knowledge and position to try to drive a change forward. But it’s her character outside of her privilege; her kindness, her empathy, her risk taking and her willingness to challenge rules and ideals that makes her the right choice to help. Vi and Ekko aren’t trusting just any Piltie to help them, they’re trusting Caitlyn because of all that she exudes and stands for. It's unknown to Vi and Ekko at that time that Caitlyn is a Kiramman, or the weight that name holds. Caitlyn never divulges that about herself, instead she mentions Jayce, her friends being on the council. But we the audience know that it’s her family name that gives Caitlyn immediate access to her mother and the council where others - like Vi, Ekko, and the other Zaunites - would not have such a chance. 
We see, through her relationship with Vi, that Caitlyn doesn’t use her privilege to overshadow Vi and the Zaunties' struggles. She moves the pieces into place because she has the entitlement to do so. She lets Violet be the mouthpiece for herself and the Undercity’s struggles when addressing the council, showing that she sees Vi and the Zaunites as equals.
When Caitlyn’s mother is introduced to us, we understand that she’s not a big fan of Caitlyn essentially lowering the family name by becoming an enforcer, and that she purposely interfered in Caitlyn’s work to protect her; moving her to stand guard at her tent, and having Cait dismissed from the enforcers after the initial Jinx attack. However, Cassandra Kiramman clearly loves her daughter and after hearing how passionate she is, listening to Caitlyn outline the failings of the council she sits on, she schedules the councillors for Cait and Vi to talk with.
‘You’re a councillor’s daughter, your actions reflect on the entire body,’
‘You know what else reflects on the council? Its citizens living on the streets, being poisoned, having to choose between a kingpin who wants to exploit them and a government that doesn’t give a shit.’
We can see in this exchange just how much Caitlyn has grown from episode 1-8, and I could talk so much more about her growing relationship with Vi in season 1, but I think we all can agree that Vi grounds Caitlyn. She shows Caitlyn a world she hadn’t ever truly seen or understood. Vi challenges her in ways Caitlyn has never been challenged before, and she sees Caitlyn as she is; as simply Cait. Something that nobody else does. The fact that Caitlyn is a Kiramman is an afterthought, something Vi only learns later on when Caitlyn insists she can help with Zaun’s plight. 
Even when Caitlyn fails to achieve what they want from the council she remains determined to try again, but it’s Vi that walks away. It’s Vi that can only see how to do things one way and knows that she has to leave Caitlyn behind to do it. Vi, I feel, is essentially protecting Caitlyn from something she knows Caitlyn doesn’t fully understand and never can simply because of their separate birthrights. She will never really be able to understand that oppression, and Vi is too afraid/guilty to relinquish what little control she has left when it comes to Jinx.
Caitlyn acts in the council meeting according to the hierarchy she grew up in, something that Vi doesn’t have the luxury to indulge in. That’s why she walks away and goes to Jayce. Vi needs to take things into her own hands to try and save her sister and deal with Silco, she chooses the undercity way and leaves Caitlyn to mull over the topside approach. Vi’s own guilt gives her a heavy burden of responsibility that she can’t let go of.
We see after their separation that Caitlyn isn’t content with Topside’s action, or inaction, she’s frustrated with the lack of doing nothing but not doing enough. We see this when she’s in the shower thinking of Vi; her image represents what Caitlyn wants to fight for, what she can’t let go of now. A better life for them all. I truly believe that Caitlyn, with her dogged determination, would have tried again and again and again to help Vi with Jinx and Silco, and would have found a way to persuade the council to help the Undercity heal. It’s the first real indication we get that Vi has become one of Caitlyn’s biggest strengths, but will also become one of Caitlyn’s biggest weaknesses, as we see at the end of Season 1.
This all pieces together when Jinx foils Caitlyn’s plans to try and help and kidnaps her. Instead of Caitlyn working towards finding a balanced, diplomatic, solution that will benefit Piltover/Zaun and bridge the divide, we get Caitlyn receiving a nice dose of trauma; Jinx threatening her life and blowing up the council tower. Topped with the crushing burden of conflict and guilt; having the shot on Jinx but not being able to take it due to her loyalty and affection for Vi. 
It’s this event and every moment that happens during it that shapes the foundation of Caitlyn’s arc for season 2. 
——
We start season 2 with the consequences of the actions of season 1. Jinx is free and Caitlyn’s mother was killed along with some of the other councillors thanks to Jinx’s attack. This is already an intolerable pill for Caitlyn to swallow, knowing that not only did she have the shot on Jinx that could have prevented her mother’s death, but I’m sure Mel makes it known to her that she and the council were voting in favour of Zaun having independence. 
As such Season 2 is rich with character development for Caitlyn, and I think the best way I can share my thoughts on it is to break it down into her development journey per act.
Alongside looking at the events/effects of each act on Caitlyn’s character I want to focus on the three faces Cait claims to haunt her in S2E1; her mother (whose memory is manipulated by Ambessa), Jinx, and Vi. I believe that individually these three characters are the driving force behind Caitlyn’s descent to darkness and also her light back to the good woman we know Caitlyn Kiramman is at her core. 
Let’s start with Ambessa since I feel like her role is critical to Caitlyn’s moral downfall. However, in order to fully understand Caitlyn’s descent into darkness in season 2 I believe it’s vital to understand Ambessa, her motives, and her role in manipulating Caitlyn for her own gain.
So let’s jump back a second and look at Ambessa before we dissect season 2:
In season 1 Ambessa arrives in Piltover under the false pretense of visiting her estranged daughter Mel - who we all know is a wealthy and powerful
Councillor in the city - and confides in Mel about her brother, Kino’s death. It seems Ambessa feels responsible for her son's death, and that she’s certain those responsible for his death will continue to seek revenge upon the Medarda’s and Noxus. 
This brings us to the real reason for Ambessa’s visit. Having grown aware of Piltover’s progress with Hextech, Ambessa sees the opportunity to create and use Hextech weaponry to protect her family and thwart any threat to her people. Essentially, Ambessa begins her game of manipulation early in season 1 by hoping to convince Mel to engage in war with the Undercity using the weaponised Hextech to squash the conflict. Ambessa sees these two cities and the tensions between them as a testing ground for Hextech weapons, and a chance to grab power, which luckily Mel sees through and prevents.
With Mel not being so easily manipulated, aware of her mother’s warmongering ways, Ambessa quickly changes strategies and attempts to manoeuvre Hextech’s creator, Jayce, into weaponizing the technology. While Jayce refuses at first, Vi tempts him further, and together they take Hextech weapons into the Undercity with the goal of attacking Silco’s shimmer factories, only for Jayce to end up accidentally killing a child working in one. This immediately stops Jayce and ruins Ambessa’s second attempt at manipulation to mass weaponise Hextech. 
With promises of allowing Mel to return home to Noxus with her if Mel will simply allow the war between Piltover and Zaun to happen, Ambessa makes her final move of season 1. Luckily Mel stays true to herself, and right before Jinx blows up the council building, Mel sides with Jayce in offering Zaun independence, and encourages the other councillors to do the same. 
It’s as we head into season 2, in the wake of Jinx’s attack on Piltover, that we see Ambessa use the chaos to reestablish her footing and create another angle of manipulation to work with.
She first tries to speak through Councilor Salo, which Mel catches immediately, knowing that her mother is determined to gain power. Mel agrees to invade the Undercity to capture Jinx but without Hextech weapons, once again stopping Ambessa’s push to put Hextech into weaponised action. 
With Ambessa’s plot mapped, let’s move back to Season 2 and Caitlyn’s development:
Act 1:
Ep1 - 
It’s important to note that even at this point in her grief Caitlyn is still fighting for the people of Zaun and trying to prevent a war; she stands by Jinx being solely responsible for the attack and doesn’t want Piltover to flood the Undercity with enforcers. 
Because Ambessa failed to use Salo to get the councillors to invade Zaun with Hextech we see her next power play. She’s the one responsible for the memorial attack, she allows it to happen only to set herself up as the saviour with her Noxian troops. This act pushes her agenda forward, the next time the council meet they feel taken off guard, fearful and desperate to find a way to fight back and protect themselves. But before Ambessa can speak up, Caitlyn arrives with her strike team armed with Hextech weapons and does the task for her. 
Caitlyn’s goal is obviously to minimise damage, which is a stark contrast to what Ambessa wants overall, however it’s the perfect way for Ambessa to test her goal. I believe it’s at this point that we witness Ambessa noticing Caitlyn for the first time and understanding her influence. Something Ambessa definitely notes for later on. 
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Next we have Caitlyn’s relationship with Vi to consider. 
It complicates Caitlyn’s grief. What should be a simple anger becomes a layered torment. How do you openly and intensely hate the sister of someone you care about? How does Caitlyn move past understanding Vi’s care for Jinx and refusal to give up on her at the end of season 1? Especially when that reality caused Caitlyn to hold back, go against her gut instinct, not shoot, and ultimately allow Jinx to kill her mother and further divide Piltover and Zaun.
The scene with her dad expands this conflict. Her guilt and self blame are evident when she admits she had the shot on Jinx. We see it manifesting in her refusal to willingly accept the Kiramman key. From someone so confident and self assured in season 1, we quickly see Caitlyn displaced and unsure. She’s gone from knowing the safety of her place in the Piltover hierarchy chain, to suddenly having to step up and fill that role her mother held. It’s a big responsibility and one Caitlyn doesn’t feel deserving or sure of. 
(Adding to this quickly that I love that it pans to Vi overhearing Caitlyn’s confessions, I think it perfectly foreshadows that Vi is going to have to witness someone else she loves descending down a path that’s a product of her actions. What a heavy cross to bear (maybe I’ll do a deep dive on Vi next)).
I also think it’s important that we talk about how Caitlyn is someone who keeps her emotions close to her chest, whereas Vi wears hers on her sleeve. Caitlyn’s grief is all over her face but it isn’t necessarily spoken aloud, she isn’t a blubbering mess. She only cries when she has the safety of Vi to be vulnerable with, and even then she only allows herself a brief moment. In true Caitlyn fashion, she then throws herself back into her way of dealing with her grief through action. I guess it makes sense that she feels inaction is what caused her pain, so of course going with the enforcers to find Jinx in the Undercity is a good idea. 
What perhaps isn’t her best idea is asking Vi to put on an enforcer badge and join her. I think Caitlyn is super clouded by her own grief here to even consider whether this is a good idea or not, especially given what she knows about Vi’s past. However, I would say that I truly believe that Caitlyn believes she’s asking Vi to join her for the right reasons. We witnessed Cait try and dissuade the council to invade Zaun already, so to think that Caitlyn believes that Vi’s presence on the enforcers side would help bridge a divide between Piltover and Zaun isn’t out of the realm of possibility. It makes sense for Cait to think that showing unity against Jinx would send a good message to the people of both cities. It also acts to ease Caitlyn’s own fears about Vi’s feelings towards her and Jinx. Where does Vi’s allegiance lie now? Can Vi see that Jinx is too far gone now and trust Cait to make the right decision? It’s a risk but a reassurance I think Cait desperately needs from Vi to anchor herself. 
Even though Vi initially rejects her offer to join the enforcers, after the memorial attack, when we see Caitlyn at her most unbalanced, Vi is there once again to provide comfort to Caitlyn at her most vulnerable. Vi understands what Caitlyn needs from her. I think at this point Vi is consumed by her own pain and guilt, and that while she clearly can’t mend Jinx’s heart, perhaps she can protect Cait’s. It’s why I believe Vi ultimately joins the strike team Caitlyn sets up. She feels a sense of responsibility to put things right too. It’s a tentative balance between the two of them; it’s the promise of action without overzealous violence hinged on an achievable goal of apprehending Jinx.
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We see Caitlyn, for the most part, admirably hiding her pain, grief, and self blame for her mother’s death (as Mel tells Jayce) but we also see glimpses of her strong facade cracking with anger at Jinx. 
Her anguish and guilt begin to manifest into hatred, and we see this evidently in Caitlyn’s visualisation of taking the shot at Jinx. This externalised hatred of Jinx is understandable in the wake of her mother’s death, and has left Caitlyn’s family with a gaping hole that she herself now has to quickly navigate to fill. 
While Jinx isn’t part of the memorial attack it triggers a reaction in Caitlyn; her pain and anger breaking free and making her lash out. We see her in her grief going from defending Zaun; ‘there’s good people down there’ to ‘they’re animals’. While that thought doesn’t grow further yet (thanks to Vi’s grounding presence) it does seed and begin to take root inside Caitlyn, waiting to blossom later in the season.
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Ep 2 & 3:
Episodes 2 & 3 take a closer look at Caitlyn’s invasion of the Undercity with her strike team. So I’m going to combine my thoughts for them. 
We see at the end of episode 1 that Caitlyn discovers the creation of the ventilation system the Kiramman’s created to provide clean air to the Undercity. Now this next part seems to be where I witness a lot of hatred and negativity of Caitlyn’s character journey this season coming from.
While I completely agree that her use of the gas in the Undercity is a bold and controversial choice, I think there’s a misunderstanding of how Caitlyn was using the gas. I get the sense that people think she was just gassing the whole of the Undercity when in reality she states what she plans to do with the gas in her mission outline; locate Jinx, dismantle shimmer and neutralise any agents still loyal to Silco.
Remember Vi is part of this strike team, I doubt she’s letting Caitlyn murderously gas her people. Instead, she’s probably guided Caitlyn into where the shimmer factories and the gangs are located. It’s these areas that the gas is being used. Does this justify her use of the gas? I’m not sure. I think it’s a moral grey area. Does violence of any kind, from any side, justify a violent retaliation? I think this is sadly a case of human nature. It shows the cycle of hatred, of violence being used to justify peace. It’s a tale as old as time; everybody is the bad guy in somebody else’s story. It’s a cycle that keeps repeating until somebody breaks it.
And that’s the theme the show wants to explore in season 2. Caitlyn’s actions are unsettling. Rightfully so. It’s a breakdown of what happens to people’s morals when they’re challenged by outside forces they can’t control. I think Arcane takes these issues and presents them cleverly throughout the show, and to write a character off as simply bad or good is a disservice to the depth they’ve been given.
The show forces the audience to step into each characters shoes and ask:
‘how far are you willing to go for the people you love?’
‘How far is too far?’
‘How do you know when you’re crossed that line and can you stop yourself going further?’
‘Can you come back from that?’ 
‘What can you do to break the cycle?’
We see these questions starting to get asked as we move into the tail end of Act 1.
The montage at the start of episode 3 is super heavy with explanations of what exactly the strike team does in Zaun. Sadly, I do think if you’re casually watching some of the depth of this montage is lost which I’m assuming is a time restraint/stylistic choice that had to be made for S2.
That said, let’s look at it carefully:
I feel like the bright colours are really menacing here, especially when you see Caitlyn and co fully suited up with the green gas behind them. It makes the image of the gangs running away look small and weak in comparison. When in reality we know these guys have helped Silco flood the lanes with Shimmer and are definitely part of the violence in the Undercity. It then flickers through scenes of the team fighting against the gangs, of them achieving their objective to dismantle shimmer and neutralise anyone still loyal to Silco. But it also makes a point to show Caitlyn apprehending these criminals in a non-lethal way; it seems she fires the same net-type bullets the enforcers fired at Vi and Powder way back in the opening episodes as they escaped from Jayce’s apartment. Most importantly it shows them holding Jinx’s wanted poster, inquiring for her whereabouts. This, we know, is the driving force behind all of Cait’s actions. A venture that is clearly proving fruitless so far. It’s clear that Jinx’s continued allusion only heightens Caitlyn’s grief and anger. 
While searching the Undercity for Jinx, we see Caitlyn, Vi and the others looking for Jinx in the old arcade where Vi and Jinx played as children. The use of the gas and seeing Vi playing enforcer enrages Jinx and she taunts Caitlyn by switching on the moving targets and momentarily appearing behind one before disappearing once more. While Maddie confirms the place is all clear, Caitlyn appears to begin to hyperventilate, her frustration with not apprehending Jinx clearly agitating her and teetering her closer and closer to the edge of her grief and control. She shoots where she was certain she saw Jinx standing, showing her ability to follow through with her shot now, and once more it’s Vi that has to approach her and ground her, bringing Caitlyn back from the Jinx demon plaguing her.
I want to make a point of noting that Vi is involved in the entirety of the strike team invasion into Zaun. This doesn’t make the use of the gas a right, but it does draw a line under what even Vi thinks is acceptable for Silco’s goons to suffer in their quest to get Jinx. When Jinx confronts Vi about this later, Vi even says they were using the gas to minimise damage (note - Cait hasn’t lost all morals) - ‘We used the grey to clear the streets. To keep people safe.’
We see Jinx using one of the Chembarons’s minions to lure Caitlyn and Vi further down into the pipeworks. While questioning the guy, Caitlyn continues off the back of her agitation from ep2, her frustration at not having found Jinx already making her snappy and twitchy. When Caitlyn demands an answer on how Heenot got there, she looks far too trigger happy, and Vi immediately notices the unsettled shift in Caitlyn, moving to kneel in front of Heenot. This serves to put her in Cait’s eyeline in an attempt to ground her once more. Vi gets the answer Caitlyn was seeking without violence but instead of calming Caitlyn, the knowledge that Jinx is close by only seems to amplify Cait’s vehement determination for vengeance.
Vi can see Caitlyn is becoming increasingly consumed by her hatred and asks to speak to her for a moment and then— well, let’s go ahead and talk about the kiss. That first kiss… 
I personally think that Vi’s voice actor Hailee Steinfeld and writer Amanda Overton give voice to my feelings on this far more coherently than I ever could: 
‘The dialogue before [the kiss] says it all. Vi's in a place where she's lost everything. She's lost anything and everything she's ever felt seen by or close to," Steinfeld continued. "The only way she has any of it left is through Caitlyn, and she's now asking a lot of her, asking her not to change given what she's now going through. I think it unlocks a newfound vulnerability.’
While Amanda adds to this:
“To me, that kiss, because it comes so early in their arc, was always meant to be the right thing for the wrong reasons. You want to feel really good because they’re finally kissing, but the promise that Vi asks her in her desperation is an impossible ask. Caitlyn responds in a way where she wants this to be true, Vi wants this to be true. Both of them want this to be true, so kissing was their way of covering that up.”
I think the kiss acts as a balm to both of their insecurities and guilt about their roles in the losses they’ve faced and may face again. Do either of them believe the promise, I’m not convinced, but it’s an important moment for Caitlyn to feel reassured by Vi’s loyalty. It feels like Vi has her back as they now approach Jinx, and that if Caitlyn can make the shot, she has Vi’s blessing to do so. Vi is her strength and Caitlyn needs that before she comes face to face with Jinx once again.
The only problem with the kiss and the faux promise is that it’s fine in theory but not in practice. I think Vi was trying to convince herself she could let Jinx go for Cait’s sake, but once she sees her, especially with Isha, Vi can’t commit to it. 
This is the driving wedge between her and Caitlyn, because that kiss promise they just made, well in Caitlyn’s eyes, Vi didn’t keep it. It feels like betrayal. Vi has prevented her from taking the shot against Jinx twice now. 
This is the pivotal moment that ultimately leads to Caitlyn being unable to untangle Vi from Jinx in her mind. Her feelings are too clouded by her grief, and her anger finally shifts from Jinx to Vi. Vi, who in Cait’s eyes, let her down. It’s heartbreaking but in the next moment Vi pays the price for Caitlyn’s transferred anger by taking Caitlyn’s rifle to her gut. And just like that, Caitlyn breaks her promise too. 
Has she really changed or is Caitlyn merely lost in her own self hatred, grief, insecurity and guilt? Whatever the answer is, without Vi, Caitlyn no longer has an anchor to stop herself spiralling completely. It leaves her vulnerable and open to manipulation as we see.
/
We see Ambessa growing impatient after Amara attacks her and reveals the Black Rose are aware that Ambessa isn’t relenting in their feud, instead she’s in Piltover looking for an advantage by gaining access to Hextech weapons. As a result Ambessa returns to manipulate Salo, wanting to use the councillor to once again to push her agenda and gain more control. But Salo is equally frustrated by his use in Ambessa’s plan. It’s during Ambessa’s exchange with Salo that Caitlyn comes up again. 
We know Ambessa has taken note of Caitlyn when she stormed the council with her strike team idea and thwarted her attempt to use Salo to urge the council into a full invasion of Zaun, but in this next exchange with Salo we see Ambessa once again  grasping exactly why Caitlyn could be the key to her power play.
‘It’s enough work propping you up without you dulling what few wits are left rattling around in there.’
‘If you propped as well as you prod, maybe I’d have better uses for my time than sitting around waiting for an update on Princess Kiramman’s underground escapades. She’s gotten no closer to Jinx. But that doesn’t seem to steal the stars from anyone’s eyes.’
‘Perhaps if you hadn��t let the child overpower you in your own chamber.’
‘It’s not the girl. It’s the name. It bewitches people.’
Ambessa, at this point, still intends to use Salo as her puppet by gathering the elite of Piltover, so she can essentially speak through Salo, and urge for further action to be taken against Zaun. However, the knowledge she’s gained about Caitlyn from Salo comes in very useful when Ambessa actually makes her play for power at the end of episode 3. 
Mel even notes how clever and strategic Ambessa is when talking with Lest, ‘everything with my mother is a calculated risk’ showing that Ambessa will do whatever is necessary to achieve what she wants. This becomes even easier for Ambessa to do with Mel and Jayce out of the picture, leaving Piltover wide open to her manipulation.
Ambessa takes advantage of the Jinx/Zaunite attacks on Piltover and Amara’s disappearance (or shall I say, her own cover up) to create a new narrative. She starts by using Salo as her mouthpiece, here he lays the foundation that Ambessa is a trusted and worthy ally for Piltover. Whose experience Piltover should take advantage of. Ambessa continues this narrative, painting herself as a kind ally who was simply going to help Amara rebuild Piltover before the Zaunties attacked again. 
Ambessa uses the continued and growing fear of the Piltover elite to encourage the conflict - ‘wrath must be met with wrath.’ - setting up the idea of martial law as a necessary move to protect the people and return Piltover to safety once more. We see Salo thinking he’s finally going to be rewarded for being Ambessa’s puppet, only for Ambessa to manoeuvre past him. She takes the knowledge he’s given her about Caitlyn Kiramman and the worth of her name and chooses her to command instead.
Ambessa knows of Caitlyn’s grief and her unwavering desire to bring Jinx to justice in vengeance for her mother’s death, and now Ambessa can take Caitlyn Kiramman and twist her focus to encompass more. Caitlyn Kiramman can be the pawn Ambessa uses to start the conflict between Piltover and Zaun. Caitlyn Kiramman will get the elite to listen. Caitlyn Kiramman will use Hextech weaponry to do so, and in doing so, Caitlyn Kiramman will give Ambessa the power she needs to confront the Black Rose.
At first Caitlyn is shocked by Ambessa’s decision to choose her for command but once Ambessa and the Noxian’s begin their chest salute, Caitlyn becomes overwhelmed with the pressure of the Kiramman name. She told her dad she didn’t feel worthy or ready, and here is Ambessa, someone the Piltover elite now trust, someone with experience, who is saying she believes Caitlyn is the right person to protect the people. It forces Caitlyn to step up and fill that hole her mother left; to represent Piltover as a Kiramman. Ambessa achieves this cleverly by taking advantage of Caitlyn at her lowest. Ambessa plays into the combination of Caitlyn’s own guilt, grief and self loathing and peer pressure, and buckles Caitlyn to her will, molding her into a Commander who will carry out unspeakable things to grasp power.
Let’s talk about the persuasion of the peer pressure - it’s peer pressure that comes not only from the Noxian army but also from Caitlyn’s own enforcers - Maddie being the one to chest salute from Piltover’s side first. It’s not surprising given we know she’s a spy - but before this knowledge is gained Maddie is seen as a good hearted, kind enforcer wanting to do the right thing. Without Vi there to question and anchor Caitlyn, Maddie is a familiar and reassuring face Cait can turn to. So when Maddie joins the Noxians supporting Caitlyn for commander, so too does everybody else. Now it’s Piltover looking at Caitlyn to make this right.
What do you do when someone you think you trust encourages you to step up? When everyone who relies on the Kiramman name wants to believe in you? It feels like a task Caitlyn cannot fail in… not like she failed her mother. 
Ambessa, seeing Caitlyn beginning to cave to the responsibility, uses the rawness of Caitlyn’s grief to manipulate her again, just as Caitlyn might possibly be starting to question it all. Before the doubts can fully form in her head, Ambessa is there, oinking her poison into Caitlyn’s ear - ‘your mother will have justice. I swear it’. 
There’s that question for Caitlyn and the audience again - how far are you willing to go for those you love?
It’s Ambessa’s manipulation at its finest, a final, powerful shove in the direction Ambessa wants, and Caitlyn, in her broken state, falls for it.
It’s these events of the entirety of Act 1 that I believe sways Cait into taking the position of commander. By giving Caitlyn the power of command over the enforcers and her Noxian army, Ambessa enables Caitlyn to descend into an even darker spiral of moral ambiguity.
/
Act 2 -
Ep 4 - 
In the opening montage we see Caitlyn’s martial law in effect. Under her visage, the enforcers and Noxians flood the Undercity, hunting Jinx, and arresting those they see as a threat. We can all agree here that Caitlyn’s morals have tumbled; she allows a (necessary - Cait’s opinion, not mine) increased amount of violence in order to maintain control, and this is obviously met with resistance from the Zaunties. It’s the cycle of violence churning, and Caitlyn, under Ambessa’s guidance allows it to happen fuelled by her hyper-fixation on capturing Jinx.
I’d like to point out that the use of the Jinx wanted posters throughout this episode is huge. For Caitlyn and Piltover, Jinx is justification for what they’re doing. And for Zaun, Jinx becomes the one thing they can all start to unite behind despite their differences; in the most ironic turn around, Jinx becomes a symbol of hope and rebellion for Zaun against their oppressors.
Despite Caitlyn being in command of the martial law taking place, I think the scene with Maddie highlights that she hasn’t disowned her morals entirely, they haven’t changed, they’ve just become clouded by her grief and Ambessa’s manipulating encouragement. We get a hint of this as it appears that Caitlyn isn’t sleeping well, the tensions between the two cities clearly playing heavily on her mind. We see further hints of this when Caitlyn confesses to Maddie that she didn’t think the invasion would go on so long. 
‘I never expected this to go on so long. I thought… I don’t know what I thought. Just… it wasn’t this.’- this shows that Caitlyn didn’t know what exactly she was taking on when she took command. How could she? Before any of this happened she was an enforcer with restricted responsibility thanks to the protection of her mother, and now she’s not only in charge of her house and its legacy, but she’s taken control of Piltover’s safety. It’s a big burden to bear and it’s clear the direction she’s taken has left her uncertain about her choices. 
Maddie in return seems to act as both the angel and devil on Cait’s shoulders, in one breath she’s endorsing the Noxian’s increasing violence by reassuring Cait that it’s for Piltover’s safety, and the next she’s telling Caitlyn she could withdraw from the Undercity. Without Vi there now to ground Caitlyn in the harsh realities of her choices, Maddie’s angel/devil act further serves as part of Ambessa’s manipulation, isolating Caitlyn in Ambessa’s ideals alone, and keeps Caitlyn spiraling even when her morals begin to creep back in and make her conviction wobble slightly. 
When Maddie teasingly calls Caitlyn ‘Ambessa’ it snaps Caitlyn out of her disillusionment, and keeps her focused on her unfulfilled goal of getting Jinx, citing that Ambessa’s methods do work. She’s delivering what she promised Piltover and Caitlyn she would deliver, and all Caitlyn has to do is stay on the path Ambessa has set out before her.
Maddie also uses this opportunity to try and make Caitlyn feel in control. While Caitlyn’s doubts about the marital law materialise, Maddie forces Caitlyn to look at herself in the mirror and reminds her that Caitlyn is the leader they follow. It catapults Caitlyn back to the weight of responsibility she feels in the wake of losing her mother. Piltover chose her because she’s a Kiramman and Caitlyn cannot let them down, she has a hole to fill. This pushes her to ignore any niggling doubts and press forward with her efforts to secure Jinx.
Another scene where we can see that Caitlyn isn’t completely lost in her darkness is during her exchange with Ambessa. Ambessa rightfully notes that Jinx’s return will further ignite Zaun’s resistance to the martial law, but that it also finally gives them a lead on Jinx. When Caitlyn doesn’t seem elated at the news, Ambessa questions why Caitlyn isn’t more encouraged.
It’s here that Caitlyn’s core morals and doubts of Ambessa begin to shine through again. Caitlyn questions why Ambessa has urged the Noxians to become more violent, and Ambessa is clear in her response; someone in Zaun knows where Jinx is and she will use whatever force is necessary to get the answer.
Caitlyn is relentless though, and her core morals once again challenge Ambessa’s approach - ‘arrests require cause’ - showing that Caitlyn is still trying to stay within a somewhat structured justice system. She might be ruthless and unyielding in her quest for Jinx but she’s not trying to be unnecessarily cruel. 
Ambessa is always one step ahead though and we see her try to pacify Caitlyn’s doubts by reminding her of her duty to Piltover - ‘what greater cause is there than returning peace to this city?’
But Caitlyn isn’t entirely pacified by Ambessa’s remarks and we see her challenge her back with an important question; ‘why is peace always the justification for violence?’ 
This is a question not only for Ambessa and Caitlyn but also the audience. It asks the audience to think about this statement in regards to the whole show; to every character. How far is too far? When do you stop yourself from becoming something other than yourself in the name of protecting/saving those you love?
Ambessa responds by saying she understands how tiring vengeance can be, but she knows Caitlyn won’t be able to rest while she knows Jinx is out there. I believe this is one of the only honest moments Ambessa gives us. We know she too cannot rest while the Black Rose is out there threatening her family, it’s what drives her to achieve power and will keep driving her no matter the cost. But despite this brief moment of honesty, as per her character, Ambessa seizes the moment to manipulate Caitlyn again by questioning her conviction - ‘maybe I underestimated you. Maybe you have the strength I do not. To forgive and trust in tomorrow.’ 
By leaving the choice in Caitlyn’s hands Ambessa triggers Caitlyn to remember what her inaction caused her before; her mother’s death. It’s why we next see a guilt ridden Caitlyn at her mother’s statue and why, I believe, Cait can’t escape the darkness still clutching at her ankles yet. Having fallen victim to Ambessa manipulation once again we see her allowing the Noxian soldiers to carry out more violence and mass arresting of the Zaunties.
Last thought for episode 4 - Caitlyn’s face overlapping with Jinx’s wanted poster shows the monsters they’ve both become as a result of their traumas. Jinx is a product of her abandonment that festered (under Silco) into a chaotic resentment and anger towards Vi that fundamentally changed who she was/is. The same can be said for Caitlyn in Act 1-2. As a result of Jinx killing her mother, Caitlyn becomes a product of her trauma; her grief and guilt twist her empathy and understanding into that of unbridled anger (fuelled by Ambessa). Now Cait is left desperately seeking justice to soothe her wounds, and it causes her to commit horrible acts in her quest.
Even when Caitlyn does make attempts to remind herself of her true morals, she’s met with Jinx’s taunts, Vi’s betrayal (in her eyes) and Ambessa’s manipulation, just as Jinx always had Silco whispering in her ear.
It’s a cycle of anger and self destruction that Caitlyn and Jinx cannot break… not yet anyway.
/
Ep 5 - 
We begin this episode with Caitlyn arriving at Stillwater in the wake of Warwick’s attack. She has to pass through the blood and bodies of her comrades and see first hand the destruction that’s taken place. While she and Ambessa question Singed over the attack, we see just how fractured Caitlyn’s mind is becoming the longer Jinx evades her. It seems here, that Caitlyn thought her dismantling of shimmer earlier on would slow/stop Zaun from producing chemically advanced weapons created from experiments. But the Warwick attack proves her wrong. Singed has created something far worse, and Caitlyn’s immediate response is to discover how it’s connected to Jinx. 
It’s quite an ironic scene because Singed is almost mocking Caitlyn for being so single-minded. Zaun is more than just Jinx - something Caitlyn used to be able to comprehend before her grief - and he can see that Caitlyn is blinded to that, blaming her impatience and youth. 
We also get to see here how Caitlyn has made use of Stillwater for those that she’s arrested during the period of martial law - ‘there are cells buried deep within this prison so devoid of light and fresh air and all basic human considerations that up till now, I have forbidden their use.’
Has Caitlyn wrongly arrested Zaunties? I have no doubt that she has. But has she tried not to go so far into the darkness that she forgets all her morals and becomes a complete monster? I think so. She remembers the torment and suffering Vi suffered in Stillwater (even when they’re apart Vi is the grounding force that tries to creep in and pull Caitlyn back from the worst of herself). I don’t think Caitlyn is cruel by nature. She does have a good heart. It's just buried so deep beneath her guilt and grief that she’s committed acts she never thought she would, and she can’t seem to stop committing them while she feels Jinx is still a threat to Piltover. 
The last we see of Caitlyn in that scene she threatens Signed with spending the rest of his days in Stillwater. A promise she will keep if he doesn’t cooperate to help them destroy the beast.
When we next see Singed however, he’s with Ambessa. Ambessa who has quickly and strategically concluded that if Hextech is unreachable due to Jayce’s absence, the beast that Signed has created is the next best weapon she could have in her arsenal. Warwick might in fact be more powerful. Here Ambessa cuts a deal with Singed; his loyalty and the beast for her cause, in exchange for his freedom and allowance to keep experimenting. It’s clearly not something Ambessa informs Caitlyn of, who I’m assuming she keeps in the dark. Ambessa allows Caitlyn to keep believing that Singed is only being freed so that they can find the beast and destroy it before it attacks Piltover. 
We get to see in this episode that the doubts we see Caitlyn beginning to have about Ambessa and the disillusionment we see Caitlyn facing about her role in the invasion of Zaun continue to gnaw at her, especially after Singed’s poignant remark that ‘no one in power is innocent.’  I think this is a statement that makes Caitlyn pause and look at herself. If Signed isn’t innocent for his creation, is she innocent for the violence she’s allowed?
When we next see Ambessa, Signed and Caitlyn share a scene together, it’s with Signed conducting an experiment that will hopefully allow them to locate the beast.
Caitlyn, who looks less than thrilled with the arrangement of his freedom, makes it known that she understood Signed’s barbed statement last time, and as a result she’s used her position as a Kiramman to look into him to discover how deep his crimes go. It also highlights that she distrusts the reasoning Ambessa has given her for Signed’s release. We know after all that during the previous episode Ambessa made it clear she couldn’t forgive and forget. That she would always fight and do whatever was necessary to win with no regrets.
What Caitlyn has discovered is that the Piltover academy once had a revered alchemist who was banished as a result of his work. The results of which were never recorded. We know from S1 that Jayce’s creation of Hextech was considered so dangerous that it almost got him banished until he stabilised it. But what does the Undercity have that’s equally as dangerous as Hextech and yet entirely unstable and uncontrollable; shimmer. 
Caitlyn’s headstrong intellect makes a delightful return here when we see her work out that Singed was the banished alchemist Dr Reveck. She recoils in disgust at his creation of shimmer, which has always been a threat, not only to Piltover, but to Zaun. The damage of which Caitlyn saw firsthand in season 1 when she was in Zaun with Vi.
She calls Signed a monster and demands to know why he created shimmer and why he continues to experiment so dangerously that he creates these violent abominations.
For Singed the answer is easy - ‘Why does anyone commit acts others deem unspeakable? For love.’
At the sight of Signed’s daughter, kept alive by these unthinkable, grotesque experiments, Caitlyn is then forced to face an ugly truth, something which she and Singed both share. They have both committed horrible deeds to alleviate the harrowing pain of loss that only comes from losing someone you love. 
It holds a mirror up to Caitlyn and her actions in such a raw way that I don’t think any other moment has done yet. Is this the wake up call Caitlyn needs to finally break the chains of Ambessa’s manipulation and away from the darkness pulling her further and further away from her true self?
I guess we’ll see.
——
Ep 6 -
While the previous episode gives us our first proper glimmer of hope that Caitlyn is slowly waking up from her darkness and may start breaking away from Ambessa soon, this episode gives us the culmination of events that actually drive Cait to that very point of disentangling herself from Ambessa’s web of manipulation. 
But let’s rewind a second to see how exactly Caitlyn gets there.
Episode 6 starts off with a very clever and insightful fight sequence. Here we see Ambessa sparring with Caitlyn and training her in the Noxian ways. 
Here are the key principles Ambessa teaches Caitlyn:
‘Noxus prizes strength above all else, defining it by three core principles. Vision. The top of the triangle, charting a course and having the wisdom to navigate it. This form is your base, child. Your eyes see what others don't. Might. Bending your environment to your will. Your speed is improving. But eventually you need force.’
‘Too much force exposes you to risk.’
‘Indeed. The last is guile. Phantoms. Tricksters. Mages. Absent honour. Absent accountability. Remember this, Caitlyn. Tunnels in your eyes. Lava in your veins. Shadows in your heart. This is the truth of combat.’
But oh no, that’s not all.  Ambessa enlightens Caitlyn to her final, most important lesson:
‘I’ve discovered a fourth principle. One that heightens all others. Sacrifice. The temper born of suffering. We understand it as others cannot. We are kin.’
Now, this may just seem like Ambessa being Ambessa but it provides Caitlyn with two things:
 1) her combat skill set has definitely approved under Ambessa and continues to do so 
 2) Caitlyn has the inner-knowledge of how Ambessa’s mind works. 
This becomes vital later on in the remaining episodes. 
Some people might be confused by Caitlyn’s participation here given that she was starting to doubt Ambessa in the previous episode. However, the beast is still at large and a threat to both Piltover and Zaun. Caitlyn needs to aid Ambessa in putting him down.
Singed leads Ambessa, Caitlyn and the Noxian army through Zaun to the commune Viktor has established. Here is where Signed has tracked his beast. While Ambessa seems hell bent on attacking the commune without a second thought in order to capture the beast, we see Caitlyn looking unsure. Her suspicions that Ambessa is up to something heighten when she allows Singed to enter the commune to talk to Viktor.
Up until this point Caitlyn believes their goal is to eliminate the beast since it’s such a threat to Piltover and Zaun, but when she witnesses Ambessa and Signed plotting together, I believe she starts questioning their true intent regarding the beast.
The next time we see Caitlyn she appears to be creeping around the outskirts of her and Ambessa’s makeshift camp. Why would she be doing that if she wasn’t doubting Ambessa and Singed? Caitlyn isn’t stupid, she knows Ambessa is highly driven by power, but power at the expense of a peaceful commune? I’m not sure even Caitlyn is willing to cross that line. Her morals have gotten lost but they haven’t gone completely. Caitlyn has always tried to hold onto them. We see that here again. These morals come rushing back when Caitlyn’s natural detective skills lead her to piece together that Ambessa and Signed are planning a way to capture the beast, not destroy it. 
This to me is Caitlyn’s turning point, as she realises that Ambessa and Signed with the beast at their disposal will be a much bigger threat to Piltover and Zaun than Jinx ever could have been. 
Caitlyn has already reached this conclusion before she spots someone creeping about and puts their ass on the ground. Before she realises it’s Vi creeping around. 
The fact that it is Vi following Singed, and the fact that Vi is at the commune at all gives Caitlyn even greater reason to question Ambessa. These two may not have spoken in months but they see each other. They always have. 
When Caitlyn says ‘you can’t be here’ it’s not because she doesn’t want to see Vi, or because she’s dismissing her, but because she knows Ambessa is dangerous. Because despite everything that’s happened Caitlyn wants to protect Vi. Plus, Caitlyn knows that Vi being there is a weakness for her, she won’t be able to do what she needs to do to stop Ambessa if she’s worrying about Vi in the crossfire.
It’s Vi, however, questioning Caitlyn in return that falters Caitlyn’s cold focus. Why is Caitlyn there on the job? And is she still acting like an unhinged mongoose? 
Caitlyn mimics the insult of ‘mongoose’ but I think it’s the word ‘unhinged’ that cracks her steely veneer. Her grief and guilt did make her unhinged. The last time they were together she hit Vi in the stomach with her rifle in the wake of what she perceived as Vi’s betrayal of her. In the months since I’m sure that act has haunted Caitlyn. Vi disappeared from her life without another word and it’s because of Caitlyn’s actions. 
(Was Maddie the perfect distraction to the heartbreak she caused herself? I think so. Maddie allowed Caitlyn not to think about Vi, and Caitlyn needed that in order to reassure herself that her actions were necessary and justified. A perfect example of ‘the worst lies are the ones we tell ourselves’).
Without Vi around, Caitlyn was able to really access those darker parts of herself, and while Caitlyn felt like she needed to do that in order to keep herself focused on Jinx, we can see the cost of it. We see it in Caitlyn’s uncertainty in her actions, in her doubts of Ambessa, in the threat of the beast, and in Vi’s appearance. 
When Vi pushes Caitlyn off her in response, Caitlyn moves back limply, a little bit of the fight knocked out of her. Did Vi’s insult hold a mirror up to Caitlyn? I think so. It’s an uncomfortable pill to swallow, and we see that manifest in the way Caitlyn shifts her focus onto Vi’s hair.  
‘Your hair. You look like an angry oil slick.’
‘Don’t sugarcoat it, cupcake.’
Vi doesn’t trade insults with Caitlyn. She doesn’t berate her further than getting Caitlyn to back off so she can sit up. Instead she takes Caitlyn’s comment and gives Caitlyn warmth in return. The use of the ‘cupcake’ nickname is familiar, affectionate. In that single moment it breaks the tension between them. Is there anger between them? Yes. Unresolved issues? Yes. But there’s also an innate trust. So when Vi asks what Caitlyn is doing at the commune, Caitlyn tells the truth. And when Caitlyn asks Vi why she’s there in return, Vi tells the truth.
‘We tracked some sort of new chemweapon down here. A bloodthirsty, murderous, beast. What are you doing here?’
‘Trying to save… my dad.’
We don’t see Vi reveal to Caitlyn the true extent of what happened to Vander, and Vi purposely omits Jinx’s involvement, but what she tells Caitlyn is enough for Caitlyn to make her decision to betray Ambessa. 
We’ve seen time and time again that Vi fights because she’s always had to, but Caitlyn fights because she wants to. It’s what made Vi trust Caitlyn in the first place. And although she knows Caitlyn still hates/resents Jinx, she trusts Caitlyn enough in that moment to fight for what’s right like she always has before. Vi completely kills Caitlyn’s idea that Warwick is just a beast. The second Vi confides in her that this beast is actually Vander, her dad, Caitlyn starts seeing him as human. And not just any human; a human hugely important to Vi. Those doubts Caitlyn had about Ambessa and Singed? They’re cemented here. She trusts Vi and believes Vi, and that headstrong Caitlyn from S1 who wants to do the right thing and protect the people she loves? She shows up for Vi now.
Grayson once asked Caitlyn what she was shooting for, and we see the answer here clearly; Caitlyn will shoot to protect those she loves. Vi needs her help and her protection and Caitlyn is going to do just that because despite everything that's happened to them and between them, Caitlyn loves Vi. It’s that simple.
They’ve always worked better together, and we see that here. Their balance slowly returns as they plot to infiltrate Ambessa’s camp with Vi as Caitlyn’s prisoner. It creates a perfect distraction and takes Ambessa out of play, while Caitlyn stops Singed and saves Vander. If anybody could bring Caitlyn back out of her darkness and ground her, redirect her focus, and free her from Ambessa’s manipulation, it’s Vi.
The following scene between Ambessa, Vi and Caitlyn is amazing at showing just how much trust and understanding is still between Cait and Vi despite their bond not being fully healed. Caitlyn’s (fake) delivery of Vi into Ambessa’s hands cements Caitlyn as a worthy ally in Ambessa’s eyes. Remember, Ambessa sent a young Mel away because she considered Mel her weakness, and here we see Caitlyn handing over Vi, someone who Ambessa knows has Caitlyn’s heart (is her weakness). It’s such a powerplay from Caitlyn; she takes what she knows about how Ambessa’s mind works and uses that to her advantage to stage her betrayal.
Ambessa’s biggest mistake in this scene is her arrogance. She doesn’t consider for a second that Caitlyn will betray her. While she understands that Vi must be disposed of before she becomes a distraction for Caitlyn and ruins all of Ambessa’s manipulations, she fails to comprehend just how easily Vi could have gotten through to Caitlyn. 
In fact, Ambessa even gloats about how Vi’s absence provided a vacuum she was able to fill in Caitlyn; with manipulation, with Maddie, with fuelled hatred. Without Vi to ground her, Caitlyn, in Ambessa’s eyes, was easily shaped into her cold, ruthless commander. She can’t have Vi ruining that now. It’s why she knows she has to kill her if she wants to keep Caitlyn as her puppet.
The problem with Ambessa putting all of her money on Caitlyn’s hate for Jinx being stronger than any of her past feelings for Vi, is that Ambessa completely fails to recognise that Vi has already saved Caitlyn. All it took was for their eyes to lock again and Vi shattered the hard shell Ambessa worked hard to build around Caitlyn.
Don’t get me wrong, Caitlyn was starting to save herself (unbeknown to Ambessa, thanks to her ego) but Vi showed up at the right time, in the right place and offered Caitlyn a hand. A hand that Caitlyn took without a second of doubt.
Ambessa overlooks the importance of Vi’s duality to Caitlyn, that’s she’s Caitlyn’s biggest weakness but she’s also her biggest strength, until it’s too late. Caitlyn is already distracted, she’s already made her choice; it’s Vi.
I think this shows major growth for Caitlyn, because even though she doesn’t know about Jinx’s involvement at this stage, she still chooses Vi over Ambessa. She chooses Vi over her mission. She chooses Vi over her grief. It doesn’t take back her mistakes but it sets Caitlyn back on the right path, the path where she will protect people, especially those she loves.
Caitlyn follows Vi’s plan to subdue Signed and attempts to help Vander but Rictus stops her. It seems that while Ambessa trusted Caitlyn, Rictus wasn’t convinced. Just as it looks like he will kill Caitlyn, Jinx fires a shot and saves her.
Does Jinx do it because she cares about Caitlyn? No. Jinx saves Caitlyn to save Vander. Does Jinx know deep down that killing Caitlyn would affect the bridges she’s building with Vi? I absolutely think so.
As Vander saves Jinx from Rictus we see Vi rush in and embrace her family. Caitlyn, while betrayed by Jinx’s unexpected involvement, and who is still knocked down on the floor, briefly locks eyes with Vi only to witness Vi smiling and happy with her family. 
This is the first time Caitlyn gets to see Vi freely happy with the people she loves. All she’s ever witnessed from Vi before is pain. Pain at losing her parents, pain at losing Vander, pain at being locked away for years, pain for leaving Powder and having to accept Jinx. Pain from Caitlyn. And Jinx is right there too, looking happy and holding Vander and Vi in return. Has Vi forgiven Jinx? Can Vi forgive her? Can Caitlyn forgive any of it? 
It’s a lot for Caitlyn to process and she doesn’t really get a chance to before Jayce hammers Viktor to death and sends the place into chaos. 
Instead we see Caitlyn following behind Vi and Jinx as they run outside to see what’s going on. Warwick is back to being bloodthirsty now that Viktor is dead, and Ambessa has arrived with the Noxian army seeking revenge. Her eyes piercing Caitlyn glaringly for her betrayal before she attacks.
It’s important to note that not once during the fight sequence with Vander and the Noxians do we see Caitlyn try and take a shot at Jinx. She easily could have, at multiple points, but she doesn’t. 
Why?
Because when she freed Vi from Stillwater in S1 she decided to trust her. She trusted her because beneath Vi’s tough exterior Caitlyn could see her pain. Since that moment all Caitlyn has wanted to do is soothe Vi’s wounded heart. It’s why she didn’t shoot Jinx in the season 1 finale, it’s why she lets Vi stop her shooting Jinx in Ep3, and it’s why she doesn’t try to shoot Jinx now.
Caitlyn has been devastated by the loss of her mother at Jinx’s hands. It’s a pain she will never fully heal from, and in these moments Caitlyn has to decide if she wants to be responsible for adding to Vi’s pain. Can she kill Vi’s sister? Can she cause more suffering to the woman she loves? More than she already has? The answer is a resounding no. 
Because despite everything, Caitlyn is a good person with a good heart. She was just swept away and lost in her grief. But now she’s anchored again thanks to Vi. She may never forgive Jinx, she may always hate her for what she did but she will always love Vi more.
We see Caitlyn protecting Vi during the fight, and we even see her letting Vi go in order to save Jinx when she gallantly rushes in to try and save Isha.
By the end of Act 2 we stop seeing Commander Caitlyn Kiramman here and simply see Cait again. She’s definitely more bruised and hardened by her trauma and experiences but she’s there, fighting her way back to the surface.
This takes us into Act 3 and Caitlyn’s reconciliation with her true self and her steps towards atonement. 
/
Act 3:
Ep 8 -
This episode starts with an unconscious Vi awakening after her near death experience in ep6. Loris is there when she wakes and he tries to calm her down by answering her burning questions about the locations of Jinx and Cait.
Let’s just take a second to note that Vi isn’t just anywhere in Piltover, oh no, she’s tucked safely in Caitlyn’s bed in the Kiramman house. And Loris openly tells her that Caitlyn rounded up a squad of doctors to patch her back together. There’s a bunch of pillows piled on the side next to Vi - did Caitlyn watch over her while she healed? The show doesn’t explicitly state it, but Loris implies that Caitlyn wanted to be there when Vi woke, suggesting that Caitlyn hasn’t left her side often, and the reason for her absence must be important.
We get to see why Caitlyn isn’t at Vi’s side when she wakes just seconds later. Caitlyn is with Maddie, contemplating Ambessa’s inevitable attack on Piltover. She knows it’s coming, especially now that Ambessa knows of her betrayal. Considering Caitlyn has been the commander of the invasion into Zaun for months at this point, here we see her approach to be a little more cautious. No longer is she so warped by Ambessa’s reckless ways, or her hate fuelled mission for revenge against Jinx, now Caitlyn is trying to find her feet as commander in her own way; listening to her own morals and trying to make the right choices. Caitlyn knows there won’t be any negotiations with Ambessa thanks to her betrayal, and so careful, clever strategy is what she’s going to need to come up with, and fast, if she’s to save Piltover.
Maddie tries to offer comfort but Caitlyn straight up rejects her. Why? Because there was never any true affection between them. Maddie was just a distraction, a warm body to keep Caitlyn’s focus away from Vi and stuck in the darkness she was drowning in. But now that Vi's back in her orbit, Caitlyn is even less interested in Maddie, and the second Vi storms in demanding answers about Jinx, Caitlyn dismisses Maddie without a second thought.
Here we see some of the tension between Caitlyn and Vi boil to the surface. Their reunion in the previous episode was quick, it was based on innate trust and convenience, but there was no time for a proper resolution to the issues between them. Vi demands answers for why Jinx is locked away, accusing Caitlyn of still being on her blinding revenge quest against Jinx. When Caitlyn’s initial attempt to calm Vi falls on deaf ears, she retorts with anger at Vi’s lack of trust in her to do the right thing.
‘Arrested?’
‘Vi…’
‘She saved your life.’
‘If you will just calm down for one—’
‘Even knowing you’d never have done the same for her.’
‘We’ll never know, will we? You didn’t let me in on that part of your plan.’
‘Clearly the right call, since you can’t trust her enough not to shove her in a box.’
‘Trust? You believe I’m so daft I can’t recognise a contingency? She wasn’t there for my benefit. You didn’t trust me to follow through.’
‘Can you blame me? How long were you sidled up with that shifty, self-serving war pig? She oinked poison in your ear, and you just ate it!’
I think Vi’s defence here is fair, given that Vi not only witnessed Caitlyn’s hatred for Jinx morph into an obsession, but that she also got a taste of Caitlyn’s spiral into darkness herself when Caitlyn was cruel to her in ep3. She was in Zaun the entire time Caitlyn was enforcing Ambessa’s martial law too. Vi has seen the violence and the damage done at Caitlyn’s hands with her own eyes. So it’s not a surprise that Vi didn’t trust her fully when they reunited in ep6. Caitlyn has been under Ambessa’s thumb for far too long for Vi to assess just how much lasting damage has been done to Caitlyn in ep6. 
When Vi confronts Caitlyn with this harsh reality, Caitlyn cracks in shame and anger - ‘I know!’
Caitlyn can see what she’s done, what she’s become, and she takes accountability for it with this simple acknowledgement. She’s not a words girl, we know she’s more emotionally repressed when it comes to expressing herself that way, but as she sinks back onto the arm of the couch we can physically see her deflation. Caitlyn is very much aware of her mistakes. She knows she’s had her grief manipulated and that to an extent, because of her hatred of Jinx, she let it happen. It has cost Caitlyn greatly, and we see how fragile her relationship with Vi is now as a result.
But the best thing about this much needed heated exchange is that Caitlyn gets to show Vi that she’s not completely lost to her, that she has managed to start pulling herself out of her darkness. 
‘The only thing Jinx cared about was getting you to safety. Then she just surrendered. I didn’t even have time to think before they hailed her off. She’s being held in the bunker while I decide what to do. I was waiting for you to recover.’
Why did Caitlyn wait? 
Well she unfairly pushed the enforcer badge on to Vi back in episode 1 because she selfishly needed reassurance and loyalty during her spiraling grief. She forced Vi to choose between her and Jinx when deep down Cait knew that would be an impossible thing for Vi to do. 
Caitlyn waiting for Vi to recover before any decision is made about what happens to Jinx proves that Cait wants to atone. It shows Vi where she’s at, and Vi recognises the gesture immediately. There’s her Cait. It’s not commander Kiramman sitting before her, but the woman she was falling for back before Jinx’s attack at the end of season 1.
It gives Vi all she needs to fight for her family; for Jinx and for Cait.
‘Cait, she’s changed.’ 
Vi wants Cait to understand what she’s been going through, what she’s witnessed in regards to Jinx and Isha and the bridges they were beginning to build. But even though Cait hears this - Jinx saved her when she easily could have let Rictus kill her - she can’t quite accept it. Not because she doesn’t necessarily believe Vi but because how can anybody accept the unspeakable violence and acts that Jinx has done? That Caitlyn has done? In Caitlyn’s mind they’re inescapable and unforgivable.
‘We can’t erase our mistakes. None of us.’
But Vi is the voice of reason and immediately challenges her response with this soul searching question - ‘who decides who gets a second chance?’
The conflicting expressions that flicker across Caitlyn’s face as Vi leaves her at the end of this scene shows how carefully and heavily this question sits in Cait’s chest. 
Who does get to decide who deserves a second chance? Is it the responsibility of someone else to decide if you’re worthy? Or is it up to you to free yourself from the burdens of your mistakes?
It’s a set of questions that Caitlyn takes with her when she visits Jinx in her cell. 
We start by seeing Caitlyn taking Jinx a tray of food, a sign of her good heart and the extension of a tentative olive branch before they get into having their first ever, real conversation.
‘Vi thinks that you’ve changed.’
‘She can’t accept what you and I know. There are no happy endings.’
Jinx’s response to Caitlyn’s statement immediately brings us back to Vi’s question for Caitlyn - ‘who decides who gets a second chance?’
Jinx is just as closed off to the idea as Caitlyn (‘We can’t erase our mistakes. None of us.’) and that immediately triggers Caitlyn. Because if they’re right, if they don’t deserve second chances, what’s left of them both?
Caitlyn wants accountability; from Jinx, from herself, and so she presses further:
‘Is that all you have to say for yourself? There won’t be a trial. I’m giving you this one chance to account for your actions, all the pain you’ve caused.’
But Jinx continues to look defeated and doesn’t react, showing a shell of the person Caitlyn knew her to be - the Jinx that Caitlyn despised. Caitlyn grows frustrated and bangs her fist into the cell bars.
‘No amount of good deeds can undo our crimes.’
Here Caitlyn takes accountability by saying ‘our crimes’, she knows they’ve both caused pain, but even that doesn’t get a reaction. Jinx is empty; empty of anger, of hate, of taunts. All the time she’s spent being vengeful hasn’t made her feel better, or changed anything that’s happened, it’s just left her utterly exhausted. There’s no fight left in her and she admits as much to Caitlyn:
‘Do what you came here to do.’
Caitlyn’s lingering anger disappears instantly as she recognises Jinx’s predicament as her own. The cost of their hatred, of their vengeance hasn’t been worth it. It’s cost them both exponentially. They’re both shells of who they were, who they should be.
‘Hating you… I’ve hated myself. I just don’t have the energy for it any longer.’
Caitlyn starts to walk away but before she gets far Jinx gives her the accountability that Caitlyn needs to hear from Jinx in order to free herself of her self hatred:
‘I didn’t know your mom was there. It probably wouldn’t have made a difference, but… I didn’t know.’
It’s not a sorry. These two will never say sorry to each other. They will never like each other. But this is the moment Caitlyn lets go of her hatred, of her need for justice. Jinx’s confession releases Caitlyn from the burden of her guilt over her mother’s death and breaks their cycle of violence.
In return, we see Caitlyn answer Vi’s question. She doesn’t say sorry, or beg for forgiveness, she acts. She orders all the guards to the Hexgates, leaving Jinx unguarded, and in doing so grants Jinx her second chance. She does it not only for herself and for Jinx, but for Vi. 
Caitlyn knows Vi will free Jinx because Vi loves unconditionally. She fights for those she loves and she can’t give up on Jinx because they’re family and Vi feels responsible for her. It’s the essence of who Vi is.
It’s something Caitlyn has come to understand from her grief because she too couldn’t let go; of her mother, of her guilt, of her hatred. It’s because of love that she became the commander and made the mistakes she did, and it’s because of love that Vi will do what she needs to save her sister. But most importantly it's because of love that Caitlyn is willing to let Vi save Jinx, even if that means letting Vi go. Cait’s giving Vi the freedom to make her own choice despite knowing it could cost her what she wants. And what Caitlyn wants more than anything is Vi. 
Caitlyn’s atonement for her sins begins in that one beautiful, selfless act of letting go.
When we next see Caitlyn she is freeing Vi from the cell that Jinx locked her in. Vi is punishing herself for what she thinks is her having made the wrong choice again. She really thought Jinx would help, but she didn’t, she left Vi, and now Vi’s worried that by betraying Cait to free Jinx, she’s lost Caitlyn too. 
‘Did you really think I needed all the guards at the Hexgates? Sorry to say, you’ve grown a bit predictable.’
We already know that Cait set Jinx’s escape up for Vi. That she prioritized her love for Vi over her hatred for Jinx, and in the one confession, Vi now knows it too. Caitlyn acted for her. Caitlyn sees Vi and accepts her fully.
We’ve already established that Caitlyn knew Vi would try to save her sister, but what we didn’t know for certain, and what Caitlyn most definitely didn’t know for certain, is would Vi still be there and would Vi still want her?
Here we get Vi’s answer when Vi finally takes what she wants and kisses Cait. 
Caitlyn can’t quite believe it, but when Vi just keeps on kissing her, it clicks for Cait that Vi does want her just as much as she wants Vi.
I adore the use of lighting in this scene, and I’ve seen a few wonderful posts analysing this in detail, so I won’t overstep. But i just wanted to note how clever it is to see Vi pull Cait out of darkness and back into the light. And while we’re talking about the light I will quickly add on a bit about Maddie. Vi couldn’t give two fucks about her. She didn’t when she met her, she didn’t when she saw her in Cait’s house, and she doesn’t give a fuck if she was in Cait’s bed. Vi knows Cait lost herself, and Maddie was simply something for Cait to lose herself in, as much as fighting and alcohol was for Vi. All that matters is now, and what matters now is her and Cait.
I could talk about their sex scene beat by beat but I think the fandom has analysed it to death beautifully already. What I will say is we see the culmination of both their arcs here. Vi, at Jinx’s behest, finally lets herself be happy and what makes her happy is Caitlyn. And Caitlyn uses every touch to apologise, to show her love and regret to Vi. She gives up the control that has kept her blindly focused on her revenge and hatred. Cait gives herself over completely to Vi’s love and redeems her soul by doing so. It’s beautiful to see Vi finally take what she wants.
The culmination of this episode is heartwarming. We see Cait giving Jinx a second chance, Jinx then in turn gives Vi a second chance by setting her free from the burden of their tormented past, and Vi returns that grace by granting Cait a second chance from her mistakes. 
The three of them break the cycle together.
—-
Ep 9 -
A lot happens in this final episode but I’m strictly going to try and focus on Caitlyn and Vi before this analysis grows any longer.
Piltover is preparing for Ambessa’s and Viktor’s attack. We see Caitlyn and Vi in the council bunker with Jayce and Mel. Here Jayce tells Caitlyn, Vi and Mel that he needs them to take the enforcers and buy him as much time against Ambessa’s forces while he shuts down the Hexgates.
When Jayce says this is a fight they’re supposed to lose, Vi’s fist visibly clenches. She doesn’t like losing fights, and definitely doesn’t want to lose this one now that she’s finally letting herself be happy, but you can tell Vi is tired. She’s been fucking through it emotionally and physically these past 2 seasons and Cait catches her anxiety instantly. It’s only a fleeting moment, but we see Cait cover Vi’s hand and squeeze in support and encouragement. Vi doesn’t have to fight alone anymore. They can fight together.
Here we see Caitlyn embodying her role as the commander she was always meant to be when she says they can stop Viktor, and determidly shoves his little model down. I love seeing her so strong and resolved here. She’s got far too much to fight for and to put right to admit defeat so easily.
While Vi is off with her batch of enforcers leading a charge from one of the towers, Caitlyn is down in the front line with her own squad fighting back the Noxian forces who have Ambessa leading the charge. 
We see Caitlyn with her trusty rifle and Maddie as her spotter fighting hard, but can only watch in horror as a shimmer fuelled army seems to be relentlessly coming for them. Commander Caitlyn kicks in and keeps her team going even when it seems like they might be losing. She fights with everything she has to put their plan into action, knowing that she has mistakes to atone for.
But something goes wrong and before she knows what’s happening, Caitlyn takes a massive hit to the back of the head. It winds her and leaves her struggling to get up, and when she does it’s to see that her enforcers have been captured by the Noxian troops, and Ambessa is marching straight towards her.
When she glances back to see who has a rifle aimed at the back of her head, Caitlyn comes face to face with Maddie. It’s here that we get the reveal that Maddie is a Noxian spy and has been working for Ambessa the entire time. It’s another mistake for Caitlyn, a failing of her judgment, once again made during her grief and manipulated by Ambessa perfectly.
‘I warned you of the hazards of professional entanglement.’
Ambessa’s gloating is a horrible reminder of how fair Caitlyn let herself fall beneath Ambessa’s influence, and I think it’s this self awareness, this shame, that causes Caitlyn to take her chance. She never really had any true feelings for Maddie, Caitlyn was using her for distraction just as Maddie was using her for information, and now she has an opportunity to atone for her sins by ending this war if she can just get the shot on Ambessa.
Caitlyn smashes the rifle back into Maddie’s face as she grabs it from her and takes her aim at Ambessa. But of course Ambessa anticipates Caitlyn’s reckless attempt, she goaded her into it after all, and Caitlyn once again pays the price for her mistakes when Ambessa thwarts her attack and stab’s Caitlyn in the stomach instead.
When Caitlyn falls to her knees before Ambessa and her mocking ‘desperation is the doorway to oblivion, child’ you can see the sorrow on Cait’s face. In her eyes she has failed. She’s failed Piltover, she’s failed herself, and she’s failed Vi. Filled with regret, I imagine Cait’s life flashes before her eyes as Maddie loads the gun and takes the shot.
There’s the sound of the gun firing, a cracking of gold, and then the wet sound of blood. Maddie’s body slops weightless down against her back before slumping to the ground and Caitlyn is left with the stark realisation that she isn’t dead. Her second chance is truly a second chance.
Enter Mel, in all her glorious magical power. While she faces off with her mother, Jinx joins the battle in her outlandish way, and the symbolism of second choices being worth having comes full circle as the chaos of her arrival grants Piltover and Zaun another chance to fight back.
The enforcers break free during the chaos and continue to fight, and Viktor’s hive mind army starts rushing the Hexgate while Mel and Caitlyn face off with Ambessa. 
This fight shows off Caitlyn’s redemption arc beautifully. With renewed strength Caitlyn is back on her feet and circling Ambessa as she exchanges heated words with Mel.
Fuck words though, Caitlyn is a woman made of action, and with determination thrumming through her veins, she punches Ambessa in the face, cutting off her self-serving tirade.
‘Shut up and fight.’
Caitlyn truly becomes the commander she was always meant to be when she challenges Ambessa here. She has a lot to prove, a lot to atone for and a lot left to fight for, and Caitlyn gives every bit of herself over to it, consequences be damned. She’s willing to give her life to save everyone, and if that’s not Caitlyn trying to be redeemed I don’t know what else she could do.
The fight sequence is incredible. Ambessa takes on her daughter duo skillfully. Ambessa is a tank of a woman, a fearless leader and a fierce fighter. But Caitlyn has grown and changed. She’s not the naive child Ambessa manipulated anymore, she’s a wise, hardened warrior with a good heart and an unwavering desire to make amends.
We see Caitlyn’s true, courageous strength in this scene as she uses Ambessa’s own Noxian teachings against her;
Caitlyn fights with all her might; she ignores the blade in her stomach and goes for Ambessa again and again, taking blow after blow but never quitting. 
She fights with vision; her intuitiveness effectively analysing Ambessa’s movement, choices and weaknesses. She sees the runic band around her arm deflecting Mel’s attacks, and plans to use it against her.
She fights with guile; when Ambessa has her on her knees, a blade heading towards her eye, and Ambessa’s air of victory about her, Cait uses the blade in her stomach to make her move and slices the band from Ambessa’s arm.
But most importantly Caitlyn sacrifices.
In season 1 she trades her prized rifle, which is essentially an extension of who Caitlyn is at her very core, to get the medicine needed to save Vi. Here, in the fight against Ambessa, Caitlyn gives over even more. She gives her eye - an actual piece of herself - to try and save Piltover and Zaun. Cait is a marksman, her sight is imperative, and yet Caitlyn gives her eye freely. She doesn’t do it for forgiveness but because she needs to try and make amends and put things right. She does it because she was willing to pay the ultimate price of her sins.
Words mean a lot, but so do actions, and Cait is redeemed by hers in these final episodes, in my opinion at least. 
After the battle is over and it appears they’ve won we don’t see Cait and Vi again until the very end but we do see Sevika taking a seat at the council. Cait has given her seat to Zaun. She took so much from them during her grief and hatred and now that she’s free from that, she gives them her seat so they can have a voice. Their own voice. I don’t personally see how Caitlyn could ever remain in the council when she was an oppressor to Zaun. She had to step back and give that up in order for the divide between Piltover and Zaun to continue to grow and heal. Her purpose in rebuilding will be found elsewhere.
With that said, we don’t know if Cait is still an enforcer or not, but we do see eye-patch Caitlyn back to her investigative ways. She’s pensively studying the Hexgates blueprint while twirling a piece of shrapnel between her fingers. It’s not just any piece of shrapnel though, it’s the head of one of Jinx’s monkey bombs. Caitlyn zooms in on the vents leading off the Hexgates, and it appears she’s pondering one question; could Jinx have survived and escaped?
The question is why is Caitlyn looking in the first place. Is she looking to simply help Vi with getting closure? Or is Cait looking because second chances and forgiveness become more healing with time? Is there a world where Caitlyn and Jinx can grow and heal enough to both be in Vi’s orbit without hurting her? It’s left open to interpretation. But it’s hopeful after all the pain the three of them have endured.
We see Vi looking emotionally and physically spent as she hums to herself. But she also looks calm and at peace. Humming, enjoying the fire, comfortably sitting like she’s at home in the Kiramman house. It’s heartwarming to see Vi looking safe; like she belongs.
Cait comes through from her investigating, and teases Vi slightly showing a domestic growth in their relationship. We don’t know how long it’s been but we can assume both cities are still in a state of rebuild and change. 
Caitlyn is still a Kiramman however. She might not be a commander anymore but she still has a sense of duty and will always want to help, and she checks in with Vi to see if she’s still there with her. Because Vi doesn’t have to fight anymore if she doesn’t want to, and if she doesn’t, Caitlyn won’t ask her too. 
‘Are you still in this fight, Violet?’
But the thing about Vi is no matter how emotionally and physically exhausted she is, or how beaten down, Vi will always get up. It’s just who Violet is at her core. Vi fights for what she loves, to protect and help them, and the person Vi loves more than anything is Caitlyn, so of course Vi is right there with her. 
‘I am the dirt under your nails, cupcake. Nothing’s gonna clean me out.’
Together they will weep, and laugh, and love, and heal, and work to make things better. Together they will keep moving forwards, always.
——
With all that picked apart, I think Caitlyn is a well rounded, flawed character, and she’ll always be up there as one of my favourites now. We see her go through hell and back and come out the other side with a good heart. She’s not perfect… but just like Vi, I love her.
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lukolabrainrot · 11 months ago
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London Thoughts and The Events Since
Alright, y'all have been requesting it, so here we go...
First, let's take a step into a little story shall we:
26 y/o boy living on his friend's couch trying to make it as an on-screen actor (but a sweet theater nerd at heart). Starts a new relationship with someone also into theater. It's homey and nice and going well. Boy is about to give up on breaking out of theater when BOOM now introducing Colin Bridgerton. Boy meets girl playing his romantic counterpart in the show and BOOM what is all this warmth he feels for her. Boy is in awe and just mesmerized by this girl. The boy loves this girl. But wait, the boy is a little bit younger than the girl, and the boy has a girlfriend. The boy wants to make things work with his girlfriend. He loves her. So the boy pushes those feelings down and becomes good friends with the girl, but they flirt with each other constantly, and others start picking up on an energy between them. The boy's girlfriend also starts picking up on the energy between her boyfriend and the girl. She knows what her boyfriend looks like when he is in love. The boy and the girl are going to finally be the leads in the show. It is a very exciting time, and the boy and girl get a lot closer. Things with the boy and his girlfriend start to sour for various reasons, and the girlfriend starts to get a little insecure and jealous of the girl. The boy tries to distance himself from the girl, but then has to redirect all his attention on the girl when they start filming their season. This is the breaking point with the boy and his girlfriend, and they part ways. The boy and the girl channel all of their pent up sexual chemistry and feelings into their characters, and they are having an amazing time. The dials on the flirting turn to 11, and they start toying with the idea of acting on their feelings in private. Eventually, they do. Their season wraps up, and they are having a great time with each other in private. Things are going well for a while, and they are playing sneaky little SM games with the fans to tease that they might be a little more than friends. However, the girl is pretty jaded about love, and has not prioritized that part of her life in a long time. The girl also really likes the boy, and doesn't want to mess anything up between them. The boy is ALL IN though, and wants something more than casual. The girl puts the breaks on the relationship, but there are a lot of deep feelings for each other that both of them have still not shared. The boy then goes on a HBS and casually dates people who seem totally different from the girl because the boy is a little heartbroken, and does not want to be reminded of the girl. The boy is also not emotionally available, because the boy and the girl never established firm boundaries on what their relationship will be moving forward. Eventually, the boy meets someone that he has fun with, and she gets along with his friends. However, the boy and the girl come back together to finish filming for their season, and ALL of the feelings come flooding back. But the boy is again (kind of) in a relationship, but BOOM the boy and the girl then have to spend the next 6 months promoting their season all over the world with all of these unresolved feelings...
Alright, I have to say, I had a lot of fun writing that 😂 Soooo, these are my theories on where L/N were at when the PR tour started in January. And then I already talked about my theories on what happened between them on the PR tour. Which leads us to London...
London
I will say this, I personally didn't observe any MAJOR changes in the nonverbal cues in how L/N were interacting with each other in London. Also, which was particularly telling to me, N still had the total heart eyes for L (you can tell because L has this habit of losing track of what he is saying when she is looking at him like that, which he did at least twice from what I remember during the various interviews they did in London). She also just had this happy glow about her like she was really at ease and content (which I also thought was interesting because they both must have been SOO tired by this point 🤔). HOWEVER, I did notice that L seemed a little more anxious than normal, and started using more distancing language and just in general seemed way less on-board with the shipping around L/N. And by the London red carpet, I realized something big was going on internally for L based on the body language and behavior. SOME of that I think is because red carpet events are just challenging for him in general (might have something to do with his anxiety and ADHD). I also think though that there was a lot more going on BTS during this period than we were privy to at the time. Here are my thoughts on what was going on during London (based off everything we know now):
Let's first remember the goldmine that was Ireland (which was JUST a few days prior). And I choose to believe N that L/N stayed the weekend with her family (which is still WILD to me that she admitted that on a public interview, because people are obviously going to read into that 🙃). And also WHYYY would she lie about that, when it's such a personal thing and had nothing to do with the show. I mean yes, maybeee she was lying, but it just doesn't really make sense to me that she would lie about THAT.
I started noticing near the last leg of the tour (by Toronto), N started to be a LOT more obvious about her feelings for L, and was making some pretty big slip-ups (and personally I observed that it seemed L was the one who was noticing and trying to correct for that and not let the WHOLE cat out of the bag). Now why was N being so obvious? SHE WAS REALLY HAPPY WITH HIM. And I think this is a lot newer for N because she has been so jaded about love and romance for such a long time. Even though I firmly believe L fell first, I think this was a lot more of a big deal for N because she hasn't had something like this in a long time (imo). So she was just really excited and giddy and having a hard time hiding it.
I think L/N had some conversations while they were in Ireland about how they were going to handle their public narrative moving forward, because like I mentioned in my A theories here, L was always going to have to start publicly distancing himself from N (REGARDLESS of what was actually going on with L/N BTS). And personally, I think that started by the promo in London, which I think was kind of jarring for the public that was following along considering L/N's behavior just a few days before in Ireland.
Therefore, I think a lot of this change in body language and responses from L was coming from the feelings he was having around this, as well as knowing that soon he would have to go public with A. I'm sure this was incredibly stressful, and as we know, L is not very subtle or good at lying/hiding his true feelings. However, I don't think this shift in L was coming from any type of shift in feelings between L/N. I think by London, L had become super self-conscious and in his head about everything, and I think he was just ready to be done with the promo because it was giving him a lot of anxiety. I think a lot of those feelings though were coming from wanting to protect NICOLA. I think L/N had a plan on how they were going to handle distancing in their public narrative after the London premiere, BUT I personally believe A hijacked that narrative...
To Papgate and Beyond
So, I think we all know the events of everything that has happened since the London premiere between L/N/A, and I still stand by my thoughts on the situation here. This is what I will add (again, these are just theories though based on the information we have now and what I have observed):
I am fairly certain that A was responsible for tipping the paps off for the hotel pics because she was upset and trying to reclaim some control on the situation. It was obvious that DM's objective was to sell a certain narrative, and they weren't really able to get that because I don't think L had any plan to publicly acknowledge her that night (mainly based on the damage control he had to do right after, and how L/N were interacting on SM following the event). The only person who benefited from those pics was A, and all the roads lead back to her being involved with DM in some type of way if you look at all the information we have now. Now was L's team involved with the first set of pap pics after the after party? Maybe, I just don't have enough information to say yes or no. I could see though that this may have been planned in advance on his side to start to publicly distance/seperate himself some form N. However, I don't really have any information to prove that, more just a feeling.
I think part of the understanding that L came to with A after Brazil was allowing her to get attention by publicly linking herself to him, regardless of the negative impact it may have on his career in the short-run. I think the reason it seems like he is just passively letting things happen around him related to SM and the press is because HE IS. After Papgate 2.0 and all the information that came out around that, it became clear to me that A has a larger goal to get her name out there THROUGH HIM, regardless of how it makes him look. And I think there is an understanding between L/A that he's just not going to ask questions and let her do what she wants and let the cards fall where they may for right now.
Now you might say, that doesn't make a lot of sense, why would he do that, it seems like kind of a poor choice career wise? Yes, I agree, this was not a great career move (and I think he underestimated HOW MUCH of an impact this was going to have). However, like I have said, it is my belief that L decided he was going to take the bullet for what (MAY) have occurred between him and N on the tour because he's trying to protect NICOLA's public image. I think he had a different plan though on how he was going to introduce A to the public, but once A hijacked that, I think he was kind of just stuck in a situation where he had to let A do what she wants because again, HE DOESN'T WANT A TO LEAK INFORMATION ABOUT HIM AND N.
If ANY of my theories around A that I have mentioned so far are true (and I am almost certain that SOME of them are), there is NO way L/A are doing great on an emotional level. Which is why the public optics around them have looked so strange starting from when she was publicly introduced at Papgate. I think it is also PARTICULARLY telling that even though the cat is out of the bag regarding A, his team will still not publicly confirm she is his girlfriend. Personally, I think that is intentional because it makes it easier to untangle himself more quietly from her in like 3-4 months (which I think is the plan). I could be wrong though of course, but something in my gut, based on everything I have seen, tells me that they aren't all happy and boo'd up like A the press wants us to think. There are just too many weird and shady things going on BTS.
Lastly, I think it was ALWAYS the plan for L/N to publicly disconnect after the London premiere. However, that doesn't really have anything to do with their private relationship. We only see a small sliver of their lives, and we have no way of knowing the full story BTS because we don't know them. I also think a lot of people are struggling with the fact that there was SO MUCH content of them for MONTHS, and now we have been cut off cold turkey. I don't personally find though the lack of content or SM interactions with each other currently as a direct indicator of the status of their relationship (ex: I don't think it's a direct indicator that they have ill feelings towards each other). Let's assume my theory is correct that the PR tour forced the two of them to address some deep feelings for each other that they had been having for a while, and those feelings were reciprocated. And then this newfound evolution in their relationship played out on a very public stage while L was publicly connected to someone else. That is a lot of pressure and incredibly stressful. I could not even imagine. Therefore, I think L/N are navigating some complicated things in private, but I don't think that it negates the positive emotional shift they had during the tour. I think they need to take this time out of the public eye to explore these complex, newfound feelings and developments in their relationship. I still don't think though that we would have seen what we did between L/N during the tour by Toronto if they weren't on the same page about seriously exploring their romantic feelings at some point in the near future. But those are just my thoughts...
Anywhooo, that concludes my L/N timeline theories 😊 Thanks for coming to my TedTalk! 😂
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